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An Antiquty of Jainism
Jainism : An Image of Antiquity Published by Shri Jain Swetamber Khartargachha Sangha, Kolkata An analytical study of the historicity, antiquity and originality Chaturmass Prabandh Samiti of the religion of Jainism of a global perspective Sheetal Nath Bhawan Gauribari Lane Kolkata - 700 004 c Dr. Lata Bothra Printed in October 2006 by : Dr. Lata Bothra Type Setting Jain Bhawan Computer Centre P-25, Kalakar Street Kolkata - 700 007 Phone : 2268-2655 Printed by Shri Bivas Datta Arunima Printing Works 81, Simla Street Kolkata - 700 006 Shri Jain Swetamber Khartargachha Sangha, Kolkata Chaturmas Prabandh Samiti Price Kolkata Rupees Fifty only continents of the worlds, regarding Jainism. Jainism is a religion which is basically revolving within the PREFACE centrifugal force of Non-violence (Ahimsa), Non- receipt (Aparigraha) and the multizonal view Through the centuries, Jainism has been the (Anekantvad), through which the concept of global mainstay of almost every religion practiced on this planet. tolerance bloomed forth. Culturally, the evidences put forward by the There was a time splendour of Jainism, as a archaeological remnants almost all over the world starting religion and an ethical lifestyle was highly prevalent in from Egypt and Babylon to Greece and Russia inevitably the early days of our continental history. The remnants prove that Jainism in its asceticism was practiced from of antiquity portray a vivid image of the global purview prehistoric days. For what reason, till today, the Jaina whereby one can conclude that Jainism in different researchers have not raised their voice and kept mum forms and images was observed in different parts of about these facts, is but a mystery to me. -
Mable Ringling Museum of Art
INDIAN SCULPTURE IN THE MABLE RINGLING MUSEUM OF ART by R oy C. Cra ven, Jr. INDIAN SCULPTURE IN THE J OHN AND MABL E RINGLING MUSEUM OF ART by R oy C. Craven , J r. Un iversity o f Flo rida Mo n o graph s HUMANITIES i NO . 6, W n ter 1961 DA UNIVERS ITY OF FLORIDA PRESS GAIN SVILLE , FLORI E ’ EDITORIAL COMMITTEE Huma nities Monog raphs T . W TE HE B E T Chairman AL R R R , Profes sor of English CLIN T ON ADAM S Professor of Art H M C ARLES W . ORRIS Professor of Philosophy C A. R BE T . O R SON Profe ssor of Engli sh Associate Professor of German PY GH T 1961 BY THE B D OF CO RI , , OAR COM M ISSIONERS OF ST ATE INSTI T U TI ONS OF FLORIDA L IBRARY OF CONGRESS D 61-63517 CATALOGU E CAR NO . PRINTED BY THE BU LKLEY -NEWM AN PRINTING COM PANY PREFACE In 1956 a group of Indian sculptures was placed on display in the loggia of the John e e sev and M able Ringling Mus eum of Art . Th s o n n enteen works were purchas ed by Mr. J h Ri g ling in the thirties at the clos e of his collecting ’ areer and t en la en in the e c , h y hidd mus um s r r ecor basem ent for some thi ty yea s . R ds which could tell of how and where these sculptures ere o ta ne a e een o t but the fa t t at w b i d h v b l s , c h they constitute a rich gift to the people of Flori a da is apparent in the works thems elves . -
Lord Mahavira Publisher's Note
LORD MAHAVIRA [A study in Historical Perspective] BY BOOL CHAND, M.A. Ph.D (Lond.) P. V. Research Institute Series: 39 Editor: Dr. Sagarmal Jain With an introduction by Prof. Sagarmal Jain P.V. RESEARCH INSTITUTE Varanasi-5 Published by P.V. Research Institute I.T.I. Road Varanasi-5 Phone:66762 2nd Edition 1987 Price Rs.40-00 Printed by Vivek Printers Post Box No.4, B.H.U. Varanasi-5 PUBLISHER’S NOTE 1 Create PDF with PDF4U. If you wish to remove this line, please click here to purchase the full version The book ‘Lord Mahavira’, by Dr. Bool Chand was first published in 1948 by Jaina Cultural Research Society which has been merged into P.V. Research Institute. The book was not only an authentic piece of work done in a historical perspective but also a popular one, hence it became unavailable for sale soon. Since long it was so much in demand that we decided in favor of brining its second Edition. Except some minor changes here and there, the book remains the same. Yet a precise but valuable introduction, depicting the relevance of the teachings of Lord Mahavira in modern world has been added by Dr. Sagarmal Jain, the Director, P.V. Research Institute. As Dr. Jain has pointed out therein, the basic problems of present society i.e. mental tensions, violence and the conflicts of ideologies and faith, can be solved through three basic tenets of non-attachment, non-violence and non-absolutism propounded by Lord Mahavira and peace and harmony can certainly be established in the world. -
January, 2011
Volume : 126 Issue No. : 126 Month : January, 2011 My soul characterised by knowledge and faith is alone eternal. All other phases of my existence to which I am attached are external occurrences that are transitory. Mahavira (Niyamasara, 99) TEMPLES SEVERAL HINDU AND JAIN TEMPLES FACE DEMOLITION IN THE MANGALORE AREA Mangalore, The Supreme Court has stated that 1,201 Hindu and 17 Jain places of worship are currently under threat of being demolished because they are considered to be religious institutions that are located in public places and apparently fall under a list of unauthorized religious construction. Mohan Gowda, Hindu Jana Jagruti Vedike spokesperson stated that the government has decided to go ahead with demolishing this large number of religious structures. The verdict of the Supreme Court clearly states that all religious structures that are built after December 7, 2009 must be demolished and most of these religious structures are Hindu temples across Mangalore. With regards to those places of worship built before December 7, 2009–they will be examined case by case before a decision is made for whether they will become regularized structures, relocated or demolished. A very short notice has been given with no opportunity for appeal and the state government in its affidavit to the Supreme Court has agreed to clear all illegal religious structures by the end of this month. Gowda further stated that although the Supreme Court has allowed for temples that are over 30 years old to be regularized, the Karnataka government is simply seeking to demolish because the process of regularizing will be time consuming and not worth their time. -
Mahavir Thoughts | Jainism Though
Jain Thoughts | Jain quotes | Jain Vichar | Mahavir Wani | Mahavir Thoughts | Jainism Though Written by Admin Wednesday, 11 January 2012 07:09 - Jain Thoughts | Jain quotes | Jain Vichar | Mahavir Wani | Mahavir Thoughts | Jainism Though Jain Information , Jain , Jainism , Jain World , Jain Songs , Mahavira Thought - Jain Minority & Jain Scholarship - Jain GROUP - Jain Site,jain,jainism,jain university,jain job,jain information,jain news,jain stavan,jain songs,jain world - Ni-Shulka Bird's Shibir,Save Birds - Vidhi Of Poshdashmi | Parshwanath Bhagwan Kalyanak Vidhi - Jain maun Ekadashi | Jain Festival | Maun 11 - Jain Navgrah Shanti Mantra - ??????? ?? ??? - Jain GyanPanchami Tap Vidhi - What harm is caused by firing crackers? - More CRACKERS PHOTO CLICK HERE - Shree Parshwa-Padmavati Aaradhna Mahotsav,2011 - JAIN 3D IDOLS - JAIN IDOLS OF TRITHNKAR BHAGWAN FOUND DURING EXCRAVATION AT RESIDENCY PROJECT AT SHANTINAGAR, AHMEDABAD ON 9/21/2011 - SNATRAPUJA VIDHI IN ENGLISH - LIVE SAMVATSARI PRATIKRAMAN - Jain Aangi Photos - Jain Paryushan Recipes - live jain webcast - panyas chandra shekhar vijayji maharaj saheb Palkhi - 1 CALL=1 VOTE - Chaturmas 2011 & Jain Chaturmasik Kal Maryada - jain moorti - Rajmundri a.p.Me aaj 8am ko hua CHAMATKAR A.Hemendrasuriji m.s. Ka photo svatah divar par ankit hua, - Shocking news: UP Police has arrested the Jain Monk in deep night at 2 am - JAIN FREE SMS SEVA - Shree Navpad Oli Vidhi - Shree AanadDhanji Jain Pad(STAVAN) - Twelve Bhävanäs (Reflection on Soul) - JAINSITE ADVERSITISEMENT - Jain Tour - -
Jain Values, Worship and the Tirthankara Image
JAIN VALUES, WORSHIP AND THE TIRTHANKARA IMAGE B.A., University of Washington, 1974 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE DEPARTMENT OF ANTHROPOLOGY AND SOCIOLOGY We accept this thesis as conforming to the required standard / THE UNIVERSITY OF BRITISH COLUMBIA May, 1980 (c)Roy L. Leavitt In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of Anthropology & Sociology The University of British Columbia 2075 Wesbrook Place Vancouver, Canada V6T 1W5 Date 14 October 1980 The main purpose of the thesis is to examine Jain worship and the role of the Jains1 Tirthankara images in worship. The thesis argues that the worshipper emulates the Tirthankara image which embodies Jain values and that these values define and, in part, dictate proper behavior. In becoming like the image, the worshipper's actions ex• press the common concerns of the Jains and follow a pattern that is prized because it is believed to be especially Jain. The basic orientation or line of thought is that culture is a system of symbols. These symbols are implicit agreements among the community's members, agreements which entail values and which permit the Jains to meaningfully interpret their experiences and guide their actions. -
Jain Worship
?} }? ?} }? ? ? ? ? ? Veer Gyanodaya Granthmala Serial No. 301 ? ? ? ? ? ? VEER GYANODAYA GRANTHMALA ? ? ? ? ? ? ? ? This granthmala is an ambitious project of D.J.I.C.R. in ? ? ? ? which we are publishing the original and translated ? ? JAIN WORSHIP ? ? works of Digambar Jain sect written in Hindi, ? ? ? ? ? English, Sanskrit, Prakrit, Apabhramsh, ? ? ? ? ? -:Written by :- ? ? Kannad, Gujrati, Marathi Etc. We are ? ? Pragyashramni ? ? also publishing short story type ? ? ? ? books, booklets etc. in the ? ? Aryika Shri Chandnamati Mataji ? ? interest of beginners ? ? ? ? ? ? ? ? and children. ? ? Published in Peace Year-2009, started with the inauguration of ? ? ? ? 'World Peace Ahimsa Conference' by the Hon'ble President of India ? ? -Founder & Inspiration- ? ? ? ? Smt. Pratibha Devisingh Patil at Jambudweep-Hastinapur on 21st Dec. 2008. ? GANINI PRAMUKH ARYIKA SHIROMANI ? ? ? ? ? ? ? SHRI GYANMATI MATAJI ? ? ? ? ? ? ? ? -Guidance- ? ? ? ? ? ? ? ? Pragya Shramni Aryika Shri Chandnamati ? ? ? ? Mataji ? ? ? ? ? ? ? ? -Direction- ? ? ? ? ? ? ? ? Peethadhish Kshullakratna Shri Moti Sagar Ji ? ? -: Published By :- ? ? ? ? Digambar Jain Trilok Shodh Sansthan ? ? -Granthmala Editor- ? ? ? ? Jambudweep-Hastinapur-250404, Distt.-Meerut (U.P.) ? ? ? ? Karmayogi Br. Shri Ravindra Kumar Jain ? Ph-(01233) 280184, 280236 ? ? ? All Rights Reserved for the Publisher ? ? E-mail : [email protected] ? ? ? ? Website : www.jambudweep.org ? ? ? ? ? ? Composing : Gyanmati Network, ? ? Chaitra Krishna Ekam ? ? ? First Edition Price Jambudweep-Hastinapur -
Sculptural Art of Jains in Odisha: a Study
International Journal of Humanities And Social Sciences (IJHSS) ISSN (P): 2319-393X; ISSN (E): 2319-3948 Vol. 6, Issue 4, Jun - Jul 2017; 115 - 126 © IASET SCULPTURAL ART OF JAINS IN ODISHA: A STUDY AKHAYA KUMAR MISHRA Lecturer in History, Balugaon College, Balugaon, Khordha, Odisha, India ABSTRACT In ancient times, Odisha was known as Utkal, which means utkarsh in kala i.e., excellent in the arts. Its rich artistic legacy permeates through time, into modern decor, never deviating from the basics. Each motif or intricate pattern, draws its inspiration from a myth or folklore, or from the general ethos itself. Covered by the dense forests, soaring mountains, sparkling waterfalls, murmuring springs, gurgling rivers, secluded dales, deep valleys, captivating beaches and sprawling lake, Odisha is a kaleidoscope of past splendor and present glory. Being the meeting place of Aryan and Dravidian cultures, with is delightful assimilations, from the fascinating lifestyle of the tribes, Odisha retains in its distinct identity, in the form of sculptural art, folk art and performing art. The architectural wonders of Odisha must be seen in the Jain caves, which speak about the fine artistry of Odisha’s craftsmen, in the bygone era. The Odias displayed their remarkable creative power, in the Jain sculptural art. While they built their caves like giants, they sculptured the caves like master artists. The theme of these sculptures was so varied, for the artist and his imagination so deep that, as if, he was writing an epic on the surface of the stone. KEYWORDS: Art, Architecture, Sculpture, Prolific INTRODUCTION Odisha has a rich and unique heritage of art traditions, beginning from the sophisticated ornate temple architecture, and sculpture to folk arts, in different forms. -
The Transformations and Challenges of a Jain Religious Aspirant
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DigitalCommons@Florida International University Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 3-22-2016 The rT ansformations and Challenges of a Jain Religious Aspirant from Layperson to Ascetic: An Anthropological Study of Shvetambar Terapanthi Female Mumukshus Komal Ashok Kumar [email protected] Follow this and additional works at: http://digitalcommons.fiu.edu/etd Part of the Feminist, Gender, and Sexuality Studies Commons, New Religious Movements Commons, Other Religion Commons, Rhetoric Commons, and the Social and Cultural Anthropology Commons Recommended Citation Ashok Kumar, Komal, "The rT ansformations and Challenges of a Jain Religious Aspirant from Layperson to Ascetic: An Anthropological Study of Shvetambar Terapanthi Female Mumukshus" (2016). FIU Electronic Theses and Dissertations. Paper 2481. http://digitalcommons.fiu.edu/etd/2481 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida THE TRANSFORMATIONS AND CHALLENGES OF A JAIN RELIGIOUS ASPIRANT FROM LAYPERSON TO ASCETIC: AN ANTHROPOLOGICAL STUDY OF SHVETAMBAR TERAPANTHI FEMALE MUMUKSHUS A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS in RELIGIOUS STUDIES by Komal Ashok Kumar 2016 To: Dean John F. Stack Steven J. Green School of International and Public Affairs This thesis, written by Komal Ashok Kumar, and entitled The Transformations and Challenges of a Jain Religious Aspirant from Layperson to Ascetic: An Anthropological Study of Shvetambar Terapanthi Female Mumukshus, having been approved in respect to style and intellectual content, is referred to you for judgment. -
Vikram Samvat 2076-77 • 2020
Vikram Samvat 2076-77 • 2020 Shri Vikari and Shri Shaarvari Nama Phone: (219) 756-1111 • [email protected] www.bharatiyatemple-nwindiana.org Vikram Samvat 2076-77 • 2020 Shri Vikari and Shri Shaarvari Nama Phone: (219) 756-1111 • [email protected] 8605 Merrillville Road • Merrillville, IN 46410 www.bharatiyatemple-nwindiana.org VIKARI PUSHYA - MAGHA AYANA: UTTARA, RITU: SHISHIRA DHANUSH – MAKARA, MARGAZHI – THAI VIKARI PUSHYA - MAGHA AYANA: UTTARASUNDAY, RITU: SHISHIRA MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY DHANUSH – MAKARASATURDAY, MARGAZHI – THAI VIKARI PAUSHA S SAPTAMI 09:30 ASHTAMI 11:56 NAVAMI 14:02 PUSHYA - MAGHA SUNDAY MONDAY TUESDAY WEDNESDAY 1 THURSDAY 2 FRIDAY 3 SATURDAY 4 AYANA: UTTARA, RITU: SHISHIRA SAPTAMI FULL NIGHT DHANUSH – MAKARA, MARGAZHI – THAI VIKARI PAUSHA S SAPTAMI 09:30 ASHTAMI 11:56 NAVAMI 14:02 PUSHYA - MAGHA SUNDAY MONDAY TUESDAY WEDNESDAY 1 THURSDAY 2 FRIDAY 3 SATURDAY 4 AYANA: UTTARA, RITU: SHISHIRA SAPTAMI FULL NIGHT DHANUSH – MAKARA, MARGAZHI – THAI VIKARI PAUSHA S SAPTAMI 09:30 ASHTAMI 11:56 NAVAMI 14:02 PUSHYA - MAGHA SUNDAY MONDAY TUESDAY WEDNESDAY 1 THURSDAY 2 FRIDAY 3 SATURDAY 4 AYANA: UTTARA, RITU: SHISHIRA SAPTAMI FULL NIGHT DHANUSH – MAKARA, MARGAZHI – THAI VIKARI PAUSHA S SAPTAMI 09:30 ASHTAMI 11:56 NAVAMI 14:02 PUSHYA - MAGHA SUNDAY MONDAY TUESDAY WEDNESDAY 1 THURSDAY 2 FRIDAY 3 SATURDAY 4 AYANA: UTTARA, RITU: SHISHIRA SAPTAMI FULL NIGHT DHANUSH – MAKARA, MARGAZHI – THAI PAUSHA S SAPTAMI 09:30 ASHTAMI 11:56 NAVAMI 14:02 SUNDAY MONDAY TUESDAY WEDNESDAY 1 THURSDAY 2 FRIDAY 3 SATURDAY -
Vol. No. 99 September, 2008 Print "Ahimsa Times "
AHIMSA TIMES - SEPTEMBER 2008 ISSUE - www.jainsamaj.org Page 1 of 22 Vol. No. 99 Print "Ahimsa Times " September, 2008 www.jainsamaj.org Board of Trustees Circulation + 80000 Copies( Jains Only ) Email: Ahimsa Foundation [email protected] New Matrimonial New Members Business Directory PARYUSHAN PARVA Paryushan Parva is an annual religious festival of the Jains. Considered auspicious and sacred, it is observed to deepen the awareness as a physical being in conjunction with spiritual observations Generally, Paryushan Parva falls in the month of September. In Jainisim, fasting is considered as a spiritual activity, that purify our souls, improve morality, spiritual power, increase knowledge and strengthen relationships. The purpose is to purify our souls by staying closer to our own souls, looking at our faults and asking for forgiveness for the mistakes and taking vows to minimize our faults. Also a time when Jains will review their action towards their animals, environment and every kind of soul. Paryashan Parva is an annual, sacred religious festivals of the Jains. It is celebrated with fasting reading of scriptures, observing silence etc preferably under the guidance of monks in temples Strict fasting where one has to completely abstain from food and even water is observed for a week or more. Depending upon one's capability, complete fasting spans between 8-31 days. Religious and spiritual discourses are held where tales of Lord Mahavira are narrated. The Namokar Mantra is chanted everyday. Forgiveness in as important aspect of the celebration. At the end of Fasting, al will ask for forgiveness for any violence or wrong- doings they may have imposed previous year. -
Depiction of Yaksha and Yakshi's in Jainism
International Journal of Applied Research 2016; 2(2): 616-618 ISSN Print: 2394-7500 ISSN Online: 2394-5869 Impact Factor: 5.2 Depiction of Yaksha and Yakshi’s in Jainism IJAR 2016; 2(2): 616-618 www.allresearchjournal.com Received: 13-12-2015 Dr. Venkatesha TS Accepted: 15-01-2016 Jainism, one of the oldest living faiths of India, has a hoary antiquity in Karnataka. No doubt, Dr. Venkatesha TS UGC-POST Doctoral Fellow this religion took its birth in North India. However, within a couple of centuries of its birth, Department of Studies and this religionis said to have entered into Karnataka. Jaina tradition ascribes III C.B.C. as the Research in History and date of entry of this religion to south India, and in particular to Karnataka. After this period Archaeology Tumkur Jainism grew from strength to strength and heralded a glorious era, never to be witnessed in University, Tumkur-572103 any part of India, to become a religion next only to Brahmanism in popularity and number. Though Jainism was spread over different parts of south India within the first few centuries of the Christian era, its nucleus as well as the stronghold was southern Karnataka. In fact, it is the general opinion that the history of Jainism in south India is predominantly the history of that religion in Karnataka. Such was the prominence that this religion enjoyed throughout the first millennium A.D. Liberal royal patronage extended by the Kadambas, the Gangas, the Chalukyas of Badami, the Rashtrakutas, the Nolambas, the Kalyana Chalukyas, the Hoysalas, the Vijayanagar rulers and their successors, resulted in the uninterrupted growth of this religion in southern Karnataka.