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NOVEMBER 1969 / ACADEMY OF MUSIC / 3

Festival of 69-70

The Brooklyn Academy of Music

in association with Harkness Ballet

REBEKAH HARKNESS, Producer

Thursday, November 6th, 1969

LONE ELISABETH BRUNILDA ISAKSEN CARROLL RUIZ

LAWRENCE HELGI PAUL RHODES TOMASSON SUTHERLAND

Hester Alexis Bonnie Marina Miyoko Fitz Gerald Hoff Mathis Eglevsky Kato

Salvatore Dennis Warren Aiello Wayne Conover

and

Oskar Antunez, Andrea Cagan, Balford Carr, Cheryl Clark, Priscilla Crommelin, Diane Duffy, James Dunne, Kristine Heinemann, Carlyn Muchmore, Dale Muchmore, Ernest Pagnano, Stephen Shaw, Jeanne Solan, Robert Thomas, Michael Tipton, Robin Welch, Susan Whelan, Morton Winston, Sara Yarborough

LAWRENCE RHODES, Directors

Robert Rogers Samuel Krachmalnick Principal Conductor Guest Conductor

Nicholas Cernovitch Felix Smith Lighting Designer Production Stage Manager

J. B. Cerrone General Manager

Lighting Equipment by FOUR STAR STAGE LIGHTING, INC., The use of cameras and recording equipment is strictly prohibited. (c0r7 o_206ra 4 / BROOKLYN ACADEMY OF MUSIC / NOVEMBER 1969 The Brooklyn Academy of Music The Brooklyn Academy of Music Is a department of the Brooklyn Institute of Arts and Sciences.

The Governing Committee Ticket Reservation Systems - TICKETRON Seth S. Faison, Chairman Edward S. Reid, Vice Chairman Computerized ticket selling system which Monroe D. Stein, Vice Chairman permits purchase of tickets to Academy Hon. Alexander Aldrich events at the following locations: Bernard S. Barr Mrs. H. Houghton Bell MANHATTAN: Donald F. Benjamin Gimbels 33rd St.; Chase Manhattan Bank, Dr. William M. Birenbaum 1 Chase Manhattan Plaza and 52nd St. Donald M. Blinken & Ave. of Freedom National John R. H. Blum Americas; Patrick Carter Bank, 275 W. 125th St.; Grand Central William B. Hewson Station, Information and Balcony Areas; Rev. W. G. Henson Jacobs Hunter College Concert Bureau, 695 Park Ave. Howard H. Jones Max L. Koeppel Msgr. Raymond S. Leonard BROOKLYN: Mrs. George Liberman Chase Manhattan Bank, Court and Mon- Harvey Lichtenstein tague Sts.; Four Season Ticket Informa- Mrs. Constance J. McQueen tion Association, 1625 Jerome Ave.; - Alan J. Patricof dom National Bank, 493 Nostrand Ave. James Q. Riordan William Tobey Administrative Staff LONG ISLAND: Harvey Lichtenstein, Gimbels, Roosevelt Field and Valley Director Stream; Grand Union, Great Neck; Gertz, Lewis L. Lloyd, Flushing, Jamaica, Hicksville, Great General Manager Neck, Bayshore; Austin Travel, Hemp- Charles Hammock, Asst. General Manager stead; Sears, Hicksville. Walter Price, Asst. Director, Press & Public Relations STATEN ISLAND: Thomas Kerrigan, Assistant to the Director Major's Travel. Ron Christopher, Public Affairs Coordinator Judith Blinken, WESTCHESTER: Music Program Coordinator Gimbels, Cross County Shopping Center; Betty Rosendorn, B. Altman and Co., White Plains; Sears, Administrator, School Time Program Yonkers. Sarah Welder, Administrator, Membership Program Jane Yockel, NEW JERSEY: AdministrativeAdmiYncistr Assistant Gimbels, Paramus and Moorestown; Mildred Levinson, Broadway Bank and Trust, Paterson; Administrative Secretary Grand Union, Morristown; Acme Adele Allen, Super- Administrative Secretary market, Somerville; B. Altman and Co., Sylvia Rodin, Short Hills; Customer Made Shirts, 31 E. Administrative Assistant Broad St., Westfield; Diners/Fugazy Frances M. sekienberg, Travel, Broad and Monmouth, Red Bank; Assistant, Public Affairs Food Circus, 835 Highway St., Middle- Merle Johnson, town; Levy Bros., Financial Secretary Clifton and Elizabeth; Linden Travel, Linden; Liptons Stores, Evelyn August, - Staff Assistant Bloomfield; Mercury Travel, 4 Lafayette, Paola Cohen, Trenton; Paramus Bowling, Rte. 17, Pa- Subscription Secretary ramus; Princeton University Store, House Staff Princeton; Ridgewood Newspapers, Alfred Salmaggi, Jr., House Manager Ridgewood; Steinbach Goerke, Asbury Alan Schnurmacher, Asst. House Manager Park, Bricktown, Elizabeth, Plainfield, Harry Pearl, Box Office Treasurer Red Bank; Stern Brothers, Paterson, Pa- Ronald Argenzio, Assistant ramus, Preakness; Valley Fair, Irvington; Donald Giebler, Assistant Woodbridge Travel, Woodbridge. Richard Beck, Master Carpenter Edward Cooney, Assistant CONNECTICUT: Donald Beck, Chief Electrician Gimbels, Stamford; Grand Union, Green- Louis Beck, Assistant wick; Lafayette Radio, Danbury; Stoler's, John Cooney, Property Manager Darien; Yale Cooperative Corp., 77 Broad- Charles Brette, Custodian way, New Haven, IN CASE OF FIRE, WALK, DO NOT RUN, TO THE NEAREST EXIT. NOVEMBER 1969 / BROOKLYN ACADEMY OF MUSIC / 3

MEMBERS OF THE BOARD OF TRUSTEES OF THE BROOKLYN INSTITUTE OF ARTS AND SCIENCES

Mr. Alexander Aldrich Mrs. Edward M. Fuller Mr. Warren H. Phillips Miss Marian Anderson Mr. Andrew L. Gomory Mr. Rutherford Platt Hon. Emil N. Boar Mr. Covington Hardee Mr. Eben W. Pyne Mr. Edward K. Bachman Mr. F. Warren Hellman Mr. Edward S. Reid Mr. Bernard S. Barr Mr. J. Victor Herd Mr. Frederick W. Richmond Mrs. H. Houghton Bell Dr. James McN. Hester Mr. James O. Riordan Mr. Donald F. Benjamin Mr. William B. Hewson Mrs. Thomas H. Roulston Dr. William Birenbaum Mr. John E. Heyke, Jr. Robert S. Rubin Mr. John R. H. Blum Mr. Winston E. Himsworth Mrs. Frank K. Sanders, Jr. Mr. Robert E. Blum Dr. R. Gordon Hoxie Mr. J. Falwell Scull, Jr. Mr. Gordon S. Orals lin Mrs. Darwin R. James III Mr. Donald G. C. Sinclair. Mr. Robert M. Burke Mr. Howard Jones Mr. Monroe D. Stein Mr. Patrick Carter Dr. John B. King Mr. Gerard Swope, Jr. Mr. Francis T. Christy Mr. Preston.L. Lambert Mr. Harold J. Szold Mrs. Robert T. H. Davidson Mr. Wilbur A. Levin Mrs. Hollis K. Thayer Mr. Sidney W. Davidson Mrs. Abbott A. Lippman Mrs. John F. Thompson, Jr. Mrs. Berton J. Delmhorst Mr. Alastair B. Martin Mr. William Tobey Mrs. Carroll J. Dickson Mrs. Emmet J. McCormack Mr. George R. Tollefsen Mr. Thomas A. Donnelly The Mr. Milton T. VanderVeer Very Rev. Eugene J. Molloy Mrs. Tracy S. Voorhees Dr. James B. Donovan Hon. Leonard P. Moore Mr. Francis B. Wadelton, Jr. Mrs. Mary Childs Draper Mr. Justin J. Murphy Hon. George C. Wildermuth Mr. Paul F. Ely Mrs. Louis Nathanson Mr. Robert Wilson Mr. Seth S. raison Mr. Michael C. O'Brien, Jr. Mrs. Earle Kress Williams Mr. Lewis W. Francis, Jr. Mr. Donald M. Dens lager Judge Joseph B. Williams

FOUNDATION AND CORPORATE CONTRIBUTORS A & S Foundation Marine Electric Corporation Albert and Greenbaum Foundation, Inc. Marine Midland Grace Trust Company American Airlines Foundation of New York Bache Corporation Foundation Martin's Bankers Trust Company Mays (J.W.) Department Store Bay Ridge Savings Bank (now Anchor) Matz Foundation Bristol-Myers Fund Merrill, Lynch; Pierce, Fenner and Smith, Inc. Brooklyn Savings Bank Henry and Lucy Moses Fund Brooklyn Union Gas Company Nathan's Famous, Inc. Burlington Industries Foundation National Lead Foundation Chase Manhattan Bank Foundation New York Community Trust Chemical Bank New York Trust Company - Brooklyn Heights Cities Service Foundation Cultural Fund Corning Glass Works Foundation - Prospect Park Cranshaw Corporation New- York Foundation CT Foundation New York Post Foundation Dell Publishing Company Foundation New York State Council on the Arts Dime Savings Bank of Brooklyn New York Telephone Company Dow Jones Foundation New York Times Foundation, Inc. Duplan Corporation Ogilvy & Mather, Inc. East New York Savings Bank Pack-Kahn Foundation Eighty Maiden Lane Foundation Pfizer Foundation Fawcett Enterprises, Inc. Jerome Robbins Foundation First National City Bank Foundation Rockefeller Brothers Fund Ford Foundation Rockefeller Foundation Greater New York Savings Bank F. & M. Shaefer Brewing Company Green Point Savings Bank Scherman Foundation Hudson Pulp and Paper Company Sears, Roebuck and Company IBM Corporation Shell Companies Foundation, Inc. Kaplan Fund South Brooklyn Savings Bank Kidder Peabody Foundation Spartans Industries Kings County Lafayette Trust Co. Trans World Airlines, Inc. Kirsch Beverages, Inc. Trump Foundation (Fred C.) Klein, Stephen and Regina, Foundation United Airlines Kraft. Corporation (National Dairy) Trust Company Lincoln Savings Bank vanAmeringen Foundation, Inc. Manufactureionrs Hanover Trust Company William C. Whitney Foundation Foundation Williarnsburgh Savings Bank

FRIENDS OF THE BROOKLYN ACADEMY Friends of the Brooklyn Academy offer assistance to the educational services provided by the Academy, inform the community of various programs at the Academy and help bridge the gap between receipts and costs. Membership is tax deductible to the extent provided by law. ANNUAL MEMBERSHIP Regular. $5.00 Supporting. _ -$10.00 Sponsor. .$25.00 Patron MOM Donor. $100.00 Benefactor $500.00 and over FRIENDS OF THE BROOKLYN ACADEMY OF MUSIC 30 Lafayette Avenue Brooklyn, New York 11217 Tel.: 783-6700 6 / BROOKLYN ACADEMY OF MUSIC / NOVEMBER 1969

MADRIGALESCO

Music by Antonio Vivaldi by Benjamin Harkarvy Scenery & Costumes by Nicholas Wijnberg Conductor: Robert Rogers

"Madrigalesco" is an evocation of the sentiments, manners, and graces of the aristocratic society so often reflected in portraits of the Italian Renaissance.

HESTER FITZGERALD BONNIE MATHIS

ROBERT THOMAS SALVATORE AIELLO

PRISCILLA CROMMELIN DIANE DUFFY

JEANNE SOLAN SARA YARBOROUGH

OSKAR ANTUNEZ WARREN CONOVER

JAMES DUNNE MICHAEL TIPTON

INTERMISSION ,-F-1.1961616

NOVEMBER 1969 / BROOKLYN ACADEMY OF MUSIC / 7

"N.Y. EXPORT, Op. JAZZ" (Production new to Harkness Ballet)

Choreography by Jerome Robbins Restaged with the assistance of Wilma Curley Music by Robert Scenery by Ben Shahn Costumes by Ben Shahn & Florence Klotz Lighting by Nicholas Cernovitch after Jean Rosenthal Conductor: Robert Rogers

"N.Y. EXPORT, Op. JAll" was first performed by JEROME ROBBINS' : USA at the Festival of Two Worlds in Spoleto, Italy in June of 1958. The following are the program notes from that production which concern the youth and of the late 50's. "There has always been a tremendous amount of popular dancing in America. At this time its vitality has reached a new high, developing and expanding in form and style from the major and basic contributions of the Negro and Latin-American. Because of a strong unconscious emotional kinship with those minority roots, the teenagers, particularly, have popularized these dances. Feeling very much like a minority group in this threatening and explosive world, the young have so identified with the dynamics, kinetic impetus, the drives and "coolness" of today's jazz steps that these dances have become an expression of our youth's outlook and their attitudes toward the contemporary world around them, just as each era's dance has significantly reflected the character of our changing world and a manner of dealing with it. "N.Y. EXPORT, Op. JAll" is a formal, abstract ballet based on the kinds of movements, complexities of rhythms, expressions of relationships and qualities of atmospheres found in today's dance."

Entrance: THE COMPANY

Statics: BRUNILDA RUIZ PAUL SUTHERLAND and SALVATORE AIELLO MICHAEL TIPTON DENNIS WAYNE MORTON WINSTON

Improvisations THE COMPANY Passage for Two LONE ISAKSEN, Theme, Variations and Fugue THE COMPANY KRISTINE HEINEMANN SALVATORE AIELLO ALEXIS HOFF BALFORD CARR LONE ISAKSEN LAWRENCE RHODES BONNIE MATHIS PAUL SUTHERLAND BRUNILDA RUIZ MICHAEL TIPTON JEANNE SOLAN HELGI TOMASSON ROBIN WELCH DENNIS WAYNE SARA YARBOROUGH MORTON WINSTON

INTERMISSION

(continued on page 10) 8 / BROOKLYN ACADEMY OF MUSIC / NOVEMBER 1969

The Brooklyn Academy of Music DIRECTORY OF FACILITIES AND SERVICES

Academy Dance Center Transportation Information Classes for ages 6-15 in ballet/modern The Academy now has a new telephone dance. Contact Virginia Schanher at tape line which lists round trip evening 783-6700. Bus Schedules from Manhattan as well as information on public transportation. Box Office Call 857-1575 Ticket booth in Lobby with 3 windows Express Buses - Manhattan to BAM Direct buses for most evening events leave Telephone: 783-2434 S.W. corners unless otherwise noted. No Hours: reservations necessary. Return: 15 minutes Monday through Saturday after performance. 10 am to 6 pm Fare: $1.25 round trip, 75y return (if avail- able) On performance days 10 am to 9 pm Schedule for 8:30 curtain. Buses leave 1 hour earlier for 7:30 curtain and one-half Sunday performance days hour earlier for 8:00 curtain. 1 pm to 9 pm East Side Check Room Located on the Orchestra Level of both Ave. & 86th St.-7:24 PM the Opera House and the Music Hall Lexington Ave. & 72nd St.-7:28 PM Lexington Ave. & 60th St.-7:32 PM Refreshments Lexington Ave. & 42nd St.-7:37 PM Available in Main Lobby during intermis- Second Ave. & 14th sions. Please do not bring refreshments St-7:47 PM Into the Auditoriums. Second Ave. & E. 5th St.-7:49 PM Academy of Music-8:10 PM Drinking Fountains Located in the restrooms in both the West Side Opera House and the Music Hall Broadway & 86th St.-7:22 PM Elevators Broadway & 72nd St.-7:26 PM 2 elevators from Main Lobby to Broadway & 58th St. (N.W. Corner)-7:30 PM Opera House Balcony 7th Ave. & 42nd St.-7:35 PM 7th Ave. & 14th St. (NM. Corner)-7:43 PM Information W. 8th St. & Ave. of Americas Round stands in lobby near front Corner)-7:48 PM entrances or at box office (S.E. Academy of Music-8:10 PM Lost and Found Transportation House Manager's Office, Stage Entrance Telephone: 783-6700 SUBWAYS. (All subway stops are located within one block of the Academy.) Lounges and Restrooms Opera House Atlantic Avenue Stop Ladies, Orchestra and Balcony Levels IRT (Lex. Ave.) Men, Mezzanine and Balcony Levels IRT (Bdwy and 7th Ave.) Music Hall BMT (Brighton) Ladies, Orchestra Level Pacific Street Stop Men, Balcony Level BMT (West End, Sea Beach, 4th Ave. Local) Public Telephones Main Lobby, Ashland Place Entrance Fulton Street Stop IND ("GO" Train) Smoking In Main Lobby, Lounges and Restrooms Lafayette Avenue Stop only IND ("A" Train) NOVEMBER 1969 / BROOKLYN ACADEMY OF MUSIC / 9

AUTOMOBILE ROUTES TO BROOKLYN ACADEMY OF MUSIC

UPPER AND LOWER MANHATTAN, for Downtown Brooklyn. After Expressway NORTHERN BRONX: becomes elevated again take "Manhattan Bridge Civic Center" exit, follow exit Henry Hudson Parkway and West Side around to Flatbush Avenue. Turn left on Highway to Canal Street. Canal Street to Flatbush Avenue, go 8 traffic lights to the Manhattan Bridge, over Bridge to Flatbush island opposite the Fox Theatre, turn left Avenue. Go 8 traffic lights to island in at island, then turn right at Fulton Street front of Fox Theatre, turn left at island, for two blocks, turn right on Ashland Place then turn right for two blocks, turn right for one block to the Academy. )) at Ashland Place to the Academy of Music. b) VIA THROGGS NECK BRIDGE: Take New England Thruway (or get on Thruway WEST BRONX from the Hutchinson River Parkway) over ( AREA): Throggs Neck Bridge. Continue on Clear- Major Deegan Expressway to Triborough view Expressway to the Long Island Ex- Bridge. Triborough Bridge to East River pressway (Manhattan bound) to the Brook- Drive. East River Drive to 25th Street Exit. lyn exit. (Brooklyn-Queens Expressway). (Just after Bellevue Hospital). 25th Street Follow insrtuctions (a) to Brooklyn. to 2nd Avenue, left on 2nd Avenue to 21st Street. Right on 21st Street to 3rd Avenue. NORTHERN QUEENS AND NASSAU: Left on 3rd Avenue to Manhattan Bridge Take Long Island Expressway to Brooklyn (Canal Street). Go 8 traffic lights to Fox exit in Queens. (Brooklyn-Queens Express- Theatre, turn left at island, turn right for way). Take Brooklyn-Queens Expressway to two blocks to Ashland Place, to the Aca- Downtown Brooklyn (keeping always to the demy of Music. right). After Expressway becomes elevated again take Manhattan Bridge, Brooklyn EAST BRONX (BRONX PARK AREA): Civic Center exit- Follow exit around to Flatbush Avenue, turn left on Flatbush Bronx River Parkway and Parkway Exten- Avenue, (follow instructions as to the sion to Bruckner Blvd. Bruckner Blvd. to island and traffic lights.) Triborough Bridge. Triborough Bridge to East River Drive. East River Drive to 25th Street exit. (Just after Bellevue Hospital). SOUTHERN QUEENS AND NASSAU: left on 2nd 25th Street to 2nd Avenue, Southern State Parkway to Belt Parkway. Avenue to 21st Street. Right on 21st Street After passing Kennedy take exit No. 22 to 3rd Avenue. Left on 3rd Avenue to Man- (No. Conduit Avenue) to Conduit Blvd. Con- Bridge (Canal Street). Left over hattan duit Blvd. to Atlantic Avenue. Atlantic Avenue. Go 8 Bridge to Flatbush traffic Avenue all the way to Flatbush Avenue. lights to Fox Theatre, turn left at island, Right on Flatbush Avenue for 1 block, bear turn right for two blocks on Fulton Street, right on to Ashland Place, 1 block to Lafay- one block on Ashland Place turn right for ette Avenue and the Brooklyn Academy of at Fulton Street to the Academy. Music.

EAST BRONX (EASTCHESTER SOUTHERN BROOKLYN: AND PELHAM PARK AREAS): Take Flatbush Avenue (or Ocean Avenue a) VIA WHITESTONE BRIDGE: Hutchin- or Ocean Parkway to Flatbush Avenue, or son River Parkway to Grand Central Park- in Bay Ridge take 4th Avenue to Flatbush way. Left on Grand Central to Long Island Avenue) to Flatbush and Atlantic Avenue. Expressway. Right on Long Island Express- Turn on Ashland Place - on left of the way to Brooklyn exit. (Brooklyn-Queens Williamsburgh Bank and go one block to Expressway). Keep to right following signs the Academy. 10 / BROOKLYN ACADEMY OF MUSIC / NOVEMBER 1969

GRAND PAS ESPAGNOL

Music by M. Moszkowski Choreography by Benjamin Harkarvy Costumes by loop Stokvis Conductor: Samuel Krachmalnick

A in the Russo-Spanish style typical of so many ballets of the late 19th century. The choreographer has dedicated this ballet to ... "Madame Anderson Ivantzova, former ballerina of the Bolshoi Theatre in Moscow, to whom I am indebted for teaching me the particular style in which this ballet is created."

ELISABETH CARROLL LONE ISAKSEN MARINA EGLEVSKY

HELGI TOMASSON LAWRENCE RHODES JAMES DUNNE

INTERMISSION

15_,,Nim, NOVEMBER 1969 / BROOKLYN ACADEMY OF MUSIC / 11

SOUVENIRS

Music by Samuel Barber Choreography by Todd Bo lender Scenery & Costumes by Rouben Ter-Arutunian Conductor: Samuel Krachmalnick

Time is 1912 and the place is the Royal Palms Hotel. The action of the ballet begins in the lobby of the Royal Palms Hotel (a resort similar to Deauville in Europe or Newport in America before World War I). Here the guests assemble; chance meetings, exciting encounters and discreet appointments are made.

(The cast in order of appearance)

Three Young Girls MARINA EGLEVSKY, KRISTINE HEINEMANN, DIANE DUFFY Husband and Wife at Tea DALE MUCHMORE, HESTER FITZGERALD Man About Town MICHAEL TIPTON Gigolo SALVATORE AIELLO Husband and Wife ROBERT THOMAS, MIYOKO KATO Vamp BONNIE MATHIS

Bride and Groom ROBIN WELCH, WARREN CONOVER I Dream Lover DENNIS WAYNE Elevator Operator STEPHEN SHAW Maid CARLYN MUCHMORE Hotel Guests CHERYL CLARK, PRISCILLA CROMMELIN, JEANNE SOLAN, SUSAN WHELAN, SARA YARBOROUGH, OSKAR ANTUNEZ, JAMES DUNNE, ERNEST PAGNANO

Scene 1 - The Lobby Scene 2 - Third Floor Hallway Scene 3 -A Corner of the Ballroom Scene 4 - Tea in the Palm Court Scene 5 -A Bedroom Affair Scene 6 - The Next Afternoon 12 / BROOKLYN ACADEMY OF MUSIC / NOVEMBER 1969

WHO'S WHO IN THE CAST Copenhagen and asked to work with the new LONE ISAKSEN was born in Theatre, studied there with Edith Feifere Frandsen and, Company. A with Ballet for one year, at the Royal Danish Ballet School. he had prominent roles in "Rodeo", "Interplay", and "Les Sylphides", "Theme and Variations", "Les She studied with Clothilde danced Alexander Sakarov in Sienna, Italy. When Elsa Nodes" and others. With Joffrey he Marianne Von Rosen, ballerina of the Scandi- leads in "Pas de Deesses", "Scotch Symphony", navian Ballet became ill, Miss Isaksen stepped "The Lesson", "Con Amore" and "Konserva. role of that company's production toriet". Mr. Sutherland joined the Harkness into the title in July 1969 and of La Sylphide to win critical acclaim. The Ballet as a principal dancer Joffrey Ballet will dance the role of Pepe (originally created ballerina danced with The Robert Ashes". before joining the Harkness Ballet at its incep- for him by Alvin Alley) in "Feast of tion. Last season New York critics and audiences He will also be featured in "Grand Pas Espag- hailed her for her performances in "Monument nol" and other works. For A Dead Boy", "Abyss", "After Eden", joined the Harkness Four Plus Four". BENJAMIN HARKARVY "Youth", and "Variations For Ballet as Director (in conjunction with Mr. of Paris, began Lawrence Rhodes) in July 1969. He was founder ELISABETH CARROLL, a native Dance her formal dance training in Cannes with Mme. and artistic director of The Netherlands When barely 14, she was awarded Theatre from 1959 through 1969. Previous to Julie Sedova. had been of a scholarship by Merika Besobrasova, ballet that, Mr. Harkarvy Carlo Opera Ballet and, the Netherlands National Ballet and artistic mistress of the Monte Born in a with that com- director of the Royal Winnipeg Ballet. shortly after, became a fulltime pany. Upon arrival In the United States, Miss Baldwin, N. Y., Mr. Harkarvy drew Ballet Theatre teaching and coaching schedule early in his Carroll joined the American and and rose to the position of first soloist. She danced career-first at the Fokine Ballet School Robert Joffrey Ballet later at his own ballet school. There he formed leading roles with The group which performed before becoming a charter member of the his own choreographic Harkness Ballet. The ballerina was much ap- his first ballets in 1955. Mr. Harkarvy has lec- this company's first New York tured considerably on the any facets of dance plauded during and has been season for her dancing in "Firebird", "Night here as well as abroad himself and "Variations For the subject of a 30-minute N.E.T.-TV program Song", "Time Out of Mind" addition to Four Plus Four". on their "Creative Person" series. In his work as one of the directors of the Harkness BRUNILDA RUIZ was born in Puerto Rico and Ballet, Mr. Harkarvy is responsible for the daily brought to New York when still an infant. She training of the dancers and the rehearsing of began her ballet training at Manhattan's 53rd part of the repertoire. Street YWCA, then entered the High School of Arts from which she was graduated ROBERT ROGERS (Conductor) joined the Hark- Performing 1966, as principal with honors. Miss Ruiz studied with Robert ness Ballet in November, and was subsequently pianist and conducted his first performances Joffrey during high school A invited to join his newly-formed company. She during the company's first New York season. Puerto Rico in 1966 for a triumphant native of Atlanta and a member of a family well returned to in Music guest appearance with the San Juan Ballet. known in the arts, he received his B.A. During the Harkness Ballet's first New York Theory and Composition from Brown University the ballerina was singled out for special and completed two years of post-graduate work season, at the Yale University School of Music. A scholarship from the Atlanta Music Club made Teigstitr",.1?7imrenegrtraobfleMiVnta"ase:'r'i which he in and "Firebird". possible a long tour of Europe during Hell" participated in the The Festival of Two Worlds LAWRENCE RHODES was introduced to the in Spoleto, Italy, and visited many other com- world of dance through a series of tap dancing panies as a member of the musical staff of lessons in his native city, Detroit, at the age Jerome Robbins' Ballets USA. Returning to this of ten. He studied ballet with Violette Armand country, Mr. Rogers toured as pianist with a and made his professional debut with Ballet Spanish dance company, and was musical Busse de Monte Carlo. Guest appearances with director for a number of off-Broadway musicals. the Ballet Camara of Mexico City, the Andre He was conductor of Peter Ustinov's "The Eglevsky Petit Ballet and several seasons with Unknown Soldier and His Wife" at Lincoln The Robert Joffrey Ballet preceded his joining Center's Vivian Beaumont Theatre. the Harkness Ballet at its inception. His per- formances in such works as "Monument For A REBEKAH HARKNESS (Producer) a native of Dead Boy", "After Eden", and "Youth" caused St. Louis, made her professional debut as a him to be described as of the most ex- dancer there in a production of "Aida", and, pressive male dancers-not only in America- according to Time Magazine, "retired by family but In" the world today" by Clive Barnes of The request at 19". She returned to the world of New York Times, Mr. Rhodes was appointed professional ballet with a work composed for Director of the Harkness Ballet in July, 1968. the Ballet de Marquis de Cuevas and at the Brussels World Fair. She has since spon- HELGI TOMASSON, from Reykjavik, Iceland, sored the highly successful European tour of began his dance training there at the age of Jerome Robbins' Ballets U.S.A., American and ten. He earned his first stage experience at the European tours of the Robert Joffrey Ballet, National Theatre of Reykjavik and at Copen- ' African tours, and Alvin Alley hagen's Pantomime Theatre. Jerome Robbins European tour, seven annual Rebekah Harkness recommended him for a scholarship at the Foundation Dance Festivals in Central Park, and School of American Ballet. His second trip to the Harkness Ballet. The company actually came the United States saw him join The Robert Into being at the Watch Hill (Rhode Island) Joffrey Ballet. He pined the Harkness Ballet to Ballet Workshop, but gave its first performance score an immediate success opposite Lone on October 5, 1964 at the White House before Isaksen in Daphnis and Chloe. In the present President and Mrs. Lyndon B. Johnson and a repertoire, the dancer shines in "Variations For distinguished audience assembled to honor Four Plus Four", "Night Song", "Canto Indio", Philippine President and Mrs. Dioskado Macke- "Madrigalesco", "Grand Pas Espagnol" and page!. The Harkness Ballet has since completed "Sylvia ". (Received silver medal four North American, two European and an at the First International Ballet Competition in international tour-with flying trips to Monte Moscow, U.S.S.R., June 1969.) Carlo and Venezuela. Through the William Hale and Rebekah Harkness Foundations, Mrs. Hark- PAUL SUTHERLAND landed his first job in sum- ness sponsors Harkness House for Ballet Arts. m=r stock, at the Dallas State Fair Musicals. home of the Harkness School of Ballet, Ballet He studied at the Ballet Theatre School. Two Close-ups and The Talking Drums, two cultural years later he joined the Royal Winnipeg Ballet. programs designed to introduce dance to public After two more years he became a member of school students and the Harkness Youth Com- Ballet Theatre. Following two United States pany, which danced at the White House on tours and a European tour, Mr. Sutherland was December 5, 1968. NOVEMBER 1969 / BROOKLYN ACADEMY OF MUSIC / 13

Performances at the Brooklyn Academy of Music by HARKNESS BALLET

Thursday, November 6, Evening Wednesday, November 12, Evening Madrigalesco Night Song "N.Y. Export, Op. Jazz" Canto Indio Grand Pas Espagnol A Season in Hell Souvenirs La Favorita

Friday, November 14, Evening Friday, November 7, Evening Time Out Of Mind Night Song Grand Pas Espagnol Le Diable A Quatre After Eden (new production) Souvenirs Monument For A Dead Boy Souvenirs Sunday, November 16, Matinee Madrigalesco Feast of Ashes Saturday, November 8, Matinee LeDiable A Quatre Time Out Of Grand Pas Espagnol Mind Feast of Ashes Sunday, November 16, Le Diable A Quatre Evening Souvenirs La Favorita A Season in Hell Canto Indio Saturday, November 8, Evening Time Out Of Mind Madrigalesco Monday, November 17, Evening Monument For A Dead Boy Le Diable A Quatre Night Song "N.Y. Export, Op. Jazz" L'Absence Sylvia Pas De Deux "N.Y. Export, Op. Jazz" Sunday, November 9, Evening Tuesday, November 18, Evening Grand Pas Espagnol L'Absence (premiere) La Favorita Canto Indio Monument For A Dead Boy Sylvia Pas De "N.Y. Export, Op. Jazz" Deux "N.Y. Export, Op. Jazz"

Monday, November 10, Evening Madrigalesco After Eden La Favorita (premiere) "N.Y. Export, Op. Jazz" Evenings ...... _ 830 P.M. Saturday Matinees 2:30 P.M. Tuesday, November 11, Evening Sunday Matinees 2:00 P.M. La Favorita Sunday Evenings 7:30 L'Absence P.M. Souvenirs Programs subject to change 14 / BROOKLYN ACADEMY OF MUSIC / NOVEMBER 1969

HARKNESS BALLET STAFF

Lynda Phillips Assistant General Manager Press Representative Reginald S. Tonry . Relations Robert Larkin .. . Public Maxine Glorsky Stage Manager Benjamin Harkarvy, Robert Vickrey Ballet Masters David Howard Guest Teacher Philip Kaesen Regisseur Arlene Z. Konowitz Wardrobe Supervisor H. Lee Huot Wardrobe Master Carpenter Elwell R. Cobb ... William J. Cummings Assistant Carpenter Electrician Frederick Giebler . Wayne Primeau Assistant Electrician David J. Nash ...... Propertyman

HARKNESS BALLET SYMPHONY ORCHESTRA

Neal Kayan Orchestral & Company Pianist Jesse Ceci Concertmaster Erik Kessler ...... Personnel Contractor William Gaffney Librarian Donald Stewart Music Copyist

MUSIC CREDITS

Vivaldi's Concerto for Strings and Cembalo in D Minor "Madrigalesco" Concerto Grosso for Two Violins, Cello and Strings in D Minor, Op. 30, No. 11 by arrangement with Franco Colombo, Inc. Moszkowski's Spanish Dances, Op. 12 by arrangement with C.F. Peters Corp. Surinach's "Doppio Concertino" by arrangement with Broude Bros. Surinach's "Ritmo Jondo" by arrangement with Associated Music Publishers Chavez's "Sinfonia India"; Hovhaness' "Arezekal-Concerto No. 1;" Barber's "Souvenirs"; and Creston's "Invocation and Dance" and "Choric Dance No. 2" by arrangement with G. Schirmer, Inc.