Just Like Me

Total Page：16

File Type：pdf, Size：1020Kb

Just Like Me (Paul Revere and the Raiders) It's just like me To say goodbye To say to you And leave me all Love me do Alone at night, waaa And I'll be true It's just like me And what I'd like To say to you For you to say Love me do Is you'll come home And I'll be true To me each day And what I'd like Hiku be my girl For you to say That's what I want Is that you'll love me Just you sweet thing Here each day And not a thing It's just like me It's just like me It's just like me To feel so good I'm acting the fool And fall so much That's how I'll be In love with you But it's just like you It's just like me To say goodbye It's just like me And leave me all I'm acting the fool Alone at night, waaa That's how I'll be It's just like me But it's just like you It's just like me... 121 "Just Like Me" is a 1965 single by Paul Revere & the Raiders featuring Mark Lindsay as vocalist and released on Columbia Records which marked the beginning of a string of garage rock classics. As their second major national hit, "Just Like Me" reached #11 on the US charts and was one of the first rock records to feature a distinctive, double-tracked guitar solo by guitarist Drake Levin. The tune itself was written by Rick Dey and Rich Brown of the Longview-based band The Wilde Knights. Raiders manager Roger Hart paid them $5,000 for the use of the song. Pat Benatar recorded a version of the song for her 1981 album Precious Time. The Circle Jerks also covered the song on their 1982 album Wild in the Streets. 122 .

Copy Link

Recommended publications

Mark Lindsay Bio
MARK LINDSAY BIO The former lead singer and co- founder of Paul Revere & the Raiders, Mark Lindsay was born in Oregon but raised in Idaho, where he began his career as the rockabilly singer in Freddy Chapman's Idaho Playboys. His bandmates were the guitar playing brothers Dick and "Mooney" White. The White Brothers had another gig playing rock and roll in the Red Hughes Band. Red later hired Paul Revere Dick on piano to join them. One night at the IOOF Hall in Caldwell, Idaho, Mark Lindsay showed up to listen, but he soon ripped off his glasses and made his way blindly to the stage, then impulsively asked if he could sing a song. He did, relished the crowd response for a few moments, and then – overcome with shyness – hastily left the hall. The next morning, Mark was back at his job at McClure's Bakery. Covered in flour and with his coke-bottle glasses back on, he was soon visited by Revere, who had come in to pick up buns for his hamburger stand. While Mark wrapped the order, Revere started talking about an incident that had happened at the dance that he played the night before. “It was the weirdest thing!” said Revere. “In the middle of the show, this skinny kid with a crazy look in his eye came up to the stage and asked to sing a song. So we let him.” Mark, knowing full well who the stranger was, casually asked,“How was he?” “Not bad,” Revere admitted. “It was ME!” replied Mark.
[Show full text]
PAUL REVERE & the Raiders: Pop/Garage Band &Amp
PAUL REVERE & THE RAIDERS: POP/GARAGE BAND and “LOUIE LOUIE” By Alan L. Chrisman Paul Revere, leader and keyboardist for American 60’s and 70’s band, Paul Revere & The Raiders just passed away recently. They had several big hits in the 60’s and the 70’s, such as “Kicks”, “Hungry”, “Just Like Me” “Him or Me-What’s it Gonna Be?” and “Indian Reservation”. They were known for their American Revolution costumes and pop songs, but would later be considered a garage band by the punk era. Their image and sound was created an American reaction to The Beatles and The British Invasion in the mid-60’s and they wrote and played some very catchy and popular hits. Paul Revere (his real middle name) founded the band, when he met lead vocalist, Mark Lindsay, in 1958, who was delivering buns to Revere’s restaurant in Idaho. Revere was drafted into the military, but as a conscientious objector, worked in a mental institution for a year and a half. They formed a band called The Downbeats and had a few regional hits and toured, at one point, with Leon Russell on piano. They got signed to Columbia Records because they had an early hit with the later garage band classic, “Louie Louie” in ’63. The song,”Louie Louie” has its own fascinating history: Originally written by Richard Berry in 1955, it was a minor R&B hit for him. Berry was the uncredited lead vocal on “Riot in Cell Block #9” by The Robbins who later turned into The Coasters.
[Show full text]
Dancing in My Underwear
Dancing in My Underwear The Soundtrack of My Life By Mike Morsch Copyright© 2012 Mike Morsch i Dancing in My Underwear With love for Judy, Kiley, Lexi, Kaitie and Kevin. And for Mom and Dad. Thanks for introducing me to some great music. Published by The Educational Publisher www.EduPublisher.com ISBN: 978-1-62249-005-9 ii Contents Foreword By Frank D. Quattrone 1 Chapters: The Association Larry Ramos Dancing in my underwear 3 The Monkees Micky Dolenz The freakiest cool “Purple Haze” 9 The Lawrence Welk Show Ken Delo The secret family chip dip 17 Olivia Newton-John Girls are for more than pelting with apples 25 Cheech and Chong Tommy Chong The Eighth-Grade Stupid Shit Hall of Fame 33 iii Dancing in My Underwear The Doobie Brothers Tom Johnston Rush the stage and risk breaking a hip? 41 America Dewey Bunnell Wardrobe malfunction: Right guy, right spot, right time 45 Three Dog Night Chuck Negron Elvis sideburns and a puka shell necklace 51 The Beach Boys Mike Love Washing one’s hair in a toilet with Comet in the middle of Nowhere, Minnesota 55 Hawaii Five-0 Al Harrington Learning the proper way to stretch a single into a double 61 KISS Paul Stanley Pinball wizard in a Mark Twain town 71 The Beach Boys Bruce Johnston Face down in the fields of dreams 79 iv Dancing in My Underwear Roy Clark Grinnin’ with the ole picker and grinner 85 The Boston Pops Keith Lockhart They sound just like the movie 93 The Beach Boys Brian Wilson Little one who made my heart come all undone 101 The Bellamy Brothers Howard Bellamy I could be perquaded 127 The Beach Boys Al Jardine The right shirt at the wrong time 135 Law & Order Jill Hennessy I didn’t know she could sing 143 Barry Manilow I right the wrongs, I right the wrongs 151 v Dancing in My Underwear A Bronx Tale Chazz Palminteri How lucky can one guy be? 159 Hall & Oates Daryl Hall The smile that lives forever 167 Wynonna Judd I’m smelling good for you and not her 173 The Beach Boys Jeffrey Foskett McGuinn and McGuire couldn’t get no higher .
[Show full text]
"Your Ticket to Dreamsville": the Functions of 16 Magazine in American Girl Culture of the 1960S
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2014 "Your Ticket to Dreamsville": The uncF tions of 16 Magazine in American Girl Culture of the 1960s Diana L. Belscamper University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the United States History Commons, and the Women's Studies Commons Recommended Citation Belscamper, Diana L., ""Your Ticket to Dreamsville": The unctF ions of 16 Magazine in American Girl Culture of the 1960s" (2014). Theses and Dissertations. 663. https://dc.uwm.edu/etd/663 This Dissertation is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. “YOUR TICKET TO DREAMSVILLE” THE FUNCTIONS OF 16 MAGAZINE IN AMERICAN GIRL CULTURE OF THE 1960S by Diana L. Belscamper A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in History at The University of Wisconsin-Milwaukee May 2014 ABSTRACT “YOUR TICKET TO DREAMSVILLE” THE FUNCTIONS OF 16 MAGAZINE IN AMERICAN GIRL CULTURE OF THE 1960S by Diana L. Belscamper The University of Wisconsin-Milwaukee, 2014 Under the Supervision of Professor Joe Austin This analysis reveals the ways in which 16 Magazine functioned in 1960s American girl culture, largely due to the influence of Gloria Stavers, the magazine’s editor. Stavers used the features in 16 Magazine to become an emulous mother who guided her readers through their private fantasy space, or “Dreamsville,” as well as the Cold War culture of the 1960s.
[Show full text]
Happy Together Tour 2013 Featuring “Flo & Eddie” of the Turtles to Perform at the Hanover Theatre on June 25 Covering 60 Top 40 Hits on One Stage
News Release For high res images and to arrange an interview CONTACT: Lisa Condit (508.471.1767 / [email protected]) 2 Southbridge Street · Worcester · MA 01608 or TheHanoverTheatre.org Laurie Carr (508.471.1768 / [email protected]) FOR IMMEDIATE RELEASE Happy Together Tour 2013 Featuring “Flo & Eddie” of The Turtles to Perform at The Hanover Theatre on June 25 Covering 60 Top 40 Hits on One Stage Worcester, MA (June 5, 2013)— In the three years since The Turtles featuring Flo & Eddie brought back some friends for the 25th anniversary tour in 2010, HAPPY TOGETHER has become one of the most successful summer tours in existence, constantly hitting the road and celebrating the music of the 60's for thousands of "Happy" fans to enjoy across North America. HAPPY TOGETHER TOUR 2013 -- comprised of The Turtles featuring Flo & Eddie, Chuck Negron, formerly of Three Dog Night, Gary Puckett & The Union Gap, Mark Lindsay, former lead singer of Paul Revere & The Raiders and Gary Lewis & The Playboys -- will debut at The Hanover Theatre for the Performing Arts in Worcester on Tuesday, June 25 at 7:30pm. This special performance will cover 60 top 40 hits live on one stage! "HAPPY TOGETHER TOUR 2013 will be the biggest and most successful tour we have done in the past seven years," states Mark Volman (aka "Flo") of The Turtles featuring Flo & Eddie. "It's 54 cities over nine weeks, and the groups on this year's show bring with them hours of hit songs and memories certain to please every fan of the 1960's.
[Show full text]
& the Too Loose Cajun Band
Vol. 44 • No. 8 • September 2019 www.positivelyentertainment.com Peter oolhiser Dammann Photos by Owen Carey & Bob W & The Too Loose Cajun Band Photo by Kathy Rankin PLUS: Mt. Hood Salmon, Mushroom & Big Foot Festival • Peninsula R&B Festival �� Free Listing with ad purchase or $10 per listing Bandstand OMHOF Induction Ceremony & Concert set Oct 12 at the Aladdin Theater The 13th Annual Oregon Music com and at the Aladdin box office, or solid guitar playing, and bee-stung Hall of Fame (OMHOF) Induction aladdin-theater.com. For up to date voice have won over music lovers of Ceremony and Concert with be information, check omhof.org. every age and stripe. Weaver has re- again this year at the Aladdin The- ARTISTS: leased seven CDs including this year’s ater on Saturday, Oct. 12 at 7 pm. 3 LEG TORSO 20th anniversary re-release of her 1999 The event will be sponsored long 3 Leg Torso formed in 1996 as a album Crow, and her new CD titled time supporter Elliott Powell Baden violin, accordion and cello trio intent on Gold. Sue also has sung harmony on & Baker Insurance Company. creating original modern chamber mu- over 50 local releases, including Jerry The event will honor Oregonians sic. Since that time, founding members Joseph, The Minus 5, Fernando, Casey who significantly influenced the Bela Balogh (on trumpet and violin) Neill, Lynn Conover, and kindie artist world of music from here in Oregon and accordionist Courtney Von Drehle Mo Phillips. She has opened with her and is a benefit for music education have overseen a few different line-ups, own music for Roger McGuinn, Loudon in the state of Oregon.
[Show full text]
UE Inv210616 Lps (Pdf)
Uncle Ed's LPs Artist Title Catalog# Label Released Release ID Folder ID no. Our Price Media Cond Sleeve Cond Format Notes "Big" Tiny Little Christmas With "Big" Tiny Little CRL 57391 Coral 1961 1899956Uncategorized Good Plus (G+) Good Plus (G+) LP, Album, Mono light scratches needs cleaned "Weird Al" YankovicIn 3-D BFZ 39221 Rock 'N' Roll Records 1984 584107Rock Good Plus (G+) Good (G) LP, Album Used, 2/14, BR Pawn, 10cc Bloody Tourists PD-1-6161, 2480 477 Polydor, Man Ken Records, Polydor1978 11689186 A In stock USED 200163 $8.00 Good (G) Good (G) LP, Album A little beat up in it's previous life, some scars on label. 10cc Bloody Tourists PD-1-6161, 2480 477 Polydor, Polydor 1978 7337716A In stock USED 200166 $10.00Very Good (VG) Very Good (VG) LP, Album, Mon generic inner sleeve 10cc How Dare You! SRM-1-1061 Mercury 1976 9097327B OUT OF STOCK Good Plus (G+) Good Plus (G+) LP, Album, Pit 2Pac Me Against The World B0031433-01 Interscope Records, UMe, Amaru2020 Entertainment 14922780 A In stock NEW 200005 $55.00 Mint (M) Mint (M) 2xLP, Album, RE, 180 new in cello wrap 2 lps never opened 180 gram. 25 ann. 38 Special (2) Special Forces SP-4888 A&M Records 1982 3490725Rock 200003 $6.00Very Good (VG) Very Good (VG) LP, Album, Club this album has original inner sleeves.has scratches on side 1 playes with no skips, still in cello wrap 38 Special (2) Tour De Force SP-4971 A&M Records 1983 9780549 Rock 200004 $10.00 Near Mint (NM or NearM-) Mint (NM or M-)LP, Album this album has original inner sleeve 38 Special (2) Wild-Eyed Southern Boys SP-4835 A&M Records 1980 4801045Rock 200001 $4.00Good Plus (G+) Good Plus (G+) LP, Album, y - this copy has original inner sleeve .has writing on cover nice copy 38 Special (2) Wild-Eyed Southern Boys AMLH 64835, SP 4835 A&M Records, A&M Records 1981 1909296 Rock 200002 $6.00 Very Good (VG) Very Good (VG) LP, Album OG inner sleeve, Sticker on outer Cover, Nice copy, new inner sleeve.
[Show full text]
?Efeî Áßaul and C/1Tary Their Very Best, on One Newwarner Bros
MAY 30, 1970 $1.00 SEVENTY -SIXTH YEAR The International Music-Record-Tape Newsweekly COIN MACHINE PAGES 61 TO 64 IMIC Publishers Col, Capitol Labels Busting Seek USSR Talks Top Billboard 'Bogus' Dealers NEW YORK -Georges Mey- tween the Soviet Union and By ELIOT TIEGEL erstein- Maigret, head of the Eastern European countries on ANGELES Warner toward some semblance of na- LOS - publishing division of the the one hand, and western Chart Survey Bros., Atlantic, Capitol and Co- "combat" against the problem. other, with a view Philips- Deutsche Grammophon tions on the lumbia have all entered into One other step which could Group, and Sal Chiantia, MCA towards increased use of each By MIKE GROSS programs of cutting off prod- be of great value to the vice president and chief of other's music and the recogni- which sell "cause" would be for some tion of rights therein. NEW YORK -Columbia Rec- uct to accounts Leeds Music, have been named tapes. agency of the industry to pub- co- chairmen of the Council for The creation of CIRMR was ords and Capitol Records led the bogus LP and singles field, respectively, These individual moves by licize arrests or civil actions International Recognition of a natural and spontaneous out- with taken by companies against pi- Music Rights (CIRMR), a body growth of IMIC II, which in the first quarter of 1970 ac- manufacturers, coupled cording to Billboard's Label stands taken by the Recording rates, believes Warner Bros. organized at the second annual brought together music execu- marketing vice president Joel International Music Industry tives from all parts of the world Share of Chart Report.
[Show full text]
Mark Lindsay
MARK LINDSAY pasadenaweekly.com: Levitt Pavilion Former Paul Revere and the Raiders singer Mark Lindsay brings his classic hits to Pasadena the Levitt Pavilion Sunday night. As the lead singer and saxophonist of Paul Revere Memorial Park and the Raiders, Lindsay rose to fame in the 1960s with a string of hits that included “Kicks,” which Rolling Stone eventually named one of the 500 greatest songs of Pasadena, CA all time. More than 50 years later, Lindsay’s still bringing musical memories back August 13, 2017 to classic rock fans by teaming up with Micky Dolenz of the Monkees for “The 50 Summers of Love Tour,” in addition to performing his own solo shows. Lindsay will be leading his own band Sunday night at the Levitt Pavilion Pasadena, blending a mix of the Raiders’ hits including “Hungry,” “Good Thing,” and “Him or Me - What’s It Gonna Be?” with tunes from his solo career, including the hits “Arizona” and “Silver Bird.” + + + + + Thanks to ijwthstd for sharing the show at Dime. ijwthstd noted: All year long I just assumed I would be going to see Deep Purple & Alice Cooper at the Greek Theatre. Except there were none of the usual bargains associated with these package tours. And the show sold out in advance. And the day of the show ticket drop in the front section ran around $180. Not one to sit at home and cry about missing a show I just went to this one instead. Super cheesy but it was still fun. + + + + + Lineage: AT831 > BB > DR-2d > Soundforge > FLAC MP3 Version 01.
[Show full text]
WDAM Radio's History of Paul Revere & the Raiders
WDAM Radio's Hit Singles History Of Paul Revere & The Raiders # Artist Title Chart Comments Position/Year 01 Paul Revere & The Raiders “Beatnik Sticks” – /1961 Boogie-woogie version of Chopsticks – this was their first single release. 02 Paul Revere & The Raiders “Like Long Hair” #38/1961 Based on Rachmaninoff’s Prelude In C-Minor – arranged by Gary Paxton of Hollywood Argyles and Skip & Flip, as well as myriad other production fame. 03 Paul Revere & The Raiders “Midnite Ride” – /1961 “Semi-auto-bio-graphical.” Gary Paxton – producer. This and the above two songs were released on the small/obscure label, Gardena. 04 Paul Revere & The Raiders “Louie, Louie” #103/1963 Recorded April 25. 1963. Initially released on Sande – their first hit single for Columbia. 04A Kingsmen “Louie, Louie” #2/1963 & Recorded April 6, 1963. #97/1966 04B Richard Berry & The “Louie, Louie” –/1957 West coast regional hit – never Billboard Pharoahs charted. 05 Paul Revere & The Raiders “Louie – Go Home” #118/1964 06 Paul Revere & The Raiders “Over You” #133/1964 06A Aaron Neville – “Over You” “Over You” #111-Rock & #21/R&B/1960 07 Paul Revere & The Raiders “Sometimes” #131/1965 07A Gene Thomas “Sometime” #53/1961 08 Paul Revere & The Raiders “Ooh Poo Pah Do” “Breakout Hit- Seattle”/1965 08A Jessie Hill “Ooh Poo Pah Do, Part 1” #28/1962 09 Paul Revere & The Raiders “Steppin’ Out” #46/1965 10 Paul Revere & The Raiders “Just Like Me” #4/1966 Featuring Mark Lindsay 10A Wilde Knights “Just Like Me” –/1965 This act wrote it – Paul Revere bought the song from them.
[Show full text]
P104-121 Discography Section 4
P104-121_Discography4-NOV14_Lr1_qxd_P104-121 12/9/14 4:26 PM Page 104 {}MIKE CURB : 50 Years DISCOGRAPHY “NEVER CAN SAY GOODBYE” ARTIST: GLORIA GAYNOR WRITER: CLIFTON DAVIS PUBLISHER: JOBETE “BACK IN THE COUNTRY” ARTIST: ROY ACUFF WRITER: EDWARD FUTCH PUBLISHER: SONY/ATV MILENE 1M2USIC1 CO, INC. TIME: 2:56 PRODUCER: MECO MONARDO, TONY BONGIOVI AND JAY ELLIS SPECIAL THANKS: STAN 1M2USIC5 (ASCAP) TIME: 2:14 MORESS MGM 2006 463, 1974 Roy Acuff was born in 1903 in Maynardsville, had the privilege of working with him in the 1970s, Gloria Gaynor’s version of “Never Can Say Goodbye” The song was originally recorded by the Jackson 5; Tennessee, and was known as the King of Country including his Billboard Country chart recording of “Back was a multi-genre hit; number one (for five weeks) on the Gaynor’s version came out as disco was becoming Music. Acuff is a member of the Country Music Hall of In The Country.” Dance Sales chart, number one (for four weeks) on the accepted by major labels. “This record was the first Fame and won a Lifetime Achievement Grammy. Curb Club chart in Billboard ; number 11 on the Adult number one hit on Billboard ’s Dance chart and the first Contemporary, number nine on the Hot 100, and it major dance hit,” said Mike Curb. “Gloria actually made the Billboard R&B charts in the fall and winter of became the first Disco Diva before Donna Summer took 1974-1975. that title one year later.” “TOO FAR, TOO LONG” ARTIST: DEGARMO AND KEY WRITER: EDDIE DEGARMO, DANA KEY PUBLISHER: “THINGS” ARTIST: RONNIE DOVE WRITER: BOBBY DARIN PUBLISHER: HUDSON BAY MUSIC (BMI) TIME: 2:31 1©2 19882 , 1989 DKB MUSIC (ADMIN.
[Show full text]
Mark Lindsey Arizona Free Download Mark Lindsay - Arizona Album Mp3
mark lindsey arizona free download Mark Lindsay - Arizona album mp3. Arizona (CD, Album, Ltd, RE, RM, Pap). Arizona (LP, Album, RE). Columbia. Mark Lindsay (born March 9, 1942) is an American musician, best known as the lead singer of Paul Revere & the Raiders. Lindsay was born in Eugene, Oregon, and was the second of eight children of George and Esther Ellis Lindsay. The family moved to Idaho when he was young, where he attended Wilder High School for a short time. Arizona, produced by Jerry Fuller, moved in the direction of adult pop, with songs by John Denver ("Leaving on a Jet Plane") and Rod McKuen ("Love's Been Good to Me"). The dynamic title track, with its hushed verses and bombastic chorus, became a Top Ten hit and Lindsay's most successful solo single, while the album's lone original composition, "Man From Houston," adopted an enticing country flavor. Mark Lindsay - Arizona (Re-Recorded, Remastered). Download MP3. Mark Lindsay. Album starts at 82BPM, ends at 86BPM (+4), with tempos within the -BPM range. Try refreshing the page if dots are missing). Recent albums by Mark Lindsay. Get the Tempo of more than 6 Million songs. Mark Lindsay - Arizona, 03:07, . MB download mp3 full version here. Artist: Mark Lindsay. Download Mark Lindsay - Arizona. Arizona: Best 2 songs. Mark Lindsay - Arizona (Re-Recorded) 03:07. Mark Lindsay: best 2 tracks. Mark Lindsay - Man from Houston The Complete Columbia Singles, 2014 03:06. Mark Lindsay - Like Nothing That You've Seen Like Nothing That You've Seen, 2013 03:27. I collect Mark Lindsay's music, which of course includes all that he did as the lead singer of Paul Revere and the Raiders.
[Show full text]