DOCSLIB.ORG

Il Bollettino INSTITUTE Dedicated to the History and Culture of Italians in America

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Il Bollettino INSTITUTE Dedicated to the History and Culture of Italians in America CALANDRA ITALIAN AMERICAN il Bollettino INSTITUTE dedicated to the history and culture of Italians in America VOLUME 3 • ISSUE 1 • WINTER 2010 TABLE OF CONTENTS 2 Dean’s Letter Personaggi: Rose Pascale 3 Thirtieth Anniversary 4 Italics CUNY News 5 Staff News IAFSAC Update 6-7 Counselor’s Report 8 Italianità alternativà 9 In Piazza: IAVANET Audience Profile From the Archives 10 Book Reviews 11 Conference: Terre Promesse back Calendar of Events The John D. Calandra Italian American Institute is a University Institute under the Aegis of Queens College/The City University of New York LETTER FROM THE DEAN instead, let others take possession of these issues— Italian Americans and non Italian Americans in the GRAMSCI AT LAGUARDIA Welcome to the fifth issue of the Calandra Institute media, for example—and we have been left to react. newsletter, il Bollettino! Since I last wrote, numerous We have rarely, as a community, had our own forums Who was Antonio Gramsci and things have occurred in these intervening months, and on this and other matters that have arisen in the past what is his legacy? This May a series you will read about many of them in this issue. once we have gone through that primary phase of of events at LaGuardia Community One of our best-attended events was, as expected, reacting to the issue, something valid by all means but College will investigate the influence the institute’s thirtieth anniversary this past November. only a first step. of the Italian political theorist. Celebrated in the law offices of John J. Calandra, son We have not, that is, engaged in any profound The Calandra Institute houses one of the late senator whose legacy the institute honors, examination and investigation of the “whys” and of the largest collections of writings by and about Gramsci (1891-1937), who there were close to 200 people in attendance. Two of “what-fors” of any of the hot-button issues that have endured long years of incarceration the previous five directors were present to share their troubled members of the Italian-American community. under Mussolini. It was generously memories of years past; and we bestowed upon three This is our task that lies ahead; and it is a donated by Professor John Cammett individuals the newly minted distinguished service long-term commitment that asks us to gather as a (John Jay College) in 2008. award, which will recognize those people who have community of Italian Americans at large (NIAF, Artists, academics, and activists will truly had a positive, indelible impact on society at large. NOIAW, OSIA, UNICO, other national Italian- work with students from LaGuardia You can read more about this event on the facing page. American organizations such as AATI and AIHA, Community College to expand our understanding of Gramsci’s key Among the many things you will read in this scholars, teachers, and writers) and investigate the concepts of culture and power. edition of il Bollettino is an entry dedicated to myriad of topics such as those mentioned above that Two acclaimed visual artists, “italianità alternativa,” or, loosely translated, alternative others have defined for us. Other ethnicities have done Thomas Hirschhorn and Hong-An Italian (read, Italian/American) culture. Most of us so; I especially have in mind the so-called “town-gown” Truong, will collaborate with the have surely recognized the diverse and multifaceted combination of, for instance, Bill Cosby and Professor LaGuardia community to realize nature of Italian America. For the most part, it is Alvin Poussaint. The Italian and Italian-American artworks that reactivate the questions indeed met with acceptance, if not, at the very least, communities here in the United States have not done that Gramsci posed in his seminal tolerance. One of our events, just this past January, so, and I would submit to you that, as much of a Prison Notebooks (Quaderni del carcere). a colloquium on “guido culture,” met with both stretch as it may seem in this context, the current An exhibition on Gramsci’s life and work, which includes materials from approbation on the part of many as well as disapproval situation of the Advanced Placement Exam in Italian is the Calandra Institute, will be curated on the part of a select few. It is this second minority symptomatic of such an absence of these practices. and displayed at LaGuardia. that articulated truculent and vituperative comments The Calandra nstituteI shall indeed continue to Two talks about Gramsci, culture, as well as calls for what we can only categorize engage with representatives of the above-mentioned and power will be held at the College as censorship, comments so vile that we found it organizations. So, keep your eyes and ears open for on May 21, 2010: necessary to have security present. The colloquium, future announcements. • 2:00–4:00 pm: Presentation by which was a response to the reactions to the pseudo- We continue to enjoy great support from all. Thomas Hirschhorn reality show “Jersey Shore,” was also oddly read as Our colleagues and friends within CUNY continue • 5:00–7:00 pm: Roundtable Discussion with CUNY faculty, support of the show, in spite of the fact that it was to be most helpful; many of the Italian-American including David Harvey (Graduate publicized as a presentation of a scholar’s research on community of the greater New York metropolitan Center), Vinay Gidwani (Graduate this subculture. The event, I am happy to say, went continue to be most encouraging. Much still needs Center), Benedetto Fontana (Baruch), off without a hitch, was attended by more than 120 to be done, and our future activities will continue and Kate Crehan (Staten Island). people, and was live cast on our Internet channel to explore the multifarious sectors of our extended This event is free and open to the (www.livestream.com/italics), where one can still view community as we move forward. So, be sure to join public. For more information, contact the colloquium in its entirety. All views on “guidoism” Professor Charity Scribner at charity. our electronic and postal mailing lists. [email protected]. were expressed, creating a dialog of the sort in which As I have stated before, we continue to benefit we should all engage, regardless of our differences of from the unyielding support from both Chancellor opinion. Namely, we witnessed a process of dialog Matthew Goldstein’s Office of CUNY and President and not, as we have seen often times in the past in our James Muysken’s Office of Queens College. They and il Bollettino is published by the community, denigration and dismissal. their staff have cleared many a path throughout these John D. Calandra Italian American Institute Problematic questions are what we as a first three and one-half years. QUEENS COLLEGE/CUNY community at large have not addressed. We have, 25 West 43rd Street, 17th floor New York, NY 10036 PERSONAGGI PHONE: 212-642-2094 FAX: 212-642-2030 EMAIL: [email protected] Rose Pascale (1916-2009) WEBSITE: qc.cuny.edu/calandra Rose Pascale was a community activist in New York City’s East Harlem neighborhood for sixty years, devoting her life to assisting mothers and children, securing housing for the homeless DEAN: Anthony Julian Tamburri and seniors, and guaranteeing that new immigrants received the social services they desperately MANAGING EDITOR: Lisa Cicchetti needed. Rose was born in New Brunswick, New Jersey, to Elizabeth and Louis Capaldo, EDITOR: Maria LaRusso immigrants from Melfi, Potenza province, Basilicata. The family moved to East Harlem when Rose was three years old. While in the eighth grade, Rose was required to quit school in order CONTRIBUTORS: Rosangela Briscese, Dominick to work to contribute to the family finances. She later married civic leader Pete Pascale, whose Carielli, Donna Chirico, Fred Gardaphé, mentor was Congressman Vito Marcantonio. In 1949, Rose volunteered at Harlem House Lucia Grillo, Joseph Grosso, Gabrielle Pati, located on East 116th Street, a settlement house now known as SCAN/LaGuardia Memorial Joseph Sciorra, Pierre Tribaudi, Nancy Ziehler House. During her years of volunteer work, Rose created a Young Mother’s Club for East Harlem residents that provided parent education as well as opportunites to vist museums and theatrical productions. She worked closely with her Contact the Calandra Institute to be husband for the Fresh Air Fund, sending more than 50,000 inner-city youngsters on summer vacations in the country. included on the newsletter mailing list. From 1969 until her retirement in 1986, she served as community liaison for the Manhattan borough president’s office. Provide your email address to receive Pascale also worked for years with the Greenwich Village community board. In 1997, she received the Governor’s Award the newsletter via email or your mailing for Community Leadership, and in the following year, she was awarded a proclamation from Manhattan borough address to receive a printed copy. president C. Virginia Fields in recognition of six decades of community activism in East Harlem and the city at large. 2 IL BOLLETTINO • WINTER 2010 • JOHN D. CALANDRA ITALIAN AMERICAN INSTITUTE • 25 WEST 43RD STREET, NEW YORK, NY 10036 • 212-642-2094 • [email protected] • HTTP://QCPAGES.QC.CUNY.EDU/CALANDRA/ First, Matilda Raffa Cuomo, creator of Closing comments by Dean Tamburri CALANDRA INSTITUTE Mentoring USA, was honored for launching expressed heartfelt gratitude to recent and CELEBRATES THIRTY YEAR the New York State Mentoring Program and long-standing members of the institute’s a collaborative initiative with the Calandra staff. Tamburri also pledged his continuing JOURNEY OF COUNSELING, Institute, entitled AMICI, designed to effort and leadership in helping guide the RESEARCH, AND SERVICE address the psychoeducational needs of at- institute to a new and more comprehensive risk Italian-American high school students.
Load more

Recommended publications
  • The Life and Times of Penny Arcade. Matthew Hes Ridan Ames Louisiana State University and Agricultural & Mechanical College
    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1996 "I Am Contemporary!": The Life and Times of Penny Arcade. Matthew heS ridan Ames Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Ames, Matthew Sheridan, ""I Am Contemporary!": The Life and Times of Penny Arcade." (1996). LSU Historical Dissertations and Theses. 6150. https://digitalcommons.lsu.edu/gradschool_disstheses/6150 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps.
    [Show full text]
  • Newsletter No. 6
    NEWSLETTER NO. 6 LAUNCHING (G)LOCAL LEVEL HERITAGE ENTREPRENEURSHIP: STRATEGIES AND TOOLS TO UNITE FORCES, SAFEGUARD THE PLACE, MOBILIZE CULTURAL VALUES, DELIVER THE EXPERIENCE Sixth study visit– “Last conspiracy” game Roving Museum Exhibition This is the sixth and also the last number of Sagittarius Newsletter. The project will finish at the end of May 2014. This means the conclusion of all project partners’ activities. In the latest newsletter we would like to present you the most important results that partners from 8 countries of South Eastern Europe have prepared and achieved in the three-year of implementation period of the Sagittarius project. 1. FIFTH TRANSNATIONAL PROJECT MEETING AND SIXTH STUDY VISIT IN PTUJ Sagittarius project partners have meet the fifth time in Slovenia on 4th and 5th of November 2013. The host of the project meeting was E-institution Ptuj and it took place in Grand Hotel Primus in Ptuj. 1.1 Fifth Transnational Project Partners Meeting (Ptuj) The representatives of all project partners came to the project meeting, and together we were 30 participants. All present were welcomed by Darko Ferčej the director of E- Institute Ptuj. Then the official program of the meeting started. We discussed several topics, as the project moved into the final implementation phase, where all project partners should demonstrate their partial project results and integrate them into common project outputs. First, we examine the so far results and physical indicators of the project. The review and discussion was moderated by the project manager Dorothea Papathanasiou - Zuhrt. The focal point of the discussion was Roving museum.
    [Show full text]
  • Magic: a Theory from the South
    MAGIC Hau BOOKS Executive Editor Giovanni da Col Managing Editor Sean M. Dowdy Editorial Board Anne-Christine Taylor Carlos Fausto Danilyn Rutherford Ilana Gershon Jason Throop Joel Robbins Jonathan Parry Michael Lempert Stephan Palmié www.haubooks.com Magic A THEORY FROM THE SOUTH Ernesto de Martino Translated and Annotated by Dorothy Louise Zinn Hau Books Chicago © 2001 Giangiacomo Feltrinelli Editore Milano (First Edition, 1959). English translation © 2015 Hau Books and Dorothy Louise Zinn. All rights reserved. Cover and layout design: Sheehan Moore Typesetting: Prepress Plus (www.prepressplus.in) ISBN: 978-0-9905050-9-9 LCCN: 2014953636 Hau Books Chicago Distribution Center 11030 S. Langley Chicago, IL 60628 www.haubooks.com Hau Books is marketed and distributed by The University of Chicago Press. www.press.uchicago.edu Printed in the United States of America on acid-free paper. Contents Translator’s Note vii Preface xi PART ONE: LUcanian Magic 1. Binding 3 2. Binding and eros 9 3. The magical representation of illness 15 4. Childhood and binding 29 5. Binding and mother’s milk 43 6. Storms 51 7. Magical life in Albano 55 PART TWO: Magic, CATHOliciSM, AND HIGH CUltUre 8. The crisis of presence and magical protection 85 9. The horizon of the crisis 97 vi MAGIC: A THEORY FROM THE SOUTH 10. De-historifying the negative 103 11. Lucanian magic and magic in general 109 12. Lucanian magic and Southern Italian Catholicism 119 13. Magic and the Neapolitan Enlightenment: The phenomenon of jettatura 133 14. Romantic sensibility, Protestant polemic, and jettatura 161 15. The Kingdom of Naples and jettatura 175 Epilogue 185 Appendix: On Apulian tarantism 189 References 195 Index 201 Translator’s Note Magic: A theory from the South is the second work in Ernesto de Martino’s great “Southern trilogy” of ethnographic monographs, and following my previous translation of The land of remorse ([1961] 2005), I am pleased to make it available in an English edition.
    [Show full text]
  • Queer Icon Penny Arcade NYC USA
    Queer icON Penny ARCADE NYC USA WE PAY TRIBUTE TO THE LEGENDARY WISDOM AND LIGHTNING WIT OF THE SElf-PROCLAIMED ‘OLD QUEEn’ oF THE UNDERGROUND Words BEN WALTERS | Photographs DAVID EdwARDS | Art Direction MARTIN PERRY Styling DAVID HAWKINS & POP KAMPOL | Hair CHRISTIAN LANDON | Make-up JOEY CHOY USING M.A.C IT’S A HOT JULY AFTERNOON IN 2009 AND I’M IN PENNy ARCADE’S FOURTH-FLOOR APARTMENT ON THE LOWER EASt SIde of MANHATTan. The pink and blue walls are covered in portraits, from Raeburn’s ‘Skating Minister’ to Martin Luther King to a STOP sign over which Penny’s own image is painted (good luck stopping this one). A framed heart sits over the fridge, Day of the Dead skulls spill along a sideboard. Arcade sits at a wrought-iron table, before her a pile of fabric, a bowl of fruit, two laptops, a red purse, and a pack of American Spirits. She wears a striped top, cargo pants, and scuffed pink Crocs, hair pulled back from her face, no make-up. ‘I had asked if I could audition to play myself,’ she says, ‘And the word came back that only a movie star or a television star could play Penny Arcade!’ She’s talking about the television film, An Englishman in New York, the follow-up to The Naked Civil Servant, in which John Hurt reprises his role as Quentin Crisp. Arcade, a regular collaborator and close friend of Crisp’s throughout his last decade, is played by Cynthia Nixon, star of Sex PENNY ARCADE and the City – one of the shows Arcade has blamed for the suburbanisation of her beloved New York City.
    [Show full text]
  • 30 24 AWP Full Magazine
    Read your local stoop inside. Read them all at BrooklynPaper.com Brooklyn’s Real Newspaper BrooklynPaper.com • (718) 834–9350 • Brooklyn, NY • ©2007 BROOKLYN HEIGHTS–DOWNTOWN EDITION AWP /18 pages • Vol. 30, No. 24 • Saturday, June 16, 2007 • FREE INCLUDING DUMBO BABY PRICEY SLICE BANDIT Piece of pizza soaring toward $3 Sunset Parker aids By Ariella Cohen The Brooklyn Paper orphaned raccoon A slice of pizza has hit $2.30 in Carroll Gardens — and the shop’s owner says it’s “just a matter of By Dana Rubinstein time” before a perfect storm of soaring cheese prices The Brooklyn Paper and higher fuel costs hit Brooklyn with the ultimate insult: the $3 slice. A Sunset Park woman is caring for a help- Sal’s Pizzeria, a venerable joint at the corner of less baby raccoon by herself because she Court and DeGraw streets, has punched a huge hole can’t find a professional to take over. in the informal guideline that the price of a slice “I’ve been calling for days, everywhere. I should mirror the price of a swipe on the subway. haven’t gotten no help from no one,” said Mar- Last week, owner John Esposito hung a sign in his garita Gonzalez, who has been feeding the cub front window blaming “an increase in cheese prices” with a baby bottle ever since it wandered into her for the sudden price hike from $2.15, which he set backyard on 34th Street near Fourth Avenue. last year. “I called the Humane Society, and from To bolster his case, Esposito also posted copies of there they have connected me to numbers and a typewritten “update” from his Wisconsin-based / Stephen Chernin cheese supplier, Grande Cheese, explaining that its prices had risen 35 cents a pound because of an “un- precedented” 18-percent spike in milk costs.
    [Show full text]
  • Number 140 / Summer 2017 Conversations Between Artists
    Conversations between Artists, Writers, Musicians, Performers, Directors—since 1981 BOMB $10 US / $10 CANADA FILE UNDER ART AND CULTURE DISPLAY UNTIL SEPTEMBER 15, 2017 Number 140 / Summer 2017 A special section in honor of John Giorno John Giorno in front of his Poem Paintings at the Bunker, 222 Bowery, New York City, 2012. Photo by Peter Ross. All images courtesy of the John Giorno Collection, John Giorno Archives, Studio Rondinone, New York City, 81 unless otherwise noted. John Giorno, Poet by Chris Kraus and Rebecca Waldron i ii iii (i) Giorno performing at the Nova Convention, 1978. Photo by James Hamilton. (ii) THANX 4 NOTHING, pencil on 82 paper, 8.5 × 8.5 inches. (iii) Poster for the Nova Convention, 1978, 22 × 17 inches. thanks for allowing me to be a poet electronically twisted and looped his own voice while a noble effort, doomed, but the only choice. reciting his poems. Freeing writing from the page, —John Giorno, THANX 4 NOTHING (2006) Giorno allowed his audiences to step into the physical space of his poems and strongly influenced techno- John Giorno’s influence as a cultural impresario, philan- punk music pioneers like the bands Suicide and thropist, activist, hero, and éminence grise stretches Throbbing Gristle. Yet it’s not Giorno’s use of technol- so widely and across so many generations that one ogy that makes his work memorable, but the sound can almost forget that he is primarily a poet. His work and texture of his voice. The artist Penny Arcade saw is a shining example of how, at their best, poems can him perform at the Poetry Project in 1969, and said, act as a form of public address.
    [Show full text]
  • 2017–2018 Annual Report
    2017–2018 ANNUAL REPORT GREENWICH VILLAGE SOCIETY PRESERVING FOR HISTORIC PRESERVATION OUR PAST, Trustees September 2018 President Mary Ann Arisman Ruth McCoy ENGAGING Arthur Levin Tom Birchard Andrew Paul Dick Blodgett Rob Rogers Vice Presidents Jessica Davis Katherine Schoonover Trevor Stewart Cassie Glover Marilyn Sobel OUR Kyung Choi Bordes David Hottenroth Judith Stonehill Anita Isola Naomi Usher Secretary/Treasurer John Lamb Linda Yowell FUTURE. Allan Sperling Justine Leguizamo F. Anthony Zunino Leslie Mason GVSHP Staff Andrew Berman Harry Bubbins Matthew Morowitz Executive Director East Village & Special Projects Program and Administrative Director Associate Sarah Bean Apmann Director of Research & Ariel Kates Sam Moskowitz Preservation Manager of Communications Director of Operations and Programming Lannyl Stephens Director of Development and Special Events Offices Greenwich Village Society for Historic Preservation 232 East 11th Street, New York, NY 10003 | T: 212-475-9585 | www.gvshp.org Support GVSHP–become a member or make a donation: gvshp.org/membership Join our e-mail list for alerts and updates: [email protected] Visit our blog Off the Grid (gvshp.org/blog) Connect with GVSHP: Facebook.com/gvshp Flickr.com/gvshp Twitter.com/gvshp Instagram.com/gvshp_nyc YouTube.com/gvshp 3 A NOTE FROM THE PRESIDENT As Andrew Berman our Executive Director I am pleased to report that again this year GVSHP continues to grow by every measure of an reported at our 2018 Annual Meeting this past organization’s success. Especially gratifying is the steady growth in our membership and the critical June, “this has been a real watershed year financial, political and moral support members provide for the organization.
    [Show full text]
  • Reviews & Press •
    REVIEWS & PRESS J. Hoberman. On Jack Smith’s Flaming Creatures (and Other Secret-Flix of Cinemaroc). Granary Books, & Hip’s Road, 2001. • Grubbs, David. "Review of On Jack Smith's 'Flaming Creatures.' " Bookforum 9.1: 15. It's a shame that Ted Turner dropped out of the film-colorization business before tackling Flaming Creatures. I'm trying to imagine Jack Smith's washed-out, defiantly low-contrast 1963 film being given the full treatment. Flaming Creatures is the work for which Smith is best known, a film that landed exhibitors in a vortex of legal trouble and quickly became the most reviled of '60s underground features. As J. Hoberman writes, "Flaming Creatures is the only American avant-garde film whose reception approximates the scandals that greeted L'Age d'Or or Zéro de Conduite." Smith's self-described comedy in a "haunted movie studio" is a forty-two-minute series of attractions that include false starts, primping, limp penises, bouncing breasts, a fox-trot, an orgy, a transvestite vampire, an outsized painting of a vase, and perilous stretches of inactivity. The sound track juxtaposes Bartók, Ali Baba and the Forty Thieves, the Everly Brothers, and an audience-baiting minutes-long montage of screams. Still, one suspects that the greatest trespass may have been putting Smith's queer "creatures" on display. If Hoberman's monograph makes Smith's filmic demimonde less other-worldly—colorizes it, if without the Turner motive—it does so in a manner more akin to the 1995 restoration of Jacques Tati's 1948 Jour de Fête. Tati's film was shot simultaneously in color and in black and white; had the experimental Thomson-Color process worked at the time, it would have been the first French full-length color film.
    [Show full text]
  • Italianità Alternativa Published on Iitaly.Org (
    Italianità alternativa Published on iItaly.org (http://ftp.iitaly.org) Italianità alternativa Joey Skee* (January 28, 2010) “Who, or more precisely, what is an Italian American? To some self-appointed arbiters of italianità, the answer is: Roman Catholic, conservative, and indisputably heterosexual.” If we have learned anything from the ongoing scrutiny of the Italian-American “experience” it is that said experience is any thing but singular. Italian-American histories and cultures are diverse, multifaceted, and ever open to new interpretations and revisions. Author George De Stefano [2] began a 2001 book review in the John D. Calandra Italian American Institute’s social-science journal, the Italian American Review [3] (vol. 8, no.2), with a rhetorical question: “Who, or more precisely, what is an Italian American? To some self-appointed arbiters of italianità, the answer is: Roman Catholic, conservative, and indisputably heterosexual.” If we have learned anything from the ongoing scrutiny of the Italian-American “experience” it is that said experience is any thing but singular. Italian-American histories and cultures are diverse, multifaceted, and ever open to new interpretations and revisions. The Calandra Institute’s public programs offer an opportunity to recognize and represent the diverse expressions of an italianità alternativa. Page 1 of 5 Italianità alternativa Published on iItaly.org (http://ftp.iitaly.org) On October 6, 2009, John Giorno [4] read from his selected works Subduing Demons in America [5] (Soft Skull Press, 2008) as part of the Institute’s Writers Read series. Giorno founded the artist collective Giorno Poetry Systems [6] in 1968, which used technology to make poetry accessible to new audiences and influenced spoken word and slam poetry.
    [Show full text]
  • Rivista Di Storia E Storie Dell'emigrazione
    CONSIGLIO REGIONALE DELLA BASILICATA 29 | 2017 RIVISTA DI STORIARIVISTA ESTORIE DELL’EMIGRAZIONE 31/32 | 2018 SOMMARIO archivio ufficio stampa Consiglio regionale della Basilicata Foto di Maria Teresa Quinto, Teresa Foto di Maria 2 PRIMO PIANO | 126 SCAFFALE | # IdentItalia, lucani per scelta Marcella Continanza in viaggio con la Sibilla a cura di: Alessandra Dagostini Loredana Costanza, Rosaria Nella, Raffaella Bisceglia, Domenico Torriello Lucani insigni 2017 132 PAROLANDO | 4 a cura di: Il mondo dei bambini tra bavaglinë Eva Bonitatibus, Angela Di Maggio, e camësèdda Roberta Nardacchione, Gina Tancredi Patrizia Del Puente Annaemilia Colucci, Rosanna Santagata Sara Lorusso, Francesco Caputo 138 SAGGIO | Miseria, violenza ed emigrazione 60 REPORTAGE | 5 Cristoforo Magistro Soc. M. S. San Rocco-Montescaglioso, 90 anni di storia 144 RITRATTO | a cura di: Vincenzo Marinelli Maria Andriulli Angela Castronuovo 80 PERISCOPIO | 150 PERCORSI D’ARTE | % Festival della Divulgazione Scultura tra enigma e concettualità a cura di: Piero Ragone Pierluigi Argoneto, Pietro Greco, Giuliana De Donno, Vania Cauzillo, Alessia Colaianni, l’arpa la mia migliore amica Guido Masiello, Cristina Da Rold, Margherita Romaniello Francesco Mastrorizzi, Mara Salvatore 120 RACCONTO | Vito Marcantonio, i diritti civili come faro di una straordinaria vita politica Saverio Romeo 1 Loredana Costanza Foto di Marco Fasanella, Giuseppe Lavano e storie familiari con le quali noi tutti ci siamo, a vario titolo, confrontati ci insegnano che negli anni del dopoguerra a emigrare erano incoscienti e “Lspauriti padri di famiglia che, in possesso di null’altro che della buona volontà e della forza delle propria braccia, riempivano la misera valigia di cartone dei sogni di una vita migliore per sé e per i propri cari.
    [Show full text]
  • Environmental Hazards and Society: Landsliding in Basilicata, Italy, with Specific Reference to Grassano
    1 Environmental Hazards and Society: Landsliding in Basilicata, Italy, with Specific Reference to Grassano by Stuart Oliver A dissertation submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy at the The London School of Economics and Political Science May 1993 UMI Number: U091966 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U091966 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 POLITICAL \ JL> oo O oo N) CA 2 A b s tra c t This dissertation takes a realist approach to examine landsliding in the Basilicata region of Italy, with specific reference to the municipality of Grassano, in order to understand humankind’s role in contributing to environmental hazards. It concludes that environmental hazards such as landslides have partiy-social causes, which are characteristic of the societies they affect, and any real accommodation with environmental hazards must involve radical social change. The dissertation analyzes the differing explanations for environmental hazards given by previous schools of thought. Passing to the empirical material to be examined using these ideas, it describes the current pattern of landslides in Basilicata and discusses whether the reported landslide hazard has increased during the twentieth century.
    [Show full text]
  • Lower East Side, Nyc September 23 - October 16, 2011
    MARKETLOWER EAST SIDE, NYC SEPTEMBER 23 - OCTOBER 16, 2011 OVER 40 GROUPS ORGANIZATIONS INDIVIDUALS & BUSINESSES URA HSpecial P S Seward Park Urban Section Renewal Area H Our ongoing investigation of the intersec- tion of art, labor, economics, and the produc- tion of unexpected social experiences has led us to initiate Introductionthis new project we call MARKET. The project creates space for direct conversations and reflections on the many diverse ways in which we make our world, and the kinds of social, economic, and cultural relationships we want to foster in our daily exchanges with others. [CONTINUED ON PAGE 3] FREE COMPLETE SCHEDULE PAGE 23 3 INTRODUCTION REVEREND BILLY AND THE CHURCH OF EAR- MUSEUM By Temporary Services THALUJAH 17 GOOD OLD LOWER EAST SIDE 4 PICTURE THE HOMELESS 11 CUCHIFRITOS LOWER EAST SIDE COMMUNITY THE TEETH OF THE ARCHIVE HESTER STREET COLLABORATIVE & SUPPORTED AGRICULTURE By Gregory Sholette and others THE WATERFRONT ON WHEELS THE LOWER EAST SIDE SQUATTER-HOME- CAKE SHOP BLUESTOCKINGS STEADER ARCHIVE PROJECT 5 PEOPS LOWER EAST SIDE PEOPLES’ FEDERAL CREDIT LIVING THEATRE By Fly UNION 18 COMMUNIST GUIDE TO NEW YORK CITY 6 HOUSE MAGIC BUREAU OF FOREIGN COR- 12 SPURA & THE CITY STUDIO By Yevgeniy Fiks RESPONDENCE Gabrielle Bendiner-Viani, Buscada & New School’s Urban Studies program ALPHABET CITY ACUPUNTURE DOWNTOWN COMMUNITY TELEVISION CENTER 14 BULLET SPACE CHIPPY DESIGN JIM’S PEPPER ROASTER DAMON RICH TZADIK HOWL! ARTS TIME’S UP! 19 SELECTED MUSIC FROM OR ABOUT THE LES 7 PLACE MATTERS 15 LOWER EASTSIDE GIRLS’ CLUB 20 ALLIED PRODUCTIONS LOWER EAST SIDE PRINTSHOP LOWER EAST SIDE HISTORY PROJECT SKIN BY KYRA 8 ABC NO RIO 16 LOCAL SPOKES ANTON VAN DALEN [CONTINUED P.
    [Show full text]