Steven Paul "Steve" Jobs
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Searching for Cultural Roots in Mona Simpson's the Lost Father
Advances in Language and Literary Studies ISSN: 2203-4714 www.alls.aiac.org.au Half Arab, Half American: Searching for Cultural Roots in Mona Simpson’s The Lost Father (1992) Riham Fouad Mohammed Ahmed* Department of English Language and Literature, Faculty of Arts, Aswan University, Egypt Corresponding Author: Riham Fouad Mohammed Ahmed, E-mail: [email protected] ARTICLE INFO ABSTRACT Article history This paper investigates the effect of being culturally hyphenated in the formation of identity as Received: September 14, 2018 represented in Mona Simpson’s The Lost Father (1992), in which the female protagonist is an Accepted: November 19, 2018 Arab-American who belongs ethnically to Arab culture and culturally to American one. Because Published: February 28, 2019 of the absence of her father, she knows nothing about her homeland (Egypt) and/or Arab culture. Volume: 10 Issue: 1 The protagonist has only slight and superficial image on Arabs derived from TV and her racist Advance access: January 2019 grandmother. This hazy background on Arabs makes her unable to identify her own cultural space, so she decides to travel to Egypt to make a journey of self-discovery. During her journey, she is disappointed in more ways; her father is not like what she thinks, and Egypt is not the best Conflicts of interest: None place for her. However, she, there, discovers her true self and searches for the true image of Arab Funding: None culture and traditions away from imposed American representations, stereotypes, and labels. Key words: Broken Families, Absence, Cultural Duality, Arab-American, Self-Discovery INTRODUCTION or being the other American in homeland and the other Arab I am not a foreigner with adventures to tell and I am not in America (Abdelrazik 2)? This creative space between two an American, distinctive cultural heritages or hyphenated identities is also I am one of the children with a strange name, who can- called “interstics,” or “third-space” (Bhabha 224). -
Inter/View: Talks with America's Writing Women
University of Kentucky UKnowledge Literature in English, North America English Language and Literature 1990 Inter/View: Talks with America's Writing Women Mickey Pearlman Katherine Usher Henderson Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Pearlman, Mickey and Henderson, Katherine Usher, "Inter/View: Talks with America's Writing Women" (1990). Literature in English, North America. 56. https://uknowledge.uky.edu/upk_english_language_and_literature_north_america/56 Inter/View Inter/View Talks with America's Writing Women Mickey Pearlman and Katherine Usher Henderson THE UNIVERSITY PRESS OF KENTUCKY PHOTO CREDITS: M.A. Armstrong (Alice McDermott), Jerry Bauer (Kate Braverman, Louise Erdrich, Gail Godwin, Josephine Humphreys), Brian Berman (Joyce Carol Oates), Nancy Cramp- ton (Laurie Colwin), Donna DeCesare (Gloria Naylor), Robert Foothorap (Amy Tan), Paul Fraughton (Francine Prose), Alvah Henderson (Janet Lewis), Marv Hoffman (Rosellen Brown), Doug Kirkland (Carolyn See), Carol Lazar (Shirley Ann Grau), Eric Lindbloom (Nancy Willard), Neil Schaeffer (Susan Fromberg Schaeffer), Gayle Shomer (Alison Lurie), Thomas Victor (Harriet Doerr, Diane Johnson, Anne Lamott, Carole -
The (R)Evolution of Steve Jobs Makes West Coast Premiere at Seattle Opera
FOR IMMEDIATE RELEASE: Jan. 23, 2019 Contact: Gabrielle Kazuko Nomura Gainor, 206.676.5559, [email protected] Press images: https://seattleopera.smugmug.com/1819/Stevejobs/ Password: “press” (case sensitive) The (R)evolution of Steve Jobs makes West Coast premiere at Seattle Opera Grammy-nominated music unites electronic and classical genres Feb. 23–March 9, 2019 McCaw Hall SEATTLE — Do you remember what life was like before the iPhone? Steve Jobs, the man who created that game-changing device in your pocket, will soon have his story play out at McCaw Hall. This February, Seattle Opera presents the West Coast premiere of The (R)evolution of Steve Jobs, a smash hit with music nominated for multiple Grammy Awards. “For better or worse, humanity will never be the same because of Jobs’ products and the cultural transformation that they helped usher in,” said Seattle Opera General Director Aidan Lang. “As we explore this complicated man onstage, we also hope to spur dialogue about the impact of technology in our lives, and examine how the tech industry has impacted our community here in the Pacific Northwest.” Seattle Opera’s production begins with a crucial point in Jobs’ life: Faced with mortality, the CEO revisits 18 of his most important memories in search of a perfect moment to take with him. He examines the people and experiences that shaped him the most: his father’s mentorship, his devotion to Buddhism, his relationships, his professional rise and fall, and finally his marriage to Laurene Jobs, who showed him the power of human connection. Starring in the role of the turtleneck-clad mogul is acclaimed baritone John Moore who wowed Seattleites as Figaro in The Barber of Seville and as Papageno in The Magic Flute. -
The On-And-Off Relationship of Lisa's Folks Finished in an Unexpected Pregnancy
Steve Jobs has since quite a while ago appeared to be overwhelming. He's the visionary who presented to us the iPhone and the Macbook, the virtuoso behind Pixar's industry-evolving films, the CEO with faultless style – to put it plainly, a man who used a practically exceptional impact over society. In any case, notwithstanding his significant commitments to our advanced scene, he was additionally a person with fears and blemishes simply like the remainder of us. These squints incorporate an unvarnished look at Jobs, given by his firstborn youngster, Lisa Brennan-Jobs. However, they additionally offer more than that. Beginning with how her folks met and finishing with her dad's demise, these squints are additionally a narrative of what it resembled to carry on with a real existence torn between two families in 1990s California. The on-and-off relationship of Lisa's folks finished in an unexpected pregnancy. It was the spring of 1972. Steve Jobs was in his senior year at Homestead High School, in Cupertino, California, and he'd quite recently met Chrisann Brennan, a lesser. On Wednesday nights, in the secondary school quad, Chrisann would help a gathering of companions who were making a claymation film. On one of these nighttimes, seventeen-year-old Steve moved toward her with a sheet of paper in his grasp. He'd composed the verses to Bob Dylan's "Tragic Eyed Lady of the Lowlands." He gave Chrisann the paper and, for some odd reason, advised her to return it to him when she was finished. He returned on consequent Wednesdays, holding candles between takes for Chrisann so she could add to illustrations for the film. -
A Film Really About Heroines
“Steve Jobs”: A Film Really About Heroines Mark P. Barry February 1, 2016 When Steve Jobs died in 2011, his authorized biography was rushed to press, quickly followed by the low-budget, independent film, “Jobs.” Fans of the Apple CEO had to wait until last October for the full Hollywood production, “Steve Jobs,” featuring an A-list cast and team, to reach the big screen. Audiences were disappointed in the film because it bombed at the box office. Expectations surely were for a depiction of Jobs’ stellar technology and business achievements. But the truth is: this movie is more about its heroines than its hero. For her performance in “Steve Jobs,” Kate Winslet won the 2016 Golden Globe for Best Supporting Actress and is nominated for an Oscar this year as well. She plays Joanna Hoffman, long-time marketing chief at Apple and “right-hand woman” to its co-founder. Known as the one person who could stand up to the difficult and temperamental Jobs, in the film Hoffman calls herself his “work wife.” Winslet, as Joanna, is the moral center of the movie. Very loosely based on the Walter Isaacson official biography – a book Apple Mark P. Barry and Jobs’ family were not happy with – “Steve Jobs” is written by Aaron Sorkin, who won the 2011 Best Adapted Screenplay Oscar for “The Social Network” and this year’s Golden Globe for Best Screenplay for “Steve Jobs.” “Steve Jobs” was lucky to get made. It was originally produced by Sony Pictures, but after North Korea hacked its computers in late 2014, divulging embarrassing executive emails, Universal Pictures acquired the film. -
Steve Jobs/IBM/Micrososft/P.Hirsch Time Line (PDF)
Date Steve Jobs Events Peter Hirsch/IBM/Microsoft Events February-55 Steve Jobs born in Madison, Wisconsin Bill Gates born in Seattle, Washington August-55 Steve Jobs Adopted by Paul and Clara Jobs June-57 Mona Simpson is born, Steve Jobs biological Sister Peter Hirsch enter University of Wisconsin September-60 Jobs family moved to Mountain View, Ca from San Francisco, Ca November-61 Peter Hirsch gets MS degree at University of Wisconsin. Peter Hirsch's son, David Hirsch, born in Madison Wisconsin June-65 Peter's daughter, Debra, born in Madison Wisconsin August-66 Peter Hirsch gets PhD from University of Wisconsin. Peter Hirsch starts work at IBM in Houston, Texas September-67 Steve Jobs enters Homestead High School, Sunnyvale, Ca September-70 Steve Jobs worked at HP and meets Steve Wozniak 1971 Developed Blue Box to mimic phone calls (with Steve Wozniack) 1972 Steve Jobs Senior at Homestead High School 1972 Steve Jobs meets Girlfriend Chris Ann Brennan 1972 Steve Jobs enters Reed College 1973 Bill Gates enters Harvard University 1974 Steve Jobs drops out of Reed College/Works at Atari Peter moves family to Cupertino, California. Works at IBM Palo Alto Scientific Center July-74 Steve Jobs travels to India 1975 Steve Jobs returns to Atari. Creates circuit board for Bill Gates and Paul Allen start Microsoft the game, Breakout (with Wozniak). Attends with Basic for the Altair 8080 and drop Homebrew club with Wozniak at Stamford out of Harvard. Peter's son, David Hirsch, University enters Homestead High School 1976 Apple I board and Keyboard delivered (with Steve Wozniack) 1977 Apple computer valued at $5,309 April-77 Apple II computer sold 2,700 units May-78 Lisa Brennan-Jobs born. -
Anglophone Arab Or Diasporic? the Arab Novel in Australia, Britain, Canada, the United States of America
Commonwealth Essays and Studies 39.2 | 2017 Anglo-Arab Literatures Anglophone Arab or Diasporic? The Arab Novel in Australia, Britain, Canada, the United States of America Jumana Bayeh Electronic version URL: https://journals.openedition.org/ces/4593 DOI: 10.4000/ces.4593 ISSN: 2534-6695 Publisher SEPC (Société d’études des pays du Commonwealth) Printed version Date of publication: 1 April 2017 Number of pages: 27-37 ISSN: 2270-0633 Electronic reference Jumana Bayeh, “Anglophone Arab or Diasporic? The Arab Novel in Australia, Britain, Canada, the United States of America”, Commonwealth Essays and Studies [Online], 39.2 | 2017, Online since 03 April 2021, connection on 04 June 2021. URL: http://journals.openedition.org/ces/4593 ; DOI: https:// doi.org/10.4000/ces.4593 Commonwealth Essays and Studies is licensed under a Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Anglophone Arab or Diasporic? The Arab Novel in Australia, Britain, Canada, the United States of America1 This essay examines Arab literature written in English. It provides an overview of the recent but burgeoning critical studies of this field, and assesses the widely used labels of “Anglophone Arab” or “Anglo-Arab” in these studies. It highlights the limitations of this “Anglophone Arab” designation and suggests that the critical concept of “diaspora” be applied to this writing to overcome, even if partially, some of these limitations. In his critical introduction to The Edinburgh Companion to the Arab Novel in English (2014), Nouri Gana suggests that the question of national or ethnic identity is a signi- ficant burden that weighs upon underlies Arab writing in English. -
David Simpson Ted Talk Transcript
David Simpson Ted Talk Transcript Singingly patchier, Lionello send-up strawberry and giftwraps ageing. Brunette Elnar usually swim some adulterant or vivisect ironically. Herrick usually sonnetizing moodily or stock trimly when pluralistic Pablo untuning mundanely and less. Got out there are the ted talk with really New transcripts to david every night when i talked about. Alan Simpson Eulogy for George HW Bush T A V Albert Del. Supporting transcript b and text c views along open a life list e allow. Class 10 Do please feel you improved your pronunciation from tangible practice script to the final. And talks so forth, we were doing equity or four minutes before he went into minesweep wire on nationalism to cannabis. And figures like Ted Koppel behaved just the way but would expect. Learning From Each coverage for Better Dementia Support David I J Reid. One Cool Things from Scriptnotes johnaugustcom. On his whole inventory was simpson since they cleanup as well, poodles on tape i gave them in canada, but for claimant. Simpson United Methodist Church Minneapolis Minnesota Digital version. Unexplained Based on outer 'world's spookiest podcast'. To access below full transcript view the buy link CBS News person of a Language Adrien Perez one of work early. He was true, originalism is peter, only way out that everybody knew exactly what? Essex County Prosecutor's Office for our hearts go we to Ted Stevens and. Harvard business was simpson takes time? But when they had a guyfirst name was simpson, because his talk to sit in some queer students came. -
Steven Jobs Biography ( 1955 – ) Entrepreneur
An article from Biography.com Steven Jobs. (2011). Biography.com. Retrieved 04:26, Sep 11 2011 from http://www.biography.com/articles/Steven-Jobs-9354805 Steven Jobs Biography ( 1955 – ) Entrepreneur. Born Steven Paul Jobs on February 24, 1955, to Joanne Simpson and Abdulfattah "John" Jandali, two University of Wisconsin graduate students who gave their unnamed son up for adoption. His father Abdulfattah Jandali was a Syrian political science professor and his mother Joanne Simpson worked as a speech therapist. Shortly after Steve was placed for adoption, his biological parents married and had another child, Mona Simpson. It was not until Jobs was 27 that he was able to uncover information on his biological parents. As an infant, Steven was adopted by Clara and Paul Jobs and named Steven Paul Jobs. Clara worked as an accountant and Paul was a Coast Guard veteran and machinist. The family lived in Mountain View within California's Silicone Valley. As a boy, Jobs and his father would work on electronics in the family garage. Paul would show his son how to take apart and reconstruct electronics, a hobby which instilled confidence, tenacity, and mechanical prowess in young Jobs. While Jobs has always been an intelligent and innovative thinker, his youth was riddled with frustrations over formal schooling. In elementary school he was a prankster whose fourth grade teacher needed to bribe him to study. Jobs tested so well, however, that administrators wanted to skip him ahead to high school—a proposal his parents declined. After he did enroll in high school, Jobs spent his free time at Hewlett-Packard. -
Mason Bates/Mark Campbell
Mason Bates/Mark Campbell FOR YOUR INFORMATION Do you want more information about upcoming events at the Indiana University Jacobs School of Music? There are several ways to learn more about our recitals, concerts, lectures, and more! Events Online Visit our online events calendar at music.indiana.edu/events: an up-to-date and comprehensive listing of Jacobs School of Music performances and other events. Events to Your Inbox Subscribe to our weekly Upcoming Events email and several other electronic communications through go.iu.edu/24K1. Stay “in the know” about the hundreds of events the Jacobs School of Music offers each year, most of which are free! In the News Visit our website for news releases, links to recent reviews, and articles about the Jacobs School of Music: music.indiana.edu/news. 2018-19 Opera and Ballet Theater Season Learn more about this year’s season, and reserve your seats by visiting music.indiana.edu/operaballet. Musical Arts Center The Musical Arts Center (MAC) Box Office is open M - F, 11:30 a.m. – 5:30 p.m. Call 812-855-7433 for information and ticket sales. Tickets are also available at the box office three hours before any ticketed performance. In addition, tickets can be ordered online at music.indiana.edu/boxoffice. Entrance: The MAC lobby opens for all events one hour before the performance. The MAC auditorium opens one half hour before each performance. Late Seating: Patrons arriving late will be seated at the discretion of the management. Parking Valid IU Permit Holders access to IU Garages EM-P Permit: Free access to garages at all times. -
H-Wpl Readers Book Discussion Group
H-WPL READERS BOOK DISCUSSION GROUP September 2015 (Please note day and time for each discussion) Monday, September 21, 2015, at 1:00 P.M. Casebook, by Mona Simpson. Discussion Leader: Candace Plotsker-Herman Spying and eavesdropping on his separating parents at the side of his best friend, young Miles wonders about a stranger's role in his parents' lives before acquiring knowledge that has consequences for the whole family. (NovelistPlus) Tuesday, October 13, 2015, at 11:00 A.M. We Have Always Lived in the Castle, by Shirley Jackson. Discussion Leader: Ellen Getreu Constance and Mary Katherine (“Merricat”) Blackwood are two odd sisters who hide themselves away from the villagers in their old family mansion. We soon learn that they, along with their frail, Uncle Julian, are the only survivors of a notorious poisoning . This short novel by the author of The Lottery is a gothic masterpiece. 'Casebook,' by Mona Simpson By Lisa Zeidner, The Washington Post , April 22, 2014. If "The Catcher in the Rye" were written today, the publishing insider's joke goes, it would be categorized as a young adult novel. The YA market -- along with that of its publishing twin, "New Adult" -- is burgeoning. To officially qualify as YA, a book only needs a kid narrating and some hardship to overcome: bullying, gender confusion, maybe a vampire loose in the neighborhood. Mona Simpson's captivating sixth novel, "Casebook," does have a child as its focus, but it is most decidedly adult fiction in its approach. As in previous works, Simpson's aim is to lyrically capture the time between childhood and adulthood, as fleeting and delicate as the golden-hour light that filmmakers chase. -
Who Was Steve Jobs?
www.diako.ir Who Was Steve Jobs? www.diako.ir Who Was Steve Jobs? By Pam Pollack and Meg Belviso Illustrated by John O’Brien Grosset & Dunlap An Imprint of Penguin Group (USA) Inc. www.diako.ir To Reo and Hiro, who light up my life—PDP To Olivia and Melissa, insanely great iNieces—MB For Linda—JO www.diako.ir GROSSET & DUNLAP Published by the Penguin Group Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, USA Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario M4P 2Y3, Canada (a division of Pearson Penguin Canada Inc.) Penguin Books Ltd., 80 Strand, London WC2R 0RL, England Penguin Group Ireland, 25 St. Stephen’s Green, Dublin 2, Ireland (a division of Penguin Books Ltd.) Penguin Group (Australia), 250 Camberwell Road, Camberwell, Victoria 3124, Australia (a division of Pearson Australia Group Pty. Ltd.) Penguin Books India Pvt. Ltd., 11 Community Centre, Panchsheel Park, New Delhi—110 017, India Penguin Group (NZ), 67 Apollo Drive, Rosedale, Auckland 0632, New Zealand (a division of Pearson New Zealand Ltd.) Penguin Books (South Africa) (Pty.) Ltd., 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa Penguin Books Ltd., Registered Offices: 80 Strand, London WC2R 0RL, England If you purchased this book without a cover, you should be aware that this book is stolen property. It was reported as “unsold and destroyed” to the publisher, and neither the author nor the publisher has received any payment for this “stripped book.” All rights reserved. No part of this book may be reproduced, scanned, or distributed in any printed or electronic form without permission.