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Auction Catalog
Get Ready for Auction 2020! March 14th, 6:30pm-11pm Rodeph Sholom, 7 West 83rd street On Saturday, March 14th, we get to raise money for our kids, say thank you to our wonderful teachers and staff at PS9, and have an incredible amount of fun with fellow parents. There will be amazing items to bid on in the live and silent auctions, lots of good food and drinks to enjoy and music and dancing! We hope you plan to come and spend your money knowing that it helps our kids learn and grow. There is no better investment, no better reward, than knowing our children are receiving what they need to succeed, thrive and become the next generation of global citizens. Prepare for Auction: ● Visit peacelove9.givesmart.com and register to participate and make all purchases. ● Buy Your Tickets: $110 now and $125 at the door. ● Buy Raffle Tickets and Teacher Treats. Enter for the chance to win amazing items including first picks of live or silent auction items or an outing for your child with a favorite teacher. ● Review the online catalog and star the items you love. Find a description of everything at peacelove9.givesmart.com under “View Items” starting Sunday, March 8th at 9pm. Click “Watch this Item” for ones you like so you can monitor all the action easily and have more time to eat, drink and have fun that night. You can also set your max bids and it will automatically bid for you. ● Reach out to friends/class to coordinate a group bid. -
Vision / Dance Innovations
2020 FEBRUARY PROGRAMS 02 /03 CLASSICAL (RE)VISION / DANCE INNOVATIONS The people you trust, trust City National. Top Ranked in Client Referrals* “City National helps keep my financial life in tune.” Michael Tilson Thomas Conductor, Educator and Composer Find your way up.SM Visit cnb.com *Based on interviews conducted by Greenwich Associates in 2017 with more than 30,000 executives at businesses across the country with sales of $1 million to $500 million. City National Bank results are compared to leading competitors on the following question: How likely are you to recommend (bank) to a friend or colleague? City National Bank Member FDIC. City National Bank is a subsidiary of Royal Bank of Canada. ©2018 City National Bank. All Rights Reserved. cnb.com 7275.26 PROGRAM 02 | CLASSICAL (RE)VISION PROGRAM 03 | DANCE INNOVATIONS TABLE OF CONTENTS 05 Greetings from the Artistic Director & Principal Choreographer 05 06 Board of Trustees Endowment Foundation Board 07 SF Ballet Leadership 08 Season News 10 Off Stage 13 Pointe and Counterpoint: The Story of Programs 02 and 03 14 PROGRAM 02 Classical (Re)Vision Bespoke Director's Choice Sandpaper Ballet 22 PROGRAM 03 Dance Innovations The Infinite Ocean The Big Hunger World Premiere Etudes 30 Artists of the Company 14 39 SF Ballet Orchestra 40 SF Ballet Staff 42 Donor Events and News 46 SF Ballet Donors 61 Thank You to Our Volunteers 63 For Your Information 64 Designing Sandpaper Ballet FOLLOW US BEFORE AND AFTER THE PERFORMANCE! San Francisco Ballet SFBallet youtube.com/sfballet SFBallet 42 San Francisco Ballet | Program Book | Vol. -
The Creative Arts at Brandeis by Karen Klein
The Creative Arts at Brandeis by Karen Klein The University’s early, ardent, and exceptional support for the arts may be showing signs of a renaissance. If you drive onto the Brandeis campus humanities, social sciences, and in late March or April, you will see natural sciences. Brandeis’s brightly colored banners along the “significant deviation” was to add a peripheral road. Their white squiggle fourth area to its core: music, theater denotes the Creative Arts Festival, 10 arts, fine arts. The School of Music, days full of drama, comedy, dance, art Drama, and Fine Arts opened in 1949 exhibitions, poetry readings, and with one teacher, Erwin Bodky, a music, organized with blessed musician and an authority on Bach’s persistence by Elaine Wong, associate keyboard works. By 1952, several Leonard dean of arts and sciences. Most of the pioneering faculty had joined the Leonard Bernstein, 1952 work is by students, but some staff and School of Creative Arts, as it came to faculty also participate, as well as a be known, and concentrations were few outside artists: an expert in East available in the three areas. All Asian calligraphy running a workshop, students, however, were required to for example, or performances from take some creative arts and according MOMIX, a professional dance troupe. to Sachar, “we were one of the few The Wish-Water Cycle, brainchild of colleges to include this area in its Robin Dash, visiting scholar/artist in requirements. In most established the Humanities Interdisciplinary universities, the arts were still Program, transforms the Volen Plaza struggling to attain respectability as an into a rainbow of participants’ wishes academic discipline.” floating in bowls of colored water: “I wish poverty was a thing of the past,” But at newly founded Brandeis, the “wooden spoons and close friends for arts were central to its mission. -
Carving out a Space for Alternative Voices Through Performing Arts in Contemporary Cambodian Tourism 77
Carving out a Space for Alternative Voices through Performing Arts in Contemporary Cambodian Tourism 77 Carving out a Space for Alternative Voices through Performing Arts in Contemporary Cambodian Tourism: Transformation, Transgression and Cambodia’s first gay classical dance company Saori HAGAI * Abstract This paper explores the potential for the global phenomenon of tourism to become a platform for performing art practitioners, dancers and artists to carve out a space for alternative voices through their performances and perhaps thereby to stimulate social transformation and even encourage evolutionary social transgression in Cambodia. Drawing on the post-colonial discourses of Geertz(1980)and Vickers(1989), this paper adopts tourism as a cultural arena which contributes to the deconstruction of the landscape of a country through the exposure to the wider global gaze. This is achieved by taking the case study of Prumsodun Ok & NATYARASA in its calculated promotion of social transgression in the classical arts. Prumsodun Ok & NATYARASA is the Cambodia’s first gay classical dance company(hereafter the Company)established in 2015, and sets a manifestation of their continuing commitment to social transformation through artistic dialogue both inside and outside of Cambodia. The increasing resonance of the LGBTQ movement across the world helped the Company to receive more global recognitions especially since the venerable TED Conference and other international art * Associate Professor, Ritsumeikan International, Ritsumeikan University 78 立命館大学人文科学研究所紀要(121号) foundations have chosen Ok as a recipient of various grants and fellowships. In this way the Company hopes to boost the maturity and quality of the dance discourse in a postmodern era that has greater space for airing alternative voices. -
To See the 2018 Pier Concert Preview Guide
2 TWILIGHTSANTAMONICA.ORG REASON 1 #1 in Transfers for 27 Years APPLY AT SMC.EDU SANTA MONICA COMMUNITY COLLEGE DISTRICT BOARD OF TRUSTEES Barry A. Snell, Chair; Dr. Margaret Quiñones-Perez, Vice Chair; Dr. Susan Aminoff; Dr. Nancy Greenstein; Dr. Louise Jaffe; Rob Rader; Dr. Andrew Walzer; Alexandria Boyd, Student Trustee; Dr. Kathryn E. Jeffery, Superintendent/President Santa Monica College | 1900 Pico Boulevard | Santa Monica, CA 90405 | smc.edu TWILIGHTSANTAMONICA.ORG 3 2018 TWILIGHT ON THE PIER SCHEDULE SEPT 05 LATIN WAVE ORQUESTA AKOKÁN Jarina De Marco Quitapenas Sister Mantos SEPT 12 AUSTRALIA ROCKS THE PIER BETTY WHO Touch Sensitive CXLOE TWILIGHT ON THE PIER Death Bells SEPT 19 WELCOMES THE WORLD ISLAND VIBES f you close your eyes, inhale the ocean Instagram feeds, and serves as a backdrop Because the event is limited to the land- JUDY MOWATT Ibreeze and listen, you’ll hear music in in Hollywood blockbusters. mark, police can better control crowds and Bokanté every moment on the Santa Monica Pier. By the end of last year, the concerts had for the first time check bags. Fans will still be There’s the percussion of rubber tires reached a turning point. City leaders grappled allowed to bring their own picnics and Twilight Steel Drums rolling over knotted wood slats, the plinking with an event that had become too popular for water bottles for the event. DJ Danny Holloway of plastic balls bouncing in the arcade and its own good. Police worried they couldn’t The themes include Latin Wave, Australia the song of seagulls signaling supper. -
Kunsthalle Wien Museumsquartier BABETTE MANGOLTE
Kunsthalle Wien Museumsquartier BABETTE MANGOLTE Booklet #Mangolte 18/12 2016 – 12/2 2017 www.kunsthallewien.at Babette Mangolte In response to which films have influenced her the most, she cites I = EYE Dziga Vertov’s Man with a Movie Camera (1929) and Michael Snow’s Babette Mangolte (*1941) is an Wavelength (1967): “These two films icon of international experimental literally changed my life. The first cinema. From the beginning, her one made me decide to become a early interests focused on the cinematographer, and the desire documentation of the New York art, to see the second one led me to dance, and theatre scene of the New York, where I settled down and 1970s, and above all, on performance eventually made my films.” 1 art. The adaptation of dance and choreography for the media of Babette Mangolte was the film and photography – and the cinematographer for Chantal concomitant question regarding the Akerman’s Jeanne Dielman (1975) and changes this transfer has on an event News From Home (1977), and also for based on the live experience – play Yvonne Rainer’s Lives of Performers a central role in her work. (1972) and Film about a Woman Who... (1974). In 1975, she completed her I = EYE not only presents an array first film What Maisie Knew, which of Mangolte’s film and photo works won the “Prix de la Lumière” at the from the 1970s, but also more Toulon Film Festival in the same year. recent projects, which explore the Subsequently, other significant films historicisation of performance from her filmography include The art, and the differences between Camera: Je or La Camera: I (1977), perceptions of contemporaneity The Cold Eye (My Darling, Be Careful) past and present, as well as (1980), The Sky on Location (1982), conceptualizations of time. -
Khmer Dance Project
KHMER DANCE PROJECT 1 KHMER DANCE PROJECT Royal Khmer Dance robam preah reachea trop Past and Present In 1906, two years after succeeding his half-brother Norodom, King Sisowath of Cambodia, accompanied by the Royal Ballet, embarked on a long trip to Marseilles for the French Colonial Exposition. France responded warmly to the charming dancers and the king’s entourage. The famous sculptor Rodin was so enchanted by the dancers that he traveled with them and drew evocative sketches of their fluid, graceful movements. Lamenting their inevitable departure, Rodin, profoundly moved, confessed: “What emptiness they left me with. I thought they had taken away the beauty of the world. I followed them to Marseilles; I would have followed them as far as Cairo.” Under the Khmer Rouge regime from 1975 to 1979, Royal Khmer dance was banned from the soil of Cambodia. Its artists were executed or died from malnutrition, illness and forced labor. After the regime's collapse in 1979, Royal Khmer dance had almost disappeared; few former dancers had survived. Ever since this brutal period, Royal Khmer dance has slowly 2 and painstakingly struggled to retrieve memories. Former dance masters have tried to revive the gestures, music, and artistry that are part of Khmer classical dance’s heritage. Their long-lasting and devoted efforts were finally recognized and honored when UNESCO proclaimed the Royal Ballet of Cambodia (or Royal Khmer dance) a Masterpiece of Oral and Intangible Heritage of Humanity in 2003. Yet, two years later, the campus of Royal University of Fine Arts which is devoted to the Arts was moved out of the center of the capital Phnom Penh. -
Bill T. Jones / Arnie Zane Dance Company
FALL 2018 DANCE SEASON B R AVO Bill T. Jones/ Arnie Zane Company OCTOBER 27, 2018 BALLETMET The Nutcracker NOVEMBER 24-25, 2018 Too Hot to Handel DECEMBER 1, 2018 The 2018–2019 Dance Season is made possible by the Lear Corporation ENGAGED IN THE ARTS. COMMITTED TO CULTURE. IMPACTING OUR COMMUNITY. The Community Foundation for Southeast Michigan proudly supports the Michigan Opera Theatre as part of our mission to assist organizations creating a lasting, positive impact on our region. CFSEM.org 313-961-6675 Fall 2018 BRAVO Contents Dance Season ON STAGE The Official Magazine of Michigan Opera Theatre FEATURE STORY: ‘Tis the Season for Holiday Performances ......... 6 Profiles from the Pit: All About that Bass ............................................... 7 Erica Hobbs, Editor Bill T. Jones/Arnie Zane Company ............................................................ 8 Jocelyn Aptowitz, Contributor BalletMet’s The Nutcracker ........................................................................14 Publisher: Too Hot To Handel .........................................................................................20 Echo Publications, Inc. Royal Oak, Michigan www.echopublications.com MICHIGAN OPERA THEATRE Tom Putters, President Boards of Directors and Trustees .............................................................. 4 Physicians’ services provided by Welcome ............................................................................................................. 5 Henry Ford Medical Center. MOTCC: A Winter Fantasy ..........................................................................19 -
Saint Mary's College School of Liberal Arts Department of Performing Arts
Saint Mary’s College School of Liberal Arts Department of Performing Arts Asian Dance Performing Arts PROFESSORS: Jia Wu OFFICE: LeFevre Theatre 5 OFFICE HOURS: by appointment only (T.TH 11:20 -12:50 pm) PHONE: (925) 631-4299 CLASS HOURS: 1:15-2:50 T TH COURSE DESCRIPTION: Classical dance is a significant symbol for the contemporary Asian nations-state and its diasporas. In this class, we will explore how the category of “classical dance” was defined in 20th and 21st century in Asia and investigate the performative value of the concept—that is, we will look into what the idea of “classical dance” does, how it is deployed, and examine the circumstances of its production and reception. Out of the many established classical and contemporary forms, our focus will be on,wayang wong and shadow puppet in Bali and Java, Kathak and Bharatanatyam in India, Peking Opera, Yangge, Ethnic Dances and “Revolution” Ballet in China and Classical Dance in Cambodia. We will explore the key sources upon which the dances are based; survey the histories of the forms that comprise the classical canon; and situate the revival, reconstruction, and institutionalization of classical dance as a symbol of national identity and heritage in these four nations. We will also look at “folk,” “social,” “popular,” “Bollywood,” “modern,” and “contemporary” dance as categories distinguished from—and which interrogate—classical structures. Throughout, we will critically consider the relationship between dance, colonialism, nationalism, religion, and social history. COURSE LEARNING OUTCOMES: 1. Dance in Bali and Java: students will be able to • Identify the basic characteristics and vocabulary in classical dance • Understand the key concepts and discourses involved in the study of these forms • Develop an awareness of the context and politics of performing as well as viewing these dances. -
ADF 'S 2021 Season Dedicated to Cynthia Wyse
ADF 's 2021 Season Dedicated to Cynthia Wyse We are thrilled to dedicate the 2021 ADF Season to Cynthia Wyse, our devoted Director of Finance & Administration. For the past 33 summers, Cynthia’s stewardship of ADF’s fiscal well-being and untiring work to support the festival’s programs have been extraordinary. An Ohio native who committed much of her life’s work toward an art form that was at first foreign to her, she became one of ADF’s biggest champions. Beyond the oversight of financial and administrative matters, Cynthia has led ADF’s internship program and provided mentorship to countless finance interns. She has made sure that artists, faculty, musicians, and staff were always paid and in the midst of it all was a nurturer to many. Frequent cheese balls and plentiful snacks provided by her have kept the staff nourished and re-energized during the most challenging days. We are going to miss Cynthia when she retires at the end of this calendar year, but we have so much gratitude for all that she has given to ADF. We wish her much happiness as she choreographs the next chapter in her life! To honor Cynthia’s legacy, we are launching a campaign to establish the Wyse Finance Internship Fund. The goal is to raise at least $25k over the next four months. ADF is contributing $12.5k to kick things off! Interest from the endowed gift will cover the annual stipend for our finance intern. We hope you will help us celebrate Cynthia and make a contribution that will have a lasting effect on nurturing and training future performing arts administrators. -
Judson Dance Theater: the Work Is Never Done
Judson Dance Theater: The Work is Never Done Judson Dance Theater: The Work Is Never Done The Museum of Modern Art, New York September 16, 2018-February 03, 2019 MoMA, 11w53, On View, 2nd Floor, Atrium MoMA, 11w53, On View, 2nd Floor, Contemporary Galleries Gallery 0: Atrium Complete Charles Atlas video installation checklist can be found in the brochure Posters CAROL SUMMERS Poster for Elaine Summers’ Fantastic Gardens 1964 Exhibition copy 24 × 36" (61 × 91.4 cm) Jerome Robbins Dance Division, New York Public Library, GIft of Elaine Summers Gallery 0: Atrium Posters Poster for an Evening of Dance 1963 Exhibition copy Yvonne Rainer Papers, The Getty Research Institute, Los Angeles Gallery 0: Atrium Posters Poster for Concert of Dance #13, Judson Memorial Church, New York (November 19– 20, 1963) 1963 11 × 8 1/2" (28 × 21.6 cm) Judson Memorial Church Archive, Fales Library & Special Collections, New York University Libraries Gallery 0: Atrium Posters Judson Dance Theater: The Work Is Never Done Gallery 0: Atrium Posters Poster for Concert of Dance #5, America on Wheels, Washington, DC (May 9, 1963) 1963 8 1/2 × 11" (21.6 × 28 cm) Judson Memorial Church Archive, Fales Library & Special Collections, New York University Libraries Gallery 0: Atrium Posters Poster for Steve Paxton’s Afternoon (a forest concert), 101 Appletree Row, Berkeley Heights, New Jersey (October 6, 1963) 1963 8 1/2 × 11" (21.6 × 28 cm) Judson Memorial Church Archive, Fales Library & Special Collections, New York University Libraries Gallery 0: Atrium Posters Flyer for -
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