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Download Bibliografia a cura di Paolo Delorenzi (monografie) e Meri Sclosa (periodici) Bibliografia dell’arte veneta: 2013 Electa Arte Veneta 71 Bibliografia dell’arte veneta (2013) Appendice della rivista omonima, la Bibliografia dell’arte veneta, a cura di Paolo Delorenzi (monografie) e Meri Sclosa (periodici), costituisce un repertorio di pubblicazioni, edite nell’arco di un anno (2013), dedicate ad argomenti di interesse storico-artistico veneto al quale gli studiosi possono fare riferimento come strumento di aggiornamento e orientamento. Un modo per facilitare l’accesso a un ausilio fondamentale per gli studi. OPERE DI CARATTERE GENERALE M. Agazzi, La lettura della storia urbana medievale di Venezia. Forma e struttura nell’opera di Sergio Bettini e Wladimiro Dorigo, in La storia dell’arte a Venezia ieri e oggi: duecento anni di studi, atti del convegno di studi (Venezia, 5-6 novembre 2012), a cura di X. Barral i Altet - M. Gottardi, Venezia, Ateneo Veneto, 2013 (“Ateneo Veneto”, CC, 12/I), pp. 213-229, illustrato. B. Agosti, Il Bembo del Giovio, in Pietro Bembo e le arti, a cura di G. Beltramini - H. Burns - D. Gasparotto, Venezia, Marsilio Editori, 2013, pp. 193-205, illustrato. H. Aurenhammer, L’arte medievale a Venezia: riflessioni viennesi intorno al 1900, in La storia dell’arte a Venezia ieri e oggi: duecento anni di studi, atti del convegno di studi (Venezia, 5-6 novembre 2012), a cura di X. Barral i Altet - M. Gottardi, Venezia, Ateneo Veneto, 2013 (“Ateneo Veneto”, CC, 12/I), pp. 193-211, illustrato. E. Baker, From the Score to the Stage. An Illustrated History of Continental Opera Production and Staging, Chicago-London, The University of Chicago Press, 2013, pp. 439, illustrato. R. Baldasso, Printing for the Doge: On the First Quire of the First Edition of the Liber elementorum Euclidis, “La Bibliofilia”, 2013, CXV, 3, pp. 525-552, illustrato. G. Barbieri, Storia dell’arte veneta e sistema delle mostre: gli anni Ottanta, in La storia dell’arte a Venezia ieri e oggi: duecento anni di studi, atti del convegno di studi (Venezia, 5-6 novembre 2012), a cura di X. Barral i Altet - M. Gottardi, Venezia, Ateneo Veneto, 2013 (“Ateneo Veneto”, CC, 12/I), pp. 651-660. G. Barbieri, Ville Venete: cronistoria di una riscoperta, in Ville Venete. Un nuovo sguardo, a cura di G. Barbieri, Crocetta del Montello (TV), Terra Ferma, 2013, pp. 17-75, illustrato. X. Barral i Altet, Venezia nella storia dell’arte e nell’immaginario europeo, in La storia dell’arte a Venezia ieri e oggi: duecento anni di studi, atti del convegno di studi (Venezia, 5-6 novembre 2012), a cura di X. Barral i Altet - M. Gottardi, Venezia, Ateneo Veneto, 2013 (“Ateneo Veneto”, CC, 12/I), pp. 15-43, illustrato. E. Barria-Poncet, L’Italie de Montesquieu. Entre lectures et voyage, Paris, Classiques Garnier, 2013, pp. 683. E.M. Baumgartner, Leopoldo Cicognara e la tutela del patrimonio artistico veneziano, in La storia dell’arte a Venezia ieri e oggi: duecento anni di studi, atti del convegno di studi (Venezia, 5-6 novembre 2012), a cura di X. Barral i Altet - M. Gottardi, Venezia, Ateneo Veneto, 2013 (“Ateneo Veneto”, CC, 12/I), pp. 413-422, illustrato. A. Bernardello, Note archivistiche sul mercato antiquario a Venezia (1815-1850). Un programma di ricerca, “Atti dell’Istituto Veneto di Scienze, Lettere ed Arti”, 2012-2013, CLXXI, Classe di scienze morali, lettere ed arti, III-IV, pp. 171-179. E.M. Black, La prolusione di Luca Pacioli del 1508 nella chiesa di San Bartolomeo e il contesto intellettuale veneziano, in La chiesa di San Bartolomeo e la comunità tedesca a Venezia, a cura di N. Bonazza - I. di Lenardo - G. Guidarelli, Venezia, Marcianum Press, 2013, pp. 87-104, illustrato. K. Blair Moore, The Disappearance of an Author and the Emergence of a Genre: Niccolò da Poggibonsi and Pilgrimage Guidebooks between Manuscript and Print, “Renaissance Quarterly”, 2013, LXVI, 2, pp. 357-411, illustrato. G. Bodon, Il gruppo dei Tetrarchi da spolium di Bisanzio a simbolo di Venezia. Spunti di ricerca e prospettive per una valorizzazione del patrimonio culturale veneto, in L’enigma dei Tetrarchi, Venezia, Marsilio Editori, 2013 (“Quaderni della Procuratoria”), pp. 130-137, illustrato. L. Bolzoni, I ritratti e la comunità degli amici fra Venezia, Firenze e Roma, in Pietro Bembo e l’invenzione del Rinascimento, catalogo della mostra a cura di G. Beltramini - D. Gasparotto - A. Tura, Venezia, Marsilio Editori, 2013, pp. 210-217, illustrato. N. Bondil, Venice, the Ideal Musical City: A Perfect Balance between Nature’s Melody and Reason’s Harmony, in Art and Music in Venice. From the Renaissance to the Baroque, catalogo della mostra a cura di H.T. Goldfarb, Montreal-Paris, The Montreal Museum of Fine Arts - Les Éditions Hazan, 2013, pp. 15-17. T. Bottecchia, The Most Serene Republic’s Better Half: The World of Women, in Art and Music in Venice. From the Renaissance to the Baroque, catalogo della mostra a cura di H.T. Goldfarb, Montreal-Paris, The Montreal Museum of Fine Arts - Les Éditions Hazan, 2013, pp. 145-151, illustrato. J. Bouri, Hypnerotomachia Poliphili or Lucius’s Stife or Love in a Dream?, in Psyché à la Renaissance, atti del convegno internazionale di studi umanistici (Tours, 29 giugno - 2 luglio 2009), a cura di M. Bélime-Droguet - V. Gély - L. Mailho-Daboussi - P. Vendrix, Turnhout, Brepols Publishers, 2013, pp. 131- 144. S. Brentjes, Giacomo Gastaldi’s Maps of Anatolia: The Evolution of a Shared Venetian-Ottoman Cultural Space, in The Renaissance and the Ottoman World, a cura di A. Contadini - C. Norton, Farnham, Ashgate, 2013, pp. 123-141, illustrato. P. Brummett, The Lepanto Paradigm Revisited: Knowing the Ottomans in the Sixteenth Century, in The Renaissance and the Ottoman World, a cura di A. Contadini - C. Norton, Farnham, Ashgate, 2013, pp. 63-93, illustrato. S. Buccini, Francesco Pona. L’ozio lecito della scrittura, Firenze, Leo S. Olschki Editore, 2013, pp. 225, illustrato. H. Burns, Bernardo Bembo, padre di Pietro, in Pietro Bembo e l’invenzione del Rinascimento, catalogo della mostra a cura di G. Beltramini - D. Gasparotto - A. Tura, Venezia, Marsilio Editori, 2013, pp. 112-125, illustrato. C. Campana, I Tetrarchi: documentazione storica e storie a Venezia, in L’enigma dei Tetrarchi, Venezia, Marsilio Editori, 2013 (“Quaderni della Procuratoria”), pp. 119-129, illustrato. V. Cantone, «L’oro di Bisanzio» nei cataloghi della Biblioteca Marciana tra XVIII e XIX secolo, in La storia dell’arte a Venezia ieri e oggi: duecento anni di studi, atti del convegno di studi (Venezia, 5-6 novembre 2012), a cura di X. Barral i Altet - M. Gottardi, Venezia, Ateneo Veneto, 2013 (“Ateneo Veneto”, CC, 12/I), pp. 169-179, illustrato. G. Carraro, Cultura a Praglia in età medioevale, in Santa Maria Assunta di Praglia. Storia, arte, vita di un’abbazia benedettina, a cura di C. Ceschi - M. Maccarinelli - P. Vettore Ferraro, Teolo (PD), Edizioni Scritti Monastici, 2013, pp. 39-54, illustrato. M. Casini, A Compagnia della Calza in January 1475, in Reflections on Renaissance Venice. A Celebration of Patricia Fortini Brown, a cura di B. de Maria - M.E. Frank, Milano, 5 Continents Editions, 2013, pp. 55-61, illustrato. F. Castellani, «Au-dessus du temps et des systèmes, au-dessus de toute contestation». La «forza generatrice» del modello veneto nel rinnovamento pittorico francese a metà Ottocento, in La storia dell’arte a Venezia ieri e oggi: duecento anni di studi, atti del convegno di studi (Venezia, 5-6 novembre 2012), a cura di X. Barral i Altet - M. Gottardi, Venezia, Ateneo Veneto, 2013 (“Ateneo Veneto”, CC, 12/I), pp. 527-539, illustrato. L. Chechik, L’arte veneziana rinascimentale nella critica d’arte russa. Un tentativo di analisi, in La storia dell’arte a Venezia ieri e oggi: duecento anni di studi, atti del convegno di studi (Venezia, 5-6 novembre 2012), a cura di X. Barral i Altet - M. Gottardi, Venezia, Ateneo Veneto, 2013 (“Ateneo Veneto”, CC, 12/I), pp. 387-394. L. Ciammitti, Reassembling a Dismembered Archive: Tomitano’s Eruditi Italiani Archive at the Getty Research Institute, “Getty Research Journal”, 2013, 5, pp. 41-55. L.R. Clark, Collecting, Exchange, and Sociability in the Renaissance studiolo, “Journal of the History of Collections”, 2013, 25, 2, pp. 171-184, illustrato. S. Coccato, Lo studio degli interni medievali veneziani: ripresa di una ricerca, in La storia dell’arte a Venezia ieri e oggi: duecento anni di studi, atti del convegno di studi (Venezia, 5-6 novembre 2012), a cura di X. Barral i Altet - M. Gottardi, Venezia, Ateneo Veneto, 2013 (“Ateneo Veneto”, CC, 12/I), pp. 451-458. R. Codello, Venezia. La tutela possibile, in La storia dell’arte a Venezia ieri e oggi: duecento anni di studi, atti del convegno di studi (Venezia, 5-6 novembre 2012), a cura di X. Barral i Altet - M. Gottardi, Venezia, Ateneo Veneto, 2013 (“Ateneo Veneto”, CC, 12/I), pp. 47-57. P. Coen, «Moi je suis révolutionnaire corrigé»: François Cacault (1743-1805) e il mercato dell’arte a Roma nella prima età napoleonica, “Les Cahiers d’Histoire de l’Art”, 2013, 11, pp. 91-105, illustrato. M. Collareta, Ciceronianismo e cristianesimo. Aspetti dell’arte sacra al tempo di Bembo, in Pietro Bembo e l’invenzione del Rinascimento, catalogo della mostra a cura di G. Beltramini - D. Gasparotto - A. Tura, Venezia, Marsilio Editori, 2013, pp. 380-385, illustrato. I. Collavizza, Emmanuele Antonio Cicogna in veste di «consulente»: appunti sulla ricerca storico-artistica a Venezia nell’Ottocento, in La storia dell’arte a Venezia ieri e oggi: duecento anni di studi, atti del convegno di studi (Venezia, 5-6 novembre 2012), a cura di X. Barral i Altet - M. Gottardi, Venezia, Ateneo Veneto, 2013 (“Ateneo Veneto”, CC, 12/I), pp.
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