Narratives of Religion” | 1
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Matrix As an Introduction to Mathematics
St. John Fisher College Fisher Digital Publications Mathematical and Computing Sciences Faculty/Staff Publications Mathematical and Computing Sciences 2012 What's in a Name? The Matrix as an Introduction to Mathematics Kris H. Green St. John Fisher College, [email protected] Follow this and additional works at: https://fisherpub.sjfc.edu/math_facpub Part of the Mathematics Commons How has open access to Fisher Digital Publications benefited ou?y Publication Information Green, Kris H. (2012). "What's in a Name? The Matrix as an Introduction to Mathematics." Mathematics in Popular Culture: Essays on Appearances in Film, Fiction, Games, Television and Other Media , 44-54. Please note that the Publication Information provides general citation information and may not be appropriate for your discipline. To receive help in creating a citation based on your discipline, please visit http://libguides.sjfc.edu/citations. This document is posted at https://fisherpub.sjfc.edu/math_facpub/18 and is brought to you for free and open access by Fisher Digital Publications at St. John Fisher College. For more information, please contact [email protected]. What's in a Name? The Matrix as an Introduction to Mathematics Abstract In my classes on the nature of scientific thought, I have often used the movie The Matrix (1999) to illustrate how evidence shapes the reality we perceive (or think we perceive). As a mathematician and self-confessed science fiction fan, I usually field questionselated r to the movie whenever the subject of linear algebra arises, since this field is the study of matrices and their properties. So it is natural to ask, why does the movie title reference a mathematical object? Of course, there are many possible explanations for this, each of which probably contributed a little to the naming decision. -
Digital Religion – Blessed Are the Heretics!
Digital Religion – Blessed are the heretics! ISSN: 1705-6411 Volume 16, Number 1 (January 2020) Author: Jon Baldwin The best thing about religion is that it spawns heretics. Ernst Bloch1 (2009: 122) The consideration of religion, especially when entwined with technology, has as Bloch suggests, spawned much heresy, and this paper considers the constructive heresies of Jean Baudrillard, as well as Ernst Bloch, Byung-Chul Han, and Peter Sloterdijk. Whether it be it be oral, notches on bone, clay engraving, handwritten scrolls, codices, illuminated manuscripts, print books, audio recordings, or more recently, software and mobile applications, religion has been continually mediated by technologies to various degrees. The recent coupling of the terms digital and religion, brought about by the merging of the digital, internet, and forms of religiosity, attests to this. Indeed, religion itself might often be regarded as mediation between god(s) and man, the heaven and earth, the sacred and the profane, and so forth. This paper discusses the notion of digital religion and attendant theoretical approaches. It indicates how Baudrillard’s work might contribute to this configuration and methodology with a consideration of the academic field of ‘digital religion’ and ideas from Marshall McLuhan. Against a somewhat utopian vision and drive, the poverty of a networked digital religion is advanced. The possibility that a form of religion somewhat influenced the advancement of the internet is outlined with focus on Unitarianism and Tim Berners-Lee. Attention turns to Baudrillardian motifs and notions of potlatch, defiance, and challenge as they might inform the developments of certain elements of religion. -
The Matrix Trilogy's Postmodern Movie Messiah
Journal of Religion & Film Volume 9 Issue 2 October 2005 Article 7 October 2005 He is the One: The Matrix Trilogy's Postmodern Movie Messiah Mark D. Stucky [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Stucky, Mark D. (2005) "He is the One: The Matrix Trilogy's Postmodern Movie Messiah," Journal of Religion & Film: Vol. 9 : Iss. 2 , Article 7. Available at: https://digitalcommons.unomaha.edu/jrf/vol9/iss2/7 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. He is the One: The Matrix Trilogy's Postmodern Movie Messiah Abstract Many films have used Christ figures to enrich their stories. In The Matrix trilogy, however, the Christ figure motif goes beyond superficial plot enhancements and forms the fundamental core of the three-part story. Neo's messianic growth (in self-awareness and power) and his eventual bringing of peace and salvation to humanity form the essential plot of the trilogy. Without the messianic imagery, there could still be a story about the human struggle in the Matrix, of course, but it would be a radically different story than that presented on the screen. This article is available in Journal of Religion & Film: https://digitalcommons.unomaha.edu/jrf/vol9/iss2/7 Stucky: He is the One Introduction The Matrix1 was a firepower-fueled film that spin-kicked filmmaking and popular culture. -
Breaking the Code of the Matrix; Or, Hacking Hollywood
Matrix.mss-1 September 1, 2002 “Breaking the Code of The Matrix ; or, Hacking Hollywood to Liberate Film” William B. Warner© Amusing Ourselves to Death The human body is recumbent, eyes are shut, arms and legs are extended and limp, and this body is attached to an intricate technological apparatus. This image regularly recurs in the Wachowski brother’s 1999 film The Matrix : as when we see humanity arrayed in the numberless “pods” of the power plant; as when we see Neo’s muscles being rebuilt in the infirmary; when the crew members of the Nebuchadnezzar go into their chairs to receive the shunt that allows them to enter the Construct or the Matrix. At the film’s end, Neo’s success is marked by the moment when he awakens from his recumbent posture to kiss Trinity back. The recurrence of the image of the recumbent body gives it iconic force. But what does it mean? Within this film, the passivity of the recumbent body is a consequence of network architecture: in order to jack humans into the Matrix, the “neural interactive simulation” built by the machines to resemble the “world at the end of the 20 th century”, the dross of the human body is left elsewhere, suspended in the cells of the vast power plant constructed by the machines, or back on the rebel hovercraft, the Nebuchadnezzar. The crude cable line inserted into the brains of the human enables the machines to realize the dream of “total cinema”—a 3-D reality utterly absorbing to those receiving the Matrix data feed.[footnote re Barzin] The difference between these recumbent bodies and the film viewers who sit in darkened theaters to enjoy The Matrix is one of degree; these bodies may be a figure for viewers subject to the all absorbing 24/7 entertainment system being dreamed by the media moguls. -
Read Book the Matrix
THE MATRIX PDF, EPUB, EBOOK Joshua Clover | 96 pages | 12 Jun 2007 | British Film Institute | 9781844570454 | English | London, United Kingdom The Matrix – Matrix Wiki – Neo, Trinity, the Wachowskis And the special effects are absolutely amazing even if similar ones have been used in other movies as a result- and not explained as well. But the movie has plot as well. It has characters that I cared about. From Keanu Reeves' excellent portrayal of Neo, the man trying to come to grips with his own identity, to Lawrence Fishburne's mysterious Morpheus, and even the creepy Agents, everyone does a stellar job of making their characters more than just the usual action "hero that kicks butt" and "cannon fodder" roles. I cared about each and every one of the heroes, and hated the villains with a passion. It has a plot, and it has a meaning Just try it, if you haven't seen the movie before. Watch one of the fight scenes. Then watch the whole movie. There's a big difference in the feeling and excitement of the scenes- sure, they're great as standalones, but the whole thing put together is an experience unlike just about everything else that's come to the theaters. Think about it next time you're watching one of the more brainless action flicks If you haven't, you're missing out on one of the best films of all time. It isn't just special effects, folks. Looking for some great streaming picks? Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist. -
The Matrix Revolution, Part I
The Matrix Revolution, Part 1 by Ben Sibelman with an excerpt from The Matrix and excerpts from two versions of The Matrix Reloaded script, by Larry and Andy Wachowski (Bold text in the excerpts indicates added material. Strikeouts and ellipses indicate skipped material.) Sources The Matrix transcript: http://www.ix625.com/matrixscript.html The Matrix Reloaded draft script: http://www.imsdb.com/scripts/Matrix-Reloaded,-The.html The Matrix Reloaded shooting script: http://www.horrorlair.com/movies/scripts/matrixreloaded.pdf The Matrix, its sequels, and all related characters, plots, images, and concepts are the property of the Wachowski brothers, Warner Brothers, and/or Village Roadshow Pictures. Consequently, this script cannot be used for commercial gain. It is free for your use and may be copied and distributed at will. SCENE 1 Total blackness. NEO (V.O. from the end of The Matrix) I know you're out there. I can feel you now. Down into the black screen comes a single column of glowing green symbols. It is quickly joined by many others as the camera closes in. NEO (cont’d) I know that you're afraid. You're afraid of us. You're afraid of change. 19 of the columns terminate in the letters of “THE MATRIX REVOLUTION.” The camera passes through the U, which extends back into a canyon of smaller symbols with gaps in its walls. 1 NEO (cont’d) I don't know the future. I didn't come here to tell you how this is going to end. I came here to tell you how it's going to begin. -
The Matrix Explained
The Matrix Explained http://www.idph.net 9 de fevereiro de 2004 2 IDPH The Matrix Esta é uma coletânea de diversos artigos publicados na Internet sobre a trilogia Matrix. Como os links na Internet desaparecem muito rapidamente, achei que seria in- teressante colocar, em um mesmo documento, as especulações mais provocati- vas sobre a trilogia. Cada um dos artigos contém o link onde o artigo original foi encontrado. Estas referências, em sua maior parte, foram obtidas no Google (http://www. google.com), buscando por documentos que contivessem, em seu título, as palavras “matrix explained”; intitle:"matrix explained" Infelizmente, estão todos em inglês. Em português existem dois livros muito bons sobre os filmes: • MATRIX – Bem-vindo ao Deserto do Real Coletânea de William Irwin Editora Madras • A Pílula Vermelha Questões de Ciência, Fiilosofia e Religião em Matrix Editora Publifolha Quem sabe vivemos mesmo em uma Matrix. Ao menos é o que diz um dos artigos do do livro “A Pílula Vermelha”. Espero que gostem ... http://www.idph.net IDPH 3 Matrix – Explained by Reshmi Posted on November 12, 2003 14:39 PM EST To understand “The Matrix Revolutions” we’re gonna have to go all the way back to the beginning. A time that was shown in the superior Animatrix shorts “The Second Renaissance Parts I & II. In the beginning there was man. Then man created machines. Designed in man’s likeness the machines served man well, but man’s jealous nature ruined that relationship. When a worker robot killed one of its own abusive masters it was placed on trial for murder and sentenced for destruction. -
Reassessing the Matrix/Reloaded
Journal of Religion & Film Volume 7 Issue 2 October 2003 Article 6 October 2003 Reassessing The Matrix/Reloaded Julien R. Fielding University of Nebraska at Omaha, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Fielding, Julien R. (2003) "Reassessing The Matrix/Reloaded," Journal of Religion & Film: Vol. 7 : Iss. 2 , Article 6. Available at: https://digitalcommons.unomaha.edu/jrf/vol7/iss2/6 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Reassessing The Matrix/Reloaded Abstract Much has been written about Larry and Andy Wachowski's film The Matrix and on practically every angle: from philosophical precedents to the realities of artificial intelligence. Religious scholars, oo,t have thrown their hats into the academic ring, expounding on the Gnostic, Buddhist and Christian aspects found therein. But as many have discovered, the Wachowski brothers are syncretists, pulling bits from here and there and then mixing it all together in a science fiction-martial arts stew. They do this so thoroughly that when one tries to impose a singular religious paradigm on top of the film(s), slotting in the characters one-by-one, it seems to work only until put back within the context of the film(s). It is then when everything begins to unravel. Even though scholars have done it time and time again employing one religious worldview to understand The Matrix and The Matrix: Reloaded simply does not work. -
The Matrix Hero on Youtube: Fan Vids As a Form of Transmedia Storytelling
In: Social Media ISBN: 978-1-63463-175-4 Editor: Annmarie Bennet © 2015 Nova Science Publishers, Inc. Chapter 5 THE MATRIX HERO ON YOUTUBE: FAN VIDS AS A FORM OF TRANSMEDIA STORYTELLING Dorothy Wai-sim Lau Academy of Film, Hong Kong Baptist University, Hong Kong ABSTRACT Fan vids are an emergent form of storytelling in the current social media epoch. As a genre of works, they comprise montages of visual material culled *from mass media source texts and set to music through the grassroots practice of vidding. As vidders search, cull, and edit movie images, they recast the cinematic stories by decontextualizing the source materials and extending the frontier of the narrative to other signifying realms. Vidding could be said to constitute a grassroots, fan-driven form of transmedia storytelling, by which the integral elements of a fiction are systematically dispersed across multiple media platforms. The Matrix, a celebrated Hollywood science fiction franchise, has inspired many such instances of transmedia storytelling, demonstrating how the story is retold by ordinary fans as they transpose movie images from cinematic space to cyberspace. This essay focuses on two fan vids from YouTube, the most popular video-sharing site, entitled “I, Neo (Mos Def / Massive Attack / Matrix Mashup)” and “Matrix Vs. Excision & Downlink - Existence VIP Dub Mashup” to examine how vidders incorporate new content to expand and alter the Matrix narrative into the bottom-up generated content. When Matrix footage is eclectically cut to electronic music, Neo’s story is no * [email protected]. 94 Dorothy Wai-sim Lau longer represented and understood within a fixed symbolic system, but rather in a hybrid, open framework, allowing for diverse directionality of interpretation. -
Understanding the Matrix
UNDERSTANDING THE MATRIX Written and Compiled by David Allen Rivera (2008) "The Matrix is everywhere. It is all around us. Even now, in this very room. You can see it when you look out your window, or when you turn on your television. You can feel it when you go to work, when you go to church, when you pay your taxes. It is the world that has been pulled over your eyes, to blind you from the truth." (Morpheus) TABLE OF CONTENTS Chapter One: Discovering The Matrix …………… …..……………………………..…………………2 Chapter Two: The Call (Scenes 1-43)………………….…..…………………….….……………..…9 Chapter Three: The Training and Equipping (Scenes 44-82)………………….………………….90 Chapter Four: A Destiny Revealed (Scenes 84-220)……………………………………………..129 Chapter Five: The Truth……………..………………………………………………………….……214 Sources Consulted & Acknowledgements……………..…………….……………………….……229 All Scripture quotations are from the Authorized King James Version of the Holy Bible 2 CHAPTER ONE DISCOVERING THE MATRIX In 1999, Warner Bros. released a little movie called The Matrix . While most movies are made to entertain, and are fairly straight forward in their approach, The Matrix challenged its viewers. Incredibly unique was the fact that different people who saw it, had different interpretations of its meaning. For people to devote their time into discussing the "meaning" of a Hollywood movie illustrates the shear impact it has had. Few movies have been dissected like The Matrix . This book considers the interpretations, the observations, the symbolism, and the spiritual significance of The Matrix , and puts it into perspective. Are you ready to discover the truth behind The Matrix ? FINDING A TREASURE I never saw The Matrix when it came out in 1999. -
From Superman to Brahman: the Religious Shift of the Matrix Mythology
Journal of Religion & Film Volume 10 Issue 2 October 2006 Article 3 October 2006 From Superman to Brahman: The Religious Shift of The Matrix Mythology Jeffery Wittung [email protected] Daniel Bramer [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Wittung, Jeffery and Bramer, Daniel (2006) "From Superman to Brahman: The Religious Shift of The Matrix Mythology," Journal of Religion & Film: Vol. 10 : Iss. 2 , Article 3. Available at: https://digitalcommons.unomaha.edu/jrf/vol10/iss2/3 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. From Superman to Brahman: The Religious Shift of The Matrix Mythology Abstract In this article, we argue two points: 1) that the religious images, symbols and allusions of The Matrix mythology shift decidedly from the West to the East; and 2) that the Western end of this shift is grounded not in the Christian religious tradition, but in Nietzschean humanism. This humanism explicit in the opening lines of the history of the Matrix myth, as found in The Animatrix, retains its dominance through The Matrix and into Reloaded, at which point the myth turns increasingly eastward and ends in the cyclical images of Vedic and Puranic creation and dissolution. This article is available in Journal of Religion & Film: https://digitalcommons.unomaha.edu/jrf/vol10/iss2/3 Wittung and Bramer: From Superman to Brahman Introduction Religious exegeses and interpretations of the Matrix trilogy are abundant and include perspectives from all of the major world religions. -
Being the One Is Like Being in Love: Breaking the Bonds of Patriarchy
BEING THE ONE IS LIKE BEING IN LOVE: BREAKING THE BONDS OF PATRIARCHY Rachel Reed1 The Matrix Trilogy is in many ways a bold comment on the state of modern society. After Neo chooses the red pill, his journey into reality begins, revealing a very different world. Within Zion, it is difficult to overlook the prominence of people of color. However, throughout the course of the three films, there is no dialogue drawing attention to this fact. Indeed, the unplugged population of Zion appears to have reached a state of unquestioned racial equality. The same cannot necessarily be said about gender. From the very beginning, it is clear that these films reveal something about the perception of women in modern society—even when it has become “enlightened.” Though women are shown frequently in various positions of power, 1 Rachel Reed received her BA in Sociology in 2013 from the University of Tennessee, Knoxville, where she focused on issues of social and economic inequality from a feminist perspective. Since graduation, Rachel has pursued a career as a photographer and writer while also designing and developing video games for Hero Game Co, an independent studio. The studio's first game, Anagrams, is set to be published soon. 1 significant amounts of dialogue are laced with sexism in and out of the Matrix. The Matrix Trilogy exposes the pervasive and persistent existence of patriarchal ideology in modern society as well as proposes a way to fight against it. The Matrix Trilogy is undoubtedly a love story. Reminiscent of fairytales in many ways, Neo’s journey is as much about saving the world as it is about the power of true love.