Fine Musical Instruments Wednesday 22 May 2013 at 11am Knightsbridge, London

Fine Musical Instruments Wednesday 22 May 2013 at 11am Knightsbridge, London

Bonhams Enquiries Customer Services Please see back of catalogue Montpelier Street Director of Department Monday to Friday for Notice to Bidders Knightsbridge Philip Scott 8.30am to 6pm London SW7 1HH +44 (0) 20 7393 3855 +44 (0) 20 7447 7447 New bidders must also provide proof www.bonhams.com [email protected] of identity when submitting bids. Illustrations Failure to do this may result in your Viewing Specialist Front cover: Lot 149 bids not being processed. Sunday 19 May 11am to 3pm Thomas Palmer Inside front cover: Lot 61 +44 (0) 20 7393 3849 Monday 20 May 9am to 4.30pm Inside back cover: Lot 1 [email protected] Tuesday 21 May 9am to 4.30pm Back cover: Lot 2 Department Fax Bids +44 (0) 20 7393 3820 +44 (0) 20 7447 7448 Live online bidding is +44 (0) 20 7447 7401 fax available for this sale Customer Services Please email [email protected] To bid via the internet Monday to Friday 8.30am to 6pm with “Live bidding” in the please visit www.bonhams.com +44 (0) 20 7447 7447 subject line 48 hours before Please provide details of the lots the auction to register for Please register and obtain your on which you wish to place bids this service. at least 24 hours prior to the sale. customer number/ condition report for this auction at New bidders must also provide [email protected] proof of identity when submitting bids. Failure to do this may result in your bids not being processed.

Sale Number: 20769

Catalogue: £20

Bonhams 1793 Limited Bonhams 1793 Ltd Directors Bonhams UK Ltd Directors Registered No. 4326560 Robert Brooks Chairman, Colin Sheaf Deputy Chairman, Colin Sheaf Chairman, Jonathan Baddeley, Antony Bennett, Iain Rushbrook, John Sandon, Tim Schofield, Registered Office: Montpelier Galleries Malcolm Barber Group Managing Director, Matthew Bradbury, Harvey Cammell, Simon Cottle, Veronique Scorer, James Stratton, Roger Tappin, Matthew Girling CEO UK and Europe, Andrew Currie, David Dallas, Paul Davidson, Jean Ghika, Shahin Virani, David Williams, Michael Wynell-Mayow. Montpelier Street, Geoffrey Davies, Jonathan Horwich, James Knight, Charles Graham-Campbell, Miranda Grant, Robin Hereford, London SW7 1HH Patrick Meade, Caroline Oliphant, Hugh Watchorn. Asaph Hyman, Charles Lanning, Camilla Lombardi, +44 (0) 20 7393 3900 Fergus Lyons, Paul Maudsley, Gordon McFarlan, +44 (0) 20 7393 3905 fax Andrew McKenzie, Simon Mitchell, Jeff Muse, Mike Neill, Charlie O’Brien, Giles Peppiatt, Peter Rees, Julian Roup, Important Information for Buyers

Full Conditions Full conditions are displayed in all our auction rooms and can be obtained from 101 New Bond Street, London W1S 1SR.

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Important Notice Inclusion in the catalogue of statements relating to imperfections or damage is intended to be of assistance to purchasers. But lack of any such notice implies no guarantee of condition and purchasers must be responsible for satisfying themselves in this respect. No responsibility accepted for bows with repair or graft concealed by the lapping.

Condition reports and limited additional photographs are provided at our discretion, and usually on lots only with auction estimate in excess of one thousand pounds. These reports will be provided only after customers have registered at [email protected] (Refer to terms and conditions at back of catalogue).

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Terminology by The instrument is believed by Bonhams to be made by the maker named in the description. ascribed to A traditional attribution with which we do not necessarily agree. attributed to An opinion which may be traditional, indicating a probable maker’s identity or date of manufacture of an instrument in whole or in part. school of The instrument is in our opinion by a later or contemporary follower of the maker indicated, or is in the style of instruments associated with the area indicated. workshop of In our opinion the instrument is executed in the basic style of the maker and possibly under his direct supervision. labelled The instrument is not in our opinion by the maker indicated but merely bears (also stamped, his name. In some cases the instrument may be a later copy or is modelled inscribed, etc.) after the maker indicated. L.O.B. Length of back, excluding button.

Clearance during the Sale

A storage charge of £3.60 per day after Wednesday 12 June 2013.

During this sale, certain lots can be cleared at the discretion of Bonhams. Clearance from the saleroom will be on production to the saleroom staff of a delivery order which can be obtained from the Cashiers on payment in full for the lot.

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Cites For aditional information relating to cities please see notice to bidders paragraph 13.

Cataloguing Please note the figure in brackets after the description gives the number of items within the lot e.g. Violin, Bow and case = (3) Contents

Spinet 1 Guitars 2 Woodwind and Brass 11 Violins Part I 13 Violas 64 Violin Bows 77 Ephemera 131 Viola and Bass Bows 132 Cello Bows 137 Basses 145 Cellos 149 Violins Part II 184 Spinets

1Y An English Bentside Spinet by Benjamin Slade, London, circa 1700 Benjamin Slade was born around 1669 and apprenticed to James Aland Inscribed on the jackrail; Benjamin Slade Faciebat, London length in 1684 and became Free of the Joiners Company in 1698. He later 1655mm (65 3/16in) The case interior, jackrail above the soundboard worked with Joseph Tisseran, a French Harpsichord maker who came to and keyboard area are exuberantly and profusely decorated with syca- England circa 1690. Slade is recorded in an advertisement in the London more and walnut marquetry incorporating repeated songbirds in pairs Courant for 21 August 1727 as “harpsichord maker in ordinary” to the and alone, of varying sizes, with acanthus thickets bordered by continu- Royal Household and probably worked in the West End of London rather ous peak and sphere margins with some contrasting scorching; the four than the City. and a quarter octave keyboard (72cms)GG/BB-d’’’ of ebony, the arcaded natural ends of embossed black trefoil paper, the accidentals skunktail Literature; lower two doubled, the walnut case of an aged light brown colour with Boalch; Makers of the Harpsichord and Clavichord (1995 p.632) referred pierced naturalistic brass accessories all on a later eighteenth century to as “Slade B 1700.” turned, pinned walnut stand. (2) James P; Early Keyboard Instruments (1930 p.110 )Plate XXX. £10,000 - 15,000 Beurmann A; Harpsichords and More, 2012 OLMS Hildesheim Zurich US$15,000 - 23,000 New York. €12,000 - 18,000 Bonhams; London FMIA November 2004 lot 23; 11254.

4 | Bonhams Guitars and Mandolins

2 A six string Classical Guitar by Hermann Hauser II, Reisbach, Ba- varia, 1959, No. 661 Labelled by the maker, Hermann Hauser, Kunstwerkstatte fur Intrumen- tenbau, Siten-Spinnerei, 1959, Reisbach/Vils Length of back 485mm (19 1/8in) overall length 978mm, the back and ribs of vibrant rosewood with green and white marginal inlay decoration, the table of narrow grain, widening on the flanks, with exuberant concentric soundhole decora- tion, the open head with matching purfling decoration and machine turners and rollers, well preserved, in case. (2) £20,000 - 30,000 US$31,000 - 46,000 €23,000 - 35,000

A similar later example is illustrated in ‘The Classical Guitar; The Com- plete History’, Outline Press, London, 1997, p. 60-61.

The above maker was favoured by Julian Bream CBE and Pepe Romero, along with many other notable players.

Fine Musical Instruments | 5 3 3

3 5Y A Spanish Guitar by Jose Maria Recio Beltran, Cadiz, circa 1850 A six string Italian Guitar by Gennaro Fabricatore, Naples, 1812 Labelled Anode 18... Jose Recio, Calle de ..., En Cadiz ... Length of Labelled Gennaro Fabricatore, Anno 1812, Napoli, Strada Giacomo, No. back 465mm (18 5/16in) the spruce front with circular inlaid wood and 87, Length of back 441mm (17 3/8in) the back and ribs of fruitwood mother of pearl decoration around soundhole, the back and ribs of with triangular oak inlay, with carved face at top back, the table of maple with vertical alternating inlaid rosewood and lightwood decora- spruce with ivory and ebony inlay around circular soundhole, the head tion, brass rollers with later tuners, use wear and restoration, in green and neck of stained darkwood with vertical ivory inlay, use wear and canvas case. (2) restorations, as seen. (1) £1,500 - 2,000 £1,000 - 1,500 US$2,300 - 3,100 US$1,500 - 2,300 €1,800 - 2,300 €1,200 - 1,800

Information on this maker can be found in ‘The Vihuela de Mano and 6 The Spanish Guitar’, by Jose L. Romanillos Vega and Marian Harris Win- A six string Guitar circa 1880 spear, The Sanguino Press, 2002, p. 326. Labelled Jose Ferreira Sanhudo, ... da Banharia No. 49 e 49, ... De Violeiro, Porto, Length of back 443mm (17 7/16in) the spruce table with 4 inlaid border decoration, the back ribs and head of rosewood, the fret A six string Guitar circa 1880 board ebonised, use wear and restorations, as seen. (1) Labelled Guitars made expressly for hot climates, Chappell., Spanish £2,000 - 3,000 Guitar Maker, Music Seller to their Majesties, No. 50 New Bond Street, US$3,100 - 4,600 London, Spanish Guitars let on hire, Length of back 443mm (17 7/16in) €2,300 - 3,500 the spruce table with inlaid mother of pearl and ebony border decora- tion, the back and ribs of rosewood with ivory border, use, wear and restorations, in case. (2) £800 - 1,200 US$1,200 - 1,800 €940 - 1,400

6 | Bonhams 7 7

7 9 A Flamenco Guitar attributed to the Conde Brothers, Madrid A six string Guitar circa 1900 Labelled Conde Hermanos, Constructores, Calle Santiago Maganto, 4, Labelled From Hime & Son’s Pianoforte & Music Warehouse, No.57 Pozuelo de Alarcon, Madrid, (Espana) Length of back 493mm (19 7/16in) Church Street Liverpool, Length of back 439mm (17 5/16in) of a golden the table of spruce with inlaid coloured wood decoration around sound- orange brown colour, the table of spruce with fruitwood inlay, ebonised hole, the back and ribs of rosewood, with pale marginal inlay decora- head and neck, use wear and restoration, in old wooden guitar case. (2) tion, mechanical turners and rollers, minor use and wear, in case. (2) £800 - 1,200 £2,000 - 3,000 US$1,200 - 1,800 US$3,100 - 4,600 €940 - 1,400 €2,300 - 3,500 10* Y See ‘The Classical Guitar, The Complete History’, Balafon, limited edition, An early Mandolin 1997, London, page 106, for discussion relating to the flamenca negra. Labelled Antonio de Raho, 1536, overall length 550mm (21 5/8in) the head and neck each with rustic scenes on ivory panels inset, circular 8 paper rose, for five courses of two strings, the pear shaped back of ivory A twelve string Guitar attributed to Alvaro da Silveira, Lisbon, staves with ebony stringing inset, the neck with similar ebony and ivory circa 1930 decoration, restorations. (1) Length of back 389mm (15 5/16in) with dyed wooden and mother of £1,500 - 2,000 pearl inlaid decoration around soundhole, with bone bridge, the rose- US$2,300 - 3,100 wood back and ribs with wooden inlaid decoration, with dragons head, €1,800 - 2,300 in fitted case labelled Fabrica de Guitaras, Lusc Espanhola, Avenida Joao XXI, 13-E, Lisboa. (2) £1,000 - 1,500 US$1,500 - 2,300 €1,200 - 1,800

Fine Musical Instruments | 7 Woodwind and Brass

11Y Four English boxwood and ivory Flutes, early 19th century, by Pot- ter, D’Almaine & Co, Goulding & Co and Oppenheim Branded First; Potter, Johnson’s Court, Fleet Street, London, Patent, 6, Length from embouchure to foot base 589mm (23 3/16in) with six silver keys, two articulated, with the six key Flute branded D’Almaine & Co, Late Goulding & D’Almaine, Soho Square, London, length (emb.-fb) 579mm, with the one brass key Flute branded Goulding & Co, Lon- don, length (emb.-fb) 529mm, with the one silver key Flute branded H-Oppenheim, London, length (emb.-fb) 532mm, with a small sized recorder, all as seen. (5) £3,000 - 4,000 US$4,600 - 6,100 €3,500 - 4,700

8 | Bonhams 12 A brass Ophicleide by Charles Joseph Sax circa 1825 Further information on the above instrument can be found in ‘The Ox- Branded C. Sax. Facteur. Du. ROI. A. Bruxelles, diameter 212mm (8 3/8in) ford Companion to Musical Instruments’, by Anthony Baines, OUP, 1992, overall length 115mm, with nine brass padded keys, use wear and resto- page 227. ration in fitted case. (2) £3,000 - 5,000 Further information on the maker of the above instrument can be found US$4,600 - 7,600 in ‘The New Langwill Index, A Dictionary of Musical Wind-Instrument €3,500 - 5,900 Makers and Inventors’, William Waterhouse, Bingham, London, 1993, page 347. The Ophicleide was used throughout the 19th century to provide a bass in brass and military bands and in the brass section of the orchestra, before gradually being superseded by the Tuba. It is most famed for its use in Berlioz’s ‘Symphonie fantastique’ and ‘Benvenuto Cellini’, along with Mendelssohn’s ‘Midsummer Night’s Dream’ Overture.

Fine Musical Instruments | 9 13 13

Violins Part I

13 14 An English Violin by Benjamin Banks, Salisbury, 1778 An English Violin by Thomas Dodd, London, circa 1795 Labelled Made by Benj. Banks, Catherine-Street, Salisbury, 1778, and Labelled T. Dodd, Violin Maker, London Length of back 351mm (13 inscribed on top block, Made by Benj. Banks, Salisbury, 1778, Length of 13/16in) of a red golden brown colour, use and wear, in fitted case. (2) back 354mm (13 15/16in) of an aged red amber brown colour, use wear £2,000 - 3,000 and restorations, in case. (2) US$3,100 - 4,600 £8,000 - 12,000 €2,300 - 3,500 US$12,000 - 18,000 €9,400 - 14,000

10 | Bonhams 15 15

15 16* An English Violin by Joseph Hill, London, circa 1770 An English Violin attributed to Samuel Gilkes, London, circa 1810 Length of back 354mm (13 15/16in) of a pale golden brown colour, use Labelled Samuel Gilkes, fecit London ... and branded; Gilkes on bottom and wear, in case. (2) rib, Length of back 351mm (13 13/16in) of an aged red brown colour, £15,000 - 20,000 use wear and restorations. (1) US$23,000 - 31,000 £2,500 - 3,500 €18,000 - 23,000 US$3,800 - 5,300 €2,900 - 4,100 Offered with the Certificate of W.E. Hill & Sons, London, signed and dated 16th November 1948, stating the above ‘was made by Joseph Hill who worked in the Haymarket, London, ca. 1770’.

The fingerboard is numbered R.719 corresponding to the reference number on the certificate.

Fine Musical Instruments | 11 17 17

Property of the late Leslie Fyson

17 18 An English Violin, attributed to Henry Jay, London, circa 1770 An English Violin by Emanuel Whitmarsh, London, 1896 Labelled Made by Norris and Barnes, Violin Violincello and Bow Makers Labelled Emanuel Whitmarsh, London, made 1896, E.W. and inscribed To Their Majesties, Coventry Street, London, ... Length of back 357mm internally; Emal. Whitmarsh, 1896, Length of back 356mm (14in) of a (14 1/16in) of a pale golden yellow brown colour, use wear and restora- golden orange brown colour, minor use and wear, with bow, in case. (3) tions. (1) £3,000 - 4,000 £4,000 - 5,000 US$4,600 - 6,100 US$6,100 - 7,600 €3,500 - 4,700 €4,700 - 5,900

12 | Bonhams 19 19

19 20 An interesting English Violin, attributed to Richard Duke, London, An English Violin by Matthew Furber, London, 1785 circa 1780 Inscribed internally; Matthew Furber, Maker, Clerkenwell, London, 1785, Branded Duke London, below button Length of back 355mm (14in) Length of back 352mm (13 7/8in) of an amber brown colour, use and skilful work of an aged orange brown colour, use wear and restorations, wear, restorations, with a silver mounted Violin Bow, faintly stamped, with later scroll. (1) 52gm., with another bow, in case. (4) £4,000 - 5,000 £2,000 - 3,000 US$6,100 - 7,600 US$3,100 - 4,600 €4,700 - 5,900 €2,300 - 3,500

See, The British Violin, BVMA, Oxford, 2000, page 42-43.

Fine Musical Instruments | 13 21 21

21 22 A Violin by George Craske, London, circa 1880 An English Violin by Jeffery James Gilbert, New Romney, 1883 Labelled Made by George Craske, (born 1797, died 1888), and sold by Labelled J.J. Gilbert, New Romney, 1883, No. =9= Length of back W.E. Hill & Sons, London, Length of back 362mm (14 1/4in) of an aged 352mm (13 7/8in) of a golden brown colour, use and wear, with bow, red amber brown colour, use and wear, in case. (2) in case. (3) £3,000 - 4,000 £1,000 - 1,500 US$4,600 - 6,100 US$1,500 - 2,300 €3,500 - 4,700 €1,200 - 1,800

Offered with the receipt of W.E. Hill & Sons, signed and dated, 3rd July 1969.

The fingerboard is numbered X102.

14 | Bonhams 23 23

23 24 A Violin attributed to George Louis Panormo, London, circa 1830 A Violin by Walter Mayson, Manchester, 1891 Inscribed Internally; George Lewis Panormo, London, fecit 18... Length of Labelled Deus adsit, obsit Mundus, Walter H. Mayson, Manchester, No. back 355mm (14in) of a light golden amber brown colour, use wear and five V, ‘’Ceres’’ A.D. 1891, and signed internally on top block and lower restoration, in case. (2) left back, Length of back 359mm (14 1/8in) of a red orange golden £6,000 - 8,000 brown colour, use and wear. (1) US$9,200 - 12,000 £1,000 - 1,500 €7,000 - 9,400 US$1,500 - 2,300 €1,200 - 1,800

Fine Musical Instruments | 15 25 25

25* 26 A Violin by John Betts, London, 1789 A Violin by William Luff, London, 1974 Labelled John Betts, No. 2 North Piazza, Royal Exchange, London, Labelled William Luff, Maker, London, 1974 354mm (13 15/16in) of a 1789, and stamped; Betts, Royal Exchange, London, on top back, and golden brown colour, minor use and wear, in case (2) stamped; Betts, on bottom rib, Length of back 356mm (14in) of a £5,000 - 6,000 golden amber colour, a rare, typical and well preserved example after US$7,600 - 9,200 Stradivari, with a silver mounted Violin Bow, as seen, in case. (3) €5,900 - 7,000 £15,000 - 20,000 US$23,000 - 31,000 €18,000 - 23,000

Offered with the insurance document of Ishfin Violins, signed and dated 27th November, 2006.

16 | Bonhams 27 27

27 28 A Violin attributed Hendrik Jacobs, Amsterdam, 1693 A Tyrollean Violin by Antonius Rief, Vils, 1793 Labelled Faintly; Hendrik Jacobs, Amsterdam, 1693, Length of back Labelled Antonius Rief, in Vils, im Tyrol, An 1793 Length of back 359mm 355mm (14in) of a light golden amber brown colour, some use wear (14 1/8in) of a golden brown colour, with bow, in case. (3) and restoration, in case. (2) £1,000 - 1,500 £30,000 - 40,000 US$1,500 - 2,300 US$46,000 - 61,000 €1,200 - 1,800 €35,000 - 47,000

The above is the property of a noted Dutch Quartet Violinist.

Offered with the invoice and valuation of Max Moller & Zoon relating to the above, signed and dated 3rd April 2003.

Fine Musical Instruments | 17 29 29

29 30 A Violin attributed to Leopold Widhalm, Nürnberg, circa 1730 A Violin of A.F. Mayr Salzburg School, circa 1750 Labelled Leopold Widhalm, Lauten - und Geigenmacher in Nurnberg, Jacobus Stainer ... Length of back 353mm (13 7/8in) handsome one fecit 1726, and; Reparit Georg Seltz ... and stamped on button; HR piece back, with lightly craquelled varnish of a dark red brown colour, Length of back 356mm (14in) of a red amber brown colour, use wear use, wear and restorations, with a silver mounted French Violin Bow in and restoration, in case. (2) the manner of JBV, the round stick of a red brown colour, weight 57 £3,000 - 4,000 grams, use and wear, in case. (3) US$4,600 - 6,100 £1,500 - 2,000 €3,500 - 4,700 US$2,300 - 3,100 €1,800 - 2,300

18 | Bonhams 31 31

31Ω 32 A Violin by Georg Winterling, Krailling, 1922 A Violin by Hermann Dolling Junior, Markneukirchen, circa 1900 Labelled in manuscript; Georg Winterling, Krailling by Munchen, 1922 Inscribed internally; Hermann Dolling Jr Length of back 358mm (14 also Ferron & Kroeplin Chicago no., 1507... Length of back 356mm 1/8in) of an amber brown colour, minor use and wear, with a Violin (14in) of a golden orange brown colour, use and wear, in case. (2) Bow, stamped Cuniot, weight 58 grams, restorations, with another £3,000 - 4,000 Violin Bow, weight 53 grams, in case. (4) US$4,600 - 6,100 £1,000 - 1,500 €3,500 - 4,700 US$1,500 - 2,300 €1,200 - 1,800

Fine Musical Instruments | 19 33 A French Violin by Francois Fent, Paris, 1780 Offered with April 2013 Certificate of D.R. Hill & Son to the above effect Labelled Fait par Fent, Maitre Lutier, rue Montmatre, cul de fac Saint Pi- noting in addition “this violin was originally sold by W.E. Hill and Sons etre, a Paris Length of back 356mm (14in) of an aged red brown colour, in the early nineteen hundreds and was last sold by them in 1958 to a use wear and restoration, in case. (2) gifted lady violinist and is numbered T783 in our records.” £30,000 - 40,000 US$46,000 - 61,000 Offered with the Certificate of Ealing Strings signed and dated 7 March €35,000 - 47,000 1969 to the above effect stating the above is ...”a fine and well pre- served example of the maker’s work.” Offered with the Tree-Ring Analysis Report no B35 of John Topham dated 9 April 2013 stating inter alia; Results show the most significant At some time the property of Geraldine O’Grady ex-Leader of the Radio cross-matching dates obtained for the youngest rings measured on the Eireann Symphony Orchestra. bass and treble sides of the front were AD1759 and AD1763....the high statistical value and the graphical similarities suggest the pieces came from the same tree.”

20 | Bonhams 34 34

34 35 A Violin attributed to Paul Bailly circa 1900 A French Violin by Ch.J.B. Collin-Mezin Fils, Paris, 1931 Labelled Paul Bailly, Luthier, ancien eleve de J.B. Vuillaume, 8 Medailles a Labelled Ch.J.B.Collin-Mezin, Paris...1931, no., 541 and signed internally Paris, Sydney, Melbourne, 8A, and numbered 851 and signed internally Length of back 352mm (13 7/8in) handsome figure, of an orange brown on label Paul Bailly with matching number inscribed on inner back, colour, fine condition. (1) 356mm (14in) of a red yellow brown colour, use and wear, with two £2,500 - 3,000 bows in case. (4) US$3,800 - 4,600 £5,000 - 6,000 €2,900 - 3,500 US$7,600 - 9,200 €5,900 - 7,000 Offered with the colour-illustrated Certificat D’ Authenticite of Mon.J-J Rampal, signed and dated Paris 29 December 2010 to the above effect.

Fine Musical Instruments | 21 36 36

36 37 A French Violin by Amedee Dieudonne, Mirecourt 1939 A Violin of the Caussin School, circa 1870 Branded twice internally Amedee Dieudonne Fils, Mirecourt, signed and Labelled Carlo Tononi... Length of back 354mm (13 15/16in) of a golden dated also, 1939 and labelled Fait a Mirecourt no., 3018 par le Maitre- amber brown colour, use wear and restorations, with bow, in case. (3) Luthier Amedee Dieudonne en 1939 Length of back 356mm (14in) bold £1,500 - 2,000 tiger stripe back of a red brown colour, after Del Gesu, use and wear, US$2,300 - 3,100 with a bow in case. (3) €1,800 - 2,300 £3,000 - 4,000 US$4,600 - 6,100 €3,500 - 4,700

Offered with a signed printed certificate of origin apparently relating to the above.

22 | Bonhams 38 38

38 39 A French Violin attributed to Sebastien Vuillaume, Paris, circa 1870 A French Violin by Colin Mezin circa 1900 Labelled Sebastien Vuillaume a Paris 27 Boulevard Bonne-Nouvelle Labelled Ch J.B. Colin Mezin, Luthier, Grand Prix - Exposition-Univeralle with pencil signature/monogram close to post Length of back 360mm 1900, Paris, and numbered internally 439, Length of back 353mm (13 (14 3/16in) the varnish of quality in the manner of JBV of a red golden 7/8in) of a golden amber brown colour, little sign of use and wear, in brown colour, after Del Gesu, with initials D H C applied to fingerboard, case. (2) use wear and restoration, with a nickel mounted Violin Bow in blue case. £1,200 - 1,800 (3) US$1,800 - 2,700 £8,000 - 12,000 €1,400 - 2,100 US$12,000 - 18,000 €9,400 - 14,000 Offered with the signed document numbered 439 of Ch. J.B. Colin Mezin.

Fine Musical Instruments | 23 40 40

40 41 A French Violin by Emile Germain, A French Violin, ascribed to Juste Derazey circa 1890 Paris, 1894 Branded Jt. Derazey on lower rib and labelled Jt.Derazey, Luthier a Mire- Labelled Emile Germain, a Paris 5 Fauborg Montmatre 1894 Length of court Length of back 357mm (14 1/16in) of a red brown colour, use and back 352mm (13 7/8in) handsome wood of a red colour on a brown wear, with a Violin Bow, in case. (3) ground, fissure in back at post, use and wear, with a German octagonal £1,500 - 2,500 silver mounted Violin Bow, another bow, all in case. (1) US$2,300 - 3,800 £3,000 - 4,000 €1,800 - 2,900 US$4,600 - 6,100 €3,500 - 4,700

24 | Bonhams 42 42

42* 43 A French Violin of quality circa 1890 A French Violin attributed to Honore Derazey circa 1870 Labelled Gustave Bernardel, Luthier du Conservatoire de Musique, Branded H.Derazey faintly internally Length of back 360mm (14 3/16in) No. 292, Paris, 1894, Length of back 360mm (14 3/16in) the lightly of a golden amber colour, use wear and restoration. (1) craquelled varnish of a red brown colour, use and wear and restoration £3,000 - 4,000 with a silver mounted Violin Bow, stamped Johs. O. Paulus and on frog, US$4,600 - 6,100 weight 61 grams, in case. (3) €3,500 - 4,700 £3,000 - 4,000 US$4,600 - 6,100 The fingerboard is numbered B371 €3,500 - 4,700

Offered with related Swiss Versicherungswertschaetzung documents dated 11 July 1994.

Fine Musical Instruments | 25 44 44

44 45 A Violin of the Gaggini School, A Mirecourt Violin circa 1920 Labelled Petrus Gaggini, Nicea Civitas, Anno 1956, and branded on Labelled with signature Georges Apparut, fecit Mircurtioe, Anno 192- bottom rib, top block and internally; P. Gaggini, Length of back 356mm Length of back 357mm (14 1/16in) of an orange brown colour, use and (14in) the lightly craquelled varnish of a deep red colour, in a good state wear, with two bows, in case. (4) of preservation, in case. (2) £2,000 - 3,000 £6,000 - 8,000 US$3,100 - 4,600 US$9,200 - 12,000 €2,300 - 3,500 €7,000 - 9,400

26 | Bonhams 46 46

46 47 A French Violin by Honore Derazey, Mirecourt, circa 1870 A Violin of the Caussin School circa 1880 Labelled Honore Derazey pere, a Mirecourt, HD, and branded on inner Labelled faintly Amati, Cremona Length of back 359mm (14 1/8in) of back, HDM, H. Derazey, with a repair label by R.F. Rowley, Length of a golden amber colour, use wear and restoration, a bold handsome back 358mm (14 1/8in) of a deep red brown colour, use and wear, in Amatise model, in case. (2) case. (2) £1,500 - 2,000 £8,000 - 12,000 US$2,300 - 3,100 US$12,000 - 18,000 €1,800 - 2,300 €9,400 - 14,000

Fine Musical Instruments | 27 28 | Bonhams 48* A French Violin probably by Nicolas Lupot, Paris, 1816 The 9 February 2013 Tree-Ring Analysis Report no B27 of John Topham Labelled Nicolas Lupot Luthier rue Croix des petits-Champs a Paris, l’an relating to the violin presently offered states inter alia; 1816 Length of back 358mm (14 1/8in) of a red colour on a golden brown ground, restorations. (1) “In addition the mean sequence very significantly cross-matches two £50,000 - 70,000 sequences taken from a violin also labelled and attributed to Nico- US$76,000 - 110,000 las Lupot also dated 1816. The instrument resides at the Ashmolean €59,000 - 82,000 Museum in Oxford and is part of the Hill Collection. The mean sequence cross-matches on the bass side of the Lupot labelled violin (dated from The above Violin is stylistically and dendrchronologically very similar to AD1715 to AD1794) with a t-value of 16.2 and the treble side (dated the ex-Cooper 1816 Lupot Violin presently on view in the Ashmolean from AD1714 to AD1793)with a t-value of 16.4. These values and the Museum, Oxford. graphical similarities as shown in Graph 3 strongly suggest the wood See; Musical Instruments in the Ashmolean Collection, The Complete from both violins came from the same tree.” Collection, OMIP 2011, Edited by John Milnes, pages 182-189. Offered with the black and white illustrated Gutachten of Eugen Tenucci, See also The Galpin Society Journal, LV April 2002 page 261 no. 30 for Zurich signed and dated 12 August 1950 stating the above is; fachman- synopsis of John Topham Dendrochronology Report of the Ashmolean nischen Erfahrung eine Arbeit dieses Meisters along with a similar Gu- Lupot. tachten from Georg Winterling, Hamburg signed and dated 1 Juli 1950 also stating; ist eine Arbeit dieses Meisters.(2).

Fine Musical Instruments | 29 49 49

49 50 A rare Dutch Violin by Jan Boumeester, Amsterdam, 1664 An interesting Violin of the Dutch School, Labelled Jan Boumeester, me fecit in Amsterdam, Anno, 1664, Length Labelled Nicolas Amatus Length of back 360mm (14 3/16in) of a golden of back 358, ub 168 lb 210mm (14 1/8in) of a golden orange brown amber brown colour, use wear and restorations, with two bows, in case. colour, use, wear and much restoration, in case. (2) (4) £10,000 - 15,000 £1,500 - 2,000 US$15,000 - 23,000 US$2,300 - 3,100 €12,000 - 18,000 €1,800 - 2,300

See Max Moller; ....”This outstanding violin-maker is to be regarded as Offered with a copy of the illustrated auction catalogue of the Venduhu- one of the best representatives of the Dutch School. His entire work is is der Notarissen ‘s-Gravenhage najaarsveiling 21 en 22 November 1978 that of the skilled artist.” lot 590, stating; Een oud Vlaamse viool ca 1700(Kop niet bijbehorend en gerepareerd).

30 | Bonhams 51 51

51 52 A Violin by Max Moller, Amsterdam, 1926 A Violin by Max Moller, Amsterdam, 1943 Labelled Max Moller, Amsterdam, 1926 Length of back 359mm (14 Inscribed internally; Max Moller filius, ... Amsterdam, 1943, Length of 1/8in) the craquelled varnish of a red golden brown colour, use and back 360mm (14 3/16in) of a rich red brown colour, minor use and wear, in case. (2) wear, with two nickel mounted Violin Bows, in case. (4) £5,000 - 7,000 £5,000 - 6,000 US$7,600 - 11,000 US$7,600 - 9,200 €5,900 - 8,200 €5,900 - 7,000

Fine Musical Instruments | 31 53 A Violin attributed to Joaquin Jose Galram, Lisbon, circa 1800 Length of back 355mm (14in) of an aged orange brown colour, use wear and restorations. (1) £7,000 - 9,000 US$11,000 - 14,000 €8,200 - 11,000

Offered with the Certificate of W.E. Hill & Sons, Great Missenden signed and dated 31-10-90 stating the above was made by J.J. Galram of Lis- bon circa 1780 and is numbered X879 on their books.

32 | Bonhams 54* An early Italian Violin by Valentino de Zorzi, Pistoia 1881 Labelled by the maker and signed internally on table Length of back 354mm (13 15/16in) of an orange brown colour, use wear and restora- tion. (1) £25,000 - 35,000 US$38,000 - 53,000 €29,000 - 41,000

Offered with the colour-illustrated Certificato no.1199-MZ of Mr.Eric Blot, signed, sealed and dated Cremona 21 April 2004 to the above effect stating in addition; “Raro esemplare di violino del primo periodo di questo liutaio italiano, construito nel 1881 quando lavorava ancora a Pistoia a tutt’ oggi in buono stato di conservazione.”

Fine Musical Instruments | 33 55 An interesting Violin circa 1800, School of Mantegazza Labelled Giovanni Grancino... Length of back 358mm (14 1/8in) the transparent varnish of a light golden amber colour, in case. (2) £6,000 - 8,000 US$9,200 - 12,000 €7,000 - 9,400

34 | Bonhams 56 A Violin by Giulio Degani, Venice, 1901 Labelled Degani Guilio di Eugenio, premiato con gran diploma d’onore in Milano, e medaglia d’oro in Torino, Anno 1901, Fece in Venezia, Length of back 359mm (14 1/8in) of a golden orange brown colour, use and wear, in case. (2) £20,000 - 30,000 US$31,000 - 46,000 €23,000 - 35,000

Fine Musical Instruments | 35 57 A Violin by Giulio Degani, Venice 1898 Labelled Degani Giulio di Eugenio, Fece in Venezia anno 1898 Length of back 357mm (14 1/16in) of a light golden amber colour, restoration, with two violin bows, one stamped Tourte. (3) £20,000 - 30,000 US$31,000 - 46,000 €23,000 - 35,000

36 | Bonhams 58 An Italian Violin by Eugenio Degani, Venice 1894 Labelled as above by the maker Length of back 365mm (14 3/8in) of a handsome light golden brown colour, minor use and wear only. (1) £25,000 - 30,000 US$38,000 - 46,000 €29,000 - 35,000

Offered with a receipted invoice signed and dated 16/11/1951 stating; Italian Violin by Eugene Degani 1894, in mint condition. Price £85.

Fine Musical Instruments | 37 59 A Violin by Leandro Bisiach, Milan, 1900 Offered with the Tree-Ring Analysis Report No., B29 of John Topham Labelled Copia Stradivari, Leandro Bisiach da Milano, fece l’Anno 1900, dated 9 February 2013 noting the two piece table wood dates from and signed Leandro Bisiach, Length of back 355mm (14in) the thick oil 1738 and 1737 also stating; “This result has some similarities to another varnish of a deep red golden brown colour, a well preserved example, in Violin attributed to Leandro Bisiach, label dated 1926 measured in a pre- lined and fitted blue case. (2) vious analysis. It too very significantly cross-dated with sequences taken £40,000 - 50,000 from instruments of Cremonese and Venetian origin and may be an US$61,000 - 76,000 example of this maker having access to old wood that was often used by €47,000 - 59,000 other classical makers of the early to middle 18th century for the fronts of their instruments.”

38 | Bonhams 60 A Violin attributed to Francesco Gobetti circa 1710 Offered with a dendrochronology report from John Topham, Surrey, Labelled Franciscus Gobetti, Fecit Venetiis, 1711 Length of back 353mm dated February 2012 stating the analysis of the spruce table of the above (13 7/8in) the restored slabwood back of great beauty and some me- violin significantly cross matches tables of other important contemporary dium curl, ribs and fine scroll similar, of an aged red colour on a golden Venetian makers and the tablewood itself is of a date commensurate brown ground, use and wear, restorations, with an ivory mounted bow, with the label date. in blue canvas case. (3) £10,000 - 15,000 US$15,000 - 23,000 €12,000 - 18,000

Fine Musical Instruments | 39 61 A Violin by Hannibal Fagnola, Turin 1930 Offered with the colour-illustrated Certificate of Authenticity of Inscribed on upper inner rib Annibale Fagnola fecit Torino 1930 and Mr. Florian Leonhard, London, signed and dated 25 April 2013 to the labelled Hannibal Fagnola fecit Taurini anno Domini 1930 also labelled above effect. Joannes Franciscus Pressenda q.Raphael fecit Taurini anno Domini 1848 Offered with the Tree-Ring Analysis Report no B36 of John Topham Length of back 355mm (14in) the lightly craquelled varnish of a red dated 9 April 2013 stating inter alia; “Results show that the most colour, fine condition, in case. (2) significant cross-matching dates obtained for the youngest rings £40,000 - 60,000 measured on the bass and treble sides of the front were AD1905 and US$61,000 - 92,000 AD1906.....the high statistical value and the graphical similarities €47,000 - 70,000 suggest the pieces came from the same tree.”

Previously sold by Sotheby, November 1980 lot 598.

40 | Bonhams 62 An Italian Violin by Lorenzo & Tommaso Carcassi, Florence, 1777 Offered with the Certificate of W.E. Hill & Sons, London, signed and Labelled Lor. E Tom. Carcassi, in Firenze nell’ Anno 1777, All’ Infegna dated July 21st 1919 stating that the above ‘was made by Lorenzo & del Giglio, Length of back 352mm (13 7/8in) of an aged golden brown Tommaso Carcassi, whose original label dated 1777 the instrument colour, use wear and skilful restoration. (1) bears’. £40,000 - 60,000 US$61,000 - 92,000 The fingerboard is numbered 5539 matching the number on the above €47,000 - 70,000 certificate.

Offered with the later valuations of Antoni Jassogne signed and dated, 1985 and Andre Theunis, signed and dated 20-10-1994.

Fine Musical Instruments | 41 42 | Bonhams 63 A Violin by Giovanni Grancino, Milan, 1693 Giovanni Grancino in Contrada, largha di Milano al segno della Corona 1693 Length of back 350mm (13 3/4in) of a red golden brown colour, use and wear, with original finger board numbered W.900, in case. (2) £80,000 - 120,000 US$120,000 - 180,000 €94,000 - 140,000

Offered with a certificate by L.P. Balmforth & Son, Merrion Street, Leeds, 2, dated 7th September 1968, stating ‘We certify that the Violin ... was made in our opinion, Giovanni Grancino of Milan, dated 1693’, and signed L.P. Balmforth & Son.

Also with a receipt by the above dated 23rd September 1968 and a letter from W.E. Hill & Sons, dated 30th April 1968, stating ‘... the violin bearing our number W.900, this is recorded on our books as being the work of Giovanni Grancino of Milan bearing a label dated 1693. The back is in one piece of wood cut on the slab, marked by a faint medium curl. A well preserved example with reddish brown varnish’. 64 64

Violas

64 66 A Fine English Viola by Joseph Hill, London A Viola of the Cuypers School Labelled by the maker; Joseph Hill Maker at the Harp and Flute, London Length of back 375mm (14 3/4in) of a golden amber colour, use wear 1777 Length of back 383mm (15 1/16in) the aged lightly craquelled and restoration, in case. (2) varnish of a red brown colour, minor use and wear, in case. (2) £2,000 - 3,000 £8,000 - 12,000 US$3,100 - 4,600 US$12,000 - 18,000 €2,300 - 3,500 €9,400 - 14,000 67 The fingerboard is numbered G 837. A French Viola circa 1900 Labelled Mansuy a Paris Length of back 408mm (16 1/16in) of an amber 65 brown colour, minor use and wear, with bow, in case. (3) A Czech Viola attributed to Johan Christian Voigt, Prague, circa £1,000 - 1,500 1800 US$1,500 - 2,300 Inscribed Internally: Johan Chriestian Voigt ... Prague ... Length of back €1,200 - 1,800 390mm (15 3/8in) of an aged red brown colour, use wear and restora- tion, in case. (2) £1,000 - 1,500 US$1,500 - 2,300 €1,200 - 1,800

44 | Bonhams 68 68

68 70* A Viola of the Vuillaume School, after Maggini, circa 1870 A French Viola of the Chappuy School, circa 1760 Labelled N.F. Vuillaume, No 178, Luthier du Conservatoire Royal de Labelled faintly internally, Length of back 396mm (15 9/16in) fine work, Musique, Rue du l’Eveque, No. 30, Bruxelles, l’an 1874, NFV, Length of of an orange brown colour, use, wear and restoration, in case. (3) back 400mm (15 3/4in) of a red brown colour, use and wear, with two £2,500 - 3,000 bows, in case. (4) US$3,800 - 4,600 £3,000 - 4,000 €2,900 - 3,500 US$4,600 - 6,100 €3,500 - 4,700

69 A French Viola circa 1900 Length of back 417mm (16 7/16in) of a golden orange brown colour, minor use and wear, with bow, in case. (3) £3,000 - 4,000 US$4,600 - 6,100 €3,500 - 4,700

The fingerboard is numbered 809.

Fine Musical Instruments | 45 71 71

71 73 An English Viola by Walter Mayson, Manchester, 1879 An English Viola by Clifford Timms, Tadworth, 1962 Labelled ‘’Deus Adsit Obsit Mundus’’, Gualterus Maysonus, Fecit Manru- Inscribed internally; Clifford Timms, Tadworth, Surrey, 1962 Length of nii, A.D. 1879, and signed internally, Length of back 406mm (16in) of an back 411mm (16 3/16in) of an orange brown colour, minor use and orange brown colour, minor use and wear, in case. (2) wear, with a nickel mounted Viola Bow, stamped Frz. Meier, weight 65 £2,000 - 3,000 grams, full hair, in case. (3) US$3,100 - 4,600 £1,500 - 2,000 €2,300 - 3,500 US$2,300 - 3,100 €1,800 - 2,300 72 A Mirecourt Viola circa 1900 Labelled ...Gobetti fecit... Length of back 402mm (15 13/16in) of a light red brown colour, with a bow stamped Gotz Germany, in case. (3) £1,000 - 1,500 US$1,500 - 2,300 €1,200 - 1,800

46 | Bonhams 74 74

74 76 A Viola by William Luff, London, 1971 A Mittenwald Viola circa 1850 Labelled William H. Luff, Maker, London, 1971 Length of back 421mm Length of back 396mm (15 9/16in) of a golden orange brown colour, (16 9/16in) of a golden orange brown colour, minor use and wear, with use and wear, with two Viola Bows, one stamped Ary - Fr..., weight 72 bow, in case. (1) grams, in case. (4) £6,000 - 8,000 £1,500 - 2,000 US$9,200 - 12,000 US$2,300 - 3,100 €7,000 - 9,400 €1,800 - 2,300

75 A Viola of the Stainer School circa 1880 Labelled Jacobus Stainer, a Absam ... 1659 Length of back 388mm (15 1/4in) the back of birds eye maple of a red amber brown colour, use and wear, with a silver mounted Viola Bow, stamped Lothar Herrmann, weight 69 grams, full hair, in case. (3) £1,000 - 2,000 US$1,500 - 3,100 €1,200 - 2,300

Fine Musical Instruments | 47 Violin Bows

77 A silver mounted Violin Bow ascribed to Eury weight 60 grams the round stick of quality showing narrow curl of a red brown colour, the ebony frog with rounded heel, full hair. (1) £7,000 - 8,000 US$11,000 - 12,000 €8,200 - 9,400

78Ω A nickel mounted Violin Bow by Charles Thomassin, Paris Stamped C. Thomassin a Paris, weight 55 grams the round stick of an orange brown colour, use and wear, full hair. (1) £3,000 - 5,000 US$4,600 - 7,600 €3,500 - 5,900

Offered with the coloured photographic certificate of Bernard Millant, signed and dated Paris, 20th March 2007, stating in addition ‘modele de tete elegant et typique de cette epoque.’ and ‘Tres interessant specimen de ce Maitre francais en bon etat de conservation’.

79* An interesting early silver mounted Violin Bow of the French School weight 56 grams possibly original lapping, the octagonal stick of a red brown colour, frog without slide, restoration to frog, use and wear, full hair. (1) £3,000 - 4,000 US$4,600 - 6,100 €3,500 - 4,700

80 A nickel mounted Violin Bow of the Maline School weight 57 grams the round stick with skilful head repair of a red brown colour, full hair. (1) £2,000 - 3,000 US$3,100 - 4,600 €2,300 - 3,500

81 A silver mounted Violin Bow stamped Paul Jombar a Paris weight 58 grams the round stick of a red brown colour, use and wear, full hair. (1) £1,500 - 2,000 US$2,300 - 3,100 €1,800 - 2,300

82 A French silver mounted Violin Bow by L.Morizot Stamped L. Morizot weight 63 grams the round stick of an orange brown colour, use and wear, full hair. (1) £1,200 - 1,500 US$1,800 - 2,300 €1,400 - 1,800

83 A silver mounted Violin Bow by J. Jacques Millant, Paris Stamped J.Jacques Millant A Paris weight 60 grams the octagonal stick with skilful internal head repair of a red brown colour, the innovative ebony frog mounted and secured by an ebony base with silver triangle applied, full hair. (1) £1,500 - 2,000 US$2,300 - 3,100 €1,800 - 2,300

See a similar example illustrated in L’ Archet, Millant/Raffin, Volume 3 77 78 pages 501 and 502.

48 | Bonhams 84 A silver mounted Violin Bow of the French School Stamped Peccatte weight 60 grams the ebony frog with extended pearl slide and back plate, the round stick of an orange brown colour, use and wear and restoration. (1) £4,000 - 5,000 US$6,100 - 7,600 €4,700 - 5,900

85* A part silver mounted Violin Bow by Eugene Sartory, Paris Stamped E. Sartory A Paris weight 60 grams the round stick of an or- ange brown colour, use wear and restoration, later ferrule, some hair. (1) £3,000 - 4,000 US$4,600 - 6,100 €3,500 - 4,700

86 A gold mounted Violin Bow attributed to E.Sartory, Paris Stamped E.Sartory A Paris weight 60 grams the round stick of an orange brown colour, minor stick blemish, full hair. (1) £8,000 - 12,000 US$12,000 - 18,000 €9,400 - 14,000

The above Violin Bow is offered now reputedly by descent from the Grumiaux family who had owned the bow for many years prior.

87* Y A gold and tortoiseshell mounted Violin Bow Stamped A Lamy A Paris and engraved LD on ferrule weight 56 grams the octagonal stick of an orange brown colour, use and wear, full hair. (1) £2,000 - 3,000 US$3,100 - 4,600 €2,300 - 3,500

88* A silver mounted Violin Bow Stamped C. Thomassin a Paris weight 58 grams the octagonal bow of an amber brown colour, use and wear, full hair. (1) £1,500 - 2,500 US$2,300 - 3,800 €1,800 - 2,900

89* Y A gold and tortoiseshell mounted Violin Bow after F.Tourte weight 59 grams The round stick of a red orange brown colour, use and wear, full hair. (1) £2,000 - 3,000 US$3,100 - 4,600 €2,300 - 3,500

Offered with the Chardon & Fils Avis D’Expertise signed and dated Paris, le dix Novembre 1947 stating the above “a ete fait par Francois Tourte vers l’annee 1820.” Another handwritten document signed and dated 1880 also in French, a receipt, relating to the above bow stating it had been offered to Pa- ganini in 1812 by the sister of Napoleon. Various photocopies of the above and other related documents including a copy receipt signed and dated March 1907.

84 85

Fine Musical Instruments | 49 90 A gold mounted Violin Bow by James Tubbs, London Stamped Jas. Tubbs weight 55 grams the round stick of a red brown colour, full hair (1) £3,000 - 4,000 US$4,600 - 6,100 €3,500 - 4,700

91 A silver mounted violin bow by James Tubbs, London Stamped Jas. Tubbs weight 62mm (2 7/16in) the round stick of a red brown colour, use and wear, some hair. (1) £3,000 - 4,000 US$4,600 - 6,100 €3,500 - 4,700

92* A silver mounted Violin Bow by W.E. Hill & Sons Stamped W.E. H&S weight 57 grams the round stick of a red orange brown colour, use and wear, some hair. (1) £1,500 - 2,000 US$2,300 - 3,100 €1,800 - 2,300

93 A silver mounted Violin Bow Stamped faintly...? weight 56 grams the round stick of an aged red brown colour, use and wear, ful hair. (1) £1,000 - 1,500 US$1,500 - 2,300 €1,200 - 1,800

94* A silver, ebony and tortoise shell mounted Violin Bow by Albert Nurnberger Stamped *Albert Nurnberger* weight 57 grams the round stick of an orange brown colour, use and wear, some hair. (1) £1,000 - 1,500 US$1,500 - 2,300 €1,200 - 1,800

95* A Violin Bow Stamped *Albert Nurnberger* Germany weight 62 grams the octagonal stick of a dark brown colour, use and wear, some hair. (1) £1,000 - 1,500 US$1,500 - 2,300 €1,200 - 1,800

96 A silver mounted Violin Bow Stamped Vic Fetique a Paris, weight 63 grams the round stick of a red brown colour, use and wear, full hair. (1) £1,000 - 2,000 US$1,500 - 3,100 €1,200 - 2,300

90 91

50 | Bonhams 97 A silver mounted Violin Bow by W.E. Hill & Sons, London Stamped W.E. Hill & Sons weight 62 grams the octagonal stick of a red brown colour, the ebony frog with silver ring and pearl eye, the canted corner in the manner of P.W. Bryant, use and wear, full hair. (1) £2,500 - 3,500 US$3,800 - 5,300 €2,900 - 4,100

98* A silver mounted Violin Bow by W.E. Hill & Sons, London Stamped W.E. Hill & Sons weight 57 grams the round stick of a red brown colour, use and wear, some hair. (1) £2,500 - 3,500 US$3,800 - 5,300 €2,900 - 4,100

99 An interesting silver mounted Violin Bow weight 55 grams the round stick of quality of a red brown colour, some hair. (1) £1,000 - 1,500 US$1,500 - 2,300 €1,200 - 1,800

100* A silver mounted Violin bow Stamped *Albert Nurnberger * Germany weight 62 grams the round stick of a dark red brown colour, use and wear, full hair. (1) £1,000 - 1,500 US$1,500 - 2,300 €1,200 - 1,800

101 A silver mounted Violin Bow attributed to F.N. Voirin, Paris Stamped F.N. Voirin a Paris weight 61 grams the round stick of a red brown colour, use and wear, full hair. (1) £1,000 - 1,500 US$1,500 - 2,300 €1,200 - 1,800

102* A gold mounted Violin Bow Stamped Vtor Fetique A Paris, twice, weight 62 grams the round stick of an orange brown colour, use and wear, full hair. (1) £1,000 - 1,500 US$1,500 - 2,300 €1,200 - 1,800

103 A gold mounted Violin Bow, Finkel School weight 58 grams the octagonal stick of a brown colour, use and wear, full hair. (1) £1,000 - 1,500 US$1,500 - 2,300 €1,200 - 1,800

97 98

Fine Musical Instruments | 51 104 111* An early interesting Violin Bow, Peccatte School A silver mounted Violin Bow weight 65 grams the round stick of an aged red brown colour, use and Stamped Vtor Fetique A Paris weight 58 grams the round stick of an wear, some hair, no lapping or plate, minus one inlay shield. (1) orange brown colour, full hair. (1) £1,200 - 1,500 £1,000 - 1,500 US$1,800 - 2,300 US$1,500 - 2,300 €1,400 - 1,800 €1,200 - 1,800

105 112 An interesting silver mounted Violin Bow of the French School A part silver mounted Violin Bow by W.E. Hill & Sons, London Stamped faintly ...... e A Paris weight 60 grams the round stick of an Stamped Hill weight 60mm (2 3/8in) the round stick of a brown colour, orange brown colour, some hair, use and wear. (1) use and wear, full hair. (1) £2,000 - 3,000 £800 - 1,200 US$3,100 - 4,600 US$1,200 - 1,800 €2,300 - 3,500 €940 - 1,400

106 113 A silver mounted Violin Bow A silver mounted Violin Bow by L.Morizot Stamped Faintly; Vtor Fetique a Paris weight 59 grams the round stick of Stamped L.Morizot weight 59 grams the round stick of an orange brown an orange brown colour, use and wear, full hair. (1) colour, minus hair, use, wear and neglect. (1) £1,000 - 1,500 £1,000 - 1,500 US$1,500 - 2,300 US$1,500 - 2,300 €1,200 - 1,800 €1,200 - 1,800

107 114 A silver mounted Violin Bow stamped P.R. Le Blanc A silver mounted Violin Bow Stamped weight 61 grams the octagonal stick of a red brown colour, Stamped H.Fleury weight 56 grams the round stick of an orange brown use and wear, full hair. (1) colour, full hair. (1) £800 - 1,200 £800 - 1,200 US$1,200 - 1,800 US$1,200 - 1,800 €940 - 1,400 €940 - 1,400

Offered with the invoice of J.P. Guivier & Co ltd. dated May 11th ‘76. 115 A gold mounted Violin Bow by W.E. Hill and Sons, London 108 Stamped faintly W.E. Hill & Sons weight 55 grams the round stick of a A silver mounted Violin Bow by Millant, Paris red brown colour, some hair, much use and wear. (1) Stamped Millant a Paris weight 60 grams the round stick of quality of a £800 - 1,200 red brown colour, use and wear, full hair. US$1,200 - 1,800 (1) €940 - 1,400 £800 - 1,200 US$1,200 - 1,800 116 €940 - 1,400 A silver and ebony mounted Violin Bow of the Knopf School weight 57 grams the octagonal stick of a red brown colour, use and 109 wear, some hair. (1) A silver mounted Violin Bow £800 - 1,200 Stamped faintly E.Nurnberger Germany weight 55 grams the round stick US$1,200 - 1,800 of an orange brown colour, full hair. (1) €940 - 1,400 £800 - 1,200 US$1,200 - 1,800 * €940 - 1,400 117 A part silver mounted Violin Bow 110 Stamped Vuillaume a Paris weight 62 grams the round stick of a red A silver mounted Violin Bow by W.E. Hill and Sons, London brown colour, use and wear, full hair. (1) Stamped W.E. Hill & Sons 60 grams the round stick with later head of a £800 - 1,200 red brown colour, the ebony frog of quality, full hair. (1) US$1,200 - 1,800 £800 - 1,200 €940 - 1,400 US$1,200 - 1,800 €940 - 1,400 118 A silver mounted Violin Bow attributed to Charles Bazin Stamped Lupot weight 54 grams the round stick of a amber brown colour, use and wear, full hair. (1) £1,000 - 1,500 US$1,500 - 2,300 €1,200 - 1,800

52 | Bonhams 119 126 A nickel mounted Violin Bow A silver mounted Violin Bow by A.R. Bultitude Stamped faintly Simon weight 64 grams the round stick of some quality Stamped A.R. Bultitude weight 61 grams the octagonal stick of a red of a deep red brown colour, some hair. (1) orange brown colour, the ebony frog with inlaid silver engraved rose, £1,000 - 2,000 minor use and wear, full hair. (1) US$1,500 - 3,100 £1,000 - 1,500 €1,200 - 2,300 US$1,500 - 2,300 €1,200 - 1,800 120 A small sized French Violin Bow, Bazin workshop Offered with original invoice from A.R Bultitude, dated Feb 27th 1981. weight 50 grams the round stick of an orange brown colour, use and wear, full hair. (1) 127 £800 - 1,200 A part silver mounted Violin Bow by W.E. Hill & Sons, London US$1,200 - 1,800 Stamped Hill weight 64 grams the round stick of a brown colour, use €940 - 1,400 and wear, full hair, with a silver mounted Violin Bow stamped Mary Cocker, the octagonal stick of bamboo, use and wear, some hair. (1) Offered with the colour illustrated certificate of J.F. Raffin, 10 Rue Con- £1,000 - 1,500 stantinople, 75008 Paris, signed and dated 12th November 2012. US$1,500 - 2,300 €1,200 - 1,800 121Y A gold and tortoisehell mounted Violin Bow by W.E. Hill and Sons, 128Y London A silver mounted Violin Bow Stamped W.E. Hill & Sons weight 58 grams the octagonal stick with skil- Stamped Johs. O. Paulus ** and branded Jo. Paulus on frog, weight 59 ful head repair of an orange brown colour, full hair (1) grams the octagonal stick of an amber brown colour, use and wear, full £800 - 1,200 hair, with a silver and ivory mounted Violin Bow, faintly stamped, weight US$1,200 - 1,800 64 grams, the octagonal stick of a red brown colour, use and wear, full €940 - 1,400 hair. (2) £1,200 - 1,500 122* US$1,800 - 2,300 A gold mounted Violin Bow €1,400 - 1,800 Stamped Peccatte weight 59 grams the octagonal stick of a red orange brown colour, the ferrule and button engraved, use and wear, full hair. 129* (1) Two German gold mounted Violin Bows £800 - 1,200 Stamped Gotthard Schuster and Heinz Dolling *** the Schuster of US$1,200 - 1,800 weight 61 grams, the octagonal stick of an orange brown colour, full €940 - 1,400 hair, the Dolling of weight 64 grams, the octagonal stick of an orange brown colour, full hair, as seen. (2) 123 £1,000 - 1,500 An Interesting Violin Bow US$1,500 - 2,300 Stamped faintly J.C. W...M? weight 54 grams the round stick of a brown €1,200 - 1,800 colour, no lapping, use and wear, full hair. (1) £600 - 800 130* US$920 - 1,200 A Violin Bow €700 - 940 Stamped *Albert Nurnberger* weight 57 grams the octagonal stick of a light red brown colour, with a Violin Bow faintly stamped Penzel ? 124 57gm., the octagonal stick of a red brown colour, both minus hair, use A silver mounted Violin Bow by Albert Nurnberger and wear. (2) Branded *Albert Nurnberger* weight 59mm (2 5/16in) the round stick £1,000 - 1,500 of a red brown colour, use and wear, full hair. (1) US$1,500 - 2,300 £800 - 1,200 €1,200 - 1,800 US$1,200 - 1,800 €940 - 1,400

125 A silver mounted Violin Bow Stamped Vuillaume Length of back 56 grams the round stick of a red brown colour, much use, no hair, as seen. (1) £800 - 1,200 US$1,200 - 1,800 €940 - 1,400

Fine Musical Instruments | 53 Ephemera

131 Attributed to William Frederick Yeames (British, 1835-1918) The Music Lesson bears a title and artist’s name on old label verso oil on canvas 124 x 96.5cm (48 13/16 x 38in). £1,000 - 1,500 US$1,500 - 2,300 €1,200 - 1,800

54 | Bonhams Viola and Bass Bows

132Y A gold mounted Viola Bow by Garner Wilson Stamped Garner Wilson numbered internally 520 weight 73 grams the tortoiseshell frog inset with two concentric golden rings, the round stick of a light brown colour, full hair. (1) £1,000 - 1,500 US$1,500 - 2,300 €1,200 - 1,800

133 A silver mounted Viola Bow Stamped Heinz Dolling *** weight 69 grams the octagonal stick of a red brown colour, full hair. (1) £800 - 1,200 US$1,200 - 1,800 €940 - 1,400

134 A silver mounted Viola Bow Stamped E.Sartory A Paris, 69 grams the round stick of a red brown colour, full hair. (1) £2,000 - 3,000 US$3,100 - 4,600 €2,300 - 3,500

135 An interesting Violin/Viola Bow of the French School Stamped Baroux Paris, weight 66 grams the round stick of an orange brown colour, use and wear, full hair. (1) £800 - 1,200 US$1,200 - 1,800 €940 - 1,400

136 An interesting string Bass Bow, after Dragonetti Stamped W.E.Hill & Sons weight 145 grams the handsome round stick of quality, with two silver bands at hand position either side of names- tamp and brass screw securing open ebony frog, full hair. (1) £1,500 - 2,000 US$2,300 - 3,100 €1,800 - 2,300

136

Fine Musical Instruments | 55 Cello Bows

137Y An ivory and silver mounted Cello Bow by W.E. Hill & Sons Stamped W.E. Hill & Sons weight 74mm (2 15/16in) the round stick of a red brown colour, the ivory frog with silver ring and mother of pearl eye, use wear and restorations, full hair. (1) £2,000 - 3,000 US$3,100 - 4,600 €2,300 - 3,500

Offered with the receipt of W.E. Hill & Sons, signed and dated 5th February 1944.

138 A silver mounted French Cello Bow Stamped Gand & Bernadel Fres weight 76 grams the round stick of a brown colour, use and wear, full hair. (1) £1,500 - 2,000 US$2,300 - 3,100 €1,800 - 2,300

139 A silver mounted Cello Bow Stamped E. Sartory A Paris weight 83mm (3 1/4in) the octagonal stick of a deep red brown colour, full hair. (1) £1,500 - 2,000 US$2,300 - 3,100 €1,800 - 2,300

140 A Cello Bow by W.E. Hill & Sons London Stamped Hill weight 78 grams the round stick of a red brown colour, minor use and wear, full hair. (1) £1,800 - 2,200 US$2,700 - 3,400 €2,100 - 2,600

141 An interesting early modern ironwood Cello Bow stick of the Paris School weight 54 grams without frog and button, as seen. (1) £2,000 - 3,000 US$3,100 - 4,600 €2,300 - 3,500

142 A silver mounted Cello Bow Stamped ***Finkel*** weight 81 grams the pleasing round stick of a light orange brown colour, minor use and wear, full hair. (1) £1,000 - 1,500 US$1,500 - 2,300 €1,200 - 1,800

143 A nickel mounted Cello Bow ascribed to Prosper Colas circa 1900 Stamped P.C. weight 80 grams the octagonal stick of an orange brown colour, full hair (1) £1,000 - 1,500 US$1,500 - 2,300 €1,200 - 1,800

144 A silver mounted Cello Bow, English School weight 83 grams the round stick of a red brown colour, use and wear, full hair. (1) £1,000 - 1,500 137 138 US$1,500 - 2,300 €1,200 - 1,800

56 | Bonhams 145 145

145 147 A French Double Bass of the Vuillaume School, circa 1870 A French Bass by JTL circa 1900 Labelled Hart & Sons, Manufacturers 14 Princes Street, Leicester Square, 1145mm (45 1/16in) of a red golden brown colour, use, wear and resto- London, Dealers in Cremonese Violins, Length of back 1148mm (45 rations, in soft black cover. (2) 3/16in) the lightly craquelled varnish of an aged deep red brown colour, £4,000 - 5,000 the undisturbed brass machine heads of quality, use wear and restora- US$6,100 - 7,600 tion. (1) €4,700 - 5,900 £4,000 - 6,000 US$6,100 - 9,200 Offered with a receipt from Colchester Violin Shop, signed and dated €4,700 - 7,000 24th April 1988, along with other documents detailing repair work.

146 148 A German chamber Bass attributed to Glaesel & Mossner, circa An interesting Bass 1930 Branded Internally; Luigi Castella. Florence Length of back 1112mm (43 Length of back 1074mm (42 5/16in) of an amber brown colour, use 3/4in) of a golden brown colour, use, wear and restorations. (1) wear and restorations, with a nickel mounted Bass Bow, stamped R. £8,000 - 12,000 Peasold, weight 136 grams. (2) US$12,000 - 18,000 £1,500 - 2,000 €9,400 - 14,000 US$2,300 - 3,100 €1,800 - 2,300

Offered with a copy of the receipt by Thwaites, signed and dated 21st December 1987, with a copy of insurance documents from the same.

Fine Musical Instruments | 57 149 149

Cellos 149 150 An English Cello attributed to Thomas Kennedy, London, circa A Cello of the English School, circa 1800 1840 Labelled Mathius Klotz ... Length of back 741mm (29 3/16in) of a red Length of back 742mm (29 3/16in) of a golden orange brown colour, orange brown colour, use and wear, in black hard case. (2) use and wear, in blue case. (2) £2,000 - 3,000 £25,000 - 30,000 US$3,100 - 4,600 US$38,000 - 46,000 €2,300 - 3,500 €29,000 - 35,000

See ‘The British Violin, The Catalogue of the 1998 Exhibition; 400 Years of Violin and Bow Making in the British Isles’, edited by John Milnes, 2000, page 232, for a similar example.

58 | Bonhams 151 151

151* 152 An English Cello of the Lockey Hill school, circa 1800 An English Cello, Betts School circa 1800 Length of back 738mm (29 1/16in) of a light golden orange brown Length of back 738mm (29 1/16in) of a light golden brown colour, use colour, use, wear and restorations, in case. (2) wear and restorations, in case. (2) £8,000 - 12,000 £2,500 - 3,500 US$12,000 - 18,000 US$3,800 - 5,300 €9,400 - 14,000 €2,900 - 4,100

Fine Musical Instruments | 59 153 153

153 155 An English Cello A Cello of the English school circa 1850 Inscribed Semiramis George Barton 1913 Length of back 759mm (29 Length of back 760mm (29 15/16in) of a red golden orange brown 7/8in) the craquelled varnish of a golden amber colour, with bow, in zip colour, use wear and restorations, in hard claret case. (2) black case. (3) £1,500 - 2,000 £5,000 - 7,000 US$2,300 - 3,100 US$7,600 - 11,000 €1,800 - 2,300 €5,900 - 8,200 156 154 A Cello of the Schoenbach School, circa 1920 A German Cello circa 1900 Length of back 755mm (29 3/4in) of a golden amber brown colour, use Length of back 747mm (29 7/16in) of an amber brown colour, use and wear and restorations, with bow in case. (3) wear, with bow, in case. (3) £1,500 - 2,000 £1,000 - 1,500 US$2,300 - 3,100 US$1,500 - 2,300 €1,800 - 2,300 €1,200 - 1,800

60 | Bonhams 157 157

157 159 An English Cello Thompson School, London, circa 1800 A Cello of the Scottish School circa 1850 Labelled Made and Sold by Chas. & Saml. Thompson, in St Paul’s Church Length of back 749mm (29 1/2in) of a golden brown colour, use wear Yard, London., Length of back 757mm (29 13/16in) of a light yellow and restorations, with bow, in case. (3) brown colour, use, wear and restoration, with bow, in black hard case. £1,500 - 2,000 (3) US$2,300 - 3,100 £3,000 - 4,000 €1,800 - 2,300 US$4,600 - 6,100 €3,500 - 4,700 160 A German Cello circa 1900 158 Length of back 759mm (29 7/8in) of a golden amber brown colour, use A Bohemian Cello circa 1880 and wear, with bow in cloth case. (3) Length of back 717mm (28 1/4in) of a red brown colour, in case. (2) £1,000 - 1,500 £1,500 - 2,500 US$1,500 - 2,300 US$2,300 - 3,800 €1,200 - 1,800 €1,800 - 2,900

Fine Musical Instruments | 61 161 161

161 163 A Cello of the Italian School A Cello, second half of 19th century Labelled Giovanni Baptista Grancino, in Ferrara, Dominicelli, 1712 Length Labelled Dalaglio... Length of back 736mm (29in) of an yellow orange of back 761mm (29 15/16in) of an aged red golden brown colour, use brown colour, use wear and restorations, in good back case. (2) wear and restoration. (1) £3,000 - 4,000 £4,000 - 5,000 US$4,600 - 6,100 US$6,100 - 7,600 €3,500 - 4,700 €4,700 - 5,900 164 162Ω A Cello, 1965 A Cello of the Italian School Labelled Handmade, workmanship and materials guaranteed, William Labelled Celeste Farotti fece Milano nell anno 1922 Length of back Zeswitz, Reading. Penna., No. 453624, Anno 1965, Length of back 758mm (29 13/16in) of a red brown colour, use and wear, in soft cover. 748mm (29 7/16in) of a golden orange brown colour, in case. (2) (2) £2,000 - 3,000 £2,000 - 3,000 US$3,100 - 4,600 US$3,100 - 4,600 €2,300 - 3,500 €2,300 - 3,500

62 | Bonhams 165 165

165* 167 A Cello of the Thir School circa 1780 A German Cello circa 1900 Length of back 758mm (29 13/16in) of an aged orange golden brown Length of back 756mm (29 3/4in) of a golden amber brown colour, use colour, use wear and restorations, in hard case. (2) wear and restoration, in case. (2) £12,000 - 15,000 £3,000 - 4,000 US$18,000 - 23,000 US$4,600 - 6,100 €14,000 - 18,000 €3,500 - 4,700

166 168 A Cello of the Schoenbach School circa 1880 in case A Mittenwald Cello by Neuner and Hornsteiner 1912 Length of back 765mm (30 1/8in) of a golden brown colour, use wear Labelled by the makers Length of back 751mm (29 9/16in) of a red and restorations, with bow in case. (3) brown colour on a golden brown ground, use, wear and restoration, in £3,000 - 4,000 brown case. (2) US$4,600 - 6,100 £2,500 - 3,000 €3,500 - 4,700 US$3,800 - 4,600 €2,900 - 3,500

Fine Musical Instruments | 63 169 169

169 171 A Cello by Georges Mougenot, Brussels, 1889 A Mirecourt Cello of the Barnabetti school 1900 Inscribed and dated internally by the maker, labelled Georges Mougenot, Length of back 764mm (30 1/16in) of a red orange brown colour, use Luthier du Conservatoire Royal, Bruxelles, 1889 Length of back 760mm wear and restorations, with a JTL Cello Bow, in soft canvas cover. (3) (29 15/16in) of a dark red brown colour, use, wear and restoration in £1,000 - 1,500 case. (2) US$1,500 - 2,300 £3,000 - 4,000 €1,200 - 1,800 US$4,600 - 6,100 €3,500 - 4,700 172 A German Cello circa 1900 170 Labelled Stradivarius... Length of back 758mm (29 13/16in) of a golden A Cello of the German School, circa 1900 amber brown colour, use and wear, in soft case. (2) Length of back 756mm (29 3/4in) of a red orange brown colour, use, £1,200 - 1,800 wear and restorations, in soft case. (2) US$1,800 - 2,700 £1,000 - 1,500 €1,400 - 2,100 US$1,500 - 2,300 €1,200 - 1,800

64 | Bonhams 173 173

173 175 A Cello of the French School A Mirecourt Cello of the Caussin School circa 1880 Branded Guinot... Length of back 732mm (28 13/16in) of a brown Labelled faintly Length of back 760mm (29 15/16in) of a yellow brown colour, use wear and restoration, with bow, in case. (3) colour, use, wear and restoration, in hard brown case. (2) £5,000 - 7,000 £2,000 - 3,000 US$7,600 - 11,000 US$3,100 - 4,600 €5,900 - 8,200 €2,300 - 3,500

174 176 A Cello of the Dresden School circa 1900 A German Cello circa 1900 Length of back 767mm (30 3/16in) of an orange yellow brown colour, Length of back 760mm (29 15/16in) of a red brown colour, use, wear use wear and restorations, with a nickel mounted Cello Bow, stamped and restorations, in black canvas case. (2) Otto Schuler, weight 75 grams, and a silver mounted Bow, weight 63 £1,000 - 1,500 grams, in hard brown case. (4) US$1,500 - 2,300 £1,000 - 1,500 €1,200 - 1,800 US$1,500 - 2,300 €1,200 - 1,800

Fine Musical Instruments | 65 177 177

177 178 An interesting Cello attributed to Jacques W. Hakkert, Rotterdam, A Cello of the German School circa 1900 1916 Length of back 748mm (29 7/16in) of a golden orange brown colour, Labelled Jacques W. Hakkert, Luthier du Conservatoire d’Amsterdam use and wear, in case. (1) me fecit Rotterdam, anno 1916, no. 71, Length of back 754mm (29 £1,200 - 1,800 11/16in) the lightly craquelled varnish of a brown colour, some use and US$1,800 - 2,700 wear, in hard black case. (2) €1,400 - 2,100 £10,000 - 15,000 US$15,000 - 23,000 179 €12,000 - 18,000 A German Cello of the Wolff Brothers School, circa 1900 Length of back 758mm (29 13/16in) of a yellow brown colour, use wear Offered with a photocopy of the valuation of William Bouman & Zoon, and restoration, with two bows including an octagonal Cello Bow of the signed and dated 18th October 2002, relating to the above. Pfretzchner School, in hard blue case. (4) £3,000 - 4,000 US$4,600 - 6,100 €3,500 - 4,700

66 | Bonhams 180 180

180 181* A Cello of the Longman and Broderip School A Cello of the Thir School circa 1900 Length of back 763mm (30 1/16in) of an orange red brown colour, use Length of back 735mm (28 15/16in) of a red orange brown colour, use and wear, in case. (2) and wear, minor restorations only, in soft cover. (2) £6,000 - 8,000 £3,000 - 4,000 US$9,200 - 12,000 US$4,600 - 6,100 €7,000 - 9,400 €3,500 - 4,700

Offered with a photocopy of the certificate of W.E. Hill and Sons, Lon- don, signed and dated 31st August 1982, stating the above ‘was made in our opinion by Longman and Broderip of London, circa 1780, the head of later French Work’.

Along with the receipted invoice of J&A Beare, 19th January 1982, relat- ing to the above.

Fine Musical Instruments | 67 182 182

182 An English Cello of the Morrison School circa 1820 (Choose Marking) Length of back 738mm (29 1/16in) of an aged red amber brown colour, use, wear and restoration, with bow, in case. (3) £10,000 - 15,000 US$15,000 - 23,000 €12,000 - 18,000

Offered with the receipt of W.E Hill & Sons, London, signed and dated 30th October, 1913.

The fingerboard is numbered P 74

68 | Bonhams 183 183

183 An English Cello by William “Royal” Forster , London, 1789 See ‘The Strad Magazine’ Feb 2013, p. 34 for a similar example presently Labelled by the maker: William Forster, Violin Violoncello, Tennor and played by Alisa Weilerstein, stating hers has ‘an open, generous charac- Bow Maker to the their Royal Highnesses the Prince of Wales & Duke ter - that’s its natural essence and gets its sound to the back of the hall, of Cumberland, London, and inscribed internally; Forster, 1789, Length so its a good performing instrument’. of back 732mm (28 13/16in) of a deep red brown colour, light use and wear, a well preserved example, in case. (2) The above cellist was interviewed on the BBC Radio 4 To-day programme £60,000 - 70,000 of 16 February 2013 discussing her new recorded performance of Elgar’s US$92,000 - 110,000 Cello Concerto with James Naughtie. €70,000 - 82,000

Offered with the colour-illustrated Certificate of Authenticity of J. and A. Beare, Queen Anne Street, London W1 no., CB/A944 signed, sealed and dated 22 March 2011, to the above effect noting in addition the above “is a fine old English instrument, the work of William Forster Snr of Lon- don whose original label it bears and is a fine and characteristic example of the maker’s work”...

Fine Musical Instruments | 69 184 184

184* An Italian Violin of the Venetian School circa 1740 Similarly the treble side very significantly cross-matches the bass side Labelled Matteo Goffriller fecit Venetijis anno 1725 Length of back of the front of a violin also attributed to Guarneri Del Gesu, dated 354mm (13 15/16in) the handsome one piece slabwood back and edges 1741(ISQD2191: t-value of 13.4 overlap 108 rings). This high value and of quality the whole of an aged craquelled red colour on a golden brown the graphical similarities (Graph 2) may suggest the pieces came from ground, much use wear neglect and some restorations. (1) the same tree. £30,000 - 40,000 US$46,000 - 61,000 Offered with the black and white illustrated Gutachten of E.Tenucci €35,000 - 47,000 Zurich signed and dated 8 June 1950 stating the above is the work of Matteo Goffriller Venice 1720-1730, also noting Tonqualitaten sind; Bril- Offered with the Tree- Ring Analysis Report No., B 28 of John Topham liant, edel, leichtansprechend, grosse Tragfahigkeit..... dated 9 February 2013 stating inter alia; “ As shown in Tables 1 and In addition to a letter relating to the above from Hamma & Co., Stuttgart 2 both sides very significantly cross-match sequences taken from the dated 5 Mai 1939 addressed to Herr Michael Dotch Berlin Wilmersdorf fronts of many instruments attributed to be Italian and principally from handwritten and signed by Fridolin Hamma, along with copies of same. Cremona and Venice. The bass side most significantly cross-matches the bass side sequence from the front of a violin attributed to Guarneri del Gesu dated c.1740. (ISQD4224: t-value of 10.1, overlap of 66 rings).

70 | Bonhams 185 185

185 186 A Violin ascribed to Girolamo Trucco, Savona, circa 1840 An interesting Violin ascribed to Scarampella Labelled faintly; Girolamo Trucco, fabbricante di, Chitarre, Arpe e Violini, Labelled handwritten; Brescia fece 1881 Stefano Scarampella di Man- in Savona ... of a light golden amber brown, use wear and restoration, in tova Length of back 359mm (14 1/8in) of stylised outline, the lightly W.E. Hill & Sons case. (2) craquelled varnish of a red colour, restoration, with bow in case. (3) £15,000 - 20,000 £2,500 - 3,500 US$23,000 - 31,000 US$3,800 - 5,300 €18,000 - 23,000 €2,900 - 4,100

Fine Musical Instruments | 71 187 187

187 188* A Violin attributed to fratelli Sacchetti, S. Martino, 1932 An interesting Violin Inscribed Fratelli Sacchetti di Francesco, S. Martino in Rio - Reggio Emil- Labelled Thomas Balestrieri Cremonensis Fecit Mantuae Anno 17-- lia (Italia), Anno 1932, and signed internally on label, Length of back Length of back 360mm (14 3/16in) the craquelled varnish of a red 359mm (14 1/8in) of a golden amber brown colour, use and wear, with colour, use, wear and restoration, with a round Violin Bow stamped S silver mounted Knopf Bow, weight 56 grams, in case. (3) Pagano Paris, full hair. (2) £3,000 - 4,000 £2,000 - 3,000 US$4,600 - 6,100 US$3,100 - 4,600 €3,500 - 4,700 €2,300 - 3,500

72 | Bonhams 189 189

189 190* A Violin of the Naples School A Violin after Maggini circa 1800 Branded on the button Calace Napoli and labelled with image internally Length of back 362mm (14 1/4in) of a red amber brown colour, use in manuscript Raffaele Calace; Anno 1930 Napoli, with additional mono- wear and restorations with a silver mounted Violin Bow, stamped R. gram label applied Length of back 359mm (14 1/8in) handsome figured Weichold a Dresde, Imitation de Tourte, in case. (3) wood of a red brown colour. (1) £1,000 - 1,500 £4,000 - 5,000 US$1,500 - 2,300 US$6,100 - 7,600 €1,200 - 1,800 €4,700 - 5,900

Fine Musical Instruments | 73 191 191

191 192 An interesting Violin A German Violin attributed to Johann Gottfried Hamm circa 1780 Labelled Andreas Guarnerius fecit Cremone subtutilo Sanctae Teresiae Branded Beneath button; IGH Length of back 357mm (14 1/16in) of an 1628 Length of back 355mm (14in) handsome back and scroll of a amber brown colour, use wear and restoration, with a silver mounted brown colour, restorations, in case. (2) Violin Bow, stamped Conrad Gotz ***, weight 62 grams, in case. (3) £6,000 - 8,000 £2,500 - 3,500 US$9,200 - 12,000 US$3,800 - 5,300 €7,000 - 9,400 €2,900 - 4,100

74 | Bonhams 193 193

193 194 A Violin of the Tecchler School circa 1760 A German Violin by Heinrich Theodor Heberlein Jr Length of back 356mm (14in) of a brown colour, use wear and restora- Labelled Heinrich Th.Heberlein Jr., Markneukirchen, Made in Germany, tion. (1) Copie Antonius Stradivarius 1720 branded internally with name and £8,000 - 12,000 monogram Length of back 357mm (14 1/16in) of a light golden red US$12,000 - 18,000 brown colour, good condition, in green case. (2) €9,400 - 14,000 £2,000 - 3,000 US$3,100 - 4,600 €2,300 - 3,500

Fine Musical Instruments | 75 195 195

195 196 A Violin of the Italian school, circa 1760 A Violin of the Tyrol School circa 1790 Labelled Santus Seraphinus Nicolai Amati, Cremonensis, Allumnus, facie- Labelled David Tecchler Liutaro fecit Roma Anno 170- Length of back bat Udine A: 16..., Repaired by Ray Elgar, Hastings, 1930, And inscribed 353mm (13 7/8in) of an aged red brown colour, use, wear and restora- internally: Repaired by ... Washington D.C., Length of back 353mm tion. (1) (13 7/8in) the one piece back, of a golden amber colour, use wear and £3,000 - 4,000 restoration, in case. (1) US$4,600 - 6,100 £15,000 - 20,000 €3,500 - 4,700 US$23,000 - 31,000 €18,000 - 23,000

76 | Bonhams 197 197

197* 198 A French Violin attributed to Francois Caussin, circa 1860 A Violin of the Austrian School circa 1780 Labelled Jo Baptista Ceruti Cremonensis fecit Cremonae An. 1804, and Inscribed internally: ... 178... Length of back 363mm (14 5/16in) of a red Reparavit Andreas Joseph Giob. ... 18... Length of back 359mm (14 golden brown colour, use, wear and restorations, with a nickel mounted 1/8in) of a golden yellow brown colour, use and wear, in double case. (2) Violin Bow, in case. (3) £3,000 - 4,000 £3,000 - 4,000 US$4,600 - 6,100 US$4,600 - 6,100 €3,500 - 4,700 €3,500 - 4,700

Fine Musical Instruments | 77 199 199

199 201 A Violin of the Scarampella School circa 1900 A Violin circa 1900 Labelled Giuseppe Scarampella Fece in Firenze 1884 Length of back Labelled Ventapane Length of back 359mm (14 1/8in) of a light amber 361mm (14 3/16in) the scroll of some quality, the lightly craquelled brown colour, use, wear and restorations. (1) varnish of a red brown colour, inscription on lower rib, with bow in case, £1,500 - 2,000 restorations. (3) US$2,300 - 3,100 £6,000 - 8,000 €1,800 - 2,300 US$9,200 - 12,000 €7,000 - 9,400

200 A Violin of the Tyrolean School circa 1800 Labelled Pietro Antonio Cati, Florentinus, Fecit Anno 17... Length of back 362mm (14 1/4in) of an aged red orange brown colour, use wear and restoration, in case. (2) £3,000 - 4,000 US$4,600 - 6,100 €3,500 - 4,700

78 | Bonhams 202 202

202 203 An interesting Violin of the Italian School circa 1780 A Violin circa 1930 Labelled Repaired by Matthew Hardy, Edinburgh, 1812, and below; Inscribed Internally; N33 Salvatore de Falco, Napoli, 1932 Length of back Nicolas Amattis, fecit Cremonea ... Length of back 355mm (14in) of a 355mm (14in) of a red brown colour, little sign of use and wear, with golden orange red brown colour, use wear and restoration. (1) bow, in case. (3) £6,000 - 8,000 £800 - 1,200 US$9,200 - 12,000 US$1,200 - 1,800 €7,000 - 9,400 €940 - 1,400

Offered with a signed receipt, dated Feb 20th 1943.

Fine Musical Instruments | 79 204 204

204 205 A Violin of the Boquay school circa 1800 A Violin of the Chappuy School circa 1770 Branded Boquay, on upper back Length of back 362mm (14 1/4in) of Length of back 364mm (14 5/16in) of a pale yellow brown colour, use a red golden brown colour, use wear and restorations, with bow in and wear, with two bows, in case. (4) wooden case. (3) £2,000 - 3,000 £3,000 - 4,000 US$3,100 - 4,600 US$4,600 - 6,100 €2,300 - 3,500 €3,500 - 4,700

80 | Bonhams 206 206

206 207 A Violin by Sergio Rozzi, Cremona, 2001 A Violin ascribed to Dr van Leeuwen, circa 1910 Labelled Sergio Rozzi, Cremonese, Fece Cremona anno 2001, and signed Inscribed Internally; Cremona Aullandia, fecit ‘s Gravenhage 1910, ... internally SR, Length of back 355mm (14in) of a golden amber brown 1912, Dr van Leeuwen, Length of back 356mm (14in) of an amber colour. (1) brown colour, use and wear, with a silver mounted Violin Bow, stamped £3,500 - 4,500 *Lothar Seifert*, weight 59 grams, in fitted brown case. (3) US$5,300 - 6,900 £3,000 - 4,000 €4,100 - 5,300 US$4,600 - 6,100 €3,500 - 4,700 Offered with the maker’s colour illustrated certificate of authenticity, signed and dated 10/01/2001.

Fine Musical Instruments | 81 208 209

208 209 A Violin of the Klotz School A Mittenwald Violin of the Klotz school, circa 1750 Labelled Nicolas Amati... 355mm (14in) of a golden orange brown Labelled Sebastian Klotz, in Mittenwald, An 1729, Length of back colour, use and wear, with a nickel mounted Violin Bow, stamped G. 354mm (13 15/16in) of a pale golden brown colour, use, wear and Werner, weight 62 grams, in case. (3) restorations, with a gold mounted Violin Bow, weight 57 grams, with £4,000 - 5,000 another Violin Bow, in blue case. (4) US$6,100 - 7,600 £3,000 - 4,000 €4,700 - 5,900 US$4,600 - 6,100 €3,500 - 4,700 Offered with the valuation report of Stam & zn, signed and dated 03.12.2003, stating, ‘Antieke Mittenwalder viool uit de Klotz familiie met etiket ‘’Nicholas Amatus ... etc. 1657’’.

82 | Bonhams 210 210

210 211 A Violin of the Tyrol School circa 1800 A Tyrolean Violin of the Stainer School circa 1700 Labelled Sympertus Niggell, Lauten - und Geigen - Macher in Fussen, Inscribed Internally: Jacobus Stainer in Absom prope Oenipontum ... 65 1780, Length of back 358mm (14 1/8in) of an aged red amber brown Length of back 353mm (13 7/8in) of a pale orange red brown colour, colour, use and wear, with a Violin of the Dresden School, circa 1880, with a leonine scroll, use and wear, restorations, with bow stamped labelled Stainer, with four various bows in two cases, as seen. (8) Paesold, in case. (3) £5,000 - 6,000 £3,000 - 4,000 US$7,600 - 9,200 US$4,600 - 6,100 €5,900 - 7,000 €3,500 - 4,700

Fine Musical Instruments | 83 212 212

212 213* An interesting Violin of the Italian School An Italian Violin by Giuseppe Secondo Paganini, Forli, circa 1900 Labelled Petrus Guarnerius filius Joseph, Cremonensis fecit Venetiis, Branded GSP internally and on lower rib, also labelled Joseph Se.dus Pa- Anno 1739 Length of back 361mm (14 3/16in) of a red golden brown ganini F.. Alosius fecit Forolivi An.... Length of back 361mm (14 3/16in) colour, use and wear, restorations, with a Violin Bow, stamped G.A. of a dark red colour, use wear and scroll restorations with a Violin Bow Hoyer, weight 56grams, in case. (3) stamped S. Pagano Paris, with two other bows as seen. (2) £6,000 - 8,000 £2,000 - 3,000 US$9,200 - 12,000 US$3,100 - 4,600 €7,000 - 9,400 €2,300 - 3,500

Offered with the Dendrochronology Report of J.C.Topham, See Maestro Blot; Emilia Romagna page 258. Redhill,Surrey dated 9 June 2012 stating, inter alia, the wood of the one piece front within the purfling line dates from 1704.

84 | Bonhams 214 214

214* A Violin of the Rugeri School Labelled Francesco Ruggieri detto il per Cremona 1690 Length of back 356mm (14in) the handsome one piece Amatise back of faint narrow curl, of a light brown colour, use, wear and restoration. (1) £20,000 - 30,000 US$31,000 - 46,000 €23,000 - 35,000

Offered with the Gutachten of both E.Tenucci and G.Winterling, the former black and white illustrated, signed and dated Zurich 12 August 1950, the latter signed and dated 1 July 1950 both stating “eine Arbeit dieses Meisters.” along with copies of same. In addition to a Gutachten from Otto Mockel signed and dated Berlin 17 Juni 1926 sating the above “ist eine Arbeit der Rogerius -schule aus der Zeit 1720-1750.”

Fine Musical Instruments | 85 215 215

215 216 A Violin of the Amati School, circa 1740, A Mittenwald Violin of the Klotz School circa 1770 Labelled Hieronymus Amati, fecit in Cremona, anno 1698 Length of back Labelled Francesco Ruggeri ... Length of back 354mm (13 15/16in) of an 354mm (13 15/16in) of a golden amber brown colour, use wear and aged red amber brown colour, use, wear and restoration, with a Violin restoration, in blue rectangular case. (2) Bow, stamped Cremona, in black lined and fitted case. (3) £10,000 - 15,000 £3,000 - 4,000 US$15,000 - 23,000 US$4,600 - 6,100 €12,000 - 18,000 €3,500 - 4,700

Offered with a photocopy of the certificate from Willi-Paul Balsereit, signed and dated 21st June 1997, stating that the above Violin ‘ist nach unserem Dafurhalten ein italienisches Instrument eines unbekannten Meisters aus dem Jahre ca. 1720-1740’.

86 | Bonhams 217 217

217 218 A Violin of the Neapolitan School A Violin of the Tyrol school circa 1800 Labelled Joseph et Antonius Gagliani Filii Nicolai et nepotes Januari Length of back 353mm (13 7/8in) some residual red varnish on a golden F.Neap 1790 Length of back 356mm (14in) of a light golden brown brown colour, use, wear and restoration. (1) colour, use and wear, neck raised and extended, with a bow, in case. (3) £3,000 - 4,000 £10,000 - 15,000 US$4,600 - 6,100 US$15,000 - 23,000 €3,500 - 4,700 €12,000 - 18,000

Fine Musical Instruments | 87 219 219

219 220 An interesting Violin of the Italian School A Violin attributed to Jerome Bonaparte Squier, Boston, 1899 Labelled Pietro Antonio dalla Costa, Fecit in Treviso, 1741 Length of back Labelled Nicolas Amati, made by J. Bonaparte Squier, Boston, Mass. in 356mm (14in) of a golden brown colour, use wear and restoration, with the year A.D. 1899, No. 398, Length of back 356mm (14in) of a deep bow, in case. (3) red brown colour, use, wear and restorations, with two bows, in case. £10,000 - 15,000 (4) US$15,000 - 23,000 £2,000 - 3,000 €12,000 - 18,000 US$3,100 - 4,600 €2,300 - 3,500

Offered with the letter of Blackburn Stringed Instruments, 75 Harrington Gardens, London, SW74JZ, signed and dated 19th November 2012, stating ‘the violin ... is, in our opinion a very good American instrument made by Bonaparte Squier. It contains the maker’s original printed label, Nicolas Amati, Bonaparte Squier, Boston, Mass, in the year A.D. 1899’.

88 | Bonhams 221 221

221 222 A Violin of the Naples school circa 1880 An English Violin by Alfred Thomas Dixon, Folkestone 1941 Labelled Joseph Guarnerius, fecit Cremonae, anno 17... IHS Length of Labelled with signature; Alfred Thomas Dixon, Folkstone, no 28, 1941 back 358mm (14 1/8in) of an aged golden amber brown colour, use, Length of back 356mm (14in) handsome Amatise slabwood, of a red wear and restoration, in case. (2) colour, after Del Gesu, fine condition. (1) £20,000 - 30,000 £1,000 - 1,500 US$31,000 - 46,000 US$1,500 - 2,300 €23,000 - 35,000 €1,200 - 1,800

Offered with printed and illustrated biographical details of the above English Violin Maker along with a signed inscribed photograph of Lean- dro Bisiach, Milan 1929 commemorating a visit ATD made to Cremona and Milan in that year.

Fine Musical Instruments | 89 219 219

223* A Violin of the Milan School Labelled Carlo Antonio Testore, figlio maggiore, del fu Carlo Giusseppe Contrada lar-go a fegno dell Aquila Milano, 1741 Length of back 357mm (14 1/16in) of a golden amber brown colour, the peg box back flat, use wear and restoration, with a silver mounted Violin Bow, stamped *Adolf C. Schuster*, with bow, in case. (4) £20,000 - 30,000 US$31,000 - 46,000 €23,000 - 35,000

90 | Bonhams 221 221

224 A Violin of the Italian School Labelled Nicolaus Gagliano Filius Alexandri Fecit Neap 1733 Length of back 352mm (13 7/8in) of a golden amber colour, restoration, in ter- racotta coloured case. (2) £20,000 - 30,000 US$31,000 - 46,000 €23,000 - 35,000

Offered with the black and white illustrated certificate of Garimberti Ferdinando, Milan signed and dated 16 May 1956 stating inter alia the above;”E’uno dei piu belli Gagliano che mi e mai mostrato.”

Fine Musical Instruments | 91 225* 232 A French Violin, circa 1900 No lot Labelled Nicolas Lupot ... Length of back 362mm (14 1/4in) of a red orange brown colour, use and wear, in case. (2) 233 £1,500 - 2,000 A Mirecourt Violin circa 1900 US$2,300 - 3,100 Length of back 355mm (14in) of a red brown colour, minor use and €1,800 - 2,300 wear, with a silver mounted Violin Bow, stamped Walliostro Reg, weight 55 grams, no lapping, with a small sized bow, in case. (4) 226 £1,000 - 1,500 A Violin ascribed to Pirvoil US$1,500 - 2,300 Inscribed on upper back Pirvoil J and labelled internally Brelle Peter 1755 €1,200 - 1,800 ? Length of back 364mm (14 5/16in) of a yellow amber brown colour, use wear and restoration with two bows, in case. (4) 234 £1,500 - 2,000 A Mirecourt Violin circa 1900 US$2,300 - 3,100 Labelled H. Derazey, a Mirecourt, Medaille de 1st Classe, Exposition €1,800 - 2,300 Universelle, 1855, Length of back 360mm (14 3/16in) of a golden amber brown colour, minor use and wear, in case. (2) 227 £1,000 - 2,000 A French Violin of the Caussin School circa 1900 US$1,500 - 3,100 Labelled ... Landolfi ... Length of back 359mm (14 1/8in) of a golden €1,200 - 2,300 brown colour, use wear and restoration, in case. (2) £1,000 - 1,500 235 US$1,500 - 2,300 A French Violin of the Chipot Vuillaume School €1,200 - 1,800 Labelled Chipot- Vuillaume, Gendre de J.B Vuillaume, a Paris, 1888 Length of back 358mm (14 1/8in) of an amber brown colour, use and 228 wear, with a nickel mounted Violin Bow, faintly stamped Vuillaume a A French Violin circa 1900 Paris, restorations, in case (3) Length of back 357mm (14 1/16in) of a golden amber brown colour, £1,000 - 1,500 minor use and wear, in black canvas case. (2) US$1,500 - 2,300 £1,000 - 1,500 €1,200 - 1,800 US$1,500 - 2,300 €1,200 - 1,800 236Ω A rare Swiss Violin by Gustav Lutschg, Berne Offered with the invoice of J.P. Guivier & Co. ltd. dated April 12th ‘76. Labelled Gustav Lutschg, Bernae, 1930 Length of back 358mm (14 1/8in) of a red orange brown colour, minor use and wear, with a silver 229* mounted bow, in case. (3) A French Violin of the Grandjon School, circa 1870 £2,500 - 3,000 Labelled Nicolas Amati ... Length of back 358mm (14 1/8in) of a golden US$3,800 - 4,600 orange brown colour, use wear and restorations, in case. (2) €2,900 - 3,500 £1,000 - 1,500 US$1,500 - 2,300 237 €1,200 - 1,800 A Violin of the German school circa 1860 Labelled Michael Platner fecit Roma, anno 17... Length of back 359mm 230 (14 1/8in) of a red amber brown colour, use wear and restorations, in A “Lechi” Violin case. (2) Labelled Antonio Lechi, Cemona 1923, and signed across label, Antonio £1,500 - 2,000 Lechi, Length of back 359mm (14 1/8in) of an orange red brown colour, US$2,300 - 3,100 use and wear, with bow, in case. (3) €1,800 - 2,300 £1,000 - 1,500 US$1,500 - 2,300 238 €1,200 - 1,800 A Mittenwald Violin circa 1800 Inscribed Internally; Thomas Achner, in Mittenwald, an der Iser 1788 231 Length of back 359mm (14 1/8in) of aged golden brown colour, use and A Mirecourt Violin, Caussin School, circa 1880 wear, in case. (2) Labelled faintly; ...1801 Length of back 361mm (14 3/16in) of a red £1,500 - 2,500 orange brown colour, use and wear, with bow, in case. (3) US$2,300 - 3,800 £1,000 - 1,500 €1,800 - 2,900 US$1,500 - 2,300 €1,200 - 1,800 The fingerboard is numbered 7775.

92 | Bonhams 239 245 A small sized Violin by Leopold Widhalm, Nurnberg, 1798 A Mittenwald Violin of the Hornsteiner School, circa 1790 Labelled Leopold Widhalm, Lauten und Geigenmacher in Nurnberg, fecit of an aged red brown colour, use wear and restoration, with a silver A. 1798, L W, Length of back 288mm (11 5/16in) of a deep red orange mounted Violin Bow, weight 56 grams, full hair, in case. (3) colour, use and wear, in case. (2) £1,500 - 2,000 £1,000 - 1,500 US$2,300 - 3,100 US$1,500 - 2,300 €1,800 - 2,300 €1,200 - 1,800 Offered with a letter form Hart & Son, signed and dated 12th June Offered with the valuation report of Max Moller & zoon, Willemspark- 1927, stating ‘We have examined the violin submitted to us, and con- weg 15, 1071 GN Amsterdam, signed and dated 6th May 1993, stating, sider it to be an old German instrument, date about the latter half of the ‘... ein kinderviool, Widhalm, Nurnberg ...’. eighteenth century’.

240 246 A Mittenwald Violin circa 1850 A Saxon Violin circa 1800 Length of back 359mm (14 1/8in) of an aged dark brown colour, use, Labelled Tommaso Carcassi... Length of back 358mm (14 1/8in) of a wear and restorations, with a Violin Bow, stamped Alban Voigt & Co, golden brown colour, with a Violin circa 1800 faintly stamped Duke be- Pat’d in all Countries, weight 58 grams, in case. (3) low the button, LOB 355, brown, both as seen, with three Violin Bows, £800 - 1,200 various mounts and brands, all full hair. (6) US$1,200 - 1,800 £1,000 - 1,500 €940 - 1,400 US$1,500 - 2,300 €1,200 - 1,800 241 A Violin of the German School circa 1900 247 Labelled Josef Guadagnini, Cremona, fecit Papiae, anno 1805, Length of A Violin of the Bavarian School circa 1850 back 358mm (14 1/8in) of a golden orange brown colour, use wear and Length of back 358mm (14 1/8in) of a brown colour, use and wear, restoration. (1) the fingerboard is numbered V594, with an octagonal nickel mounted £1,000 - 1,500 orange brown Violin Bow, in case. (3) US$1,500 - 2,300 £800 - 1,200 €1,200 - 1,800 US$1,200 - 1,800 €940 - 1,400 242 A French Violin of the Caussin School circa 1880 248 Length of back 360mm (14 3/16in) after del Gesu, of a aged golden A Violin by Jeffery James Gilbert, Kent, 1885 brown colour, use, wear and restoration, with three bows, in case. (5) Labelled J.J. Gilbert, New Romney, Kent, 1885, No. =43= and inscribed £1,000 - 1,500 internally J.J. Gilbert, New Romney, Kent, 1885, Length of back 357mm US$1,500 - 2,300 (14 1/16in) of a golden orange brown colour, use and wear, with a silver €1,200 - 1,800 mounted Violin Bow, weight 56 grams in case. (3) £1,500 - 2,000 243 US$2,300 - 3,100 A French Violin by Charles J.B. Colin-Mezin, Paris, 1886 €1,800 - 2,300 Labelled Ch. J.B. Colin-Mezin, Luthier a Paris, Rue du Faubg. Poisson- niere, Mo. 10 C.M., 1886 358mm (14 1/8in) of a light golden brown 249 colour, use and wear. (1) A Scottish Violin by William MacIntosh, 1893 £1,000 - 1,500 Inscribed Internally; Wm McIntosh, Fairmuir Junction, 20th March, 1893, US$1,500 - 2,300 Length of back 360mm (14 3/16in) of a red orange brown colour, use €1,200 - 1,800 and wear. (1) £1,000 - 1,500 244 US$1,500 - 2,300 A Violin of the Tyrol School circa 1750 €1,200 - 1,800 Inscribed Internally; Carlo Forioni Bolognele, Fece in Venezia , ... 1707? Length of back 356mm (14in) of a rich red amber brown colour, use 250 wear and restorations, with a nickel mounted Violin Bow stamped Otto An American Violin by Albert & Merke, Philadelphia circa 1900 Durrschmidt, weight 54 grams, with a silver mounted Violin Bow, weight Stamped Albert & Merke, Philadelphia; American Star Violin Manufac- 56 grams, in black hard case. (4) tory, also labelled Joseph Gagliano Neap 1764... Length of back 356mm £2,000 - 3,000 (14in) of a light golden amber colour, use and wear, with bow in case. US$3,100 - 4,600 (3) €2,300 - 3,500 £1,000 - 1,500 US$1,500 - 2,300 €1,200 - 1,800

Fine Musical Instruments | 93 Index Lot No’s

B G Bailly, P, att 34 Gaggini, P 44 Banks, B 13 Galram, J.J. att 53 Baroux 135 Germain, E 40 Barton, G 153 Gilbert, J J 22,248 Bazin, C att 118 Gilkes, S att 16 Bernardel, G 42 Glaesel & Mossner 146 Betts, J 25 Gobetti, F, att 60 Betts, J att 19 Grancino, G 63 Bisiach, L 59 Guinot 173 Boumeester J 49 Bultitude, A R 126 H Hakkert, J W 177 C Hamm, J G 192 Calace R 189 Hauser II, H 2 Carcassi L & T 62 Heberlein 194 Caussin Sch 175 Hermanos, C att 7 Caussin, F 197 Hill, J 15, 64 Chappuy, Sch 70, 205 Hill, L Sch. 151 Colin-Mezin, Ch. J.B. 39, 243 Hill, W.E. & Sons 92, 97, 98, 112, 115, 127, 137, 140 Collin-Mezin Fils 35 Craske, G 21 J Jacobs H att 27 D Jay, H att 17 De Zorzi V 54 Jombar, P 81 Degani E 58 Degani, G 56, 57 K Derazey H att 43 Kennedy, T 149 Derazey Sch 41 Klotz, Sch. 208, 209, 216 Derazey, H 46 Knopf, Sch. 116 Dieudonne A 36 Dixon A T 222 L Dodd, T 14 Lamy A 87 Dolling H 133 Lechi, A 230 Dolling, H Jr 32 Luff, W H 26,74 Lupot N 48 E Lutschg, G 236 Eury asc. 77 M F MacIntosh, W 249 Fabricatore, G 5 Mayson, W 24, 71 Fagnola att 61 Millant, B 108 Fent, F 33 Millant J J 83 Fetique V 102, 111 Moller, M 52 Finkel 142 Morizot, L 82, 113 Fleury H 114 Morrison, Sch. 182 Forster, W 183 Mougenot, G 169 Furber, M 20

94 | Bonhams N Naples Sch 217 Neuner & Hornsteiner 168 Nurnberger, A 109, 100, 95, 94, 124

P Paganini G S 213 Panormo, G L 23

R Recio Beltran, J M 3 Rief, A 28 Rozzi, S. 206

S Sacchetti, Bros. 187 Sartory, E 8, 85 Sax, C J 12 Scarampella asc 186 Slade, B 1 Squier, J B att. 220

T Tecchler Sch 193 Thir, Sch. 165 Thomassin C 78, 88 Thompson, C&S Sch. 157 Timms, C 73 Trucco, G asc. 185 Tubbs J 90, 91 Tyrol School 196

V van Leeuwen, asc. 207 Venetian, School 184 Voigt, JC 65 Voirin, F.N. att 101 Vuillaume Seb att 38 Vuillaume, Sch. 68, 145

W Whitmarsh, E 18 Widhalm, L att. 29 Wilson G 132 Winterling, G 31

Y Yeames, W F 131

Fine Musical Instruments | 95 NOTICE TO BIDDERS This notice is addressed by Bonhams to any person who may a qualified electrician on their status before doing so. Such Bonhams’ behalf which is in any way descriptive of any Lot be interested in a Lot, including Bidders and potential Bidders items which are unsuitable for connection are sold as items of or as to the anticipated or likely selling price of any Lot. No (including any eventual Buyer of the Lot). For ease of reference interest for display purposes only. If you yourself do not have statement or representation by Bonhams or on its behalf in any we refer to such persons as “Bidders” or “you”. Our List of expertise regarding a Lot, you should consult someone who way descriptive of any Lot or any Estimate is incorporated into Definitions and Glossary is incorporated into this Notice to does to advise you. We can assist in arranging facilities for you our Buyer’s Agreement. Bidders. It is at Appendix 3 at the back of the Catalogue. to carry out or have carried out more detailed inspections and Where words and phrases are used in this notice which are in tests. Please ask our staff for details. Alterations the List of Definitions, they are printed in italics. Descriptions and Estimates may be amended at Bonhams’ Any person who damages a Lot will be held liable for the discretion from time to time by notice given orally or in IMPORTANT: Additional information applicable to the Sale loss caused. writing before or during a Sale. may be set out in the Catalogue for the Sale, in an insert in the Catalogue and/or in a notice displayed at the Sale venue 3. DESCRIPTIONS OF LOTS AND ESTIMATES THE LOT IS AVAILABLE FOR INSPECTION AND YOU MUST and you should read them as well. Announcements affecting FORM YOUR OWN OPINION IN RELATION TO IT. YOU ARE Contractual Description of a Lot the Sale may also be given out orally before and during the STRONGLY ADVISED TO EXAMINE ANY LOT OR HAVE IT The Catalogue contains an Entry about each Lot. Each Lot Sale without prior written notice. You should be alert to the EXAMINED ON YOUR BEHALF BEFORE THE SALE. is sold by its respective Seller to the Buyer of the Lot as possibility of changes and ask in advance of bidding if there corresponding only with that part of the Entry which is have been any. 4. CONDUCT OF THE SALE printed in bold letters and (except for the colour, which may be inaccurately reproduced) with any photograph of the Lot 1. OUR ROLE Our Sales are public auctions which persons may attend and in the Catalogue. The remainder of the Entry, which is not you should take the opportunity to do so. We do reserve the printed in bold letters, represents Bonhams’ opinion (given on In its role as Auctioneer of Lots, Bonhams acts solely for and right at our sole discretion to refuse admission to our premises behalf of the Seller) about the Lot only and is not part of the in the interests of the Seller. Bonhams’ job is to sell the Lot at or to any Sale without stating a reason. We have complete Contractual Description in accordance with which the Lot is the highest price obtainable at the Sale to a Bidder. Bonhams discretion as to whether the Sale proceeds, whether any Lot is sold by the Seller. does not act for Buyers or Bidders in this role and does not included in the Sale, the manner in which the Sale is conducted give advice to Buyers or Bidders. When it or its staff make and we may offer Lots for Sale in any order we choose Estimates statements about a Lot or, if Bonhams provides a Condition notwithstanding the numbers given to Lots in the Catalogue. In most cases, an Estimate is printed beside the Entry. Estimates Report on a Lot it is doing that on behalf of the Seller of the You should therefore check the date and starting time of the are only an expression of Bonhams’ opinion made on behalf Lot. Bidders and Buyers who are themselves not expert in Sale, whether there have been any withdrawals or late entries. of the Seller of the range where Bonhams thinks the Hammer the Lots are strongly advised to seek and obtain independent Remember that withdrawals and late entries may affect the Price for the Lot is likely to fall; it is not an Estimate of value. advice on the Lots and their value before bidding for them. time at which a Lot you are interested in is put up for Sale. We It does not take into account any VAT or Buyer’s Premium The Seller has authorised Bonhams to sell the Lot as its agent have complete discretion to refuse any bid, to nominate any payable. Lots can in fact sell for Hammer Prices below and on its behalf and, save where we expressly make it clear to bidding increment we consider appropriate, to divide any Lot, above the Estimate. Any Estimate should not be relied on as an the contrary, Bonhams acts only as agent for the Seller. Any to combine two or more Lots, to withdraw any Lot from a Sale indication of the actual selling price or value of a Lot. Estimates statement or representation we make in respect of a Lot is and, before the Sale has been closed, to put up any Lot for are in the currency of the Sale. made on the Seller’s behalf and, unless Bonhams sells a Lot auction again. Auction speeds can exceed 100 Lots to the hour as principal, not on our behalf and any Contract for Sale is and bidding increments are generally about 10%. However Condition Reports between the Buyer and the Seller and not with us. If Bonhams these do vary from Sale to Sale and from Auctioneer to In respect of most Lots, you may ask for a Condition Report on sells a Lot as principal this will either be stated in the Catalogue Auctioneer. Please check with the department organising the its physical condition from Bonhams. If you do so, this will be or an announcement to that effect will be made by the Sale for advice on this. Where a Reserve has been applied to a provided by Bonhams on behalf of the Seller free of charge. Auctioneer, or it will be stated in a notice at the Sale or an Lot, the Auctioneer may, in his absolute discretion, place bids Bonhams is not entering into a contract with you in respect insert in the Catalogue. (up to an amount not equalling or exceeding such Reserve) on of the Condition Report and accordingly does not assume behalf of the Seller. We are not responsible to you in respect of responsibility to you in respect of it. Nor does the Seller owe or Bonhams does not owe or undertake or agree to any duty the presence or absence of any Reserve in respect of any Lot. If agree to owe you as a Bidder any obligation or duty in respect or responsibility to you in contract or tort (whether direct, there is a Reserve it will normally be no higher than the lower of this free report about a Lot, which is available for your own collateral, express, implied or otherwise). If you successfully bid figure for any Estimate in the Catalogue, assuming that the inspection or for inspection by an expert instructed by you. for a Lot and buy it, at that stage Bonhams does enter into an currency of the Reserve has not fluctuated adversely against However, any written Description of the physical condition of agreement with the Buyer. The terms of that contract are set the currency of the Estimate. The Buyer will be the Bidder who the Lot contained in a Condition Report will form part of the out in our Buyer’s Agreement, which you will find at Appendix makes the highest bid acceptable to the Auctioneer for any Lot Contractual Description of the Lot under which it is sold to 2 at the back of the Catalogue. This will govern Bonhams’ (subject to any applicable Reserve) to whom the Lot is knocked any Buyer. relationship with the Buyer. down by the Auctioneer at the fall of the Auctioneer’s hammer. Any dispute as to the highest acceptable bid will be settled by The Seller’s responsibility to you 2. LOTS the Auctioneer in his absolute discretion. All bids tendered will The Seller does not make or agree to make any representation relate to the actual Lot number announced by the Auctioneer. of fact or contractual promise, Guarantee or warranty and Subject to the Contractual Description printed in bold letters An electronic currency converter may be used at the Sale. This undertakes no obligation or duty, whether in contract or in in the Entry about the Lot in the Catalogue (see paragraph 3 equipment is provided as a general guide as to the equivalent tort (other than to the eventual Buyer as set out above), in below), Lots are sold to the Buyer on an “as is” basis, with amount in certain currencies of a given bid. We do not accept respect of the accuracy or completeness of any statement all faults and imperfections. Illustrations and photographs any responsibility for any errors which may occur in the use of or representation made by him or on his behalf, which is in contained in the Catalogue (other than photographs forming the currency converter. We may use video cameras to record any way descriptive of any Lot or as to the anticipated or part of the Contractual Description) or elsewhere of any Lots the Sale and may record telephone calls for reasons of security likely selling price of any Lot. Other than as set out above, are for identification purposes only. They may not reveal the and to assist in solving any disputes which may arise in relation no statement or representation in any way descriptive of a true condition of the Lot. A photograph or illustration may not to bids made at the Sale. At some Sales, for example, jewellery Lot or any Estimate is incorporated into any Contract for Sale reflect an accurate reproduction of the colour(s) of the Lot. Lots Sales, we may use screens on which images of the Lots will be between a Seller and a Buyer. are available for inspection prior to the Sale and it is for you to projected. This service is provided to assist viewing at the Sale. satisfy yourself as to each and every aspect of a Lot, including The image on the screen should be treated as an indication Bonhams’ responsibility to you its authorship, attribution, condition, provenance, history, only of the current Lot. It should be noted that all bids You have the opportunity of examining the Lot if you want to background, authenticity, style, period, age, suitability, quality, tendered will relate to the actual Lot number announced by and the Contract for Sale for a Lot is with the Seller and not roadworthiness (if relevant), origin, value and estimated selling the Auctioneer. We do not accept any responsibility for any with Bonhams; Bonhams acts as the Seller’s agent only (unless price (including the Hammer Price). It is your responsibility errors which may occur in the use of the screen. Bonhams sells the Lot as principal). to examine any Lot in which you are interested. It should be remembered that the actual condition of a Lot may not be as 5. BIDDING Bonhams undertakes no obligation to you to examine, good as that indicated by its outward appearance. In particular, investigate or carry out any tests, either in sufficient depth or parts may have been replaced or renewed and Lots may not We do not accept bids from any person who has not at all, on each Lot to establish the accuracy or otherwise of any be authentic or of satisfactory quality; the inside of a Lot may completed and delivered to us one of our Bidding Forms, Descriptions or opinions given by Bonhams, or by any person not be visible and may not be original or may be damaged, either our Bidder Registration Form, Absentee Bidding Form on Bonhams’ behalf, whether in the Catalogue or elsewhere. as for example where it is covered by upholstery or material. or Telephone Bidding Form. You will be asked for proof of Given the age of many Lots they may have been damaged and/ identity, residence and references, which, when asked for, you You should not suppose that such examinations, investigations or repaired and you should not assume that a Lot is in good must supply if your bids are to be accepted by us. Please bring or tests have occurred. condition. Electronic or mechanical parts may not operate your passport, driving licence (or similar photographic proof or may not comply with current statutory requirements. You of identity) and proof of address. We may request a deposit Bonhams does not make or agree to make any representation should not assume that electrical items designed to operate from you before allowing you to bid. We may refuse entry of fact, and undertakes no obligation or duty (whether in on mains electricity will be suitable for connection to the to a Sale to any person even if that person has completed a contract or tort) in respect of the accuracy or completeness mains electricity supply and you should obtain a report from Bidding Form. of any statement or representation made by Bonhams or on

NTB/MAIN/4.13 Bidding in person identity of your client in advance, we will be in a position to G Gold bullion exempt from VAT on the Hammer Price You should come to our Bidder registration desk at the Sale address the invoice to your principal rather than you. We will and subject to VAT at the prevailing rate on the Buyer’s venue and fill out a Bidder Registration Form on (or, if possible, require proof of the agent’s client’s identity and residence in Premium before) the day of the Sale. The bidding number system is advance of any bids made by the agent on his behalf. Please • Zero rated for VAT, no VAT will be added to the Hammer sometimes referred to as “paddle bidding”. You will be issued refer to our Conditions of Business and contact our Customer Price or the Buyer’s Premium with a large card (a “paddle”) with a printed number on it. Services Department for further details. a Buyers from within the EU: VAT is payable at the This will be attributed to you for the purposes of the Sale. prevailing rate on just the Buyer’s Premium (NOT the Should you be a successful Bidder you will need to ensure that 6. CONTRACTS BETWEEN THE BUYER AND SELLER Hammer Price). Buyers from outside the EU: VAT is your number can be clearly seen by the Auctioneer and that it AND THE BUYER AND BONHAMS payable at the prevailing rate on both Hammer Price is your number which is identified as the Buyer’s. You should and Buyer’s Premium. If a Buyer, having registered under not let anyone else use your paddle as all Lots will be invoiced On the Lot being knocked down to the Buyer, a Contract for a non-EU address, decides that the item is not to be to the name and address given on your Bidder Registration Sale of the Lot will be entered into between the Seller and exported from the EU, then he should advise Bonhams Form. Once an invoice is issued it will not be changed. If there the Buyer on the terms of the Contract for Sale set out in immediately. is any doubt as to the Hammer Price of, or whether you are the Appendix 1 at the back of the Catalogue. You will be liable to successful Bidder of, a particular Lot, you must draw this to the pay the Purchase Price, which is the Hammer Price plus any In all other instances no VAT will be charged on the Hammer attention of the Auctioneer before the next Lot is offered for applicable VAT. At the same time, a separate contract is also Price, but VAT at the prevailing rate will be added to Buyer’s Sale. At the end of the Sale, or when you have finished bidding entered into between us as Auctioneers and the Buyer. This Premium which will be invoiced on a VAT inclusive basis. please return your paddle to the Bidder registration desk. is our Buyer’s Agreement, the terms of which are set out in Appendix 2 at the back of the Catalogue. Please read the terms 9. PAYMENT Bidding by telephone (only available on lots with a of the Contract for Sale and our Buyer’s Agreement contained low estimate greater than £400) in the Catalogue in case you are the successful Bidder. We It is of critical importance that you ensure that you have readily If you wish to bid at the Sale by telephone, please complete a may change the terms of either or both of these agreements available funds to pay the Purchase Price and the Buyer’s Telephone Bidding Form, which is available from our offices or in advance of their being entered into, by setting out different Premium (plus VAT and any other charges and Expenses to us) in the Catalogue. Please then return it to the office responsible terms in the Catalogue and/or by placing an insert in the in full before making a bid for the Lot. If you are a successful for the Sale at least 24 hours in advance of the Sale. It is your Catalogue and/or by notices at the Sale venue and/or by oral Bidder, payment will be due to us by 4.30 pm on the second responsibility to check with our Bids Office that your bid has announcements before and during the Sale. You should be working day after the Sale so that all sums are cleared by been received. Telephone calls will be recorded. The telephone alert to this possibility of changes and ask if there have been the eighth working day after the Sale. Unless agreed by us in bidding facility is a discretionary service and may not be any. advance payments made by anyone other than the registered available in relation to all Lots. We will not be responsible for Buyer will not be accepted. Payment will have to be by one of bidding on your behalf if you are unavailable at the time of 7. BUYER’S PREMIUM AND OTHER CHARGES the following methods (all cheques should be made payable to the Sale or if the telephone connection is interrupted during PAYABLE BY THE BUYER Bonhams 1793 Limited). Bonhams reserves the right to vary the bidding. Please contact us for further details. terms of payment at any time. Under the Buyer’s Agreement, a premium (the Buyer’s Bidding by post or fax Premium) is payable to us by the Buyer in accordance with the Sterling personal cheque drawn on a UK branch of a bank Absentee Bidding Forms can be found in the back of this terms of the Buyer’s Agreement and at rates set out below, or building society: all cheques must be cleared before you Catalogue and should be completed and sent to the office calculated by reference to the Hammer Price and payable in can collect your purchases; responsible for the Sale. It is in your interests to return your addition to it. Storage charges and Expenses are also payable form as soon as possible, as if two or more Bidders submit by the Buyer as set out in the Buyer’s Agreement. All the sums Bankers draft/building society cheque: if you can provide identical bids for a Lot, the first bid received takes preference. payable to us by the Buyer are subject to VAT. For this Sale the suitable proof of identity and we are satisfied as to the In any event, all bids should be received at least 24 hours following rates of Buyer’s Premium will be payable by Buyers genuineness of the draft or cheque, we will allow you to collect before the start of the Sale. Please check your Absentee of Lots: your purchases immediately; Bidding Form carefully before returning it to us, fully completed 25% up to £25,000 of the Hammer Price and signed by you. It is your responsibility to check with our Cash: you may pay for Lots purchased by you at this Sale with 20% from £25,001 of the Hammer Price Bids Office that your bid has been received. This additional notes, coins or travellers cheques in the currency in which 12% from £500,001 of the Hammer Price service is complimentary and is confidential. Such bids are the Sale is conducted (but not any other currency) provided made at your own risk and we cannot accept liability for our that the total amount payable by you in respect of all Lots On certain Lots, which will be marked “AR” in the Catalogue failure to receive and/or place any such bids. All bids made purchased by you at the Sale does not exceed £3,000, or the and which are sold for a Hammer Price of €1,000 or greater on your behalf will be made at the lowest level possible equivalent in the currency in which the Sale is conducted, at (converted into the currency of the Sale using the European subject to Reserves and other bids made for the Lot. Where the time when payment is made. If the amount payable by you Central Bank Reference rate prevailing on the date of the Sale), appropriate your bids will be rounded down to the nearest for Lots exceeds that sum, the balance must be paid otherwise the Additional Premium will be payable to us by the Buyer to amount consistent with the Auctioneer’s bidding increments. than in coins, notes or travellers cheques; cover our Expenses relating to the payment of royalties under New Bidders must also provide proof of identity and address the Artists Resale Right Regulations 2006. The Additional when submitting bids. Failure to do this will result in your bid Sterling travellers cheques: you may pay for Lots purchased Premium will be a percentage of the amount of the Hammer not being placed. by you at this Sale with travellers cheques, provided the total Price calculated in accordance with the table below, and shall amount payable by you in respect of all Lots purchased by you not exceed €12,500 (converted into the currency of the Sale Bidding via the internet at the Sale does not exceed £3,000. We will need to see your using the European Central Bank Reference rate prevailing on Please visit our Website at http://www.bonhams.com for passport if you wish to pay using travellers cheques; the date of the Sale). details of how to bid via the internet. Hammer Price Percentage amount Bank transfer: you may electronically transfer funds to our Bidding through an agent From €0 to €50,000 4% Trust Account. If you do so, please quote your paddle number Bids will be accepted as placed on behalf of the person named From €50,000.01 to €200,000 3% and invoice number as the reference. Our Trust Account details as the principal on the Bidding Form although we may refuse From €200,000.01 to €350,000 1% are as follows: to accept bids from an agent on behalf of a principal and will From €350,000.01 to €500,000 0.5% Bank: National Westminster Bank Plc require written confirmation from the principal confirming Exceeding €500,000 0.25% Address: PO Box 4RY the agent’s authority to bid. Nevertheless, as the Bidding 250 Regent Street Form explains, any person placing a bid as agent on behalf 8. VAT London W1A 4RY of another (whether or not he has disclosed that fact or the Account Name: Bonhams 1793 Limited Trust Account identity of his principal) will be jointly and severally liable with The prevailing rate of VAT at the time of going to press is 20%, Account Number: 25563009 the principal to the Seller and to Bonhams under any contract but this is subject to government change and the rate payable Sort Code: 56-00-27 resulting from the acceptance of a bid. Subject to the above, will be the rate in force on the date of the Sale. IBAN Number: GB 33 NWBK 560027 25563009 please let us know if you are acting on behalf of another person when bidding for Lots at the Sale. The following symbols are used to denote that VAT is due on If paying by bank transfer, the amount received after the the Hammer Price and Buyer’s Premium: deduction of any bank fees and/or conversion of the currency Equally, please let us know if you intend to nominate another † VAT at the prevailing rate on Hammer Price and Buyer’s of payment to pounds sterling must not be less than the person to bid on your behalf at the Sale unless this is to be Premium sterling amount payable, as set out on the invoice. carried out by us pursuant to a Telephone or Absentee Bidding Ω VAT on imported items at the prevailing rate on Hammer Form that you have completed. If we do not approve the Price and Buyer’s Premium Debit cards: there is no additional charge for purchases made agency arrangements in writing before the Sale, we are entitled * VAT on imported items at a preferential rate of 5% on with personal debit cards, issued by a UK bank. Debit cards to assume that the person bidding at the Sale is bidding on his Hammer Price and the prevailing rate on Buyer’s Premium issued by an overseas bank, deferred and company debit cards own behalf. Accordingly, the person bidding at the Sale will and all credit cards will be subject to a 2% surcharge; be the Buyer and will be liable to pay the Hammer Price and Buyer’s Premium and associated charges. If we approve the

NTB/MAIN/4.13 Union Pay cards: these are now accepted at our Knightsbridge any Description or Estimate made of any Lot, or the conduct modern firearms specialist. All prospective Bidders are advised and New Bond Street offices, when presented in person by the of any Sale in relation to any Lot, whether in damages, for an to consult the ˚ of bore and wall-thickness measurements card holder. These cards are subject to a 2% surcharge. indemnity or contribution, or for a restitutionary remedy or posted in the saleroom and available from the department. otherwise, our and/or the Seller’s liability (combined, if both Bidders should note that guns are stripped only where there Credit cards: Visa and Mastercard only. Please note there is a we and the Seller are liable) will be limited to payment of a is a strong indication of a mechanical malfunction. Stripping 2% surcharge on the total invoice value when payments are sum which will not exceed by way of maximum the amount is not, otherwise, undertaken. Guns intended for use should made using credit cards. It may be advisable to notify your card of the Purchase Price of the Lot irrespective in any case of the be stripped and cleaned beforehand. Hammer guns should provider of your intended purchase in advance to reduce delays nature, volume or source of any loss or damage alleged to be have their rebound mechanisms checked before use. The caused by us having to seek authority when you come to pay. If suffered or sum claimed as due, and irrespective of whether safety mechanisms of all guns must be tested before use. you have any questions with regard to payment, please contact the liability arises from any negligence, other tort, breach All measurements are approximate. our Customer Services Department. of contract (if any) or statutory duty or otherwise. Nothing set out above will be construed as excluding or restricting Original Gun Specifications Derived from Gunmakers 10. COLLECTION AND STORAGE (whether directly or indirectly) our liability or excluding or The Sporting Gun Department endeavours to confirm a gun’s restricting any person’s rights or remedies in respect of (i) fraud, original specification and date of manufacture with makers The Buyer of a Lot will not be allowed to collect it until or (ii) death or personal injury caused by our negligence (or by who hold their original records. payment in full and in cleared funds has been made (unless the negligence of any person under our control or for whom we have made a special arrangement with the Buyer). For we are legally responsible), or (iii) acts or omissions for which Licensing Requirements collection and removal of purchased Lots, please refer to Sale we are liable under the Occupiers Liability Act 1957, or (iv) Firearms Act 1968 as amended Information at the front of the Catalogue. Our offices are any other liability to the extent the same may not be excluded Bonhams is constantly reviewing its procedures and would open 9.00am – 5pm Monday to Friday. Details relating to or restricted as a matter of law or (v) our undertakings under remind you that, in the case of firearms or shotguns subject to the collection of a Lot, the storage of a Lot and our Storage paragraphs 9 (in relation to specialist Stamp or Book Sales only) certification, to conform with current legislation, Bonhams is Contractor after the Sale are set out in the Catalogue. and 10 of the Buyer’s Agreement. The same applies in respect required to see, as appropriate, your original registered firearms of the Seller, as if references to us in this paragraph were dealer’s certificate / shot gun certificate / firearm certificate / 11. SHIPPING substituted with references to the Seller. museum firearms licence / Section 5 authority or import licence (or details of any exemption from which you may benefit, for Please refer all enquiries to our shipping department on: 15. BOOKS instance Crown servant status) for the firearm(s) you have Tel: +44 (0)20 8963 2850/2852 Fax: +44 (0)20 8963 2805 purchased prior to taking full payment of the amount shown Email: [email protected] As stated above, all Lots are sold on an “as is” basis, subject on your invoice. Should you not already be in possession of to all faults, imperfections and errors of Description save as such an authority or exemption, you are required to initially 12. EXPORT/TRADE RESTRICTIONS set out below. However, you will be entitled to reject a Book pay a deposit of 95% of the total invoice with the balance of in the circumstances set out in paragraph 10 of the Buyers 5% payable on presentation of your valid certificate or licence It is your sole responsibility to comply with all export and Agreement. Please note that Lots comprising printed Books, showing your authority to hold the firearm(s) concerned. import regulations relating to your purchases and also to obtain unframed maps and bound manuscripts are not liable to VAT any relevant export and/or import licence(s). Export licences are on the Buyer’s Premium. Please be advised that if a successful Bidder is then unable to issued by Arts Council England and application forms can be produce the correct paperwork, the Lot(s) will be reoffered by obtained from its Export Licensing Unit. The detailed provisions 16. CLOCKS AND WATCHES Bonhams in the next appropriate Sale, on standard terms for of the export licencing arrangements can be found on the ACE Sellers, and you will be responsible for any loss incurred by website http://www.artscouncil.org.uk/what-we-do/supporting- All Lots are sold “as is”, and the absence of any reference Bonhams on the original Sale to you. museums/cultural-property/export-controls/export-licensing/ to the condition of a clock or watch does not imply that or by phoning ACE on +44 (0)20 7973 5188. The need for the Lot is in good condition and without defects, repairs or In the case of RFD certificates and Section 5 authorities, we import licences varies from country to country and you should restorations. Most clocks and watches have been repaired in wish to keep an up-to-date copy on file. Please supply us with acquaint yourself with all relevant local requirements and the course of their normal lifetime and may now incorporate a Fax or photocopy. It would be helpful if you could send us an provisions. The refusal of any import or export licence(s) or parts not original to them. Furthermore, Bonhams makes updated copy whenever your certificate or authority is renewed any delay in obtaining such licence(s) shall not permit the no representation or warranty that any clock or watch is in or changed. rescission of any Sale nor allow any delay in making full working order. As clocks and watches often contain fine and payment for the Lot. Generally, please contact our shipping complex mechanisms, Bidders should be aware that a general Lots marked ‘S1´ and bearing red labels are Section 1 firearms department before the Sale if you require assistance in service, change of battery or further repair work, for which the and require a valid British Firearms certificate, RFD Licence or relation to export regulations. Buyer is solely responsible, may be necessary. Bidders should import licence. be aware that the importation of watches such as Rolex, Frank 13. CITES REGULATIONS Muller and Corum into the United States is highly restricted. Lots marked ‘S2’ and bearing blue labels are Section 2 firearms These watches may not be shipped to the USA and can only be and require a valid British Shotgun certificate, RFD licence or Please be aware that all Lots marked with the symbol Y are imported personally. import licence. subject to CITES regulations when exporting these items outside the EU. These regulations may be found at 17. FIREARMS – PROOF, CONDITION AND Lots marked ‘S5´ and bearing specially marked red labels are http://www.defra.gov.uk/ahvla-en/imports-exports/cites/ or may CERTIFICATION Section 5 prohibited firearms and require a valid Section 5 be requested from: Authority or import licence. Proof of Firearms Animal Health and Veterinary Laboratories Agency (AHVLA) The term “proof exemption” indicates that a firearm has Lots marked with a ‘S58´ and bearing yellow labels are for Wildlife Licencing been examined at a Proof House, but not proved, as either obsolete calibres and no licence is required unless ammunition Floor 1, Zone 17, Temple Quay House (a) it was deemed of interest and not intended for use, or (b) is held. 2 The Square, Temple Quay ammunition was not available. In either case, the firearm must BRISTOL BS1 6EB be regarded as unsafe to fire unless subsequently proved. Unmarked Lots require no licence. Tel: +44 (0) 117 372 8774 Firearms proved for Black Powder should not be used with smokeless ammunition. Please do not hesitate to contact the Modern Sporting Gun 14. THE SELLERS AND/OR BONHAMS’ LIABILITY Department should you have any queries. The term “Certificate of Unprovability” indicates that a firearm Other than any liability of the Seller to the Buyer of a Lot has been examined at a Proof House and is deemed both Taxidermy and Related Items under the Contract for Sale, neither we nor the Seller are unsuitable for proof and use. Reproof is required before any As a Seller of these articles, Bonhams undertakes to comply liable (whether in negligence or otherwise) for any error or such firearm is to be used. fully with Cites and DEFRA regulations. Buyers are advised to misdescription or omission in any Description of a Lot or any inform themselves of all such regulations and should expect Estimate in respect of it, whether contained in the Catalogue Guns Sold as Parts the exportation of items to take some time to arrange. or otherwise, whether given orally or in writing and whether Barrels of guns sold as parts will only be made available for given before or during the Sale. Neither we nor the Seller will sleeving and measurements once rendered unserviceable 18. FURNITURE be liable for any loss of Business, profits, revenue or income, or according to the Gun Barrel Proof Act of 1968 to 1978 and the for loss of reputation, or for disruption to Business or wasted Rules of Proof. Upholstered Furniture time on the part of management or staff, or for indirect losses Whilst we take every care in cataloguing furniture which has or consequential damages of any kind, irrespective in any Condition of Firearms been upholstered we offer no Guarantee as to the originality case of the nature, volume or source of the loss or damage Comment in this Catalogue is restricted, in general, to of the wood covered by fabric or upholstery. alleged to be suffered, and irrespective of whether the said exceptional condition and to those defects that might affect loss or damage is caused by or claimed in respect of any the immediate safety of a firearm in normal use. An intending negligence, other tort, breach of contract (if any) or statutory Bidder unable to make technical examinations and assessments duty, restitutionary claim or otherwise. In any circumstances is recommended to seek advice from a gunmaker or from a where we and/or the Seller are liable in relation to any Lot or

NTB/MAIN/4.13 19. JEWELLERY • The date given is that of the image (negative). Where no 24. WINE further date is given, this indicates that the photographic ˜ Ruby and Jadeite print is vintage (the term “vintage” may also be included Lots which are lying under Bond and those liable to VAT may Ruby and jadeite gemstones of Burmese (Myanmar) origin in the Lot Description). A vintage photograph is one which not be available for immediate collection. may not be imported into the US. Rubies and jadeite of was made within approximately 5-10 years of the negative. non–Burmese origin require certification before import Where a second, later date appears, this refers to the date Examining the wines into the US and it is the Buyer’s responsibility to obtain all of printing. Where the exact printing date is not known, but It is occasionally possible to provide a pre-Sale tasting for relevant and required export/import licences, certificates understood to be later, “printed later” will appear in the Lot larger parcels (as defined below). This is generally limited to and documentation before shipping. Failure by the Buyer to Description. more recent and everyday drinking wines. Please contact the successfully import goods into the US does not constitute • Unless otherwise specified, dimensions given are those of department for details. grounds for non payment or cancellation of Sale. Bonhams the piece of paper on which the image is printed, including will not be responsible for any additional costs in this regard any margins. Some photographs may appear in the It is not our policy to inspect every unopened case. In the case howsoever incurred. Catalogue without margins illustrated. of wines older than 20 years the boxes will usually have been • All photographs are sold unframed unless stated in the Lot opened and levels and appearance noted in the Catalogue Gemstones Description. where necessary. You should make proper allowance for Historically many gemstones have been subjected to a variety variations in ullage levels and conditions of corks, capsules of treatments to enhance their appearance. Sapphires and 21. PICTURES and labels. rubies are routinely heat treated to improve their colour and clarity, similarly emeralds are frequently treated with oils or Explanation of Catalogue Terms Corks and Ullages resin for the same purpose. Other treatments such as staining, The following terms used in the Catalogue have the following Ullage refers to the space between the base of the cork and irradiation or coating may have been used on other gemstones. meanings but are subject to the general provisions relating to the wine. Ullage levels for Bordeaux shaped bottles are only These treatments may be permanent, whilst others may need Descriptions contained in the Contract for Sale: normally noted when below the neck and for Burgundy, special care or re-treatment over the years to retain their • “Jacopo Bassano”: in our opinion a work by the artist. Alsace, German and Cognac shaped bottles when greater than appearance. Bidders should be aware that Estimates assume When the artist’s forename(s) is not known, a series of 4 centimetres (cm). Acceptable ullage levels increase with age; that gemstones may have been subjected to such treatments. asterisks, followed by the surname of the artist, whether generally acceptable levels are as follows: A number of laboratories issue certificates that give more preceded by an initial or not, indicates that in our opinion detailed Descriptions of gemstones. However there may not be the work is by the artist named; Under 15 years old – into neck or less than 4cm consensus between different laboratories on the degrees, or • “Attributed to Jacopo Bassano”: in our opinion probably 15 to 30 years old – top shoulder (ts) or up to 5cm types of treatment for any particular gemstone. In the event a work by the artist but less certainty as to authorship is Over 30 years old – high shoulder (hs) or up to 6cm that Bonhams has been given or has obtained certificates expressed than in the preceding category; for any Lot in the Sale these certificates will be disclosed in • “Studio/Workshop of Jacopo Bassano”: in our opinion a It should be noted that ullages may change between the Catalogue. Although, as a matter of policy, Bonhams work by an unknown hand in a studio of the artist which publication of the Catalogue and the Sale and that corks may endeavours to provide certificates from recognised laboratories may or may not have been executed under the artist’s fail as a result of transporting the wine. We will only accept for certain gemstones, it is not feasible to obtain certificates direction; responsibility for Descriptions of condition at the time of for each Lot. In the event that no certificate is published in the • “Circle of Jacopo Bassano”: in our opinion a work by publication of the Catalogue and cannot accept responsibility Catalogue, Bidders should assume that the gemstones may a hand closely associated with a named artist but not for any loss resulting from failure of corks either before or after have been treated. Neither Bonhams nor the Seller accepts any necessarily his pupil; this point. liability for contradictions or differing certificates obtained by • “Follower of Jacopo Bassano”: in our opinion a work by a Buyers on any Lots subsequent to the Sale. painter working in the artist’s style, contemporary or nearly Options to buy parcels contemporary, but not necessarily his pupil; A parcel is a number of Lots of identical size of the same wine, Estimated Weights • “Manner of Jacopo Bassano”: in our opinion a work in the bottle size and Description. The Buyer of any of these Lots has If a stone(s) weight appears within the body of the Description style of the artist and of a later date; the option to accept some or all of the remaining Lots in the in capital letters, the stone(s) has been unmounted and • “After Jacopo Bassano”: in our opinion, a copy of a known parcel at the same price, although such options will be at the weighed by Bonhams. If the weight of the stone(s) is stated work of the artist; Auctioneer’s sole discretion. Absentee Bidders are, therefore, to be approximate and does not appear in capital letters, the • “Signed and/or dated and/or inscribed”: in our opinion the advised to bid on the first Lot in a parcel. stone(s) has been assessed by us within its/their settings, and signature and/or date and/or inscription are from the hand the stated weight is a statement of our opinion only. This of the artist; Wines in Bond information is given as a guide and Bidders should satisfy • “Bears a signature and/or date and/or inscription”: in our Wines lying in Bond are marked Δ and VAT is payable by the themselves with regard to this information as to its accuracy. opinion the signature and/or date and/or inscription have purchaser, at the standard rate, on the Hammer Price, unless been added by another hand. the wines are to remain under Bond. Buyers requiring their Signatures wine to remain in Bond must notify Bonhams at the time of 1. A diamond brooch, by Kutchinsky 22. PORCELAIN AND GLASS the Sale. The Buyer is then himself responsible for all duty, When the maker’s name appears in the title, in Bonhams’ clearance VAT and other charges that may be payable thereon. opinion the piece is by that maker. Damage and Restoration All such Lots must be transferred or collected within two weeks For your guidance, in our Catalogues we detail, as far as of the Sale. 2. A diamond brooch, signed Kutchinsky practicable, recorded all significant defects, cracks and Has a signature that, in Bonhams’ opinion, is authentic but restoration. Such practicable Descriptions of damage cannot Buyers outside the UK must be aware that any forwarding may contain gemstones that are not original, or the piece may be definitive, and in providing Condition Reports, we cannot agent appointed to export their purchases must have a have been altered. Guarantee that there are no other defects present which movement certificate for Lots to be released under Bond. have not been mentioned. Bidders should satisfy themselves 3. A diamond brooch, mounted by Kutchinsky by inspection, as to the condition of each Lot. Please see the Bottling Details and Case Terms Has been created by the jeweller, in Bonhams’ opinion, but Contract for Sale printed in this Catalogue. Because of the The following terms used in the Catalogue have the following using stones or designs supplied by the client. difficulty in determining whether an item of glass has been meanings: repolished, in our Catalogues reference is only made to visible CB – Château bottled 20. PHOTOGRAPHS chips and cracks. No mention is made of repolishing, severe DB – Domaine bottled or otherwise. EstB – Estate bottled Explanation of Catalogue Terms BB – Bordeaux bottled • “Bill Brandt”: in our opinion a work by the artist. 23. VEHICLES BE – Belgian bottled • “Attributed to Bill Brandt”: in our opinion probably a work FB – French bottled by the artist, but less certainty to authorship is expressed The Veteran Car Club of Great Britain GB – German bottled than in the preceding category. OB – Oporto bottled • “Signed and/or titled and/or dated and/or inscribed”: in Dating Plates and Certificates UK – United Kingdom bottled our opinion the signature and/or title and/or date and/or When mention is made of a Veteran Car Club Dating Plate or owc – original wooden case inscription are in the artist’s hand. Dating Certificate in this Catalogue, it should be borne in mind iwc – individual wooden case • “Signed and/or titled and/or dated and/or inscribed in that the Veteran Car Club of Great Britain using the services of oc – original carton another hand”: in our opinion the signature and/or title Veteran Car Company Ltd, does from time to time, review cars and/or date and/or inscription have been added by already dated and, in some instances, where fresh evidence another hand. becomes available, the review can result in an alteration of date. Whilst the Club and Veteran Car Company Ltd make every effort to ensure accuracy, the date shown on the Dating Plate or Dating Certificate cannot be guaranteed as correct and intending purchasers should make their own enquiries as to the date of the car.

NTB/MAIN/4.13 SYMBOLS 2 SELLER’S UNDERTAKINGS 4.2 The Seller will not be liable for any breach of any undertaking, whether implied by the Sale of Goods THE FOLLOWING SYMBOLS ARE USED TO DENOTE 2.1 The Seller undertakes to you that: Act 1979 or otherwise, as to the satisfactory quality of the Lot or its fitness for any purpose. Y Subject to CITES regulations when exporting these items 2.1.1 the Seller is the owner of the Lot or is duly authorised outside the EU, see clause 13. to sell the Lot by the owner; 5 RISK, PROPERTY AND TITLE W Objects displayed with a w will be located in the Bonhams Warehouse and will only be available for 2.1.2 save as disclosed in the Entry for the Lot in the 5.1 Risk in the Lot passes to you when it is knocked collection from this location. Catalogue, the Seller sells the Lot with full title down to you on the fall of the Auctioneer’s ≈ Please note that as a result of recent legislation ruby and guarantee or, where the Seller is an executor, trustee, hammer in respect of the Lot. The Seller will not jadeite gem stones of Burmese (Myanmar) origin may liquidator, receiver or administrator, with whatever be responsible thereafter for the Lot prior to not be imported into the US. Rubies and jadeite of non- right, title or interest he may have in the Lot; you collecting it from Bonhams or the Storage Burmese origin require certification before import into the Contractor, with whom you have separate contract(s) US. 2.1.3 except where the Sale is by an executor, trustee, as Buyer. You will indemnify the Seller and keep the Δ Wines lying in Bond. liquidator, receiver or administrator the Seller is both Seller fully indemnified from and against all claims, AR An Additional Premium will be payable to us by the Buyer legally entitled to sell the Lot, and legally capable proceedings, costs, expenses and losses arising in to cover our Expenses relating to payment of royalties of conferring on you quiet possession of the Lot respect of any injury, loss and damage caused to the under the Artists Resale Right Regulations 2006. See and that the Sale conforms in every respect with Lot after the fall of the Auctioneer’s hammer until clause 7 for details. the terms implied by the Sale of Goods Act 1979, you obtain full title to it. ○ The Seller has been guaranteed a minimum price for the Sections 12(1) and 12(2) (see the Definitions and Lot, either by Bonhams or a third party. This may take Glossary); 5.2 Title to the Lot remains in and is retained by the the form of an irrevocable bid by a third party, who may Seller until the Purchase Price and all other sums make a financial gain on a successful Sale or a financial 2.1.4 the Seller has complied with all requirements, legal or payable by you to Bonhams in relation to the Lot loss if unsuccessful. otherwise, relating to any export or import of the Lot, have been paid in full to, and received in cleared ▲ Bonhams owns the Lot either wholly or partially or may and all duties and taxes in respect of the export or funds by, Bonhams. otherwise have an economic interest. import of the Lot have (unless stated to the contrary in the Catalogue or announced by the Auctioneer) 6 PAYMENT •, †, *, G, Ω, a see clause 8, VAT, for details. been paid and, so far as the Seller is aware, all third parties have complied with such requirements in 6.1 Your obligation to pay the Purchase Price arises when DATA PROTECTION – USE OF YOUR INFORMATION the past; the Lot is knocked down to you on the fall of the Auctioneer’s hammer in respect of the Lot. Where we obtain any personal information about you, we shall 2.1.5 subject to any alterations expressly identified as such only use it in accordance with the terms of our Privacy Policy made by announcement or notice at the Sale venue 6.2 Time will be of the essence in relation to payment (subject to any additional specific consent(s) you may have or by the Notice to Bidders or by an insert in the of the Purchase Price and all other sums payable by given at the time your information was disclosed). A copy of Catalogue, the Lot corresponds with the Contractual you to Bonhams. Unless agreed in writing with you our Privacy Policy can be found on our Website www.bonhams. Description of the Lot, being that part of the Entry by Bonhams on the Seller’s behalf (in which case com or requested by post from Customer Services Department, about the Lot in the Catalogue which is in bold you must comply with the terms of that agreement), 101 New Bond Street, London, W1S 1SR or by email from letters and (except for colour) with any photograph all such sums must be paid to Bonhams by you in [email protected] of the Lot in the Catalogue and the contents of the currency in which the Sale was conducted by any Condition Report which has been provided to not later than 4.30pm on the second working day APPENDIX 1 the Buyer. following the Sale and you must ensure that the funds are cleared by the seventh working day after CONTRACT FOR SALE 3 DESCRIPTIONS OF THE LOT the Sale. Payment must be made to Bonhams by one of the methods stated in the Notice to Bidders unless IMPORTANT: These terms may be changed in advance of the 3.1 Paragraph 2.1.5 sets out what is the Contractual otherwise agreed with you in writing by Bonhams. If Sale of the Lot to you, by the setting out of different terms in Description of the Lot. In particular, the Lot is not you do not pay any sums due in accordance with this the Catalogue for the Sale and/or by placing an insert in the sold as corresponding with that part of the Entry in paragraph, the Seller will have the rights set out in Catalogue and/or by notices at the Sale venue and/or by oral the Catalogue which is not printed in bold letters, paragraph 8 below. announcements before and during the Sale at the Sale venue. which merely sets out (on the Seller’s behalf) You should be alert to this possibility of changes and ask in Bonhams’ opinion about the Lot and which is not 7 COLLECTION OF THE LOT advance of bidding if there have been any. part of the Contractual Description upon which the Lot is sold. Any statement or representation other 7.1 Unless otherwise agreed in writing with you by Under this contract the Seller’s liability in respect of the quality than that part of the Entry referred to in paragraph Bonhams, the Lot will be released to you or to your of the Lot, it’s fitness for any purpose and its conformity with 2.1.5 (together with any express alteration to it order only when Bonhams has received cleared funds any Description is limited. You are strongly advised to examine as referred to in paragraph 2.1.5), including any to the amount of the full Purchase Price and all other the Lot for yourself and/or obtain an independent examination Description or Estimate, whether made orally or in sums owed by you to the Seller and to Bonhams. of it before you buy it. writing, including in the Catalogue or on Bonhams’ Website, or by conduct, or otherwise, and whether 7.2 The Seller is entitled to withhold possession from you 1 THE CONTRACT by or on behalf of the Seller or Bonhams and of any other Lot he has sold to you at the same or whether made prior to or during the Sale, is not part at any other Sale and whether currently in Bonhams’ 1.1 These terms govern the Contract for Sale of the Lot of the Contractual Description upon which the Lot is possession or not until payment in full and in cleared by the Seller to the Buyer. sold. funds of the Purchase Price and all other sums due to the Seller and/or Bonhams in respect of the Lot. 1.2 The Definitions and Glossary contained in Appendix 3 3.2 Except as provided in paragraph 2.1.5, the Seller in the Catalogue are incorporated into this Contract does not make or give and does not agree to make 7.3 You will collect and remove the Lot at your own for Sale and a separate copy can also be provided or give any contractual promise, undertaking, expense from Bonhams’ custody and/ or control or by Bonhams on request. Where words and phrases obligation, guarantee, warranty, or representation from the Storage Contractor’s custody in accordance are used which are in the List of Definitions, they are of fact, or undertake any duty of care, in relation to with Bonhams’ instructions or requirements. printed in italics. any Description of the Lot or any Estimate in relation to it, nor of the accuracy or completeness of any 7.4 You will be wholly responsible for packing, handling 1.3 The Seller sells the Lot as the principal to the Description or Estimate which may have been made and transport of the Lot on collection and for Contract for Sale, such contract being made between by or on behalf of the Seller including by Bonhams. complying with all import or export regulations in the Seller and you through Bonhams which acts in No such Description or Estimate is incorporated into connection with the Lot. the sole capacity as the Seller’s agent and not as this Contract for Sale. an additional principal. However, if the Catalogue 7.5 You will be wholly responsible for any removal, states that Bonhams sells the Lot as principal, or such 4 FITNESS FOR PURPOSE AND SATISFACTORY storage or other charges or Expenses incurred a statement is made by an announcement by the QUALITY by the Seller if you do not remove the Lot in Auctioneer, or by a notice at the Sale, or an insert accordance with this paragraph 7 and will in the Catalogue, then Bonhams is the Seller for the 4.1 The Seller does not make and does not agree indemnify the Seller against all charges, costs, purposes of this agreement. to make any contractual promise, undertaking, including any legal costs and fees, Expenses and obligation, guarantee, warranty, or representation of losses suffered by the Seller by reason of your 1.4 The contract is made on the fall of the Auctioneer’s fact in relation to the satisfactory quality of the Lot or failure to remove the Lot including any charges hammer in respect of the Lot when it is knocked its fitness for any purpose. due under any Storage Contract. All such sums down to you. due to the Seller will be payable on demand.

NTB/MAIN/4.13 8 FAILURE TO PAY FOR THE LOT all sums due to the Seller and to Bonhams, within waiver given to you in writing. Any such waiver will 28 days of receipt of such monies by him or on his not affect the Seller’s ability subsequently to enforce 8.1 If the Purchase Price for a Lot is not paid to Bonhams behalf. any right arising under the Contract for Sale. in full in accordance with the Contract for Sale the Seller will be entitled, with the prior written 9 THE SELLER’S LIABILITY 10.3 If either party to the Contract for Sale is prevented agreement of Bonhams but without further notice to from performing that party’s respective obligations you, to exercise one or more of the following rights 9.1 The Seller will not be liable for any injury, loss or under the Contract for Sale by circumstances beyond (whether through Bonhams or otherwise): damage caused by the Lot after the fall of the its reasonable control or if performance of its Auctioneer’s hammer in respect of the Lot. obligations would by reason of such circumstances 8.1.1 to terminate immediately the Contract for Sale of the give rise to a significantly increased financial Lot for your breach of contract; 9.2 Subject to paragraph 9.3 below, except for breach cost to it, that party will not, for so long as such of the express undertaking provided in paragraph circumstances prevail, be required to perform such 8.1.2 to resell the Lot by auction, private treaty or any 2.1.5, the Seller will not be liable for any breach obligations. This paragraph does not apply to the other means on giving seven days’ written notice to of any term that the Lot will correspond with any obligations imposed on you by paragraph 6. you of the intention to resell; Description applied to it by or on behalf of the Seller, whether implied by the Sale of Goods Act 1979 or 10.4 Any notice or other communication to be given 8.1.3 to retain possession of the Lot; otherwise. under the Contract for Sale must be in writing and may be delivered by hand or sent by first class 8.1.4 to remove and store the Lot at your expense; 9.3 Unless the Seller sells the Lot in the course of a post or air mail or fax transmission, if to the Seller, Business and the Buyer buys it as a Consumer, addressed c/o Bonhams at its address or fax number 8.1.5 to take legal proceedings against you for any sum in the Catalogue (marked for the attention of the due under the Contract for Sale and/or damages for 9.3.1 the Seller will not be liable (whether in negligence, Company Secretary), and if to you to the address or breach of contract; other tort, breach of contract or statutory duty or in fax number of the Buyer given in the Bidding Form restitution or under the Misrepresentation Act 1967, (unless notice of any change of address is given in 8.1.6 to be paid interest on any monies due (after as well or in any other way) for any lack of conformity with, writing). It is the responsibility of the sender of the as before judgement or order) at the annual rate or inaccuracy, error, misdescription or omission in notice or communication to ensure that it is received of 5% per annum above the base rate of National any Description of the Lot or any Entry or Estimate in a legible form within any applicable time period. Westminster Bank Plc from time to time to be in relation to the Lot made by or on behalf of calculated on a daily basis from the date upon which the Seller (whether made in writing, including in 10.5 If any term or any part of any term of the Contract such monies become payable until the date of actual the Catalogue, or on the Website, or orally, or by for Sale is held to be unenforceable or invalid, such payment; conduct or otherwise) and whether made before or unenforceability or invalidity will not affect the after this agreement or prior to or during the Sale; enforceability and validity of the remaining terms or 8.1.7 to repossess the Lot (or any part thereof) which has the remainder of the relevant term. not become your property, and for this purpose 9.3.2 the Seller will not be liable for any loss of Business, (unless the Buyer buys the Lot as a Consumer from Business profits or revenue or income or for loss of 10.6 References in the Contract for Sale to Bonhams will, the Seller selling in the course of a Business) you reputation or for disruption to Business or wasted where appropriate, include reference to Bonhams’ hereby grant an irrevocable licence to the Seller by time on the part of the Buyer or of the Buyer’s officers, employees and agents. himself and to his servants or agents to enter upon management or staff or, for any indirect losses or all or any of your premises (with or without vehicles) consequential damages of any kind, irrespective in 10.7 The headings used in the Contract for Sale during normal Business hours to take possession of any case of the nature, volume or source of the loss are for convenience only and will not affect its the Lot or part thereof; or damage alleged to be suffered, and irrespective interpretation. of whether the said loss or damage is caused by 8.1.8 to retain possession of any other property sold to you or claimed in respect of any negligence, other tort, 10.8 In the Contract for Sale “including” means by the Seller at the Sale or any other auction or by breach of contract, statutory duty, restitutionary “including, without limitation”. private treaty until all sums due under the Contract claim or otherwise; for Sale shall have been paid in full in cleared funds; 10.9 References to the singular will include reference to 9.3.3 in any circumstances where the Seller is liable to you the plural (and vice versa) and reference to any one 8.1.9 to retain possession of, and on three months’ written in respect of the Lot, or any act, omission, statement, gender will include reference to the other genders. notice to sell, Without Reserve, any of your other or representation in respect of it, or this agreement property in the possession of the Seller and/or of or its performance, and whether in damages, for 10.10 Reference to a numbered paragraph is to a Bonhams (as bailee for the Seller) for any purpose an indemnity or contribution or for a restitutionary paragraph of the Contract for Sale. (including, without limitation, other goods sold to remedy or in any way whatsoever, the Seller’s liability you) and to apply any monies due to you as a result will be limited to payment of a sum which will not 10.11 Save as expressly provided in paragraph 10.12 of such Sale in satisfaction or part satisfaction of any exceed by way of maximum the amount of the nothing in the Contract for Sale confers (or purports amounts owed to the Seller or to Bonhams; and Purchase Price of the Lot irrespective in any case of to confer) on any person who is not a party to the the nature, volume or source of any loss or damage Contract for Sale any benefit conferred by, or the 8.1.10 so long as such goods remain in the possession of alleged to be suffered or sum claimed as due, and right to enforce any term of, the Contract for Sale. the Seller or Bonhams as its bailee, to rescind the irrespective of whether the liability arises from any contract for the Sale of any other goods sold to negligence, other tort, breach of contract, statutory 10.12 Where the Contract for Sale confers an immunity you by the Seller at the Sale or at any other auction duty, bailee’s duty, restitutionary claim or otherwise. from, and/or an exclusion or restriction of, the or by private treaty and apply any monies received responsibility and/or liability of the Seller, it will also from you in respect of such goods in part or full 9.4 Nothing set out in paragraphs 9.1 to 9.3 above will operate in favour and for the benefit ofBonhams, satisfaction of any amounts owed to the Seller or to be construed as excluding or restricting (whether Bonhams’ holding company and the subsidiaries Bonhams by you. directly or indirectly) any person’s liability or excluding of such holding company and the successors and or restricting any person’s rights or remedies in assigns of Bonhams and of such companies and of 8.2 You agree to indemnify the Seller against all legal respect of (i) fraud, or (ii) death or personal injury any officer, employee and agent of Bonhams and and other costs of enforcement, all losses and other caused by the Seller’s negligence (or any person such companies, each of whom will be entitled to Expenses and costs (including any monies payable under the Seller’s control or for whom the Seller is rely on the relevant immunity and/or exclusion and/or to Bonhams in order to obtain the release of the legally responsible), or (iii) acts or omissions for which restriction within and for the purposes of Contracts Lot) incurred by the Seller (whether or not court the Seller is liable under the Occupiers Liability Act (Rights of Third Parties) Act 1999, which enables the proceedings will have been issued) as a result of 1957, or (iv) any other liability to the extent the same benefit of a contract to be extended to a person who Bonhams taking steps under this paragraph 8 on a may not be excluded or restricted as a matter of law. is not a party to the contract, and generally at law. full indemnity basis together with interest thereon (after as well as before judgement or order) at the 10 MISCELLANEOUS rate specified in paragraph 8.1.6 from the date upon which the Seller becomes liable to pay the same until 10.1 You may not assign either the benefit or burden of payment by you. the Contract for Sale.

8.3 On any resale of the Lot under paragraph 8.1.2, the 10.2 The Seller’s failure or delay in enforcing or exercising Seller will account to you in respect of any balance any power or right under the Contract for Sale will remaining from any monies received by him or on not operate or be deemed to operate as a waiver of his behalf in respect of the Lot, after the payment of his rights under it except to the extent of any express

NTB/MAIN/4.13 11 GOVERNING LAW writing, including in the Catalogue or on Bonhams’ 4.2 You must collect and remove the Lot at your own Website, or by conduct, or otherwise), and whether expense by the date and time specified in the Notice All transactions to which the Contract for Sale applies made before or after this agreement or prior to or to Bidders, or if no date is specified, by 4.30pm on and all connected matters will be governed by and during the Sale. No such Description or Estimate is the seventh day after the Sale. construed in accordance with the laws of that part incorporated into this agreement between you and of the United Kingdom where the Sale takes place us. Any such Description or Estimate, if made by us 4.3 For the period referred to in paragraph 4.2, the Lot and the Seller and you each submit to the exclusive or on our behalf, was (unless Bonhams itself sells can be collected from the address referred to in the jurisdiction of the courts of that part of the United the Lot as principal) made as agent on behalf of the Notice to Bidders for collection on the days and times Kingdom, save that the Seller may bring proceedings Seller. specified in the Notice to Bidders. Thereafter, the against you in any other court of competent Lot may be removed elsewhere for storage and you jurisdiction to the extent permitted by the laws of 2 PERFORMANCE OF THE CONTRACT FOR SALE must enquire from us as to when and where you can the relevant jurisdiction. Bonhams has a complaints collect it, although this information will usually be set procedure in place. You undertake to us personally that you will out in the Notice to Bidders. observe and comply with all your obligations and undertakings to the Seller under the Contract for Sale 4.4 If you have not collected the Lot by the date specified APPENDIX 2 in respect of the Lot. in the Notice to Bidders, you authorise us, acting as your agent and on your behalf, to enter into a BUYER’S AGREEMENT 3 PAYMENT contract (the “Storage Contract”) with the Storage Contractor for the storage of the Lot on the then IMPORTANT: These terms may be changed in advance of the 3.1 Unless agreed in writing between you and us or as current standard terms and conditions agreed Sale of the Lot to you, by the setting out of different terms in otherwise set out in the Notice to Bidders, you must between Bonhams and the Storage Contractor the Catalogue for the Sale and/or by placing an insert in the pay to us by not later than 4.30pm on the second (copies of which are available on request). If the Lot Catalogue and/or by notices at the Sale venue and/or by oral working day following the Sale: is stored at our premises storage fees at our current announcements before and during the Sale at the Sale venue. daily rates (currently a minimum of £3 plus VAT per You should be alert to this possibility of changes and ask in 3.1.1 the Purchase Price for the Lot; Lot per day) will be payable from the expiry of the advance of bidding if there have been any. period referred to in paragraph 4.2. These storage 3.1.2 a Buyer’s Premium in accordance with the rates set fees form part of our Expenses. 1 THE CONTRACT out in the Notice to Bidders, and 4.5 Until you have paid the Purchase Price and any 1.1 These terms govern the contract between Bonhams 3.1.3 if the Lot is marked [AR], an Additional Premium Expenses in full the Lot will either be held by us as personally and the Buyer, being the person to whom which is calculated and payable in accordance with agent on behalf of the Seller or held by the Storage a Lot has been knocked down by the Auctioneer. the Notice to Bidders together with VAT on that sum Contractor as agent on behalf of the Seller and if applicable so that all sums due to us are cleared ourselves on the terms contained in the Storage 1.2 The Definitions and Glossary contained in Appendix funds by the seventh working day after the Sale. Contract. 3 to the Catalogue for the Sale are incorporated into this agreement and a separate copy can also 3.2 You must also pay us on demand any Expenses 4.6 You undertake to comply with the terms of any be provided by us on request. Where words and payable pursuant to this agreement. Storage Contract and in particular to pay the charges phrases which are defined in the List of Definitions (and all costs of moving the Lot into storage) due are used in this agreement, they are printed in italics. 3.3 All payments to us must be made in the currency under any Storage Contract. You acknowledge and Reference is made in this agreement to information in which the Sale was conducted, using, unless agree that you will not be able to collect the Lot from printed in the Notice to Bidders, printed in the otherwise agreed by us in writing, one of the the Storage Contractor’s premises until you have paid Catalogue for the Sale, and where such information methods of payment set out in the Notice to the Purchase Price, any Expenses and all charges due is referred to it is incorporated into this agreement. Bidders. Our invoices will only be addressed to the under the Storage Contract. registered Bidder unless the Bidder is acting as an 1.3 Except as specified in paragraph 4 of the Notice to agent for a named principal and we have approved 4.7 You will be wholly responsible for packing, handling Bidders the Contract for Sale of the Lot between you that arrangement, in which case we will address the and transport of the Lot on collection and for and the Seller is made on the fall of the Auctioneer’s invoice to the principal. complying with all import or export regulations in hammer in respect of the Lot, when it is knocked connection with the Lot. down to you. At that moment a separate contract is 3.4 Unless otherwise stated in this agreement all also made between you and Bonhams on the terms sums payable to us will be subject to VAT at the 4.8 You will be wholly responsible for any removal, in this Buyer’s Agreement. appropriate rate and VAT will be payable by you on storage, or other charges for any Lot not removed all such sums. in accordance with paragraph 4.2, payable at our 1.4 We act as agents for the Seller and are not current rates, and any Expenses we incur (including answerable or personally responsible to you for any 3.5 We may deduct and retain for our own benefit from any charges due under the Storage Contract), all of breach of contract or other default by the Seller, the monies paid by you to us the Buyer’s Premium, which must be paid by you on demand and in any unless Bonhams sells the Lot as principal. the Commission payable by the Seller in respect event before any collection of the Lot by you or on of the Lot, any Expenses and VAT and any interest your behalf. 1.5 Our personal obligations to you are governed by this earned and/or incurred until payment to the Seller. agreement and we agree, subject to the terms below, 5 STORING THE LOT to the following obligations: 3.6 Time will be of the essence in relation to any payment payable to us. If you do not pay the We agree to store the Lot until the earlier of your 1.5.1 we will, until the date and time specified in the Purchase Price, or any other sum due to us in removal of the Lot or until the time and date set out Notice to Bidders or otherwise notified to you, store accordance with this paragraph 3, we will have the in the Notice to Bidders, on the Sale Information the Lot in accordance with paragraph 5; rights set out in paragraph 7 below. Page or at the back of the catalogue (or if no date is specified, by 4.30pm on the seventh day after the 1.5.2 subject to any power of the Seller or us to refuse to 3.7 Where a number of Lots have been knocked down to Sale) and, subject to paragraphs 6 and 10, to be release the Lot to you, we will release the Lot to you you, any monies we receive from you will be applied responsible as bailee to you for damage to or the loss in accordance with paragraph 4 once you have paid firstly pro-rata to pay the Purchase Price of each Lot or destruction of the Lot (notwithstanding that it is to us, in cleared funds, everything due to us and the and secondly pro-rata to pay all amounts due to not your property before payment of the Purchase Seller; Bonhams. Price). If you do not collect the Lot before the time and date set out in the Notice to Bidders (or if no 1.5.3 we will provide guarantees in the terms set out in 4 COLLECTION OF THE LOT date is specified, by 4.30pm on the seventh day paragraphs 9 and 10. after the Sale) we may remove the Lot to another 4.1 Subject to any power of the Seller or us to refuse location, the details of which will usually be set out 1.6 We do not make or give and do not agree to make to release the Lot to you, once you have paid to us, in the relevant section of the Catalogue. If you have or give any contractual promise, undertaking, in cleared funds, everything due to the Seller and not paid for the Lot in accordance with paragraph 3, obligation, Guarantee, warranty, representation of to us, we will release the Lot to you or as you may and the Lot is moved to any third party’s premises, fact in relation to any Description of the Lot or any direct us in writing. The Lot will only be released on the Lot will be held by such third party strictly to Estimate in relation to it, nor of the accuracy or production of a buyer collection document, obtained Bonhams’ order and we will retain our lien over the completeness of any Description or Estimate which from our cashier’s office. Lot until we have been paid in full in accordance with may have been made by us or on our behalf or by paragraph 3. or on behalf of the Seller (whether made orally or in

NTB/MAIN/4.13 6 RESPONSIBILITY FOR THE LOT 7.2 You agree to indemnify us against all legal and other 9.2.2 you notify us in writing as soon as reasonably costs, all losses and all other Expenses (whether or practicable after you have become aware that the Lot 6.1 Only on the payment of the Purchase Price to us not court proceedings will have been issued) incurred is or may be a Forgery, and in any event within one will title in the Lot pass to you. However under the by us as a result of our taking steps under this year after the Sale, that the Lot is a Forgery; and Contract for Sale, the risk in the Lot passed to you paragraph 7 on a full indemnity basis together with when it was knocked down to you. interest thereon (after as well as before judgement or 9.2.3 within one month after such notification has been order) at the rate specified in paragraph 7.1.5 from given, you return the Lot to us in the same condition 6.2 You are advised to obtain insurance in respect of the the date upon which we become liable to pay the as it was at the time of the Sale, accompanied by Lot as soon as possible after the Sale. same until payment by you. written evidence that the Lot is a Forgery and details of the Sale and Lot number sufficient to identify the 7 FAILURE TO PAY OR TO REMOVE THE LOT 7.3 If you pay us only part of the sums due to us such Lot. AND PART PAYMENTS payment shall be applied firstly to the Purchase Price of the Lot (or where you have purchased more than 9.3 Paragraph 9 will not apply in respect of a Forgery if: 7.1 If all sums payable to us are not so paid in full at the one Lot pro-rata towards the Purchase Price of each time they are due and/or the Lot is not removed in Lot) and secondly to the Buyer’s Premium (or where 9.3.1 the Entry in relation to the Lot contained in the accordance with this agreement, we will without you have purchased more than one Lot pro-rata to Catalogue reflected the then accepted general further notice to you be entitled to exercise one or the Buyer’s Premium on each Lot) and thirdly to any opinion of scholars and experts or fairly indicated more of the following rights (without prejudice to other sums due to us. that there was a conflict of such opinion or reflected any rights we may exercise on behalf of the Seller): the then current opinion of an expert acknowledged 7.4 We will account to you in respect of any balance we to be a leading expert in the relevant field; or 7.1.1 to terminate this agreement immediately for your hold remaining from any monies received by us in breach of contract; respect of any Sale of the Lot under our rights under 9.3.2 it can be established that the Lot is a Forgery only this paragraph 7 after the payment of all sums due to by means of a process not generally accepted for 7.1.2 to retain possession of the Lot; us and/or the Seller within 28 days of receipt by us of use until after the date on which the Catalogue was all such sums paid to us. published or by means of a process which it was 7.1.3 to remove, and/or store the Lot at your expense; unreasonable in all the circumstances for us to have 8 CLAIMS BY OTHER PERSONS IN RESPECT OF employed. 7.1.4 to take legal proceedings against you for payment THE LOT of any sums payable to us by you (including the 9.4 You authorise us to carry out such processes and Purchase Price) and/or damages for breach of 8.1 Whenever it becomes apparent to us that the Lot tests on the Lot as we in our absolute discretion contract; is the subject of a claim by someone other than consider necessary to satisfy ourselves that the Lot is you and other than the Seller (or that such a claim or is not a Forgery. 7.1.5 to be paid interest on any monies due to us (after can reasonably be expected to be made), we may, as well as before judgement or order) at the annual at our absolute discretion, deal with the Lot in 9.5 If we are satisfied that a Lot is a Forgery we will (as rate of 5% per annum above the base lending rate any manner which appears to us to recognise the principal) purchase the Lot from you and you will of National Westminster Bank Plc from time to time legitimate interests of ourselves and the other parties transfer the title to the Lot in question to us, with to be calculated on a daily basis from the date upon involved and lawfully to protect our position and full title guarantee, free from any liens, charges, which such monies become payable until the date of our legitimate interests. Without prejudice to the encumbrances and adverse claims, in accordance actual payment; generality of the discretion and by way of example, with the provisions of Sections 12(1) and 12(2) of we may: the Sale of Goods Act 1979 and we will pay to you 7.1.6 to repossess the Lot (or any part thereof) which has an amount equal to the sum of the Purchase Price, not become your property, and for this purpose 8.1.1 retain the Lot to investigate any question raised or Buyer’s Premium, VAT and Expenses paid by you in (unless you buy the Lot as a Consumer) you hereby reasonably expected by us to be raised in relation to respect of the Lot. grant an irrevocable licence to us, by ourselves, our the Lot; and/or servants or agents, to enter upon all or any of your 9.6 The benefit of paragraph 9 is personal to, and premises (with or without vehicles) during normal 8.1.2 deliver the Lot to a person other than you; and/or incapable of assignment by, you. business hours to take possession of any Lot or part thereof; 8.1.3 commence interpleader proceedings or seek any 9.7 If you sell or otherwise dispose of your interest in the other order of any court, mediator, arbitrator or Lot, all rights and benefits under this paragraph will 7.1.7 to sell the Lot Without Reserve by auction, private government body; and/or cease. treaty or any other means on giving you three months’ written notice of our intention to do so; 8.1.4 require an indemnity and/or security from you in 9.8 Paragraph 9 does not apply to a Lot made up of or return for pursuing a course of action agreed to by including a Chinese painting or Chinese paintings, a 7.1.8 to retain possession of any of your other property in you. motor vehicle or motor vehicles, a Stamp or Stamps our possession for any purpose (including, without or a Book or Books. limitation, other goods sold to you or with us for 8.2 The discretion referred to in paragraph 8.1: Sale) until all sums due to us have been paid in full; 10 OUR LIABILITY 8.2.1 may be exercised at any time during which we have 7.1.9 to apply any monies received from you for any actual or constructive possession of the Lot, or at 10.1 We will not be liable whether in negligence, other purpose whether at the time of your default or at any time after such possession, where the cessation tort, breach of contract or statutory duty or in any time thereafter in payment or part payment of of such possession has occurred by reason of any restitution or under the Misrepresentation Act 1967 any sums due to us by you under this agreement; decision, order or ruling of any court, mediator, or in any other way for lack of conformity with or arbitrator or government body; and any inaccuracy, error, misdescription or omission in 7.1.10 on three months’ written notice to sell, Without any Description of the Lot or any Entry or Estimate Reserve, any of your other property in our possession 8.2.2 will not be exercised unless we believe that there in respect of it, made by us or on our behalf or by or under our control for any purpose (including other exists a serious prospect of a good arguable case in or on behalf of the Seller (whether made in writing, goods sold to you or with us for Sale) and to apply favour of the claim. including in the Catalogue, or on the Bonhams’ any monies due to you as a result of such Sale in Website, or orally, or by conduct or otherwise) and payment or part payment of any amounts owed to 9 FORGERIES whether made before or after this agreement or prior us; to or during the Sale. 9.1 We undertake a personal responsibility for any 7.1.11 refuse to allow you to register for a future Sale or to Forgery in accordance with the terms of this 10.2 Our duty to you while the Lot is at your risk and/or reject a bid from you at any future Sale or to require paragraph 9. your property and in our custody and/or control is to you to pay a deposit before any bid is accepted by us exercise reasonable care in relation to it, but we will at any future Sale in which case we will be entitled 9.2 Paragraph 9 applies only if: not be responsible for damage to the Lot or to other to apply such deposit in payment or part payment, as persons or things caused by: the case may be, of the Purchase Price of any Lot of 9.2.1 your name appears as the named person to whom which you are the Buyer. the original invoice was made out by us in respect of 10.2.1 handling the Lot if it was affected at the time of Sale the Lot and that invoice has been paid; and to you by woodworm and any damage is caused as a result of it being affected by woodworm; or

NTB/MAIN/4.13 10.2.2 changes in atmospheric pressure; nor will we be 11.4 Any notice or other communication to be given APPENDIX 3 liable for: under this agreement must be in writing and may be delivered by hand or sent by first class post or DEFINITIONS AND GLOSSARY 10.2.3 damage to tension stringed musical instruments; or air mail or fax transmission (if to Bonhams marked for the attention of the Company Secretary), to the Where these Definitions and Glossary are incorporated, the 10.2.4 damage to gilded picture frames, plaster picture address or fax number of the relevant party given following words and phrases used have (unless the context frames or picture frame glass; and if the Lot is or in the Contract Form (unless notice of any change otherwise requires) the meanings given to them below. The becomes dangerous, we may dispose of it without of address is given in writing). It is the responsibility Glossary is to assist you to understand words and phrases notice to you in advance in any manner we think fit of the sender of the notice or communication to which have a specific legal meaning with which you may not and we will be under no liability to you for doing so. ensure that it is received in a legible form within any be familiar. applicable time period. 10.3.1 We will not be liable to you for any loss of Business, LIST OF DEFINITIONS Business profits, revenue or income or for loss of 11.5 If any term or any part of any term of this agreement Business reputation or for disruption to Business or is held to be unenforceable or invalid, such “Additional Premium” a premium, calculated in accordance wasted time on the part of the Buyer’s management unenforceability or invalidity will not affect the with the Notice to Bidders, to cover Bonhams’ Expenses or staff or, if you are buying the Lot in the course of enforceability and validity of the remaining terms or relating to the payment of royalties under the Artists Resale a Business, for any indirect losses or consequential the remainder of the relevant term. Right Regulations 2006 which is payable by the Buyer to damages of any kind, irrespective in any case of Bonhams on any Lot marked [AR] which sells for a Hammer the nature, volume or source of the loss or damage 11.6 References in this agreement to Bonhams will, where Price which together with the Buyer’s Premium (but excluding alleged to be suffered, and irrespective of whether appropriate, include reference to Bonhams’ officers, any VAT) equals or exceeds 1000 euros (converted into the said loss or damage is caused by or claimed employees and agents. the currency of the Sale using the European Central Bank in respect of any negligence, other tort, breach of Reference rate prevailing on the date of the Sale). contract, statutory duty, bailee’s duty, a restitutionary 11.7 The headings used in this agreement are “Auctioneer” the representative of Bonhams conducting the claim or otherwise. for convenience only and will not affect its Sale. interpretation. “Bidder” a person who has completed a Bidding Form. 10.3.2 Unless you buy the Lot as a Consumer, in any “Bidding Form” our Bidding Registration Form, our Absentee circumstances where we are liable to you in 11.8 In this agreement “including” means “including, Bidding Form or our Telephone Bidding Form. respect of a Lot, or any act, omission, statement, without limitation”. “Bonhams” Bonhams 1793 Limited or its successors or representation in respect of it, or this agreement assigns. Bonhams is also referred to in the Buyer’s Agreement, or its performance, and whether in damages, for 11.9 References to the singular will include reference to the Conditions of Business and the Notice to Bidders by the an indemnity or contribution or for a restitutionary the plural (and vice versa) and reference to any one words “we”, “us” and “our”. remedy or in any way whatsoever, our liability will be gender will include reference to the other genders. “Book” a printed Book offered for Sale at a specialist Book limited to payment of a sum which will not exceed Sale. by way of maximum the amount of the Purchase 11.10 Reference to a numbered paragraph is to a “Business” includes any trade, Business and profession. Price of the Lot plus Buyer’s Premium (less any sum paragraph of this agreement. “Buyer” the person to whom a Lot is knocked down by the you may be entitled to recover from the Seller) Auctioneer. The Buyer is also referred to in the Contract for irrespective in any case of the nature, volume or 11.11 Save as expressly provided in paragraph 11.12 Sale and the Buyer’s Agreement by the words “you” and source of any loss or damage alleged to be suffered nothing in this agreement confers (or purports to “your”. or sum claimed as due, and irrespective of whether confer) on any person who is not a party to this “Buyer’s Agreement” the contract entered into by Bonhams the liability arises from negligence, other tort, agreement any benefit conferred by, or the right to with the Buyer (see Appendix 2 in the Catalogue). breach of contract, statutory duty, bailee’s duty, a enforce any term of, this agreement. “Buyer’s Premium” the sum calculated on the Hammer Price restitutionary claim or otherwise. at the rates stated in the Notice to Bidders. 11.12 Where this agreement confers an immunity from, “Catalogue” the Catalogue relating to the relevant Sale, You may wish to protect yourself against loss by and/or an exclusion or restriction of, the responsibility including any representation of the Catalogue published on obtaining insurance. and/or liability of Bonhams, it will also operate in our Website. favour and for the benefit of Bonhams’ holding “Commission” the Commission payable by the Seller to 10.4 Nothing set out above will be construed as excluding company and the subsidiaries of such holding Bonhams calculated at the rates stated in the Contract Form. or restricting (whether directly or indirectly) any company and the successors and assigns of Bonhams “Condition Report” a report on the physical condition of a Lot person’s liability or excluding or restricting any and of such companies and of any officer, employee provided to a Bidder or potential Bidder by Bonhams on behalf person’s rights or remedies in respect of (i) fraud, or and agent of Bonhams and such companies, each of the Seller. (ii) death or personal injury caused by our negligence of whom will be entitled to rely on the relevant “Conditions of Sale” the Notice to Bidders, Contract for Sale, (or any person under our control or for whom we are immunity and/or exclusion and/or restriction within Buyer’s Agreement and Definitions and Glossary. legally responsible), or (iii) acts or omissions for which and for the purposes of Contracts (Rights of Third “Consignment Fee” a fee payable to Bonhams by the Seller we are liable under the Occupiers Liability Act 1957, Parties) Act 1999, which enables the benefit of a calculated at rates set out in the Conditions of Business. or (iv) any other liability to the extent the same may contract to be extended to a person who is not a “Consumer” a natural person who is acting for the relevant not be excluded or restricted as a matter of law, or party to the contract, and generally at law. purpose outside his trade, Business or profession. (v) under our undertaking in paragraph 9 of these “Contract Form” the Contract Form, or vehicle Entry form, as conditions. 12 GOVERNING LAW applicable, signed by or on behalf of the Seller listing the Lots to be offered for Sale by Bonhams. 11 MISCELLANEOUS All transactions to which this agreement applies “Contract for Sale” the Sale contract entered into by the and all connected matters will be governed by and Seller with the Buyer (see Appendix 1 in the Catalogue). 11.1 You may not assign either the benefit or burden of construed in accordance with the laws of that part “Contractual Description” the only Description of the Lot this agreement. of the United Kingdom where the Sale takes (or (being that part of the Entry about the Lot in the Catalogue is to take) place and we and you each submit to which is in bold letters, any photograph (except for the colour) 11.2 Our failure or delay in enforcing or exercising any the exclusive jurisdiction of the courts of that part and the contents of any Condition Report) to which the Seller power or right under this agreement will not operate of the United Kingdom, save that we may bring undertakes in the Contract of Sale the Lot corresponds. or be deemed to operate as a waiver of our rights proceedings against you in any other court of “Description” any statement or representation in any under it except to the extent of any express waiver competent jurisdiction to the extent permitted by way descriptive of the Lot, including any statement or given to you in writing. Any such waiver will not the laws of the relevant jurisdiction. Bonhams has a representation relating to its authorship, attribution, condition, affect our ability subsequently to enforce any right complaints procedure in place. provenance, authenticity, style, period, age, suitability, quality, arising under this agreement. origin, value, estimated selling price (including the Hammer DATA PROTECTION – USE OF YOUR INFORMATION Price). 11.3 If either party to this agreement is prevented from “Entry” a written statement in the Catalogue identifying the performing that party’s respective obligations Where we obtain any personal information about you, we shall Lot and its Lot number which may contain a Description and under this agreement by circumstances beyond only use it in accordance with the terms of our Privacy Policy illustration(s) relating to the Lot. its reasonable control or if performance of its (subject to any additional specific consent(s) you may have “Estimate” a statement of our opinion of the range within obligations would by reason of such circumstances given at the time your information was disclosed). A copy of which the hammer is likely to fall. give rise to a significantly increased financial our Privacy Policy can be found on our Website www.bonhams. cost to it, that party will not, for so long as such com or requested by post from Customer Services Department, circumstances prevail, be required to perform such 101 New Bond Street, London W1S 1SR, United Kingdom or obligations. This paragraph does not apply to the by email from [email protected]. obligations imposed on you by paragraph 3.

NTB/MAIN/4.13 “Expenses” charges and Expenses paid or payable by “Standard Examination” a visual examination of a Lot by a (3) This subsection applies to a contract of sale in the case Bonhams in respect of the Lot including legal Expenses, non-specialist member of Bonhams’ staff. of which there appears from the contract or is to be banking charges and Expenses incurred as a result of an “Storage Contract” means the contract described in inferred from its circumstances an intention that the electronic transfer of money, charges and Expenses for loss and paragraph 8.3.3 of the Conditions of Business or paragraph seller should transfer only such title as he or a third damage cover, insurance, Catalogue and other reproductions 4.4 of the Buyer’s Agreement (as appropriate). person may have. and illustrations, any customs duties, advertising, packing or “Storage Contractor” means the company identified as such shipping costs, reproductions rights’ fees, taxes, levies, costs of in the Catalogue. (4) In a contract to which subsection (3) above applies there testing, searches or enquiries, preparation of the Lot for Sale, “Terrorism” means any act or threatened act of terrorism, is an implied term that all charges or encumbrances storage charges, removal charges, removal charges or costs whether any person is acting alone or on behalf of or in known to the seller and not known to the buyer have of collection from the Seller as the Seller’s agents or from a connection with any organisation(s) and/or government(s), been disclosed to the buyer before the contract is made. defaulting Buyer, plus VAT if applicable. committed for political, religious or ideological or similar “Forgery” an imitation intended by the maker or any other purposes including, but not limited to, the intention to (5) In a contract to which subsection (3) above applies person to deceive as to authorship, attribution, origin, influence any government and/or put the public or any section there is also an implied term that none of the following authenticity, style, date, age, period, provenance, culture, of the public into fear. will disturb the buyer’s quiet possession of the goods, source or composition, which at the date of the Sale had a “Trust Account” the bank account of Bonhams into which all namely: value materially less than it would have had if the Lot had not sums received in respect of the Purchase Price of any been such an imitation, and which is not stated to be such Lot will be paid, such account to be a distinct and separate (a) the seller; an imitation in any description of the Lot. A Lot will not be a account to Bonhams’ normal business bank account. Forgery by reason of any damage to, and/or restoration and/ “VAT” value added tax at the prevailing rate at the date of the (b) in a case where the parties to the contract intend or modification work (including repainting or over painting) Sale in the United Kingdom. that the seller should transfer only such title as a having been carried out on the Lot, where that damage, “Website” Bonhams Website at www.bonhams.com third person may have, that person; restoration or modification work (as the case may be) does not “Withdrawal Notice” the Seller’s written notice to Bonhams substantially affect the identity of the Lot as one conforming to revoking Bonhams’ instructions to sell a Lot. (c) anyone claiming through or under the seller or the Description of the Lot. “Without Reserve” where there is no minimum price at that third person otherwise than under a charge “Guarantee” the obligation undertaken personally by which a Lot may be sold (whether at auction or by private or encumbrance disclosed or known to the buyer Bonhams to the Buyer in respect of any Forgery and, in the treaty). before the contract is made. case of specialist Stamp Sales and/or specialist Book Sales, a Lot made up of a Stamp or Stamps or a Book or Books as set out GLOSSARY (5A) As regards England and Wales and Northern Ireland, the in the Buyer’s Agreement. term implied by subsection (1) above is a condition and “Hammer Price” the price in the currency in which the Sale is The following expressions have specific legal meanings with the terms implied by subsections (2), (4) and (5) above conducted at which a Lot is knocked down by the Auctioneer. which you may not be familiar. The following glossary is are warranties.” “Loss and Damage Warranty” means the warranty described intended to give you an understanding of those expressions in paragraph 8.2 of the Conditions of Business. but is not intended to limit their legal meanings: “Loss and Damage Warranty Fee” means the fee described “artist’s resale right”: the right of the creator of a work of art in paragraph 8.2.3 of the Conditions of Business. to receive a payment on Sales of that work subsequent to the “Lot” any item consigned to Bonhams with a view to its Sale original Sale of that work by the creator of it as set out in the at auction or by private treaty (and reference to any Lot will Artists Resale Right Regulations 2006. include, unless the context otherwise requires, reference to “bailee”: a person to whom goods are entrusted. individual items comprised in a group of two or more items “indemnity”: an obligation to put the person who has offered for Sale as one Lot). the benefit of the indemnity in the same position in which “Motoring Catalogue Fee” a fee payable by the Seller to he would have been, had the circumstances giving rise to Bonhams in consideration of the additional work undertaken the indemnity not arisen and the expression “indemnify” is by Bonhams in respect of the cataloguing of motor vehicles construed accordingly. and in respect of the promotion of Sales of motor vehicles. “interpleader proceedings”: proceedings in the Courts to “New Bond Street” means Bonhams’ saleroom at 101 New determine ownership or rights over a Lot. Bond Street, London W1S 1SR. “knocked down”: when a Lot is sold to a Bidder, indicated by “Notional Charges” the amount of Commission and VAT the fall of the hammer at the Sale. which would have been payable if the Lot had been sold at the “lien”: a right for the person who has possession of the Lot to Notional Price. retain possession of it. “Notional Fee” the sum on which the Consignment Fee “risk”: the possibility that a Lot may be lost, damaged, payable to Bonhams by the Seller is based and which is destroyed, stolen, or deteriorate in condition or value. calculated according to the formula set out in the Conditions “title”: the legal and equitable right to the ownership of a Lot. of Business. “tort”: a legal wrong done to someone to whom the wrong “Notional Price” the latest in time of the average of the doer has a duty of care. high and low Estimates given by us to you or stated in the Catalogue or, if no such Estimates have been given or stated, SALE OF GOODS ACT 1979 the Reserve applicable to the Lot. “Notice to Bidders” the notice printed at the back or front of The following is an extract from the Sale of Goods Act 1979: our Catalogues. “Purchase Price” the aggregate of the Hammer Price and VAT “Section 12 Implied terms about title, etc on the Hammer Price. “Reserve” the minimum price at which a Lot may be sold (1) In a contract of sale, other than one to which subsection (whether at auction or by private treaty). (3) below applies, there is an implied term on the part of “Sale” the auction Sale at which a Lot is to be offered for Sale the seller that in the case of a sale he has a right to sell by Bonhams. the goods, and in the case of an agreement to sell he “Sale Proceeds” the net amount due to the Seller from the will have such a right at the time when the property is to Sale of a Lot, being the Hammer Price less the Commission, any pass. VAT chargeable thereon, Expenses and any other amount due to us in whatever capacity and howsoever arising. (2) In a contract of sale, other than one to which subsection “Seller” the person who offers the Lot for Sale named on (3) below applies, there is also an implied term that- the Contract Form. Where the person so named identifies on the form another person as acting as his agent, or where the (a) the goods are free, and will remain free until person named on the Contract Form acts as an agent for a the time when the property is to pass, from any principal (whether such agency is disclosed to Bonhams or not), charge or encumbrance not disclosed or known “Seller” includes both the agent and the principal who shall be to the buyer before the contract is made, and jointly and severally liable as such. The Seller is also referred to in the Conditions of Business by the words “you” and “your”. (b) the buyer will enjoy quiet possession of the goods “Specialist Examination” a visual examination of a Lot by a except in so far as it may be disturbed by the specialist on the Lot. owner or other person entitled to the benefit “Stamp” means a postage Stamp offered for Sale at a of any charge or encumbrance so disclosed or Specialist Stamp Sale. known.

NTB/MAIN/4.13 To e-mail any of the below use the first name dot second Bonhams Specialist Departments name @bonhams.com eg. [email protected]

19th Century Paintings British & European Football Sporting Motor Cars Scientific Instruments UK Porcelain & Pottery Memorabilia UK Jon Baddeley Charles O’ Brien UK Dan Davies Tim Schofield +44 20 7393 3872 +44 20 7468 8360 John Sandon +44 1244 353118 +44 20 7468 5804 U.S.A. U.S.A +44 20 7468 8244 USA Jonathan Snellenburg Madalina Lazen U.S.A Furniture & Works of Art Mark Osborne +1 212 461 6530 +1 212 644 9108 Peter Scott UK +1 415 503 3353 +1 415 503 3326 Fergus Lyons EUROPE Scottish Pictures 20th Century British Art +44 20 7468 8221 Philip Kantor Chris Brickley Matthew Bradbury Contemporary Art U.S.A +32 476 879 471 +44 131 240 2297 +44 20 7468 8295 U.S.A Jeffrey Smith AUSTRALIA Jeremy Goldsmith +1 415 503 3413 Damien Duigan Silver & Gold Boxes Aboriginal Art +1 212 644 9656 +61 2 8412 2232 UK Greer Adams Greek Art Automobilia Michael Moorcroft +61 2 8412 2222 California & Olympia Pappa UK +44 20 7468 8241 American Paintings +44 20 7468 8314 Toby Wilson U.S.A African and Oceanic Art Scot Levitt +44 8700 273 619 Aileen Ward UK +1 323 436 5425 Golf Sporting USA +1 800 223 5463 Philip Keith Memorabilia Kurt Forry +44 2920 727 980 Carpets Kevin Mcgimpsey +1 415 391 4000 South African Art U.S.A UK +44 1244 353123 Giles Peppiatt Fred Baklar Mark Dance Motorcycles +44 20 7468 8355 +1 323 436 5416 +44 8700 27361 Irish Art Ben Walker U.S.A. Penny Day +44 8700 273616 Sporting Guns American Paintings Hadji Rahimipour +44 20 7468 8366 Automobilia Patrick Hawes Alan Fausel +1 415 503 3392 Adrian Pipiros +44 20 7393 3815 +1 212 644 9039 Impressionist & +44 8700 273621 Chinese & Asian Art Modern Art Toys, Dolls & Chess Antiquities UK Deborah Allan Musical Instruments Leigh Gotch Madeleine Perridge Asaph Hyman +44 20 7468 8276 Philip Scott +44 20 8963 2839 +44 20 7468 8226 +44 20 7468 5888 +44 20 7393 3855 U.S.A Islamic & Indian Art Travel Pictures Antique Arms & Armour Dessa Goddard Alice Bailey Natural History Veronique Scorer UK +1 415 503 3333 +44 20 7468 8268 U.S.A +44 207 393 3962 David Williams HONG KONG Claudia Florian +44 20 7393 3807 Julian King Japanese Art +1 323 436 5437 Urban Art U.S.A +852 2918 4321 UK Gareth Williams Paul Carella Suzannah Yip Old Master Pictures +44 20 7468 5879 +1 415 503 3360 Clocks +44 20 7468 8368 UK UK U.S.A Andrew Mckenzie Watches & Art Collections, James Stratton Jeff Olson +44 20 7468 8261 Wristwatches Estates & Valuations +44 20 7468 8364 +1 212 461 6516 U.S.A UK Harvey Cammell U.S.A Mark Fisher Paul Maudsley +44 (0) 207 468 8340 Jonathan Snellenburg Jewellery +1 323 436 5488 +44 20 7447 7412 +1 212 461 6530 UK U.S.A. Art Nouveau & Decorative Jean Ghika Orientalist Art Jonathan Snellenburg Art & Design Coins & Medals +44 20 7468 8282 Charles O’Brien +1 212 461 6530 UK UK U.S.A +44 20 7468 8360 HONG KONG Mark Oliver John Millensted Susan Abeles Carson Chan +44 20 7393 3856 +44 20 7393 3914 +1 212 461 6525 Photography +852 2918 4321 U.S.A U.S.A AUSTRALIA U.S.A Frank Maraschiello Paul Song Patti Sedgwick Judith Eurich Whisky +1 212 644 9059 +1 323 436 5455 +61 2 8412 2222 +1 415 503 3259 UK Martin Green Australian Art Contemporary Art Marine Art Portrait Miniatures +44 1292 520000 Litsa Veldekis & Modern Design UK Camilla Lombardi U.S.A +61 2 8412 2222 UK Veronique Scorer +44 20 7393 3985 Joseph Hyman Gareth Williams +44 207 393 3962 +1 917 206 1661 Australian Colonial +44 20 7468 5834 U.S.A Prints HONG KONG Furniture and Australiana U.S.A Gregg Dietrich UK Daniel Lam James Hendy Sharon Goodman Squires +1 917 206 1697 Rupert Worrall +852 3607 0004 +61 2 8412 2222 +1 212 644 9128 +44 20 7468 8262 Mechanical Music U.S.A Wine Books, Maps & Costume & Textiles Jon Baddeley Judith Eurich UK Manuscripts Claire Browne +44 20 7393 3872 +1 415 503 3259 Richard Harvey UK +44 1564 732969 +44 (0) 207 468 5811 Matthew Haley Modern, Contemporary Russian Art U.S.A +44 20 7393 3817 Entertainment & Latin American Art UK Doug Davidson U.S.A Memorabilia U.S.A Sophie Hamilton +1 415 503 3363 Christina Geiger UK Sharon Goodman Squires +44 20 7468 8334 HONG KONG +1 212 644 9094 Stephanie Connell +1 212 644 9128 U.S.A Daniel Lam +44 20 7393 3844 Yelena Harbick +852 3607 0004 British & European Glass U.S.A +1 212 644 9136 UK Catherine Williamson Simon Cottle +1 323 436 5442 +44 20 7468 8383 U.S.A. Ethnographic Art Suzy Pai Jim Haas +1 415 503 3343 +1 415 503 3294

SD05/2013-03 To e-mail any of the below use the first name dot second International Salerooms, Offices and Associated Companies ( • Indicates Saleroom) Bonhams Specialist Departments name @bonhams.com eg. [email protected] UNITED KINGDOM Representatives: Channel Islands Italy - Milan NOrTH AMErICA SOUTH AMErICA Dorset Via Boccaccio 22 19th Century Paintings British & European Football Sporting Motor Cars Scientific Instruments London Bill Allan Jersey 20123 Milano USA Argentina UK Porcelain & Pottery Memorabilia UK Jon Baddeley 101 New Bond Street • +44 1935 815 271 39 Don Street +39 (0)2 4953 9020 Daniel Claramunt Charles O’ Brien UK Dan Davies Tim Schofield +44 20 7393 3872 London W1S 1SR St.Helier +39 (0)2 4953 9021 fax San Francisco • +54 11 479 37600 +44 20 7468 8360 John Sandon +44 1244 353118 +44 20 7468 5804 U.S.A. +44 20 7447 7447 East Anglia JE2 4TR [email protected] 220 San Bruno Avenue U.S.A +44 20 7468 8244 USA Jonathan Snellenburg +44 20 7447 7400 fax +44 1534 722 441 San Francisco Brazil Bury St. Edmunds +44 1534 759 354 fax Madalina Lazen U.S.A Furniture & Works of Art Mark Osborne +1 212 461 6530 Italy - rome CA 94103 Thomaz Oscar Saavedra Montpelier Street • 21 Churchgate Street Via Sicilia 50 +1 (415) 861 7500 +55 11 3031 4444 +1 212 644 9108 Peter Scott UK +1 415 503 3353 London SW7 1HH Bury St Edmunds Representative: 00187 Rome +1 (415) 861 8951 fax +55 11 3031 4444 fax +1 415 503 3326 Fergus Lyons EUROPE Scottish Pictures +44 20 7393 3900 Suffolk IP33 1RG Guernsey +39 (0)6 48 5900 20th Century British Art +44 20 7468 8221 Philip Kantor Chris Brickley +44 20 7393 3905 fax +44 1284 716 190 +44 1481 722 448 +39 (0)6 482 0479 fax Los Angeles • Matthew Bradbury Contemporary Art U.S.A +32 476 879 471 +44 131 240 2297 +44 1284 755 844 fax [email protected] 7601 W. Sunset Boulevard ASIA +44 20 7468 8295 U.S.A Jeffrey Smith AUSTRALIA South East Scotland Los Angeles Jeremy Goldsmith +1 415 503 3413 Damien Duigan Silver & Gold Boxes England Norfolk Netherlands - Amsterdam CA 90046 Hong Kong The Market Place Edinburgh • De Lairessestraat 154 +1 (323) 850 7500 Carson Chan Aboriginal Art +1 212 644 9656 +61 2 8412 2232 UK Brighton & Hove Reepham 22 Queen Street 1075 HL Amsterdam +1 (323) 850 6090 fax Suite 1122 Greer Adams Greek Art Automobilia Michael Moorcroft 19 Palmeira Square Norfolk NR10 4JJ Edinburgh +31 20 67 09 701 Two Pacific Place +61 2 8412 2222 California & Olympia Pappa UK +44 20 7468 8241 Hove, East Sussex +44 1603 871 443 EH2 1JX +31 20 67 09 702 fax New York • 88 Queensway American Paintings +44 20 7468 8314 Toby Wilson U.S.A BN3 2JN +44 1603 872 973 fax +44 131 225 2266 [email protected] 580 Madison Avenue Admiralty African and Oceanic Art Scot Levitt +44 8700 273 619 Aileen Ward +44 1273 220 000 +44 131 220 2547 fax New York, NY Hong Kong UK +1 323 436 5425 Golf Sporting USA +1 800 223 5463 +44 1273 220 335 fax Midlands Spain - Madrid 10022 +852 2918 4321 Glasgow Nuñez de Balboa no.4 - 1A Philip Keith Memorabilia Kurt Forry +1 (212) 644 9001 +852 2918 4320 fax Guildford Knowle 176 St. Vincent Street, Madrid +1 (212) 644 9007 fax [email protected] +44 2920 727 980 Carpets Kevin Mcgimpsey +1 415 391 4000 South African Art Millmead, The Old House Glasgow 28001 U.S.A UK +44 1244 353123 Giles Peppiatt Guildford, Station Road G2 5SG +34 91 578 17 27 Representatives: Beijing Fred Baklar Mark Dance Motorcycles +44 20 7468 8355 Surrey GU2 4BE Knowle, Solihull +44 141 223 8866 [email protected] Arizona Hongyu Yu +1 323 436 5416 +44 8700 27361 Irish Art Ben Walker +44 1483 504 030 West Midlands +44 141 223 8868 fax Terri Adrian-Hardy Room A515 U.S.A. Penny Day +44 8700 273616 Sporting Guns +44 1483 450 205 fax B93 0HT Switzerland - Geneva +1 (480) 994 5362 F/5 CDB International American Paintings Hadji Rahimipour +44 20 7468 8366 Automobilia Patrick Hawes +44 1564 776 151 Representatives: Rue Etienne-Dumont 10 Mansion Tunbridge Wells +44 1564 778 069 fax Wine & Spirits 1204 Geneva California No. 16 Yongan Dongli Alan Fausel +1 415 503 3392 Adrian Pipiros +44 20 7393 3815 Ground Floor Tom Gilbey Switzerland Central Valley Chaoyang District +1 212 644 9039 Impressionist & +44 8700 273621 Royal Victoria House Oxford • +44 1382 330 256 +41 76 379 9230 David Daniel Beijing 100022 Chinese & Asian Art Modern Art Toys, Dolls & Chess 51-55 The Pantiles Banbury Road [email protected] +1 (916) 364 1645 +86(0) 10 6563 7799 Antiquities UK Deborah Allan Musical Instruments Leigh Gotch Tunbridge Wells, Kent Shipton on Cherwell Wales +86(0) 10 6563 7788 fax Madeleine Perridge Asaph Hyman +44 20 7468 8276 Philip Scott +44 20 8963 2839 TN2 5TE Kidlington OX5 1JH Representatives: District of Columbia/ [email protected] +44 20 7468 8226 +44 20 7468 5888 +44 20 7393 3855 +44 1892 546 818 +44 1865 853 640 Cardiff Greece Mid-Atlantic +44 1865 372 722 fax 7-8 Park Place, Art Expertise U.S.A Islamic & Indian Art Travel Pictures +44 1892 518 077 fax Martin Gammon Japan Cardiff CF10 3DP +30 210 3636 404 +1 (202) 333 1696 Level 14 Hibiya Central Building Antique Arms & Armour Dessa Goddard Alice Bailey Natural History Veronique Scorer Isle of Wight Yorkshire & North East +44 2920 727 980 1-2-9 Nishi-Shimbashi UK +1 415 503 3333 +44 20 7468 8268 U.S.A +44 207 393 3962 +44 1983 282 228 England +44 2920 727 989 fax Marbella Southern California Minato-ku David Williams HONG KONG Claudia Florian James Roberts Christine Eisenberg Tokyo 105-0003 +44 20 7393 3807 Julian King Japanese Art +1 323 436 5437 Urban Art Representative: Leeds +34 952 90 62 50 +1 (949) 646 6560 +81 (0) 3 5532 8636 U.S.A +852 2918 4321 UK Gareth Williams West Sussex 30 Park Square West EUrOpE [email protected] +81 (0) 3 5532 8637 fax Paul Carella Suzannah Yip Old Master Pictures +44 20 7468 5879 Jeff Burfield Leeds LS1 2PF Florida [email protected] +44 1243 787 548 +44 113 234 5755 Austria - Vienna portugal +1 (305) 228 6600 +1 415 503 3360 Clocks +44 20 7468 8368 UK +44 113 244 3910 fax Garnisongasse 4 Filipa Rebelo de Andrade Taiwan UK U.S.A Andrew Mckenzie Watches & South West 1090 Vienna +351 91 921 4778 Georgia 37th Floor, Taipei 101 Tower Art Collections, James Stratton Jeff Olson +44 20 7468 8261 Wristwatches England North West England +43 (0)1 403 00 01 [email protected] Mary Moore Bethea Nor 7 Xinyi Road, Section 5 Estates & Valuations +44 20 7468 8364 +1 212 461 6516 U.S.A UK [email protected] +1 (404) 842 1500 Taipei, 100 Harvey Cammell U.S.A Mark Fisher Paul Maudsley Bath Chester • russia +886 2 8758 2898 +44 (0) 207 468 8340 Jonathan Snellenburg Jewellery +1 323 436 5488 +44 20 7447 7412 Queen Square House New House Belgium - Brussels Marina Jacobson Illinois +886 2 8757 2897 fax Charlotte Street 150 Christleton Road Boulevard +7 921 555 2302 Ricki Blumberg Harris [email protected] +1 212 461 6530 UK U.S.A. Bath BA1 2LL Chester, Cheshire Saint-Michel 101 [email protected] +1 (312) 475 3922 Art Nouveau & Decorative Jean Ghika Orientalist Art Jonathan Snellenburg +44 1225 788 988 CH3 5TD 1040 Brussels +1 (773) 267 3300 Art & Design Coins & Medals +44 20 7468 8282 Charles O’Brien +1 212 461 6530 +44 1225 446 675 fax +44 1244 313 936 +32 (0)2 736 5076 AUSTrALIA UK UK U.S.A +44 20 7468 8360 HONG KONG +44 1244 340 028 fax +32 (0)2 732 5501 fax Massachusetts Mark Oliver John Millensted Susan Abeles Carson Chan Cornwall – Truro [email protected] Boston/New England Sydney +44 20 7393 3856 +44 20 7393 3914 +1 212 461 6525 Photography +852 2918 4321 36 Lemon Street Carlisle Amy Corcoran 76 Paddington Street U.S.A U.S.A AUSTRALIA U.S.A Truro 48 Cecil Street France - paris +1 (617) 742 0909 Paddington NSW 2021 Cornwall Carlisle, Cumbria 4 rue de la Paix Australia Frank Maraschiello Paul Song Patti Sedgwick Judith Eurich Whisky TR1 2NR CA1 1NT 75002 Paris Nevada +61 (0) 2 8412 2222 +1 212 644 9059 +1 323 436 5455 +61 2 8412 2222 +1 415 503 3259 UK +44 1872 250 170 +44 1228 542 422 +33 (0)1 42 61 1010 David Daniel +61 (0) 2 9475 4110 fax Martin Green +44 1872 250 179 fax +44 1228 590 106 fax +33 (0)1 42 61 1015 fax +1 (775) 831 0330 [email protected] Australian Art Contemporary Art Marine Art Portrait Miniatures +44 1292 520000 [email protected] Litsa Veldekis & Modern Design UK Camilla Lombardi U.S.A Exeter Manchester New Mexico Melbourne +61 2 8412 2222 UK Veronique Scorer +44 20 7393 3985 Joseph Hyman The Lodge The Stables Germany - Cologne Leslie Trilling Ormond Hall 213 Ashley Road Albertusstrasse 26 Gareth Williams +44 207 393 3962 +1 917 206 1661 Southernhay West Exeter, +1 (505) 820 0701 557 St Kilda Rd Devon Hale WA15 9TB 50667 Cologne Melbourne VIC 3004 Australian Colonial +44 20 7468 5834 U.S.A Prints HONG KONG EX1 1JG +44 161 927 3822 +49 (0)221 2779 9650 Oregon +61 (0) 3 8640 4088 Furniture and Australiana U.S.A Gregg Dietrich UK Daniel Lam +44 1392 425 264 +44 161 927 3824 fax +49 (0)221 2779 9652 fax Sheryl Acheson James Hendy Sharon Goodman Squires +1 917 206 1697 Rupert Worrall +852 3607 0004 +44 1392 494 561 fax [email protected] +1(503) 312 6023 Representative: +61 2 8412 2222 +1 212 644 9128 +44 20 7468 8262 Southport Adelaide Mechanical Music U.S.A Wine Winchester 33 Botanic Road Germany - Munich Texas James Bruce Churchtown Books, Maps & Costume & Textiles Jon Baddeley Judith Eurich UK The Red House Maximilianstrasse 52 Amy Lawch +61 (0) 8 8232 2860 Hyde Street Southport 80538 Munich +1 (713) 621 5988 Manuscripts Claire Browne +44 20 7393 3872 +1 415 503 3259 Richard Harvey Winchester Merseyside PR9 7NE +49 (0) 89 2420 5812 UK +44 1564 732969 +44 (0) 207 468 5811 Hants SO23 7DX +44 1704 507 875 +49 (0) 89 2420 7523 fax Washington AFrICA Matthew Haley Modern, Contemporary Russian Art U.S.A +44 1962 862 515 +44 1704 507 877 fax [email protected] Heather O’Mahony +44 20 7393 3817 Entertainment & Latin American Art UK Doug Davidson +44 1962 865 166 fax +1 (206) 218 5011 South Africa - Johannesburg U.S.A Memorabilia U.S.A Sophie Hamilton +1 415 503 3363 Ireland - Dublin Penny Culverwell Christina Geiger UK Sharon Goodman Squires +44 20 7468 8334 HONG KONG Tetbury 31 Molesworth Street CANADA +27 (0)71 342 2670 Daniel Lam 22a Long Street Dublin 2 [email protected] +1 212 644 9094 Stephanie Connell +1 212 644 9128 U.S.A Tetbury +353 (0)1 602 0990 Toronto, Ontario • +44 20 7393 3844 Yelena Harbick +852 3607 0004 Gloucestershire +353 (0)1 4004 140 fax Jack Kerr-Wilson British & European Glass U.S.A +1 212 644 9136 GL8 8AQ [email protected] 20 Hazelton Avenue UK Catherine Williamson +44 1666 502 200 Toronto, ONT Simon Cottle +1 323 436 5442 +44 1666 505 107 fax M5R 2E2 +44 20 7468 8383 +1 (416) 462 9004 U.S.A. Ethnographic Art [email protected] Suzy Pai Jim Haas Montreal, Quebec +1 415 503 3343 +1 415 503 3294 David Kelsey +1 (514) 341 9238 [email protected]

G-NET/3/13 SD05/2013-03 Registration and Bidding Form (Attendee / Absentee / Online / Telephone Bidding) Please circle your bidding method above.

Sale title: Fine Musical Instruments Sale date: Wednesday 22 May 2013

Sale no. 20769 Sale venue: Knightsbridge Paddle number (for office use only) If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours This sale will be conducted in accordance with prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue Bonhams’ Conditions of Sale and bidding and buying for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will at the Sale will be regulated by these Conditions. endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids. You should read the Conditions in conjunction with General Bid Increments: the Sale Information relating to this Sale which sets £10 - 200...... by 10s £10,000 - 20,000...... by 1,000s out the charges payable by you on the purchases £20,000 - 50,000...... by 2,000 / 5,000 / 8,000s you make and other terms relating to bidding and £200 - 500...... by 20 / 50 / 80s buying at the Sale. You should ask any questions you £500 - 1,000...... by 50s £50,000 - 100,000...... by 5,000s have about the Conditions before signing this form. £1,000 - 2,000...... by 100s £100,000 - 200,000...... by 10,000s These Conditions also contain certain undertakings £2,000 - 5,000...... by 200 / 500 / 800s above £200,000...... at the auctioneer’s discretion by bidders and buyers and limit Bonhams’ liability to £5,000 - 10,000...... by 500s bidders and buyers. The auctioneer has discretion to split any bid at any time.

Data protection – use of your information Customer Number Title Where we obtain any personal information about you, we shall only use it in accordance with the terms of our First Name Last Name Privacy Policy (subject to any additional specific consent(s) you may have given at the time your information was Company name (to be invoiced if applicable) disclosed). A copy of our Privacy Policy can be found on our website (www.bonhams.com) or requested by post Address from Customer Services Department, 101 New Bond Street, London W1S 1SR United Kingdom or by e-mail from [email protected]. City County / State Credit and Debit Card Payments There is no surcharge for payments made by debit cards Post / Zip code Country issued by a UK bank. All other debit cards and all credit cards are subject to a 3% surcharge on the total invoice price. Telephone mobile Telephone daytime

Notice to Bidders. Telephone evening Fax Clients are requested to provide photographic proof of ID - passport, driving licence, ID card, together with proof Preferred number(s) in order for Telephone Bidding (inc. country code) of address - utility bill, bank or credit card statement etc. Corporate clients should also provide a copy of their articles of association / company registration documents, together with a letter authorising the individual to bid on E-mail (in capitals) the company’s behalf. Failure to provide this may result in your bids not being processed. For higher value lots you may also be asked to provide a bank reference. I am registering to bid as a private client I am registering to bid as a trade client If successful If registered for VAT in the EU please enter your registration here: Please tick if you have registered with us before I will collect the purchases myself Please contact me with a shipping quote / - - (if applicable) Please note that all telephone calls are recorded. MAX bid in GBP Telephone or Lot no. Brief description (excluding premium Covering bid * Absentee (T / A) & VAT)

FOR WINE SALES ONLY Please leave lots “available under bond” in bond I will collect from Park Royal or bonded warehouse Please include delivery charges (minimum charge of £20 + VAT)

BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE READ AND UNDERSTAND OUR CONDITIONS OF SALE AND WISH TO BE BOUND BY THEM. THIS AFFECTS YOUR LEGAL RIGHTS.

Your signature: Date:

* Covering Bid: A maximum bid (exclusive of Buyers Premium and VAT) to be executed by Bonhams only if we are unable to contact you by telephone, or should the connection be lost during bidding. NB. Payment will only be accepted from an account in the same name as shown on the invoice and Auction Registration form. Please email or fax the completed Auction Registration form and requested information to: Bonhams, Customer Services, 101 New Bond Street, London, W1S 1SR. Tel: +44 (0) 20 7447 7447 Fax: +44 (0) 20 7447 7401, [email protected] UK/08/12 Bonhams 1793 Limited. Montpelier Street, London SW7 1HH. Incorporated in England. Company Number 4326560.

Bonhams Montpelier Street Knightsbridge London SW7 1HH +44 (0) 20 7393 3900 +44 (0) 20 7393 3905 fax

International Auctioneers and Valuers – bonhams.com