Musical Instruments Monday 12 May 2014 Knightsbridge, London
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Download Press Release
Borletti-Buitoni Trust Press Release: 21 September 2020 CELEBRATING 20 YEARS Italian Postcards Avie AV2436 Release date 20 November 2020 Hugo Wolf (1860-1903) Italian Serenade in G Wolfgang Amadeus Mozart (1756-1791) String Quartet No.1 in G, K.80, Lodi Nimrod Borenstein (1969 -) Cieli d’Italia, Op.88 for string quartet Pyotr Ilych Tchaikovsky (1840-1893) String Sextet in D minor, Op.70, Souvenir de Florence An album of chamber works inspired by the beauty of Italy, including a work specially commissioned for the recording, celebrates the 20th birthday of the renowned Italian ensemble Quartetto di Cremona. It is also, in part, a tribute to the late Italian philanthropist and music lover Franco Buitoni, co-founder with his wife, Ilaria, of the Borletti-Buitoni Trust. A special award was created in his name, which was designated in 2019 for Italian musicians who promote and encourage chamber music at home and throughout the world. The Franco Buitoni Award made this recording possible for the Quartet, which also won a BBT Fellowship award in 2005. With its Italian heritage to the fore, the Quartet chose works by composers who travelled to Italy and were inspired by its breathtaking scenery, rich culture and profound sense of history. The country’s splendours undoubtedly fed the creative spirit of Hugo Wolf, best known as one of the finest eXponents of the art song, including his celebrated Italienishes Liederbuch. The Italian Serenade is his most famous instrumental work, originally written for string quartet, but never performed publicly in Wolf’s lifetime and only published shortly after his death. -
Reconstructing Lost Instruments Praetorius’S Syntagma Musicum and the Violin Family C
Prejeto / received: 3. 5. 2019. Odobreno / accepted: 12. 9. 2019. doi: 10.3986/dmd15.1-2.07 RECONSTRUCTING LOST INSTRUMENTS Praetorius’S Syntagma musicum and the Violin Family C. 1619 Matthew Zeller Duke University Izvleček: Knjigi De organographia in Theatrum Abstract: Michael Praetorius’s De organographia instrumentorum Michaela Praetoriusa vsebujeta and Theatrum instrumentorum provide valuable dragocene namige, ki pomagajo pri poznavanju clues that contribute to a new understanding glasbil iz družine violin okoli leta 1619; številna of the violin family c. 1619, many surviving ex- preživela glasbila so manjša, kot so bili izvirniki amples of which are reduced in size from their v 16. in 17. stoletju. Podatki o preživelih glas- sixteenth- and seventeenth-century dimensions. bilih – predvsem izdelki družine Amati – skupaj The record of surviving instruments – especially z metrologijo, sekundarno dokumentacijo in those of the Amati family – alongside metrologic, ikonografskim gradivom kažejo na to, da je documentary and iconographic evidence shows Michael Praetorius opisal veliko glasbilo, po that Michael Praetorius describes a large in- velikosti izjemno podobno violončelu (basso strument conforming remarkably well to the da braccio),kar je odličen primer predstavitve original dimensions of the basso da braccio glasbila iz družine violin in točne uglasitve, kot (violoncello), as well as furnishing an excellent so jih poznali v času izida Praetoriusovega dela. scale representation of the violin family as it was at the time of these works’ -
Vich Y Enchère S — Mer Credi 5 Décembre 2
VICHY ENCHÈRES — MERCREDI 5 DÉCEMBRE 2018 MERCREDI 5 DÉCEMBRE 2018 • 14H30 EXPOSITIONS À PARTIR DU MOIS DE NOVEMBRE • SUR RENDEZ-VOUS SAMEDI 1ER DÉCEMBRE 2018 • 10H-12H / 14H-18H DIMANCHE 2 DÉCEMBRE 2018 • 10H-12H / 14H-18H LUNDI 3 DÉCEMBRE 2018 • 9H30-12H / 14H-18H MARDI 4 DÉCEMBRE 2018 • 9H30-12H MERCREDI 5 DÉCEMBRE 2018 • 9H30-12H PLUS D’INFORMATIONS SUR BERNARDMILLANT.VICHY-ENCHERES.COM —————————————————— RAPPORTS DE CONDITION LES DESCRIPTIONS PORTÉES AU CATALOGUE RESTENT SUCCINTES. LES RAPPORTS DE CONDITION DES INSTRUMENTS SONT DISPONIBLES EN FRANÇAIS ET EN ANGLAIS SUR SIMPLE DEMANDE AUPRÈS DE NOTRE ÉTUDE. DESCRIPTIONS IN THE CATALOG ARE BRIEF. THE CONDITION REPORTS OF THE INSTRUMENTS ARE AVAILABLE IN FRENCH AND ENGLISH ON REQUEST. —————————————————— COMMISSAIRES-PRISEURS ETIENNE ET GUY LAURENT AVEC LA COLLABORATION DE CABINET D’ARCHETIERS EXPERTS JEAN-FRANÇOIS RAFFIN YANNICK LE CANU ET SYLVAIN BIGOT ASSOCIÉS EXPERT HONORAIRE PRÈS LA COUR D’APPEL DE PARIS EXPERTS PRÈS LA COUR D’APPEL DE DOUAI ET LYON 10, RUE DE CONSTANTINOPLE / 75008 PARIS / FRANCE / TÉL : +33 (0)1 55 30 01 47 JEAN-JACQUES RAMPAL EXPERT LUTHERIE EXPERT PRÈS LA COUR D’APPEL DE PARIS ASSOCIÉ DE JONATHAN MAROLLE 11 BIS, RUE PORTALIS / 75008 PARIS / FRANCE / TÉL : +33 (0)1 45 22 17 25 —————————————————— VICHY ENCHÈRES SVV N°2002-237 16, AVENUE DE LYON / 03200 VICHY / FRANCE TÉL : +33 (0)4 70 30 11 20 [email protected] WWW.VICHY-ENCHERES.COM COLLECTION BERNARD MILLANT 4 COLLECTION BERNARD MILLANT 5 La volonté de mon père était que sa collection d’archets et de violons, qui a fait le grand bonheur de sa vie, soit éparpillée sous les coups de marteau du commissaire-priseur. -
Mardi 5 Juin 2018 À 16H
VICHY ENCHERES Mes Guy et Etienne LAURENT – Commissaires-priseurs 16, Avenue de Lyon – 03200 – VICHY Tél : 04-70-30-11-20 - Fax : 04-70-30-11-29 Email : [email protected] www.interencheres.com/03001 Mardi 5 Juin 2018 à 16h Instruments du quatuor 1501 Lot de cinq paires de petites planches d'épicéa, provenance Pontarlier, plus de 30 ans. 50 / 60 € 1502 Lot de cinq paires de petites planches d'épicéa, provenance Pontarlier, plus de 30 ans. 50 / 60 € 1503 Lot de cinq paires de petites planches d'épicéa, provenance Pontarlier, plus de 30 ans. 50 / 60 € 1504 Lot de cinq paires de petites planches d'épicéa, provenance Pontarlier, plus de 30 ans. 50 / 60 € 1505 Lot de cinq paires de petites planches d'épicéa, provenance Pontarlier, plus de 30 ans. 50 / 60 € 1506 Lot de cinq paires de petites planches d'épicéa, provenance Pontarlier, plus de 30 ans. 50 / 60 € 1507 Lot de cinq paires de petites planches d'épicéa, provenance Pontarlier, plus de 30 ans. 50 / 60 € 1508 Lot de cinq paires de petites planches d'épicéa, provenance Pontarlier, plus de 30 ans. 50 / 60 € 1509 Lot de cinq paires de petites planches d'épicéa, provenance Pontarlier, plus de 30 ans. 50 / 60 € 1510 Lot de cinq paires de petites planches d'épicéa, provenance Pontarlier, plus de 30 ans. 50 / 60 € 1511 Lot de cinq paires de petites planches d'épicéa, provenance Pontarlier, plus de 30 ans. 50 / 60 € 1512 Lot de cinq paires de petites planches d'épicéa, provenance Pontarlier, plus de 30 ans. 50 / 60 € 1513 Lot de cinq paires de petites planches d'épicéa, provenance Pontarlier, plus de 30 ans. -
A Pedagogical Analysis of Dvorak's Cello Concerto in B Minor, Op
A Pedagogical Analysis of Dvorak’s Cello Concerto in B Minor, Op. 104 by Zhuojun Bian B.A., The Tianjin Normal University, 2006 M.Mus., University of Victoria, 2011 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF MUSICAL ARTS in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Cello) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) April 2017 © Zhuojun Bian, 2017 Abstract I first heard Antonin Dvorak’s Cello Concerto in B Minor, Op. 104 when I was 13 years old. It was a memorable experience for me, and I was struck by the melodies, the power, and the emotion in the work. As I became more familiar with the piece I came to understand that it holds a significant position in the cello repertory. It has been praised extensively by cellists, conductors, composers, and audiences, and is one of the most frequently performed cello concertos since it was premiered by the English cellist Leo Stern in London on March 19th, 1896, with Dvorak himself conducting the Philharmonic Society Orchestra. In this document I provide a pedagogical method as a practical guide for students and cello teachers who are planning on learning this concerto. Using a variety of historical sources, I provide a comprehensive understanding of some of the technical challenges presented by this work and I propose creative and effective methods for conquering these challenges. Most current studies of Dvorak’s concerto are devoted to the analysis of its structure, melody, harmony, rhythm, texture, instrumentation, and orchestration. Unlike those studies, this thesis investigates etudes and student concertos that were both precursors to – and contemporary with – Dvorak’s concerto. -
Katrien Vandermeersch
Itzel Ávila (M.A. Univesité de Montréal) Itzel Ávila is a Mexican-Canadian violin maker and violinist who discovered the art of violin making as a teenager. She graduated with honours in violin performance from the National Autonomous University of Mexico, and holds a Master’s degree in the same discipline from the University of Montreal. As a Violin Maker, Itzel further perfected her skills in Cremona, Italy, and San Francisco, United States, under the supervision of Francis Kuttner, as well as in Montreal, under the supervision of Michèle Ashley. She has worked at the workshops Wilder & Davis in Montreal, and The Sound Post in Toronto. In 2010, she established her own workshop in Toronto, where she resides. Very active in the international violin making scene, her instruments have participated in exhibitions in Italy, Netherlands, Germany, Canada and the United States. She is also a participant member of the annual Oberlin Violin Makers Workshop of the Violin Society of America. Thanks to her integral formation as an interpreter and violin maker, her instruments are characterized by an ergonomic and comfortable playability, reliable responsiveness, and a clean and clear sound. She is also a photographer and mother of two kids. www.itzelavila.com 2020 Virtual New Instrument Exhibit Gideon Baumblatt and Mira Gruszow The construction of a singing instrument has fascinated Gideon and Mira from the very beginning and brought them to Cremona at a young age. It’s their common starting point on a path that took them to very different places and experiences and eventually reunited them on this quest after many years. -
A Bow on the Couch
A bow on the couch Index Preface 3 Concerning the Author 4 1. The Note 5 1.1 The Response 6 1.2 The Damping 7 1.3 The Tone 9 2. Specific Instrumental Differences 11 2.1 The Bass Bow 11 2.2 The Cello Bow 12 2.3 The Viola Bow 13 2.4 The Violin Bow 14 3. Weight and balance 16 4. The Wood 17 5. Colour and Varnish 20 6. Distribution of Strength 22 7. Aesthetics 26 Page 2 A bow on the couch Preface The Chinaman Ein-lei-tung (about 2,000 BC) in his boundless wisdom, concentrated on one thing only during his entire life, namely his bamboo stick. After 50 years of deepest meditation, Tung, a man of genius, invented the bow, while stretching his bamboo stick with a bundle of horsehair. Even today we still think of him with the greatest respect. Unfortunately the original model, alleged to have had great mythical power, is irretrievably lost, but in spite of this, there are always adventurers who still go in search of the wonderful original. Page 3 A bow on the couch Concerning the Author The author - well, that's me. It is possible that you, the reader, don't really care, and just want to get down to business. But how can you understand the title without reading this introduction? Besides, I have not written many books, and therefore find it hard to pass up the opportunity to say something about myself. My parents are psychoanalysts, both of them. But there’s no need to pity me on that account, my childhood was no worse than yours. -
Musical Instruments, 30 October 2013, Knightsbridge, London
Wednesday 30 October 2013 at 11am 30 October 2013 at Wednesday London Knightsbridge, Instruments Musical Musical 20770 Musical Instruments, 30 October 2013, Knightsbridge, London Musical Instruments Wednesday 30 October 2013 at 11am Knightsbridge, London Bonhams Enquiries Customer Services Please see back of catalogue Montpelier Street Director of Department Monday to Friday for Notice to Bidders Knightsbridge Philip Scott 8.30am to 6pm London SW7 1HH +44 (0) 20 7393 3855 +44 (0) 20 7447 7447 New bidders must also provide proof www.bonhams.com [email protected] of identity when submitting bids. Illustrations Failure to do this may result in your Viewing Specialist Front cover: Lot 230 bids not being processed. Sunday 27 October Thomas Palmer Back cover: Lot 3 +44 (0) 20 7393 3849 11am to 3pm [email protected] Monday 28 October 9am to 4.30pm Department Fax Tuesday 29 October +44 (0) 20 7393 3820 9am to 4.30pm Live online bidding is available for this sale Customer Services Bids Please email [email protected] Monday to Friday 8.30am to 6pm with “Live bidding” in the +44 (0) 20 7447 7448 +44 (0) 20 7447 7447 +44 (0) 20 7447 7401 fax subject line 48 hours before To bid via the internet the auction to register for Please register and obtain your this service. please visit www.bonhams.com customer number/ condition report for this auction at Please provide details of the lots [email protected] on which you wish to place bids at least 24 hours prior to the sale. New bidders must also provide proof of identity when submitting bids. -
Synopses, Comparisons, and Evaluation of the Leopold Auer and Erich Doflein Iolinv Methods
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1974 Synopses, Comparisons, and Evaluation of the Leopold Auer and Erich Doflein iolinV Methods. Allan Riggs Fuller Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Part of the Music Commons Recommended Citation Fuller, Allan Riggs, "Synopses, Comparisons, and Evaluation of the Leopold Auer and Erich Doflein ioV lin Methods." (1974). LSU Historical Dissertations and Theses. 8156. https://digitalcommons.lsu.edu/gradschool_disstheses/8156 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. ^'SYNOPSES, COMPARISONS, AND EVALUATIONS OF THE LEOPOLD AUER AND ERICH DOFLEIN VIOLIN METHODS / A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Allan Riggs Fuller B.M., Central College, 1953 M.M,, University of Rochester, 1956 December, 1974 UMI Number: DP69543 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMI Dissertation Publishing UMI DP69543 Published by ProQuest LLC (2015). -
Tarisio June 2016 Highlights Catalogue Online Version
Violins June 2016 London 186 A FINE ITALIAN VIOLIN BY ALESSANDRO GAGLIANO, NAPLES, c.1700 Highlights Catalogue Unlabelled. Enlarged at the c-bouts. Catalogue online : 8 June LOB: 35.3 cm Bidding opens: 14 June Certificate: W. E. Hill & Sons, London, Oct 21, 1896 Bidding closes : 27 June Estimates: £150,000–180,000 185 A FINE ITALIAN VIOLIN BY GENNARO GAGLIANO, NAPLES, 1760 ‡ Labelled, "Januarius Gagliano filius, Alexandri fecit Neap. 1760." LOB: 35.2 cm Certificate: John & Arthur Beare, London, Aug 25, 2011 Estimates: £100,000–150,000 184 A GOOD ITALIAN VIOLIN FROM THE AMATI WORKSHOP, CREMONA, c. 1685, PROBABLY BY HIERONYMOUS II Labelled, "Hyeronimus Amati Cre... Nicolai Filius, Fecit 1692." LOB: 35.1 cm Dendrochronology dates the latest ring of both sides as 1682 and finds a tree match with the 1697 'Molitor' Stradivari. Written report by Peter Ratcliff available for purchase upon request Estimates: £50,000–80,000 183 A GOOD ITALIAN VIOLIN BY FRANCESCO MAURIZI, APPIGNANO, c. 1850 ‡ Unlabelled. Inscribed to inside back, "3958." LOB: 35.5 cm Certificate: Beare Violins Ltd, London, May 31, 2016 Estimates: £40,000–60,000 182 A GOOD FRENCH VIOLIN, ASCRIBED TO AND PROBABLY BY NICOLAS LUPOT, PARIS, c. 1800 Labelled, "Nicolas Lupot luthier rue de, Grammont a Paris l'an 1795." Inscribed to the inside bass c-bout in red ink, "6121." The head slightly recut at the final turn of the volute but probably original to the instrument. LOB: 35.9 cm Dendrochronology dates the latest ring of the bass and treble side as 1673 and 1671 respectively. -
1002775354-Alcorn.Pdf
3119 A STUDY OF STYLE AND INFLUENCE IN THE EARLY SCHOOLS OF VIOLIN MAKING CIRCA 1540 TO CIRCA 1800 THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF MUSIC By Allison A. Alcorn, B.Mus. Denton, Texas December, 1987 Alcorn, Allison A., A Study of Style and Influence in the Ear School of Violin Making circa 1540 to circa 1800. Master of Music (Musicology), December 1987, 172 pp., 2 tables, 31 figures, bibliography, 52 titles. Chapter I of this thesis details contemporary historical views on the origins of the violin and its terminology. Chapters II through VI study the methodologies of makers from Italy, the Germanic Countries, the Low Countries, France, and England, and highlights the aspects of these methodologies that show influence from one maker to another. Chapter VII deals with matters of imitation, copying, violin forgery and the differences between these categories. Chapter VIII presents a discussion of the manner in which various violin experts identify the maker of a violin. It briefly discusses a new movement that questions the current methods of authenti- cation, proposing that the dual role of "expert/dealer" does not lend itself to sufficient objectivity. The conclusion suggests that dealers, experts, curators, and musicologists alike must return to placing the first emphasis on the tra- dition of the craft rather than on the individual maker. o Copyright by Allison A. Alcorn TABLE OF CONTENTS Page LIST OF FIGURES.... ............. ........viii LIST OF TABLES. ................ ... x Chapter I. INTRODUCTION . .............. *.. 1 Problems in Descriptive Terminology 3 The Origin of the Violin....... -
Quartetto Di Cremona
QUARTETTO DI CREMONA Since its formation in 2000, the Quartetto di Cremona has established a reputation as one of the most exciting chamber ensembles on the international stage, garnered universal acclaim for its high level of interpretive artistry. The 2019/20 season includes a tour in North America and one in Holland, performances of the complete Beethoven quartets’ cycle in Italy, Albania and Taiwan, concerts in Germany, Spain, France, Switzerland and Scandinavia, as well as several recitals at the major Italian musical institutions. 2020/21 season’s highlights include concerts in Geneva, Milan, Rome, at the Wigmore Hall in London and the debut at the Carnegie Hall in New York. In 2020 the Quartetto di Cremona celebrates its first twenty years of career, an important milestone for an Italian ensemble. For the occasion, distinguished concerts and record projects will be developed over consecutive seasons: several performances of the complete Beethoven quartets’ cycle, further CDs’ releases, a tour with Bach’s “The Art of the Fugue”, new music expressly composed for the Quartet. Noteworthy previous recording projects include the prizewinning Beethoven’s string quartets cycle, completed in 2018, and a double CD dedicated to Schubert, released in Spring 2019 and featuring cellist Eckart Runge, which attracted high levels of acclaim in the international press. This latter album was recorded with the Stradivarius set of instruments named “Paganini Quartet”, on kind loan from the Nippon Music Foundation (Tokyo). Frequently invited to present masterclasses in Europe, Asia, North and South America, since 2011 they are Professors at the “Walter Stauffer Academy” in Cremona.