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Boston Symphony Orchestra Concert Programs, Summer, 1992

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I TArJ clewodd i m Tools of Excellence In every discipline, outstanding performance springs from the combination of skill, vision and commitment. As a technology leader, GE Plastics is dedicated to the development of advanced materials: engineering thermoplastics, silicones, superabrasives and circuit board substrates. Like the lively arts that thrive in this inspiring environment, we enrich life's quality through creative excellence. GE Plastics ,-:;- Seiji Ozawa, Music Director One Hundred and Eleventh Season, 1991 -92 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman Emeritus J. P. Barger, Chairman George H. Kidder, President Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, Vice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B.Arnold, Jr. Dean Freed Mrs. August R. Meyer Peter A. Brooke Avram J. Goldberg Molly Millman James F. Cleary Francis W. Hatch Mrs. Robert B. Newman John F. Cogan, Jr. Julian T. Houston Peter C. Read Julian Cohen Mrs. Bela T. Kalman Richard A. Smith William M. Crozier, Jr. Mrs. George I. Kaplan Ray Stata Deborah B. Davis Harvey Chet Krentzman Nicholas T Zervas Nina L. Doggett R. Willis Leith, Jr. Trustees Emeriti Vernon R. Alden Mrs. Harris Fahnestock Mrs. George R. Rowland Philip K. Allen Mrs. John L. Grandin Mrs. George Lee Sargent Allen G. Barry E. Morton Jennings, Jr. Sidney Stoneman Leo L. Beranek Albert L. Nickerson John Hoyt Stookey Mrs. John M. Bradley Thomas D. Perry, Jr. John L. Thorndike Abram T. Collier Irving W Rabb Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Michael G. McDonough, Assistant Treasurer Daniel R. Gustin, Clerk Administration Kenneth Haas, Managing Director Daniel R. Gustin, Assistant Managing Director and Manager ofTanglewood Michael G. McDonough, Director ofFinance and Business Affairs Evans Mirageas, Artistic Administrator Caroline Smedvig, Director ofPublic Relations and Marketing Josiah Stevenson, Director ofDevelopment Ray E Wellbaum, Orchestra Manager Robert Bell, Manager ofInformation Systems Patricia Krol, Coordinator of Youth Activities Ronald T Brouker and David P. Sturma, Steven Ledbetter, Musicologist & Coordinators ofAudience Services, Tanglewood Program Annotator Peter N. Cerundolo, Director of Corporate Marc Mandel, Publications Coordinator Development John C. Marksbury, Director of Constance B.E Cooper, Director of Foundation and Government Support Boston Symphony Annual Fund Julie-Anne Miner, Manager ofFund Reporting Madelyne Cuddeback, Director of James J. Mooney, Facilities Manager, Tanglewood Corporate Sponsorships Richard Ortner, Administrator of Patricia Forbes Halligan, Director ofPersonnel Tanglewood Music Center Services Scott Schillin, Assistant Manager, Sarah J. Harrington, Budget Manager Pops and Youth Activities Margaret Hillyard-Lazenby, Director of Joyce M. Serwitz, Associate Director of Volunteers Development IDirector ofMajor Gifts Russell M. Hodsdon, Manager ofBox Office Cheryl L. Silvia, Function Manager Bernadette M. Horgan, Public Relations Michelle Leonard Techier, Media and Production Coordinator Manager, Boston Symphony Orchestra Craig R. Kaplan, Controller James E. Whitaker, Chief Coordinator, Nancy A. Kay, Director of Sales £s? Tanglewood Music Center Marketing Manager Robin J. Yorks, Director ofTanglewood Development Susan E. Kinney, Assistant Director of Development Programs copyright ©1992 Boston Symphony Orchestra, Inc. Cover design by Wondrisha Associates Inc. Board of Overseers of the Boston Symphony Orchestra, Inc. John F. Cogan, Jr., Chairman Thelma E. Goldberg, Vice-Chairman Mrs. Susan D. Hall, Secretary Mrs. Herbert B. Abelow Mrs. Haskell R. Gordon Richard P. Morse Amanda Barbour Amis John P. Hamill E.James Morton Harlan Anderson Daphne P. Hatsopoulos David G. Mugar Caroline Dwight Bain Bayard Henry Robert J. Murray Mrs. Leo L. Beranek Glen H. Hiner David S. Nelson Lynda Schubert Bodman Mrs. Marilyn Brachman Hoffman Mrs. Hiroshi H. Nishino Donald C. Bowersock, Jr. Ronald A. Homer Robert P. O'Block William M. Bulger Lolajaffe Paul C. O'Brien Mrs. Levin H. Campbell Anna Faith Jones Vincent M. O'Reilly Earle M. Chiles H. Eugene Jones Andrall E. Pearson Gwendolyn Cochran Hadden Susan B. Kaplan John A. Perkins William F. Connell Mrs. S. Charles Kasdon Millard H. Pryor, Jr. Walter J. Connolly, Jr. Richard L. Kaye Robert E. Remis Jack Connors, Jr. Mrs. Gordon F. Kingsley William D. Roddy Albert C. Cornelio Allen Z. Kluchman John Ex Rodgers Phyllis Curtin Koji Kobayashi Keizo Saji JoAnne Dickinson Mrs. Carl Koch Roger A. Saunders Harry Ellis Dickson David I. Kosowsky Mrs. Raymond H. Schneider Phyllis Dohanian George Krupp Malcolm L. Sherman Hugh Downs John R. Laird Mrs. Donald B. Sinclair Goetz B. Eaton Mrs. Hart D. Leavitt L. Scott Singleton Harriett M. Eckstein Laurence Lesser Ira Stepanian Deborah A. England Stephen R. Levy William F. Thompson Edward Eskandarian Frederick H. Lovejoy, Jr. Mark Tishler, Jr. Peter M. Flanigan Diane H. Lupean Roger D. Wellington Eugene M. Freedman Mrs. Charles P. Lyman Robert A. Wells Mrs. James G. Garivaltis Mrs. Harry L. Marks Margaret Williams-DeCelles Jordan L. Golding Nathan R. Miller Mrs. John J. Wilson Mark R. Goldweitz Overseers Emeriti Mrs. Weston W. Adams Leonard Kaplan Mrs. Peter van S. Rice Mrs. Frank G. Allen Robert K. Kraft Mrs. Jerome Rosenfeld Bruce A. Beal Benjamin H. Lacy Mrs. William C. Rousseau Mrs. Richard Bennink Mrs. James E Lawrence Mrs. William H. Ryan Mary Louise Cabot C. Charles Marran Francis P. Sears, Jr. Johns H. Congdon Hanae Mori Ralph Z. Sorenson Peter H.B. Frelinghuysen Mrs. Stephen V.C. Morris Mrs. Edward S. Stimpson Mrs. Thomas J. Galligan Stephen Paine, Sr. Mrs. Arthur I. Strang Mrs. Richard D. Hill David R. Pokross Luise Vosgerchian Susan M. Hilles Daphne Brooks Prout Mrs. Donald B. Wilson Mrs. Louis I. Kane Business and Professional Leadership Association Board of Directors Harvey Chet Krentzman, Chairman James F. Cleary, BPLA President Members J. P. Barger George H. Kidder William D. Roddy Leo Beranek William F. Meagher Malcolm L. Sherman William F. Connell Robert P. O'Block Ray Stata O'Reilly Stephen Sweeney Nelson J. Darling, Jr. Vincent M. J. Thelma E. Goldberg Officers of the Boston Symphony Association ofVolunteers Molly B. Millman, President Florence T. Whitney, Executive Vice-President Patricia L. Tambone, Treasurer Arline Ziner, Secretary Susan G. Robinson, Nominating Chairman Vice-Presidents Kathryn Bray, Public Relations Paul S. Green, Resources Development Ileen S. Cohen, Tanglewood Association Maureen J. Hickey, Tanglewood Association Helen A. Doyle, Symphony Shop Kathleen G. Keith, Adult Education Elizabeth B. Eaton, Hall Services Ann E. Macdonald, Youth Activities Joan W. Erhard, Membership Barbara Steiner, Fundraising Una Fleischmann, Development The program book cover shows Mozart's manuscript for his C major violin sonata, K.403(385c), composed in August or September 1782 in Vienna "for [my] very dear wife" Constanze, whom he married that year on August 4. Take A Road Less Travelled... Follow the scenic Mohawk Trail eastward along Route 2 as it leads you through quaint hill towns into the Pioneer Valley. Stop a while at antique shops, art galleries and the famed Bridge of Flowers. Enjoy the the renowned Mohawk Trail Concerts, music from the Italian Renaissance to the new works of Victor Steinhardt. Where the Trail crosses the Connecticut River dis- cover the beauty of the 18th Century Village of Old Deerfield and visit Memorial Hall Museum. Stay awhile at a quiet bed and breakfast or an ele- gant country inn. It's all here in FRANKLIN COUNTY. For information, including Group Tours, call or write: The Franklin County Chamber of Commerce P.O. Box 790B, Greenfield, MA 01302, 413-773-5463 MASSACHUSETTS Photo courtesy of Memorial Hall Museum Join and the for an Choose Three Concerts on Wednesdays or Thursdays at 8pm Wednesday, October 14, 1992 Thursday, October 15, 1992 SEIJI OZAWA, conductor Kathleen Battle, soprano Frederica von Stade, mezzo-soprano Women of the Tanglewood Festival Chorus, John Oliver, conductor Arias and duets from operas inspired by Shakespeare MENDELSSOHN Incidental music for 'A Midsummer Night's Dream' (complete) Wednesday, January 27, 1993 Thursday, lanuary 28, 1993 SEIJI OZAWA conductor Evgeny Kissin, piano BARTOK Music for Strings, Percussion, and Celesta RACHMANINOFF Piano Concerto No. 3 Wednesday, April 28, 1993 Thursday, April 29, 1993 SEIJI OZAWA, conductor Birgitta Svenden, mezzo-soprano Women of the Tanglewood Festival Chorus, John Oliver, conductor American Boychoir, James Litton, director MAHLER Symphony No.3 y to subscribe to the BSO at Carnegie Hall! For complete subscription information - including ticket prices d subscriber benefits such as advance program information for Tanglewood 1 993 - pick up a brochure at the Tanglewood Friends Office or call (617) 266-7575. ^^^^^^^^ TANGLEWOOD The Tanglewood Festival In August 1934 a group of music-loving summer residents of the Berkshires organized a series of three outdoor concerts at Interlaken, to be given by members of the New York Philharmonic under the direction of Henry Hadley. The venture was so successful that the promoters incorporated the Berkshire Symphonic Festival and repeated the experiment during the next summer. The Festival Committee then invited Serge Koussevitzky and the Boston Symphony Orchestra to take part in the following year's concerts. The orchestra's Trustees accepted, and on August 13, 1936, the Boston Symphony Orchestra
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  • Brecht's Antigone in Performance

    Brecht's Antigone in Performance

    PERFORMANCE PHILOSOPHY RHYTHM AND STRUCTURE: BRECHT’S ANTIGONE IN PERFORMANCE BRUNO C. DUARTE FCSH UNIVERSIDADE NOVA DE LISBOA Brecht’s adaptation of Sophocles’ Antigone in 1948 was openly a political gesture that aspired to the complete rationalization of Greek Tragedy. From the beginning, Brecht made it his task to wrench ancient tragic poetry out of its ‘ideological haze’, and proceeded to dismantle and eliminate what he named the ‘element of fate’, the crucial substance of tragic myth itself. However, his encounter with Hölderlin's unorthodox translation of Antigone, the main source for his appropriation and rewriting of the play, led him to engage in a radical experiment in theatrical practice. From the isolated first performance of Antigone, a model was created—the Antigonemodell —that demanded a direct confrontation with the many obstacles brought about by the foreign structure of Greek tragedy as a whole. In turn, such difficulties brought to light the problem of rhythm in its relation to Brecht’s own ideas of how to perform ancient poetry in a modern setting, as exemplified by the originally alienating figure of the tragic chorus. More importantly, such obstacles put into question his ideas of performance in general, as well as the way they can still resonate in our own understanding of what performance is or might be in a broader sense. 1947–1948: Swabian inflections It is known that upon returning from his American exile, at the end of 1947, Bertolt Brecht began to work on Antigone, the tragic poem by Sophocles. Brecht’s own Antigone premiered in the Swiss city of Chur on February 1948.
  • Concerto for Violin and String Orchestra

    Concerto for Violin and String Orchestra

    BRITISH VIOLIN CONCERTOS Paul Patterson Kenneth Leighton Gordon Jacob Clare Howick, Violin BBC Scottish Symphony Orchestra Grant Llewellyn Paul Patterson (b. 1947): Violin Concerto No. 2 (‘Serenade’) (2013) 21:57 British Violin Concertos For Clare Howick Paul Patterson • Kenneth Leighton • Gordon Jacob 1 I. Toccata – 5:15 Contrary to opulent violin concertos conceived on a grand movement is virtually monothematic in its close allegiance 2 II. Barcarolle – 8:45 scale by Edward Elgar and William Walton, for example, to a haunting and wistful refrain, which is constantly the three British violin concertos featured here adopt a recast in fresh and varied guises. Once again, the harp 3 III. Valse-Scherzo 7:57 more concise approach to the genre using chamber comes to the fore as the music dies away. forces. Though not shunning the time-honoured elements Full orchestral forces are deployed in the sparkling Kenneth Leighton (1929–1988): of bravura display anticipated in concertante works, they Allegro finale. After a short introduction presenting Concerto for Violin and Small Orchestra, Op. 12 (1952) 24:10 cast the solo violinist as first among equals, engaging in tantalising wisps of thematic material, the solo violin has a To Frederick Grinke telling dialogues with a responsive ensemble, rather than brilliant cadenza. This forms a roguishly extended as an individual pitted against the mob. preamble to a lively Valse-Scherzo whose sly harmonic 4 I. Allegro con brio, molto ritmico 7:49 Born in Chesterfield on 15 June 1947, Paul Patterson shifts and intoxicating melodic sweep rounds the concerto 5 II. Intermezzo – Moderato con moto, sempre dolce 5:58 studied composition with Richard Stoker at the Royal off in exuberantly urbane style.