A Letter to Daniel Larusso, the Karate Kid
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Film Rating Release Year a League of Their Own
Film Rating Release Year A League Of Their Own PG 1992 Abominable PG 2019 Anchorman PG-13 2004 Apollo 11 G 2019 Apollo 13 PG 1995 Bee Movie PG 2007 Bernie The Dolphin G 2018 Bill And Ted's Excellent Adventure PG 1989 Bumblebee PG-13 2018 Casper PG 1995 Despicable Me PG 2010 Despicable Me 2 PG 2013 Despicable Me 3 PG 2017 Dirty Dancing PG-13 1987 Dora And The Lost City Of Gold PG 2019 Dr. Seuss' The Lorax PG 2012 Fast And Furious Presents Hobbs And Shaw PG-13 2019 Ferris Bueller's Day Off PG-13 1986 Field Of Dreams PG 1989 Five Feet Apart PG-13 2019 Footloose (1984) PG 1984 Forrest Gump PG-13 1994 Goosebumps PG 2015 Goosebumps 2 - Haunted Halloween PG 2018 Grease PG 1978 Groundhog Day PG 1993 Home (2015) PG 2015 Hook PG 1991 Hop PG 2011 How To Train Your Dragon PG 2010 How To Train Your Dragon The Hidden World PG 2019 How To Train Your Dragon 2 PG 2014 I Can Only Imagine PG 2018 Indiana Jones And The Last Crusade PG-13 1989 Instant Family PG-13 2018 Jurassic Park PG-13 1993 Knives Out (2019) PG-13 2019 Kung Fu Panda PG 2008 La La Land PG-13 2016 Labyrinth PG 1986 Madagascar PG 2005 Madagascar 3: Europe's Most Wanted PG 2012 Mamma Mia PG-13 2008 Mamma Mia Here We Go Again PG-13 2018 Matilda (1996) PG 1996 Megamind PG 2010 Men In Black (1997) PG-13 1997 Men In Black International PG-13 2019 Monster House PG 2006 Monsters Vs. -
Programmed Moves: Race and Embodiment in Fighting and Dancing Videogames
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Programmed Moves: Race and Embodiment in Fighting and Dancing Videogames Permalink https://escholarship.org/uc/item/5pg3z8fg Author Chien, Irene Y. Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Programmed Moves: Race and Embodiment in Fighting and Dancing Videogames by Irene Yi-Jiun Chien A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Film and Media and the Designated Emphasis in New Media in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Linda Williams, Chair Professor Kristen Whissel Professor Greg Niemeyer Professor Abigail De Kosnik Spring 2015 Abstract Programmed Moves: Race and Embodiment in Fighting and Dancing Videogames by Irene Yi-Jiun Chien Doctor of Philosophy in Film and Media Designated Emphasis in New Media University of California, Berkeley Professor Linda Williams, Chair Programmed Moves examines the intertwined history and transnational circulation of two major videogame genres, martial arts fighting games and rhythm dancing games. Fighting and dancing games both emerge from Asia, and they both foreground the body. They strip down bodily movement into elemental actions like stepping, kicking, leaping, and tapping, and make these the form and content of the game. I argue that fighting and dancing games point to a key dynamic in videogame play: the programming of the body into the algorithmic logic of the game, a logic that increasingly organizes the informatic structure of everyday work and leisure in a globally interconnected information economy. -
1-22-21 Tribune/Sentinel.Indd
6 TTribune/Sentinelribune/Sentinel EEntertainmentntertainment FFriday,riday, JJanuaryanuary 22,22, 22021021 ‘Cobra Kai’ never dies: Q&A with stars of Netfl ix series Left: “Cobra Kai” features original “The Karate Kid” stars Ralph Macchio, left, as Daniel LaRusso, and William Zabka as Johnny Lawrence. (Cr. Curtis Bonds Baker/Netfl ix © 2020) • Middle: Samantha LaRusso (Mary Mouser) turns to Daniel to rediscover her strength. • Right: John Kreese (Martin Kove) is back on “Cobra Kai.” (Courtesy of Netfl ix © 2020) BY JOSHUA MALONI issues of yesteryear. campaign to close down Johnny’s lyzed from the waist down. Sam is simple because, walking back onto GM/Managing Editor But now imagine this: In season chop-shop. The two old rivals become shell-shocked and scarred from her the set is usually what just brings it Just like the three tenets scrolled one, Daniel LaRusso (Ralph Mac- new enemies (sometimes frenemies), fi ght with Tory. Johnny has gone on all back all of a sudden. I can have across the dojo wall suggest, “Cobra chio) – sans the deceased Mr. Miyagi each trying to convince California a bender, and Daniel – at Amanda’s several months away from it, and Kai” struck fi rst, struck hard, and (Pat Morita) – has become a little youth theirs is the true karate. request – has ceased teaching karate. then I walk back into the backyard showed no mercy when it debuted on unlikable. No longer an underdog, Of course, in the season fi nale, Kreese, believing he has won, contin- of Mr. Miyagi’s house and it’s like, Netfl ix in 2020. -
Cobra Kai: the Karate Kid Saga Continues: Johnny’S Story Isbn: 978-1-68405-635-4 23 22 21 20 1 2 3 4
COBRA KAI: THE KARATE KID SAGA CONTINUES: JOHNNY’S STORY ISBN: 978-1-68405-635-4 23 22 21 20 1 2 3 4 COBRA KAI: THE KARATE KID SAGA CONTINUES–JOHNNY’S STORY. JUNE 2020. FIRST PRINTING. ™ & © 2020 Sony Pictures Television Inc. All Rights Reserved. The IDW logo Facebook: facebook.com/idwpublishing is registered in the U.S. Patent and Trademark Office. IDW Twitter: @idwpublishing Publishing, a division of Idea and Design Works, LLC. YouTube: youtube.com/idwpublishing Tumblr: tumblr.idwpublishing.com Editorial offices: 2765 Truxtun Road, San Diego, CA 92106. Instagram: instagram.com/idwpublishing Any similarities to persons living or dead are purely coincidental. With the exception of artwork used for review purposes, none Cover Artist of the contents of this publication may be reprinted without the Kagan McLeod permission of Idea and Design Works, LLC. Printed in Korea. Series Assistant Editors Megan Brown and Riley Farmer IDW Publishing does not read or accept unsolicited submissions of ideas, stories, or artwork. Series Editor Tom Waltz Originally published as COBRA KAI: THE KARATE KID SAGA CONTINUES issues #1–4. Collection Editors Alonzo Simon and Chris Ryall, President & Publisher/CCO Zac Boone Cara Morrison, Chief Financial Officer Matthew Ruzicka, Chief Accounting Officer Collection Designer David Hedgecock, Associate Publisher Christa Miesner John Barber, Editor-in-Chief Justin Eisinger, Editorial Director, Graphic Novels and Collections Based on the characters created by Robert Mark Kamen. Cobra Kai created for television by Scott Dunbier, Director, Special Projects Josh Heald & Jon Hurwitz & Hayden Schlossberg. Jerry Bennington, VP of New Product Development Lorelei Bunjes, VP of Technology & Information Services Jud Meyers, Sales Director Anna Morrow, Marketing Director Tara McCrillis, Director of Design & Production Mike Ford, Director of Operations Shauna Monteforte, Manufacturing Operations Director Rebekah Cahalin, General Manager Ted Adams and Robbie Robbins, IDW Founders . -
The Karate Kid…And Managing Others
The Karate Kid…and Managing Others While watching the 2010 release of The Karate Kid recently, I had an ‘aha’ moment… Fast forward 140 minutes, and I was left with the full-blown realisation that this film could teach managers a thing or two about working with their teams Of course, the film is not real life, and your work environment will no doubt be very different. Even so, there are some smart parallels with what ‘good’ looks like when managing others. In short, the film started me thinking about the Situational Leadership Model. About Situational Leadership Situational Leadership is a fantastically simple, workable, ‘how to’ for getting the best from others’ performance. Personally, I think ‘Leadership’ is a misnomer here and if Hersey and Blanchard had asked for my advice, then the model I’d be referencing would in fact be ‘Situational Management’… Anyway…the Model describes how managers, by flexing their style, should ‘give’ people what they can’t ‘find’ for themselves. Situational leadership isn’t something that you do to people, rather it’s what you do with people. Or in Blanchard’s words; ‘Everyone has a peak performance potential – you just need to know where they are coming from and meet them there’ You won’t necessarily be using the same approach for the same person every time. It depends entirely on the work ‘situation’ that an individual finds themselves in and how confident, willing and able they are, or feel that they are, in that situation. About The Karate Kid It’s a film about a handyman in China (Mr Han, played by Jackie Chan) who teaches a boy from Detroit (Dre Parker, played by Jaden Smith) the skills of Kung Fu to defend himself against a group of bullies. -
The Art of Community Seven Principles for Belonging
p. 1 The Art of Community Seven Principles for Belonging By Charles H. Vogl August 2016 Full Book Download for Mission Driven Leaders Berrett-Koehler Publishers bkconnection.com For International Rights Contact: Catherine Lengronne 510-817-2273 | [email protected] p. 2 Copyright Charles Vogl 2016 p. 3 Advance Praise for The Art of Community “The Art of Community is a powerful, practical, and modern articulation of, and advancement on, timeless wisdom. Emerging or veteran leaders who integrate these principles will build communities that are more resilient, passionate and harmonious in the face of external adversity and uncertainty. Flip to any page to find insight and inspiration.” - Alan Price Founding Director, The Harvard Business School Global Leadership Initiative Author of Ready to Lead? “The Art of Community is a brilliantly intentional, well composed plan for engaging and developing communities. This book is both an inspiration and a field guide for those who wish to connect deeply and build the communities our world so desperately needs. As I read “The Art,” I found myself drawn to possibilities that fed my soul during times of exciting change.” - Thomas Kolditz, Phd. Brigadier General, US Army (ret) Director, Ann and John Doerr Institute for New Leaders Author of In Extremis Leadership “A deeply thoughtful and compelling book that shares many insights with clarity, accessible examples, and ideas for implementation. I learned a lot.” - Lawrence Levy Former CFO, Pixar Animation Studios Co-founder, Juniper Foundation Author of To Pixar And Beyond p. 4 “At last, here’s an insightful guide to create the community you have envisioned for yourself and others. -
Wildbrain Cplg Inks Multiple Deals for Sony Pictures Consumer Products’ Tv Portfolio
WILDBRAIN CPLG INKS MULTIPLE DEALS FOR SONY PICTURES CONSUMER PRODUCTS’ TV PORTFOLIO New European licensees signed for popular series The Boys, Cobra Kai and Outlander London, UK – 11 February 2021 – WildBrain CPLG, one of the world’s leading entertainment, sport and brand licensing agencies, has secured a wave of cross-category licensees in Europe for Sony Pictures Consumer Products’ hit TV series The Boys, Cobra Kai and Outlander. For superhero series The Boys, WildBrain CPLG has inked deals in the UK with: Forbidden Planet, for a t-shirt and gifting line; The Hut Group, for apparel and accessories; Fashion UK, for an apparel and accessories range; and Pyramid International for posters and accessories. From Germany, Spreadshirt is on board for print-on- demand apparel, and EMP.com for an apparel range available across Europe. Additionally, Cotton Division is developing apparel for the French market; and in Spain, Stor SL is creating homewares and Grupo Erik has signed for calendars, posters and gifts. An Amazon Prime Video original series, The Boys is based on the comic book of the same name by Garth Ennis and Darick Robertson. The series follows the eponymous team of vigilantes as they combat superheroes who abuse their power and abilities. For Cobra Kai, the martial arts comedy-drama inspired by the iconic Karate Kid film franchise, WildBrain CPLG has scored deals in the UK with: Pyramid International, for accessories; Bioworld International, for apparel and accessories; The Hut Group, for apparel and accessories; and Ecell Global, for phone accessories. Created by Josh Heald, Jon Hurwitz and Hayden Schlossberg, Cobra Kai is set over 30 years after the original Karate Kid film and follows the arch-rivalry between Daniel LaRusso and Johnny Lawrence as he reopens the Cobra Kai karate dojo. -
The Good Movie Club List
THE GOOD MOVIE CLUB LIST - THE EARLIEST DAYS- (1902) Le Voyage dans la Lune (1903) The Great Train Robbery (1918) The Blue Bird (1919) Broken Blossoms - THE 1920'S- (1920) Das Cabinet des Dr. Caligari (1920) Nosferatu (1921) Orphans of the Storm (1923) Our Hospitality (1924) Sherlock Jr. (1924) The Thief of Bagdad (1925) Battleship Potemkin (1925) The Gold Rush (1926) Die Abenteuer des Prinzen Achmed (1927) The General (1927) Metropolis (1929) Pandora's Box - THE 1930'S- (1930) Morroco (1931) City Lights (1931) Tabu (1931) Dracula (1931) Frankenstein (1932) Love Me Tonight (1932) Shanghai Express (1932) Trouble in Paradise (1933) King Kong (1933) Footlight Parade (1933) She Done Him Wrong (1933) Duck Soup (1933) Queen Christina (1934) It Happened One Night (1934) The Thin Man (1935) Top Hat (1935) A Night at the Opera (1935) The Bride of Frankenstein (1936) Swing Time (1936) Modern Times (1936) Mr. Deeds Goes to Town (1937) Shall we Dance (1937) The Awful Truth (1938) Bringing Up Baby (1938) The Adventures of Robin Hood (1938) Holiday (1938) The Lady Vanishes (1939) Ninotchka (1939) Dorothy and the Wizard of Oz (1939) Gone with the Wind (1939) Stagecoach (1939) Wuthering Heights (1939) Only Angels have Wings (1939) Destry Rides Again - THE 1940'S- (1940) The Philadelphia Story (1940) The Shop Around the Corner (1940) The Grapes of Wrath (1940) His Girl Friday (1940) Rebecca (1940) The Mortal Storm (1941) The Maltese Falcon (1941) The Lady Eve (1941) Citizen Kane (1941) High Sierra (1941) Sullivan's Travels (1942) Casablanca (1942) Now, -
A Letter to Daniel Larusso, the Karate Kid Ryan Shoemaker
Booth Volume 6 | Issue 1 Article 4 1-24-2014 A Letter to Daniel Larusso, the Karate Kid Ryan Shoemaker Follow this and additional works at: http://digitalcommons.butler.edu/booth Recommended Citation Shoemaker, Ryan (2014) "A Letter to Daniel Larusso, the Karate Kid," Booth: Vol. 6: Iss. 1, Article 4. Available at: http://digitalcommons.butler.edu/booth/vol6/iss1/4 This Article is brought to you for free and open access by Digital Commons @ Butler University. It has been accepted for inclusion in Booth by an authorized administrator of Digital Commons @ Butler University. For more information, please contact [email protected]. A Letter to Daniel Larusso, the Karate Kid Abstract Dear Daniel, Good talking with you at the All-Valley Karate Championships. What a story you have! Inspiring. Seriously. The tus ff movies are made of. Consider me a big fan. I don’t know, maybe I saw something of myself in you, the lanky underdog trying to get his footing in that first match and then finding his stride, fighting, really, for his life and not just some trophy or title. Keywords fiction, karate, California Cover Page Footnote "A Letter to Daniel Larusso, the Karate Kid" was originally published at Booth. This article is available in Booth: http://digitalcommons.butler.edu/booth/vol6/iss1/4 Shoemaker: A Letter to Daniel Larusso, the Karate Kid ! ! ! ! ! ! ! ! ! ! ! ! ! January 24,! 2014! A Letter to Daniel Larusso, the Karate Kid ! by Ryan Shoemaker ! Dear Daniel, ! Good talking with you at the All-Valley Karate Championships. What a story you have! Inspiring. Seriously. The stuff movies are made of. -
How China's Censorship and Influence Affect Films Worldwide
October 28, 2015 Directed by Hollywood, Edited by China: How China’s Censorship and Influence Affect Films Worldwide Sean O’Connor, Research Fellow, Economics and Trade and Nicholas Armstrong, Esq., Research Fellow Disclaimer: This paper is the product of professional research performed by staff of the U.S.-China Economic and Security Review Commission, and was prepared at the request of the Commission to support its deliberations. Posting of the report to the Commission’s website is intended to promote greater public understanding of the issues addressed by the Commission in its ongoing assessment of U.S.- China economic relations and their implications for U.S. security, as mandated by Public Law 106-398 and Public Law 108-7. However, the public release of this document does not necessarily imply an endorsement by the Commission, any individual Commissioner, or the Commission’s other professional staff, of the views or conclusions expressed in this staff research report. Table of Contents Abstract ......................................................................................................................................................................3 Background ................................................................................................................................................................4 China’s Growing Film Market ...................................................................................................................................5 China’s Film Industry Development ......................................................................................................................6 -
Core Concepts in Heroism Science, Volume Two
University of Richmond UR Scholarship Repository Bookshelf 2020 Core Concepts in Heroism Science, Volume Two Scott T. Allison University of Richmond Follow this and additional works at: https://scholarship.richmond.edu/bookshelf Part of the Community Psychology Commons, Social Psychology Commons, and the Theory and Philosophy Commons Recommended Citation Allison, S. T. (Ed.). (2020). Core Concepts in Heroism Science (Vol. Two). Richmond, VA: Palsgrove. NOTE: This PDF preview of Core Concepts in Heroism Science, Volume Two includes only the preface and/or introduction. To purchase the full text, please click here. This Book is brought to you for free and open access by UR Scholarship Repository. It has been accepted for inclusion in Bookshelf by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. CORE CONCEPTS IN HEROISM SCIENCE VOLUME TWO First published 2020 by Palsgrove Copyright © 2020 by Scott T. Allison. All rights reserved. Printed in the United States of America. No part of the book may be used or reproduced without written permission with the exception of brief quotations. Library of Congress Cataloging in Publication Data Name: Allison, Scott T., Editor Title: Core Concepts in Heroism Science, Volume 2 Edited by Scott T. Allison Description: 1 Edition | Richmond: Palsgrove, 2020 | Includes bibliographical references Identifiers: ISBN-9798650178880 ISBN: 9798650178880 COVER IMAGE: Illustration by Jamie Katz. Design by Dylan Vavra CORE CONCEPTS IN HEROISM SCIENCE VOLUME TWO Edited by Scott T. Allison University of Richmond Praise for Core Concepts in Heroism Science “Meticulously researched, and a lively read, this book is a brilliant example of the meaningful and collaborative scholarship that emerges from the partnership between gifted students and their faculty mentors.” -- Dr. -
Aspectos Educacionais Do Karate: Discutindo Suas Representações No Cinema1
SEÇÃO: ARTIGOS Aspectos educacionais do karate: discutindo suas representações no cinema1 Rafael Cava Mori2 ORCID: 0000-0001-6301-2795 Gilmar Araújo de Oliveira3 ORCID: 0000-0002-7617-6235 Resumo O karate é uma luta originária de Okinawa, ilha ao sul do Japão. Historicamente, atravessou três períodos: a partir do século XVII, como bujutsu, técnica clandestina de luta; depois, como budo, quando foi convertido em luta tradicional japonesa, em fins do século XIX, propugnando valores educacionais e identitários; e finalmente, como esporte de luta, quando foi associado a performance motora e competitividade, no século XX. Ao considerar o papel do karate como veiculador de valores de um Japão idealizado – japonesidade –, este trabalho analisa representações cinematográficas dessa luta. A análise focou nos aspectos educativos retratados nos filmes, a série estadunidense The karate kid e o japonês Kuro obi, sendo conduzida conforme três categorias: a relação entre teoria e prática; ruídos e conflitos entre professor e aluno; e formação do aluno como futuro professor. Os resultados revelam que as obras criticam a esportivização do karate, enfatizando a representação de aspectos educacionais associados aos períodos do bujutsu e, principalmente, do budo. Também, colaboram para reafirmar e atualizar a japonesidade, ao tratar os princípios do budo e sua transmissão educacional de forma idealizada, sem aludir a seu caráter moderno. Ainda, os filmes apresentam divergências em relação à proposta contemporânea de uma pedagogia das lutas, fundamentada na ciência da motricidade humana. Por outro lado, as produções cinematográficas contribuem para a área educacional na medida em que possibilitam discussões a respeito dos processos formativos e seus percalços, retratados de forma original, recorrendo aos conceitos de yin/ yang relacionados aos princípios zen -budistas do budo.