Core Concepts in Heroism Science, Volume Two

Total Page:16

File Type:pdf, Size:1020Kb

Core Concepts in Heroism Science, Volume Two University of Richmond UR Scholarship Repository Bookshelf 2020 Core Concepts in Heroism Science, Volume Two Scott T. Allison University of Richmond Follow this and additional works at: https://scholarship.richmond.edu/bookshelf Part of the Community Psychology Commons, Social Psychology Commons, and the Theory and Philosophy Commons Recommended Citation Allison, S. T. (Ed.). (2020). Core Concepts in Heroism Science (Vol. Two). Richmond, VA: Palsgrove. NOTE: This PDF preview of Core Concepts in Heroism Science, Volume Two includes only the preface and/or introduction. To purchase the full text, please click here. This Book is brought to you for free and open access by UR Scholarship Repository. It has been accepted for inclusion in Bookshelf by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. CORE CONCEPTS IN HEROISM SCIENCE VOLUME TWO First published 2020 by Palsgrove Copyright © 2020 by Scott T. Allison. All rights reserved. Printed in the United States of America. No part of the book may be used or reproduced without written permission with the exception of brief quotations. Library of Congress Cataloging in Publication Data Name: Allison, Scott T., Editor Title: Core Concepts in Heroism Science, Volume 2 Edited by Scott T. Allison Description: 1 Edition | Richmond: Palsgrove, 2020 | Includes bibliographical references Identifiers: ISBN-9798650178880 ISBN: 9798650178880 COVER IMAGE: Illustration by Jamie Katz. Design by Dylan Vavra CORE CONCEPTS IN HEROISM SCIENCE VOLUME TWO Edited by Scott T. Allison University of Richmond Praise for Core Concepts in Heroism Science “Meticulously researched, and a lively read, this book is a brilliant example of the meaningful and collaborative scholarship that emerges from the partnership between gifted students and their faculty mentors.” -- Dr. Ronald A. Crutcher, President, University of Richmond “This book represents the ideal integration of teaching and scholarly work that is an exemplar of a University of Richmond education.” -- Dr. Jacquelyn S. Fetrow, Provost and Vice President of Academic Affairs, University of Richmond “A extraordinary collection of readings that illuminate the origins of heroic action. Reading Core Concepts in Heroism Science gave me a fresh, bold appreciation of heroism science.” -- Dr. James K. Beggan, Professor of Sociology, University of Louisville “Core Concepts in Heroism Science is an inspiring book about inspiring people. Heroes teach by the example of their lives and those lives are explored here in both personal detail and broad perspective. We are fortunate to have such a book.” -- Dr. Edward Ayers, Tucker-Boatwright Professor in the Humanities, President Emeritus, University of Richmond "Scott Allison has succeeded in gathering an all-star team of student scholars who provide a masterful analysis of the central concepts of heroism. This is an inspired volume that forges new ground in enhanc- ing our understanding of the best of human nature." -- Dr. Robert A. Giacalone, Professor of Management, John Carroll University Contents Acknowledgements 4 Introduction: Unification at the Core of Heroism 6 Scott t. AlliSon section i • How to Make a Hero 1 Heroes as Moral Models: An Effective Way to Make Change 22 JAmie l. KAtz 2 Motivational Heroism: A Phenomenon that Keeps the World Spinning 38 lAuren A. lAmbert 3 Adherence to Principles: The Heroism of Charlotte Brontë and Edith Wharton 54 SmArAgdA P. SPyrou 4 Wax On, Wax Off: The Transformative Effect of Mentors on Heroes 68 nAtAlie r. SchiAno section 2 • How to Break a Hero 5 Falling From Grace: From Celebration to Condemnation 84 JAcob W. roberSon 6 Tales of the Flawed: An Examination of Anti-Heroism Across Media 100 Tai l. ho 7 Transposed Heroes: Supporting Evidence for Subjective Heroism 118 chloe l. zAloom 1 section 3 • How Heroes Defy tHe Odds 8 Citizens or Heroes: The Fall – and Rise – of Heroic Martyrdom 134 megAn r. Wirtz 9 Sexism, Gender Roles and Heroism: Why Women are Underrepresented as HeroesTrilogy 150 JeSSicA m. StAnfill 10 Coming from Behind Once Again: An Analysis of the Underdog Phenomenon 166 emily e. brAuneWell section 4 • applications of HeroisM 11 Heroism and Hofstede’s Dimensions: A Cross-Cultural Analysis 180 AlexA m. bertrAnd 12 Heroic Transformation of Setting: The Relationship Between the Hero and Her Environment 198 ShAron h. Shin 13 Heroic Pursuits of Scientific Knowledge 212 e. h. hA About tHe autHors 229 otHer Books in tHe palsgrove series 233 About tHe palsgrove series eDitor 234 2 3 Acknowledgements This book is the fifth in the Palsgrove series of student-authored books that my team and I have edited over the past several years. It was made possible by many sources of support from a number of generous individuals. Foremost, I thank my student-authors for their enthusiastic participation in this enterprise. These gifted young people have taught me much about heroism and they give me such nourishing hope for the future of humanity and for our planet. This volume could not have been produced without the encouragement and support from several University of Richmond sources. My heartfelt thanks go out to Ronald Crutcher, President of the University of Richmond; Patrice Rankine, Dean of Arts & Sciences; and Cindy Bukach, Chair of the Psychology Department. These extraordinary individuals have provided the inspiration to continue this series of student-authored books on heroism. I am also grateful to Greg Smith, my friend and colleague for the past 15 years. Greg’s help with the technical aspects of publishing these books has been invalu- able. Additional thanks go to Karyn Kuhn, one of the best academic administra- tors in the history of the University of Richmond. Whenever I need any kind of assistance, Karyn is always there with the perfect answer, always delivered with kindness and wisdom. Perhaps the one person most responsible for my interest in heroism is my dear friend and colleague, Al Goethals. Al and I have been buddies and research col- laborators since 1985. For almost 40 years, the two of us have enjoyed innumer- able lunches and conversations about leadership and heroism. These chats are always a delight and have served as the genesis of our many co-authored books and articles. I owe a huge debt of gratitude to Al for his generous spirit and wisdom. Finally, this work would never have happened without my loving wife and part- ner Connie Allison, who for reasons I'll never understand has tolerated me for many years. Connie’s gentle demeanor, steadfast warmth, and sweet compan- ionship have inspired and sustained me more than she’ll ever know. Thank you, my dear Constance Rae. 4 INTRODUCTION 5 Unification at the Core of Heroism scott t. allison What lies at the core of heroism? This book attempts to answer this daunting question. To understand the core of heroism – the forces underlying it – let’s first examine what heroism is at its surface. On the outside, heroism is a behavior, or set of behaviors. These actions are directed toward helping others, and they go beyond expectation and are considered by most people to be extraordinary (Franco, Blau, & Zimbardo, 2011). In addition, heroism involves taking great risks and making exceptional sacrifices (Allison, Goethals, & Kramer, 2017). We observe these extreme helping behaviors and we admire them -- but where do these actions come from? What hidden, internal processes are at work and can explain why some people step up, take chances, and dare to do what most of us are unable to do? What lurks at the core of heroic action? At its heart, out of sight but driving people’s heroic behavior, lurks a heroic consciousness that “sees” the world through a broader, deeper, and enlightened lens. Heroic behavior is always a reflection of an expanded and mature con- sciousness. This highly developed consciousness lies at the core of heroism and makes extraordinarily positive, selfless, and inspirational behavior possible. 6 Let’s be very clear: The idea that consciousness plays an important role in hero- ism is not new at all. For example, Joseph Campbell (1988) argued that the goal of the hero’s journey in myth and literature is to bring about “a transformation of consciousness” in the hero (p. 155, italics added). Kinsella, Ritchie, and Igou (2017) argue that heroism heightens our conscious “awareness of ought selves and ideal selves” (p. 27). Heroism scientists have recently argued that the ultimate goal of heroic transformation is the attainment of a higher, or deeper, level of conscious- ness (Jones, 2019; Ross, 2019). This type of “seeing” requires a fresh, heroic set of eyes, a new type of conscious- ness that involves viewing the world in a way that dares to deviate from our Western culture’s emphasis on individualism, hyper-rationalism, and materialism. Ross (2019), for example, has conceptualized heroic transformation as the pathway to “higher or increased consciousness” (p. 5). A person with heroically transformed consciousness is “able to sense through division and experience the unity inherent in all, and will be able to unify perceptions and self” (p. 6). four SignS of heroic conSciouSneSS From my review of the literature, I have identified four attributes of an individual who has experienced heroic consciousness. The four characteristics of the hero’s consciousness include the tendency to show clarity and effectiveness in: (1) seeing the world from a nondualistic perspective; (2) processing transrational phenomena; (3) exhibiting a unitive consciousness; and (4) demonstrating the wisdom to know when to act heroically and when not to act when action would be harmful. Let’s now examine each of these in turn. 1. Nondualistic Thinking A central element of the hero’s consciousness is the hero’s use of the mental and spiritual approach to life known as nondualistic thinking (Jones, 2019; Loy, 1997; Rohr, 2009). Heroes are adept at both dualistic and nondualistic mental approaches.
Recommended publications
  • The Emerald City of Oz by L. Frank Baum Author of the Road to Oz
    The Emerald City of Oz by L. Frank Baum Author of The Road to Oz, Dorothy and The Wizard in Oz, The Land of Oz, etc. Contents --Author's Note-- 1. How the Nome King Became Angry 2. How Uncle Henry Got Into Trouble 3. How Ozma Granted Dorothy's Request 4. How The Nome King Planned Revenge 5. How Dorothy Became a Princess 6. How Guph Visited the Whimsies 7. How Aunt Em Conquered the Lion 8. How the Grand Gallipoot Joined The Nomes 9. How the Wogglebug Taught Athletics 10. How the Cuttenclips Lived 11. How the General Met the First and Foremost 12. How they Matched the Fuddles 13. How the General Talked to the King 14. How the Wizard Practiced Sorcery 15. How Dorothy Happened to Get Lost 16. How Dorothy Visited Utensia 17. How They Came to Bunbury 18. How Ozma Looked into the Magic Picture 19. How Bunnybury Welcomed the Strangers 20. How Dorothy Lunched With a King 21. How the King Changed His Mind 22. How the Wizard Found Dorothy 23. How They Encountered the Flutterbudgets 24. How the Tin Woodman Told the Sad News 25. How the Scarecrow Displayed His Wisdom 26. How Ozma Refused to Fight for Her Kingdom 27. How the Fierce Warriors Invaded Oz 28. How They Drank at the Forbidden Fountain 29. How Glinda Worked a Magic Spell 30. How the Story of Oz Came to an End Author's Note Perhaps I should admit on the title page that this book is "By L. Frank Baum and his correspondents," for I have used many suggestions conveyed to me in letters from children.
    [Show full text]
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • A Master Thesis Entitled the Impact Social
    A Master Thesis entitled The Impact Social Media has on Collegiate Gymnasts: Social Support and Body Image by Alaska Richardson Submitted to the Graduate Faculty as partial fulfillment of the requirements for the Masters of Educational Psychology Degree in The Judith Herb College of Education ________________________________ Mary Ellen Edwards, Ph. D., Committee Chair ________________________________ Revathy Kumar, Ph. D., Committee Member ________________________________ Lynne Hamer, Ph. D., Committee Member ________________________________ Amanda C. Bryant-Friedrich, Ph. D., Dean College of Graduate Studies The University of Toledo May 2018 Copyright 2018, Alaska J. Richardson This document is copyrighted material. Under copyright law, no parts of this document may be reproduced without the expressed permission of the author. ii An Abstract of The Impact Social Media has on Collegiate Gymnasts: Social Support and Body Image by Alaska Richardson Submitted to the Graduate Faculty as partial fulfillment of the requirements for the Masters of Educational Psychology Degree in The Judith Herb College of Education University of Toledo May 2018 With the tremendous growth of technology over the years, social media platforms have become a new and improved way for people from all parts of the globe to stay connected. This can cause many different impacts and actions on individuals who are viewing a variety of social media content or posts. One can become inspired by those they follow by engaging in similar practices to either better themselves or begin to compare themselves to others which can lead to more negative side effects such as developing low self-esteem, anxiety, and even depressive thoughts. Little is known about how social media can impact people’s social support and views on their body images.
    [Show full text]
  • The Portrayal of Black Female Athletes in Children's Picturebooks
    Strides Toward Equality: The Portrayal of Black Female Athletes in Children’s Picturebooks Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Rebekah May Bruce, M.A. Graduate Program in Education: Teaching and Learning The Ohio State University 2018 Dissertation Committee: Michelle Ann Abate, Advisor Patricia Enciso Ruth Lowery Alia Dietsch Copyright by Rebekah May Bruce 2018 Abstract This dissertation examines nine narrative non-fiction picturebooks about Black American female athletes. Contextualized within the history of children’s literature and American sport as inequitable institutions, this project highlights texts that provide insights into the past and present dominant cultural perceptions of Black female athletes. I begin by discussing an eighteen-month ethnographic study conducted with racially minoritized middle school girls where participants analyzed picturebooks about Black female athletes. This chapter recognizes Black girls as readers and intellectuals, as well as highlights how this project serves as an example of a white scholar conducting crossover scholarship. Throughout the remaining chapters, I rely on cultural studies, critical race theory, visual theory, Black feminist theory, and Marxist theory to provide critical textual and visual analysis of the focal picturebooks. Applying these methodologies, I analyze the authors and illustrators’ representations of gender, race, and class. Chapter Two discusses the ways in which the portrayals of track star Wilma Rudolph in Wilma Unlimited and The Quickest Kid in Clarksville demonstrate shifting cultural understandings of Black female athletes. Chapter Three argues that Nothing but Trouble and Playing to Win draw on stereotypes of Black Americans as “deviant” in order to construe tennis player Althea Gibson as a “wild child.” Chapter Four discusses the role of family support in the representations of Alice Coachman in Queen of the Track and Touch the Sky.
    [Show full text]
  • Kalamazoo College W.E. Upjohn Center for the Study Of
    This digital document was prepared for Kalamazoo College by the W.E. Upjohn Center for the Study of Geographical Change a division of Western Michigan University College of Arts and Sciences COPYRIGHT NOTICE This is a digital version of a Kalamazoo College yearbook. Kalamazoo College holds the copyright for both the paper and digital versions of this work. This digital version is copyright © 2009 Kalamazoo College. All rights reserved. You may use this work for your personal use or for fair use as defined by United States copyright law. Commercial use of this work is prohibited unless Kalamazoo College grants express permission. Address inquiries to: Kalamazoo College Archives 1200 Academy Street Kalamazoo, MI 49006 e-mail: [email protected] .Ko\aVV\ti.XOO Co\\ege. ~a\C\mazoo \ V'f\~c."'~g~V\ Bubbling over, Steaming hot­ Our Indian name t-Jolds likely as not: Kalamazoo Is a Boiling Pot, Where simmering waters Slowly rise, Then nearly burst The cauldron's sides ; And where, after all, The aim and dream Bubbling, all in a turmoil, unquestionably alive, Is sending the lukewarm the Kalamazoo Coll ege program in the academic Up in steam. year 1963-64 has resembled nothing so much as M. K. a great cauldron of simmering water coming to a rolling boil. Much of the credit for this new energy and activity belongs to President Weimer K. Hicks, to whom, in this tenth year of his asso­ ciation with the College, this edition of the Boiling Pot is dedicated. MCod~m \ cs ACt '\Vi ti ~s Dff Cam?V0 Sports 0e\\\OrS \Jr\der c\o~~J\\e,r\ Summer Summer employment for caption writers.
    [Show full text]
  • William H. Hall High School
    WILLIAM H. HALL HIGH SCHOOL WARRIORS Program of Studies 2016-2017 WILLIAM HALL HIGH SCHOOL 975 North Main Street West Hartford, Connecticut 06117 Phone: 860-232-4561 Fax: 860-236-0366 CENTRAL OFFICE ADMINISTRATION Mr. Thomas Moore – Superintendent Mr. Paul Vicinus - Assistant Superintendent Dr. Andrew Morrow – Assistant Superintendent BOARD OF EDUCATION Dr. Mark Overmyer-Velazquez – Chairperson Ms. Tammy Exum – Vice-Chair Ms Carol A Blanks – Secretary Dr. Cheryl Greenberg Mr. Dave Pauluk Mr. Jay Sarzen Mr. Mark Zydanowicz HALL HIGH SCHOOL ADMINISTRATION Mr. Dan Zittoun – Principal Mr. John Guidry - Assistant Principal Dr. Gretchen Nelson - Assistant Principal Ms. Shelley A. Solomon - Assistant Principal DEPARTMENT SUPERVISORS Mrs. Lucy Cartland – World Languages Mr. Brian Cohen – Career & Technical Education Lisa Daly – Physical Education and Health Mr. Chad Ellis – Social Studies Mr. Tor Fiske – School Counseling Mr. Andrew Mayo – Performing Arts Ms. Pamela Murphy – Visual Arts Dr. Kris Nystrom – English and Reading Mr. Michael Rollins – Science Mrs. Patricia Susla – Math SCHOOL COUNSELORS Mrs. Heather Alix Mr. Ryan Carlson Mrs. Jessica Evans Mrs. Amy Landers Mrs. Christine Mahler Mrs. Samantha Nebiolo Mr. John Suchocki Ms. Amanda Williams 1 Table of Contents Administration ............................................................................................................................................. 1 Table of Contents .......................................................................................................................................
    [Show full text]
  • THE WACKY WIZARD of OZ by Patrick Dorn
    THE WACKY WIZARD OF OZ By Patrick Dorn Copyright © 2015 by Patrick Dorn, All rights reserved. ISBN: 978-1-60003-837-2 CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully protected under the copyright laws of the United States of America and all countries with which the United States has reciprocal copyright relations, whether through bilateral or multilateral treaties or otherwise, and including, but not limited to, all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention and the Berne Convention. RIGHTS RESERVED: All rights to this Work are strictly reserved, including professional and amateur stage performance rights. Also reserved are: motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all forms of mechanical or electronic reproduction, such as CD-ROM, CD-I, DVD, information and storage retrieval systems and photocopying, and the rights of translation into non-English languages. PERFORMANCE RIGHTS AND ROYALTY PAYMENTS: All amateur and stock performance rights to this Work are controlled exclusively by Brooklyn Publishers, LLC. No amateur or stock production groups or individuals may perform this play without securing license and royalty arrangements in advance from Brooklyn Publishers, LLC. Questions concerning other rights should be addressed to Brooklyn Publishers, LLC. Royalty fees are subject to change without notice. Professional and stock fees will be set upon application in accordance with your producing circumstances. Any licensing requests and inquiries relating to amateur and stock (professional) performance rights should be addressed to Brooklyn Publishers, LLC. Royalty of the required amount must be paid, whether the play is presented for charity or profit and whether or not admission is charged.
    [Show full text]
  • Rising Second Grade
    1st into 2nd Grade 2021 Summer Reading List ======================= Prepared by Liz Perry, SFWS Librarian for Class Teacher Deborah LeDean On the threshold of 2nd grade, children possess a burgeoning love of story, an interest cultivated in part by rich Main Lesson content and also by caregivers sharing a love of reading and storytelling at home. This summer, whether read-aloud or read-alone moments are offered as quick intakes of breath in the middle of the day or as restful unfoldings at night before bed, the grade-school library would like to suggest books honoring a variety of interests. The summer reading list includes Picture Books and Read-Aloud chapter-books, both Classic and Contemporary, of animals, adventure, friendship, fantasy, and family life. Included here are also Fairy and Folk Tales, followed by the Alphabet Books; while traditional in scope, they build on the 1st grader’s recent acquisition of letters and their sounds—even proficient readers can revisit these. Children can advance to Early Chapter Books (look for series such as Stepping Stones, Puffin Chapters, Harper Trophy), often housed on a separate carousel from older fiction. Recent Award-Winning Picture Books ● Alfie: (The Turtle that Disappeared), by Thyra Heder (2017). Nia loves Alfie, her pet turtle. But he’s not very soft, he doesn’t do tricks, and he’s pretty quiet. Sometimes she forgets he’s even there! That is until the night before Nia’s seventh birthday, when nAlfie disappears! Then, in an innovative switch in point of view, we hear Alfie’s side of the story.
    [Show full text]
  • View Full Article
    ARTICLE ADAPTING COPYRIGHT FOR THE MASHUP GENERATION PETER S. MENELL† Growing out of the rap and hip hop genres as well as advances in digital editing tools, music mashups have emerged as a defining genre for post-Napster generations. Yet the uncertain contours of copyright liability as well as prohibitive transaction costs have pushed this genre underground, stunting its development, limiting remix artists’ commercial channels, depriving sampled artists of fair compensation, and further alienating netizens and new artists from the copyright system. In the real world of transaction costs, subjective legal standards, and market power, no solution to the mashup problem will achieve perfection across all dimensions. The appropriate inquiry is whether an allocation mechanism achieves the best overall resolution of the trade-offs among authors’ rights, cumulative creativity, freedom of expression, and overall functioning of the copyright system. By adapting the long-standing cover license for the mashup genre, Congress can support a charismatic new genre while affording fairer compensation to owners of sampled works, engaging the next generations, and channeling disaffected music fans into authorized markets. INTRODUCTION ........................................................................ 443 I. MUSIC MASHUPS ..................................................................... 446 A. A Personal Journey ..................................................................... 447 B. The Mashup Genre ....................................................................
    [Show full text]
  • 1-22-21 Tribune/Sentinel.Indd
    6 TTribune/Sentinelribune/Sentinel EEntertainmentntertainment FFriday,riday, JJanuaryanuary 22,22, 22021021 ‘Cobra Kai’ never dies: Q&A with stars of Netfl ix series Left: “Cobra Kai” features original “The Karate Kid” stars Ralph Macchio, left, as Daniel LaRusso, and William Zabka as Johnny Lawrence. (Cr. Curtis Bonds Baker/Netfl ix © 2020) • Middle: Samantha LaRusso (Mary Mouser) turns to Daniel to rediscover her strength. • Right: John Kreese (Martin Kove) is back on “Cobra Kai.” (Courtesy of Netfl ix © 2020) BY JOSHUA MALONI issues of yesteryear. campaign to close down Johnny’s lyzed from the waist down. Sam is simple because, walking back onto GM/Managing Editor But now imagine this: In season chop-shop. The two old rivals become shell-shocked and scarred from her the set is usually what just brings it Just like the three tenets scrolled one, Daniel LaRusso (Ralph Mac- new enemies (sometimes frenemies), fi ght with Tory. Johnny has gone on all back all of a sudden. I can have across the dojo wall suggest, “Cobra chio) – sans the deceased Mr. Miyagi each trying to convince California a bender, and Daniel – at Amanda’s several months away from it, and Kai” struck fi rst, struck hard, and (Pat Morita) – has become a little youth theirs is the true karate. request – has ceased teaching karate. then I walk back into the backyard showed no mercy when it debuted on unlikable. No longer an underdog, Of course, in the season fi nale, Kreese, believing he has won, contin- of Mr. Miyagi’s house and it’s like, Netfl ix in 2020.
    [Show full text]
  • Tattoos & IP Norms
    Case Western Reserve University School of Law Scholarly Commons Faculty Publications 2013 Tattoos & IP Norms Aaron K. Perzanowski Case Western University School of Law, [email protected] Follow this and additional works at: https://scholarlycommons.law.case.edu/faculty_publications Part of the Intellectual Property Law Commons Repository Citation Perzanowski, Aaron K., "Tattoos & IP Norms" (2013). Faculty Publications. 47. https://scholarlycommons.law.case.edu/faculty_publications/47 This Article is brought to you for free and open access by Case Western Reserve University School of Law Scholarly Commons. It has been accepted for inclusion in Faculty Publications by an authorized administrator of Case Western Reserve University School of Law Scholarly Commons. Article Tattoos & IP Norms Aaron Perzanowski† Introduction ............................................................................... 512 I. A History of Tattoos .............................................................. 516 A. The Origins of Tattooing ......................................... 516 B. Colonialism & Tattoos in the West ......................... 518 C. The Tattoo Renaissance .......................................... 521 II. Law, Norms & Tattoos ........................................................ 525 A. Formal Legal Protection for Tattoos ...................... 525 B. Client Autonomy ...................................................... 532 C. Reusing Custom Designs ......................................... 539 D. Copying Custom Designs .......................................
    [Show full text]
  • FEMA's Be a Hero! Youth Emergency Preparedness Curriculum
    cy Preparedness Emergen Youth Grades 1-2 TM http://www.ready.gov/kids 1 Dear Educator, Welcome to FEMA’s Be a Hero curriculum, an empowering educational journey into emergency preparedness! This standards-based, cross-curricular program is designed to provide students in grades 1 and 2 with the knowledge, awareness, and life-saving skills needed to prepare for a variety of emergencies and disasters. By engaging in three inquiry-based lessons, students will gain a personal and meaningful understanding of disaster preparedness in the context of real-world hazards. All learning activities lead to important learning through collaborative fact-finding and sharing. By the final lesson, students will become “heroes” as they develop their ownReady Books on emergency preparedness. Using communication skills and creativity, they will generate awareness of emergency preparedness among friends, families, and the school community. Knowledge empowers! We hope this program will help you, your students, and their families feel prepared. Sincerely, Your Friends at FEMA Table of Contents Lesson 1: Lesson 2: Lesson 3: Super Mission: Find the Facts 5 Superheroes, Ready! 16 We Know What To Do! 22 Essential Questions: Essential Questions: Essential Questions: What is an emergency? What is a How can I/my family prepare for an What should I do in an emergency? What are natural disaster? What are different emergency or disaster? Am I/is my safe actions in different emergency situations? kinds of emergencies that can family prepared? impact me? Learning Objectives:
    [Show full text]