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Captain Arthur Rostron
CAPTAIN ARTHUR ROSTRON CARPATHIA Created by: Jonathon Wild Campaign Director – Maelstrom www.maelstromdesign.co.uk CONTENTS 1 CAPTAIN ARTHUR ROSTRON………………………………………………………………………………………………………………….………3-6 CUNARD LINE…………………………………………………………………………………………………………………………………………………7-8 CAPTAIN ARTHUR ROSTRON CONT…….….……………………………………………………………………………………………………….8-9 RMS CARPATHIA…………………………………………………….…………………………………………………………………………………….9-10 SINKING OF THE RMS TITANIC………………………………………………………………………………………………………………….…11-17 CAPTAIN ARTHUR ROSTRON CONT…………………………………………………………………………………………………………….18-23 R.M.S CARPATHIA – Copyright shipwreckworld.com 2 CAPTAIN ARTHUR ROSTRON Sir Arthur Henry Rostron, KBE, RD, RND, was a seafaring officer working for the Cunard Line. Up until 1912, he was an unknown person apart from in nautical circles and was a British sailor that had served in the British Merchant Navy and the Royal Naval Reserve for many years. However, his name is now part of the grand legacy of the Titanic story. The Titanic needs no introduction, it is possibly the most known single word used that can bring up memories of the sinking of the ship for the relatives, it will reveal a story that is still known and discussed to this day. And yet, Captain Rostron had no connections with the ship, or the White Star Line before 1912. On the night of 14th/15th April 1912, because of his selfless actions, he would be best remembered as the Captain of the RMS Carpathia who rescued many hundreds of people from the sinking of the RMS Titanic, after it collided with an iceberg in the middle of the North Atlantic Ocean. Image Copyright 9gag.com Rostron was born in Bolton on the 14th May 1869 in the town of Bolton. His birthplace was at Bank Cottage, Sharples to parents James and Nancy Rostron. -
LIST of PAPERS in ARS QUATUOR CORONATORUM Website: Author 1 – 1886-8 on Some Old Scottish Masonic Customs R.F
LIST OF PAPERS IN ARS QUATUOR CORONATORUM website: www.quatuorcoronati.com Author 1 – 1886-8 On Some Old Scottish Masonic Customs R.F. Gould The Steinmetz Theory Critically Examined G.W. Speth On an Early Version of the Hiramic Legend Hayter Lewis Freemasonry and Hermeticism A.F.A. Woodford On the Orientation of Temples Warren Connecting Links between Ancient and Modern Freemasonry W.J. Hughan The Religion of Freemasonry Illuminated by the Kabbalah W.W. Westcott The Quatuor Coronati – Arundel MS A.F.A. Woodford English Freemasonry before the Era of Grand Lodges (1717) R.F. Gould The Apostle St Paul, a Mason Tendler The Threefold Division of Temples Simpson Indian Relics Spainhour Unrecognised Lodges & Degrees of Freemasonry before & after 1717 J. Yarker Shall I be a Mason? Tempels Effigy of a Reputed GM of Freemasons in Winchester Cathedral Jacobs Legends of the Compagnonnage – Part I W.H. Rylands Two New Versions of the Old Charges (Wilson, Phillipps, Stanley) G.W. Speth Scottish Freemasonry before the Era of Grand Lodges G.W. Speth The Roman Legend of the Quattro Incoronati Russell Forbes Classification of the Old Charges of the British Masons Begemann Masters’ Lodges Lane The Quatuor Coronati Abroad G.W. Speth Scottish Freemasonry in the Present Era Macbean Relations between Grand Lodges of England & Sweden in Last Century Kupferschmidt 2 – 1889 The Worship of Death Simpson Legends of the Compagnonnage – Part II W.H. Rylands The Foundation of Modern Freemasonry G.W. Speth Freemasonry in Rotterdam 120 Years Ago Vaillant The Origin of Freemasonry Cramer The Grand Lodge at York Whytehead Free and Freemason Schnitger Hogarth’s Picture Night W.H. -
Industry and the Ideal
INDUSTRY AND THE IDEAL Ideal Sculpture and reproduction at the early International Exhibitions TWO VOLUMES VOLUME 1 GABRIEL WILLIAMS PhD University of York History of Art September 2014 ABSTRACT This thesis considers a period when ideal sculptures were increasingly reproduced by new technologies, different materials and by various artists or manufacturers and for new markets. Ideal sculptures increasingly represented links between sculptors’ workshops and the realm of modern industry beyond them. Ideal sculpture criticism was meanwhile greatly expanded by industrial and international exhibitions, exemplified by the Great Exhibition of 1851, where the reproduction of sculpture and its links with industry formed both the subject and form of that discourse. This thesis considers how ideal sculpture and its discourses reflected, incorporated and were mediated by this new environment of reproduction and industrial display. In particular, it concentrates on how and where sculptors and their critics drew the line between the sculptors’ creative authorship and reproductive skill, in a situation in which reproduction of various kinds utterly permeated the production and display of sculpture. To highlight the complex and multifaceted ways in which reproduction was implicated in ideal sculpture and its discourse, the thesis revolves around three central case studies of sculptors whose work acquired especial prominence at the Great Exhibition and other exhibitions that followed it. These sculptors are John Bell (1811-1895), Raffaele Monti (1818-1881) and Hiram Powers (1805-1873). Each case shows how the link between ideal sculpture and industrial display provided sculptors with new opportunities to raise the profile of their art, but also new challenges for describing and thinking about sculpture. -
Issue 9 W Inter 2002 50P -- Seems to Have Been a Rather Sleepy Room Œ and Suggested It Might Be —Put in a Figure
AP Society Newsletter '9 9Deliver this to SENH,-SE, Roger Aksakov, Montaigne and The ,9 ord The Anthony Powell Society I prithee post.an debonair 1ooks o French, 6er.an and Italian He is the handso.e upstairs lodger 4erse. Po ell also came across an Newsletter At No. 10 1runswick S2uareB autographed copy of Stendhal/s book on Italian Painting on the shelves in this Issue 9 W inter 2002 50p 77 seems to have been a rather sleepy room - and suggested it might be 9put in a figure. One of the Library Committee, closed case.B A Hero of Our Club œ Anthony the height, or depth, of the ,lit8, a Captain Aennedy appears to have been a Powell at The Travellers 1930- back oodsman lumbered across to the dedicated follo er of the Turf and pressed After all his hard ork in improving the 2000: Part Two Marshall/s solitary table. for the scarce Library funds to be applied Library, Po ell as a natural choice as to buying form7guides and 3ho‘s 3ho in Chairman of the Library Committee from 9Ah, Portal, there you are! I hear Racing. Then, in Covember 194D, 6arold :une 1949 on ards. In the autumn of The edited text of a talk delivered at the Royal Flying Corps have been Cicolson, Alan Pryce7:ones, LE :ones 1951 he presented a first edition copy of A The Travellers Club, 04 March 2002 doin‘ right ully well. Keep up the Eauthor of that evocative trilogy, A :uestion o -pbringing to the club Ehe good work!$ 4ictorian 1oyhood, Edwardian 5outh and had earlier presented some of his pre7 ar by Hugh Massingberd 6eorgian A ternoonF and a certain 9A2 novels, as ell as John Aubrey and His [Part One of this talk as published in the After the ar, The Travellers/ Library Po ellB ere brought in 9to ginger things Friends in 1949F and this coincided ith Autumn 2002 Newsletter] regarded by many, including :ohn upB, as Po ell ould have put it. -
A Brief History of Greek Helmets
Jesse Obert A Brief History of Greek Helmets Author: Jesse Obert Source: AncientPlanet Online Journal Vol. 2 (2012), 48 – 59 Published by: Ioannis Georgopoulos Available at: http://issuu.com/ancientplanet/docs/ancientplanet_vol.2 1 Jesse Obert A Brief History of Greek Helmets Warfare is a constantly changing aspect of human interaction. In Ancient Greece, an emphasis on camaraderie and communal reliance developed the concept of unit cohesion and specialization. Ultimately, Greece would become the birthplace of Western Military thought. The maturation of this mentality can be traced through the stylistic and technological progression of military helmets. Experimentations with helmet design illuminate the limitations and intricacies of warfare as it was developed in the ancient world. Though the development of any technology is nonlinear, studying the evolution of stylistic designs reveals how the unique style of combat in Greece changed war. The history of the Greek helmet began in the 17th century BCE, when the Mycenaean Empire controlled Greece. At the time, the Boar’s Tusk Helmet was popular throughout the region. This conically shaped helmet consisted of alternating levels of boars’ tusks in a style and design that may have originated in Western Europe (Snodgrass 19). The tusks were sewn into a felt or leather cap which served as the base of the helmet. In all reality, the boar’s tusks would have shattered after a single blow, but were an improvement over leather or even felt (Everson 10-11). Additionally, the laces holding the tusks in place would have been exposed and vulnerable, so leather strands were probably tied between the alternating tusks in order to protect the laces (Everson 7). -
British Commemorative Medals
________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________ ________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________ BRITISH COMMEMORATIVE MEDALS Gold Medals 2074 Victoria, Golden Jubilee 1887, Official Gold Medal, by L C Wyon, after Sir Joseph Edgar Boehm and (reverse), Sir Frederick Leighton, crowned and veiled bust left, rev the Queen enthroned with figures of the arts and industry around her, 58mm, 89.86g, in red leather case of issue (BHM 3219). Extremely fine, damage to clasp of case. £900-1100 944 specimens struck, selling at 13 Guineas each 2075 Victoria, Diamond Jubilee 1887, Official Gold Medal, by G W -
Statutes and Rules for the British Museum
(ft .-3, (*y Of A 8RI A- \ Natural History Museum Library STATUTES AND RULES BRITISH MUSEUM STATUTES AND RULES FOR THE BRITISH MUSEUM MADE BY THE TRUSTEES In Pursuance of the Act of Incorporation 26 George II., Cap. 22, § xv. r 10th Decembei , 1898. PRINTED BY ORDER OE THE TRUSTEES LONDON : MDCCCXCYIII. PRINTED BY WOODFALL AND KINDER, LONG ACRE LONDON TABLE OF CONTENTS CHAPTER I. PAGE Meetings, Functions, and Privileges of the Trustees . 7 CHAPTER II. The Director and Principal Librarian . .10 Duties as Secretary and Accountant . .12 The Director of the Natural History Departments . 14 CHAPTER III. Subordinate Officers : Keepers and Assistant Keepers 15 Superintendent of the Reading Room . .17 Assistants . 17 Chief Messengers . .18 Attendance of Officers at Meetings, etc. -19 CHAPTER IV. Admission to the British Museum : Reading Room 20 Use of the Collections 21 6 CHAPTER V, Security of the Museum : Precautions against Fire, etc. APPENDIX. Succession of Trustees and Officers . Succession of Officers in Departments 7 STATUTES AND RULES. CHAPTER I. Of the Meetings, Functions, and Privileges of the Trustees. 1. General Meetings of the Trustees shall chap. r. be held four times in the year ; on the second Meetings. Saturday in May and December at the Museum (Bloomsbury) and on the fourth Saturday in February and July at the Museum (Natural History). 2. Special General Meetings shall be sum- moned by the Director and Principal Librarian (hereinafter called the Director), upon receiving notice in writing to that effect signed by two Trustees. 3. There shall be a Standing Committee, standing . • Committee. r 1 1 t-» • 1 t> 1 consisting 01 the three Principal 1 rustees, the Trustee appointed by the Crown, and sixteen other Trustees to be annually appointed at the General Meeting held on the second Saturday in May. -
The Campaign of 1814: Bibliography Part III
The Napoleon Series The Campaign of 1814: Bibliography Part III By: Maurice Weil Translated by: Greg Gorsuch THE CAMPAIGN OF 1814 (after the documents of the imperial and royal archives of Vienna) _____________________ THE ALLIED CAVALRY DURING THE CAMPAIGN OF 1814 ________________________ LIST OF THE WORKS AND DOCUMENTS CONSULTED1 PERROT. Itinéraire général de Napoléon. Chronologie du Consulat et de l'Empire. (General Itinerary of Napoleon. Chronology of the Consulate and the Empire.) PERTZ. Das Leben des Ministers Freiherrn von Stein. (The Life of Minister Baron von Stein.) PERTZ-DELBRUCK. Das Leben des Feld-Marschalls Grafen Neithardt von Gneisenau. (The Life of Field-Marshal Count Neilhardt von Gneisenau.) PÉTIET (Auguste). Journal historique de la division de cavalerie légère du 5° corps de cavalerie pendant la campagne de France, en 1814. (Historical Journal of the Light Cavalry Division of the 5th Corps of Cavalry during the Campaign of France, in 1814.) PÉTIET (Général baron Auguste). Souvenirs militaires de l'histoire contemporaine. (Military Memories of Contemporary History.) PEYRUSSE (Baron). Mémorial et Archives (1809-1815). (Memorabilia and Archives, 1809-1815) 1 Translator's note: in his list Weil has collected alphabetically (by author, subject and sometimes title) the major works consulted in his four volume history. The works are listed in their native language, followed, except when in French by the author's translation. These translations occasionally have errors, contradictions and omissions which I have not corrected so as to give you the author's understanding. I have added translations in parenthesis on French works listed. © 1995 – 2017 The Napoleon Series PFAU (Hauptmann). Kriegszenen aus der Geschichte des K. -
"München Leuchtete ..." Autographen, Widmungsexemplare Und Bücher Aus München Zum 850
"München leuchtete ..." Autographen, Widmungsexemplare und Bücher aus München zum 850. Stadtjubiläum August 2008 Autographen & Bücher Eberhard Köstler Fiedererstraße 1 A D - 82327 Tutzing Geschäftsbedingungen (Auszug) Das Angebot des Kataloges ist freibleibend. Die Bestellungen werden in der Reihenfolge ihres Einganges ausgeführt. Sendungen bis zu einem Ge- samtwert von EUR 150.- werden im Inland als Großbrief versandt; die Versandkostenpauschale pro Sendung beträgt dann EUR 2,20; bei höhe- rem Warenwert kommt die Einschreibgebühr dazu. Uns unbekannte Be- steller beliefern wir gegen Vorausrechnung. Die angebotenen Autographen sind geprüft. Für die Echtheit der Auto- graphen wird garantiert. Spätestens innerhalb von 14 Tagen nach Erhalt der Sendung besteht für uns die Verpflichtung zur Rücknahme, nicht aber zur Ersatzlieferung. Preise rein netto (d. h. ohne Abzüge) in Euro bei so- fortiger Bezahlung. Preise inkl. gesetzlicher Mehrwertsteuer. Eigentumsvorbehalt bis zum vollständigen Zahlungseingang. Erfüllungs- ort und Gerichtsstand für beide Teile (im Rahmen der gesetzlichen Rege- lung) ist Tutzing. Mit Aufgabe einer Bestellung werden die Geschäftsbedingungen aner- kannt. Alle Rechte an den zitierten Texten und den Abbildungen bleiben den In- habern der Urheberrechte vorbehalten. Nachdrucke sind in jedem Fall genehmigungspflichtig. Zahlungen per Lastschrifteinzug, VISA und Master- bzw. Eurocard werden gerne akzeptiert. Katalog 48 Vorderumschlag: Nr. 105, Rilke in Schwabing Autographen & Bücher Eberhard Köstler Fiedererstraße 1 A D - 82327 Tutzing Telefon [0049] (0)8158 - 36 58 Telefax [0049] (0)8158 - 36 66 [email protected] Alle Autographen unter www.autographs.de UstId-Nr. DE 1313 2625 8 Mitglied im Verband deutscher Antiquare und der International League of Antiquarian Booksellers 1 Althaus, Peter Paul, Schriftsteller (1892-1965). Liebe, Musik und der Tod des Johann Sebastian Bach. -
British Coins
______________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________ ______________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________ BRITISH COINS 567 Eadgar (959-975), cut Halfpenny, from small cross Penny of moneyer Heriger, 0.68g (S 1129), slight crack, toned, very fine; Aethelred II (978-1016), Penny, last small cross type, Bath mint, Aegelric, 1.15g (N 777; S 1154), large fragment missing at mint reading, good fine. (2) £200-300 with old collector’s tickets of pre-war vintage 568 Aethelred II (978-1016), Pennies (2), Bath mint, long -
Press Release Witnesses: Émigré Medallists in Britain
Press release Witnesses: émigré medallists in Britain 4 October 2018 – 7 April 2019 Room 69a, Free Sponsored by Spink The British Museum presents a new exhibition called Witnesses: émigré medallists in Britain, sponsored by Spink. This focussed exhibition uncovers the invaluable role played by artists from abroad in the development of British medallic art. On display are medals that span six centuries, documenting significant historical moments and commemorating famous British figures. This new exhibition uses objects to tell an international story, as it explores the motivations that brought artists to Britain and the ways in which they enlivened this country’s medallic landscape. The earliest works in the exhibition are from Elizabethan England. It was the Dutch artist Steven van Herwijck who introduced the art of the medal, already well-established on this continent, to Britain’s urban elite. Van Herwijck’s first visit to England was of short duration, but three years later he returned with his wife and children. Medals have been made continuously in this country ever since. One of the star objects on display will be a spectacular Waterloo medal conceived by 19thcentury Italian gem engraver Benedetto Pistrucci. This medal took 30 years to complete and bears the image of the four allied sovereigns George, Prince Regent, Francis II of Austria, Alexander I of Russia and King Frederick William III of Prussia. Although the story of each medallist who arrived over the centuries is unique, for many a position at the Royal Mint was coveted and considered the ultimate goal. Pistrucci was successful in this ambition as he arrived from Italy in 1815 and became Chief Medallist at the Royal Mint. -
Biographical Appendix
Biographical Appendix The following women are mentioned in the text and notes. Abney- Hastings, Flora. 1854–1887. Daughter of 1st Baron Donington and Edith Rawdon- Hastings, Countess of Loudon. Married Henry FitzAlan Howard, 15th Duke of Norfolk, 1877. Acheson, Theodosia. 1882–1977. Daughter of 4th Earl of Gosford and Louisa Montagu (daughter of 7th Duke of Manchester and Luise von Alten). Married Hon. Alexander Cadogan, son of 5th Earl of Cadogan, 1912. Her scrapbook of country house visits is in the British Library, Add. 75295. Alten, Luise von. 1832–1911. Daughter of Karl von Alten. Married William Montagu, 7th Duke of Manchester, 1852. Secondly, married Spencer Cavendish, 8th Duke of Devonshire, 1892. Grandmother of Alexandra, Mary, and Theodosia Acheson. Annesley, Katherine. c. 1700–1736. Daughter of 3rd Earl of Anglesey and Catherine Darnley (illegitimate daughter of James II and Catherine Sedley, Countess of Dorchester). Married William Phipps, 1718. Apsley, Isabella. Daughter of Sir Allen Apsley. Married Sir William Wentworth in the late seventeenth century. Arbuthnot, Caroline. b. c. 1802. Daughter of Rt. Hon. Charles Arbuthnot. Stepdaughter of Harriet Fane. She did not marry. Arbuthnot, Marcia. 1804–1878. Daughter of Rt. Hon. Charles Arbuthnot. Stepdaughter of Harriet Fane. Married William Cholmondeley, 3rd Marquess of Cholmondeley, 1825. Aston, Barbara. 1744–1786. Daughter and co- heir of 5th Lord Faston of Forfar. Married Hon. Henry Clifford, son of 3rd Baron Clifford of Chudleigh, 1762. Bannister, Henrietta. d. 1796. Daughter of John Bannister. She married Rev. Hon. Brownlow North, son of 1st Earl of Guilford, 1771. Bassett, Anne. Daughter of Sir John Bassett and Honor Grenville.