Clement XIV (1705-1769-1774), Giovanni Vincenzo Antonio Ganganelli
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Press Release Witnesses: Émigré Medallists in Britain
Press release Witnesses: émigré medallists in Britain 4 October 2018 – 7 April 2019 Room 69a, Free Sponsored by Spink The British Museum presents a new exhibition called Witnesses: émigré medallists in Britain, sponsored by Spink. This focussed exhibition uncovers the invaluable role played by artists from abroad in the development of British medallic art. On display are medals that span six centuries, documenting significant historical moments and commemorating famous British figures. This new exhibition uses objects to tell an international story, as it explores the motivations that brought artists to Britain and the ways in which they enlivened this country’s medallic landscape. The earliest works in the exhibition are from Elizabethan England. It was the Dutch artist Steven van Herwijck who introduced the art of the medal, already well-established on this continent, to Britain’s urban elite. Van Herwijck’s first visit to England was of short duration, but three years later he returned with his wife and children. Medals have been made continuously in this country ever since. One of the star objects on display will be a spectacular Waterloo medal conceived by 19thcentury Italian gem engraver Benedetto Pistrucci. This medal took 30 years to complete and bears the image of the four allied sovereigns George, Prince Regent, Francis II of Austria, Alexander I of Russia and King Frederick William III of Prussia. Although the story of each medallist who arrived over the centuries is unique, for many a position at the Royal Mint was coveted and considered the ultimate goal. Pistrucci was successful in this ambition as he arrived from Italy in 1815 and became Chief Medallist at the Royal Mint. -
Medallic History of the War of 1812: Catalyst for Destruction of the American Indian Nations by Benjamin Weiss Published By
Medallic History of the War of 1812: Catalyst for Destruction of the American Indian Nations by Benjamin Weiss Published by Kunstpedia Foundation Haansberg 19 4874NJ Etten-Leur the Netherlands t. +31-(0)76-50 32 797 f. +31-(0)76-50 32 540 w. www.kunstpedia.org Text : Benjamin Weiss Design : Kunstpedia Foundation & Rifai Publication : 2013 Copyright Benjamin Weiss. Medallic History of the War of 1812: Catalyst for Destruction of the American Indian Nations by Benjamin Weiss is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. Permissions beyond the scope of this license may be available at http://www.kunstpedia.org. “Brothers, we all belong to one family; we are all children of the Great Spirit; we walk in the same path; slake our thirst at the same spring; and now affairs of the greatest concern lead us to smoke the pipe around the same council fire!” Tecumseh, in a speech to the Osages in 1811, urging the Indian nations to unite and to forewarn them of the calamities that were to come (As told by John Dunn Hunter). Historical and commemorative medals can often be used to help illustrate the plight of a People. Such is the case with medals issued during the period of the War of 1812. As wars go, this war was fairly short and had relatively few casualties1, but it had enormous impact on the future of the countries and inhabitants of the Northern Hemisphere. At the conclusion of this conflict, the geography, destiny and social structure of the newly-formed United States of America and Canada were forever and irrevocably altered. -
British Gold Sovereigns
A Comprehensive Guide to the Gold Price British Gold Sovereigns A Comprehensive Guide to British Gold Sovereigns Table of Contents __________________________________ Introduction ..................................................................................................................... 2 Dimensions and Physical Specifications .................................................................. 3 Description and Design ............................................................................................. 3 Historical Sovereigns ................................................................................................. 5 Manufacturing .............................................................................................................. 7 The Sovereign as a Circulating Currency ................................................................. 9 Universal Money .......................................................................................................... 9 Tax Exemptions on Sovereigns ................................................................................. 10 EU-Wide VAT exemption ........................................................................................ 10 UK Capital Gains Tax (CGT) exemption .............................................................. 10 Why Own Gold Sovereigns ......................................................................................... 12 Contact GoldCore ................................................................................................ -
THE COINAGE of GEORGE III HVNS Meeting #101, February 8, 2017 – Mark K
THE COINAGE OF GEORGE III HVNS Meeting #101, February 8, 2017 – Mark K. Johnson Half Crown - Courtesy of Spink Coronation portrait by Allan Ramsay, 1762 HIGH LEVEL OVERVIEW • History • Events • Categorization • Examples • Gold • Silver • Copper • Misc • Maundy • Conder Half Penny - Courtesy of Heritage • Other Countries KING GEORGE III (1760-1820) • Born: June 4, 1738 Died: January 29, 1820 • King of Great Britain and King of Ireland - October 25, 1760 Engraving by Henry Meyer • King of the United Kingdom of Great Britain and of George III in later life Ireland - Jan 1, 1801 • Married Charlotte of Mecklenburg • nine sons, six daughters. • George IV, William IV, Victoria, Edward VII • Events • American War of Independence (1775-1783) • French Revolution (1789-1799) • Napoleonic Wars (1803-1815) • Afflicted by porphyria (1811 - George IV appointed Prince Regent) NUMISMATIC EVENTS • Mass counterfeiting - 1786 - 2/3 of coins in circulation were fakes • The Royal Mint struck no copper coins for 48 years, from 1773 until 1821 • Transition to token silver coinage in 1811 (Bank of England issues) • 1803 - 1815 - Statutory prohibitions on the striking of silver coin during the Napoleonic Wars CATEGORIZATION OF THE COINAGE • Early Coinage (1762-1815) and New Coinage (1816-1820) • Coinage Act of 1816 • Fixed gold to silver – one troy pound gold = £46 14s 6d • Great Recoinage of 1816 CATEGORIZATION OF THE COINAGE • Early Coinage Denominations • Guinea = 21 Shillings, Shilling = 12 Pence • Gold - 5, 2, 1, Half, Third and Quarter Guineas • Silver - -
BRITAIN CAPTURED in COINAGE Extremely Rare in Very Fine
March 2018 THE BEST OF BRITAIN CAPTURED IN COINAGE Extremely rare in Very Fine A remarkably well preserved relic of Anglo-Saxon times, we have a single silver penny from Edward the Elder (899-924AD) in rarely seen quality. Anglo-Saxon king from the death of his father, Alfred the Great, until his own death in combat in 924, Edward’s coinage is generally rare. Bearing Edward’s name on the obverse, and the moneyer’s name on the reverse, this type is seldom seen in superior grade. An exciting opportunity, this rare Edward the Elder penny is in Very Fine. Ø21mm $ 899-924AD EDWARD THE ELDER SILVER PENNY VF 2,495 15890 Very rare, we have a A great rarity, seldom single King Burgred penny seen in this country, we available – at a price sure have a single 1,040-year- to shock! Broken in half, old Eadgar penny in but retaining strong detail stock! With a small piece in the designs, you never missing, but otherwise see this kind of price for in Fine, we can offer this such a great British rarity. rare hammered type at an incredible $350! $ $ 852-74AD BURGRED SILVER PENNY 495 959-75AD EDGAR YORK SILVER PENNY 350 15990 15991 Finely detailed and superbly Unbelievable value at toned, this coin bears $245, this is your chance an excellent portrait of to own a genuine coin Aethelred II (978-1016AD) – of King Henry VIII! Softly remembered as the Anglo- struck, as was usually Saxon king ill-prepared to the case, this Silver Groat deal with the Viking threat type bears the portrait of and dubbed Aethelred the the legendary monarch. -
The Global Coin Collection Company
REACHING CREATING DELIGHTED COLLECTORS WORLDWIDE The Global Coin Collection Company The Samlerhuset Group is Europe’s leading seller of coins and spread means we can find interesting ideas and use our varied medals. First established in Norway in 1994, it has expanded into cross-border experiences to offer the most interesting and 14 different markets within Europe. exciting coin and medal concepts. The Samlerhuset Group works closely with government mints As organizers and majority owners of the World Money Fair on their collector coin programmes. We are also joint-owner of in Berlin, one of Europe’s most important trade shows, we are the Mint of Norway, the body that strikes legal tender coinage investing in the continued strength of our partnerships, and in for Norway and other countries, and the company entrusted the market as a whole. each year with the privilege of striking the gold Nobel Peace Prize medal. Over the next few years, we will continue to create a best practice coin marketing organization, which, together with our people and The Samlerhuset Group has maintained its strong market our business partners, is one that will hold a position of considerable position during the current economic turmoil. Our international strength in the markets where it operates. We look forward to working with you. SIGNATUR)REIDAR)NILSEN) ) ) ) 2 Reidar Nielsen and Ole Bjørn Fausa 3 Owners | The Samlerhuset Group We create delighted collectors Our philosophy The Samlerhuset Group’s business is to sell coin subscriptions through direct marketing. In short, it is defined by the statement: “We create delighted collectors.” Our vision We also have an ambitious, long-term business vision for the Group, which can be summed up as follows: “We want to be the global coin collection company.” To make this happen, we will have to enter new markets carefully, taking a step-by-step approach. -
Convert Finding Aid To
The Herschel Family: An Inventory of Their Papers at the Harry Ransom Center Descriptive Summary Creator: Herschel Family Title: Herschel Family Papers Dates: 1721-1951 (bulk 1810-1871) Extent: 44 document boxes, 2 oversize boxes, 1 custom box (20.48 linear feet), 17 oversize folders (osf), and 2 oversize framed items Abstract: The Herschel Family Papers largely represent the life and work of Sir John F. W. Herschel (1792-1871), the English mathematician, astronomer, chemist, and experimental photographer/inventor. Also present are manuscripts and correspondence by and about John's father Sir William Herschel (1738-1822), discoverer of the planet Uranus and stellar astronomy pioneer; John's aunt, the noted astronomer Caroline Lucretia Herschel (1750-1848); and many other Herschel family members, scientific colleagues, and friends. Call Number: Manuscript Collection MS-1931 Language: English, French, German, Italian, and Latin Note: The Ransom Center gratefully acknowledges the assistance of the Center for History of Physics, American Institute of Physics, which provided funds to support the processing and cataloging of this collection. Access: Open for research Administrative Information Acquisition: Purchases, 1960-1980 (R56, R56a, R56b, R529, R612, R2319, R4548, R4591, R4957, R5077, R8449, R8712, and R11999) Processed by: Micah Erwin and Joan Sibley, 2011 Repository: The University of Texas at Austin, Harry Ransom Center Herschel Family Manuscript Collection MS-1931 Biographical Sketches Sir William Herschel, 1738-1822 The fourth of ten children, Sir William Herschel was born in Hanover, Germany, on 15 November 1738 to Isaac Herschel (1707–1767) and his wife Anna Ilse Moritzen. He was baptized as Friedrich Wilhelm. Herschel's father was an oboist in the Hanoverian Foot Guards and although not wealthy, he encouraged his sons to pursue science and philosophy. -
The Fothergillian Medal of the Royal Humane Society
THE FOTHERGILLIAN MEDAL OF THE ROYAL HUMANE SOCIETY MARK JONES THE Fothergillian Medal of the Royal Humame Society is one of the most beautiful and technically accomplished of all nineteenth-century medals (Plate 1, No. 1). The long and complicated process that finally gave it birth is worthy of study: first, because it gives us new insight into the careers and working methods of the most famous medallists working in Britain in the nineteenth century, Benedetto Pistrucci and William Wyon; second, because it provides information about the contemporary reputations both of these artists and of Thomas Wyon Jnr, Bain and Scipio Clint; third, because it tells us something about the nature of the early-nineteenth-century passion for prize giving; and, finally, because it provides a useful warning against confusing impressiveness of form with value of function - the medal was the triumphant result of one of the longest labours endured in the production of any work of art, but it was rapidly shown to be without any useful function at all. In a will dated 7 September 1810 Dr Fothergill, himself a gold medallist of the Royal Humane Society,1 left £500 to the Society 'the produce of which is to constitute an annual or biennial me'dal for the best essay or discovery on the following subjects: 1. "on the prevention of shipwreck" 2. "on the preservation of Shipwrecked Mariners or other circumstances left to the Society's discretion".'2 Dr Fothergill died in 1813, but the bequest was not received until 1821-221 and it was only in November 1824 that James Bandinall wrote to Rundell, Bridge and Rundell as 'the persons in this town employing the most celebrated artists, and being at the same time most respectable tradesmen'4 enquiring whether they would engage to let the Humane Society have for one hundred guineas two dies complete of the size of their coronation medal, every expense included, for a medal for that society, three proofs whereof to be included in the price, one in copper, one in silver and one in gold, the metal to be furnished by the Society. -
06 British Commemorative Medals.Pdf
___________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________ ___________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________ COMMEMORATIVE MEDALS British Historical Medals 2548 Henry VIII, Coronation 1509, ‘Fantasy’ Silver Medal, early 19th Century, by Edward Emery, crowned and robed facing half-length bust holding sword and orb, crowned Royal Arms and supporters, ANGLICE Z HIBERNICE: ECCLESIE SVPREMVM: CAPVT, 43.5mm (Pagan, Mr Emery’s Mint, BNJ 40, no. 60; Foley -). Extremely fine, rare. £250-350 2549 England / Spain, Mary Tudor (1553-1554), The State -
Italian Coin Engravers Since 1800
Co.VIRIBL' riOXS FROM The Museum of History axd Techvologv: Paper 33 Italeax C^oin- Engravers Sexce 1800 Elvivci Eli~^ci Cliini-Sti'jiniclli INTROIHCIION- ITALIAN COIN ENGRAVERS SINCE 1800 Bj Elvira Eli%a Clain-Stejanelli INTRODUCTION Un phenomenc qui est d'ahord economiquc puis qui s'elargit dans Ic domaine de Testhetique. —Jean Babelon, La meJaille et Us medailleurs This study is concerned with coins as works of art. existed since ancient times met the challenges which It may seem unusual to a|ii)roach such objects of its own period presented and how that country com- daily use—regarded popularly as the quintessence of peted with the conteinporary art of other nations, crudest materialism— in esthetic terms. Nevertheless, especially France. It is interesting to observe also coins are a direct and sincere expression of their time how tradition, that sometime beneficent guide for and are often true reflections of the artistic concepts new generations, can become a merciless tyrant which of a period as they filter through the personality of an annihilates spontaneity, one of the most desirable artist. qualities in art. A related problem lies in discovering It is customary to regard only coins from earlier how Italian artists tried to satisfy the quest for inno- periods of history as creations of art and to deny this vation, how they attempted to get away from es- characteristic to contemporary productions. Essen- tablished patterns, and where they directed their tially, however, there is little difference between an attention for new inspiration. ancient and a modern coin. Both are frank expres- To appreciate the creative process of each coin sions of their age. -
BENEDETTO PISTRUCCI Carte Autografe E Altri Documenti Studi E Ricerche N
Bollettino di Numismatica online - Studi e Ricerche n. 3/2017 - Benedetto Pistrucci. Carte autografe e altri documenti MINISTERO DEI BENI E DELLE ATTIVITÀ CULTURALI E DEL TURISMO EDEL CULTURALI ATTIVITÀ DEIBENIEDELLE MINISTERO BENEDETTO PISTRUCCI Carte autografeealtridocumenti In copertina: Maria Elisa Pistrucci, Cerere, marmo (part. fig. 47). Lettera di Benedetto Pistrucci al figlio Federico, 1833 (part. fig. 3). Numero 3 – Anno 2017 Benedetto Pistrucci Carte autografe e altri documenti di LUCIA PIRZIO BIROLI STEFANELLI ISTITUTO POLIGRAFICO E ZECCA DELLO STATO MINISTERO DEI BENI E DELLE ATTIVITÀ CULTURALI E DEL TURISMO BOLLETTINO DI NUMISMATICA c/o Museo Nazionale Romano - Medagliere Palazzo Massimo alle Terme Piazza dei Cinquecento, 67 – 00185 Roma www.numismaticadellostato.it Direttore Silvana Balbi de Caro [email protected] Capo redattore e coordinatore di redazione Gabriella Angeli Bufalini [email protected] Redazione Simone Boccardi, Fabiana Lanna Responsabile settore grafico Stefano Ferrante [email protected] Comitato tecnico-scientifico Ermanno A. Arslan, Renata Cantilena, Emanuela Ercolani Cocchi, Salvatore Garraffo, Giovanni Gorini, Andrea Saccocci, Aldo Siciliano SOMMARIO S. BALBI DE CARO, Benedetto Pistrucci e il nuovo Museo della Zecca di Roma. p. 1 L. PIRZIO BIROLI STEFANELLI, BENEDETTO PISTRUCCI. CARTE AUTOGRAFE E ALTRI DOCUMENTI Introduzione . p. 7 CARTE AUTOGRAFE E ALTRI DOCUMENTI I. Epistolario famigliare, 1833-1855 ................................... p. 13 II. Lettere di -
A Living Collection Numismatic Holdings of the Royal Mint by Graham Dyer
A Living Collection Numismatic holdings of the Royal Mint by Graham Dyer The Royal Mint maintains a coin collection of international This fully illustrated article on the Royal Mint Museum was published by the American coin magazine Coin importance. Numismatists throughout the world have long since World in September 1988. Written by the then Curator, Graham Dyer, this article describes realised the enormous significance of its innumerable treasures, in detail the history of the Museum. while the Mint itself has become increasingly aware of its responsibility to make the collection accessible to the numismatic and academic world. But what makes the collection so special is that it is more than a mere accumulation of historic objects. It is a living and working collection, reflecting the practical needs of succeeding generations of Mint officers and slowly capturing for posterity the evolution of a great British institution whose roots are to be found in the scattered moneyers’ workshops of Anglo-Saxon England. A Living Collection | Numismatic holdings of the Royal Mint page 1 of 24 Founding father ‘may not have to boast of the most beautiful and William Wellesley Pole, Master of the Royal Mint from William Wellesley Pole, an elder brother of the Duke correct Mint machinery in the world, but that we may 1814 to 1823, was responsible for founding the Royal Mint Museum in February 1816. of Wellington, was appointed Master of the Royal stand equally unrivalled for the perfect form and Mint in 1814, taking control of an ancient institution exquisite taste of our several coins’. To this end Pole which had recently vacated its cramped traditional obtained designs for the coinage from the brilliant home within the walls of the Tower of London and Italian engraver, Benedetto Pistrucci, neglecting established itself in specially designed buildings on certain British artists, among them William Wyon, nearby Tower Hill.