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Catalogue of the Earl Marshal's Papers at Arundel
CONTENTS CONTENTS v FOREWORD by Sir Anthony Wagner, K.C.V.O., Garter King of Arms vii PREFACE ix LIST OF REFERENCES xi NUMERICAL KEY xiii COURT OF CHIVALRY Dated Cases 1 Undated Cases 26 Extracts from, or copies of, records relating to the Court; miscellaneous records concerning the Court or its officers 40 EARL MARSHAL Office and Jurisdiction 41 Precedence 48 Deputies 50 Dispute between Thomas, 8th Duke of Norfolk and Henry, Earl of Berkshire, 1719-1725/6 52 Secretaries and Clerks 54 COLLEGE OF ARMS General Administration 55 Commissions, appointments, promotions, suspensions, and deaths of Officers of Arms; applications for appointments as Officers of Arms; lists of Officers; miscellanea relating to Officers of Arms 62 Office of Garter King of Arms 69 Officers of Arms Extraordinary 74 Behaviour of Officers of Arms 75 Insignia and dress 81 Fees 83 Irregularities contrary to the rules of honour and arms 88 ACCESSIONS AND CORONATIONS Coronation of King James II 90 Coronation of King George III 90 Coronation of King George IV 90 Coronation of Queen Victoria 90 Coronation of King Edward VII and Queen Alexandra 90 Accession and Coronation of King George V and Queen Mary 96 Royal Accession and Coronation Oaths 97 Court of Claims 99 FUNERALS General 102 King George II 102 Augusta, Dowager Princess of Wales 102 King George III 102 King William IV 102 William Ewart Gladstone 103 Queen Victoria 103 King Edward VII 104 CEREMONIAL Precedence 106 Court Ceremonial; regulations; appointments; foreign titles and decorations 107 Opening of Parliament -
Industry and the Ideal
INDUSTRY AND THE IDEAL Ideal Sculpture and reproduction at the early International Exhibitions TWO VOLUMES VOLUME 1 GABRIEL WILLIAMS PhD University of York History of Art September 2014 ABSTRACT This thesis considers a period when ideal sculptures were increasingly reproduced by new technologies, different materials and by various artists or manufacturers and for new markets. Ideal sculptures increasingly represented links between sculptors’ workshops and the realm of modern industry beyond them. Ideal sculpture criticism was meanwhile greatly expanded by industrial and international exhibitions, exemplified by the Great Exhibition of 1851, where the reproduction of sculpture and its links with industry formed both the subject and form of that discourse. This thesis considers how ideal sculpture and its discourses reflected, incorporated and were mediated by this new environment of reproduction and industrial display. In particular, it concentrates on how and where sculptors and their critics drew the line between the sculptors’ creative authorship and reproductive skill, in a situation in which reproduction of various kinds utterly permeated the production and display of sculpture. To highlight the complex and multifaceted ways in which reproduction was implicated in ideal sculpture and its discourse, the thesis revolves around three central case studies of sculptors whose work acquired especial prominence at the Great Exhibition and other exhibitions that followed it. These sculptors are John Bell (1811-1895), Raffaele Monti (1818-1881) and Hiram Powers (1805-1873). Each case shows how the link between ideal sculpture and industrial display provided sculptors with new opportunities to raise the profile of their art, but also new challenges for describing and thinking about sculpture. -
OUTSIDE the GATES. the PASSING BELL. the King’S Champion
APRIL, 1937 Gbe JBritieh 3ournaI OP Il;lur$fn~ 109 OUTSIDE THE GATES. THE PASSING BELL. The King’s Champion. THE DUCHESS OF BEDFORD. Mr. Frank Scaman Dymolre, of Scrivelsby Court, Horn- Those of us who knew her personally deeply deplore the castle, Lincolnshire, the King’s Champion, has received tragic disappearanceinto space of the Duchess of Bedford- authority from the Earl Marshal, the Duke of Norfolk, to a very remarkable and lovable woman-who, if she had carry the Standard of England at the Coronation, a proud not been a Duchess, might have made a brilliant surgeon privilege indeed I or nurse administrator. We first knew her during the Great War, when she invited our help in the organisation Mr. Dymolre is entitled to bear the Standard of England of her wonderful hospital for sick soldiers at Woburn. by virtue of his tenure of the Manor of Scrivelsby. His It was little advice she required, as she was an absolutely family has held the office of King’s Champion since 1377, devoted nurse, working in the wards from early morning and a Dymoke has attended every Coronation from that to late into the night with the rank and file With supreme date. devotion and instinctive skill based on scientific study of In olden days it was the right and duty of the King’s every detail. Champion to ride in full armour, mounted on a charger, into The members of the British College of Nurses will remem- Westminster Hall while the Coronation banquet was being ber her as one of their guests of honour at the Annual held, ‘and challenge all who should deny the King to be the Dinner held at the Caf6 Monico, in July, 1930, under the title lawful sovereign. -
Introduction: the Royal Character in the Public Imagination 1
Notes Introduction: The Royal Character in the Public Imagination 1. I use the words “royal” and “monarch” (and their variants, “royalty,” “monarchy,” “monarchical,” etc.) interchangeably. By the late eigh- teenth century both terms in common usage referred equally to kings and to those who ruled (queens, regents). “Royal” also referred, and still does, to near relatives of the monarch, as in “royal family,” and I use it in this sense also. 2. Austen’s conservatism is famously unstable. Feminist critics espe- cially have suggested that a feminist subtext undercuts or at least tempers the conservative trajectories of her novels. In Equivocal Beings, Claudia Johnson provides a comprehensive discussion of the conservative reading of Emma as well as its implicit feminist critique (192–96). 3. Unlike Pride and Prejudice, in which she was revising an earlier draft, Austen wrote Mansfield Park, Emma, and Persuasion after 1810. She began writing Mansfield Park in February 1811, the same month in which the Regency began (Sturrock 30; see also Tomalin 223–24). 4. Clara Tuite suggests that Mansfield Park can be read as “a provincial deflection of the wider national issues of responsible hereditary gov- ernment” (Romantic Austen 132). 5. The phrase “Queen Caroline affair” historically refers to the events of 1820 and 1821, when the uncrowned King attempted to divorce his wife by Act of Parliament. Although Caroline was technically Queen, supporters of the new King used a variety of means, some political, some rhetorical, to contest her legitimacy. Similarities as well as an evident continuity between this episode and the Prince’s first attempt to obtain a divorce, some fifteen years earlier, have often led scholars to refer to their marital disputes before, during, and after the Regency as the Queen Caroline affair. -
Visualising Victoria: Gender, Genre and History in the Young Victoria (2009)
Visualising Victoria: Gender, Genre and History in The Young Victoria (2009) Julia Kinzler (Friedrich-Alexander-University Erlangen-Nuremberg, Germany) Abstract This article explores the ambivalent re-imagination of Queen Victoria in Jean-Marc Vallée’s The Young Victoria (2009). Due to the almost obsessive current interest in Victorian sexuality and gender roles that still seem to frame contemporary debates, this article interrogates the ambiguous depiction of gender relations in this most recent portrayal of Victoria, especially as constructed through the visual imagery of actual artworks incorporated into the film. In its self-conscious (mis)representation of Victorian (royal) history, this essay argues, The Young Victoria addresses the problems and implications of discussing the film as a royal biopic within the generic conventions of heritage cinema. Keywords: biopic, film, gender, genre, iconography, neo-Victorianism, Queen Victoria, royalty, Jean-Marc Vallée. ***** In her influential monograph Victoriana, Cora Kaplan describes the huge popularity of neo-Victorian texts and the “fascination with things Victorian” as a “British postwar vogue which shows no signs of exhaustion” (Kaplan 2007: 2). Yet, from this “rich afterlife of Victorianism” cinematic representations of the eponymous monarch are strangely absent (Johnston and Waters 2008: 8). The recovery of Queen Victoria on film in John Madden’s visualisation of the delicate John-Brown-episode in the Queen’s later life in Mrs Brown (1997) coincided with the academic revival of interest in the monarch reflected by Margaret Homans and Adrienne Munich in Remaking Queen Victoria (1997). Academia and the film industry brought the Queen back to “the centre of Victorian cultures around the globe”, where Homans and Munich believe “she always was” (Homans and Munich 1997: 1). -
Press Release Witnesses: Émigré Medallists in Britain
Press release Witnesses: émigré medallists in Britain 4 October 2018 – 7 April 2019 Room 69a, Free Sponsored by Spink The British Museum presents a new exhibition called Witnesses: émigré medallists in Britain, sponsored by Spink. This focussed exhibition uncovers the invaluable role played by artists from abroad in the development of British medallic art. On display are medals that span six centuries, documenting significant historical moments and commemorating famous British figures. This new exhibition uses objects to tell an international story, as it explores the motivations that brought artists to Britain and the ways in which they enlivened this country’s medallic landscape. The earliest works in the exhibition are from Elizabethan England. It was the Dutch artist Steven van Herwijck who introduced the art of the medal, already well-established on this continent, to Britain’s urban elite. Van Herwijck’s first visit to England was of short duration, but three years later he returned with his wife and children. Medals have been made continuously in this country ever since. One of the star objects on display will be a spectacular Waterloo medal conceived by 19thcentury Italian gem engraver Benedetto Pistrucci. This medal took 30 years to complete and bears the image of the four allied sovereigns George, Prince Regent, Francis II of Austria, Alexander I of Russia and King Frederick William III of Prussia. Although the story of each medallist who arrived over the centuries is unique, for many a position at the Royal Mint was coveted and considered the ultimate goal. Pistrucci was successful in this ambition as he arrived from Italy in 1815 and became Chief Medallist at the Royal Mint. -
Medallic History of the War of 1812: Catalyst for Destruction of the American Indian Nations by Benjamin Weiss Published By
Medallic History of the War of 1812: Catalyst for Destruction of the American Indian Nations by Benjamin Weiss Published by Kunstpedia Foundation Haansberg 19 4874NJ Etten-Leur the Netherlands t. +31-(0)76-50 32 797 f. +31-(0)76-50 32 540 w. www.kunstpedia.org Text : Benjamin Weiss Design : Kunstpedia Foundation & Rifai Publication : 2013 Copyright Benjamin Weiss. Medallic History of the War of 1812: Catalyst for Destruction of the American Indian Nations by Benjamin Weiss is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. Permissions beyond the scope of this license may be available at http://www.kunstpedia.org. “Brothers, we all belong to one family; we are all children of the Great Spirit; we walk in the same path; slake our thirst at the same spring; and now affairs of the greatest concern lead us to smoke the pipe around the same council fire!” Tecumseh, in a speech to the Osages in 1811, urging the Indian nations to unite and to forewarn them of the calamities that were to come (As told by John Dunn Hunter). Historical and commemorative medals can often be used to help illustrate the plight of a People. Such is the case with medals issued during the period of the War of 1812. As wars go, this war was fairly short and had relatively few casualties1, but it had enormous impact on the future of the countries and inhabitants of the Northern Hemisphere. At the conclusion of this conflict, the geography, destiny and social structure of the newly-formed United States of America and Canada were forever and irrevocably altered. -
Clement XIV (1705-1769-1774), Giovanni Vincenzo Antonio Ganganelli
Clement XIV (1705-1769-1774), Giovanni Vincenzo Antonio Ganganelli 1256 The Museo Clementino in the Vatican, Bronze Annual Medal, Year 3, 1772, by Filippo Cropanese, bust right wearing tiara and cope, rev the Pope with up-ended cornucopiae and statues, LIBERALITATE SVA, 35mm (Linc 1919; Patrignani 115, 9a; Mazio 505). Extremely fine. £50-80 Pius VII (1742-1800-1823), Barnaba Chiaramonti 1257 The Restoration of the Colosseum, Copper Medal, 1806, by T Mercandetti, bust left wearing cap, cope and stole, rev façade of the Colosseum, AMPHIT FLAVIVM REPARATVM, 68mm (Patrignani 45; Bartolotti 78; Weber 232). A splendid architectural medal though the reverse struck from damaged die, edge knocks, very fine. £120-150 Pius X (1835-1903-1914), Giuseppe Melchiorre Sarto (image reduced) 1258 Election as Pope, large Bronze Medal, (1903), by Aurelio Mistruzzi (1880-1960), bust right wearing cap and cope, rev open prayer book, INSTAVRARE OMNIA IN CHRISTO, 83.5mm. Very fine. £30-50 Pius XI (1857-1922-1939), Ambrogio Damiano Achille Ratti 1259 1260 1259 Jubilee of 1925, uniface Silvered Medallic Roundel, the Pope at the Holy Door, 70.5mm, in free-standing brass frame. Very fine. £30-50 Pius XII (1876-1939-1958), Eugenio Maria Giuseppe Giovanni Pacelli 1260 Consecration as Cardinal (1929), Bronze Medal, unsigned, bust left wearing biretta, rev armorial shield over Maltese Cross, Cardinal’s hat above, 83mm. Very fine. £50-80 Pacelli was appointed Cardinal-Priest of Santi Giovanni e Paolo on 16 December 1929, and early the following year he became Cardinal Secretary of State to Pius XI. 1261 Accession, Bronze Medal, 1939, by Albert de Jaeger (1908-1992), half-length bust left wearing tiara and cope, rev shield of arms over crossed keys, tiara above, IVSTITIA below, 68mm. -
Mrs Brown by Jeremy Brock Ext. the Grounds Of
MRS BROWN BY JEREMY BROCK EXT. THE GROUNDS OF WINDSOR CASTLE, FOREST - NIGHT Begin on black. The sound of rain driving into trees. Something wipes frame and we are suddenly hurtling through a forest on the shoulders of a wild-eyed, kilted JOHN BROWN. Drenched hair streaming, head swivelling left and right, as he searches the lightening-dark. A crack to his left. He spins round, raises his pistol, smacks past saplings and plunges on. EXT. THE GROUNDS OF WINDSOR CASTLE, FOREST - NIGHT Close-up on BROWN as he bangs against a tree and heaves for air. A face in its fifties, mad-fierce eyes, handsome, bruised lips, liverish. He goes on searching the dark. Stops. Listens through the rain. A beat. Thinking he hears a faint thump in the distance, he swings round and races on. EXT. THE GROUNDS OF WINDSOR CASTLE, FOREST - NIGHT BROWN tears through the trees, pistol raised at full arm's length, breath coming harder and harder. But even now there's a ghost grace, a born hunter's grace. He leaps fallen branches, swerves through turns in the path, eyes forward, never stumbling once. EXT. THE GROUNDS OF WINDSOR CASTLE, FOREST - NIGHT BROWN bursts into a clearing, breaks to the centre and stops. With his pistol raised, he turns one full slow circle. His eyes take in every swerve and kick of the wildly swaying trees. There's a crack and a branch snaps behind him. He spins round, bellows deep from his heart: BROWN God save the Queen!! And fires. Nothing happens. The trees go on swaying, the storm goes on screaming and BROWN just stands there, staring into empty space. -
Ancient Coins
ANCIENT COINS GREEK COINS 1. Satraps of Caria, Pixodorus (340-334 BC), gold hekte or stater, head of Apollo to r., rev. Zeus Labraundos standing to r. holding double axe and lotus-tipped sceptre, wt. 1.35gms. (Sear 4963; F.440), very fine and rare ⅙ $1000-1200 2. Kings of Lydia, temp. Alyattes-Kroisos, circa 610-546 BC, electrum ⅓ stater or trite, Sardes mint, head of roaring lion to r., rev. two incuse square punches, wt. 4.70gms. (GCV.3398; F.448), very fine $500-700 3. Bactria, Eucratides I (170-145 BC), tetradrachm, dr., cuir. bust r., wearing crested helmet adorned with bull’s horn and ear, rev. BAΣIΛEΩΣ MEΓAΛOY, Dioskouroi holding palm fronds and lances, on horses rearing r., monogram to lower r., in ex. ΕΥΚΡΑΤΙΔΟΥ, wt. 16.94gms. (Sear 7570), certified and graded by NGC as Choice About Uncirculated, Strike 5/5, Surface 4/5 $3200-3500 ANCIENT COINS 4. Kyrene, Kyrenaika (322-313 BC), gold stater, Magistrate Polianthes, KYPANAION, Nike driving quadriga r., sun above r., rev. Zeus stg. l. by thymiaterion, holding patera and sceptre, wt. 8.70gms. (BMC.117), flan a little irregular, extremely fine $4000-4500 5. Kingdom of Thrace, Koson, King of Scythians (died 29 BC), gold stater, c. 40-29 BC, consul between lictors, all togate, walking l., rev. eagle standing l., holding wreath in one claw, wt. 8.33gms. (GCV.1733), obverse struck off-centre, otherwise extremely fine $650-850 ANCIENT COINS ROMAN COINS 6. Roman Republic, C. Servilius (136 B.C.), silver denarius, helmeted head of Roma facing r., wearing a necklace, a wreath and mark of value (XVI monogram) behind, ROMA below, rev. -
Queen Victoria: the Mother of Modem Celebrity
Queen Victoria: the Mother of Modem Celebrity. An Honors Thesis (Honors 499) By Emily M. Rohrs Thesis Advisor Dr. Alves Ball State University April 2007 Graduation: May 5, 2007 Abstract '; Celebrity culture has become a pervasive multi-million dollar industry. Our daily lives are saturated with media coverage of celebrities through magazines, newspapers, television news, talk shows, advertisements, and the internet. It is difficult to imagine a time before Hollywood, but by tracing the roots of modem celebrity, we can better understand this global phenomenon. By providing information on the changing status of the British monarchy, the growth of the media and advertising industries, the development of consumerism and by documenting advances in technology, I demonstrate that modem celebrity traces its roots to the reign of Queen Victoria. Acknowledgments - I would like to express my sincere gratitude to Dr. Abel Alves, without whom this project could not have been completed. His guidance and support as my advisor have been invaluable throughout this process. He has been an inspirational teacher who cultivated my interest in the study of history. - I would also like to thank Dr. Carolyn Malone for her willingness to provide source suggestions and for contributing ideas during the brainstorming process. She has been an exceptional teacher. I credit her with stimulating and encouraging my interest in this particular area of history. - It is also appropriate to thank Reesa Rohrs for proofreading my drafts for spelling and grammatical errors and for supporting me throughout my educational career. Images Figure 1 Grant, Charles. "The Field Marshall of the British Empire." The Penny Satirist, 29 July 1837, 1. -
Bulletin22-Compressed.Pdf
Zetetic Books Conor Pattenden 46 Meadow Road Berkhamsted HP4 1EB UK 07545 474868 www.zeteticbooks.com [email protected] Postage is extra, please email or telephone if you would like a quote before ordering All books have been collated and are complete unless otherwise noted – however we are not infallible – any book found to be incomplete, or unwanted for any other reason may be returned for a full refund, but please let us know first Payment can be made by cheque (drawn on a UK bank and made payable to Zetetic Books), or by Paypal at the above email address, or by bank transfer (details upon request). We can no longer accept USD cheques Digital images are available for every item. The bulletin is also available as a PDF If you know of anyone who might like a copy of this or any of our other catalogues, or if you would like to be added to our mailing list, please let us know. Conversely, if you receive a catalogue or bulletin and do not want to receive any more, we would be grateful if you could send a quick email and we will remove you from the mailing list You can get advance notice of printed catalogues and bulletins by joining our email list; send us an email at [email protected] and we will add you to the list. We would encourage you to do so as items often sell before appearing elsewhere. Bulletin XXII – Recent Acquisitions – September 2018 Cover art adapted from item 05 [01] [Anti-Luddite / Anti-Combination Broadside] A Proclamation - Whereas We Have Beheld with the Deepest Regret the Daring Outrages Committed in Those Parts of England, Wherein Some of the Most Important Manufactures of the Realm Have Been for a Long Time Carried on ...