NY 2018 World.Indd
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Specialist Collectors' Sale , Tue, 13 July 2021 9:00
Specialist Collectors' Sale , Tue, 13 July 2021 9:00 1 9ct gold charm bracelet with various novelty gold 17 Victorian silver vase of tapered cylindrical form and yellow metal charms £180-220 with embossed and pierced decoration on 2 9ct yellow and white gold bracelet with five white circular foot (lacking glass liner), by James gold double rope twist panels and yellow gold Dixon & Sons, Sheffield 1896. 11.5cm high £60- fittings. 20cm long £150-200 100 3 9ct gold circular open work ‘Ruth’ pendant on 18 Silver cigarette case with engine turned 9ct gold curb link chain. £250-300 decoration. Birmingham 1956 £60-100 4 Yellow and white metal Star of David pendant on 19 Victorian silver cased pocket watch with white 9ct gold chain £200-300 enamel dial, Roman numeral markers and subsidiary seconds dial, on silver watch chain 5 9ct gold Jewish heart shaped pendant on 18ct £40-60 gold chain £120-180 20 9ct gold flat curb link chain, 45.5cm long £150- 6 18ct gold diamond set black onyx plaque ring, 200 size L and 18ct gold signet ring, size R £80-120 21 9ct gold ball and fancy link chain, 59.5cm long 7 14ct gold wedding ring (stamped 585). Size Q £120-180 £40-60 22 Pair 9ct gold cufflinks, each oval panel engraved 8 9ct gold opal and ruby cluster ring, size N and with B and G £60-100 9ct gold emerald and opal flower head ring, size L½ £40-60 23 9ct gold heart pendant on 9ct gold chain, one other 9ct gold chain and 9ct gold watch bracelet 9 Two ladies' 9ct gold vintage wristwatches - parts £200-300 Accurist and Centaur, both on 9ct gold bracelets -
The Sovereign Guide to Collecting Gold Sovereigns
THE SOVEREIGN EXPERT GUIDE TO COLLECTING GOLD SOVEREIGNS Managing Consultant Alex Hanrahan shares his guide to collecting Gold Sovereigns Alex Hanrahan Managing Consultant ore CPM clients choose to build a collection Mof Gold Sovereigns than any other coin available to date. But with two centuries of Gold Sovereigns to choose from, how do you create a meaningful collection worthy of passing on to your children and grandchildren? Reverse side of Obverse side of 1817 Sovereign 2017 Sovereign Let’s start with the question of “Why collect Gold Sovereigns?” CPM, PO Box 7776, Poole, BH12 9HR 1 Why Collect Gold Sovereigns? uite simply the Gold Sovereign is without rival as the United QKingdom’s premiere Gold Coin. Struck from 22 Carat Gold to the exact same specification since 1817, it epitomises all that is British. Traded across the world during the 19th Century and early 20th Century, it became known as “The Chief Coin of the World”, whilst today’s modern Proof Sovereigns show consistent collector interest and regular sell-outs. What’s more the Gold Sovereign remains both popular and accessible, with many options to create meaningful collections at affordable prices, even going right back to George III’s reign. " So how do I ensure I create a meaningful Gold Sovereign collection?" The key is to select an element that ties together the Gold Sovereigns in your collection to create a historically meaningful collection. Here are my top 5 recommendations for building a Gold Sovereign collection. To give you some sense of affordability and ease of completion, I have rated each out of 5 stars. -
Gold and Greater Britain: Jevons, Trollope, and Settler Colonialism
Gold and Greater Britain: Jevons, Trollope, and Settler Colonialism PHILIP STEER espite the current reframing of Victorian studies in transna- tional or global terms, the writing that emerged out of the Dborderless world of Britain and its settler colonies has yet to receive significant attention. When it is discussed, the settler colony is typically cast as the endpoint in a one-way flow of cultural “portabil- ity,” in which metropolitan forms are deployed to affirm British val- ues and to “disavow” the cultural and historical specificities of local conditions (Plotz 48).1 In contrast, imperial historiography has seen an energetic renewal of interest in the distinctive social, economic, and political linkages that bound what is variously called the “Britannic” world-system (Darwin 145), “British World” (Bridge and Fedorowich 3; Magee and Thompson xii), or “Anglo-World” (Belich 49). This body of work stresses that the rhetoric of racial and cultural commonality was integral to the development of the settler empire’s material net- works and underpinned a view of settlement as qualitatively different from other forms of imperialism.2 “Transfers of things, thoughts, and ABSTRACT: The Australian gold rushes of the 1850s provide an exemplary test case for exploring the impact of Greater Britain—the settler colonial empire—on the Victorian novel and political economy. British gold diggers’ nomadism operated in seeming antithesis to the colonies’ explosive growth, which posed a conceptual challenge both to political economy’s stadial model of societal development and to liberal narratives of labor and land—narratives that underpinned concepts of individual character and civil society. -
Powerhouse Museum Exhibitions 1988-2018
"1 The Powerhouse Museum: an exhibition archive 1988-2018 Exhibitions developed by and/or displayed at the Powerhouse Museum, the Observatory, the Mint, the Hyde Park Barracks, the Powerhouse (now Museum) Discovery Centre and online from 1988, when the Powerhouse opened its doors in its new Ultimo location, to 2018. Abbreviations: PHM Powerhouse Museum MNT The Mint Museum HPB The Hyde Park Barracks HB Harwood Building (previously Stage One) OBS The Sydney Observatory PDC Powerhouse (now Museum) Discovery Centre WP Web-based Project AMOL Australian Museums and Galleries Online TR Travelling exhibition PP Powerhouse publication EP External publication Preface From its original establishment in the 1880s to the present day, the Museum of Applied Arts and Sciences, previously under different names and now known as MAAS, has proudly and diligently exhibited different aspects of its outstanding collection. The following list seeks to provide a record of exhibitions from the opening of the new Powerhouse Museum venue in Ultimo in March 1988 through the 30 subsequent fruitful years. The list also documents exhibitions in associated venues including the Sydney Observatory, for some years the Hyde Park Barracks and the Mint Museum, as well as touring exhibitions. Many years of rigorous planning preceded the 1988 opening of the Powerhouse Museum, which was heralded as the most important cultural development in Sydney since the opening of the Opera House, and a major event in Australia’s bicentennial year. A museum for us all, a museum of creativity, curiosity and community, the Powerhouse Museum set out to explore the interrelationship of science, art and people in an Australian context. -
Golden Yearbook
Golden Yearbook Golden Yearbook Stories from graduates of the 1930s to the 1960s Foreword from the Vice-Chancellor and Principal ���������������������������������������������������������5 Message from the Chancellor ��������������������������������7 — Timeline of significant events at the University of Sydney �������������������������������������8 — The 1930s The Great Depression ������������������������������������������ 13 Graduates of the 1930s ���������������������������������������� 14 — The 1940s Australia at war ��������������������������������������������������� 21 Graduates of the 1940s ����������������������������������������22 — The 1950s Populate or perish ���������������������������������������������� 47 Graduates of the 1950s ����������������������������������������48 — The 1960s Activism and protest ������������������������������������������155 Graduates of the 1960s ���������������������������������������156 — What will tomorrow bring? ��������������������������������� 247 The University of Sydney today ���������������������������248 — Index ����������������������������������������������������������������250 Glossary ����������������������������������������������������������� 252 Produced by Marketing and Communications, the University of Sydney, December 2016. Disclaimer: The content of this publication includes edited versions of original contributions by University of Sydney alumni and relevant associated content produced by the University. The views and opinions expressed are those of the alumni contributors and do -
British Coins
______________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________ ______________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________ BRITISH COINS 567 Eadgar (959-975), cut Halfpenny, from small cross Penny of moneyer Heriger, 0.68g (S 1129), slight crack, toned, very fine; Aethelred II (978-1016), Penny, last small cross type, Bath mint, Aegelric, 1.15g (N 777; S 1154), large fragment missing at mint reading, good fine. (2) £200-300 with old collector’s tickets of pre-war vintage 568 Aethelred II (978-1016), Pennies (2), Bath mint, long -
Press Release Witnesses: Émigré Medallists in Britain
Press release Witnesses: émigré medallists in Britain 4 October 2018 – 7 April 2019 Room 69a, Free Sponsored by Spink The British Museum presents a new exhibition called Witnesses: émigré medallists in Britain, sponsored by Spink. This focussed exhibition uncovers the invaluable role played by artists from abroad in the development of British medallic art. On display are medals that span six centuries, documenting significant historical moments and commemorating famous British figures. This new exhibition uses objects to tell an international story, as it explores the motivations that brought artists to Britain and the ways in which they enlivened this country’s medallic landscape. The earliest works in the exhibition are from Elizabethan England. It was the Dutch artist Steven van Herwijck who introduced the art of the medal, already well-established on this continent, to Britain’s urban elite. Van Herwijck’s first visit to England was of short duration, but three years later he returned with his wife and children. Medals have been made continuously in this country ever since. One of the star objects on display will be a spectacular Waterloo medal conceived by 19thcentury Italian gem engraver Benedetto Pistrucci. This medal took 30 years to complete and bears the image of the four allied sovereigns George, Prince Regent, Francis II of Austria, Alexander I of Russia and King Frederick William III of Prussia. Although the story of each medallist who arrived over the centuries is unique, for many a position at the Royal Mint was coveted and considered the ultimate goal. Pistrucci was successful in this ambition as he arrived from Italy in 1815 and became Chief Medallist at the Royal Mint. -
Medallic History of the War of 1812: Catalyst for Destruction of the American Indian Nations by Benjamin Weiss Published By
Medallic History of the War of 1812: Catalyst for Destruction of the American Indian Nations by Benjamin Weiss Published by Kunstpedia Foundation Haansberg 19 4874NJ Etten-Leur the Netherlands t. +31-(0)76-50 32 797 f. +31-(0)76-50 32 540 w. www.kunstpedia.org Text : Benjamin Weiss Design : Kunstpedia Foundation & Rifai Publication : 2013 Copyright Benjamin Weiss. Medallic History of the War of 1812: Catalyst for Destruction of the American Indian Nations by Benjamin Weiss is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. Permissions beyond the scope of this license may be available at http://www.kunstpedia.org. “Brothers, we all belong to one family; we are all children of the Great Spirit; we walk in the same path; slake our thirst at the same spring; and now affairs of the greatest concern lead us to smoke the pipe around the same council fire!” Tecumseh, in a speech to the Osages in 1811, urging the Indian nations to unite and to forewarn them of the calamities that were to come (As told by John Dunn Hunter). Historical and commemorative medals can often be used to help illustrate the plight of a People. Such is the case with medals issued during the period of the War of 1812. As wars go, this war was fairly short and had relatively few casualties1, but it had enormous impact on the future of the countries and inhabitants of the Northern Hemisphere. At the conclusion of this conflict, the geography, destiny and social structure of the newly-formed United States of America and Canada were forever and irrevocably altered. -
Clement XIV (1705-1769-1774), Giovanni Vincenzo Antonio Ganganelli
Clement XIV (1705-1769-1774), Giovanni Vincenzo Antonio Ganganelli 1256 The Museo Clementino in the Vatican, Bronze Annual Medal, Year 3, 1772, by Filippo Cropanese, bust right wearing tiara and cope, rev the Pope with up-ended cornucopiae and statues, LIBERALITATE SVA, 35mm (Linc 1919; Patrignani 115, 9a; Mazio 505). Extremely fine. £50-80 Pius VII (1742-1800-1823), Barnaba Chiaramonti 1257 The Restoration of the Colosseum, Copper Medal, 1806, by T Mercandetti, bust left wearing cap, cope and stole, rev façade of the Colosseum, AMPHIT FLAVIVM REPARATVM, 68mm (Patrignani 45; Bartolotti 78; Weber 232). A splendid architectural medal though the reverse struck from damaged die, edge knocks, very fine. £120-150 Pius X (1835-1903-1914), Giuseppe Melchiorre Sarto (image reduced) 1258 Election as Pope, large Bronze Medal, (1903), by Aurelio Mistruzzi (1880-1960), bust right wearing cap and cope, rev open prayer book, INSTAVRARE OMNIA IN CHRISTO, 83.5mm. Very fine. £30-50 Pius XI (1857-1922-1939), Ambrogio Damiano Achille Ratti 1259 1260 1259 Jubilee of 1925, uniface Silvered Medallic Roundel, the Pope at the Holy Door, 70.5mm, in free-standing brass frame. Very fine. £30-50 Pius XII (1876-1939-1958), Eugenio Maria Giuseppe Giovanni Pacelli 1260 Consecration as Cardinal (1929), Bronze Medal, unsigned, bust left wearing biretta, rev armorial shield over Maltese Cross, Cardinal’s hat above, 83mm. Very fine. £50-80 Pacelli was appointed Cardinal-Priest of Santi Giovanni e Paolo on 16 December 1929, and early the following year he became Cardinal Secretary of State to Pius XI. 1261 Accession, Bronze Medal, 1939, by Albert de Jaeger (1908-1992), half-length bust left wearing tiara and cope, rev shield of arms over crossed keys, tiara above, IVSTITIA below, 68mm. -
Sir Robert Johnson, the Mint and Medal Making in Inter-War Britain
SIR ROBERT JOHNSON, THE MINT AND MEDAL MAKING IN INTER-WAR BRITAIN CHRISTOPHER EIMER WITH few exceptions the medal had fallen into decline since at least the beginning of the present century, and the First World War merely compounded the deficiency. Inspiration came from just a handful of medallists and was insufficient to create a desirable climate in which medallic art could flourish in Britain. The early 1920s mark the beginning of a period when medal making experienced an important revival, due largely to the initiative and forward-planning of one man, Robert Arthur Johnson (no. 1), who from 1922 until his untimely death in 1938 used his position as deputy master of the Royal Mint to stimulate and sustain medallic art in Britain. This paper focuses not only on the medals and their respective artists with whom Johnson was associated, but also concerns itself with the intrigues and manoeuvres used in obtaining work for the Mint, sometimes to the detriment of private medal manufacturers. Forty-eight year old Johnson did not come to office without prior experience in public administration. After Winchester and New College, Oxford, he served in the Department of Scottish Education, H.M. Customs and Excise, and in 1919 as Assistant Secretary in the Treasury, and had been called to the Bar in 1913. By merely looking at some of the medallic work being produced in northern Europe, both at various mints as well as privately, he was able to recognize the state of the art in Britain for what it was and wasted little time in attacking the malaise from which medals were suffering. -
SOME FURTHER NOTES on THOMAS SIMON by S
SOME FURTHER NOTES ON THOMAS SIMON By s. A. H. WHETMORE AN addition to the volume of printed material already published on Thomas Simon, his family, and his work, can only be written with hesitation but, some information not hitherto included in numismatic literature having come to my notice, I venture to add it to the record. In the first place it may be useful to recall that the chief sources then avail able were given by Miss Helen Farquhar in her paper of 1932.1 To her list must be added her own paper of 1936, 2 one by Mr. H. W. Henfrey3 and two by Mr. D. F. Allen.4 Thomas Simon was a son of Peter Simon, born in Blackfriars, himself the son of a Peter Simon born within the jurisdiction of the French king. When Sir George Bolles, Lord Mayor of London, compiled in 1618 by order of the Privy Council a list of strangers residing in the City, the father of Thomas was recorded as living in Walbrook Ward and trading beyond the seas. 5 The following entry in the marriage registers of St. Stephen's Walbrook indicates that a home had been established in Walbrook by 1611. 25 Jan. 1611-12 John Johnson of Kingston in Surrey and Mary Bennett servant wth Mr. Peter Symond, frenchman. 6 Peter Simon married Anne, daughter of Gille Germain of Guernsey on 12 September 1611, in the French church then existing in Threadneedle Street. An extensive table of the Simon family and their relations, compiled by the late Mr. -
Hyde Park Barracks Museum Conservation Management Plan Section 2: History of the Place
HYDE PARK BARRACKS MUSEUM CONSERVATION MANAGEMENT PLAN SECTION 2: HISTORY OF THE PLACE Date Event Figure 2.35 and Figure 2.36: William Hardy Wilson’s drawing of the western façade of HPB (left) is included in his ground-breaking book of 1924, Old Colonial Architecture in N.S.W. and Tasmania, which helped ignite public interest in early Australian architecture. His drawing of the southern façade facing Hyde Park (right) is less well known, although held in the National Library of Australia. Wilson considers in 1924: “With the barest means and economy in execution, [Greenway] produced architecture which never has been excelled in this land . to the simplest structures he gave a monumental scale, beautiful proportions and delightfully textured walls. His bigness of scale, rarest excellence in his art, is nowhere better expressed than in the HPB.”263 (Source: Wilson 1924 Old Colonial Architecture; National Library of Australia, nla.gov.au/nla.obj-153523723, copyright held by his estate) Figure 2.38: 1936 pencil, ink and watercolour sketch entitled “HPB” by Sydney Ure Smith. This depiction Figure 2.37: 1916 etching entitled “Old Convict Barracks” by artist/ was completed 20 years later and at the same time publisher Sydney Ure Smith (1887-1949). (Source: Powerhouse he was organising a petition with 8000 names to Museum) save HPB. (Source: Powerhouse Museum) 263 Wilson 1924, Old colonial architecture, p.8 Hyde Park Barracks Museum — Conservation Management Plan Volume 1 Final Report Issue C October 2016 1-67 HYDE PARK BARRACKS MUSEUM CONSERVATION MANAGEMENT PLAN SECTION 2: HISTORY OF THE PLACE Date Event Architects such as B.J.