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Cultural Affiliation Statement for Buffalo National River
CULTURAL AFFILIATION STATEMENT BUFFALO NATIONAL RIVER, ARKANSAS Final Report Prepared by María Nieves Zedeño Nicholas Laluk Prepared for National Park Service Midwest Region Under Contract Agreement CA 1248-00-02 Task Agreement J6068050087 UAZ-176 Bureau of Applied Research In Anthropology The University of Arizona, Tucson AZ 85711 June 1, 2008 Table of Contents and Figures Summary of Findings...........................................................................................................2 Chapter One: Study Overview.............................................................................................5 Chapter Two: Cultural History of Buffalo National River ................................................15 Chapter Three: Protohistoric Ethnic Groups......................................................................41 Chapter Four: The Aboriginal Group ................................................................................64 Chapter Five: Emigrant Tribes...........................................................................................93 References Cited ..............................................................................................................109 Selected Annotations .......................................................................................................137 Figure 1. Buffalo National River, Arkansas ........................................................................6 Figure 2. Sixteenth Century Polities and Ethnic Groups (after Sabo 2001) ......................47 -
ABSTRACT Title of Thesis: RESEARCH ON
ABSTRACT Title of Thesis: RESEARCH ON MUSIC AND HEALING IN ETHNOMUSICOLOGY AND MUSIC THERAPY May May Chiang, Master of Arts, 2008 Directed By: Professor J. Lawrence Witzleben Department of Musicology and Ethnomusicology, Chair. This thesis examines current developments in the research and discourse on music and healing. Ethnomusicology has involved extensive work on documenting traditional music and healing traditions; however, ethnomusicologists have neglected to contribute their knowledge and effort to healthcare-oriented research. Music therapy, on the other hand, has been focusing on the benefit of the patient, but rarely relates its practices to traditional music and healing traditions or non-Western music. Despite the recent establishment of the Medical Ethnomusicology Special Interest Group in the Society for Ethnomusicology and increasing awareness of world music and cultural diversity in music therapy, scholars in the two fields have not yet collaborated with each other extensively. The motivations for this thesis are: to review previous developments in research on music and healing, to find out the reasons for the changes in the research trends of the past decade, and to see possible research directions in the future. RESEARCH ON MUSIC AND HEALING IN ETHNOMUSICOLOGY AND MUSIC THERAPY By May May Chiang Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Master of Arts 2008 Advisory Committee: Professor J. Lawrence Witzleben, Chair Professor Robert Provine Professor Jonathan Dueck © Copyright by May May Chiang 2008 Acknowledgements I would like to show my appreciation to the ethnomusicologists and music therapists with whom I have communicated, especially to Dr. -
X I.D • for Centuries the Upper Missouri River Valley Was a Lifeline
X Ht:;t 0 ....:J 1\)0 ~ I.D • (1"1' (1"1 For centuries the Upper Missouri River Valley was a lifeline winding patterns. Intermarriage and trade helped cement relations. and through a harsh land, drawing Northern Plains Indians to Its wooded eventually the two cultures became almost Indistinguishable. With banks and rich soli. Earthlodge people, like the nomadic tribes, the Arlkaras to the south, they formed an economic force that hunted bison and other game but were essentially a farming people dominated the region. living In villages along the Missouri and Its tributaries. At the time of their contact with Europeans, these communities were the culmina After contact with Europeans in the early 18th century, the villages tion of 700 years of settlement In the area. Traditional oral histories began to draw a growing number of traders. Tragically. the prosper link the ancestors of the Mandan and Hldatsa tribes living on the Ity that followed was accompanied by an enemy the Indians could Knife River with tribal groups east of the Missouri River. Migrating not fight: European disease. When smallpox ravaged the tribes in for several hundred years along waterways, they eventually settled 1781, the Mandans fled upriver, nearer Hldatsa Village. The people along the Upper Missouri. One Mandan story tells of the group's from Awatlxa Xi'e abandoned their village, returning to the area In creation along the river. Coming Into conflict with other tribes, the 1796 to build Awatixa Village (Sakakawea Site). The weakened Mandans moved northward to the Heart River and adopted an tribes were now easier targets for Sioux raiders, who burned architecture characterized by round earthlodges. -
WC8810007 Ceremonial Pipe, Probably Iowa, C. 1800-1830. A
WC8810007 Ceremonial Pipe, probably Iowa, c. 1800-1830. A pipe stem made of ashwood, fitting into a red stone pipe bowl, total length 47.75 inches; 121.2 cm. The stem is of the flat type, though slightly convex in cross section, and slightly tapering toward the mouthpiece. From near the mouthpiece down about half of the stem length is wrapped with one quill-plaited bands of porcupine quills. A bundle of horsehair is tied with sinew at the center of the underside, and horsehair also covered the mouthpiece before much of that hair wore off. The pipe bowl is of the elbow type, made of a siliceous argillite called catlinite. The bowl flares up to a banded rim around the slightly rounded top, with a narrow smoke hole. A small ornamental crest rises from the shank. This ceremonial pipe once was in the collection of Andre Nasser; its earlier history is unknown. The formal features of this pipe bowl and its stem indicate their origin from the region between the western Great Lakes and the Missouri River, presumably in the period of c. 1800-1830. An even earlier date might be argued in view of some very similar pipes collected before 1789, now in the Musee de l’Homme, Paris. However, most of the other examples were collected in the early decades of the 19th century. The deep red color and its fairly easy carving made catlinite the favorite pipestone. Contrary to a popular idea, catlinite does not harden on exposure to air. Most of the material was quarried at a well-known site now preserved as Pipestone National Monument, near Pipestone, Minn. -
'Race' and Diaspora: Romani Music Making in Ostrava, Czech Republic
Music, ‘Race’ and Diaspora: Romani Music Making in Ostrava, Czech Republic Melissa Wynne Elliott 2005 School of Oriental and African Studies University of London PhD ProQuest Number: 10731268 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10731268 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract This thesis is a contribution towards an historically informed understanding of contemporary music making amongst Roma in Ostrava, Czech Republic. It also challenges, from a theoretical perspective, conceptions of relationships between music and discourses of ‘race’. My research is based on fieldwork conducted in Ostrava, between August 2003 and July 2004 and East Slovakia in July 2004, as well as archival research in Ostrava and Vienna. These fieldwork experiences compelled me to explore music and ideas of ‘race’ through discourses of diaspora in order to assist in conceptualising and interpreting Romani music making in Ostrava. The vast majority of Roma in Ostrava are post-World War II emigres or descendants of emigres from East Slovakia. In contemporary Ostrava, most Roma live on the socio economic margins and are most often regarded as a separate ‘race’ with a separate culture from the dominant population. -
Ohio Archaeologist Volume 52 No
OHIO ARCHAEOLOGIST VOLUME 52 NO. 1 WINTER 2001 PUBLISHED BY THE ARCHAEOLOGICAL SOCIETY OF OHIO The Archaeological Society of Ohio MEMBERSHIP AND DUES TERM Annual dues to the Archaeological Society of Ohio are payable on the first of EXPIRES A.S.O. OFFICERS January as follows: Regular membership $20.00; husband and wife (one copy of publication) $21.00; Individual Life Membership $400. Husband and wife 2002 President Walt Sperry, 302V? Fairmont Ave., Mt. Vernon, OH Life Membership $600. Subscription to the Ohio Archaeologist, published 43050 (740) 392-9774. quarterly, is included in the membership dues. The Archaeological Society of 2002 Vice President Russell Strunk, PO Box 55, Batavia, OH Ohio is an incorporated non-profit organization. 45103, (513) 752-7043. PUBLICATIONS AND BACK ISSUES 2002 Immediate Past President Carmel "Bud" Tackett, 905 Charleston Publications and back issues of the Ohio Archaeologist: Pike, Chillicothe, OH 45601, (740) 772-5431. Ohio Flint Types, by Robert N. Converse $40.00 add $4.50 P-H 2002 Treasurer Gary Kapusta, 3294 Herriff Rd., Ravenna, OH 44266, Ohio Stone Tools, by Robert N. Converse $ 8.00 add $1.50 P-H (330) 296-2287. Ohio Slate Types, by Robert N. Converse $15.00 add $1.50 P-H 2002 Executive Secretary Len Weidner, 13706 Robins Road, The Glacial Kame Indians, by Robert N. Converse.$25.00 add $2.50 P-H Westerville, OH 43081 (740) 965-2868. 1980's & 1990's $ 6.00 add $1.50 P-H 2002 Editor Robert N. Converse, 199 Converse Drive, Plain City, 1970's $ 8.00 add $1.50 P-H OH 43064, (614)873-5471. -
An Exploration of Physiological Responses to the Native American Flute
An Exploration of Physiological Responses to the Native American Flute Eric B. Miller† and Clinton F. Goss‡ †Montclair State University, Montclair, New Jersey; Email: [email protected] ‡Westport, Connecticut; Email: [email protected] ARTICLE INFORMATION ABSTRACT Presented at ISQRMM, Athens, This pilot study explored physiological responses to playing and listening to the GA: July 26, 2013 Native American flute. Autonomic, electroencephalographic (EEG), and heart Revised: January 24, 2014 rate variability (HRV) metrics were recorded while participants (N = 15) played flutes and listened to several styles of music. Flute playing was accompanied by This work is licensed under the an 84% increase in HRV (p < .001). EEG theta (4–8 Hz) activity increased while Creative Commons Attribution- playing flutes (p = .007) and alpha (8–12 Hz) increased while playing lower- Noncommercial 3.0 license. pitched flutes (p = .009). Increase in alpha from baseline to the flute playing This work has not been peer conditions strongly correlated with experience playing Native American flutes (r reviewed. = +.700). Wide-band beta (12–25 Hz) decreased from the silence conditions when listening to solo Native American flute music (p = .013). The findings of increased HRV, increasing slow-wave rhythms, and decreased beta support the hypothesis that Native American flutes, particularly those with lower pitches, may have a role in music therapy contexts. We conclude that the Native Keywords: music therapy, American flute may merit a more prominent role in music therapy and that a Native American flute, heart rate variability (HRV), study of the effects of flute playing on clinical conditions, such as post-traumatic EEG, alpha stress disorder (PTSD), asthma, chronic obstructive pulmonary disease (COPD), hypertension, anxiety, and major depressive disorder, is warranted. -
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Fox Causes Controversy at UNM LOCAL “Immigrants Come Seeking Better Jobs and Salaries, Is Not an Easy Decision to Say Goodbye to the Family.” CIENCIA Y TECNOLOGÍA EN
FREE NEWSPAPER - PERIÓDICO GRATIS PARA LA COMUNIDAD HISPANA DE ALBUQUERQUE - SANTA FE Volume I No. 38 WWW.MASNEWMEXICO.COM September 23, 2009 ADENTRO - INSIDE Fox causes controversy at UNM LOCAL “Immigrants come seeking better jobs and salaries, is not an easy decision to say goodbye to the family.” CIENCIA Y TECNOLOGÍA EN Vicente Fox LA FERIA Former President of Mexico Page 4 LA JORNADA Ana Gabriela Hernandez. UN VIZTAZO A UNAS Más New Mexico Writer FAMILIAS DESTACADAS Albuquerque .- Among protests and opi- nions of disgust, the former president of DE NUEVO MÉXICO Mexico, Vicente Fox, was present at the Uni- Página 7 versity of New Mexico’s Popejoy ESP MEXICO Página 2 Hall to address the immigration en español issue as part of the Lobo Reading Experience, which began with the Chicano México aumenta author Sam Quinones and will end with the Mexican writer Carlos Fuentes. During the conference the former presi- PHOTO COURTESY AGÊNCIA BRASIL seguridad en el dent spoke of the importance and richness Former president of Mexico, Vicente Fox. that Mexican workers contribute to the U.S. metro tras tiroteo and jokingly said, “there is [in the U.S.] very operating in the country,” he said. lly between the Fox Center and UNM. expensive buildings built by Mexicans.” He Fox said that immigration has been an issue He also spoke of the important work being Julie Watson emphasized the need to create equal oppor- for over a century, not only in Mexico but in done by President Felipe Calderón and said, Reportera de Associated Press tunities for undocumented immigrants. -
Tales of the Taino
A ROCK ART REVOLUTION • SEARCHING FOR PIRATES • SUMMER TRAVEL SPECIAL american archaeologySUMMER 2007 a quarterly publication of The Archaeological Conservancy Vol. 11 No. 2 Tales of the Taino: ArArchaeologistschaeologists areare searsearchingching land and sea for evidence of the $3.95 people who first met Columbus. american archaeology a quarterly publication of The Archaeological Conservancy Vol. 11 No. 2 summer 2007 COVER FEATURE 31 BEFORE AND AFTER COLUMBUS BY MIKE TONER The Taino were the first Native Americans Columbus encountered in the New World. Who were these Y people and how were they affected by contact? 12 UNCOVERING BASQUES IN CANADA BY DAVID MALAKOFF It was known that the Basques hunted whales in northeast Canada in the early 1500s. But archaeologists are learning that they stayed longer and engaged in more activities than was previously thought. 18 SEARCHING FOR PIRATES 31 FLORIDA MUSEUM OF NATURAL HISTOR BY TONY REICHHARDT Investigations at several sites are informing 24 archaeologists about the life of pirates. 24 A ROCK ART REVOLUTION BY TAMARA STEWART Rock art research has existed on the fringe of mainstream archaeology. But due to advances in dating, new interpretations, and other factors, its value is increasing. T 37 THE HISTORY AND BEAUTY OF THE PACIFIC NORTHWEST BY DOUGLAS GANTENBEIN Our summer tour takes you to this fascinating region. GEOFF STEWAR 44 new acquisition 2 Lay of the Land THE LEGACY OF THE KANSA 3 Letters A 19th-century village was home to hundreds of people. 5 Events 45 new acquisition 7 In the News OUT OF HARM’S WAY Evidence of Ancient Farming The Horn Mound is donated to the Conservancy. -
American Indian Music: Even More Than Drums and Flutes a Guide to American Indian Music
American Indian Music: Even More Than Drums and Flutes A Guide to American Indian Music Prepared for the Montana Office of Public Instruction By Scott S. Prinzing, M.Ed. MusEco Media and Education Project www.MusEco.org www.EvenMore.tv Published Winter 2009 Revised January 2015 Introduction 3 Traditional American Indian Music 4 Issues to Consider for Music Educators 4 Development of American Indian Music 5 Traditional Music 5‐6 Developments by Genre 7‐12 Contemporary American Indian Music Web Resource List 13‐14 Contemporary Popular Musicians with Indian Ancestry 15 American Indian Musicians in Montana 16‐19 Montana Indian Music Hall of Fame 20 Native American Music Awards 21 American Indian Music and General Web Resources 22 Select Bibliography 23 Acknowledgments 22 About the Author 22 Appendix 25 Lesson Plan 1 25‐27 Lesson Plan 2 28‐30 Introduction The goal of American Indian Music: Even More Than Drums and Flutes is to assist Montana teachers in incorporating an appreciation for Indian music into school music and social studies curricula to meet Indian Education for All criteria. There is often confusion regarding terminology related to the study of the history and culture of the indigenous people of the North American continent. For the purposes of this handbook, the term “Native American” refers to the original human inhabitants (and their descendants) of this continent at the time of first recorded European contact (1492), including the contiguous United States, Alaska, Hawaii, Canada, Central America, and the Caribbean Islands. The term “American Indian” (or “Indian”) will refer primarily to the original inhabitants of the contiguous United States. -
UNIVERSITY of CINCINNATI August 2005 Stephanie Bruning Doctor Of
UNIVERSITY OF CINCINNATI Date:___________________ I, _________________________________________________________, hereby submit this work as part of the requirements for the degree of: in: It is entitled: This work and its defense approved by: Chair: _______________________________ _______________________________ _______________________________ _______________________________ _______________________________ The Indian Character Piece for Solo Piano (ca. 1890–1920): A Historical Review of Composers and Their Works D.M.A. Document submitted to the College-Conservatory of Music, University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Piano Performance August 2005 by Stephanie Bruning B.M. Drake University, Des Moines, IA, 1999 M.M. College-Conservatory of Music, University of Cincinnati, 2001 1844 Foxdale Court Crofton, MD 21114 410-721-0272 [email protected] ABSTRACT The Indianist Movement is a title many music historians use to define the surge of compositions related to or based on the music of Native Americans that took place from around 1890 to 1920. Hundreds of compositions written during this time incorporated various aspects of Indian folklore and music into Western art music. This movement resulted from many factors in our nation’s political and social history as well as a quest for a compositional voice that was uniquely American. At the same time, a wave of ethnologists began researching and studying Native Americans in an effort to document their culture. In music, the character piece was a very successful genre for composers to express themselves. It became a natural genre for composers of the Indianist Movement to explore for portraying musical themes and folklore of Native-American tribes.