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“Vogue” Em Performances Do Carnaval Carioca Strike a Pose!
ARTIGO COMUN. MÍDIA CONSUMO, SÃO PAULO, V. 16, N. 46, P. 376-395, MAI./AGO. 2019 DOI 10.18568/CMC.V16I46.1901 Strike a pose! A mediação do videoclipe “Vogue” em performances do Carnaval carioca Strike a Pose! Mediations of “vogue” music video in Performances of Brazilian Carnival Simone Pereira de Sá1 Rodolfo Viana de Paulo2 Resumo: O artigo tem por objetivo abordar as mediações do videoclipe da canção “Vogue”, de Madonna, buscando discutir o seu agenciamento de corpo- reidades periféricas em dois momentos: nos anos 1980, quando o videoclipe se apropria e amplia a visibilidade da dança voguing, praticada pela cena cultural LGBT nova-iorquina, e duas décadas depois, quando o videoclipe é, por sua vez, uma das referências para jovens dançarinos gays nas suas apresentações em alas das escolas de samba do Carnaval carioca. Assim, interessa-nos discutir as zonas de diálogo e de tensão entre performances locais e globais, tendo como aportes teóricos a discussão sobre “cosmopolitismo estético” (REGEV, 2013) e sobre as divas pop como ícones culturais (JENNEX, 2013), entre outras referências. Palavras-chave: Vogue; Madonna; performance; videoclipe; escolas de samba. Abstract: The article discusses the mediations of Madonna’s Music Vid- eo Vogue, seeking to discuss its agency on peripheral bodies in two moments: the first, in the 80s, when the song and music video appropriates the steps and gestures of Voguing created by the LGBT scene in New York; and the second moment, two decades later, when the music video is, in turn, one of the refer- ences for young, black and gay dancers who practice Vogue dance during their presentations on Rio de Janeiro’s samba schools in the present time. -
Harem Fantasies and Music Videos: Contemporary Orientalist Representation
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2007 Harem Fantasies and Music Videos: Contemporary Orientalist Representation Maya Ayana Johnson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Studies Commons, and the Music Commons Recommended Citation Johnson, Maya Ayana, "Harem Fantasies and Music Videos: Contemporary Orientalist Representation" (2007). Dissertations, Theses, and Masters Projects. Paper 1539626527. https://dx.doi.org/doi:10.21220/s2-nf9f-6h02 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Harem Fantasies and Music Videos: Contemporary Orientalist Representation Maya Ayana Johnson Richmond, Virginia Master of Arts, Georgetown University, 2004 Bachelor of Arts, George Mason University, 2002 A Thesis presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Master of Arts American Studies Program The College of William and Mary August 2007 APPROVAL PAGE This Thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Maya Ayana Johnson Approved by the Committee, February 2007 y - W ^ ' _■■■■■■ Committee Chair Associate ssor/Grey Gundaker, American Studies William and Mary Associate Professor/Arthur Krrtght, American Studies Cpllege of William and Mary Associate Professor K im b erly Phillips, American Studies College of William and Mary ABSTRACT In recent years, a number of young female pop singers have incorporated into their music video performances dance, costuming, and musical motifs that suggest references to dance, costume, and musical forms from the Orient. -
KMP LIST E:\New Songs\New Videos\Eminem\ Eminem
_KMP_LIST E:\New Songs\New videos\Eminem\▶ Eminem - Survival (Explicit) - YouTube.mp4▶ Eminem - Survival (Explicit) - YouTube.mp4 E:\New Songs\New videos\Akon\akon\blame it on me.mpgblame it on me.mpg E:\New Songs\New videos\Akon\akon\I Just had.mp4I Just had.mp4 E:\New Songs\New videos\Akon\akon\Shut It Down.flvShut It Down.flv E:\New Songs\New videos\Akon\03. I Just Had Sex (Ft. Akon) (www.SongsLover.com). mp303. I Just Had Sex (Ft. Akon) (www.SongsLover.com).mp3 E:\New Songs\New videos\Akon\akon - mr lonely(2).mpegakon - mr lonely(2).mpeg E:\New Songs\New videos\Akon\Akon - Music Video - Smack That (feat. eminem) (Ram Videos).mpgAkon - Music Video - Smack That (feat. eminem) (Ram Videos).mpg E:\New Songs\New videos\Akon\Akon - Right Now (Na Na Na) - YouTube.flvAkon - Righ t Now (Na Na Na) - YouTube.flv E:\New Songs\New videos\Akon\Akon Ft Eminem- Smack That-videosmusicalesdvix.blog spot.com.mkvAkon Ft Eminem- Smack That-videosmusicalesdvix.blogspot.com.mkv E:\New Songs\New videos\Akon\Akon ft Snoop Doggs - I wanna luv U.aviAkon ft Snoop Doggs - I wanna luv U.avi E:\New Songs\New videos\Akon\Akon ft. Dave Aude & Luciana - Bad Boy Official Vid eo (New Song 2013) HD.MP4Akon ft. Dave Aude & Luciana - Bad Boy Official Video (N ew Song 2013) HD.MP4 E:\New Songs\New videos\Akon\Akon ft.Kardinal Offishall & Colby O'Donis - Beauti ful ---upload by Manoj say thanx at [email protected] ft.Kardinal Offish all & Colby O'Donis - Beautiful ---upload by Manoj say thanx at [email protected] om.mkv E:\New Songs\New videos\Akon\akon-i wanna love you.aviakon-i wanna love you.avi E:\New Songs\New videos\Akon\David Guetta feat. -
The Fearless Leader Fearless the Paul 196
TWO RAINMAKERS PAUL THE FEARLESS LEADER 196 ven back then, I was taking on far too many jobs,” Def Jam Chairman Paul Rosenberg recalls of his early career. As the longtime man- Eager of Eminem, Rosenberg has been a substantial player in the unfolding of the ‘‘ modern era and the dominance of hip-hop in the last two decades. His work in that capacity naturally positioned him to seize the reins at the major label that brought rap to the mainstream. Before he began managing the best- selling rapper of all time, Rosenberg was an attorney, hustling in Detroit and New York but always intimately connected with the Detroit rap scene. Later on, he was a boutique-label owner, film producer and, finally, major-label boss. The success he’s had thus far required savvy and finesse, no question. But it’s been Rosenberg’s fearlessness and commitment to breaking barriers that have secured him this high perch. (And given his imposing height, Rosenberg’s perch is higher than average.) “PAUL HAS Legendary exec and Interscope co-found- er Jimmy Iovine summed up Rosenberg’s INCREDIBLE unique qualifications while simultaneously INSTINCTS assessing the State of the Biz: “Bringing AND A REAL Paul in as an entrepreneur is a good idea, COMMITMENT and they should bring in more—because TO ARTISTRY. in order to get the record business really HE’S SEEN healthy, it’s going to take risks and it’s going to take thinking outside of the box,” he FIRSTHAND told us. “At its height, the business was run THE UNBELIEV- primarily by entrepreneurs who either sold ABLE RESULTS their businesses or stayed—Ahmet Ertegun, THAT COME David Geffen, Jerry Moss and Herb Alpert FROM ALLOW- were all entrepreneurs.” ING ARTISTS He grew up in the Detroit suburb of Farmington Hills, surrounded on all sides TO BE THEM- by music and the arts. -
The Jays Jay Brown NATION BUILDER
The Jays Jay Brown NATION BUILDER oc Nation co-founder of the arts, having joined the and CEO Jay Brown Hammer Museum’s board of R has succeeded beyond directors in 2018, as well as his wildest dreams. He’s part of a champion of philanthropic Jay-Z’s inner circle, along with causes. In short, this avid fish- longtime righthand man Tyran erman keeps reeling in the big “Tata” Smith, Roc Nation ones. Brown is making his COO Desiree Perez and her mark, indelibly and with a deep- husband, Roc Nation Sports seated sense of purpose. President “OG” Juan Perez. “I think the legacy you He’s a dedicated supporter create…is built on the people RAINMAKERS TWO 71 you help,” Brown told CEO.com in “Pon de Replay,” L.A. told Jay-Z not to Tevin Campbell, The Winans, Patti 2018. “It’s not in how much money you let Rihanna leave the building until the Austin, Tamia, Tata Vega and Quincy make or what you buy or anything like contract was signed. Jay-Z and his team himself—when he was 19. “He mentored that. It’s about how many people you closed a seven-album deal, and since then, me and taught me the business,” Brown touch. It’s in how many jobs you help she’s sold nearly 25 million albums in the says of Quincy. “He made sure if I was people get and how many dreams you U.S. alone, while the biggest of her seven going to be in the business, I was going to help them achieve.” tours, 2013’s Diamonds World Tour, learn every part of the business.” By this definition, Brown’s legacy is grossed nearly $142 million on 90 dates. -
1 Primal Love
1 PRIMAL LOVE The heart breaks in so many different ways that when it heals, it will have faultlines. John Geddes As babies, our very survival depends on the fulfillment of a primal dream I call the ‘bliss dream’. It’s one of raw, sensual connection and soul-to-soul love where everything else is secondary. When the dream is unrequited or simply imperfect, loss and disappointment can cut faultlines of anxiety, lack of self-worth or gaping emotional hunger in a developing heart. Even those who suffer little incur some losses as they grow – having to share parents with siblings, feeling pain, experiencing inevitable separations. Everyone has faultlines. It’s part of being human. Some faultlines are deeper, more far-reaching or jagged than others. Over time our faultlines are made raw, broken and etched deeper by stormy emotional weather; in other seasons their edges are smoothed or even hardened by our various experiences. Our early experiences influence how we see the world. Our brains unconsciously start to map out the potential paths we will choose, the kinds of people we will be attracted to and the emotional lessons and reparations we will feel drawn to seek. From birth to death we define and traverse our Lovelands – our inner landscape of intimacy, passions and losses. It’s through love that we pursue our most primal needs: the need to belong, the need for security, the need for a home, for sensual desires and the search for purpose and pleasure. All our reasons to exist live there. Love is the pure elemental energy of life. -
Eminem Interview Download
Eminem interview download LINK TO DOWNLOAD UPDATE 9/14 - PART 4 OUT NOW. Eminem sat down with Sway for an exclusive interview for his tenth studio album, Kamikaze. Stream/download Kamikaze HERE.. Part 4. Download eminem-interview mp3 – Lost In London (Hosted By DJ Exclusive) of Eminem - renuzap.podarokideal.ru Eminem X-Posed: The Interview Song Download- Listen Eminem X-Posed: The Interview MP3 song online free. Play Eminem X-Posed: The Interview album song MP3 by Eminem and download Eminem X-Posed: The Interview song on renuzap.podarokideal.ru 19 rows · Eminem Interview Title: date: source: Eminem, Back Issues (Cover Story) Interview: . 09/05/ · Lil Wayne has officially launched his own radio show on Apple’s Beats 1 channel. On Friday’s (May 8) episode of Young Money Radio, Tunechi and Eminem Author: VIBE Staff. 07/12/ · EMINEM: It was about having the right to stand up to oppression. I mean, that’s exactly what the people in the military and the people who have given their lives for this country have fought for—for everybody to have a voice and to protest injustices and speak out against shit that’s wrong. Eminem interview with BBC Radio 1 () Eminem interview with MTV () NY Rock interview with Eminem - "It's lonely at the top" () Spin Magazine interview with Eminem - "Chocolate on the inside" () Brian McCollum interview with Eminem - "Fame leaves sour aftertaste" () Eminem Interview with Music - "Oh Yes, It's Shady's Night. Eminem will host a three-hour-long special, “Music To Be Quarantined By”, Apr 28th Eminem StockX Collab To Benefit COVID Solidarity Response Fund. -
March/April Staff Picks
March / April 2019 Restoration Tuesdays Canadian & International Features LEVEL 16 special Events 5TH ANNUAL ALLIANCE FRANÇAISE FRENCH FILM FESTIVAL www.winnipegcinematheque.com March 2019 TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY SUNDAY 1 2 3 Black Lodge: Secret Cinema Anthropocene: Anthropocene: with Damien Ferland / 7 pm The Human Epoch / The Human Epoch / 5 pm Anthropocene: 3 pm & 7:15 pm Bodied / 7 pm The Human Epoch / 7 pm Bodied / 5 pm & 9 pm Bodied / 9 pm 5 6 7 8 9 10 Restoration Tuesdays: McDonald at the Movies: French Film Festival: French Film Festival: Anthropocene: French Film Festival: The Hitch-Hiker / 7 pm Some Like It Hot / 7 pm Amanda / 7 pm (Being) Women in Canada / 7 pm The Human Epoch / 3 pm Mr. Klein / 2:30 pm Detour / 8:30 pm Bodied / 9:30 pm Sink or Swim / 9 pm In Safe Hands / 9 pm French Film Festival: 16 levers de soleil / 5 pm A Summer’s Tale / 5 pm Le samouraï / 7 pm Non-Fiction / 7 pm Keep an Eye Out / 9 pm 12 13 14 15 16 17 Restoration Tuesdays: Under a Cold War Sky / 7 pm WNDX: Shakedown / 7 pm am-fm: am-fm: am-fm: Detour / 7 pm Anthropocene: Benjamin Bartlett / 7 pm Panel: Gender Roles Algéria, De Gaulle and The Hitch-Hiker / 9 pm The Human Epoch / 9 pm I Still Hide to Smoke / 9 pm in Film / 1 pm the bomb / 2 pm Malaria Business / 3 pm To the Ghost of the Father / 4 pm N.G.O. (Nothing Going On) / 5 pm Keteke / 6 pm Zizou / 7:15 pm A Day for Women / 9:30 pm 19 20 21 22 23 24 Restoration Tuesdays: Best of Gimli: Best of Gimli: Decasia / 7 pm Decasia / 3 pm Falls Around Her / 3 pm & 7 pm The Hitch-Hiker / -
The Devils' Dance
THE DEVILS’ DANCE TRANSLATED BY THE DEVILS’ DANCE HAMID ISMAILOV DONALD RAYFIELD TILTED AXIS PRESS POEMS TRANSLATED BY JOHN FARNDON The Devils’ Dance جينلر بازمي The jinn (often spelled djinn) are demonic creatures (the word means ‘hidden from the senses’), imagined by the Arabs to exist long before the emergence of Islam, as a supernatural pre-human race which still interferes with, and sometimes destroys human lives, although magicians and fortunate adventurers, such as Aladdin, may be able to control them. Together with angels and humans, the jinn are the sapient creatures of the world. The jinn entered Iranian mythology (they may even stem from Old Iranian jaini, wicked female demons, or Aramaic ginaye, who were degraded pagan gods). In any case, the jinn enthralled Uzbek imagination. In the 1930s, Stalin’s secret police, inveigling, torturing and then executing Uzbekistan’s writers and scholars, seemed to their victims to be the latest incarnation of the jinn. The word bazm, however, has different origins: an old Iranian word, found in pre-Islamic Manichaean texts, and even in what little we know of the language of the Parthians, it originally meant ‘a meal’. Then it expanded to ‘festivities’, and now, in Iran, Pakistan and Uzbekistan, it implies a riotous party with food, drink, song, poetry and, above all, dance, as unfettered and enjoyable as Islam permits. I buried inside me the spark of love, Deep in the canyons of my brain. Yet the spark burned fiercely on And inflicted endless pain. When I heard ‘Be happy’ in calls to prayer It struck me as an evil lure. -
“Girls Don't Watch Porn”: a Narrative Analysis of Women's
“GIRLS DON’T WATCH PORN”: A NARRATIVE ANALYSIS OF WOMEN’S NEGOTIATIONS WITH ‘PROBLEMATIC SPACES’ by Tara Dawn Snape B.A., University Of British Columbia, 2008 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE COLLEGE OF GRADUATE STUDIES (Interdisciplinary Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Okanagan) July 2010 © Tara Dawn Snape, 2010 Abstract This research investigates the various strategies women use to negotiate, rationalize and story their sexual identities and their relationship to potentially problematic spaces. I interviewed ten women between the ages of nineteen and thirty looking for stories from, arguably, the first generation to watch pornographic films before engaging in sexual activities themselves. After listening to women’s stories, two spaces stood out as places of fracture, tension, and also possibility – mainstream, heterosexual pornography and heterosexual anal sex. I am interested in conceptualizing women who engage in socially ‘problematic’ sites as outside the traditional dichotomy of cultural victims who are unaware of their own subordination or as subjects that are entirely resistant and agentic. For example, when porn is viewed as something only men watch, it reinforces perceptions that women are not as sexual as men. This feeds into heteronormative assumptions of women’s sexuality as biologically passive. When women in the audience are considered, questions of agency, self-reflexivity and the possibility for resistant relationships with pornography are absent. Using a narrative methodology, this research works to conceptualize women’s participation in and/or avoidance of pornography and anal sex as indicative of continual and active negotiations with postfeminist and heteronormative definitions of gender, sexuality and sex. -
ALLA Press Release May 26 2015 FINAL
! ! ! A$AP ROCKY’S NEW ALBUM AT.LONG.LAST.A$AP AVAILABLE NOW ON A$AP WORLDWIDE/POLO GROUNDS MUSIC/RCA RECORDS TRENDING NO. 1 ON ITUNES IN THE US, UK, CANADA, AUSTRALIA, FRANCE, GERMANY AND MORE SOPHOMORE ALBUM FEATURES APPEARANCES BY KANYE WEST, LIL WAYNE, ScHOOLBOY Q, MIGUEL, ROD STEWART, MARK RONSON, MOS DEF, JUICY J, JOE FOX AND OTHERS [New York, NY – May 26, 2015] A$AP Rocky released his highly anticipated new album, At.Long.Last.A$AP, today (5/26) due to the album leaking a week prior to its scheduled June 2nd release date. The album is currently No. 1 at iTunes in the US, UK, Canada, Australia, France, Germany, Denmark, Finland, New Zealand, Poland, Switzerland, Russia and more. The follow-up to the charismatic Harlem MC’s 2013 release, Long.Live.A$AP, A$AP Rocky’s sophomore album, features a stellar line up of guest appearances by Rod Stewart, Miguel and Mark Ronson on “Everyday,” ScHoolboy Q on “Electric Body,” Lil Wayne on a new version of the previously released “M’$,” Kanye West and Joe Fox on “Jukebox Joints,” plus Mos Def, Juicy J, UGK and more on other standout tracks. Producers Danger Mouse, Jim Jonsin, Juicy J and Mark Ronson among others, contributes to the album’s trippy new sound. Executive Producers include Danger Mouse, A$AP Yams and A$AP Rocky with Co-Executive Producers Hector Delgado, Juicy J, Chace Johnson, Bryan Leach and AWGE. In 2013, A$AP Rocky announced his global arrival in a major way with his chart- topping debut album LONG.LIVE.A$AP. -
Sex Issue 2008
TUDENT IFE THE SINDEPENDENT NEWSPAPER OF WASHINGTON UNIVERSITY L IN ST. LOUIS SINCE 1878 SPECIAL ISSUE WEDNESDAY, FEBRUARY 13, 2008 WWW.STUDLIFE.COM X2 STUDENT LIFE | NEWS Senior News Editor / Sam Guzik / [email protected] WEDNESDAY | FEBRUARY 13, 2008 Student Life When did you lose Ahh. Another year, another Sex Issue survey. While the results vary each year, the main purpose of survey remains constant: to discover students’ expectations, experiences and your virginity? opinions on relationships and sex. 1.67% However, there were some notable changes made this year. 2008 marked the fi rst time 14 and under Student Life conducted the survey online, leading to an unprecedented 1550 undergradu- 10.11% ate responses collected. The survey has a theoretical margin of error of two percent. 15-16 We also sorted some of the data based on gender, relationship status and other factors to see if there were any interesting delineations. However, no generalizations were made 40.50% based on sexual orientation because the number of respondents who chose options other 28.40% Still a virgin than heterosexual was too low to supply suffi cient data for an accurate analysis. 17-18 Data complied by David Brody and Shweta Murthi Graphic design by Joe Rigodanzo and Anna Dinndorf 17.45% 19-20 1.80% 21-22 The average WU student has sex _______ I do 24% Are you a Virgin? less often than 60% Freshmen 55% 65% Sophmores more often 55% Juniors than Art School 21% Seniors 50% as often sexuality as 45% 40% 88% of Art and Architec- ture students identify as 35% heterosexual, the lowest 30% percentage of any school.