VOLUME ARCHIS 2019 #2 Alexander R. Galloway, Silvio Lorusso, PER ISSUE 19.50 EURO Simone C. Niquille, Arthur Röing Baer VOLUME IS A PROJECT & Nick Houde, Jonas Staal, George BY ARCHIS + AMO + ... Jepson, Patternist, Denisse Vega de Santiago, Eventually Made, Irene Chin & Francesco Garutti, You+Pea, Davide Tommaso Ferrando, Kris Ligman, Ben Schouten & Gabriele Ferri 56 PL AY- BOR

1 4 EDITORIAL ALL WORK, ALL PLAY THERE ONCE WAS A TIME WHEN WORK 6 ALEXANDER R. GALLOWAY THE RAPTURE OF PLAY INTERVIEW AND LEISURE WERE SEPARATE REALMS: POWER PLAY YOU WORK OR YOU PLAY. THESE DAYS, 11 SILVIO LORUSSO HACK THYSELF 16 SIMONE C. NIQUILLE A HOUSE IS NOT A HOME PLAYING IS WORK AND WORK DEMANDS 20 ARTHUR RÖING BAER & NICK HOUDE WORKER OF THE WORLDS UNITE! 24 JONAS STAAL & DENISSE VEGA DE SANTIAGO LETTERS FROM THE FUTURE PLAYING. WHO’S FOOLING WHO, 30 GEORGE JEPSON LABOR CONSUMPTION FOR A CYBERNETIC WORLD MAY WE ASK? 34 PATTERNIST IN THE BEGINNING WAS THE WORLD PLAYGROUND

39 DENISSE VEGA DE SANTIAGO LOVING GAMIFICATION 41 DENISSE VEGA DE SANTIAGO PROFANING GAMIFICATION 44 EVENTUALLY MADE GARAGE TALES 50 IRENE CHIN & FRANCESCO GARUTTI OUR HAPPY LIFE 54 YOU+PEA VIDEOGAME URBANISM 60 DAVIDE TOMMASO FERRANDO OUR HOUSE (IN THE MIDDLE OF THE WEB) 64 KRIS LIGMAN YOU ARE JEFF BEZOS 66 BEN SCHOUTEN & GABRIELE FERRI PLAYIFICATION AND GAMIFICATION INTERVIEW

BACKCOVER IMAGE: 1979 ADVERTISING CAMPAIGN FOR THE BRITISH CONSERVATIVE PARTY, SAATCHI & SAATCHI

2 3 garage APPLE assembly, packaging

Steve Jobs and Steve Wozniak founded GARAGE TALES the company Apple in 1976. At the time, the two friends had been working together to develop a printed circuit board, a project Steve Wozniak had EVENTUALLY MADE started in his home. After deciding to work together, they formed a basic West West East East office in the garage of Jobs’ parents home, in which they assembled the 2066

PRIVATE first order of Apple I and subsequently PROPERTY Seattle: Seattle: 3d 3d started working on Apple II. With the Bellevue: Bellevue:Elliott Bay’s CrossfitElliott Bay’s Crossfit 9 9 Dixie’s BBQ Dixie’s BBQ 8 8 initial funding supplied by Mike Markkula, Amazon Amazon 1d WA 1d WA the entrepreneurs sought out an office Portland: Portland: Rudy’s BarbershopRudy’s Barbershop 7 7 space and left the garage. The garage is Garage Sales Garage Sales a classic residential garage with two Apple I Eugene: Eugene: 6 6 walls connecting it to the house. Used first complete microcomputer Nike Nike NY NY OR OR as a workshop and storage room, the circuitboard place quickly turned into a production first completed Steve Jobs line made up of several desks with lamps and soldering irons, for manufacturing New York New York 12h 12h 1h 2 1h 2 1d 1d the first batch of Apple I which were

1 1 Princeton: Princeton:then boxed after successful assembly. preparation preparationSpatially, the garage did not undergo

6h 6h NJ NJ massive changes but rather remained Steve Wozniak Berkeley: Berkeley: 1d 1d the origin of a passion project that made San Jose: SanThyrsus Jose: Press Thyrsus Press 5 5 Apple Apple 4 6d 4 6d use of an under-designated space. Google Google 1h 1h Hewlett-PackardHewlett-Packard CA CA Today, owned by Patricia Jobs, sister to the company’s founder, the garage 6h 6h remains private and largely inaccessible Los Angeles: Los Angeles: 80km 80km Disney Disney to the public. Nevertheless, the birth­ Trystero CoffeeTrystero Coffee 3d 3d Big Jo’s Big Jo’s 3 3 place of the computer company is Richard HollanderRichard Hollander visited by fans from around the world. Declared a Historic Site by the Los Altos 200km 200km Historical Commission, a sign at the property reads: NO TRESPASSING – The residential garage, the little adden­ companies: entertainment brands like Security Cameras Are Filming All dum to the typical private house, bears Disney, toy manufacturers like Mattel Pictures Must Be Taken From Street. a significance that surpasses the simple and musicians like Nirvana embraced purpose to shelter a car. With the post- the annex for making something new war advent of personal automobiles with little to no cost. Buried under this and the widespread installation of such surface of famous examples lies a sea kind, the corporately nine-to-five wor­ of common dens, nowadays captioned king homeowner soon started to work workshops, which serve as a retreat on side projects, developed hobbies within the house, a repository for extra­ and created individual ambitions in this curricular passion that exceeds the surprisingly variable space. Success capacities of the living area and holds stories like the late-night tinkering of the power to hatch the extraordinary young Dave Packard and Bill Hewlett in (impulse) within the ordinary (space). their Palo Alto ‘car-house’ in 1937, which Garage Tales illustrates the story of 14 ultimately turned into the multinational ventures whose founders originated in company HP, add to the mysticism that residential garages and describes home- encases the typology of the garage – a made stories of success, adaptation and romantic vision of the self-made entre­ aspiration. The case studies ranging preneur and domesticated ‘weekend from coffee makers to yard sales were warrior’. Although not originally an researched and documented through American concept, the particularities a variety of drawings, collages, and Jobs. (2013). [film] Hollywood: Joshua Michael Stern. of San Francisco’s Bay Area transformed annotations to display a historical, Strange, A. (2013). Garage Where Steve Jobs Started Apple Designated as Historic Site. [online] Mashable. Available at: the idea into a quintessentially suburban geographical, and cultural context http://mashable.com/2013/10/29/steve-jobs-apple-garage- one. Firms such as Apple, Google or between the independent examples landmark/#4IUzTv.fw5qB [Accessed 22 Jan. 2016]. Amazon continued building the myth of along the West Coast of the USA. Wozniak, S. and Smith, G. (2006). iWoz. New York: W.W. Norton & Co. the garage and piled on to the notion Matyszczyk, C. (2014). Woz: No, Apple was not started in a of this unsuspected creative nature, garage - CNET. [online] CNET. Available at: http://www.cnet. com/news/woz-no-apple-was-not-started-in-a-garage/ even if the legend not only entails tech [Accessed 22 Jan. 2016].

44 45 running shoes Plymouth Valiant sold on the road 1964 running shoes Plymouth Valiant sold on the road 1964

running shoes Plymouth Valiant wooden planks sold on the road 1964 to cover the roof

stiffening bars subconstruction for the roof

ring beam

wall structure

front and back facades out of wood plates

DISNEY

In 1923, Walt Disney moved to Los

Angeles to look for a job in the movie light blue wooden industry and moved in with his uncle, wall from horizontal boards Robert Disney, in Los Feliz. Unable to white wooden window with a find an offer, Disney resorted back to his metal mesh Phil Knight passion of creating cartoons and was allowed to use his uncle’s garage on the Phil Knight property. Here, he built a cartoon stand light blue NIKE wooden door out of plywood boxes and turned his movie camera into a stop motion device. In the 1960s, Phil Knight, a native of Phil Knight In the garage, he further developed his a smaller extra room/storage Oregon, ran track while studying at ‘Alice’s Wonderland’ series before moving special thanks to the Stanley behind a thin wooden wall University of Oregon in Eugene under Ranch Museum for the tour in his own estate down the street. The coach Bill Bowerman, with whom he garage as the first Disney studio was would later found the athletic wear only in use from July to October 1923. bare light company Nike. His background in Long forgotten and neglected by the bulbs running sparked the interest and led company, a group called ‘Friends of Walt photos, certificates, him to observe the Japanese market, Mickey & Minnie letters, newspaper Disney’ bought the desolated garage in boards clippings signing a distribution deal with Onitsuka 1984 and relocated it to the Garden Grove Co. Ltd. Together with Bowerman, the Historical Society, where it was rebuilt two created the now widely distributed and refurbished to be displayed among glass vitrines on a waffle grid sole: high friction with low solid wooden base diy table out of other historic buildings from the 19th wooden boards material use and therefore a lighter and early 20th century. Its interior is fur­ shoe. The trunk as a sales device was nished with relics and memorabilia from disused after 1969, when the first the early age of Walt Disney, ranging from conducted sales allowed Knight to quit the used movie equipment and film reels his job as an accountant to work full- to a large cut-out Minnie and Disney time for Nike. Not founded or created in more easily distribut­able in the vastness merchandise. Disney’s garage is a simple, a garage, this example of entrepreneur­ of the Pacific Northwest. Nowadays freestanding timber frame construction ship merits its place among the others connoted with illegal drug and firearms with a double door on the front. Rela­ with a distinctive converted origin of sales in cine­matic depictions, a sale out tively small and nondescript, a sign indi­ creation through its sales method. of a trunk makes distinctive use of the cates the earlier use as a film studio. The Knight’s first sales of Blue Ribbon Sports microspace’s characteristics. Opening relocation of the original garage to the (later rebranded as Nike), were made in a trunk of valuables evokes the image Peter, J. (2015). Phil Knight sees the finish line as Nike’s leader. [online] USA TODAY. Available at: http://www.usato-day.com/ estate of a museum resonates with the his car, a 1964 lime-green Plymouth of opening a treasure chest, and the story/sports/2015/09/30/phil-knight-nike-michael-jordan- adaptability of the garage as a space. The Valiant. Driving around to track meetings Plymouth Valiant’s trunk opening almost stepping-down-2016/72885302/ [Accessed 23 Jan. 2016]. Finch, C. (1975). The Art of Walt Disney. New York: Italie, H. (2015). Nike Chairman Phil Knight writes memoir, due simple structure facilitates a fast building H.N. Abrams, p.23. with potential clients, Knight sold the only vertically reinforces the effect. Nike’s next spring. [online] The Big Story. Available at: http:// bigstory.ap.org/article/80372f427f3047bfbcaf6533264df11a/ and easy conversion of the space but Sampson, W. (2008). The Little Disney Garage manufactured shoes out of his trunk. contribution to the series of garage con­ nike-chairman-phil-knight-writes-memoir-due-next-spring also means that its location, opposed to Nobody Wanted. [online] Mouseplanet.com. Available at: Effectively converting not the garage, versions renders the thought of reviving [Accessed 23 Jan. 2016]. https://www.mouseplanet.com/8366/The_Little_Disney_ other typologies, is not set, but – if a Garage_Nobody_Wanted [Accessed 23 Jan. 2016]. the car’s shelter, into a shop, but the car a space of storage in the auto­motive “First Nike store was this 1964 Plymouth Valiant. Phil Knight sold shoes out of its trunk at track meets in Oregon.”, in Khan, historical contribution merits it – can City of Garden Grove, (n.d.). Disney Garage Studio. itself. This marks a more mobile solution field both more literal and synecdochical. A. (2015). Adam Khan on Twitter. [online] Twitter. Available at: [online] Available at: http://www.ci.garden-grove.ca.us/ https://twitter.com/khanoisseur/status/616645616857264128 be moved. HistoricaS-Society/disney [Accessed 23 Jan. 2016]. of the home-grown passion project, A storage within the stored. [Accessed 23 Jan. 2016].

46 47 cutting toolbox drilling THYRSUS PRESS toy printers, an etching press and obscure another chair on machine flashlight a table: prototype machine shop supplies. With only the pull-up or makeshift? moving boxes Richard Hollander Thyrsus Press is a traditional printing door hinting to the past function as a press, located in South Berkeley, car garage, Thyrsus Press has converted­ California. Using old platen presses the Berkeley property into an artist’s such as a 1914 12x18 inch Chandler and atelier. Here, according to Pearce and a Price Old Style, the duo, Jinny Pearce Heise, they can tell stories, make art, and Doug Heise, have been experimen­ experiment, and make a mess, on demand ting with printing letterpress since for clients, but also for them­selves, 2001, when Pearce was enrolled at the “because some things need to exist.” San Francisco Art Institute. Thyrsus Press is located in a street-side garage with the family’s home located in its back. Looking for a space that enabled them to work from home, the two specifically bought the house with the garage as a working place in mind. Since Thyrsus Press does not open for on-site sales of their work, the front roll-up door is rarely opened and is used as another wall on the inside. The garage has lost its street-faced showcase but maintained the workshop environment. Structurally, Thyrsus makes use of the Pearce, J. and Heise, D. (n.d.). About Us. [online] Thyrsus Press. timber framing, with a storage level Available at: http://www.thyrsuspress.com/about/ suspended from the rafters. A mesme­ [Accessed 22 Jan. 2016]. rizing mess, the shop is filled with relics weloveletterpress, (2016). Weloveletterpress.com interview from various points in the history of with Thyrsus Press. [online] Available at: http:// more cables weloveletterpress.com/interviews/thyrsus-press printing: Metal typefaces, antique and [Accessed 22 Jan. 2016].

12x14 platen press Chandler 1914 Doug Heise

wooden chair on an improvised plinth hydraulic elements attached to the chair

a dozen of cables a system of transparent tubes complex order: tools, to make art move connected with air pressure leftovers, everyday from outside the garage products and tools

RICHARD HOLLANDER A central reason for Hollander to set up Richard Hollander is an award-winning his artist workshop in his own garage is visual effects supervisor and engineering the ability to work from home, therefore consultant for numerous Hollywood conveniently using spare time to advance produced films, since 1979. On the side, on his pieces and keeping it as a passion he works on installation pieces from project. The integration of computer his garage that examine patterns of and drafting space, the work shop, and movement, sound, and rhythm through final storage of pieces allows him to mechanic and hydraulic operations. His execute all steps of the creative process pieces form a choreography of elements, into the four walls of his garage. The in sound and movement, crafted from street-faced opening supplies additional wooden pieces moved by hydraulic daylight and facilitates transport of pumps, giving life to usually still items his pieces, while the permitted street- and at times incorporating household parking and Los Angeles weather allow materials. The garage is integrated into the car to stay unsheltered. the home and features a large roll-up door as well as side-doors to the garden and the house. Doubling as an additio­ nal office, it is equipped with a computer Hollander, R. (n.d.). About Richard Hollander | Articulated workstation, a wood work­shop, and a Movement. [online] Articulatedmovement.com. Available at: gas cylinder for the hydraulic operations. http://articulatedmovement.com/about/ paper trimmer [Accessed 30 Jan. 2016]. Works in progress and finished pieces etching press Visualeffectssociety.com, (n.d.). Richard Hollander | Visual Conrad are filling the space, so that some works Effects Society. [online] Available at: https://www. visualeffectssociety.com/sus/richard-hollander Jinny Pearce already have to be stored externally. [Accessed 30 Jan. 2016].

48 49 VOLUME Independent magazine for architecture Contributors: Peripheral Visions killed the cat. to reinvent itself SUBSCRIBE NOW VOLUMEPROJECT.ORG/SUBSCRIBE www.volumeproject.org Irene Chin is since 2016 Curatorial Coordinator Arthur Röing Baer is a co-organiser of Trust, at the Canadian Centre for Architecture where a space for utopian conspiracy and platform In 2004 Archis, the Amsterdam based she has led curatorial and project development design in Berlin. His work focuses on solidarity- architecture magazine with a pedigree reaching for “Our Happy Life”, among other exhibitions. based digital infrastructure, with previous work

Through design research, she considers museums Volume back to 1929, joined forces with OMA’s think on new forms of leverage for trucker unions in Archis 2016 #4 Per issue € 19.50 (NL, B, D, E, P) tank AMO and C-Lab – a think and action tank at as sites for architectural and institutional critique. Russia & protocol design for worker-owned taxi Volume is a project by Archis + AMO + ... the GSAPP of Columbia University – based on networks. He is currently researching the the shared ambition to redefine and re-establish Eventually Made is a young collective estab­ concept of the European Stack. architecture’s relevance. Volume was created by lished by Sebastian Bernardy and Vincent Meyer-

Rem Koolhaas, Leonardo Dellanoce, Mark Wigley // BeatriBeatriz Colomina, Bengin Dawod, , Archis Editor in Chief at the time, Ole Bouman Madaus with the impulsive idea of making the Ben Schouten is professor of Playful Interac­ Gabu Heindl, Benedict Clouette, Timothy Moore, Anne Feenstra, Nick Axel, JorgeJose Muñoz-Villers, Muñoz-Villers, Ole BoumaBouman, Jeffrey Inaba, Brendan Cormier, n, Jeffrey Inaba Ute Meta Bauer, James Taylor-Foster, Brendan Cormier,

Total Space insert inside!

To beyond or not to be Belgium Way insert ins in collaboration with (AMO) world a more beautiful, tangible and credible place. tions at the Department of Industrial Design of ide!ide! and Mark Wigley (Dean of GSAPP). From 2017 TU Eindhoven and Lector Play and Civic Media at Archis/Volume changed its structure into more Davide Tommaso Ferrando is an architecture the Amsterdam University of Applied Sciences. Volume #55 Intangible Cultural Heritage Volume #54 On Biennials Volume #53 Civic Space Volume #53 The End of Informality Volume #51 Augmented Technology theme-based forms of collaboration, expanding researcher and critic, particularly interested in His group focuses on play and design for social A tool to use Its Effects, Power and Audiences There is no such thing a society… Part of the systems design? Tech is pushing, but who’s driving? the network of partners. Archis/Volume the intersections between architecture, city and innovations, citizen empowerment and culture. mediates its research in various ways like media. He is currently Senior Scientist in the He is an advisor for the European Commission,

THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM Volume 42 oue4 The Research Turn Volume 48 Volume 43 Volume 47 Volume 46 Volume 45 Volume 44 Archis 2016 #2 Archis 2016 #1 Archis 2015 #4 Archis 2015 #3 Archis 2015 #2 Archis 2015 #1 Archis 2014 #4 Volume 41 Archis 2014 #3 THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEMPer issue THE SYSTEM€ 19.50 THE(NL, SYSTEM B, D, E, THE P) SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEMPer THE issue SYSTEM € 19.50 THE (NL, SYSTEM B, D, THEE, P SYSTEM) THE SYSTEM THE SYSTEM THE SYSTEM Per issue € 19.50 (NL, B, D, E, P) Per issue € 19.50 (NL, B, D, E, P) Per issue € 19.50 (NL, B, D, E, P) In today’s Per rapidly issue € 19.50 (NL, B, D, E, P) changing Per issue € 19.50 (NL, B, D, E, P) Per issue € 19.50 (NL, B, D, E, P) Volume is a project by Archis + AMO + ... Volume is a project by Archis + AMO + ... Volume is a project by Archis + AMO + ... Volume is a project by Archis + AMO + ... Volume is a project by Archis + AMO + C-Lab ... Volume is a project by Archis + AMO + C-Lab ... Volume is a project by Archis + AMO + C-Lab + CURE Volume is a project by Archis + AMO + C-Lab… workshops, exhibitions, debates, its digital Department of Architectural Theory and History as well as for the Dutch Cultural Media Fund. THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEMADD THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM World, the role of real estate has THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM been affected deeply. To such a THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM

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UNStudio JESSE LECAVALIER Nelson Mota NORMAL LEARNING Stephan Petermann Mariana Pestana COMPETITIVE LEARNING Franco Berardi Silvia Franceschini common room Sjarel Ex SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM EyalTHE SYSTEM Weizman THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM Alex Retegan POWER LEARNING Peggy Deamer Reinier de Graaf Ben Schouten Rory Hyde Alex Retegan Bart Lootsma Jan Peter Wingender ARTIFICIAL LEARNING Jan Rydén Azadeh Mashayekhi

THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE JAFARI GHAZAL DISCURSIVE LEARNING Leonardo Dellanoce Jonathan Hanahan Jack Self Judith Winter NON-LEARNING Matthew Stadler Brendan Cormier NETWORKED LEARNING dpr-barcelona Frans-Willem Korsten BRUNO DE MEULDER AND KELLY SHANNON AND KELLY MEULDER DE BRUNO Jacqueline Tellinga Rob Dettingmeijer the use of urban play as a design tool. He holds SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SOFT LEARNING Paul Gruenenwald, Dora Gorenak, Larissa Art in the 21st Century (MIT Press, 2019). Ying-Tzu Lin RE-LEARNING Friso de Zeeuw dpr-barcelona NICK AXEL NICK KELLER EASTERLING LYSTER CLARE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE

SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE V48_omslag_28APR16-V6-naar DK.indd 1 2/05/16 16:49 SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE Zanstra, George Jepson, Giulio Gonella, a PhD in Semiotics. SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE Kai Vöckler (Archis Interventions Berlin). Denisse Vega de Santiago is an architect SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE SYSTEM THE Archis advisers Ethel Baraona Pohl, René Boer, Alexander R. Galloway is Professor of Media, and art historian based in Rotterdam. Her work

Culture, and Communication at NYU. Author of Huang Weiwen

Brendan Cormier, Edwin Gardner, Rory Hyde, explores the agency of art and architecture to Volume 39 Zhang Yuxing Archis 2014 #1 Li Xiangning and Jeffrey Johnson Per issue € 19.50 (NL, B, D, E, P) Ole Bouman Volume is a project by Archis + AMO + C-Lab… Zheng Yulong Mary Ann O’Donnell Yang Xiaodi and Yin Yujun Adrian Blackwell Timothy Moore, César Reyes Nájera, Stephan several books on digital media and critical theory, produce radical forms of subjectivity through Linda Vlassenrood Archis U B Doreen Heng Liu Liu Guangyun Chen Zetao Chris Lai

Dai Yun Urban Border – UABB\Shenzhen 2013 Corinna Gardner U Joseph Grima and Tamar Shafrir Petermann he is currently finishing a new manuscript on the emancipatory politics. Rafi Segal and Yonatan Cohen Rufina Wu and Stefan Canham A Harry den Hartog R O Daan Roggeveen and Michiel Hulshof Stefan Al B Zhang Xiaojing and Chen Zhou 2 Ni Weihua Jeremy Till B deep history of cybernetics. Museum of Modern Art 0 São Paulo Architecture Biennale MIT Center for Advanced Urbanism \ MAXXI Architettura 1 Studio-X B R The New Institute S Berlage and Volume 3 Office for Metropolitan Architecture Droog with TD Architects H AMO Reinier de Graaf You+Pea is the architectural design studio The Value Farm Museum of Finnish Architecture Victoria & Albert Museum E A D N

Francesco Garutti is since 2017 Curator of Sandra Youkhana and Luke Caspar Pearson. To beyond or not to be Z H E AUTHORIZED N E PUBLICATION VOLUME is published by Stichting Archis, The Contemporary Architecture at the Canadian They established and lead the Videogame N Netherlands and printed by die Keure, Belgium Centre for Architecture where he directs Urbanism studio at the Bartlett School of R curatorial projects and public programs. He’s the Architecture, where they promote the use of Editorial office PO Box 14702, 1001 LE curator of the show “Our Happy Life” and editor game technologies in architectural education. Amsterdam, The Netherlands of the volume “Our Happy Life: Architecture and [email protected], www.archis.org Wellbeing in the Age of Emotional Capitalism” co-published by CCA and Sternberg Press. Subscriptions Bruil & Van de Staaij, Postbus 75, 7940 AB Meppel, The Netherlands, T +31 Nick Houde is a researcher, writer, and musician (0)522 261 303, F +31 (0)522 257 827, volume@ based in Berlin. For the last three years he has bruil.info, www.bruil.info/volume worked as a research fellow and co-curator at the Haus der Kulturen der Welt (HKW) for the Subscription rates 2 issues: 39 Netherlands, Technosphere Project and the Anthropocene 45 Europe, 50 World, Student discount 10%. Curriculum. His research and writing focuses Prices excl. VAT epistemology and mechanistic forms of reasoning around social value and governance. Cancellation of subscription to be confirmed in writing one month before the end of the sub­ George Jepson is a writer and researcher scription period. Subscriptions not cancelled on based in London. Working at the intersection of time will be automatically extended for one year. spatial theory and political philosophy, his inter­ disciplinary research spans across literature, Back issues of Volume and forerunner Archis (NL cinema and architecture, with a particular and E) are available through Bruil & van de Staaij concern for the production of value systems.

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art and publishing. He writes on his blog ISSN 1574-9401 ISBN 9789077966662 (networkcultures.org/entreprecariat) and elsewhere, and recently published his first Copy editor David Cross book entitled ENTREPRECARIAT: Everyone Is an Entrepreneur. Nobody Is Safe. (Onomatopee, Materialized by Irma Boom Office English; Krisis, Italian). (Irma Boom, Jan van der Kleijn) Simone C. Niquille is a Swiss designer and Disclaimer The editors of Volume have been researcher living in the Netherlands. Her studio careful to contact all copyright holders of the Technoflesh investigates the representation images used. If you claim ownership of any of identity without a body, the digitisation of of the images presented here and have not biomass and the increasingly omnipresent optic been properly identified, please contact gaze of everyday objects. Volume and we will be happy to make a formal acknowledgement in a future issue. Patternist has been conceived by Lina Bondarenko (architect), Martin Byrne (architect/artist), Holly Childs (artist/writer), Kei Kreutler (artist/researcher), and Jelena Viskovic (artist/developer) within the program ”The New Normal“ at Strelka in Moscow.

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