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Theorie De L'architecture
COURS 08 -sem 6 -UE1 17 mai 2006 COURS INAUGURAL SÉRIE 1 : « enquêtes » (Philippe Villien) 1,1 - ARNE JACOBSEN - ACIER - L’ESCALIER DE LA MAIRIE DE RODOVRE 1,2 - CARLO SCARPA - BÉTON - LE CIMETIÈRE BRION-VEGA À SAN VITO D’ALTIVOLE 1,3 - PETER ZUMTHOR - PIERRE - LES THERMES DE VALS 1,4 - SWERE FEHN - BOIS - MAISONS SÉRIE 2 : « paysage et édifice» (Dominique Hernandez) 2,1 - CULTURE DU REGARD (limites, seuils, topographie) 2,2 - LE PAYSAGE ENVELOPPE DE L’EDIFICE (composition dedans - dehors) 2,3 - LES TEMPS DU VIVANT (orientation, lumières, végétal) SÉRIE 3 : « représenter le concept » (Philippe Villien et Delphine Desert) 3,1 - LES OUTILS DE LA CONCEPTION ARCHITECTURALE 3,2 - DIFFUSION D’UNE PENSEE THEORIQUE : REM KOOLHAAS Ecole d’architecture de Paris-Belleville_cycle Licence_3e année_2e semestre THEORIE DE L’ARCHITECTURE Représenter le concept D elphine D E S E R T 2006 Ecole d’architecture de Paris-Belleville_cycle Licence_3e année_2e semestre THEORIE DE L’ARCHITECTURE R e p rése nter le concept 2re partie Diffusion d’une pensée théorique Ecole d’architecture de Paris-Belleville_cycle Licence_3e année_2e semestre R e présenter le co n cept Diffusion d’une pensée théorique Sommaire Ecole d’architecture de Paris-Belleville_cycle Licence_3e année_2e semestre L e s outils de la représentation sommaire 1. Prése ntation des acteurs • Re m Koolhaas • OMA • OMA/AMO • Réalisations pleïomorphes 2. Image et com m u nication • Communication du projet • Le discours • L'écriture • L’image 3. Approches théoriques Koolhaassienne • « Paranoiac Critical -
Exercise 2.WPS
Arch 5563: Advanced Building Technology Exercise 2: Studio Precedent Weichao Guan Deuk-Geuk Hong A C E G I B D F H J Rem Koolhaas in 1987 Born Remment Lucas Koolhaas Ram Koolhaas was born on 17 November 1944 in Rotterdam, Netherlands. He was a journalist for the Haagse Post before starting studies, in 1968, in architecture at the Architectural 17 November 1944 (age 69) Association School of Architecture in London, followed, in 1972, by further studies with O. Mathias Ungers at Cornell University in Ithaca, New York, followed by studies at the Insti- Rotterdam, Netherlands tute for Architecture and Urban Studies in New York City. 1 He founded OMA with Elia and Zoe Zenghelis and Madelon Vriesendorp as a collaborative office practicing architecture and urbanism in 1975. OMA notified their name through a Nationality Dutch series of groundbreaking entries in major competitions and now OMA is a leading international partnership practicing architecture, urbanism, and cultural analysis. 2 Alma mater Architectural Association A B School of Architecture, Cor- OMA presented their innovative ideas through an residence: VILLA DALL’AVA in France, 1991 , and EDUCATORIUM in Netherlands, 1997 , showed a streamlined shape by concrete C nell University with a special interior space. They designed a monumental building: CCTV – HEADQUARTERS in China in 2002 and they started to work with engineer firm ARUP from this project. the project, NETHERLANDS EMBASSY in Germany, 2003 D, has the sequence of circulation and showed how the public (corridor, stair, unprogramed) spaces are related with private Awards Pritzker Prize (2000) spaces and context of the site. -
Aims and Characteristics
UNIT 2: Postmodern architecture evolved from the modernist movement, yet contradicts many of the modernist ideas. Combining new ideas with traditional forms, postmodernist buildings may startle, surprise, and even amuse. Familiar shapes and details are used in unexpected ways. Buildings may incorporate symbols to make a statement or simply to delight the viewer. The key ideas of Postmodernism are set forth in two important books by Robert Venturi:Complexity and Contradiction in Architecture and Learning from Las Vegas. Postmodern architecture began as an international style the first examples of which are generally cited as being from the 1950s, but did not become a movement until the late 1970s[1] and continues to influence present- day architecture. Postmodernity in architecture is said to be heralded by the return of "wit, ornament and reference" to architecture in response to the formalism of the International Style of modernism. As with many cultural movements, some of Postmodernism's most pronounced and visible ideas can be seen in architecture. The functional and formalized shapes and spaces of themodernist style are replaced by diverse aesthetics: styles collide, form is adopted for its own sake, and new ways of viewing familiar styles and space abound. Perhaps most obviously, architects rediscovered the expressive and symbolic value of architectural elements and forms that had evolved through centuries of building which had been abandoned by the modern style. Influential early large-scale examples of postmodern architecture are Michael Graves' Portland Building in Portland, Oregon and Philip Johnson's Sony Building (originally AT&T Building) in New York City, which borrows elements and references from the past and reintroduces color and symbolism to architecture. -
Journal of Architectural Education Fall Editorial Board Meeting Portland
Journal of Architectural Education Fall Editorial Board Meeting Portland State University Portland, OR 02-04 October 2015 Table of Contents General Information . 1 Meeting Schedule . 2 Meeting Agenda . 3 Reports Executive Editor . .. 4 Associate Editor, Design . 5 Associate Editor, Reviews . 6 Art Director . 8 Additional Material Spring 2015 Board Meeting Minutes Theme Issue Proposals Essays to be considered for the JAE Awards General Information Welcome to the Journal of Architectural Education 2015 Fall Editorial Board Meeting. All of our meetings will occur at Portland State University (1825 SW Broadway, Portland, OR 97201) If you are unable to attend the meeting, a skype connection can be provided. Please email Marc Neveu ([email protected]) if you wish to participate via skype. While in Portland, Marc Neveu may be reached by phone at: 617-899-6965. Barton Residence: (1920 SW River Drive, E101) 1 Meeting Schedule Friday, 02 October 4.00 pm Clive Knights to introduce Editorial Board to students Shattuck Hall, 1914 SW Broadway 4.15 pm Tour, School of Architecture 5.00 pm Happy Hour at Professor Emeritus Rudy Barton's house 1920 SW River Drive, E101 Saturday, 03 October 9.00 – 12.30 Design Committee Meeting Shattuck Hall, 1914 SW Broadway: Room 250 Kulper, Fujita, Jackson, La, Sprecher, Stuth, Squire, Theodore 9.00 – 12.30 Reviews Committee Meeting Shattuck Hall, 1914 SW Broadway: Room 235 Rupnik, Contandriopoulos, Mumford, Nawre, Trubiano, Wendl 9.00 – 12.30 70:1 Shattuck Hall, 1914 SW Broadway: Office pod Neveu, Brennan, Weddle 1.30 – 5.00 Editorial Board Meeting Shattuck Hall, 1914 SW Broadway: Room 210 Full Editorial Board, Monti, Reimers, Vonier 7.00 Andina 1314 NW Glisan St. -
Uma Arquitetura Outra: O Processo De Ruptura Entre Forma E Função
UNIVERSIDADE ESTADUAL DE CAMPINAS FACULDADE DE ENGENHARIA CIVIL, ARQUITETURA E URBANISMO Uma arquitetura outra: o processo de ruptura entre forma e função Patrícia Pereira Martins Campinas, SP 2011 UNIVERSIDADE ESTADUAL DE CAMPINAS FACULDADE DE ENGENHARIA CIVIL, ARQUITETURA E URBANISMO Patrícia Pereira Martins Uma arquitetura outra: o processo de ruptura entre forma e função Tese de Doutorado apresentada à Comissão de Pós-Graduação da Faculdade de Engenharia Civil, Arquitetura e Urbanismo da Universidade Estadual de Campinas, como parte dos requisitos para obtenção do título de Doutor em Engenharia Civil, na área de concentração de Arquitetura e Construção. Orientador: Prof. Dr. Leandro Medrano Co-orientadora: Profa. Dra. Silvia A. Mikami G. Pina Campinas, SP 1 FICHA CATALOGRÁFICA ELABORADA PELA BIBLIOTECA DA ÁREA DE ENGENHARIA E ARQUITETURA - BAE - UNICAMP Martins, Patrícia Pereira M366a Uma arquitetura outra: o processo de ruptura entre forma e função / Patrícia Pereira Martins. --Campinas, SP: [s.n.], 2011. Orientadores: Leandro Silva Medrano, Silvia Aparecida Mikami Gonçalves Pina. Tese de Doutorado - Universidade Estadual de Campinas, Faculdade de Engenharia Civil, Arquitetura e Urbanismo. 1. Arquitetura - Sec. XXI. I. Medrano, Leando Silva. II. Pina, Silvia Aparecida Mikami Gonçalves. III. Universidade Estadual de Campinas. Faculdade de Engenharia Civil, Arquitetura e Urbanismo. IV. Título. Título em Inglês: An another architecture: the process of rupture between form and function Palavras-chave em Inglês: Architecture - Sec. XXI Área de concentração: Arquitetura e Construção Titulação: Doutor em Engenharia Civil Banca examinadora: Gentil Alfredo Magalhães Duque Porto Filho, Mônica Junqueira de Camargo, Marcelo Tramontano, Regina Andrade Tirello Data da defesa: 27/05/2011 Programa de Pós Graduação: Engenharia Civil 2 3 4 Aos meus pais, Maria Elisa e Francisco. -
Arch 5124 ARCHITECTURAL HISTORY 2 Part 2C
arch 5124 ARCHITECTURAL HISTORY 2 Part 2C 23 September 2013 13.7 Mb, 7,526 words Lecture 25: Late 20th Century (only) Wells Coates (1895-1958). Canada, London, Modernism, engineer, product designer. Sunspan Houses (1934-36). Only one with intended construction system built, at Mardley Hill, 1935. Lawn Road flats, Lawn Road, London (1934). Embassy Court Flats, King’s Parade, Brighton, East Sussex (1935), Shipwrights, Leigh-on-Sea, Benfleet Road, 1937. Palace Gate Flats, 10 Palace Gate, 1939. House, West Wittering, West Sussex, 1957-58. Lawn Road flats. 1 Iannis Xenakis (1922-2001). Greek architect-engineer, worked with Le Corbusier, and one of the most important post-war avant- garde composers. Under Le Corbusier, he collaborated on the design of Sainte Marie de La Tourette, Éveux, Rhône-Alpesnear Lyon (1956-60 and 1981), and alone designed the Philips Pavilion at Expo 58. In 1953-54, composed his first major work after studying with Olivier Messiaen, derived from an Einsteinian view of time and his own memory of the sounds of warfare, and was structured on mathematical ideas by Le Corbusier. His most important works include Metastaseis (1953–4) for orchestra, with independent parts for every musician of the orchestra, and percussion works eg: Psappha (1975) and Pléïades (1979). He wrote numerous theoretical works including Formalized Music: Thought and Mathematics in Composition (1971).1 Sverre Fehn (1924-2009), Oslo, Modernism, architect and teacher, Oslo School of Architecture & Design and Cranbrook Academy of Art Michigan. Pritzker Prize 1997, leading Norwegian architect of his generation. travels in Morocco, he discovered vernacular architecture, which was to influence his work. -
Catalog 4Thiabr En.Pdf
Content P. 7 Preface P. 13 The Open City - Curatorial Statement P. 19 The Biennale and the City P. 25 Open City: Designing Coexistence P. 27 The Forum P. 35 Maakbaarheid ('ma:kba:rɦɛ:it) P. 39 Refuge P. 45 Reciprocity P. 49 Community P. 53 Squat P. 59 Collective P. 63 Open City Event Program P. 65 Open City: Designing Coexistence – The Book P. 67 Parallel Cases//IABR@RDM P. 87 The Free State of Amsterdam P. 99 Urban Century: How the World Becomes a City P. 111 Foaming at the Edge - Open City Master Class P. 113 Partner Program P. 117 Practical Information P. 121 Subsidizers and Partners P. 125 Credits P. 141 Colophon City 3 Preface gation of the favela’s inhabitants. She suggested that we refrain from trying The International Architecture Bien- to sell the idea that architects can turn nale Rotterdam (IABR) is an inter- Paraisópolis into paradise. Of course national urban research biennale I agreed. History has rarely been kind founded in 2001 with the conviction to those who want to build paradise that architecture is a public concern. on earth. So when the 4th IABR raises the issue of how architects and urban Architecture’s major challenge, in planners can concretely contribute to the eyes of the IABR, is to design and the design of coexistence, it has to be realize decent day-to-day living con- done with reserve. ditions for billions of people. With the theme Open City: Designing Coexis- Yet the question needs asking. tence, the 4th edition of the IABR places special emphasis on the social Whether exploding or shrinking, cit- aspect of this challenge: how can ies all over the world often tell tales architects and urban planners make of waste and neglect. -
Rem Koolhaas Biography
Rem Koolhaas By AmyChristine Lindenau Rem Koolhaas is a Dutch-born architect from Rotterdam, Netherlands. Born in 1944, Koolhaas spent several years of his childhood living abroad in Indonesia, where his father, Anoton Koolhaas, worked as a novelist and served as cultural director. These early experiences clearly influenced Koolhaas, who followed in his father’s footsteps throughout his career. In his early twenties, Koolhaas started out his career as a writer. Working for a local Dutch newspaper, called the Haase Post, Koolhaas eventually became known for his writings on global trends of urbanization and analyses of architecture. Although Koolhaas also tried his hand at writing original screenplays, it was ultimately his theoretical, sociological works that eventually earned him a reputation as a philosophical mind and trailblazer in architecture. After several years working as a writer, Koolhaas began studying architecture at the Architectural Association in London in 1968. While in London, Koolhaas found himself surrounded by peers who felt dissatisfied with the current government and supported largely anti-establishment, deconstructivist philosophies. Having studied similar movements that had led to changes in the Ecole Des Beaux Arts generations earlier, Koolhaas and his classmates represented a cohort infatuated with the relationships between various societal classes as well as architecture’s role in creating and/or perpetuating uncomfortable economic and societal divisions. In 1972, Koolhaas moved to the United States to continue his education in architecture, ultimately graduating from Cornell University in 1975. Fresh out of school, Koolhaas dove into his career establishing a firm with a few core members. The team that founded the Office for Metropolitan Architecture (OMA) included Elia and Zoe Zenghelis and Koolhaas’ then wife, Madelon Vriesendorp. -
AMO Atlaswiredcontentvolume
Dennis Baganz interferences: report on the research of AMO‘s Wired project Interferences: AMO AtlasWiredContentVolume In the course of the seminar ‚Research Architecture: The Case of OMA / AMO‘ it was about the extended role of the architect in a changing working environment. The focus of the new fields of work is the research work that has alw ays been immanent to the profession but is now to be professionalised and accordingly capitalised. As an illustrative example, the projects of the theory-think tank AMO should be examined, as they exemplify a successful implementation. AMO can be understood as the theoretical counterpart to the internationally renowned architecture firm Office for Metropolitan Architecture (OMA). Since its founda- tion, it has been responsible for the production of everything non-architectural within the organizational structure of OMA - officiallyAMO is named ‚research and design studio‘1. Projects are often handled in parallel byAMO and OMA (from different points of view)2, the boundaries between the sub-organizations are fluid (also in terms of personnel)3. Therefore, for the sake of readability and sometimes difficult distinctions, AMO should in the following text be always re- presentatively cited for both entities. Also emerged from a certain entrepreneu- rial need, which has to do with the change of the role of the architect in the world4, AMO is characterized by increased publication work. Among them for the American, monthly magazine Wired for a tech-savvy readership with an interest in its implications for society as a whole, whose June edition was curated by fig 1 Koolworld Cover AMO in 2003 and named ‚Koolworld‘5. -
Coming Soon Catalogue (PDF, 13
COMING SOON COMING This paperback is the accompanying catalogue to the exhibition COMING English edition SOON. An exhibition about the desire for an imaginary reality: an eclectic overview of utopian e!orts, stories, and practices through the history of mankind. It examines the critical potential of this imaginary space (or spaces) between reality and utopian projection. The promise of change, improvement, and imagination lies at the heart of every design and is a crucial part within design disciplines. Yet how can we anticipate the future when stumbling onto the limits of growth? Expressions of longing for another place, of a dream landscape, the ideal IMAG REAL city or an alternatively organized society are brought together by a team of 7 curators. Together, they worked on a genealogy of utopia, a filmic ‘Docutopia’ and present some 150 works by artists, scientist, architects, and designers featuring a contemporary utopian narrative. I NA R Y FUTU R ES ENGLISH Bureau Europa De Timmerfabriek Boschstraat 9 Maastricht www.bureau-europa.nl Introduction 6 Saskia van Stein Genealogy of Utopia 8 Piet Vollaard Yesterday’s Tomorrow: A Journey 52 Lara Schrijver X, Y, Z, and Beyond – exhibition texts 62 Lukas Feireiss, Institute of Relevant Studies (Agata Jaworska & Giovanni Innella), Roosje Klap, Saskia van Stein E Biographies: curatorial team 106 OF CONTENTS Colophon 110 TABL ION CT DU ‘A map of the world that does not O include Utopia is not worth even R glancing at, for it leaves out the one country at which Humanity NT is always landing’. I OSCAR WILDE The Soul of Man under Socialism, 1891 SASKIA VAN STEIN 4 5 COMING SOON COMING SOON also examines the format of collective REAL IMAGINARY FUTURES knowledge production by bringing together the unusual amount of 7 different curators: Lukas Feireiss, Institute of Relevant Studies (Giovanni Innella en Agata Jaworska), Roosje Klap, Lara Schrijver, Piet Vollaard and Saskia van Stein. -
Media and Architecture
M E D I A A N D A R C H I T E C T U R E Media and Spatial Theory and Practice Fall 2007 Lecture: Wednesdays 2:00 – 3:20pm, 8 East 16th Street, Room 1107 Shannon Mattern, Ph.D. Assistant Professor and Director of Graduate Studies Department of Media Studies and Film Office: 2 West 13th Street (70 5th Avenue), 12th floor Office Hours: W 4-6 and by appointment [email protected] 212.229.8903 Discussion Sections: Thursdays 10:00 – 11:20am Thursdays 12:00 – 1:20pm Fridays 12:00 – 1:20pm Katelyn McCormick Yifat Gutman Karl Mendonca [email protected] [email protected] [email protected] It wasn’t long ago that the digital vanguard was prophesying the arrival of the “paperless office,” the death of the book, and the “dematerialization” of our physical bodies and environments. Despite those proclamations, we have not traded in our corporeality for virtuality—nor have we exchanged all of our brick-and-mortar schools, churches, and communities for virtual versions. In fact, many architects, urban planners, sociologists, psychologists, geographers, and scholars and practitioners in related disciplines argue that as our media have become ever more virtual, the design and development of our physical spaces—through architecture, landscape design, and urban and regional planning—have become even more important. If our media and our built spaces do not follow the same evolutionary paths, what is the relationship between these two fields of production and experience? This course examines the dynamic and complex relationship between media and architecture. We will look at architecture as media, symbols and embodiments of particular ideas and values—and at the impact that communication media have had on the practice of architecture and the way we experience our built environments.