DOCSLIB.ORG

Light Classical

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Light Classical Light Classical Contents A few highlights 1 Background stories 1 Light Classical – Title order 2 Light Classical – Composer order 7 Light Classical – Pianist order 14 The 200 MIDI files in this category contain works often identified as ‘salon’ music. These are generally short pieces, often with virtuosic display and always with a tune. Music of this type is rarely heard today, so some of the items in this category may be unfamiliar. Many of the works were written in the 19th century, some are from the early 20th century. Because ‘light classical’ embodies more than salon music, works such as Rhapsody in Blue, and In A Monastery Garden are included. Earliest recordings are from 1907. Of the 125 composers in this category, the best known are Cécile Chaminade, Franz Bendel, Rudolf Friml, Benjamin Godard, Victor Herbert, Fritz Kreisler, Moritz Moszkowski, Ethelbert Nevin and Johann Strauss. Over 100 pianists play the works in this category. These include in-house pianists such as Robert Armbruster, Genevieve Pitot, Howard Brockway, Edgar Fairchild (née Milton Suskind) and Marguerite Volavy. Well known pianists include Sergei Rachmaninoff, Moriz Rosenthal, Vladimir de Pachmann, Josef Lhevinne and Josef Hofmann. A few highlights Annie Laurie (Transcription) arranged and played by Mischa Levitzki Blue Danube Arabesque by Strauss Schulz-Evler played by Josef Lhevinne Die Lorelei Op.2 by Hans Seeling, played by Clarence Adler Glow Worm by Paul Lincke, played by Harry Perrella Egeria Op.35 by Ernest Kroeger, played by Robert Armbruster Enchanted Nymph by Mischa Levitzki, played by the composer Flight of the Bumble Bee by Rimsky-Korsakoff, played by Sergei Rachmaninoff In A Boat (En Bateau) by Camille Zeckwer, played by Leo Ornstein In A Monastery Garden by Albert William Ketèlbey, played by Frank J. Black Reverie Op.18 in G by Carlos Salzedo (a famous harpist), played by the composer Song of the Sea by Harriet Ware, played by Frank Milne The Sanctuary by Michael Dvorsky (Hofmann) played by Josef Hofmann. Background stories 1. Harriet Ware (1877-1962) is one of the few female composers of the times to have achieved some level of fame in her lifetime. Another is Cécile Chaminade. Ware’s Song of the Sea was published in 1910, but did not appear on reproducing piano roll until 1937 when it was recorded by popular piano roll artist Frank Milne (1887-1959). 2. Josef Lhévinne (1874-1944) recorded the Schulz-Evler transcription Blue Danube Arabesque in 1906 for Welte, for Ampico in 1926 and on disc for Victor in 1928. All these recordings are highly regarded. 3. Genevieve Pitot (1901-1980) only recorded for the Duo-Art reproducing piano, making nearly 45 recordings from 1919 to the late 1920s. She studied with Alfred Cortot at age 12, and all her recordings are highly regarded for their stylistic playing and technique. 4. Charles Steinway (1857-1919) was President of Steinway & Sons. He composed a number of salon pieces for the piano, recording some of these for the Welte-Mignon around 1916. He was a grandson of the founder of the firm. 5. Marguerite Volavy (1886-1951) was a prolific recording artist for numerous piano roll companies. She made many roll recordings, sometimes using pseudonyms such as Felix Gerdts and George Kerr. It is estimated that she made over 230 roll recordings. She studied with Leschetizky, and appeared as soloist with the Russian Symphony Orchestra in New York on February 13 1915, and again on March 21 1915, playing the first American performance of Scriabin’s Prometheus—A Poem of Fire performing on a ‘chromola’, otherwise known as a ‘colour keyboard’. 1 Contents page Light Classical – Title order Composer order Pianist order Light Classical – Title order Title Composer Pianist Roll Issue/ tim midi file name No. rec e date A Dream Bartlett-Roth Roth X-6664 03 1924 2:37 A Dream (Bartlett) Roth LW A La Bien Aimee Concert Waltz Schuett Bauer 6986 03 1926 5:11 A La Bien Aimee (Schuett) Bauer DA Aeolian Murmurings (Concert Aeolian Murmurings (Bartlett), Thompson Bartlett Thompson 5797 07 1916 3:28 Study) Op.123 DA Aeolus Op.59 No.5 Gernsheim Goodson 72600 10 1928 2:04 Aeolus (Gernsheim), Goodson DA Air de Ballet Herbert Harris B-7408 07 1926 2:37 Air de Ballet (Herbert) Harris LW Album Leaf Merkel-Depew Battle 6360 11 1920 3:35 Album Leaf (Merkel), Battle DA Alice Where Art Thou Ascher Spross 5990 03 1918 6:05 Alice (Ascher), Spross DA Alpine Storm Op.105 Kunkel Pitot 6799 10 1924 5:38 Alpine Storm (Kunkel) Pitot DA Alp-Maid's Dream (Idyll) Op.45 Labitzky Rogers 6312 07 1920 3:10 Alp-Maids Dream (Labitzky) Rogers DA Amaryllis Seger Volavy 57213 ? 2:33 Amaryllis (Seger) Volavy A Ambling Along Axt Axt 67891 08 1927 2:47 Ambling Along (Axt), Axt A Amour Coquet (Vagrant Love) Friml Friml 66513 09 1926 3:53 Amour Couquet (Friml), Friml A Amoureuse Berger Brockway 55205 ? 4:42 Amoureuse (Berger) B'way A An Evening in Granada Bilotti Bilotti X-6886 11 1924 3:16 An Evening in Granada (Bilotti) Bilotti LW Angel’s Serenade, The Braga Fairchild 62423 09 1923 5:03 Angel's Serenade (Braga) Fairchild A Annie Laurie (Transcription) Levitzki arr Levitzki 1411 08 1924 3:44 Annie Laurie, Levitzki AA Arabesque Op.52, No.2 Arnold Volavy 51004 1916 3:28 Arabesque (Arnold), Volavy A Arabesque Intermezzo Loth Loth 68991 06 1928 2:18 Arabesque (Loth), Loth AB Artists Life Waltz Strauss Volavy 70273 10 1929 5:44 Artists Life (Strauss) Volavy A At Dawn (L’Laurore) Op.36 No.1 Friml Volavy 67103 01 1927 2:00 At Dawn Op 36-1 (Friml), Volavy A At Dawning (I Love You) Cadman Cadman 5853 01 1917 2:15 At Dawning (Cadman), Cadman DA At the Lake of Geneva Op.131 Bendel Lambert 6420 05 1921 4:12 At the Lake Geneva (Bendel) Lambert DA No.1 Autumn Leaves Op.146 (Feuilles 09 1923 Autumn Leaves (Chaminade), Chmnde Chaminade Chaminade 066 br 3:24 d'Automne) by DA Ave Maria Bach-Gounod Lerner 100575 10 1930 3:19 Ave Maria (Bach-Gounod), Lerner AB Ave Maria Op.52 No.6 Schubert Volavy 69673 02 1929 7:32 Ave Maria (Schbrt), Volavy AB Awakening of the Lion (Caprice Kontski, Pitot 72119 02 1928 7:37 Awakening of Lion (Kontski) Pitot DA Heroique) Op.115 Antoine de Badinage Herbert Adler 5694 11 1915 3:47 Badinage (Herbert), Adler DA Ballet Des Papillons Op.69 Godard, C. Novaes 71870 12 1927 2:58 Ballet Papillons (Behr), Novaes DA Dietrich- Barcarolle No.4 Venitienne Godard 57334 1919 3:42 Barcarolle 4 (Godard) Hollinshead AA Hollinshead Believe Me With All Those Believe Me-Young Charms, Himmelreich anon Himmelreich 51663 1917 3:07 Endearing Charms A Berceuse Op.26 No.7 Schytte Loth 100585 10 1930 3:15 Berceuse (Schytte) Loth AB Bird's Pleasure Op.55 Hofmann Adam P-2363 1912-13 1:09 Bird's Pleasure (Hofmann) Adam LW Strauss Blue Danube Arabesque Lhevinne 67563 05 1927 7:52 Blue Danube Arabesque, Lhevinne AB Schulz-Evler Boat Song Ware Ware B-6470 07 1923 3:20 Boat Song (Ware) Ware LW Boccherini- Boccherini Minuet Ganz 3039 1916 by 4:39 Boccherini Minuet, Ganz LW Plante Bowl of Pansies Reynard Brockway 52984 ? 4:00 Bowl of Pansies (Reynard) B'way A Bubbling Spring Rive-King Fairchild 65133 10 1925 5:33 Bubbling Spring (Rive-King) Fairchild AA Butterfly, The Bendix Pitot 7219 03 1928 3:05 Butterfly (Bendix), Pitot DA By Moonlight Op.139 No.3 Bendel Volavy 51256 ? 7:41 By Moonlight (Bendel), Volavy A By the Brook Op.52 Boisdeffre Rapee 6612 03 1923 3:07 By the Brook (Boisdeffre) Rapee DA Caprice Viennois Kreisler Kreisler 58145 08 1920 4:08 Caprice Viennois (Kreisler) Kreisler A Carnations (Novelette) Albers Pitot 70536 08 1926 2:53 Carnations (Albers), Pitot DA 2 Contents page Light Classical – Title order Composer order Pianist order Title Composer Pianist Roll Issue/ tim midi file name No. rec e date Strauss- Carnival of Vienna Rosenthal 65313 12 1925 6:23 Carnival of Vienna, Rosenthal A Rosenthal Cascade of the Chaudron, Op.39 Cascade of Chaudron (Bendel) Tollefsen Bendel Tollefsen C-7102 07 1925 5:25 No.5 LW Arnold and Cathedral Chimes Fabre Y-6582 12 1923 4:16 Cathedral Chimes, Fabre LW Brown Cavatina Raff MacFadyen 61123 09 1922 3:53 Cavatina (Raff), MacFadyen A Christmas Bohm Singer 7857 12 1928 5:13 Christmas (Bohm), Singer LW Christmas Legend: What Child Is Busoni Singer C-7221 12 1925 3:32 Christmas Legend (Busoni) Singer LW This? Chrysanthemums Penn Volavy 50233 early 3:20 Chrysanthemums (Penn) Volavy AA Confetti (Danse Chic) Media (Jay) Armbruster 73306 05 1929 2:23 Confetti (Media) Armbrstr DA Dance of the Hours (Ballet Music Dance of the Hours (Ponchielli) Armbrstr Ponchielli Armbruster 6724 02 1924 5:23 from "La Gioconda") DA Dancing Leaves Miles Armbruster 6629 05 1923 3:26 Dancing Leaves (Miles), Armbrstr DA Dancing Nymphs, Novelette Braine d'Giovanni X-6045 01 1921 3:45 Dancing Nymphs (Braine) d'Giovanni LW 16 03 Danse Des Apaches (Clarke) Brightwell Danse Des Apaches Clarke Brightwell D-1532 2:55 1909 LW Dawn Op.12 Farwell Navas 54115 1917 5:36 Dawn (Farwell), Navas A Day In Venice Op.25 No.1 Dawn, Nevin Suskind 68983 06 1928 5:05 Day In Venice-1,2 (Nevin) Suskind AB No.2 Gondoliers Day In Venice Op.25 No.3 Venetian Love Song, No.4 Nevin Suskind 69083 07 1928 5:42 Day In Venice-3,4 (Nevin) Suskind AB Goodnight Die Lorelei Op.2 Seeling Adler 5844 12 1916 3:22 Die Lorelei (Seeling), Adler DA Distant Bells, Novelette Hendricks Bergere Y-6696 04 1924 2:22 Distant Bells (Hendricks) Bergere LW Dolores Waltz Op.170 Waldteufel Rapee C-7720 10 1927 6:53 Dolores Waltz (Waldtfl), Rapee LW Dream Flowers Op.156 Translateur Haase C-7084 06 1925 4:15 Dream Flowers (Translateur) Haase LW Egeria Op.35 Kroeger Armbruster 71566 09 1927 4:56 Egeria (Kroeger)
Load more

Recommended publications
  • Top 360 Countdown
    WMHT-FM Classical 360 Rank Selection Composer 1 Symphony 9 D Min, Op.125 "Choral" Ludwig van Beethoven 2 Requiem Mass D Min, K.626 Wolfgang Amadeus Mozart 3 Messiah George Frederic Handel 4 Orchestral Suite #3 BWV 1068: Air on the G String Johann Sebastian Bach 5 Concerto Grosso Op.8/1 E Four Seasons "Spring" Antonio Vivaldi 6 Rhapsody in Blue George Gershwin 7 Ave verum corpus, K. 618 Wolfgang Amadeus Mozart 8 Adagio G Min (Ar R.Giazotto) Tomaso Albinoni 9 Symphony #5 Ludwig van Beethoven 10 Toccata & Fugue in D minor, BWV 565 Johann Sebastian Bach 11 Adagio for Strings Samuel Barber 12 Serenade G, K.525 "Eine Kleine Nachtmusik" Wolfgang Amadeus Mozart 13 Water Music Suite #2 in D George Frederic Handel 14 Peer Gynt 1, Op.46 Edvard Grieg 15 German Requiem, Op.45 Johannes Brahms 16 Xerxes - Largo George Frederic Handel 17 Exsultate Jubilate, K 165 Wolfgang Amadeus Mozart 18 Concierto De Aranjuez Joaquin Rodrigo 19 Canon in D Johann Pachelbel 20 Piano Sonata 14 C-Sharp Min, Op.27/2 "Moonlight" Ludwig van Beethoven 21 Symphony 5 C-Sharp Min Gustav Mahler 22 Finlandia, Op.26 Jean Sibelius 23 Symphony 8 B Min, D.759 "Unfinished" Franz Schubert 24 Blue Danube Waltz, Op.314 Johann Strauss 25 Appalachian Spring Aaron Copland 26 Piano Concerto #1 in e minor, Op. 11 Frederic Chopin 27 Thais - Meditation, Act 2 Jules Massenet 28 Brandenburg Concerto #5 D, Bwv 1050 Johann Sebastian Bach 29 Magic Flute, K.620 Wolfgang Amadeus Mozart 30 Violin Concerto in E minor, Op.
    [Show full text]
  • Kinder Educational Materials 2020
    “Rhythms and Patterns” Kinder Concert 2020Canton Symphony Orchestra Learning Materials PreK - 1st Grade The Canton Symphony Orchestra presents the “Rhythms and Patterns” learning materials. These lessons willchallenge students to see how math and music are intertwined. With orchestral music, students will discover patterns in music through these unique lessons. By looking for patterns, these activities willcreatively demonstrate the common ground between math and music, and show their deep connection. Use the following learning materials in lieu of our traditional concert experience to give students aglimpse of what would have been discussed at the concert. Provided are both simple and advanced musical activities that can be done in the home. Look through the activities and choose what will work for you. Page 2 - Vocab List Page 3 - Simple MusicActivities Pages 4-27 - Advanced Activities (For a link to all music recordings, visit https://www.cantonsymphony.org/kinder-concert/) Written By: Rachel Hagemeier, Holly Fox and Sandra Simpson For more information contact Rachel Hagemeier, Education andCommunity Kinder Concert 2020 - Vocab List • Overture - an orchestral piece at the beginning of an opera, suite, play, oratorio, or other extended composition. • Opera - a form of theatre in which music has a leading role and the parts are taken by singers. • Symphony - an elaborate musical composition for full orchestra, typically in four movements, at least one of which is traditionally in sonata form. • Musical Form - the structure of a musical composition or performance. • Pattern - a regular and intelligible form or sequence discernible in certain actions or situations. • Melody - a sequence of single notes that is musically satisfying.
    [Show full text]
  • Music for Dancing
    Chapter Music for Dancing 4 FOCUS Western Dance Music World Dance Music POINTS Estampie Balinese Gamelan Dance Suite Tibetan Buddhist Skeleton Dance Waltz Italian Saltarello Ballet African Ritual Dances Square Dance Celtic Reel Dance, the art form that finds its expression through bodily movement, has been an inspiration for music from ancient times to the present. Whether music was the cata- lyst for dance or whether dance existed before music is a question that may never be answered definitively, but since such a large portion of the music in existence is dance music it deserves our attention and a thoughtful examination. The written record of dance is not as old as the written record of music. The earli- est descriptive texts on dance date from the fifteenth century. Understandable manu- scripts of music date from nearly a thousand years earlier. References to dance are as old as Old Testament Bible stories and the ancient Greeks wrote of dance, but what the movements that constituted those dances looked like is lost to us. Understanding what the dances looked like or how they were performed is not our purpose in studying them in a music class, rather, we will be examining dance music for its musical con- tent, such as its form and rhythmic characteristics, and its purpose in a social context. RHYTHM AND METER IN DANCE MUSIC Any discussion of dance must begin with rhythm since that musical element is the foundation of dance. As was mentioned in Chapter 1, rhythm is the aspect of music that animates it, makes it feel like it is alive and vibrant.
    [Show full text]
  • Fantasia (April 2005)
    The Los Alamos Community Winds would like to express our sincere appreciation to the following businesses, institutions and individuals for their generous help and support. Los Alamos National Bank Santa Fe National Bank Los Alamos Middle School Band Ms. Jane Gerheart Los Alamos High School Band Ms. Chandra Blackston Tex and Karole Felts Los Alamos Music Los Alamos Monitor Los Alamos Arts Council Los Alamos Chamber of Commerce Home Run Pizza Piñon Brewing Company Village Arts Plants provided by The Bloomin’ Shop LACW poster and program cover designed by Patrick Goda of AskMe© Graphics Photocopying provided by UPEX, 107 Central Park Square, Los Alamos This concert made possible by generous donations from Los Alamos National Bank 1st National Bank of Santa Fe Upcoming Performances and Concerts! Memorial Day Concert - Monday May 30, 2005 Fuller Lodge Green Independence Day Concert - July 4, 2005 Overlook Park, White Rock The Los Alamos Community Winds rehearse on Tuesdays from 7:00 - 9:00 p.m. in the Los Alamos Middle School Band Room. Participation is open to anyone, but proficiency on a wind or percussion instrument is required. For further information, please call Bruce Letellier at 672-1927 7:00 P Program Personnel Piccolo Trumpet Percussion Toccata and Fugue in D Minor ……………….…………..…..……....…………J.S. Bach (1685-1750) transcribed by Eric Leidzen Norma Stephan Dean Decker Kim Letellier Flute Alan Hurd Dee Morrison The Rite of Spring …………………………..……………..……..…………Igor Stravinsky (1882 - 1971) Dave Korzekwa Carl Necker arranged by Lauren Keiser Andrea Cherne Bruce Letellier† Paula Crawford Harp Lauren McGavran Bruce Meyer Loretta Barker, bassoon Norma Stephan Caroline Wurden Cindy Welch Glen Wurden Sheila Schiferl I.
    [Show full text]
  • Mys Music Inventory:Master List
    Update: 9/30/10 Minnesota Youth Symphonies – Music Library *Indicates Strings only 1 Availability of pieces in the library changes frequently. New works are added so this list may not be complete. Call the MYS office at 651-699-5811 for further information. Composer Arranger Title Publisher Accolay Schill, editor Concerto No. 1 Schirmer Strings Albinoni, Ricor Giazotto, Remo Adagio in G minor* Giazotto Strings Anderson, Leroy A Christmas Festival Warner Bros. (Mills) Full/Holiday Anderson, Leroy Custer, Calvin Leroy Anderson Favorites Belwin/Mills Full/Pop Anderson, Leroy Promenade Belwin/Mills Full Anderson, Leroy Sleigh Ride Full/Holiday Avison, Charles Isaac, Merle Concerto in E Minor, mvt 3* Etling Strings Bach, J.C. Dackow Sinfonia in D Major, Op. 18, No. 1* Ludwig Strings Bach, J.S. Clark, Tom Bach Suite Schirmer Full Bach, J.S. Isaac, Merle Brandenburg Concerto No. 2, First Movement Highland/Etling Strings Bach, J.S. Brandenburg Concerto no. 3 in G major Kalmus Bach, J.S. Soldan, editor Brandenburg Concerto No. 3* C.F. Peters Strings Bach, J.S. Schlu Brandenburg Concerto No. 3, 1. Satz Noetzel Edition Brass Ensemble Bach, J.S. Isaac, Merle Brandenburg Concerto No. 3, mvt 1&2 (Abridged)* Highland/Etling Strings Bach, J.S. Brandenburg Concerto No. 4 Kalmus Piano only Bach, J.S. Leidig, Vernon Brandenburg Concerto No. 4* First Movement Highland/Etling Strings Bach, J.S. Jasinski, Mark Brandenburg Concerto No. 4, mvt 3* Highland/Etling Strings Bach, J.S. Soldan, editor Brandenburg Concerto No. 5* C.F. Peters Strings + Flute Bach, J.S. Isaac, Merle Brandenburg Sinfonia (Abridged) Highland/Etling Full Bach, J.S.
    [Show full text]
  • Friday Playlist
    March 8, 2019: (Full-page version) Close Window “Works of art make rules; rules do not make works of art.” — Claude Debussy Start Buy CD Program Composer Title Performers Record Label Stock Number Barcode Time online Sleepers, 00:01 Buy Now! Blockx Flemish Dances BRT Philharmonic/Rahbari Marco Polo 8.223418 73009934182 Awake! 00:15 Buy Now! Berlioz Roman Carnival Overture, Op. 9 Suisse Romande Orchestra/Ansermet London 433 713 028943371322 00:26 Buy Now! Bennett Piano Concerto No. 5 in F minor Binns/Philharmonia/Braithwaite Lyrita 205 5020926020529 01:00 Buy Now! Mozart Violin Sonata in A, K. 305 Perlman/Barenboim DG 415 102 28941510228 01:16 Buy Now! Bach, C.P.E. Cello Concerto in B flat Rostropovich/Saint Paul CO/Wolff Teldec 77311 D 101707 01:40 Buy Now! Dvorak Rhapsody in A minor, Op. 14 Slovak Philharmonic/Pešek Marco Polo 7013 N/A Academy of St. Martin-in-the- 01:59 Buy Now! Rossini Overture ~ The Thieving Magpie EMI 49155 077774915526 Fields/Marriner 02:10 Buy Now! Bach French Suite No. 2 in C minor, BWV 813 Gould Sony 42267 07464422672 02:21 Buy Now! Bruch Eight Pieces for Clarinet and Piano, Op. 83 Meyer/Duchable Erato 45483 022924548321 Suite for Flute and Harp, Op. 245 "The 03:00 Buy Now! Hovhaness Kondonassis/Zukerman Telarc 80530 089408053023 Garden of Adonis" 03:17 Buy Now! Quantz Flute Concerto in C minor Rampal/Paris Orchestral Ensemble/Wallez Sony 39702 07464397022 03:38 Buy Now! Khachaturian Selections ~ Spartacus London Symphony/Black London 417 062 028941706225 04:01 Buy Now! Schumann Carnaval, Op.
    [Show full text]
  • THE SORCERER's APPRENTICES: AUTHORSHIP and SOUND AESTHETICS in WALT DISNEY's FANTASIA by Daniel Fernandez a Thesis Submitted
    THE SORCERER’S APPRENTICES: AUTHORSHIP AND SOUND AESTHETICS IN WALT DISNEY’S FANTASIA by Daniel Fernandez A Thesis Submitted to the Faculty of the Dorothy F. Schmidt College of Arts and Letters In Partial Fulfillment of the Requirements for the Degree of Masters of Arts Florida Atlantic University Boca Raton, FL May 2017 Copyright by Daniel Fernandez 2017 ii ACKNOWLEDGEMENTS I would like to thank my committee members for all of their guidance and support, especially to my advisor Anthony Guneratne for his helpful suggestions during the writing of this manuscript. I am also grateful to a number of archival collections, particularly those of Yale University for providing me with some of the primary sources used for this manuscript. Likewise, I would like to acknowledge Stephanie Flint for her contribution to the translation of German source material, as well as Richard P. Huemer, Didier Ghez, Jennifer Castrup, the Broward County Library, the University of Maryland, the Fales Library at New York University, and Zoran Sinobad of the Library of Congress, for the advice, material assistance, and historical information that helped shape this project. iv ABSTRACT Author: Daniel Fernandez Title: The Sorcerer’s Apprentices: Authorship and Sound Aesthetics in Walt Disney’s Fantasia Institution: Florida Atlantic University Thesis Advisor: Dr. Anthony Guneratne Degree: Masters of Arts in Communications Year: 2017 This thesis makes three claims new to the critical literature on Walt Disney’s 1940 film Fantasia. Setting the scene by placing a spotlight on the long-serving Philadelphia Orchestra conductor Leopold Stokowski, it contextualizes his pervasive influence, as well as contributions by others that shaped Fantasia and defined the film’s stylistic elements.
    [Show full text]
  • Saturday Playlist
    August 31, 2019: (Full-page version) Close Window “To achieve great things, two things are needed: a plan, and not quite enough time.” — Leonard Bernstein Start Buy CD Program Composer Title Performers Record Label Stock Number Barcode Time online Rimsky- Sleepers, Awake! 00:01 Buy Now! Sadko, Op. 5 (Symphonic Poem) Rotterdam Philharmonic/Zinman Philips 411 446 028941144621 Korsakov 00:13 Buy Now! Pfitzner Symphony for Large Orchestra, Op. 46 Bamberg Symphony/Albert CPO 080 761203908028 00:31 Buy Now! Mendelssohn Violin Concerto in E minor, Op. 64 Chen/Swedish Radio Symphony/Harding Sony 88697984102 886979841024 Swedish Rhapsody No. 1, Op. 19 01:01 Buy Now! Alfven Baltimore Symphony/Comissiona MMG 10015 04716300152 "Midsummer Vigil" 01:14 Buy Now! Beethoven Violin Sonata No. 1 in D, Op. 12 No. 1 Perlman/Ashkenazy London 417 573 028941757326 01:38 Buy Now! Bach Sonata No. 3 in C, BWV 1005 Manuel Barrueco EMI 56416 724355641625 Royal Opera House, Covent Garden 02:00 Buy Now! Ponchielli Dance of the Hours ~ La gioconda Decca 289 473 171 028947317128 /Solti Sonata in A for Violin and Basso 02:10 Buy Now! Zipoli Francia/Videla Jade 91007 641359100722 Continuo 02:19 Buy Now! Tchaikovsky Symphony No. 4 in F minor, Op. 36 Philharmonia/Muti Brilliant Classics 99792/4 5028421979243 03:00 Buy Now! Wagner Prelude to Act 1 ~ Parsifal Royal Concertgebouw/Haitink Philips 420 886 028942088627 03:13 Buy Now! Gershwin Rhapsody in Blue Bernstein/Columbia Symphony Sony Classical 46715 07464467152 Symphony No. 3 in G, "The Great 03:30 Buy Now! Clementi Philharmonia/d'Avalos ASV 247 743625024722 National" 04:01 Buy Now! Brahms Viola Sonata in E flat, Op.120 No.2 Kashkashian/Levin ECM 1630 78118216302 04:23 Buy Now! Schumann Manfred Overture, Op.
    [Show full text]
  • Evolving Fantasia: Listening for Fun and Education in Walt Disney's Dynamic Commodity
    EVOLVING FANTASIA: LISTENING FOR FUN AND EDUCATION IN WALT DISNEY'S DYNAMIC COMMODITY by William Daniel Rosenmund Bachelor of the Arts, University of Virginia, 2012 Submitted to the Graduate Faculty of the Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Master of Arts University of Pittsburgh 2015 UNIVERSITY OF PITTSBURGH Dietrich School of Arts and Sciences This thesis was presented by William Daniel Rosenmund It was defended on April 10, 2015 and approved by Dr. Rachel Mundy, Assistant Professor, Department of Music Dr. Emily Zazulia, Assistant Professor, Department of Music Thesis Director: Dr. Anna Nisnevich, Assistant Professor, Department of Music ii Copyright © by William Daniel Rosenmund 2015 iii EVOLVING FANTASIA: LISTENING FOR FUN AND PEDAGOGY IN WALT DISNEY'S DYNAMIC COMMODITY William Daniel Rosenmund, M.A. University of Pittsburgh, 2015 Since its first theatrical release in 1940, Walt Disney's Fantasia has become an autonomous brand under the stewardship of the Walt Disney Company. Through the seventy- five years of Fantasia's history, it has spawned multiple re-releases in both the domestic and public sphere, as well as a sequel film, video game, and series of live performances. As such, Fantasia is a dynamic commodity which has remained culturally relevant amongst audiences. From this relevance, pedagogical value can be derived; the film introduces modes of listening such as Michel Chion's audio-viewing and introductions to the role of narrative in Western art music. Utilizing secondary sources for production history, newspaper reviews, and (auto)ethnography, this project delves into reception history of Fantasia as a means to understand the cultural contexts in which Disney's project can simultaneously exist as a populist commodity and pedagogical text.
    [Show full text]
  • Fantasia (1940) and Fantasia 2000 (1999) in This Age of 3D, HD
    Fantasia (1940) and Fantasia 2000 (1999) In this age of 3D, HD, widescreen, 7.1 surround sound — and that’s just in your living room! — it can be hard to fathom how revolutionary Fantasia was upon its theatrical release in 1940. Neither symphony hall concertgoers nor families headed to the movies to catch the latest Disney cartoon were prepared for the breadth and depth of color and sound that poured forth from the screen. Walt Disney (1901–1966) and conductor Leopold Stokowski (1882–1977), in collaboration with the talents of 1,000-plus artists, musicians and engineers at the Walt Disney Studio, the RCA Corporation, composer, author and commentator Deems Taylor (1885–1966), dozens of dancers (including Marge Champion and members of the Ballet Russe de Monte Carlo and Ballet Theatre) and the entire Philadelphia Orchestra, created a watershed cinematic experience that remains a visionary milestone to this day. Sadly, the expense of installing the Fantasound audio playback system in theaters, and the loss of the European market because of World War II, nixed Walt’s dream of an ongoing “Concert Feature,” wherein individual segments would be replaced by new ones. Though the Walt Disney Studio would utilize popular songs in several package films of the ‘40s and ‘50s, it would remain until 1999 and the release of Fantasia 2000, spearheaded by Walt’s nephew, Roy E. Disney, for a Disney-produced feature-length marriage of classical music and animation to once again reach the screen. Ludwig van Beethoven Allegro con brio [mvmt 1] from Symphony No. 5, Op. 67 (1804–08) To begin Fantasia 2000 with a bang, Disney artists chose the opening movement of Beethoven’s Fifth Symphony, its short-short-short-long musical motif immediately grabbing the listener’s ear.
    [Show full text]
  • Charlie Chaplin's City Lights Disney Fantasia Live In
    FOR IMMEDIATE RELEASE April 14, 2016 Contact: Katherine E. Johnson (212) 875-5718; [email protected] CHARLIE CHAPLIN’S CITY LIGHTS Complete Film with Score Conducted Live by TIMOTHY BROCK May 19, 2016 DISNEY FANTASIA LIVE IN CONCERT Selections from Fantasia and Fantasia 2000 Celebrating Fantasia’s 75th Anniversary Conducted Live by New York Philharmonic Assistant Conductor JOSHUA GERSEN May 20–21, 2016 Programs for Families at the New York Philharmonic Presented by Daria and Eric Wallach NEW YORK PHILHARMONIC SPRING GALA A JOHN WILLIAMS CELEBRATION JOHN WILLIAMS’s Iconic Film Scores with Select Film Clips Conducted by DAVID NEWMAN May 24, 2016 The New York Philharmonic will present three film music programs in May 2016: a complete screening of Charlie Chaplin’s City Lights, May 19, 2016, with the Orchestra performing Chaplin’s score live, conducted by Timothy Brock, who restored the score for live performance; Disney Fantasia Live in Concert, May 20–21, 2016, in honor of Fantasia’s 75th anniversary, in which scenes from Fantasia and Fantasia 2000 will be screened as the Orchestra performs the music live, led by Assistant Conductor Joshua Gersen; and the Spring Gala, A John Williams Celebration, May 24, 2016, with the Orchestra performing music from the Oscar-winning film composer’s iconic scores, led by David Newman, along with clips from select films. Chaplin composed the City Lights score (with the exception of “la Violetera,” by José Padilla), and the music was arranged and orchestrated by Arthur Johnston and Alfred Newman. Chaplin wrote in My Autobiography (1964): “One happy thing about sound was that I could control the music, so I composed my own.
    [Show full text]
  • Finale from Dance of the Hours for Saxophone Ensemble Sheet Music
    Finale From Dance Of The Hours For Saxophone Ensemble Sheet Music Download finale from dance of the hours for saxophone ensemble sheet music pdf now available in our library. We give you 6 pages partial preview of finale from dance of the hours for saxophone ensemble sheet music that you can try for free. This music notes has been read 3092 times and last read at 2021-09-25 23:32:32. In order to continue read the entire sheet music of finale from dance of the hours for saxophone ensemble you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Alto Saxophone, Baritone Saxophone, Soprano Saxophone, Tenor Saxophone Ensemble: Mixed Level: Advanced [ READ SHEET MUSIC ] Other Sheet Music Finale From Dance Of The Hours For Saxophone Quartet Finale From Dance Of The Hours For Saxophone Quartet sheet music has been read 2905 times. Finale from dance of the hours for saxophone quartet arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-09-22 20:24:54. [ Read More ] Finale From Dance Of The Hours For String Quartet Finale From Dance Of The Hours For String Quartet sheet music has been read 3521 times. Finale from dance of the hours for string quartet arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-09-26 05:16:02. [ Read More ] Finale From Dance Of The Hours For Brass Quintet Finale From Dance Of The Hours For Brass Quintet sheet music has been read 3312 times.
    [Show full text]