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Top 360 Countdown
WMHT-FM Classical 360 Rank Selection Composer 1 Symphony 9 D Min, Op.125 "Choral" Ludwig van Beethoven 2 Requiem Mass D Min, K.626 Wolfgang Amadeus Mozart 3 Messiah George Frederic Handel 4 Orchestral Suite #3 BWV 1068: Air on the G String Johann Sebastian Bach 5 Concerto Grosso Op.8/1 E Four Seasons "Spring" Antonio Vivaldi 6 Rhapsody in Blue George Gershwin 7 Ave verum corpus, K. 618 Wolfgang Amadeus Mozart 8 Adagio G Min (Ar R.Giazotto) Tomaso Albinoni 9 Symphony #5 Ludwig van Beethoven 10 Toccata & Fugue in D minor, BWV 565 Johann Sebastian Bach 11 Adagio for Strings Samuel Barber 12 Serenade G, K.525 "Eine Kleine Nachtmusik" Wolfgang Amadeus Mozart 13 Water Music Suite #2 in D George Frederic Handel 14 Peer Gynt 1, Op.46 Edvard Grieg 15 German Requiem, Op.45 Johannes Brahms 16 Xerxes - Largo George Frederic Handel 17 Exsultate Jubilate, K 165 Wolfgang Amadeus Mozart 18 Concierto De Aranjuez Joaquin Rodrigo 19 Canon in D Johann Pachelbel 20 Piano Sonata 14 C-Sharp Min, Op.27/2 "Moonlight" Ludwig van Beethoven 21 Symphony 5 C-Sharp Min Gustav Mahler 22 Finlandia, Op.26 Jean Sibelius 23 Symphony 8 B Min, D.759 "Unfinished" Franz Schubert 24 Blue Danube Waltz, Op.314 Johann Strauss 25 Appalachian Spring Aaron Copland 26 Piano Concerto #1 in e minor, Op. 11 Frederic Chopin 27 Thais - Meditation, Act 2 Jules Massenet 28 Brandenburg Concerto #5 D, Bwv 1050 Johann Sebastian Bach 29 Magic Flute, K.620 Wolfgang Amadeus Mozart 30 Violin Concerto in E minor, Op. -
Northern Ireland Tour March 21 – 26
WILLIAM WALTON An extravaganza in One Act based on the play by Anton Chekhov Northern Ireland Tour March 21 – 26 “There’s a real buzz and sense of purpose about what this company is doing” ~ The Guardian Welcome Welcome to this evening’s performance of The Bear. Tonight’s programme showcases not only a rarely performed jewel of an opera, but also brings to Northern Ireland three wonderful singers who are making a real name for themselves on the world stage. Anna Burford and Andrew Rupp are performing with NI Opera for the first time following recent engagements at the Royal Opera House Covent Garden, and English National Opera. Those of you who saw our production of Tosca back in 2011 will remember John Molloy who sang the roles of Angelotti and Sciarrone then, and sings the role of Luka tonight. We are also delighted that some of Northern Ireland’s finest choirs are appearing in the first part of tonight’s programme, singing a selection of George Shearing’s beautiful Songs and Sonnets from Shakespeare. The combination of Northern Irish talent, internationally-renowned singers and innovative programming has been highly evident throughout our 2012/13 season, which draws to a close with this tour. From commissioning exciting new short operas from leading Irish composers and playwrights, to performing a children’s opera in Belfast Zoo and at the Beijing Music Festival, to bringing a home grown production of a Wagner opera to the Belfast stage for the first time ever, this has certainly been a year to remember. 2012/13 has also seen NI Opera make its debuts at the prestigious Buxton Festival and in the Irish Republic, whilst our programmes for nurturing the best young Irish talent – particularly our Young Artists’ Programme and our annual Festival of Voice in Glenarm – continue to prosper. -
Kinder Educational Materials 2020
“Rhythms and Patterns” Kinder Concert 2020Canton Symphony Orchestra Learning Materials PreK - 1st Grade The Canton Symphony Orchestra presents the “Rhythms and Patterns” learning materials. These lessons willchallenge students to see how math and music are intertwined. With orchestral music, students will discover patterns in music through these unique lessons. By looking for patterns, these activities willcreatively demonstrate the common ground between math and music, and show their deep connection. Use the following learning materials in lieu of our traditional concert experience to give students aglimpse of what would have been discussed at the concert. Provided are both simple and advanced musical activities that can be done in the home. Look through the activities and choose what will work for you. Page 2 - Vocab List Page 3 - Simple MusicActivities Pages 4-27 - Advanced Activities (For a link to all music recordings, visit https://www.cantonsymphony.org/kinder-concert/) Written By: Rachel Hagemeier, Holly Fox and Sandra Simpson For more information contact Rachel Hagemeier, Education andCommunity Kinder Concert 2020 - Vocab List • Overture - an orchestral piece at the beginning of an opera, suite, play, oratorio, or other extended composition. • Opera - a form of theatre in which music has a leading role and the parts are taken by singers. • Symphony - an elaborate musical composition for full orchestra, typically in four movements, at least one of which is traditionally in sonata form. • Musical Form - the structure of a musical composition or performance. • Pattern - a regular and intelligible form or sequence discernible in certain actions or situations. • Melody - a sequence of single notes that is musically satisfying. -
Music for Dancing
Chapter Music for Dancing 4 FOCUS Western Dance Music World Dance Music POINTS Estampie Balinese Gamelan Dance Suite Tibetan Buddhist Skeleton Dance Waltz Italian Saltarello Ballet African Ritual Dances Square Dance Celtic Reel Dance, the art form that finds its expression through bodily movement, has been an inspiration for music from ancient times to the present. Whether music was the cata- lyst for dance or whether dance existed before music is a question that may never be answered definitively, but since such a large portion of the music in existence is dance music it deserves our attention and a thoughtful examination. The written record of dance is not as old as the written record of music. The earli- est descriptive texts on dance date from the fifteenth century. Understandable manu- scripts of music date from nearly a thousand years earlier. References to dance are as old as Old Testament Bible stories and the ancient Greeks wrote of dance, but what the movements that constituted those dances looked like is lost to us. Understanding what the dances looked like or how they were performed is not our purpose in studying them in a music class, rather, we will be examining dance music for its musical con- tent, such as its form and rhythmic characteristics, and its purpose in a social context. RHYTHM AND METER IN DANCE MUSIC Any discussion of dance must begin with rhythm since that musical element is the foundation of dance. As was mentioned in Chapter 1, rhythm is the aspect of music that animates it, makes it feel like it is alive and vibrant. -
Don't Poke the Bear
Grade 1 ZB477F Full Conductor Score $7.00 Don’t Poke the Bear by Dean Sorenson K J O S F L E X J A Z Z SAMPLE Neil A. Kjos Music Company • San Diego, CA 2 Welcome to Kjos FlexJazz. This innovative new jazz series lets you create a jazz ensemble using any combination of instruments that are available. FlexJazz pieces are scored at the easiest levels and allow for maximum flexibility of instrumentation and instrument assignments. FlexJazz scores include four parts, plus parts for the rhythm section. Each of the four parts can be assigned to whatever instrumentation is available. As long as all four parts are covered, regardless of the instrumentation used, these pieces will sound full and complete. PART AVAILABLE FOR... One Trumpet, Clarinet, Alto Sax, Flute, Mallet Percussion Two Trumpet, Clarinet, Alto Sax, Tenor Sax Three Tenor Sax, Baritone T.C., Trombone, F Horn Four Baritone Sax, Trombone *Tuba has a separate part that can be added to any combination Guitar Piano Bass Drums INSTRUMENTATION LIST 1 – Alto Sax (part 1) 1 – Clarinet (part 2) 1 – Tuba* 1 – Alto Sax (part 2) 1 – Trumpet (part 1) 1 – Guitar 1 – Tenor Sax (part 2) 1 – Trumpet (part 2) 1 – Piano 1 – Tenor Sax (part 3) 1 – Trombone (part 3) 1 – Bass 1 – Baritone Sax (part 4) 1 – Trombone (part 4) 1 – Drums 1 – Flute (part 1) 1 – Baritone T.C. (part 3) 1 – Mallet Percussion (part 1) 1 – Clarinet (part 1) 1 – F Horn (part 3) 1 – Full Conductor Score THE COMPOSER Dean Sorenson is Associate Professor and Director of Jazz Studies at the University of Minnesota, as well as a prolific and highly sought-after composer, arranger, trombonist, educator, and clinician. -
Fantasia (April 2005)
The Los Alamos Community Winds would like to express our sincere appreciation to the following businesses, institutions and individuals for their generous help and support. Los Alamos National Bank Santa Fe National Bank Los Alamos Middle School Band Ms. Jane Gerheart Los Alamos High School Band Ms. Chandra Blackston Tex and Karole Felts Los Alamos Music Los Alamos Monitor Los Alamos Arts Council Los Alamos Chamber of Commerce Home Run Pizza Piñon Brewing Company Village Arts Plants provided by The Bloomin’ Shop LACW poster and program cover designed by Patrick Goda of AskMe© Graphics Photocopying provided by UPEX, 107 Central Park Square, Los Alamos This concert made possible by generous donations from Los Alamos National Bank 1st National Bank of Santa Fe Upcoming Performances and Concerts! Memorial Day Concert - Monday May 30, 2005 Fuller Lodge Green Independence Day Concert - July 4, 2005 Overlook Park, White Rock The Los Alamos Community Winds rehearse on Tuesdays from 7:00 - 9:00 p.m. in the Los Alamos Middle School Band Room. Participation is open to anyone, but proficiency on a wind or percussion instrument is required. For further information, please call Bruce Letellier at 672-1927 7:00 P Program Personnel Piccolo Trumpet Percussion Toccata and Fugue in D Minor ……………….…………..…..……....…………J.S. Bach (1685-1750) transcribed by Eric Leidzen Norma Stephan Dean Decker Kim Letellier Flute Alan Hurd Dee Morrison The Rite of Spring …………………………..……………..……..…………Igor Stravinsky (1882 - 1971) Dave Korzekwa Carl Necker arranged by Lauren Keiser Andrea Cherne Bruce Letellier† Paula Crawford Harp Lauren McGavran Bruce Meyer Loretta Barker, bassoon Norma Stephan Caroline Wurden Cindy Welch Glen Wurden Sheila Schiferl I. -
Mys Music Inventory:Master List
Update: 9/30/10 Minnesota Youth Symphonies – Music Library *Indicates Strings only 1 Availability of pieces in the library changes frequently. New works are added so this list may not be complete. Call the MYS office at 651-699-5811 for further information. Composer Arranger Title Publisher Accolay Schill, editor Concerto No. 1 Schirmer Strings Albinoni, Ricor Giazotto, Remo Adagio in G minor* Giazotto Strings Anderson, Leroy A Christmas Festival Warner Bros. (Mills) Full/Holiday Anderson, Leroy Custer, Calvin Leroy Anderson Favorites Belwin/Mills Full/Pop Anderson, Leroy Promenade Belwin/Mills Full Anderson, Leroy Sleigh Ride Full/Holiday Avison, Charles Isaac, Merle Concerto in E Minor, mvt 3* Etling Strings Bach, J.C. Dackow Sinfonia in D Major, Op. 18, No. 1* Ludwig Strings Bach, J.S. Clark, Tom Bach Suite Schirmer Full Bach, J.S. Isaac, Merle Brandenburg Concerto No. 2, First Movement Highland/Etling Strings Bach, J.S. Brandenburg Concerto no. 3 in G major Kalmus Bach, J.S. Soldan, editor Brandenburg Concerto No. 3* C.F. Peters Strings Bach, J.S. Schlu Brandenburg Concerto No. 3, 1. Satz Noetzel Edition Brass Ensemble Bach, J.S. Isaac, Merle Brandenburg Concerto No. 3, mvt 1&2 (Abridged)* Highland/Etling Strings Bach, J.S. Brandenburg Concerto No. 4 Kalmus Piano only Bach, J.S. Leidig, Vernon Brandenburg Concerto No. 4* First Movement Highland/Etling Strings Bach, J.S. Jasinski, Mark Brandenburg Concerto No. 4, mvt 3* Highland/Etling Strings Bach, J.S. Soldan, editor Brandenburg Concerto No. 5* C.F. Peters Strings + Flute Bach, J.S. Isaac, Merle Brandenburg Sinfonia (Abridged) Highland/Etling Full Bach, J.S. -
The Operas of Paul Stuart Based on Libretti by Sally M. Gall Sandra Gayle Boysen
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2003 The Operas of Paul Stuart Based on Libretti by Sally M. Gall Sandra Gayle Boysen Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY SCHOOL OF MUSIC THE OPERAS OF PAUL STUART BASED ON LIBRETTI BY SALLY M. GALL By Sandra Gayle Boysen A Trea ise submi ed to the School of Music in par ial fulfillment of the requirements for the degree of Doc or of Music Degree Awarded: Fall Semes er, 2003 The members of the Commi ee approve the rea ise of Sandra Gayle Boysen defended on November 7, 2003. ___________________________________ Roy Delp Professor Direc ing Trea ise ___________________________________ Timothy Hoekman Outside Commi ee Member ___________________________________ Larry Gerber Commi ee Member ___________________________________ 5anice Harsanyi Commi ee Member The Office of Gradua e S udies has verified and approved the above named commi ee members. ii AC6NO7LEDGMENTS To Paul S uar , his wife Karin and their daughter, Vanessa, go my gra i ude for heir willingness to share their time and their home for the many interviews held there during research for this trea ise. To Paul, I give special thanks for his generosi y in providing invaluable resources such as his primary research notebooks, his ini ial composi ional ske ches, and his thorough documenta ion of correspondence and other ma erials rela ed to the crea ion of these operas. My thanks go to Dr. Sally M. Gall for answering my many ques ions so pa iently hrough many e8mail e9changes. -
THE SORCERER's APPRENTICES: AUTHORSHIP and SOUND AESTHETICS in WALT DISNEY's FANTASIA by Daniel Fernandez a Thesis Submitted
THE SORCERER’S APPRENTICES: AUTHORSHIP AND SOUND AESTHETICS IN WALT DISNEY’S FANTASIA by Daniel Fernandez A Thesis Submitted to the Faculty of the Dorothy F. Schmidt College of Arts and Letters In Partial Fulfillment of the Requirements for the Degree of Masters of Arts Florida Atlantic University Boca Raton, FL May 2017 Copyright by Daniel Fernandez 2017 ii ACKNOWLEDGEMENTS I would like to thank my committee members for all of their guidance and support, especially to my advisor Anthony Guneratne for his helpful suggestions during the writing of this manuscript. I am also grateful to a number of archival collections, particularly those of Yale University for providing me with some of the primary sources used for this manuscript. Likewise, I would like to acknowledge Stephanie Flint for her contribution to the translation of German source material, as well as Richard P. Huemer, Didier Ghez, Jennifer Castrup, the Broward County Library, the University of Maryland, the Fales Library at New York University, and Zoran Sinobad of the Library of Congress, for the advice, material assistance, and historical information that helped shape this project. iv ABSTRACT Author: Daniel Fernandez Title: The Sorcerer’s Apprentices: Authorship and Sound Aesthetics in Walt Disney’s Fantasia Institution: Florida Atlantic University Thesis Advisor: Dr. Anthony Guneratne Degree: Masters of Arts in Communications Year: 2017 This thesis makes three claims new to the critical literature on Walt Disney’s 1940 film Fantasia. Setting the scene by placing a spotlight on the long-serving Philadelphia Orchestra conductor Leopold Stokowski, it contextualizes his pervasive influence, as well as contributions by others that shaped Fantasia and defined the film’s stylistic elements. -
Saturday Playlist
August 31, 2019: (Full-page version) Close Window “To achieve great things, two things are needed: a plan, and not quite enough time.” — Leonard Bernstein Start Buy CD Program Composer Title Performers Record Label Stock Number Barcode Time online Rimsky- Sleepers, Awake! 00:01 Buy Now! Sadko, Op. 5 (Symphonic Poem) Rotterdam Philharmonic/Zinman Philips 411 446 028941144621 Korsakov 00:13 Buy Now! Pfitzner Symphony for Large Orchestra, Op. 46 Bamberg Symphony/Albert CPO 080 761203908028 00:31 Buy Now! Mendelssohn Violin Concerto in E minor, Op. 64 Chen/Swedish Radio Symphony/Harding Sony 88697984102 886979841024 Swedish Rhapsody No. 1, Op. 19 01:01 Buy Now! Alfven Baltimore Symphony/Comissiona MMG 10015 04716300152 "Midsummer Vigil" 01:14 Buy Now! Beethoven Violin Sonata No. 1 in D, Op. 12 No. 1 Perlman/Ashkenazy London 417 573 028941757326 01:38 Buy Now! Bach Sonata No. 3 in C, BWV 1005 Manuel Barrueco EMI 56416 724355641625 Royal Opera House, Covent Garden 02:00 Buy Now! Ponchielli Dance of the Hours ~ La gioconda Decca 289 473 171 028947317128 /Solti Sonata in A for Violin and Basso 02:10 Buy Now! Zipoli Francia/Videla Jade 91007 641359100722 Continuo 02:19 Buy Now! Tchaikovsky Symphony No. 4 in F minor, Op. 36 Philharmonia/Muti Brilliant Classics 99792/4 5028421979243 03:00 Buy Now! Wagner Prelude to Act 1 ~ Parsifal Royal Concertgebouw/Haitink Philips 420 886 028942088627 03:13 Buy Now! Gershwin Rhapsody in Blue Bernstein/Columbia Symphony Sony Classical 46715 07464467152 Symphony No. 3 in G, "The Great 03:30 Buy Now! Clementi Philharmonia/d'Avalos ASV 247 743625024722 National" 04:01 Buy Now! Brahms Viola Sonata in E flat, Op.120 No.2 Kashkashian/Levin ECM 1630 78118216302 04:23 Buy Now! Schumann Manfred Overture, Op. -
Shepherd School Chamber Orchestra
SHEPHERD SCHOOL CHAMBER ORCHESTRA LARRY RACHLEFF, conductor DAVID PECK, clarinet BENJAMIN KAM/NS, bassoon Sunday, October 6, 1996 8:00 p.m. Stude Concert Hall RICE UNNERSITY PROGRAM Overture to "La Gazza Ladra" Gioacchino Rossini (1792-1868) Duet-Concertino for Clarinet and Bassoon Richard Strauss with String Orchestra and Harp (1864-1949) David Peck, clarinet Benjamin Kamins, bassoon INTERMISSION Suite from "Pulcinella" Igor Stravinsky Sinfonie. Allegro moderato (1882-1971) Serena ta. Larghetto Scherzino. Allegro -Andantino Tarantella Toccata. Allegro Gavotta con due variazioni. Allegro moderato-Allegretto Vivo Finale. Allegro assai In consideration of the performers and members of the audience, please check audible paging devices with the ushers and silence audible timepieces. The taking ofphotographs and use of recording equipment are prohibited. SHEPHERD SCHOOL CHAMBER ORCHESTRA Violin I Cello (cont.) Horn t David Brubaker, Benjamin Noyes Elizabeth Matchett concertmaster Jeness Johnson Kimberly Penrod Gregory Ewer Rebecca Gilmore Martina Snell Tiffany Model/ Philip King Carey Szendel Gabrielle Stebbins Curt Thompson Double Bass Trumpet Jo Nardolillo Ali Yazdanfar, Brian Seitz Zhang Zhang principal Peter Wiseman David Murray Violin II Christopher Simison Trombone Adam DeGraff, Steven Wills principal Flute Barbara Downie Kris Guthrie Harp Iman Khosrowpour Lisa Jelle Deidre Henson Angela Marroy Piccolo Kristen Anthony Timpani Wendy Lin Martha Walvoord Che-ming Tsai Sasha Callahan Oboe Margo Carlson Percussion ;,,... _ Viola Kim Ross Elizabeth Muncaster Jonah Sirota, principal Jason Sudduth Meredith Nelson Ann Weaver Philip Rothman Paul Reynolds Clarinet Karen Slatter Kimberly Buschek Juliet Lai Alexis Bacon Rochelle Oddo Orchestra Manager Martin Merritt Cello Bassoon Gregory Beaver, Damian Montano Orchestra Librarian principal Michael Sundell Lisa Vosdoganes WINDS, BRASS, AND PERCUSSION LISTED ALPHABETICALLY. -
Evolving Fantasia: Listening for Fun and Education in Walt Disney's Dynamic Commodity
EVOLVING FANTASIA: LISTENING FOR FUN AND EDUCATION IN WALT DISNEY'S DYNAMIC COMMODITY by William Daniel Rosenmund Bachelor of the Arts, University of Virginia, 2012 Submitted to the Graduate Faculty of the Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Master of Arts University of Pittsburgh 2015 UNIVERSITY OF PITTSBURGH Dietrich School of Arts and Sciences This thesis was presented by William Daniel Rosenmund It was defended on April 10, 2015 and approved by Dr. Rachel Mundy, Assistant Professor, Department of Music Dr. Emily Zazulia, Assistant Professor, Department of Music Thesis Director: Dr. Anna Nisnevich, Assistant Professor, Department of Music ii Copyright © by William Daniel Rosenmund 2015 iii EVOLVING FANTASIA: LISTENING FOR FUN AND PEDAGOGY IN WALT DISNEY'S DYNAMIC COMMODITY William Daniel Rosenmund, M.A. University of Pittsburgh, 2015 Since its first theatrical release in 1940, Walt Disney's Fantasia has become an autonomous brand under the stewardship of the Walt Disney Company. Through the seventy- five years of Fantasia's history, it has spawned multiple re-releases in both the domestic and public sphere, as well as a sequel film, video game, and series of live performances. As such, Fantasia is a dynamic commodity which has remained culturally relevant amongst audiences. From this relevance, pedagogical value can be derived; the film introduces modes of listening such as Michel Chion's audio-viewing and introductions to the role of narrative in Western art music. Utilizing secondary sources for production history, newspaper reviews, and (auto)ethnography, this project delves into reception history of Fantasia as a means to understand the cultural contexts in which Disney's project can simultaneously exist as a populist commodity and pedagogical text.