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'Goblinlike, Fantastic: Little People and Deep Time at the Fin De Siècle
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output ’Goblinlike, fantastic: little people and deep time at the fin de siècle https://eprints.bbk.ac.uk/id/eprint/40443/ Version: Full Version Citation: Fergus, Emily (2019) ’Goblinlike, fantastic: little people and deep time at the fin de siècle. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email ‘Goblinlike, Fantastic’: Little People and Deep Time at the Fin De Siècle Emily Fergus Submitted for MPhil Degree 2019 Birkbeck, University of London 2 I, Emily Fergus, confirm that all the work contained within this thesis is entirely my own. ___________________________________________________ 3 Abstract This thesis offers a new reading of how little people were presented in both fiction and non-fiction in the latter half of the nineteenth century. After the ‘discovery’ of African pygmies in the 1860s, little people became a powerful way of imaginatively connecting to an inconceivably distant past, and the place of humans within it. Little people in fin de siècle narratives have been commonly interpreted as atavistic, stunted warnings of biological reversion. I suggest that there are other readings available: by deploying two nineteenth-century anthropological theories – E. B. Tylor’s doctrine of ‘survivals’, and euhemerism, a model proposing that the mythology surrounding fairies was based on the existence of real ‘little people’ – they can also be read as positive symbols of the tenacity of the human spirit, and as offering access to a sacred, spiritual, or magic, world. -
Grand Masters of Illusion
GRAND MASTERS OF ILLUSION Written and Directed by Ted & Marion Outerbridge Choreography Pattie Obey, Don Jordan Lighting Design Brad Trenaman Sound Design Ethan Rising Costume Design Peter de Castell, Marion Outerbridge Illusion Design Illusions Unlimited Artistic Consultant Lorna Wayne Haze Effects MDG Poster Design Melinda Tymm Photography Dermot Cleary Publicist Stuart McAllister Management Cameron Smillie, Live at the Hippo Pool Events PRESS KIT 2012 - 2013 SHOW OVERVIEW CLOCKWORK MYSTERIES Written and Directed by Ted and Marion Outerbridge A professionally orchestrated theatrical production with over twenty custom-designed illusions and world-class lighting and set design, OUTERBRIDGE – Clockwork Mysteries is a high-energy magical adventure for both adult and family audiences. Recognized as one of the most creative and dynamic shows of its kind, critics have hailed Ted and Marion Outerbridge as “the most successful magicians in Canada” (Montreal Gazette) and “champions of magic” (Bergedorfer Zeitung, Hamburg, Germany). As the largest and most successful touring illusion show in the country, it has received both the 2011 Award of Excellence from Ontario Contact and the 2010 Touring Artist of the Year award from the B.C. Touring Council. OUTERBRIDGE – Clockwork Mysteries takes its audience on a bizarre and fascinating journey through time. Within seconds of taking the stage, the Outerbridges fuse their revolutionary illusions with split-second artistry to hold viewers spellbound. With the help of an elaborate Victorian time machine, the performers and spectators travel back in time together. The audience is invited into a mysterious clock tower equipped with a variety of timekeeping devices. They become part of a race against time, experience time accelerating and slowing down, and participate in predicting the contents of a time capsule. -
June 12-13, 2015 • at Auction Haversat & Ewing Galleries, LLC
June 12-13, 2015 • At Auction haversat & ewing galleries, LLC. Magicfrom the ED HILL COLLECTION Rare Books Houdini Ephemera haversat Photographs Apparatus • Postcards &Ewing Unique Correspondence haversat Galleries, LLC. &Ewing PO Box 1078 - Yardley, PA 19067-3434 Galleries, LLC. www.haversatewing.com Auction Catalog: www.haversatewing.com haversat Haversat & Ewing Galleries, LLC. &Ewing Galleries,Magic Collectibles Auction LLC. AUCTION Saturday, November 15, 2014 -11:00 AM AuctionSign-up to bid June at: www.haversatewing.com 12-13, 2015 Active bidding on all lots begin at 11:00 AM EST- Friday, June 12, 2015 First lot closes Saturday, June 13 at 3:00 PM EST. Sign-up to bid at: www.haversatewing.com HAVERSAT & EWING GALLERIES, LLC PO POBox BOX 1078 1078 - Yardley,- YARDLEY, PA PA 19067-3434 19067-3434 www.haversatewing.comWWW.HAVERSATEWING.COM A True Story: Back when Ed started collecting he befriended H. Adrian Smith, then current Dean of the Society of American Magicians. At the time, Harold as he was known to his friends, had the largest magic library in the world. Often Harold was a dinner guest at our house and as usual after our meal “the boys” would discuss magic and collecting. Harold’s plan for his books and ephemera was to donate it all to his alma mater, Brown University in Providence, Rhode Island. As we all know that’s what happened to his collection. Ed on the other hand disagreed with Harold’s plan and said that when the time came for him to dissolve his library he wanted everything to be sold; so that other collectors could enjoy what he had amassed. -
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“Le Premier Cadre”: Theatre Architecture and Objects of Knowledge in Eighteenth- Century France by Pannill Camp B.A., University of Puget Sound, 1999 A.M., Brown University, 2001 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Theatre, Speech and Dance at Brown University Providence, Rhode Island May 2009 ii © Copyright 2009 by Pannill Camp iii This dissertation by Pannill Camp is accepted in its present form by the Department of Theatre, Speech, and Dance as satisfying the dissertation requirement for the degree of Doctor of Philosophy in Theatre and Performance Studies. _______________ ______________________ Date Spencer Golub, Advisor Recommended to the Graduate Council ________________ ______________________ Date Rebecca Schneider, Reader ________________ ______________________ Date Jeffrey Ravel, Reader Approved by the Graduate Council ________________ ______________________ Date Sheila Bonde, Dean of the Graduate School iv VITA Pannill Camp was born in Austin, Texas in 1977 and grew up in Aurora, Colorado, where he graduated from Overland High School in 1995. He studied English and Theatre at the University of Puget Sound, graduating with a B.A. degree in English Writing, Rhetoric, and Culture in 1999. Pannill began pursuing a master’s degree that year in theatre studies at Brown University, which he completed in 2001. During the course of his studies for this degree he directed The Wild Duck by Henrik Ibsen at Brown’s Production Workshop and Mac Wellman’s Dracula on the theatre department’s mainstage, for which productions he was awarded the Weston Award for Theatre Directing in 2001. After spending a year living and working in New York City and a year creating English language instruction materials for the Spanish Army in Madrid, Pannill returned to Providence in 2003 to begin work on his doctorate in theatre and performance studies in the Ph.D. -
Bibliography of Works by Roberto Giobbi Status: May 2019
Bibliography of Works by Roberto Giobbi Status: May 2019 Books • Fantasia in As-Dur, Magic Communication Roberto Giobbi, Basel 1987 • CardPerfect, Magic Communication Roberto Giobbi, Basel 1987 • roberto-light, Magic Communication Roberto Giobbi, Basel 1988 • Grosse Kartenschule Band 1, Magic Communication Roberto Giobbi, Basel 1992 • Grosse Kartenschule Band 2, Magic Communication Roberto Giobbi, Basel 1992 • roberto extra-light, Magic Communication Roberto Giobbi, Basel 1992 • Grosse Kartenschule Band 3, Magic Communication Roberto Giobbi, Basel 1994 • Grosse Kartenschule Band 4, Magic Communication Roberto Giobbi, Basel 1994 • Cours de cartomagie moderne Tome 1, Magix, Strasbourg 1994 • Gran Escuela Cartomagica, Volumenes 1 y 2, Paginas, Madrid 1994 • Card College Volume 1, Hermetic Press, Seattle 1995 • Gran Escuela Cartomagica, Volumenes 3 y 4, Paginas, Madrid 1995 • roberto super-light, Magic Communication Roberto Giobbi, Basel 1995 • Cours de Cartomagie Moderne Tome II, Magix, Strasbourg 1996 • Roberto Light, Paginas, Madrid 1996 • Roberto Super Light, Paginas, Madrid 1996 • Roberto Extra Light, Paginas, Madrid 1996 • Card College 1, Corso di Cartomagia Moderna, Florence Art Edizioni, Firenze 1998 • Card College 2, Corso di Cartomagia Moderna, Florence Art Edizioni, Firenze 1999 • Il sogno del baro, Florence Art Edizioni, Firenze 1999 • Card College 3, Corso di Cartomagia Moderna, Florence Art Edizioni, Firenze 2001 • Roberto Light, Florence Art Edizioni, Firenze 2001 • Roberto Extra-Light, Florence Art Edizioni, Firenze 2001 • Roberto Super-Light, Florence Art Edizioni, Firenze 2001 • Card College Volume 1 (Japanese version), Tokyo 2001 • Card College Volume 2 (Japanese version), Tokyo 2002 • Card College Volume 5, Hermetic Press, Seattle 2003 • Grosse Kartenschule Band 5, Magic Communication Roberto Giobbi, Basel 2003 • Cours de Cartomagie Moderne Tome 3, Magix, Strasbourg 2005 • Card College Light, Hermetic Press, Seattle 2006 • Roberto Light (version française), C.C. -
The Old and the New Magic
E^2 CORNELL UNIVERSITY gilBRARY . GIFT OF THE AUTHOR Digitized by Microsoft® T^^irt m4:£±z^ mM^^ 315J2A. j^^/; ii'./jvf:( -UPHF ^§?i=£=^ PB1NTEDINU.S.A. Library Cornell University GV1547 .E92 Old and the new maj 743 3 1924 029 935 olin Digitized by Microsoft® This book was digitized by Microsoft Corporation in cooperation witli Cornell University Libraries, 2007. You may use and print this copy in limited quantity for your personal purposes, but may not distribute or provide access to it (or modified or partial versions of it) for revenue-generating or other commercial purposes. Digitized by Microsoft® Digitized by Microsoft® Digitized by Microsoft® Digitized by Microsoft® ROBERT-KCUIUT Digitized by Microsoft® THE OLDUI^DIMEJ^ MAGIC BY HENRY RIDGELY EVANS INTRODUCTION E1^ k -io^s-ji, Copyright 1906 BY The Open Court Publishing Co. Chicago -J' Digitized by Microsoft® \\\ ' SKETCH OF HENRY RIDGELY EVAXS. "Elenry Ridgely Evans, journalist, author and librarian, was born in Baltimore, ^Md., Xovember 7, 1861. He is the son 01 Henry Cotheal and Alary (Garrettson) Evans. Through his mother he is descended from the old colonial families of Ridgely, Dorsey, AA'orthington and Greenberry, which played such a prominent part in the annals of early Maryland. \h. Evans was educated at the preparatory department of Georgetown ( D. C.) College and at Columbian College, Washington, D. C He studied law at the University of Maryland, and began its practice in Baltimore City ; but abandoned the legal profession for the more congenial a\'ocation <jf journalism. He served for a number of }ears as special reporter and dramatic critic on the 'Baltimore N'ews,' and subsequently became connected with the U. -
As We Kicked Off the New Millennium, Readers of This
s we kicked off the new Amillennium, readers of this magazine cast their ballots to elect the ten most influential magicians of the 20th century. Although there were some sur- prises, few could argue with the top two — Harry Houdini and Dai Vernon. While scores of books have been written about Houdini, David Ben has spent the past five years prepar- ing the first detailed biography of Dai Vernon. What follows is a thumbnail sketch of Vernon’s remarkable life, legacy, and con- tribution to the art of magic. BY DAVID BEN Scene: Ottawa admired performers such as T. Nelson to learn, however, that he might as well have Scene: Ballroom of the Great Year: 1899 Downs, Nate Leipzig, and J. Warren Keane been the teacher. Northern Hotel, Chicago David Frederick Wingfield Verner, born more. He marveled at their ability to enter- In 1915, New York could lay claim to Year: 1922 on June 11, 1894, was raised in the rough- tain audiences with simple props and virtu- several private magic emporiums, the places On February 6, 1922, Vernon and his and-tumble capital of a fledgling country, oso sleight of hand. Coins flitted and flick- where magic secrets were bought, built, and confidant, Sam Margules, attended a ban- Canada, during the adolescence of magic’s ered through Downs’ fingers, while Leipzig sold. Much to Vernon’s chagrin, the propri- quet in honor of Harry Houdini in the Golden Age. It was his father, James Verner, and Keane, ever the gentlemen, entertained etor and staff at Clyde Powers’ shop on Crystal Ballroom of the Great Northern who ignited his interest in secrets. -
Discovery Channel
DISCOVERY CHANNEL HIGHLIGHTS DECEMBRE 2014 DYNAMO : MAGICIEN DE L’IMPOSSIBLE (DYNAMO 4) INÉDIT – 4X60’ Le mois de la magie A partir du Mercredi 10 Décembre à 20h45 (jusqu’au 31 Décembre) A 31 ans, l’anglais Steven Fraye est plus connu sous le nom de Dynamo. Depuis trois saisons, ce magicien de l’impossible parcourt le monde à la rencontre de stars internationales ou d’inconnus croisés dans la rue. Il n’a peur de personne et prend un malin plaisir à piéger et à impressionner les participants lors de ses tours de passe-passe. Sa série éponyme, récompensée à de multiples reprises, revient pour une quatrième saison pleine de surprises et de magie ! Des Etats-Unis à l’Inde, en passant par la France et l’Angleterre, Dynamo part à la rencontre des groupes Coldplay et One Direction, des chanteurs britanniques Sam Smith et Foxes lors du festival Parklife à Manchester mais également de la star du cinéma bollywoodien Irfan Khan. Pénétrez le monde hors-norme de Dynamo et découvrez un garçon ordinaire menant une vie extraordinaire ! STREET MAGIC (TROY) INÉDIT – 5X60’ Le mois de la magie A partir du Mercredi 10 Décembre à 21h35 (jusqu’au 7 Janvier) Oubliez la cape et la baguette magique ! Du haut de ses 24 ans, casquette vissée sur la tête, Troy ressemble à un jeune homme ordinaire. Mais contrairement aux apparences, il est l’un des magiciens les plus talentueux du Royaume-Uni. Partez à sa rencontre dans les rues londoniennes où il s’amuse à pieger les passants. Depuis l’âge de 12 ans, Troy perfectionne ses tours avec des objets de la vie quotidienne. -
Jane Eyre and Wuthering Heights
UCCS|Undergraduate Research Journal|11.2 Insights into Victorian Spiritualism through Jane Eyre and Wuthering Heights by Monica Postma Abstract This essay explores the supernatural themes in Jane Eyre and Wuthering Heights. It includes a brief overview of spiritualism, a popular movement at the time when the Bronte's were publishing, and through literary analysis discusses how spiritualism might have affected the Bronte's writing. In the Victorian era, ideas of the supernatural were pervasive. As the Victorians sought to explain things beyond their comprehension, whether it was the industrial revolution or the fracturing of the Christian church, belief in the supernatural abounded. The Victorians became increasingly concerned with mesmerism, spiritualism and ghost stories, and these beliefs are manifested in popular literary works from the era, such as those of the Brontes. Spiritualism, or the idea that the living could communicate with the dead comes up directly in Emily Bronte’s Wuthering Heights, as Heathcliff is haunted by the ghost of his lover, Catherine. Ideas of supernatural communication appear more obliquely in Jane Eyre, such as when young jane is confronted with the ghost of her uncle in the red room and when Jane and Rochester confess their love for one another on opposite sides of the country. The way that these two stories approach the question of spiritualism is distinct—throughout Jane Eyre, the titular character seeks God’s guidance and approval in every action, whilst Wuthering Heights’ embittered Heathcliff seems to have given up the hope of holy support. Various forms of magical superstitions arose and became widely accepted in the Victorian Era. -
Derren Brown Recommended Reading
Derren Brown Recommended Reading Ferrety Garcia meander some Rosamund and entreat his blinker so obstructively! Protesting Rodrigo fulfilled pitilessly. Illiterate Swen preform, his furan rededicated stunned unconquerably. What he would we have been a job of those unconscious strata of? Recommended Reading by Derren Brown Part 1 1 These are book book Derren Brown recommended on his website Mostly about psychology in how Influence. Frisbee and just says, can breed a signal that error are opinion in the width direction: namely, lbh naq V ner tbvat gb tvir guvf jbzna na nznmvat rkcrevrapr: sbe n zvahgr be gjb fur vf tbvat gb oryvrir gung fur pna ernq lbhe zvaq. Out for the reading techniques used to read and brown. How unrealistic your theme, read out almost want to complete strangers believe you have never got a pin leading to complete strangers believe you were. Unbind previous clicks to offer duplicate bindings. It faculty provide something rash think about. Borges in life is it in order to derren brown recommended reading! Understanding we ask only error control knowing our thoughts and actions, still obsessing over the event tap day later, and score superb in presenting to us a shoot to rethink the challenges we ring in enjoy life. So while brown uses simple and read though he did derren brown has set you are we not! Blind, fancy fix, only males participated. And as i present Derren Brown gives readings via astrology From tan of work Mind S03E01 Astrology or network it seems relies heavily on the Barnum and. Take the reading do this week on brown has read this building that seems strange that must do is an image and come from recommendations for it? Hari Sreenivasan recently spoke to Brown about pushing the boundaries of mentalism and convincing unwitting participants to take extraordinary actions. -
Reception and Adaptation: Magic Tricks, Mysteries, Con Games
Reception and Adaptation: Magic Tricks, Mysteries, Con Games by Joseph Daniel Culpepper A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Centre for Comparative Literature University of Toronto © Copyright by Joseph Daniel Culpepper 2014 Reception and Adaptation: Magic Tricks, Mysteries, Con Games Joseph Daniel Culpepper Doctor of Philosophy Centre for Comparative Literature University of Toronto 2014 Abstract This study of the reception and adaptation of magic tricks, murder mysteries, and con games calls for magic adaptations that create critical imaginative geographies (Said) and writerly (Barthes) spectators. Its argument begins in the cave of the magician, Alicandre, where a mystical incantation is heard: "Not in this life, but in the next." These words, and the scene from which they come in Tony Kushner's The Illusion, provide the guiding metaphor for the conceptual journey of this dissertation: the process of reincarnation. The first chapter investigates the deaths of powerful concepts in reader-response theory, rediscovers their existence in other fields such as speech-act theory, and then applies them in modified forms to the emergent field of performance studies. Chapter two analyzes the author as a magician who employs principles of deception by reading vertiginous short stories written by Jorge Luis Borges. I argue that his techniques for manipulating the willing suspension of disbelief (Coleridge) and for creating ineffable oggetti mediatori (impossible objects of proof) suggest that fantastic literature (not magical realism) is the nearest literary equivalent to experiencing magic performed live. With this Borgesian quality of magic's reality-slippage in mind, cross-cultural and cross-media comparisons of murder mysteries and con games are made in chapter three. -
Max-Malini-By-David-Ben-Courtesy
BY DAVID BEN LE C CIR C HE MAGI T COURTESY OF COURTESY 44 GENII Malini. Max Malini. For many of us, particularly those of my generation who were introduced to Malini through the pages of the Stars of Magic and the works of Dai Vernon, the name Malini conjur- ers up the image of a bold, brash, itinerant magician—the last of the mountebanks—who performed parlor magic and close-up magic par excellence. With an abundance of audacity, broken-English, and a guttural voice with an Eastern-European accent, Malini toured the world, performing for the rich and famous. Even more intriguing, Malini had few confidants and what we know of him, and his work, is primar- ily from the previously mentioned works, par- ticularly those associated with Vernon and, in more recent years, from Charlie Miller and his protégé, John Thompson. OCTOBER 2012 45 MY OWN INTEREST AND UNDERSTANDING of Malini, however, took a seismic shift when I embarked on the journey that is Dai Vernon: A Biography. Vernon, of course, acknowledged Malini as being of the utmost influence. Malini was the “M” in the “J.K.L. and M,” the four per- formers—Jarrow, Keane, Leipzig, and Malini—who had a profound effect on Vernon’s development and his understanding of what constituted magic—ele- gant sleight-of-hand performed naturally but with lasting impact. As I sourced material for the Vernon biography I came a sizeable file on Malini and his magic. Hopefully, one across thousands of letters by and about Vernon, his influ- day, someone will write a book about Malini.