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The Dodo and Its Kindred
4ti € Kl 4;fii,v Cd 4 S C tx • V V (1 (^ S <^' « ^C i>i» <rr*i. C'^'^ ^ ^ r<rv I' c(t ^*^ CM Jl^ljf ..r.f -I- i,t C Cffi'l <Vi cr- die C^J^ V:? i^''» ^^» :^^ ^ 2--,// \rrC /^fL /" v/ V y^£,x^- y.^c.^>-^ x)c^ 7 /OH THE DODO AND ITS KINDRED. .a pq 4^ '+2 q-io CD O PHr-H '^cn CO o CO o —: ff^-' THE DODO AND ITS KINDRED; HISTORY, AFFINITIES, AND OSTEOLOGY DODO, SOLITAIRE, OTHER EXTINCT BIRDS or THE ISLANDS MAUKITIUS, KODRIGUEZ, AND BOURBON. ^^-^ H. E. STRICKLAND, M.A., F.G.S., F.R.G.S., PRESIDENT OF THE ASHMOLEAN SOCIETY, &c., A '-X > U^'^^' A. G. MELVILLE, M.D. Edin., M.R.C.S. "Pes et Caput uni Eeddentur fornije." Hor. LONDON EEEVE, BENHAM, AND KEEVE, 8, KING WILLIAM STEEET, STEAND. 1848. REEVE, BE?iHAM. AND REEVE. PRINTERS A:<D publishers OF SCIENTIFIC WORKS, KING WILLIAM STREET, STRAND, TO P. B. DUNCAN, ESQ., M.A., KEEPER OF THE ASHMOLEAN MUSEUM, Cftig seaorfe IS! fingcnbrli, AS A SLIGHT TOKEN OF REGARD AND ESTEEM, BY HIS SINCERE FRIENDS, THE AUTHORS. ilist Of ^ubsrrtbfrs. H.R.H. PRINCE ALBEET, K.G. HEll GRACE THE DUCHESS OF BUCCLEUCH (two copies). THE MOST NOBLE THE MARQUIS OF NORTHAMPTON, Pres. Brit. Assoc, Pres. R.S. THE RIGHT HON. THE EARL OF DERBY, Pres. Z.S., F.R.S. The Eadcliffe Library, Oxford. Mrs. Dixon, Govan HUl, Glasgow. The Belfast Library. Mrs. A. Smith, Edinburgh. The Edinburgh College Library. Mrs. C. Clarke, Matlock. -
Marketing Lessons I Learned from Working with Kiss
MARKETING LESSONS I LEARNED FROM WORKING WITH KISS BY: MICHAEL BRANDVOLD Copyright 2011 Michael Brandvold Marketing • www.MichaelBrandvold.com "Quite eloquent. You're a powerful and attractive man." Gene Simmons Copyright 2011 Michael Brandvold Marketing • www.MichaelBrandvold.com CONTENTS • About • Acknowledgements • Testimonials • No Denying the Influence • All Press is Good Press • Love Me or Hate Me, Just Spell My Name Right • Wait for the Right Time • It’s All Branding • Everything You Do Will Not Succeed • Treat the Media with Respect • Listen to Your Fans You Work for Them • The Secret to Success is to Offend the Greatest Number of People • If You Don’t Ask For It You Won’t Get It • Separate Business and Pleasure • They Aren’t Afraid to Change Their Minds • The Takeaway • Contact Copyright 2011 Michael Brandvold Marketing • www.MichaelBrandvold.com ABOUT In both mainstream and adult entertainment, Michael Brandvold’s marketing talents, skills and savvy are vital assets that numerous companies rely upon to expand, prosper and operate effectively, efficiently and profitably in the online economy. Upon graduating from Mankato State University in 1987, Michael accepted the position of Director of Marketing with DKP Productions, an artist management firm in Chicago, before joining Red Light Records 1990, as National Radio Promotions manager. A self-taught master of HTML, Michael launched websites for Perris Records, Creative Communications, Sportmart, and Montgomery Ward. But it was KISS Otaku – his KISS fan site launched in 1995 – that would change his fortunes forever. In 1998, Gene Simmons of KISS discovered KISS Otaku and personally tapped Michael as the Director of Web Services at Signatures Network, a Sony/CMGi company, where he built-from-scratch, managed and grew KISSonline into a multi-million dollar enterprise with over of a half million visitors a month. -
Download Lesson
EPISODE 9 LESSON PLAN TEACHER SYNOPSIS Since ancient times, people around the world have used fairy tales, fables, and folktales to capture the imagination of and entertain an audience. However, these tales were meant to do more than entertain: they were used to teach morals. Fairy tales, fables, and folktales share other elements, such as talking animals, mythical creatures, and/or inanimate objects that think or feel emotions. Such tales are still being written and enjoyed today. Listen to hear how a professional writer transformed one boy’s story seed into a fantastic fable, complete with three edible houses and one hungry wolf. WHIP UP A FAIRYTALE with Bil Lepp STUDENT SYNOPSIS Want more resources? Download our activity- Do you have a favorite fairy tale, fable, or folktale? You might packed companion kits remember the characters and plot, but do you recall what you for Episode 9 Look Before learned from the story? A lesson you could apply to your every- You Eat! on our website. day life? Fairy tales, fables, and folktales are some of the oldest types of stories known, and while the stories may differ, all share common elements. Listen to hear a modern fable created by a professional writer and an eleven-year-old boy. LITERATURE CONNECTIONS Aesop’s Fables: The Classic Edition - Aesop Fairy Tales, Fables, Legends, and Myths - Bette Bosma Grimm’s Fairy Tales - Jacob and Wilhelm Grimm How to Tell a Folktale - Carol Alexander The Illustrated Anansi: Four Caribbean Folk Tales - Philip M. Sherlock Weblinks are EXTERNAL WEB MATERIALS embedded into this PDF. -
Mist: an Analytical Study Focusing on the Theme and Imagery of the Novel
[ VOLUME 5 I ISSUE 3 I JULY– SEPT 2018] E ISSN 2348 –1269, PRINT ISSN 2349-5138 Mist: An Analytical Study Focusing on the Theme and Imagery of the Novel *Arya V. Unnithan Guest Lecturer, NSS College for Women, Karamana, Trivandrum, Kerala Received: May 23, 2018 Accepted: June 30, 2018 ABSTRACT Mist, the Malayalam novel is certainly a golden feather in M.T. Vasudevan Nair’s crown and is a brilliant work which has enhanced Malayalam literature’s fame across the world. This novel is truly different from M.T.’s other writings such as Randamuzham or its English translation titled Bhima. M.T. is a writer with wonderfulnarrative skills. In the novel, he combined his story- telling power with the technique of stream- of- consciousness and thereby provides readers, a brilliant reading experience. This paper attempts to analyse the novel, with special focus on its theme and imagery, thereby to point out how far the imagery and symbolism agrees with the theme of the novel. Keywords: analysis-theme-imagery-Vimala-theme of waiting- love and longing- death-stillness Introduction: Madath Thekkepaattu Vasudevan Nair, popularly known as M.T., is an Indian writer, screenplay writer and film director from the state of Kerala. He is a creative and gifted writer in modern Malayalam literature and is one of the masters of post-Independence Indian literature. He was born on 9 August 1933 in Kudallur, a village in the present day Pattambi Taluk in Palakkad district. He rose to fame at the age of 20, when he won the prize for the best short story in Malayalam at World Short Story Competition conducted by the New York Herald Tribune. -
Henryson's Fables: "The Subtell Dyte of Poetry" Gregory Kratzmann
Studies in Scottish Literature Volume 20 | Issue 1 Article 6 1985 Henryson's Fables: "the subtell dyte of poetry" Gregory Kratzmann Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Kratzmann, Gregory (1985) "Henryson's Fables: "the subtell dyte of poetry"," Studies in Scottish Literature: Vol. 20: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol20/iss1/6 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Gregory Kratzmann Henryson's Fables: "the subtell dyte of poetry" Henryson's Fables were once discussed almost exclusively as documents of social realism, or as humorous poems which at their best might be designated "Chaucerian." In an important article in 1962, Denton Fox urged "that it might be helpful to look at the Fables from a more severely literary viewpoint, and to examine them as poems"; further, he pleaded the necessity to examine the poems "as wholes," that is, as fables consisting of two carefully related parts, story and moralization.1 Although there has been some stimulating criticism of the Fables during the past twenty years, commentary has been neither as prolific nor as wide-ranging as that directed at The Testament of Cresseid, and there is room for more discussion of those two closely-related critical issues raised in Fox's article. This essay has two concerns. -
Chinese Fables and Folk Stories
.s;^ '^ "It--::;'*-' =^-^^^H > STC) yi^n^rnit-^,; ^r^-'-,. i-^*:;- ;v^ r:| '|r rra!rg; iiHSZuBs.;:^::^: >» y>| «^ Tif" ^..^..,... Jj AMERICMJ V:B00lt> eOMI^^NY"' ;y:»T:ii;TOiriai5ia5ty..>:y:uy4»r^x<aiiua^^ nu,S i ;:;ti! !fii!i i! !!ir:i!;^ | iM,,TOwnt;;ar NY PUBLIC LIBRARY THE BRANCH LIBRARIES 3 3333 08102 9908 G258034 Digitized by the Internet Arciiive in 2007 with funding from IVIicrosoft Corporation http://www.archive.org/details/chinesefablesfolOOdavi CHINESE FABLES AND FOLK STORIES MARY HAYES DAVIS AND CHOW-LEUNG WITH AN INTRODUCTION BY YIN-CHWANG WANG TSEN-ZAN NEW YORK •:• CINCINNATI •: CHICAGO AMERICAN BOOKCOMPANY Copyright, 1908, by AMERICAN BOOK COMPANY Entered at Stationers' Hall, London Copyright, 1908, Tokyo Chinese Fables W. p. 13 y\9^^ PROPERTY OF THE ^ CITY OF MW YOBK G^X£y:>^c^ TO MY FRIEND MARY F. NIXON-ROULET PREFACE It requires much study of the Oriental mind to catch even brief glimpses of the secret of its mysterious charm. An open mind and the wisdom of great sympathy are conditions essential to making it at all possible. Contemplative, gentle, and metaphysical in their habit of thought, the Chinese have reflected profoundly and worked out many riddles of the universe in ways peculiarly their own. Realization of the value and need to us of a more definite knowledge of the mental processes of our Oriental brothers, increases wonder- fully as one begins to comprehend the richness, depth, and beauty of their thought, ripened as it is by the hidden processes of evolution throughout the ages. To obtain literal translations from the mental store- house of the Chinese has not been found easy of accom- plishment; but it is a more difficult, and a most elusive task to attempt to translate their fancies, to see life itself as it appears from the Chinese point of view, and to retell these impressions without losing quite all of their color and charm. -
Genre and Subgenre
Genre and Subgenre Categories of Writing Genre = Category All writing falls into a category or genre. We will use 5 main genres and 15 subgenres. Fiction Drama Nonfiction Folklore Poetry Realistic Comedy Informational Fiction Writing Fairy Tale Tragedy Historical Persuasive Legend Fiction Writing Tall Tale Science Biography Fiction Myth Fantasy Autobiography Fable 5 Main Genres 1. Nonfiction: writing that is true 2. Fiction: imaginative or made up writing 3. Folklore: stories once passed down orally 4. Drama: a play or script 5. Poetry: writing concerned with the beauty of language Nonfiction Subgenres • Persuasive Writing: tries to influence the reader • Informational Writing: explains something • Autobiography: life story written by oneself • Biography: Writing about someone else’s life Latin Roots Auto = Self Bio = Life Graphy = Writing Fiction Subgenres • Historical Fiction: set in the past and based on real people and/or events • Science Fiction: has aliens, robots, futuristic technology and/or space ships • Realistic Fiction: has no elements of fantasy; could be true but isn’t • Fantasy: has monsters, magic, or characters with superpowers Folklore Subgenres Folklore/Folktales usually has an “unknown” author or will be “retold” or “adapted” by the author. • Fable: short story with personified animals and a moral Personified: given the traits of people Moral: lesson or message of a fable • Myth: has gods/goddesses and usually accounts for the creation of something Folklore Subgenres (continued) Tall Tale • Set in the Wild West, the American frontier • Main characters skills/size/strength is greatly exaggerated • Exaggeration is humorous Legend • Based on a real person or place • Facts are stretched beyond nonfiction • Exaggerated in a serious way Folklore Subgenres (continued) Fairytale: has magic and/or talking animals. -
Busman's Honeymoon
Busman's Honeymoon By Dorothy L. Sayers Busman's Honeymoon CHAPTER I NEW-WEDDED LORD I agree with Dryden, that "Marriage is a noble daring"— samuel johnson: Table Talk. Mr. Mervyn Bunter, patiently seated in the Daimler on the far side of Regent's Park, reflected that time was getting on. Packed in eiderdowns in the back of the car was a case containing two and a half dozen of vintage port, and he was anxious about it. Great speed would render the wine undrinkable for a fortnight; excessive speed would render it undrinkable for six months. He was anxious about the arrangements—or the lack of them—at Talboys. He hoped everything would be found in good order when they arrived—otherwise, his lady and gentleman might get nothing to eat till goodness knew when. True, he had brought ample supplies from Fortnum's, but suppose there were no knives or forks or plates available? He wished he could have gone ahead, as originally instructed, to see to things. Not but what his lordship was always ready to put up with what couldn't be helped; but it was unsuitable that his lordship should be called on to put up with anything—besides, the lady was still, to some extent, an unknown factor. What his lordship had had to put up with from herduring the past five or six years, only his lordship knew, but Mr. Bunter could guess. True, the lady seemed now to be in a very satisfactory way of amendment; but it was yet to be ascertained what her conduct would be under the strain of trivial inconvenience. -
The Green Sheet and Opposition to American Motion Picture Classification in the 1960S
The Green Sheet and Opposition to American Motion Picture Classification in the 1960s By Zachary Saltz University of Kansas, Copyright 2011 Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Dr. John Tibbetts ________________________________ Dr. Michael Baskett ________________________________ Dr. Chuck Berg Date Defended: 19 April 2011 ii The Thesis Committee for Zachary Saltz certifies that this is the approved version of the following thesis: The Green Sheet and Opposition to American Motion Picture Classification in the 1960s ________________________________ Chairperson Dr. John Tibbetts Date approved: 19 April 2011 iii ABSTRACT The Green Sheet was a bulletin created by the Film Estimate Board of National Organizations, and featured the composite movie ratings of its ten member organizations, largely Protestant and represented by women. Between 1933 and 1969, the Green Sheet was offered as a service to civic, educational, and religious centers informing patrons which motion pictures contained potentially offensive and prurient content for younger viewers and families. When the Motion Picture Association of America began underwriting its costs of publication, the Green Sheet was used as a bartering device by the film industry to root out municipal censorship boards and legislative bills mandating state classification measures. The Green Sheet underscored tensions between film industry executives such as Eric Johnston and Jack Valenti, movie theater owners, politicians, and patrons demanding more integrity in monitoring changing film content in the rapidly progressive era of the 1960s. Using a system of symbolic advisory ratings, the Green Sheet set an early precedent for the age-based types of ratings the motion picture industry would adopt in its own rating system of 1968. -
The Duchess of Malfi
The Duchess of Malfi Return to Renascence Editions The Duchess of Malfi John Webster. Act I | Act II | Act III | Act IV | Act V Note on the e-text: this Renascence Editions text was transcribed by Malcolm Moncrief-Spittle from the 1857 Hazlitt edition and graciously made available to Renascence Editions in June 2001. Content unique to this presentation is copyright © 2001 The University of Oregon. For nonprofit and educational uses only. http://darkwing.uoregon.edu/%7Erbear/webster1.html (1 of 121)4/11/2005 6:23:14 AM The Duchess of Malfi TO THE RIGHT HONOURABLE GEORGE HARDING, BARON BERKELEY, OF BERKELEY CASTLE, AND KNIGHT OF THE ORDER OF THE BATH TO THE ILLUSTRIOUS PRINCE CHARLES. MY NOBLE LORD, THAT I may present my excuse why, being a stranger to your lordship, I offer this poem to your patronage, I plead this warrant: men who never saw the sea, yet desire to behold that regiment of waters, choose some eminent river to guide them thither, and make that, as it were, their conduct or postilion: by the like ingenious means has your fame arrived at my knowledge, receiving it from some of worth, who both in contemplation and practice http://darkwing.uoregon.edu/%7Erbear/webster1.html (2 of 121)4/11/2005 6:23:14 AM The Duchess of Malfi owe to your honour their clearest service. I do not altogether look up at your title; the ancien’st nobility being but a relic of time past, and the truest honour indeed being for a man to confer honour on himself, which your learning strives to propagate, and shall make you arrive at the dignity of a great example. -
Duchess Park
Duchess Park Bee Orchid on Duchess Park History and Natural History Volume 3 – Natural History Records (Fauna) (A work in progress at October 2015) David Cudby Duchess Park History and Natural History – Volume 3 Contents of Volume 3 Page Number of species Species added since recorded previous version Chapter Four Birds 53 2 3 Chapter Five Mammals 17 8 Chapter Six Reptiles and amphibians 4 11 Chapter Seven Insects and spiders 82 3 12 Total species recorded to date 156 Appendix 1 – Improving Duchess Park biodiversity 20 Appendix 2 – Duchess Park Site Plan 21 Appendix 3 – Duchess Park Site Maintenance Approach 22 Acknowledgements and useful references 23 Note: These records have been compiled opportunistically. When I or someone else has made an observation and that species is not already in the book, it may be verified and added. Clearly there are in reality many hundreds or thousands of species likely to be present at Duchess Park but not recorded here. So this book is truly a work in progress. There are many classes of insects and invertebrates not included. The intention is that effort and time will hopefully lead to more. For example, no attempt has yet been made to include worms, slugs, snails or spiders. These are all important food sources for birds, reptiles and amphibians. From an ecological perspective much remains to be done to give the book more scientific rigour. October 2015 Page 2 Duchess Park History and Natural History – Volume 3 Chapter Four - Birds A slender young Blackbird built in a thorn-tree, A spruce little fellow as ever could be, His bill was so yellow, his feathers so black, So long was his tail, and so glossy his back, That good Mrs. -
Ed 038 415 Te 001 801
DOCUMENT RESUME ED 038 415 TE 001 801 AUTHOR Schumann, Paul F. TITLE Suggested Independent Study Projects for High School Students in American Literature Classes. PUB DATE [69] NOTE 7p. EDRS PRICE EDRS Price MF-$0.25 HC-$0.45 DESCRIPTORS American History, *American Literature, Analytical Criticism, *English Instruction, Group Activities, Independent Reading, *Independent Study, Individual Study, Literary Analysis, Literary Criticism, Literature, Research Projects, *Secondary Education, *Student Projects ABSTRACT Ninety-six study projects, for individuals or groups, dealing with works by American authors or America's history in the past 100 years are listed. (JM) 1111111010 Of NM, DOCATION &MAK MIKE Of INCA11011 01,4 nu woorM511011pummmum is mans4MMAIE MN 011611016 IT. POINTS Of VIEW01 OPINIONS SUM N NOT WSW EP112111OffICIAL ON* Of SIMON CC) LOYOLA UNIVERSITY OF .LOS ANGELES pew N POLICY. O 0 SUGGESTED INDEPENDENT STUDY PROJECTS FOR HIGH SCHOOL LLB' STUDENTS IN AMERICAN LITERATURE CLASSES Dr. Paul F. Schumann Students are encouraged to substitute titles and topics of literary merit, with teacher prior approval, for any of those on the following list.Works by American authors or dealing with our nation in the past 100 years are to receive primary attention during this semester. However, reports incorporating comparisons with works by foreign authors are clearly acceptable. You may elect to work in small groups on certain of the projects if you secure teacher consent in advance. Certain of the reports may be arranged to give orally in your small group sessions. You will also be notified as to the due dates for written ones. It is vital that all reports be carefully substantiated with specific citation from the materials used.