Report Resumes

Total Page:16

File Type:pdf, Size:1020Kb

Report Resumes REPORT RESUMES ED 013 821 TE 000'063 A CURRICULUM FOR ENGLISH, TEACHER PACKET, GRADE 9. NEBRASKA UNIV., LINCOLN, CURRICULUM DEV. CTR. PUB DATE 65 CONTRACT CCC--210-419 EDRS PRICEMr-$1.25 HC NOT AVAILABLE FROM EDRS. 276P. DESCRIPTORS- *CURRICULUM GUIDES, *ENGLISH CURRICULUM, *ENGLISH INSTRUCTION, *GRADE 9, *TEACHING GUIDES, COMEDY, COMPOSITION (LITERARY); DRAMA, EPICS, FABLES, INSTRUCTIONAL MATERIALS, LITERARY ANALYSIS, SATIRE, LANGUAGE, LITERATURE, LINGUISTICS, DIALECTS, NEBRASKA CURRICULUM DEVELOPMENT CENTER THE NEBRASKA ENGLISH CURRICULUM FOR GRADE NINE FOCUSES ON THE CONCEPT CF GENRE AND ACCOMPANYING LITERARY ATTITUDES AND DEVICES. SATIRE, COMEDY, AND THE EPIC ARE THE SUBJECTS cc THE LITERARY PROGRAM. LANGUAGE AND COMPOSITION STUDIES, BUILDING UPON EIGHTH-GRADE LANGUAGE HISTORY AND SYNTAX UNITS, CENTER ON GEOGRAPHIC AND SOCIAL DIALECTS, PHONOLOGY, SENTENCE SYNTAX, AND COMMON USES FOR LANGUAGE. THE TEACHER IS URGED TO APPLY TIE SUBSTANCE OF LANGUAGE UNITS TO. THE SUBSEQUENT STUDY OF LITERATURE. ASSIGNMENTS, LEADING STUDENTS TO ANALYZE, DRAW MON, AND PRACTICE CONCEPTS FRESETED IN THE LITERATURE AND LANGUAGE UNITS, INCLUDE CRITICAL DISCUSSIONS CF SPECIFIC GENRES AND PASSAGES, FORMULATION OF 'RELEVANT QUESTIONS IN READING LITERATURE, AND COMPOSITION OF LIMERICKS, FABLES, AND SATIRES. TEACHER PACKET SECTIONS CORRESPOND TO UNITS Cf THE COURSE----(1) "THE IDEA OF KINDS -- ATTITUDE, TONE, PERSPECTIVE," (2) "SATIRE -- FORMAL AND MENIPPEAN," (3) "THE IDEA OF A FLAY- -THE GREEK, THE RENAISSANCE, THE MODERN," (4) "COMEDY," (5) "THE EPIC," (6) "DIALECT," (7)"PHONOLOGY," (8) "SYNTAX AND THE RHETORIC Cf THE SENTENCE," AND (9) "THE USES OF LANGUAGE." EACH SECTION CONTAINS A TABLE C4CONTENTS, A BACKGROUND ESSAY ON MATERIAL TO BE STUDIED, RECOMMENDED TEACHING PROCEDURES, A TEACHER'S BIBLIOGRAPHY, AND ILLUSTRATIVE MATERIALS FOR CLASSROOM USE. THIS MANUAL IS AVAILABLE FROM THE UNIVERSITY OF NEBRASKA .CURRICULUM CENTER,, 231 ANDREWS HALL, LINCOLN, NEBRASKA 68508. THE RELATED STUDENT PACKET FOR GRADE NINE IS TE 000 064.(RD) REPORT RESUMES ED 013 821 TE 000 063 A CURRICULUM FOR ENGLISH, TEACHER PACKET, GRADE 9. NEBRASKA UNIV., LINCOLN, CURRICULUM DEV. CTR. PUB DATE 65 CONTRACT OEC-2-10-119 EDRS PRICEMF-$1.25HC NOT AVAILABLE FROM EDRS. 276F. DESCRIPTORS- *CURRICULUM GUIDES, *ENGLISH CURRICULUM, *ENGLISH INSTRUCTION, *GRADE 9, *TEACHING GUIDES, COMEDY, COMPOSITION (LITERARY), DRAMA, EPICS, FABLES, INSTRUCTIONAL MATERIALS, LITERARY.ANALYSIS, SATIRE, LANGUAGE, LITERATURE, LINGUISTICS, DIALECTS, NEBRASKA CURRICULUM DEVELOPMENT CENTER THE NEBRASKA ENGLISH CURRICULUM FOR GRADE NINE FOCUSES ON THE CONCEPT CF GENRE AND ACCOMPANYING LITERARY ATTITUDES AND DEVICES. SATIRE, COMEDY, AND THE EPIC ARE THE SUBJECTS OF THE LITERARY PROGRAM. LANGUAGE AND COMPOSITION STUDIES, BUILDING UPON EIGHTH-GRADE LANGUAGE HISTORY AND SYNTAX UNITS, CENTER ON GEOGRAPHIC AND SOCIAL DIALECTS, PHONOLOGY; SENTENCE SYNTAX! AND COMMON USES FOR LANGUAGE. THE TEACHER IS URGED TD APPLY TIE SUBSTANCE CC LANGUAGE UNITS TO. THE SUBSEQUENT STUDY OF LITERATURE. ASSIGNMENTS, LEAD!NG STUDENTS TO ANALYZE, DRAW MON, AND PRACTICE CONCEPTS PRESEOTED IN THE LITERATURE AND LANGUAGE UNITS, INCLUDE CRITICAL DISCUSSIONS CF SPECIFIC GENRES AND PASSAGES, FORMULATION CF 'RELEVANT QUESTIONS IN READING LITERATURE, AND COMPOSITION CF LIMERICKS, FABLES, AND SATIRES. TEACHER PACKET SECTIONS CORRESPOND TO UNITS CF TOE COURSE--(1) "THE IDEA OF KINDS--ATTITUDE, TONE, PERSPECTIVE!" (2) "SATIRE--FORMAL AND MENIPPEAN," (3) "THE IDEA OF A PLAY- -THE GREEK, THE RENAISSANCE, THE MODERN!" (4) "OOMEOY!" (5) "THE EPIC," (6) "DIALECT," (7) "PHONOLOGY!" (8) "SYNTAX AND THE RHETORIC OF THE SENTENCE," AND (9) "THE USES cc LANGUAGE." EACH SECTION CONTAINS A TABLE CF CONTENTS, A BACKGROUND ESSAY ON MATERIAL TO BE STUDIED, RECOMMENDED TEACHING PROCEDURES, A TEACHER'S BIBLIOGRAPHY, AND ILLUSTRATIVE MATERIALS FOR CLASSROOM USE. THIS MANUAL IS AVAILABLE FROM THE UNIVERSITY OF NEBRASKA .CURRICULUM CENTER!, 231 ANDREWS HALL, LINCOLN, NEBRASKA 649508. THE RELATED STUDENT PACKET FOR GRADE NINE IS TE 000 064. (RD) r Hc- I0, U.S. DEPARZMENT OF HEALTH, EDUCATION & WELFARE OFFICE OF EDUCATION THIS DOCUMENT HAS BEEN REPRODUCED EXACTLY AS RECEIVEDFROM THE PERSON OR ORGANILTION ORIGINATING IT.POINTS OF VIEW OR OPINIONS STATED DO NOT NECESSARILY REPRESENT ,OFFICIAL OFFICE OF EDUCATION POSITION OR POLICY. A CURRICULUM FOR ENGLISH Teacher Packet General Introduction tothe Units Ninth Grade Copyright, The Universityof Nebraska, 1965 Experimental Materials Nebraska Curriculum DevelopmentCenter "PERMISSION TO REPRODUCE THIS COPYRI HTED nil I. HAS BEEN GRANTED TO ERIC A OR NIZATIONS OPERATING UNDER KR EMENTS WITH THE U.S. OFFICE OF EDUCATION, FURTHER REPRODUCTION OUTSIDE THE ERIC SYSTEM REQUIRES PERMISSION OF THE COPYRIGHT OWNER." UNITS: 1. The Idea of Kinds: Attitude, Tone, Perspective 2. Satire: Formal and Menippean 3. The Idea of A Play 4. Comedy 5. The Epic 6. Dialect: Geographic and Social 7. Phonology 8. Syntax and the Rhetoric of the Sentence 9. The Uses of Language 1 Introduction: Ninth Grade Program The first unit in the ninth grade literature program sets the theme for the whole literature program at the level. It concerns the concept of genre. The idea of genre is, of course, not simply an idea having to do with marrative structure; it has to do with kinds of diction, decorum, and literary postures which .0 with the narrative structure. As a consequence, the first unit studies not only the conception of genre but some of the shorter genres: the literary attitudes and devices which go with them (attitude, tone, perspective). The literature program then turns to the study of three signi- ficant classical genres: satire (formal and menippean satire) comedy, and epic. The satire unit draws on a variety of periods but concentrates most heavily upon two relatively modern satires: George Orwell's Animal Farm and Leonard Wibberlyis The Mouse That Roared. (1) The comedy unit takes up comedy as it appears in three separate historical periods- -the "Modern" period, the "Classical" period and the "Renaissance" period. In order to prepare students for the study of comedy and, indeed, for the study of dramatic literature generally, "The Idea ofa Play", a unit concerning the stage machine, the stagecompany, the acting traditions of three great theatres, is included before the comedy unit. Its purpose is not to force students to become producers or directors or actors. Rather, it is to give them some sense of the kind of reading and the kind of interpitation which is appropriate to the understanding of dramatic literature. (2) The unit on the epic takesup the most ancient of classical epics, the Odyssey; it is a unit which should be related to the eighth grade unit on the epic hero (Beowulf and The Song of Roland). Whereas the emphasis of the eighth grade unit is upon the character of the epic hero, the emphasis of the ninth grade unit is upon the epic formas it was'adumbrated by Homer. The form of the epic as it is known to classical and neoclassical writers is essentially that created by Homer: the journey and the great battle.This was the form which was adopted by Virgil and the form which exercised a heavy influence upon such writers as Spenser and Milton. One set of language and composition units for this level is concerned with dialects, geographic and social dialects, and phonology and theuses of language. These three subjects are interrelated.Dialects are partially defined by phonological differences. The history of the language and the study of dialects are very closely related. One cannot understand the varieties of American dialects apart from some understanding of the linguistic history which lies behind them. (See eighth grade unit "History of the Language). One further gain which may be implicit in these two units is that theymay give students some understanding of the nature ofusage, of how they came to have the usage concepts they do have and how it is that opinions differ rather radically in the area of usage. To understand the evolution of English and its varieties is to understand something of the futility of prescriptive attitudes toward usage. To understand the history of the language is also to understand that the efforts of the pedagogue to eradicate so-called usage errors are pretty largely futile efforts. The third unit concerning language which has been devised for the ninth grade is a unit which builds both upon the eighth grade unit concerning "Morphology and Syntax" and the eighth grade unit concerned with "Words and Their Meanings". "Syntax and the Rhetoric of 3 the Sentence" is very closely related to the linguistic description of syntax. The fourth unit, "The Uses of Language," also builds upon the eighth grade units "Syntax" and "Words and Their Meanings." This unit makes students conscious of eight common purposes for which language is used. Once any language unit has been taught, the teacher sho'ild apply its sub- stance to the literature of the literature units which he teaches thereafter. Phonological insights may be developed further in the study of literature, especially in the study of poetry. Dialectal variation, both geographic and soial, is displayed in both the satire and the comedy units. An understanding of "Syntax and the Rhetoric of the Sentence" and "The Uses of Language"may intensify the students' understanding and appreciation of the professional writers' work. The teacher should have the student exawline the principles of both 11:,its as he studies the succeeding literature units. A CURRICULUM FORENGLISH Teacher Packet THE KINDS: ATTITUDE, TONE, PERSPECTIVE Grade 9 Copyright, TheUniversity of Nebraska1965 EXperimental Materials Nebraska Curriculum:Development...Center I. Attitude, Tone,Perspective audience A. Attitude: an authorand his of thespeaker's"character" B. Tone:the dramatizing (ethos) stance twtardhis subject C. Perspective: the author's (genre and stylisticlevel) II. Genres A.The Epigram B. The Limerick C. The Parable D. The Fable E. The Pastoral F. The Ode The Kinds: Attitude, Tone, Perspective Grade 9 Position in Grade: A. Literature: Form and Idea 1. TheKinds: __Attitude, Tone.Perspect.ve 2. Satire 3. The Idea of the Play 4. Comedy 5.
Recommended publications
  • The Dodo and Its Kindred
    4ti € Kl 4;fii,v Cd 4 S C tx • V V (1 (^ S <^' « ^C i>i» <rr*i. C'^'^ ^ ^ r<rv I' c(t ^*^ CM Jl^ljf ..r.f -I- i,t C Cffi'l <Vi cr- die C^J^ V:? i^''» ^^» :^^ ^ 2--,// \rrC /^fL /" v/ V y^£,x^- y.^c.^>-^ x)c^ 7 /OH THE DODO AND ITS KINDRED. .a pq 4^ '+2 q-io CD O PHr-H '^cn CO o CO o —: ff^-' THE DODO AND ITS KINDRED; HISTORY, AFFINITIES, AND OSTEOLOGY DODO, SOLITAIRE, OTHER EXTINCT BIRDS or THE ISLANDS MAUKITIUS, KODRIGUEZ, AND BOURBON. ^^-^ H. E. STRICKLAND, M.A., F.G.S., F.R.G.S., PRESIDENT OF THE ASHMOLEAN SOCIETY, &c., A '-X > U^'^^' A. G. MELVILLE, M.D. Edin., M.R.C.S. "Pes et Caput uni Eeddentur fornije." Hor. LONDON EEEVE, BENHAM, AND KEEVE, 8, KING WILLIAM STEEET, STEAND. 1848. REEVE, BE?iHAM. AND REEVE. PRINTERS A:<D publishers OF SCIENTIFIC WORKS, KING WILLIAM STREET, STRAND, TO P. B. DUNCAN, ESQ., M.A., KEEPER OF THE ASHMOLEAN MUSEUM, Cftig seaorfe IS! fingcnbrli, AS A SLIGHT TOKEN OF REGARD AND ESTEEM, BY HIS SINCERE FRIENDS, THE AUTHORS. ilist Of ^ubsrrtbfrs. H.R.H. PRINCE ALBEET, K.G. HEll GRACE THE DUCHESS OF BUCCLEUCH (two copies). THE MOST NOBLE THE MARQUIS OF NORTHAMPTON, Pres. Brit. Assoc, Pres. R.S. THE RIGHT HON. THE EARL OF DERBY, Pres. Z.S., F.R.S. The Eadcliffe Library, Oxford. Mrs. Dixon, Govan HUl, Glasgow. The Belfast Library. Mrs. A. Smith, Edinburgh. The Edinburgh College Library. Mrs. C. Clarke, Matlock.
    [Show full text]
  • Marketing Lessons I Learned from Working with Kiss
    MARKETING LESSONS I LEARNED FROM WORKING WITH KISS BY: MICHAEL BRANDVOLD Copyright 2011 Michael Brandvold Marketing • www.MichaelBrandvold.com "Quite eloquent. You're a powerful and attractive man." Gene Simmons Copyright 2011 Michael Brandvold Marketing • www.MichaelBrandvold.com CONTENTS • About • Acknowledgements • Testimonials • No Denying the Influence • All Press is Good Press • Love Me or Hate Me, Just Spell My Name Right • Wait for the Right Time • It’s All Branding • Everything You Do Will Not Succeed • Treat the Media with Respect • Listen to Your Fans You Work for Them • The Secret to Success is to Offend the Greatest Number of People • If You Don’t Ask For It You Won’t Get It • Separate Business and Pleasure • They Aren’t Afraid to Change Their Minds • The Takeaway • Contact Copyright 2011 Michael Brandvold Marketing • www.MichaelBrandvold.com ABOUT In both mainstream and adult entertainment, Michael Brandvold’s marketing talents, skills and savvy are vital assets that numerous companies rely upon to expand, prosper and operate effectively, efficiently and profitably in the online economy. Upon graduating from Mankato State University in 1987, Michael accepted the position of Director of Marketing with DKP Productions, an artist management firm in Chicago, before joining Red Light Records 1990, as National Radio Promotions manager. A self-taught master of HTML, Michael launched websites for Perris Records, Creative Communications, Sportmart, and Montgomery Ward. But it was KISS Otaku – his KISS fan site launched in 1995 – that would change his fortunes forever. In 1998, Gene Simmons of KISS discovered KISS Otaku and personally tapped Michael as the Director of Web Services at Signatures Network, a Sony/CMGi company, where he built-from-scratch, managed and grew KISSonline into a multi-million dollar enterprise with over of a half million visitors a month.
    [Show full text]
  • Download Lesson
    EPISODE 9 LESSON PLAN TEACHER SYNOPSIS Since ancient times, people around the world have used fairy tales, fables, and folktales to capture the imagination of and entertain an audience. However, these tales were meant to do more than entertain: they were used to teach morals. Fairy tales, fables, and folktales share other elements, such as talking animals, mythical creatures, and/or inanimate objects that think or feel emotions. Such tales are still being written and enjoyed today. Listen to hear how a professional writer transformed one boy’s story seed into a fantastic fable, complete with three edible houses and one hungry wolf. WHIP UP A FAIRYTALE with Bil Lepp STUDENT SYNOPSIS Want more resources? Download our activity- Do you have a favorite fairy tale, fable, or folktale? You might packed companion kits remember the characters and plot, but do you recall what you for Episode 9 Look Before learned from the story? A lesson you could apply to your every- You Eat! on our website. day life? Fairy tales, fables, and folktales are some of the oldest types of stories known, and while the stories may differ, all share common elements. Listen to hear a modern fable created by a professional writer and an eleven-year-old boy. LITERATURE CONNECTIONS Aesop’s Fables: The Classic Edition - Aesop Fairy Tales, Fables, Legends, and Myths - Bette Bosma Grimm’s Fairy Tales - Jacob and Wilhelm Grimm How to Tell a Folktale - Carol Alexander The Illustrated Anansi: Four Caribbean Folk Tales - Philip M. Sherlock Weblinks are EXTERNAL WEB MATERIALS embedded into this PDF.
    [Show full text]
  • Mist: an Analytical Study Focusing on the Theme and Imagery of the Novel
    [ VOLUME 5 I ISSUE 3 I JULY– SEPT 2018] E ISSN 2348 –1269, PRINT ISSN 2349-5138 Mist: An Analytical Study Focusing on the Theme and Imagery of the Novel *Arya V. Unnithan Guest Lecturer, NSS College for Women, Karamana, Trivandrum, Kerala Received: May 23, 2018 Accepted: June 30, 2018 ABSTRACT Mist, the Malayalam novel is certainly a golden feather in M.T. Vasudevan Nair’s crown and is a brilliant work which has enhanced Malayalam literature’s fame across the world. This novel is truly different from M.T.’s other writings such as Randamuzham or its English translation titled Bhima. M.T. is a writer with wonderfulnarrative skills. In the novel, he combined his story- telling power with the technique of stream- of- consciousness and thereby provides readers, a brilliant reading experience. This paper attempts to analyse the novel, with special focus on its theme and imagery, thereby to point out how far the imagery and symbolism agrees with the theme of the novel. Keywords: analysis-theme-imagery-Vimala-theme of waiting- love and longing- death-stillness Introduction: Madath Thekkepaattu Vasudevan Nair, popularly known as M.T., is an Indian writer, screenplay writer and film director from the state of Kerala. He is a creative and gifted writer in modern Malayalam literature and is one of the masters of post-Independence Indian literature. He was born on 9 August 1933 in Kudallur, a village in the present day Pattambi Taluk in Palakkad district. He rose to fame at the age of 20, when he won the prize for the best short story in Malayalam at World Short Story Competition conducted by the New York Herald Tribune.
    [Show full text]
  • Henryson's Fables: "The Subtell Dyte of Poetry" Gregory Kratzmann
    Studies in Scottish Literature Volume 20 | Issue 1 Article 6 1985 Henryson's Fables: "the subtell dyte of poetry" Gregory Kratzmann Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Kratzmann, Gregory (1985) "Henryson's Fables: "the subtell dyte of poetry"," Studies in Scottish Literature: Vol. 20: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol20/iss1/6 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Gregory Kratzmann Henryson's Fables: "the subtell dyte of poetry" Henryson's Fables were once discussed almost exclusively as documents of social realism, or as humorous poems which at their best might be designated "Chaucerian." In an important article in 1962, Denton Fox urged "that it might be helpful to look at the Fables from a more severely literary viewpoint, and to examine them as poems"; further, he pleaded the necessity to examine the poems "as wholes," that is, as fables consisting of two carefully related parts, story and moralization.1 Although there has been some stimulating criticism of the Fables during the past twenty years, commentary has been neither as prolific nor as wide-ranging as that directed at The Testament of Cresseid, and there is room for more discussion of those two closely-related critical issues raised in Fox's article. This essay has two concerns.
    [Show full text]
  • Chinese Fables and Folk Stories
    .s;^ '^ "It--::;'*-' =^-^^^H > STC) yi^n^rnit-^,; ^r^-'-,. i-^*:;- ;v^ r:| '|r rra!rg; iiHSZuBs.;:^::^: >» y>| «^ Tif" ^..^..,... Jj AMERICMJ V:B00lt> eOMI^^NY"' ;y:»T:ii;TOiriai5ia5ty..>:y:uy4»r^x<aiiua^^ nu,S i ;:;ti! !fii!i i! !!ir:i!;^ | iM,,TOwnt;;ar NY PUBLIC LIBRARY THE BRANCH LIBRARIES 3 3333 08102 9908 G258034 Digitized by the Internet Arciiive in 2007 with funding from IVIicrosoft Corporation http://www.archive.org/details/chinesefablesfolOOdavi CHINESE FABLES AND FOLK STORIES MARY HAYES DAVIS AND CHOW-LEUNG WITH AN INTRODUCTION BY YIN-CHWANG WANG TSEN-ZAN NEW YORK •:• CINCINNATI •: CHICAGO AMERICAN BOOKCOMPANY Copyright, 1908, by AMERICAN BOOK COMPANY Entered at Stationers' Hall, London Copyright, 1908, Tokyo Chinese Fables W. p. 13 y\9^^ PROPERTY OF THE ^ CITY OF MW YOBK G^X£y:>^c^ TO MY FRIEND MARY F. NIXON-ROULET PREFACE It requires much study of the Oriental mind to catch even brief glimpses of the secret of its mysterious charm. An open mind and the wisdom of great sympathy are conditions essential to making it at all possible. Contemplative, gentle, and metaphysical in their habit of thought, the Chinese have reflected profoundly and worked out many riddles of the universe in ways peculiarly their own. Realization of the value and need to us of a more definite knowledge of the mental processes of our Oriental brothers, increases wonder- fully as one begins to comprehend the richness, depth, and beauty of their thought, ripened as it is by the hidden processes of evolution throughout the ages. To obtain literal translations from the mental store- house of the Chinese has not been found easy of accom- plishment; but it is a more difficult, and a most elusive task to attempt to translate their fancies, to see life itself as it appears from the Chinese point of view, and to retell these impressions without losing quite all of their color and charm.
    [Show full text]
  • Genre and Subgenre
    Genre and Subgenre Categories of Writing Genre = Category All writing falls into a category or genre. We will use 5 main genres and 15 subgenres. Fiction Drama Nonfiction Folklore Poetry Realistic Comedy Informational Fiction Writing Fairy Tale Tragedy Historical Persuasive Legend Fiction Writing Tall Tale Science Biography Fiction Myth Fantasy Autobiography Fable 5 Main Genres 1. Nonfiction: writing that is true 2. Fiction: imaginative or made up writing 3. Folklore: stories once passed down orally 4. Drama: a play or script 5. Poetry: writing concerned with the beauty of language Nonfiction Subgenres • Persuasive Writing: tries to influence the reader • Informational Writing: explains something • Autobiography: life story written by oneself • Biography: Writing about someone else’s life Latin Roots Auto = Self Bio = Life Graphy = Writing Fiction Subgenres • Historical Fiction: set in the past and based on real people and/or events • Science Fiction: has aliens, robots, futuristic technology and/or space ships • Realistic Fiction: has no elements of fantasy; could be true but isn’t • Fantasy: has monsters, magic, or characters with superpowers Folklore Subgenres Folklore/Folktales usually has an “unknown” author or will be “retold” or “adapted” by the author. • Fable: short story with personified animals and a moral Personified: given the traits of people Moral: lesson or message of a fable • Myth: has gods/goddesses and usually accounts for the creation of something Folklore Subgenres (continued) Tall Tale • Set in the Wild West, the American frontier • Main characters skills/size/strength is greatly exaggerated • Exaggeration is humorous Legend • Based on a real person or place • Facts are stretched beyond nonfiction • Exaggerated in a serious way Folklore Subgenres (continued) Fairytale: has magic and/or talking animals.
    [Show full text]
  • Busman's Honeymoon
    Busman's Honeymoon By Dorothy L. Sayers Busman's Honeymoon CHAPTER I NEW-WEDDED LORD I agree with Dryden, that "Marriage is a noble daring"— samuel johnson: Table Talk. Mr. Mervyn Bunter, patiently seated in the Daimler on the far side of Regent's Park, reflected that time was getting on. Packed in eiderdowns in the back of the car was a case containing two and a half dozen of vintage port, and he was anxious about it. Great speed would render the wine undrinkable for a fortnight; excessive speed would render it undrinkable for six months. He was anxious about the arrangements—or the lack of them—at Talboys. He hoped everything would be found in good order when they arrived—otherwise, his lady and gentleman might get nothing to eat till goodness knew when. True, he had brought ample supplies from Fortnum's, but suppose there were no knives or forks or plates available? He wished he could have gone ahead, as originally instructed, to see to things. Not but what his lordship was always ready to put up with what couldn't be helped; but it was unsuitable that his lordship should be called on to put up with anything—besides, the lady was still, to some extent, an unknown factor. What his lordship had had to put up with from herduring the past five or six years, only his lordship knew, but Mr. Bunter could guess. True, the lady seemed now to be in a very satisfactory way of amendment; but it was yet to be ascertained what her conduct would be under the strain of trivial inconvenience.
    [Show full text]
  • The Green Sheet and Opposition to American Motion Picture Classification in the 1960S
    The Green Sheet and Opposition to American Motion Picture Classification in the 1960s By Zachary Saltz University of Kansas, Copyright 2011 Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Dr. John Tibbetts ________________________________ Dr. Michael Baskett ________________________________ Dr. Chuck Berg Date Defended: 19 April 2011 ii The Thesis Committee for Zachary Saltz certifies that this is the approved version of the following thesis: The Green Sheet and Opposition to American Motion Picture Classification in the 1960s ________________________________ Chairperson Dr. John Tibbetts Date approved: 19 April 2011 iii ABSTRACT The Green Sheet was a bulletin created by the Film Estimate Board of National Organizations, and featured the composite movie ratings of its ten member organizations, largely Protestant and represented by women. Between 1933 and 1969, the Green Sheet was offered as a service to civic, educational, and religious centers informing patrons which motion pictures contained potentially offensive and prurient content for younger viewers and families. When the Motion Picture Association of America began underwriting its costs of publication, the Green Sheet was used as a bartering device by the film industry to root out municipal censorship boards and legislative bills mandating state classification measures. The Green Sheet underscored tensions between film industry executives such as Eric Johnston and Jack Valenti, movie theater owners, politicians, and patrons demanding more integrity in monitoring changing film content in the rapidly progressive era of the 1960s. Using a system of symbolic advisory ratings, the Green Sheet set an early precedent for the age-based types of ratings the motion picture industry would adopt in its own rating system of 1968.
    [Show full text]
  • The Duchess of Malfi
    The Duchess of Malfi Return to Renascence Editions The Duchess of Malfi John Webster. Act I | Act II | Act III | Act IV | Act V Note on the e-text: this Renascence Editions text was transcribed by Malcolm Moncrief-Spittle from the 1857 Hazlitt edition and graciously made available to Renascence Editions in June 2001. Content unique to this presentation is copyright © 2001 The University of Oregon. For nonprofit and educational uses only. http://darkwing.uoregon.edu/%7Erbear/webster1.html (1 of 121)4/11/2005 6:23:14 AM The Duchess of Malfi TO THE RIGHT HONOURABLE GEORGE HARDING, BARON BERKELEY, OF BERKELEY CASTLE, AND KNIGHT OF THE ORDER OF THE BATH TO THE ILLUSTRIOUS PRINCE CHARLES. MY NOBLE LORD, THAT I may present my excuse why, being a stranger to your lordship, I offer this poem to your patronage, I plead this warrant: men who never saw the sea, yet desire to behold that regiment of waters, choose some eminent river to guide them thither, and make that, as it were, their conduct or postilion: by the like ingenious means has your fame arrived at my knowledge, receiving it from some of worth, who both in contemplation and practice http://darkwing.uoregon.edu/%7Erbear/webster1.html (2 of 121)4/11/2005 6:23:14 AM The Duchess of Malfi owe to your honour their clearest service. I do not altogether look up at your title; the ancien’st nobility being but a relic of time past, and the truest honour indeed being for a man to confer honour on himself, which your learning strives to propagate, and shall make you arrive at the dignity of a great example.
    [Show full text]
  • Duchess Park
    Duchess Park Bee Orchid on Duchess Park History and Natural History Volume 3 – Natural History Records (Fauna) (A work in progress at October 2015) David Cudby Duchess Park History and Natural History – Volume 3 Contents of Volume 3 Page Number of species Species added since recorded previous version Chapter Four Birds 53 2 3 Chapter Five Mammals 17 8 Chapter Six Reptiles and amphibians 4 11 Chapter Seven Insects and spiders 82 3 12 Total species recorded to date 156 Appendix 1 – Improving Duchess Park biodiversity 20 Appendix 2 – Duchess Park Site Plan 21 Appendix 3 – Duchess Park Site Maintenance Approach 22 Acknowledgements and useful references 23 Note: These records have been compiled opportunistically. When I or someone else has made an observation and that species is not already in the book, it may be verified and added. Clearly there are in reality many hundreds or thousands of species likely to be present at Duchess Park but not recorded here. So this book is truly a work in progress. There are many classes of insects and invertebrates not included. The intention is that effort and time will hopefully lead to more. For example, no attempt has yet been made to include worms, slugs, snails or spiders. These are all important food sources for birds, reptiles and amphibians. From an ecological perspective much remains to be done to give the book more scientific rigour. October 2015 Page 2 Duchess Park History and Natural History – Volume 3 Chapter Four - Birds A slender young Blackbird built in a thorn-tree, A spruce little fellow as ever could be, His bill was so yellow, his feathers so black, So long was his tail, and so glossy his back, That good Mrs.
    [Show full text]
  • Ed 038 415 Te 001 801
    DOCUMENT RESUME ED 038 415 TE 001 801 AUTHOR Schumann, Paul F. TITLE Suggested Independent Study Projects for High School Students in American Literature Classes. PUB DATE [69] NOTE 7p. EDRS PRICE EDRS Price MF-$0.25 HC-$0.45 DESCRIPTORS American History, *American Literature, Analytical Criticism, *English Instruction, Group Activities, Independent Reading, *Independent Study, Individual Study, Literary Analysis, Literary Criticism, Literature, Research Projects, *Secondary Education, *Student Projects ABSTRACT Ninety-six study projects, for individuals or groups, dealing with works by American authors or America's history in the past 100 years are listed. (JM) 1111111010 Of NM, DOCATION &MAK MIKE Of INCA11011 01,4 nu woorM511011pummmum is mans4MMAIE MN 011611016 IT. POINTS Of VIEW01 OPINIONS SUM N NOT WSW EP112111OffICIAL ON* Of SIMON CC) LOYOLA UNIVERSITY OF .LOS ANGELES pew N POLICY. O 0 SUGGESTED INDEPENDENT STUDY PROJECTS FOR HIGH SCHOOL LLB' STUDENTS IN AMERICAN LITERATURE CLASSES Dr. Paul F. Schumann Students are encouraged to substitute titles and topics of literary merit, with teacher prior approval, for any of those on the following list.Works by American authors or dealing with our nation in the past 100 years are to receive primary attention during this semester. However, reports incorporating comparisons with works by foreign authors are clearly acceptable. You may elect to work in small groups on certain of the projects if you secure teacher consent in advance. Certain of the reports may be arranged to give orally in your small group sessions. You will also be notified as to the due dates for written ones. It is vital that all reports be carefully substantiated with specific citation from the materials used.
    [Show full text]