Silvian Heach's Rapid Rise
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International Foundation Year Pre-Masters Programme International Study Centre 3 Outstanding Fashion Schools, 3 Great Cities: London 1 World of Fashion
international foundation year pre-masters programme international study centre 3 outstanding fashion schools, 3 great cities: London 1 world of fashion. Milano The world of fashion has 3 capitals: London, Paris and Milano. As well as being home to the world’s most important fashion and prêt-à-porter companies these ‘capitals of creativity’ also Paris offer the best job opportunities and experiences to launch an exciting career in fashion. International Study Centre Based in London, Europe’s vibrant creative centre, Istituto Marangoni International Study Centre provides a tailor-made university preparation programme for international students hoping to enter the fashion industry. Upon successful completion of the programme Istituto Marangoni offers a wide range of degrees in the fields of fashion and design. Students that meet the required entry requirements will love the atmosphere of the three fashion schools in London, Paris and Milano*. With schools at these 3 world fashion capitals, Istituto Marangoni offers students the unique opportunity to experience different locations and cultures over the course of their degree programme. Students can study their first year at a location of their choosing, before completing their final two years at any one of the other locations (you can of course also complete your entire course at one location if you prefer)*. * The three year undergraduate programmes in Milano are awarded by Istituto Marangoni, and are diplomas. The three year undergraduate programmes in Paris are awarded by Istituto Marangoni; the undergraduate courses taught in London, as well as those taught in English in Paris, will be awarded with BA (Hons) degrees by Manchester Metropolitan University. -
Taís De F. Saldanha Iensen TRABALHO FINAL DE GRADUAÇÃO II O SEGREDO DE VICTORIA: UM ESTUDO SOBRE AS ESTRATÉGIAS PUBLICITÁRI
Taís de F. Saldanha Iensen TRABALHO FINAL DE GRADUAÇÃO II O SEGREDO DE VICTORIA: UM ESTUDO SOBRE AS ESTRATÉGIAS PUBLICITÁRIAS EVIDENTES NO VICTORIA’S SECRETS FASHION SHOW Santa Maria, RS 2014/1 Taís de F. Saldanha Iensen O SEGREDO DE VICTORIA: UM ESTUDO SOBRE AS ESTRATÉGIAS PUBLICITÁRIAS EVIDENTES NO VICTORIA’S SECRETS FASHION SHOW Trabalho Final de Graduação II (TFG II) apresentado ao Curso de Publicidade e Propaganda, Área de Ciências Sociais, do Centro Universitário Franciscano – Unifra, como requisito para conclusão de curso. Orientadora: Prof.ª Me. Morgana Hamester Santa Maria, RS 2014/1 2 Taís de F. Saldanha Iensen O SEGREDO DE VICTORIA: UM ESTUDO SOBRE AS ESTRATÉGIAS PUBLICITÁRIAS EVIDENTES NO VICTORIA’S SECRETS FASHION SHOW _________________________________________________ Profª Me. Morgana Hamester (UNIFRA) _________________________________________________ Prof Me. Carlos Alberto Badke (UNIFRA) _________________________________________________ Profª Claudia Souto (UNIFRA) 3 AGRADECIMENTOS Inicialmente gostaria de agradecer aos meus pais por terem me proporcionado todas as chances possíveis e impossíveis para que eu tivesse acesso ao ensino superior que eles nunca tiveram, meus irmãos por terem me aguentado e me ajudado durante esse tempo, meus tios e tias, que da mesma forma que meus pais, sempre me incentivaram a estudar, meus avós que sempre me ajudarem nos momentos difíceis com sua sabedoria e experiência. Gostaria também de agradecer em especial à tia Edi, minha dinda, minha madrinha de coração que junto com meus pais, sempre me deu todo tipo de apoio para que eu não desistisse, mesmo nos momentos mais difíceis. Meu amigo Rafa que me deu a ideia do tema e ter me ajudado até a finalização do mesmo. -
Material Worlds
09.03.2011 i i MATERiAL WORLDS Material Worlds ii Plaster, scrim, wire netting, ink & oil on paper, mounted timber, cement, paint, polyester on board, gloss paint, MDF, resin, enamel paint, crushed white collage, emulsion paint, melted marble, carbonized crushed olive gramophone records, tissue paper, stone, silicone, polycarbonate, PVA, water, perspex cover, ink aluminium, acrylic on textile, toys, marker, acrylic paint, hybrid pen, wire, ink, acrylic, fabric, collage foil on paper, ceramic, brass tray, on canvas over panel, silkscreen knives, struck copper, watercolour on canvas, ceramic, industrial on plaster, metal, test tubes, archaeology, embroidery on photo, string, mirrored cast, acrylic porcelain with glaze enamel, pewter sheet, cement fondu reinforced spire, C-print, ink, oil, canvas, with metal and fibreglass, blown porcelain found objects, ceramic glass, oil and spraypaint on canvas, with decals, pen on paper, sugar 10,000 Volts passed through found paper, eyeshadow, thread, ink on board, recycled paper, 120 grade paper, 18 carat gold leaf, soy based sandpaper, 40 gsm pergamijn ink, pigment print, rag paper, transparent paper, cast-coated cardboard, tape, filler, varnish, paper, book cloth, wood veneer, plexiglas tube, poster paper, colour woven polypropylene fabric, stickers, Wii board, resin, vinyl, untreated pulp board, gloss grey cellulose, gouache, watercolour, pigment foil, grease proof paper, coloured pencil on paper, relief lithographic ink, cold-binding glue Material Worlds Auction Catalogue Wednesday 9 March 2011 -
Marcas E Editoriais De Moda Em Diferentes Nichos De Revistas Especializadas
UNIVERSIDADE DA BEIRA INTERIOR Engenharia Marcas e Editoriais de Moda em Diferentes Nichos de Revistas Especializadas O caso Vogue, i-D e Dazed & Confused Joana Miguel Ramires Dissertação para obtenção do Grau de Mestre em Design de Moda (2º ciclo de estudos) Orientador: Prof. Doutora Maria Madalena Rocha Pereira Covilhã, Outubro de 2012 Marcas e Editoriais de Moda em Diferentes Nichos de Revistas Especializadas II Marcas e Editoriais de Moda em Diferentes Nichos de Revistas Especializadas Agradecimentos Ao longo do percurso que resultou na realização deste trabalho, foram várias as pessoas que ajudaram a desenvolve-lo e que disponibilizaram o seu apoio e amizade. Desta forma, o primeiro agradecimento vai para a orientadora, Professora Doutora Maria Madalena Rocha Pereira, que desde o início foi incansável. Agradeço-lhe pela disponibilidade, compreensão, por me ter guiado da melhor forma por entre todas as dúvidas e problemas que foram surgindo, e por fim, pela força de vontade e entusiamo que me transmitiu. A todos os técnicos e colaboradores dos laboratórios e ateliês do departamento de engenharia têxtil da Universidade da Beira Interior agradeço o seu apoio e os ensinamentos transmitidos ao longo da minha vida académica. Agradeço em especial á D. Lucinda pela sua amizade, e pelo seu apoio constante ao longo destes anos. Às duas pessoas mais importantes da minha vida, pai e mãe agradeço do fundo do coração por todo o amor, carinho, compreensão, e por todos os sacrifícios que fizeram, de modo a me permitirem chegar ao final de mais esta etapa de estudos. Aos meus avós e restante família que também têm sido um pilar fundamental na minha vida a todos os níveis, os meus sinceros agradecimentos. -
Group Presentation January 2021 Group Presentation / January 2021 2021.01.27 — 2
GROUP PRESENTATION / JANUARY 2021 2021.01.27 — 1 GROUP PRESENTATION JANUARY 2021 GROUP PRESENTATION / JANUARY 2021 2021.01.27 — 2 1 ABOUT LVMH 2 COMMITMENTS 3 KEY FIGURES 4 GOVERNANCE GROUP PRESENTATION / JANUARY 2021 2021.01.27 — 3 ABOUT LVMH GROUP PRESENTATION / JANUARY 2021 2021.01.27 — 4 Foreword A FAMILY-RUN Group, LVMH is led by BERNARD ARNAULT since 1987. LVMH strives to ensure the long-term development of each of its 70 HOUSES in keeping with their IDENTITY, their HERITAGE and their EXPERTISE. The LVMH group is the ONLY GROUP present in all FIVE MAJOR SECTORS of the luxury market: Wines & Spirits, Fashion & Leather Goods, Perfumes & Cosmetics, Watches & Jewelry and Selective Retailing. GROUP PRESENTATION / JANUARY 2021 2021.01.27 — 5 In 2020, LVMH represents: €44.7 163,000 5,003 Billion in revenue Employees Stores GROUP PRESENTATION / JANUARY 2021 2021.01.27 — 6 The LVMH spirit LVMH has successfully preserved a FAMILY SPIRIT that places priority on a LONG-TERM VISION. The Group’s vocation is to ensure the DEVELOPMENT of each of its Houses while respecting their IDENTITIES and their autonomy, providing the RESOURCES needed to create, produce and market their products and services through carefully selected channels. These creations make our Houses AMBASSADORS OF A DISTINCTIVELY REFINED « ART DE VIVRE ». GROUP PRESENTATION / JANUARY 2021 2021.01.27 — 7 The THREE FUNDAMENTAL VALUES articulated by Bernard Arnault are shared by every member of LVMH. Those three imperatives constitute the pillars of our PERFORMANCE and LONG-TERM SUCCESS. BE CREATIVE DELIVER CULTIVATE & innovative excellence an entrepreneurial spirit Creativity and innovation are part of our DNA. -
F Orum De La Mo De É Dition 4 L E S Temp S De La Mo De #1 Le
#1 Le temps de la création 10h – 10h30 Sidney Toledano Président-directeur général de LVMH Fashion Group Diplômé de l’École Centrale de Paris, Sidney Toledano débute sa carrière chez Nielsen International, puis Kickers et Lancel. En 1994, Sidney Toledano rejoint la Maison Les temps de la mode temps Les Christian Dior Couture en tant que Directeur de la division cuir, puis est nommé Directeur géné- ral en charge du développement international. En 1998, il est nommé Président-directeur général de Christian Dior Couture. Il est aussi nommé Vice- président, Directeur général et Administrateur de Christian Dior S.E. En février 2018, Sidney Toledano est nommé Président-directeur général de LVMH Fashion Group, un pôle qui regroupe plusieurs marques prestigieuses (Celine, Givenchy, Loewe, Emilio Pucci, Kenzo, Marc Jacobs, Nicholas Kirkwood, Rossimoda, Jean Patou). Il est membre du Comité Exécutif de LVMH. Sidney Toledano est Vice- président et Administrateur de l’Institut Français de la Mode et du Comité Colbert. Il est membre du Comité de Direction de la Chambre Syndicale de la Haute Couture et du Comité Exécutif de la Fédération de la Haute Couture et de la Mode. Il est Chevalier dans l’Ordre National de la Légion d’Honneur et Officier dans l’Ordre National du Mérite. Il a également été décoré du Wissam Al-Arch au grade d’Officier par Sa Majesté le Roi Mohammed VI du Maroc en 2007. Forum de la mode édition 4 #2 Le temps d’une conception raisonnée 10h30 – 11h30 Marianne Romestain Pierre Arnaud Grenade Directrice de l’offre et des achats – Global CEO – Ba&sh Groupe Galeries Lafayette Après une première expérience en tant que Directeur Internatio- Diplomée de l’École Nationale nal chez Oxbow, Pierre-Arnaud de la Statistique et de l’Adminis- Wa rejoint Morgan où il devient tration Économique (ENSAE) et Deputy Managing Director en de l’Université Paris IX-Dauphine, charge des opérations. -
Strut, Sing, Slay: Diva Camp Praxis and Queer Audiences in the Arena Tour Spectacle
Strut, Sing, Slay: Diva Camp Praxis and Queer Audiences in the Arena Tour Spectacle by Konstantinos Chatzipapatheodoridis A dissertation submitted to the Department of American Literature and Culture, School of English in fulfillment of the requirement for the degree of Doctor of Philosophy Faculty of Philosophy Aristotle University of Thessaloniki Konstantinos Chatzipapatheodoridis Strut, Sing, Slay: Diva Camp Praxis and Queer Audiences in the Arena Tour Spectacle Supervising Committee Zoe Detsi, supervisor _____________ Christina Dokou, co-adviser _____________ Konstantinos Blatanis, co-adviser _____________ This doctoral dissertation has been conducted on a SSF (IKY) scholarship via the “Postgraduate Studies Funding Program” Act which draws from the EP “Human Resources Development, Education and Lifelong Learning” 2014-2020, co-financed by European Social Fund (ESF) and the Greek State. Aristotle University of Thessaloniki I dress to kill, but tastefully. —Freddie Mercury Table of Contents Acknowledgements...................................................................................i Introduction..............................................................................................1 The Camp of Diva: Theory and Praxis.............................................6 Queer Audiences: Global Gay Culture, the Arena Tour Spectacle, and Fandom....................................................................................24 Methodology and Chapters............................................................38 Chapter 1 Times -
This Book Is a Compendium of New Wave Posters. It Is Organized Around the Designers (At Last!)
“This book is a compendium of new wave posters. It is organized around the designers (at last!). It emphasizes the key contribution of Eastern Europe as well as Western Europe, and beyond. And it is a very timely volume, assembled with R|A|P’s usual flair, style and understanding.” –CHRISTOPHER FRAYLING, FROM THE INTRODUCTION 2 artbook.com French New Wave A Revolution in Design Edited by Tony Nourmand. Introduction by Christopher Frayling. The French New Wave of the 1950s and 1960s is one of the most important movements in the history of film. Its fresh energy and vision changed the cinematic landscape, and its style has had a seminal impact on pop culture. The poster artists tasked with selling these Nouvelle Vague films to the masses—in France and internationally—helped to create this style, and in so doing found themselves at the forefront of a revolution in art, graphic design and photography. French New Wave: A Revolution in Design celebrates explosive and groundbreaking poster art that accompanied French New Wave films like The 400 Blows (1959), Jules and Jim (1962) and The Umbrellas of Cherbourg (1964). Featuring posters from over 20 countries, the imagery is accompanied by biographies on more than 100 artists, photographers and designers involved—the first time many of those responsible for promoting and portraying this movement have been properly recognized. This publication spotlights the poster designers who worked alongside directors, cinematographers and actors to define the look of the French New Wave. Artists presented in this volume include Jean-Michel Folon, Boris Grinsson, Waldemar Świerzy, Christian Broutin, Tomasz Rumiński, Hans Hillman, Georges Allard, René Ferracci, Bruno Rehak, Zdeněk Ziegler, Miroslav Vystrcil, Peter Strausfeld, Maciej Hibner, Andrzej Krajewski, Maciej Zbikowski, Josef Vylet’al, Sandro Simeoni, Averardo Ciriello, Marcello Colizzi and many more. -
Members' Directory
ROYAL WARRANT HOLDERS ASSOCIATION MEMBERS’ DIRECTORY 2019–2020 SECRETARY’S FOREWORD 3 WELCOME Dear Reader, The Royal Warrant Holders Association represents one of the most diverse groups of companies in the world in terms of size and sector, from traditional craftspeople to global multinationals operating at the cutting edge of technology. The Members’ Directory lists companies by broad categories that further underline the range of skills, products and services that exist within the membership. Also included is a section dedicated to our principal charitable arm, the Queen Elizabeth Scholarship Trust (QEST), of which HRH The Prince of Wales is Patron. The section profiles the most recent alumni of scholars and apprentices to have benefited from funding, who have each developed their skills and promoted excellence in British craftsmanship. As ever, Royal Warrant holders and QEST are united in our dedication to service, quality and excellence as symbolised by the Royal Warrant of Appointment. We hope you find this printed directory of use when thinking of manufacturers and suppliers of products and services. An online version – which is regularly updated with company information and has enhanced search facilities – can be viewed on our website, www.royalwarrant.org “UNITED IN OUR DEDICATION TO Richard Peck SERVICE, QUALITY CEO & Secretary AND EXCELLENCE” The Royal Warrant Holders Association CONTENTS Directory of members Agriculture & Animal Welfare ...............................................................................................5 -
I Teach at a School Where White and Black the Cafeteria. I E a C at A
" [ TEACH at a school where yes 0 f P i Bet a Phi Winter-1996 ma'am' and 'no ma'am' are heard frequently. I teach at a school where white and black students call each other friend an eat together in the cafeteria. I e a C at a school where ifyou are absent, someone in the class is related to you. I at a school where • t a I supplies are not brand new and neither are my students' clothes. I tea ch at a school where students come to learn and be disciplined. [ at a school where you really learn to love your students. , , -Laurie Ramsey V\ralker. Tennc~see Gamn1cl Pi Phis who IlliNOIS Au>HA J EAN EGMO jeanie serves as assistant dean of the School of D """" _ "",-,,,I E Education and Social Policy at orthwestern University. As a nontra jeanie has been chosen as a mem cared about her. Then one morning the ditional school of education, the school ber of Northwestern's Associated phone rang at 6:30. It was Tanya's defines education broadly and looks at Student Government Faculty Honor mother. She said, "You don't need to all the different contexts in which learn Roll by the students of Northwestern come today. Tanya passed last night. " ing and education occur. and has twice been named Would I choose this profeSSion again? A graduate of Monmouth College, Northwestern's Outstanding Greek Yes . Would I recommend this profes jeanie had a double major in business Advisor. jeanie hopes what students sion? Yes, 1 would. -
2Bemag Issue11.Pdf
COVER EDITORIAL With number 11 in the air and summer just around the corner, a new stage has arrived at 2beMAG . The progress that our magazine is reaching on a monthly basis has been rewarded by all of you with an incredible increase in readers and followers within the universe 2beMAG. It is that much, than in order to meet that need of Muse Francesca Cortevesio information that every reader has, we have created the Agency Seven 2BEMAG BLOGGERS TEAM: a team of bloggers that post Photography Jose Grimm by post will bring the latest developments around the Stylist Liliana world of fashion, photography, art and design. Our team Make Up & Hair Sheila consists of young experts in all fields that encompass Location Italy 2beMAG from photography to urban fashion, through graphic design or contemporary art. So relax and enjoy the number 11, at the end of this, we’ll invite you to visit our blog and meet our 2beMAG BACKCOVER Bloggers Team, enjoy! Yours sincerely, Jose Grimm, editor in chief. e-mail: [email protected] 08 2beMag STAFF Editor in Chief Advertising JOSE GRIMM ANTONIO CHACÓN [email protected] [email protected] General Coordinator Advertising ROMAN AUSTIN OLGA VARELA [email protected] [email protected] Art Director Net Working DANI MELO DR. WATSON [email protected] [email protected] Fashion Stylist Marketing LAURA SUNYER LIDIA JOHNSON [email protected] [email protected] Art Writer Social Networks LORENA VILELA PAU PIA [email protected] [email protected] Software Developer POL ESCARPENTER Production [email protected] JULIA MUELAS / Leula Production Company / [email protected] Raw Talents Issue 09 OUR RAW CONTRIBUTORS Shay Kedem [email protected] www.shaykedem.com _editorial. -
A Combat for Couture Command of Luxury Labels
DePaul Journal of Art, Technology & Intellectual Property Law Volume 24 Issue 1 Fall 2013 Article 3 Human v. House: A Combat for Couture Command of Luxury Labels Carly Elizabeth Souther Follow this and additional works at: https://via.library.depaul.edu/jatip Recommended Citation Carly E. Souther, Human v. House: A Combat for Couture Command of Luxury Labels, 24 DePaul J. Art, Tech. & Intell. Prop. L. 49 (2013) Available at: https://via.library.depaul.edu/jatip/vol24/iss1/3 This Lead Article is brought to you for free and open access by the College of Law at Via Sapientiae. It has been accepted for inclusion in DePaul Journal of Art, Technology & Intellectual Property Law by an authorized editor of Via Sapientiae. For more information, please contact [email protected]. Souther: Human v. House: A Combat for Couture Command of Luxury Labels HUMAN V. HOUSE: A COMBAT FOR COUTURE COMMAND OF LUXURY LABELS Carly Elizabeth Souther* ABSTRACT As an industry that thrives on-rather than succumbs to- adversity, the couture corporate world demands innovation and encourages risks. When combined with successful marketing and savvy business practices, these risks can result in large payoffs, which exist, primarily, due to the nature of the global fashion market.' Endless consumption drives the market, rewarding fashion houses that cater to current trends with top-line growth and damning those whom fail to suffer decreased net earnings. In order to remain a viable player in the fashion industry, the house must have the resources to market and manufacture the product in a timely manner, as well as incur the costs if a collection is poorly received.