Kate Bush the Sensual World Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Kate Bush the Sensual World Mp3, Flac, Wma Kate Bush The Sensual World mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: The Sensual World Country: Israel Style: Alternative Rock, Art Rock MP3 version RAR size: 1780 mb FLAC version RAR size: 1253 mb WMA version RAR size: 1245 mb Rating: 4.3 Votes: 418 Other Formats: ADX AC3 WAV VQF ASF TTA AHX Tracklist Hide Credits The Sensual World A1 Bagpipes [Uillean] – Davey Spillane*Bass – Del PalmerBouzouki – Donal LunnyDrums – 3:53 Charlie MorganFiddle – John SheahanPercussion [Whips] – Paddy Bush Love And Anger A2 Backing Vocals – Kate Bush, Paddy BushBass – John GiblinDrums – Stuart ElliottGuitar – 4:42 Dave Gilmour*Zither [Valiha] – Paddy Bush The Fog Arranged By [Orchestra] – Michael KamenCello – Jonathan Williams Drums – Stuart A3 5:01 ElliottGuitar – Alan MurphyHarp [Celtic] – Alan StivellNarrator [Dialogue] – Dr. BushViolin [Solo Violin] – Nigel KennedyWhistle – Davey Spillane* Reaching Out Arranged By [Strings] – Michael NymanBass – Del PalmerDrums – Charlie A4 3:11 MorganMandolin – Paddy BushStrings – Balavescu String Quartet*Strings [With] – Clare Connors, Justin Pearson Heads We're Dancing Arranged By [Orchestra] – Michael KamenBass – Mick KarnCello – Jonathan Williams A5 5:15 Drums – Stuart ElliottGuitar – Alan MurphyPercussion, Rhythm Guitar – Del PalmerViola – Nigel Kennedy Deeper Understanding B1 Bass – John GiblinDrums – Charlie MorganDrums [Tupan] – Paddy BushVocals [Soloist] – 4:40 Yanka Rupkhina*Vocals [Vocalists] – The Trio Bulgarka Between A Man And A Woman B2 Bass – Del PalmerCello – Jonathan Williams Drums – Stuart ElliottHarp [Celtic], Backing 3:29 Vocals – Alan Stivell Never Be Mine B3 Bagpipes [Uillean] – Davey Spillane*Bass – Eberhard WeberDrums – Stuart ElliottVocals 3:42 [Vocalists] – The Trio Bulgarka Rocket's Tail B4 Bass – John GiblinDrums – Stuart ElliottGuitar – Dave Gilmour*Vocals [Soloist] – Yanka 4:03 Rupkhina*Vocals [Vocalists] – The Trio Bulgarka This Woman's Work B5 3:31 Arranged By [Orchestra] – Michael Kamen Companies, etc. Phonographic Copyright (p) – Novercia Ltd. Copyright (c) – Novercia Ltd. Licensed To – EMI Records Ltd. Marketed By – EMI Manufactured By – EMI Distributed By – EMI Distributed By – EMI Pathé Marconi S.A. Distributed By – EMI Electrola GmbH Recorded At – Abbey Road Studios Recorded At – Windmill Lane Studios Recorded At – Angel Studios Credits Arranged By [The Irish Sessions] – Bill Whelan Arranged By [The Trio Bulgarka Sessions] – Dimitr Penev* (tracks: B1, B3, B4) Design – Bill Smith Studio, Kindlight Engineer [Assistant, The Irish Sessions] – John Grimes Engineer [The Irish Sessions] – Andrew Boland Mastered By [Cut By] – Ian Cooper Mixed By – Kevin Killen Music Consultant [Consultant, The Trio Bulgarka Sessions] – Joe Boyd Music Consultant [Cultural Advisor, The Trio Bulgarka Sessions] – Rumyana Tzintzarska Performer [The Trio Bulgarka Are] – Eva Georgieva (tracks: B1, B3, B4), Stoyanka Boneva (tracks: B1, B3, B4), Yanka Rupkhina* (tracks: B1, B3, B4) Photography By – John Carder Bush, Kindlight Producer, Piano, Keyboards, Arranged By, Written-By – Kate* Recorded By [Additional Recording] – Haydn Bendall, Kevin Killen, Paul Gomazel* Recorded By, Programmed By [Percussion Tracks Programmed On Fairlight By] – Del Palmer Technician [Assistant, The Trio Bulgarka Sessions] – Tom Leader (tracks: B1, B3, B4) Translated By [Translators, The Trio Bulgarka Sessions] – Boromira Nedeva, Nelli Svetkova Notes Orchestral sessions recorded at Abbey Road. The Irish Sessions recorded at Windmill Lane Studio, Dublin. The Trio Bulgarka Sessions recorded at The Angel Studios. Cut at The Townhouse. ℗ 1989 The copyright in this sound recording is owned by Novercia Ltd.; and is exclusively licensed to EMI Records Ltd. © 1989 Novercia Ltd. Marketed, Manufactured and distributed by EMI: in France EMI Pathé Marconi S.A., in Germany EMI ELECTROLA GmhH. Inner sleeve with lyrics and credits. Barcode and Other Identifiers Barcode: 077779 307814 Matrix / Runout (Side A, stamped): 793078 1 A 21 M9 362764 2 Matrix / Runout (Side B, stamped): 793078 1 B 21 M9 362765 2 Rights Society: SACEM SACD SGDL SDRM Label Code: LC 0542 Other versions Category Artist Title (Format) Label Category Country Year EMD 1010, 7 The Sensual World (LP, EMD 1010, 7 Kate Bush EMI, EMI UK 1989 93078 1 Album) 93078 1 The Sensual World Capitol C4 93078 Kate Bush C4 93078 Canada 1989 (Cass, Album) Records The Sensual World none Kate Bush (Cass, Album, Alltones none Poland 1989 Unofficial) OC 44164, C The Sensual World (LP, Columbia, OC 44164, C Kate Bush US 1989 44164 Album) Columbia 44164 The Sensual World (LP, 066 793078 1 Kate Bush EMI 066 793078 1 Brazil 1989 Album) Related Music albums to The Sensual World by Kate Bush Kate Bush - The Red Shoes Kate Bush - Never For Ever Kate Bush - Kate Bush Radio Special"Self Portrait" Kate Bush - Lionheart Kate Bush - The Kick Inside Kate Bush - Remixes Collection Part 2 Kate Bush - The Dreaming Kate Bush - Hounds Of Love.
Recommended publications
  • James Joyce Estate Finally Gives Kate Bush Permission to Use Molly
    James Joyce Estate finally gives Kate Bush Permission to use Molly Bloom soliloquy Kluwer Copyright Blog April 18, 2011 Guido Westkamp (Centre for Commercial Law Studies at Queen Mary, University of London) Please refer to this post as:Guido Westkamp, ‘James Joyce Estate finally gives Kate Bush Permission to use Molly Bloom soliloquy’, Kluwer Copyright Blog, April 18 2011, http://copyrightblog.kluweriplaw.com/2011/04/18/james-joyce-estate-finally-gives-kate-bush-permission-to-us e-molly-bloom-soliloquy/ By Luke McDongagh, PhD Candidate, QMIPRI The Irish Times has recently reported that the Joyce estate has, after many years of refusal, finally granted the English singer Kate Bush permission to use the famous Molly Bloom soliloquy from James Joyce’s seminal novel Ulysses as the lyrical basis for a song. The soliloquy, spoken at the end of the novel by Molly Bloom, the wife of the main character Leopold Bloom, is famous for including one of the longest sentences in the English literature (over 4000 words). Kate Bush was refused permission to use the extract in the original version of her album The Sensual World in 1989. The decision is notable due to the previous unwillingness of the Joyce estate to allow such adaptations of Joycean text. for instance, in 2006, a Stanford Professor, Carol Schloss, was forced to sue the Joyce estate in order to use parts of Joyce’s writings in an academic biography of Joyce’s daughter Lucia. The case was eventually settled with the Joyce estate agreeing to pay Schloss’ costs. It is notable that James Joyce, who died in 1941, used many “appropriations” in the creation of Ulysses; in fact the entire plot of the novel is based on Homer’s Odyssey.
    [Show full text]
  • Kate Bush: Under the Ivy Pdf, Epub, Ebook
    KATE BUSH: UNDER THE IVY PDF, EPUB, EBOOK Graeme Thomson | 432 pages | 01 Jul 2015 | OMNIBUS PRESS | 9781783056996 | English | London, United Kingdom Kate Bush: Under the Ivy PDF Book Kate hones her skills on piano. This was written as an extra track for the compilation album The Whole Story and was released as the single. I think it was super fun and felt very Kate Bush-like!! BBC News. It was David Gilmour of Pink Floyd who spotted her when she was 16 here's a bootleg video of her perfoming "Comfortably Numb" with Gilmour. Oh right. It wouldn't take me long To tell you how to find it, To tell you where we'll meet This little girl inside me Is retreating to her favourite place. To ask other readers questions about Under the Ivy , please sign up. Rosen Education Service. Goodreads helps you keep track of books you want to read. I used to love doing this - the acoustics were heavenly at that scary height. A demo is shopped and flops. Billboard dergi. She puts together a pub band, calling it the KT Bush Band. What shines through from the very start is how big a fan of Kate's the author is. Costello's art is a celebration of the intellect, with an aggressive use of irony. This is a good biography which I've given three stars rather than four because I'm not sure how much it would interest those not already into its subject. I am strengthened by her determination to do it her way.
    [Show full text]
  • The Curse of the Communication Literacy by Josef Pallas
    0714060062 Media: The Curse of The Communication Literacy by Josef Pallas Mercury Magazine 2014, Summer/Autumn (Special Issue on Sustainability), Issue 7-8, pp. 060-062. Mercury Magazine issue No. 7/8, [Summer/Autumn] 2014. Copyright © 2014, The Department of Business Studies, Uppsala University. All rights reserved. Reproduction of the printed magazine in whole or in part without written permission is strictly prohibited. Mercury Magazine ISSN 2001-3272 is published by the Department of Business Studies, Uppsala University, Box 513, SE-751 20 Uppsala, Sweden. This reprint is available for free at www.fek.uu.se/mercury. Annual printed subscription rates for non-alumni and non-students at the Department are 399 SEK, Euro 50, $60, £35. To subscribe please email your order to [email protected]. Mercury Magazine is the official magazine of the Department of Business Studies at Uppsala University PHO T O B Y JOH ANNA HANN O 014 018 023 026 038 042 MESSAGE FROM THE HEAD: SUCCESSFUL ENTREPRENEURS BOOK REVIEW: NOT BEING LAZY SERVICE LOGIC AND CLIMATE CHANGE STEPS FORWARD ARE SUSTAINABLE ’THE SECOND MACHINE AGE’ Lena Zander portraits Magnús Scheving PRODUCTIVITY Daniel Nyberg and Christopher Wright Head of Department Leena Avotie on Successful entrepreneurs are A review of the acclaimed new book by [cover] - a social sustainability Bo Edvardsson explains what you need argue that the nature of the corporate recognizing the importance of characterized by understanding the Erik Brynjolfsson and Andrew McAfee. entrepreneur in the entertainment to consider in order to improve service world’s responses to climate change sustainability, not least in education.
    [Show full text]
  • Editorial MILENIO
    Índice onomástico 10cc, 96, 153, 154, 155, 156, 157, 171 Alice Cooper, 82, 92, 93, 94, 95, 96, Archiduque Luis Salvador de Aus- Bee Gees, 110 2 Chainz, 285 107 tria, 69 Ben Vaughn, 20 2D, 281 Alicia Keys, 287 Aretha Franklin, 23 Benjamin Disraeli, 33 A Certain Ratio, 258 Alien Lanier, 144 Arthur ‘Big Boy’ Crudup, 13 Bernard Butler, 251, 252 A Tribe Called Quest, 285 All You Can Eat, 25 Artie Shaw, 23 Bernard Edwards, 191 Aaron Rapoport, 175, 179 Allan Clarke, 218 Arturo Vega, 147, 149, 150 Bernard Pierre Wolff, 185, 187, 188, Abba, 65 Allan Tannenbaum, 50 Athena Demos, 228 189 Abbie Rose, 203 Allen Ginsberg, 202 Athlete, 289 Bernard Shaw, 27 Acy R. Lehman, 24, 129 Alton Kelley, 52 Atomic Rooster, 62 Bernard Sumner, 275 Ad lnfinitum, 258 AM, 19 Atrocity, 195 Bernie Karlin, 129 Adam Again, 207 Amanda Lear, 115, 123 Aubrey Powell, 97, 99, 153, 170 Bernie Taupin, 109, 112 Augusto Rivalta, 187 Adam Clayton, 236, 238, 240 Amber Rose, 212 Beth Orton, 253 Ava Cherry, 115 Adam Faith, 115 Amy Winehouse, 105 Betty Blue, 242 Aelbert Cuyp, 199 Awesome Snakes, 84 Beverly, 268 Ana Johnson, 224 Ahmed Abdul Malik, 76 Axxe, 125 Beyoncé, 286 André C. Le Breton, 91 Aida Griffin, 54 B.P. Fallen, 127, 130 Big Audio Dynamite, 15 André Malraux, 69 MILENIO Al Green, 286 Bad Company, 278 Big Boi, 286 Andrew Boloton, 28 Al Stewart, 65 Baden-Powell, 216 Big Brother & the Holding Com- Andrew Loog Oldham, 37, 38, 40 Alain Delon, 215, 216, 219 Ban Ban Bazar, 25 pany, 42, 43, 53 Andy Fletcher, 201 Alan Erasmus, 186 Banana Splits, 279 Bill Graham, 43, 53 Andy Griffith,
    [Show full text]
  • {PDF EPUB} Under the Ivy the Life & Music of Kate Bush by Graeme
    Read Ebook {PDF EPUB} Under the Ivy The Life & Music of Kate Bush by Graeme Thomson Bush, Robert John. Born on April 4, 1920 in South Ockendon, Robert John Bush worked hard to win a scholarship to the Grammar School at Grays, and later won a place at medical school to become a doctor. He married Hannah Bush in early 1943. Together they had three children: John Carder Bush (1944), Paddy Bush (1952) and Kate (1958). His voice can be heard in the song The Fog, in the extended version of The Big Sky (The Meteorological Mix) and also among the voices calling to the heroine of The Ninth Wave between the songs Under Ice and Waking The Witch. KT Bush Band. Band formed in 1977 by Brian Bath, Vic King, Del Palmer and Kate Bush. After practicing in Greenwich and East Wickham Farm, they made their live debut in April 1977 at the Rose Of Lee in Lewisham. The set list consisted of standards like Come Together, 'I Heard It Through The Grapevine', 'Tracks Of My Tears', but also early versions of Kate Bush songs like James And The Cold Gun, Saxophone Song and Them Heavy People. During the summer of 1977 the band played various venues in and around London, a grand total of 20 gigs. When Kate Bush started recording her debut album The Kick Inside, she actually recorded versions of 'Them Heavy People' and 'James And The Cold Gun' at De Wolfe Studios in London with the KT Bush Band, but in the end, the band members were not used for the album recordings.
    [Show full text]
  • Kate Bush the Sensual World Mp3, Flac, Wma
    Kate Bush The Sensual World mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock / Pop Album: The Sensual World Country: Italy Released: 1989 Style: Art Rock, Synth-pop MP3 version RAR size: 1979 mb FLAC version RAR size: 1405 mb WMA version RAR size: 1429 mb Rating: 4.3 Votes: 456 Other Formats: MP4 WAV MPC WMA MP2 RA MP3 Tracklist Hide Credits The Sensual World 1 Bagpipes [Uilleann] – Davy SpillaneBass – Del PalmerBouzouki – Donal LunnyFiddle – John 3:57 SheahanPercussion [Whips] – Paddy Bush Love And Anger 2 Backing Vocals – Kate BushBass – John GiblinGuitar – David GilmourZither [Valiha], 4:42 Backing Vocals – Paddy Bush The Fog Arranged By [Orchestra] – Michael KamenCello – Jonathan Williams Guitar – Alan 3 5:06 MurphyHarp [Celtic] – Alan StivellNarrator [Dialog] – Dr. BushViolin – Nigel KennedyWhistle – Davy Spillane Reaching Out 4 Arranged By [Strings] – Michael NymanBass – Del PalmerMandolin – Paddy BushStrings – 3:12 Clare Connors, Justin Pearson, The Balanescu Quartet Heads We're Dancing 5 Arranged By [Orchestra] – Michael KamenBass – Mick KarnCello – Jonathan Williams 5:21 Guitar – Alan MurphyPercussion, Guitar [Rhythm] – Del PalmerViola – Nigel Kennedy Deeper Understanding 6 Bass – John GiblinDrums [Tupan] – Paddy BushVocals – The Trio BulgarkaVocals [Soloist] – 4:46 Yanka Rupkhina* Between A Man And A Woman 7 Bass – Del PalmerCello – Jonathan Williams Guitar – Alan MurphyHarp [Celtic], Backing 3:30 Vocals – Alan Stivell Never Be Mine 8 3:44 Bagpipes [Uilleann] – Davy SpillaneBass – Eberhard WeberVocals – The Trio Bulgarka Rocket's Tail 9 Bass – John GiblinGuitar – David GilmourVocals – The Trio BulgarkaVocals [Soloist] – Yanka 4:07 Rupkhina* This Woman's Work 10 3:38 Arranged By [Orchestra] – Michael Kamen Walk Straight Down The Middle 11 3:48 Bass – Eberhard WeberMixed By – Del Palmer Companies, etc.
    [Show full text]
  • Download The
    TE NE WOMAN by Leah Kardos Dr Leah Kardos is an experienced musicologist She was lucky in many ways: privileged with aspect of her music product. Across her first three style, since it was seen to represent cultural elitism and senior lecturer in music at Kingston early access to musical tuition, familial support and albums, The Kick Inside, Lionheart (both 1978) in an era of widespread economic hardship and University. plenty of encouragement. Crucially, she had well- and Never for Ever (1980), and including her first social unrest. American pop in the late Seventies respected men in the music business advocating for major touring production (the Tour of Life, 1979), was on a different planet altogether, concerning ‘Wuthering Heights’ – a profoundly unlikely hit, her during the early stages of her development. Her we can track Kate’s evolution from a label-groomed itself with notions of authenticity and cultivating sitting as it did in the 1978 landscape of post-punk family helped her to produce a demo tape of original pop-star project towards her emergence as a fully a disciplined, precise production aesthetic. (Think and dance-floor fodder such as Boney M – signalled compositions, which was brought to the attention formed self-producing artist. The stylistic journey of the polished sonic surfaces of Fleetwood Mac, the arrival of an unlikely pop star. Kate Bush had an of Pink Floyd guitarist David Gilmour thanks to ran from relatively unadorned piano-led art-rock the Eagles, the Doobie Brothers, Chic.) Kate didn’t unusually high and wide-ranging voice, a curious family friends with connections to the band.
    [Show full text]
  • City, University of London Institutional Repository
    City Research Online City, University of London Institutional Repository Citation: Berköz, Levent Donat (2012). A gendered musicological study of the work of four leading female singer-songwriters: Laura Nyro, Joni Mitchell, Kate Bush, and Tori Amos. (Unpublished Doctoral thesis, City University London) This is the unspecified version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/1235/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] A Gendered Musicological Study of the Work of Four Leading Female Singer-Songwriters: Laura Nyro, Joni Mitchell, Kate Bush, and Tori Amos Levent Donat Berköz Thesis Submitted in Fulfilment of the Requirements for the Degree of Doctor of Philosophy City University London Centre for Music Studies June 2012 1 TABLE OF CONTENTS TABLE OF CONTENTS ………………………………………………………… 2 LIST OF FIGURES ……………………………………………………………… 5 ACKNOWLEDGEMENTS ……………………………………………………… 7 DECLARATION ………………………………………………………………… 9 ABSTRACT ……………………………………………………………………… 10 INTRODUCTION ……………………………………………………………….. 11 Aim of the thesis………………………………………………………………….
    [Show full text]
  • “Into the Sensual World”: Gender Subversion in the Work of Kate Bush
    “Into the Sensual World”: Gender Subversion in the Work of Kate Bush BA Thesis English Literature Supervisor: Dr U. Wilbers Semester 2 image: Sarah Neutkens, 2019 Severens 1 Engelse Taal en Cultuur Teacher who will receive this document: Dr Usha Wilbers Title of document: “Into the Sensual World”: Gender Subversion in the Work of Kate Bush Name of course: BA Thesis Course Date of submission: 14–06–2019 The work submitted here is the sole responsibility of the undersigned, who has neither committed plagiarism nor colluded in its production. Signed: Name of student: Student number: Severens 2 Abstract Kate Bush remains one of the most successful and original British female music artists and is often perceived as a female pioneer. This thesis analyses a selection of her earlier work in order to establish how she represents issues of gender and sexuality in her lyrics and performances. Her work is evaluated through the lens of two feminist theories: écriture feminine and gender performativity. Écriture féminine is employed to determine how Bush writes and reclaims female sexuality, while gender performativity subsequently shows how she transcends her position as a woman by taking on and representing characters of the opposite gender. This thesis argues that Bush constructs narratives in her lyrics to represent experiences which transcend the boundaries of binary gender and challenge social sexual norms. Keywords: Kate Bush, gender performativity, écriture féminine, song lyrics, popular music studies Severens 3 Table of Contents Abstract ...................................................................................................................................... 2 Introduction ................................................................................................................................ 4 1. Theoretical Framework ................................................................................................... 8 2. Stepping Out Of The Page: Kate Bush Writing Women .............................................. 16 3.
    [Show full text]
  • Quinta-Feira, 28 De Setembro De 1989 Ano XCIX — N° 173 P
    JORNAL DO BRASIL — Ç;JORNAL DO BRASIL S> A 198V Rio de Janeiro - - Quinta-feira, 28 de setembro de 1989 Ano XCIX N° 173 Preço para o Rio: NC/.S 1.50 Gotulio Vilanova Tempo Niterói, nubla- Saque do FGTS Collor A dança dos números (%) No Rio e em perde do, ainda sujeito a chuvas, 10 ¦ 15/88^17*22/0^23 >28/0 15/B a 10/9 20 O « 26/0 melhorando no fim do pe- será i ríodo. Temperatura em li- parcelado ' declínio. Visibilidade sete geiro pontos . .-V-JT1 - . > . _.--i ²3 moderada. Máxima o mini- 42 44 42 42 si ma de ontem: 21,2" em Ban- em cinco vezes / 1 pu e 15,8° em Santa Teresa. em setembro O - Conor Foto do satélite, mapa e O Fundo de Garantia por Tempo dc Pi tempo no mundo, lidado, Serviço será em cm- Pela primeira vez desde que assumiu a 2. (FGTS) parcelado ., r;i_W\ página co vezes e somente ser sacado liderança na corrida presidencial, em I | poderá 1314151414 14' Sem cadastro seis meses depois da rescisão do con- abril, o candidato do PRN, Fernando iW.fjfe / uma tendência Brizola——- O secretário de Polícia Ci- trato de trabalho. Isso ò o que consta Collor de Mello, revela ,0 suspen- Constante de nas A últi- vil, Hélio Saboya, da proposta de reformulação do fundo queda pesquisas. deu a ordem que obrigava ma sondagem do Ibopc, divulgada ontem a mo- que o governo enviará para aprovação síndicos cadastrarem"para Rede Globo, conlere-lhe 35% das radores de edifícios, no Congresso.
    [Show full text]
  • Kate Bush Hounds of Love Mp3, Flac, Wma
    Kate Bush Hounds of Love mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop Album: Hounds of Love Country: Yugoslavia Released: 1985 Style: Vocal MP3 version RAR size: 1126 mb FLAC version RAR size: 1384 mb WMA version RAR size: 1702 mb Rating: 4.3 Votes: 926 Other Formats: VOC VQF DTS AA AHX MP2 VOC Tracklist Hide Credits Hounds Of Love Running Up That Hill (A Deal With God) A1 Balalaika – Paddy BushBass – Del PalmerDrums – Stuart ElliottGuitar – Alan Murphy Hounds Of Love A2 Cello – Johnathan Williams*Drums – Charlie Morgan, Stuart Elliott The Big Sky A3 Bass – YouthDidgeridoo – Paddy BushDrums – Charlie MorganGuitar – Alan MurphyHandclaps – Charlie*, Del*Percussion – Morris Pert Mother Stands For Comfort A4 Bass – Eberhard WeberDrums – Stuart Elliott Cloudbusting Arranged By [For Strings] – Dave LawsonBacking Vocals – Brian Bath, Del Palmer, John A5 Carder Bush, Paddy BushDrums – Charlie Morgan, Stuart ElliottStrings – The Medicci Sextet A6 Running Up That Hill (12" Single Version) The Ninth Wave And Dream Of Sheep B1 Bouzouki – Donal LunnyWhistle – John Sheahan Under Ice B2 Harmony Vocals – Paddy Bush Waking The Witch B3 Bass [Fairlight] – Del PalmerDrums – Charlie MorganGuitar – Alan MurphySequenced By [Synthesizer Sequences] – Kevin McAlea Watching You Without Me B4 Double Bass – Danny ThompsonDrums – Stuart Elliott Jig Of Life Bagpipes [Uillean Pipes] – Liam O'FlynnBass – Del PalmerBouzouki, Bodhrán – Donal B5 LunnyDidgeridoo – Paddy BushDrums – Charlie Morgan, Stuart ElliottFiddle, Whistle – John SheahanNarrator – John Carder BushOther [Original Music Discovered By] – Paddy Bush Hello Earth Arranged By [For Voices] – Michael BerkeleyBagpipes [Uillean Pipes] – Liam B6 O'FlynnBass – Eberhard WeberBouzouki – Donal LunnyChoir – The Richard Hickox SingersDirected By [Choir] – Richard HickoxDrums – Stuart ElliottGuitar – Brian Bath The Morning Fog B7 Bass – Del PalmerGuitar – John Williams Synthesizer – Kevin McAleaViolin, Pipe [Fujare] – Paddy Bush Companies, etc.
    [Show full text]
  • Beyond the Dawn: Authenticity, Documentation, and Kate Bush Edward Luca [email protected]
    The University of Akron IdeaExchange@UAkron Proceedings from the Document Academy University of Akron Press Managed June 2017 Beyond the Dawn: Authenticity, Documentation, and Kate Bush Edward Luca [email protected] Please take a moment to share how this work helps you through this survey. Your feedback will be important as we plan further development of our repository. Follow this and additional works at: http://ideaexchange.uakron.edu/docam Recommended Citation Luca, Edward (2017) "Beyond the Dawn: Authenticity, Documentation, and Kate Bush," Proceedings from the Document Academy: Vol. 4 : Iss. 1 , Article 20. Available at: http://ideaexchange.uakron.edu/docam/vol4/iss1/20 This Article is brought to you for free and open access by University of Akron Press Managed at IdeaExchange@UAkron, the institutional repository of The nivU ersity of Akron in Akron, Ohio, USA. It has been accepted for inclusion in Proceedings from the Document Academy by an authorized administrator of IdeaExchange@UAkron. For more information, please contact [email protected], [email protected]. Luca: Beyond the Dawn In the liner notes for Before the Dawn, Kate Bush simply writes: ‘This is the audio document.’ Released in 2016, this live CD captures Bush’s acclaimed concert series performed at the Hammersmith Apollo, London, in 2014. Bush goes on to detail her self-imposed constraints: ‘Nothing at all has been re-recorded or overdubbed on this live album, just two or three sound FX added to help with the atmosphere.’ The shows were her first in 35 years, and I was fortunate enough to be able to attend.
    [Show full text]