The Curse of the Communication Literacy by Josef Pallas
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Editorial MILENIO
Índice onomástico 10cc, 96, 153, 154, 155, 156, 157, 171 Alice Cooper, 82, 92, 93, 94, 95, 96, Archiduque Luis Salvador de Aus- Bee Gees, 110 2 Chainz, 285 107 tria, 69 Ben Vaughn, 20 2D, 281 Alicia Keys, 287 Aretha Franklin, 23 Benjamin Disraeli, 33 A Certain Ratio, 258 Alien Lanier, 144 Arthur ‘Big Boy’ Crudup, 13 Bernard Butler, 251, 252 A Tribe Called Quest, 285 All You Can Eat, 25 Artie Shaw, 23 Bernard Edwards, 191 Aaron Rapoport, 175, 179 Allan Clarke, 218 Arturo Vega, 147, 149, 150 Bernard Pierre Wolff, 185, 187, 188, Abba, 65 Allan Tannenbaum, 50 Athena Demos, 228 189 Abbie Rose, 203 Allen Ginsberg, 202 Athlete, 289 Bernard Shaw, 27 Acy R. Lehman, 24, 129 Alton Kelley, 52 Atomic Rooster, 62 Bernard Sumner, 275 Ad lnfinitum, 258 AM, 19 Atrocity, 195 Bernie Karlin, 129 Adam Again, 207 Amanda Lear, 115, 123 Aubrey Powell, 97, 99, 153, 170 Bernie Taupin, 109, 112 Augusto Rivalta, 187 Adam Clayton, 236, 238, 240 Amber Rose, 212 Beth Orton, 253 Ava Cherry, 115 Adam Faith, 115 Amy Winehouse, 105 Betty Blue, 242 Aelbert Cuyp, 199 Awesome Snakes, 84 Beverly, 268 Ana Johnson, 224 Ahmed Abdul Malik, 76 Axxe, 125 Beyoncé, 286 André C. Le Breton, 91 Aida Griffin, 54 B.P. Fallen, 127, 130 Big Audio Dynamite, 15 André Malraux, 69 MILENIO Al Green, 286 Bad Company, 278 Big Boi, 286 Andrew Boloton, 28 Al Stewart, 65 Baden-Powell, 216 Big Brother & the Holding Com- Andrew Loog Oldham, 37, 38, 40 Alain Delon, 215, 216, 219 Ban Ban Bazar, 25 pany, 42, 43, 53 Andy Fletcher, 201 Alan Erasmus, 186 Banana Splits, 279 Bill Graham, 43, 53 Andy Griffith, -
Kate Bush Hounds of Love Mp3, Flac, Wma
Kate Bush Hounds of Love mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop Album: Hounds of Love Country: Yugoslavia Released: 1985 Style: Vocal MP3 version RAR size: 1126 mb FLAC version RAR size: 1384 mb WMA version RAR size: 1702 mb Rating: 4.3 Votes: 926 Other Formats: VOC VQF DTS AA AHX MP2 VOC Tracklist Hide Credits Hounds Of Love Running Up That Hill (A Deal With God) A1 Balalaika – Paddy BushBass – Del PalmerDrums – Stuart ElliottGuitar – Alan Murphy Hounds Of Love A2 Cello – Johnathan Williams*Drums – Charlie Morgan, Stuart Elliott The Big Sky A3 Bass – YouthDidgeridoo – Paddy BushDrums – Charlie MorganGuitar – Alan MurphyHandclaps – Charlie*, Del*Percussion – Morris Pert Mother Stands For Comfort A4 Bass – Eberhard WeberDrums – Stuart Elliott Cloudbusting Arranged By [For Strings] – Dave LawsonBacking Vocals – Brian Bath, Del Palmer, John A5 Carder Bush, Paddy BushDrums – Charlie Morgan, Stuart ElliottStrings – The Medicci Sextet A6 Running Up That Hill (12" Single Version) The Ninth Wave And Dream Of Sheep B1 Bouzouki – Donal LunnyWhistle – John Sheahan Under Ice B2 Harmony Vocals – Paddy Bush Waking The Witch B3 Bass [Fairlight] – Del PalmerDrums – Charlie MorganGuitar – Alan MurphySequenced By [Synthesizer Sequences] – Kevin McAlea Watching You Without Me B4 Double Bass – Danny ThompsonDrums – Stuart Elliott Jig Of Life Bagpipes [Uillean Pipes] – Liam O'FlynnBass – Del PalmerBouzouki, Bodhrán – Donal B5 LunnyDidgeridoo – Paddy BushDrums – Charlie Morgan, Stuart ElliottFiddle, Whistle – John SheahanNarrator – John Carder BushOther [Original Music Discovered By] – Paddy Bush Hello Earth Arranged By [For Voices] – Michael BerkeleyBagpipes [Uillean Pipes] – Liam B6 O'FlynnBass – Eberhard WeberBouzouki – Donal LunnyChoir – The Richard Hickox SingersDirected By [Choir] – Richard HickoxDrums – Stuart ElliottGuitar – Brian Bath The Morning Fog B7 Bass – Del PalmerGuitar – John Williams Synthesizer – Kevin McAleaViolin, Pipe [Fujare] – Paddy Bush Companies, etc. -
Cloudbusting - an Introduction to the Band: Page 3
Page 1 Contents: Cloudbusting - an introduction to the band: Page 3 Kate Bush - an enduring talent Page 4 Cloudbusting in Performance Page 5 The Tours Page 6 Live Stream events Page 7 The Band - Profiles Page 8-9 Social Media: Page 10 Marketing & Promotions: Page 11 Cloudbusting - The Music of Kate Bush The Show - tech spec, sound & lighting Page 12 Formed back in 2012, well before any suggestion that Kate Bush was ever going to perform live Box Office - useful info/Press release Page 13 again, Cloudbusting’s mission has always been to Agent: Page 14 bring Kate Bush’s music to the stage and perform the songs as faithfully to the original recordings as possible. The aim, to create an authentic live experience with all of the hits, as well as some of the less well known of Kate’s songs - some of which have never actually been heard played live before. ‘Running Up That Hill’, ‘Wuthering Heights’, ‘Hounds of Love,’ ‘Babooshka’, ‘This Woman’s Work’, ‘Wow’… Cloudbusting perform all the chart hits you’d expect to hear - so those who missed out on her live shows in 1979 and indeed 2014, will love the UK’s longest running and most universally applauded tribute act to Kate. Arguably, the band isn’t a ‘tribute’ in conventional terms, as no one is pretending to be Kate or impersonate her, instead the focus is on the authenticity of the music. Testament to this is that many of Kate’s original collaborators from both stage and the studio have been inspired to join the band for performances. -
+ Lt /Tqeo R3 Ri C-CBS; E-€Ml; F- Nlru;T-Sdfiione Lo;K-C..D€; L- -R.,, Ffisffi61'100 - Ooaler Itti !N Ailhy R;O-Prssdefltp- Jrr
*r.,i t_#r-n 't' 'Ai n zFP--'.'- l: Fr |# GT uu i-'- s_ : i: :: l_ r i+- d t'*i AIN.PI-AY B,TffIIW toox:fi?ilTLD'' '6 B8:-' r fl_nrlniEi Thrs V{Lr oo - Last RTIST LEacA Tb w*k W*t Chrn TITLE/A ' * i t 7 tgo 87 ANoTHER BRtcK tN THE wALL (aART u) ptNK FLoyD HAR 5!s ___ O ""lvEsr * 2 3 5 83 95 DAYTRTP To BANGoR (DIDN,T WE HAVE A LoVELY TIME) FIDDLERS DRAM DIITGTE.S S,O 2I T 3 2 5 81 88 I HAVE A DREAM ABBA O EPIC EPC 8ffi8 4 4 9 41 71 I ONLY WANT TO BE WITH YOU TOURISTS o LoGo Go 370 5 5 7 37 46 RAPPER'S DELIGHT SUGARHILL GANG SUGARHILL $T/Sl- ARE 1-1 * 6 13 8 33 86 BRASS IN PocKET PRETENDERS . _--REAL - ARTOLA 30? * 7 10 8 31 88 My stMpLE HEART THREE DEGREES 11O - 8 7 7 31 84 WONDERFUL CHR(STMASTIME PAUL MCCARTNEY PARLOPHONE R60 9 6 7 31 74 WALKING ON THE MOON POLICE O oqt,ayp-Zfq1: * to 19 6 28 7o PLEASE DoN'T Go Kc & THE SUNSHTNE BAND TK TKR 7558 11 8 8 28 74 OFF THE WALL MICHAEL JACKSON EPIC EPC 8045 * Tz 14 5 28 83 TEARS oF A clowN - RANKING FULL SToP BEAT 2 TONE CHS TT6 -_--- 13 11 g 27 67 OUE SERA MIVTDA (tF YOU SHOULD GO} GIBSON BROTHERS O ISLATVO WTP OSZS 14 16 1 1 23 36 ONE STEP BEYOND MADNESS O STIFF BUY i BUYIT 1 15 17 5 21 17 IT WON'T SEEM LIKE CHRISTMAS (WITHOUT YOU}ELVIS PRESLEY RCA PB PC 9464 you'RE * re 22 9 21 71 rs rr LovE ArrER EesE BoyQE wHrrFtELD _K'!Z4l( 17 9 5 20 69 JOHN,I'M ONLY DANCING (AGAIN}(1975}DAVID BOWIE RCA BOW 4 18 12 11 19 52 NO MORE TEARS DONNA SUMMER & BARBRA STREISAND O CAS CAN 174, CBS 19 18 8 19 41 UNION C]TY BLUE BLONDIE c+rRYSALlSltls? 20 I5 5 19 61 LONDON CALLING CLASH cBS 8087 * zt g7 6 tg s4 wtrH -
XTC Apple Venus Volume 1 Mp3, Flac, Wma
XTC Apple Venus Volume 1 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Apple Venus Volume 1 Country: Japan Released: 1999 Style: Art Rock, Pop Rock MP3 version RAR size: 1771 mb FLAC version RAR size: 1537 mb WMA version RAR size: 1885 mb Rating: 4.5 Votes: 943 Other Formats: AHX MMF DXD AAC MIDI TTA ASF Tracklist 1 River Of Orchids 5:53 2 I'd Like That 3:50 3 Easter Theatre 4:37 4 Knights In Shining Karma 3:40 5 Frivolous Tonight 3:10 6 Greenman 6:18 7 Your Dictionary 3:15 8 Fruit Nut 3:01 9 I Can't Own Her 5:26 10 Harvest Festival 4:15 11 The Last Balloon 6:40 Companies, etc. Manufactured By – Pony Canyon Inc. Credits Arranged By [Orchestra] – Mike Batt (tracks: 6, 9) Artwork By [Sleeve Art] – A.P., Andrew Swainson Drums – Prairie Prince Engineer – Haydn Bendall, Nick Davis Engineer [Recording] – Alan Douglas , Barry Hammond Keyboards [Extra] – Haydn Bendall, Nick Davis Leader – Gavin Wright* (tracks: 6, 9) Mastered By – Tim Young Mixed By – Nick Davis Mixed By [Assist] – Simon Dawson Orchestra – The London Session Orchestra (tracks: 6, 9) Photography [Front Cover] – Peter Ashworth Photography [Xtc] – Valerie Phillips Piano, Keyboards, Guitar, Backing Vocals – Dave Gregory Producer [Additional] – Nick Davis Producer [Original] – Haydn Bendall Vocals, Bass – Colin Moulding Vocals, Guitar – Andy Partridge Written-By – Andy Partridge (tracks: 1 to 4, 6, 7, 9 to 11), Colin Moulding (tracks: 5, 8) Notes Without Obi. Barcode and Other Identifiers Barcode: 4 988013 841338 Matrix / Runout: PCCY-01341 MT A01 Mastering SID Code: -
Music in Bits and Bits of Music
Ragnhild Brøvig-Hanssen Music in Bits and Bits of Music Signatures of Digital Mediation in Popular Music Recordings Music in Bits and Bits of Music Signatures of Digital Mediation in Popular Music Recordings Ragnhild Brøvig-Hanssen A thesis submitted in partial fulfillment of the requirements for the degree of PhD Department of Musicology Faculty of Humanities University of Oslo 2013 Contents Acknowledgments vii 1. Introduction 1 Methodology 5 A Digital Revolution? 12 Opaque and Transparent Mediation 14 Studying Technological Parameters 22 Outline of the Thesis 29 2. The Spatiotemporal Disjuncture of Music 33 The Mechanical Era of Schizophonia 35 The Magnetic Era of Schizophonia 38 The Digital Era of Schizophonia 42 The Development of Different Recording Paradigms 49 Conclusion 57 3. Making Sense of Digital Spatiality: Kate Bush’s Spatial Collage 61 Conceptualizing and Fabricating Spatiality in Music 63 A House of Surrealistic Spaces 69 A House of Terrifying Spaces 78 Conclusion 83 4. The Rebirth of Silence in the Company of Noise: 85 Portishead’s Lo-Fi/Hi-Fi Music Digital Silence and the Holy Grail of “High Fidelity” 86 Past Medium Signatures Revisited 91 Portishead Going Retro 95 Conclusion 104 5. Cut-Ups and Glitches: DJ Food’s Freeze and Flow 105 Digital Cut-Ups and Signal Dropouts in “Break” 106 The Double Meaning of Aestheticized Malfunctions 114 Music within the Music 119 Conclusion 122 6. Mash-Ups and Digital Recycling: 125 Justin Bieber featuring Slipknot Mash-Ups as a Digital Signature of Music Recycling 127 “Psychosocial Baby” 133 Consumption as Mode of Production 141 Conclusion 148 7. -
13 Sample Libraries 1278-1375
Section13 PHOTO - VIDEO - PRO AUDIO Sample Libraries Big Fish Audio ................1280-1295 EastWest..........................1296-1321 Ilio ...................................1322-1343 Sound Ideas ....................1344-1375 BIG FISH AUDIO R’n’B & HIP HOP Abstract Hip Hop XTc Files of Hip Hop Prepare yourself for the deepest Hip Hop CD Packed with phat breaks, sloppy fills, ghetto on the market. Caspar returns with some bass, funky licks, crackling Rhodes and wild- deep, vibey turntable phunk, packing out this style FX. Plenty of loops and samples from disc with pure Hip Hop and R&B nastiness. the masters of ol' dirty Wu Boy beats* con- From the producers of Strictly Hip Hop, struction kits, master cuts, drumloops from Strictly RnB & XTcFiles of Hip Hop, this joint 77-121 bpm, horror FX, guitars, strings, brass, is jammed with deep, groovy, dubby, smooth bass, fills, vinyl FX, keys, pads, ambience, & jazzy construction kits, music loops, drum- drum hits and more! loops, beats & breaks, sounds, chords, vocals, drums, guitars, bass Format: Acid, AKAI MPC2000, AKAI S1000, AKAI S2000/3000, loops, FX & tons of the phunkiest kicks, toms & percussion hits. AKAI S5000, AKAI Z4/Z8, Audio CD Player, Cakewalk, Cubase, E- Format: Acid, AKAI S5000, AKAI Z4/Z8, Cakewalk, Cubase, Digital mu E4, Ensoniq, EXS24, GigaSampler, HALion, Kontakt, Kurzweil, Performer, EXS24, GigaSampler, HALion, Kurzweil, Live, Logic Live, Logic Audio, Mac, PC, ProTools, Reason, Roland 700 Series, Audio, ProTools, Reason, Sonar, Triton, Unity, WAV Sonar, Triton, Unity, -
Saturday & Sunday August
AMERICAN EXPRESS® TM ABBEY ROAD STUDIOS 80TH ANNIVERSARY CONCERTS SATURDAY & SUNDAY AUGUST ATCHISWICKHOUSE & GARDENS ABBEY ROAD STUDIOS 80th Anniversary 1931 – 2011 WELCOME www.abbeyroad.com Abbey Road Studios is the most famous recording studio complex recordings working with Sir Edward Elgar, Sir Yehudi Menuhin, Welcome to the American Express Symphony at the Park Concerts, celebrating in the world and is an iconic symbol of British music. The studios Sir Thomas Beecham, Herbert Von Karajan, Sir John Barbirolli. have been home to countless landmark recordings and pioneering Maria Callas and Placido Domingo to name a few. Abbey Road Studios 80th Anniversary at Chiswick House and Gardens. This is a unique advances in recording technology. Opened in November 1931, the studios celebrate their 80th anniversary this year. The studios are also one of the world’s premiere locations for film collaboration between the nation’s favourite orchestra, the Royal Philharmonic Orchestra, scoring. Since the 1980s films such as Raiders of the Lost Ark and and the world’s most famous recording studios to celebrate the countless landmark Abbey Road Studios excel in recording, mixing, editing, mastering The Empire Strikes Back with John Williams, The Lord of The Rings and audio restoration. With award-winning engineers, wonderful Trilogy with Howard Shore, Braveheart with James Horner, Cold recordings and advances in recording technology pioneered by Abbey Road Studios. acoustic rooms, arguably one of the greatest working microphone Mountain with Gabriel Yared and The King’s Speech with Alexandre collections in the world and a highly sought after mix of unique Desplat have been recorded at Abbey Road Studios. -
Scanned Image
0 1 INSIDE Singleschart,6-7;Album chart,17; New Singles,18; NewAlbums, 13; Airplay guide, 14-15; Independent Labels, 5; Sponsorship and the Record Industry, 9. Ir A July 19, 1982VOLUME FIVENumber 15 65p Sting court dispute could threaten pop music publishers THE HIGHCourt case in which Stinghad made £700,000 from the Police's It was after signing with A &M that of The Police is suing Virgin music forsuccess with A &M without doing any-Sting was advised that his publishing the return of £700,000 and the return ofthing to earn it. "The contract meantcontract was less than it should be. his song copyrights could threaten thethat the company had no obligation toCopeland advised him to 'get out of the whole basisof the pop publishingensure the music was recorded - anddeal' but when he asked for better business. theydidnothing,"saidBateson.terms, the then managing director of It follows hard on the heels of GilbertPolice's A&M deal was said to have beenVirgin Music Carol Wilson did not O'Sullivan'ssuccessfulretrospectivethe result of hard work by managerimprove the deal. case against the MAM group of com-Miles Copeland. Virgin is contesting the case, which is panies in which he was awarded his Sting told Mr. Justice Mars -Jonesscheduled to last for at least a fortnight. copyrights, masters, and all the profitsthat he had not understood a word of the Fears that there might be a rash of made from them under contracts thatpublishing contract and never suspectedsimilar courtcasesover publishing ran out four years ago. MAM is appeal-there was anything wrong with it. -
The Record Industry and Competition Law in the Twenty-First Century
THE RECORD INDUSTRY AND COMPETITION LAW IN THE TWENTY-FIRST CENTURY O. CHISCENCO PhD 2009 THE RECORD INDUSTRY AND COMPETITION LAW IN THE TWENTY-FIRST CENTURY OXANA CHISCENCO A thesis submitted in partial fulfillment of the requirements of the University of Westminster for the degree of Doctor of Philosophy September 2009 2 Abstract This research argues for recognition of the importance of cultural industries and cultural diversity and their special treatment by competition law. It uses the record industry as a tool to demonstrate how independent music labels contribute to diversity in a record business dominated by four major players. Whilst some scholars have advocated the inclusion of cultural issues under competition law, no concrete suggestions have been made as to how exactly to do that and no study has been made to determine what pitfalls may lay in doing so. This thesis deals with the lacuna by adopting a number of approaches and shows why cultural industries require special protection by competition law. The aforesaid is the unique feature of this thesis, which should help bridge the existing gap between theory and practice. In order to address the research question, a three-stranded methodological approach is utilised. Firstly, the historical analysis demonstrates the different competitive dynamics of the record industry since its inception, and it shows that musical diversity generally increased when the industry concentration was low. Secondly, the legal analysis focuses on the EU merger test and Article 81 of the EC Treaty; the US approach is also analysed for comparative purposes. Legal analysis examines how competition law has dealt with the regulation of competitive dynamics in the record industry, drawing analysis from a number of mergers and acquisitions, most notably the merger wrangling between Sony and BMG lasting for 5 years overall. -
App−Disc App−Disc
Printed by wesc from solo Oct 29 1999 14:08 app−disc Page 1 Oct 29 1999 14:08 app−disc Page 2 Posting−Frequency: quarterly Compact Discs and Long−Playing records, and information provided by Last−modified: $Date: 1999/10/29 20:43:34 $ individuals listed a few paragraphs below. Edition: 1.2, $Revision: 1.81 $ −−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−− The Alan Parsons Project Discography By Wesley J. Chun ([email protected]) Track listings are displayed in the following format: Latest copy of this document available at: http://alpha.ece.ucsb.edu/~wesc CD or −−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−− ACTUAL LISTED RCS Identification: $Id: app.disc,v 1.81 1999/10/29 20:43:34 wesc Exp wesc $ TIME TIME TRACK NAME LEAD VOCAL(s) −−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−− x:xx y:yy Song Title I. M. Singing AAA L AAA N N A A L A A NN N tt:11 (tt:22, zz tracks, DDD) AAAAA L AAAAA N N N A A L A A N NN Album times are: the total MUSIC TIME, i.e. "tt:11", which is ac− A A LLLLL A A N N cumulated track time, and in parentheses, the total ALBUM TIME, i.e. "tt:22" which includes pauses between tracks. Basically, tt:11 is the sum of all PPPP AAA RRRR SSSS OOO N N SSSS the "y:yy" tracks, and tt:22 is the sum of all the "x:xx" tracks. There are P P A A R R S O O NN N S some instances where there are *3* times given: actual (measured), print− PPPP AAAAA RRRR SSS O O N N N SSS listed (in the inlay or back cover), and CD−listed (time listed on the CD P A A R R S O O N NN S itself) times. -
Kate Bush the Sensual World Mp3, Flac, Wma
Kate Bush The Sensual World mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: The Sensual World Country: Israel Style: Alternative Rock, Art Rock MP3 version RAR size: 1780 mb FLAC version RAR size: 1253 mb WMA version RAR size: 1245 mb Rating: 4.3 Votes: 418 Other Formats: ADX AC3 WAV VQF ASF TTA AHX Tracklist Hide Credits The Sensual World A1 Bagpipes [Uillean] – Davey Spillane*Bass – Del PalmerBouzouki – Donal LunnyDrums – 3:53 Charlie MorganFiddle – John SheahanPercussion [Whips] – Paddy Bush Love And Anger A2 Backing Vocals – Kate Bush, Paddy BushBass – John GiblinDrums – Stuart ElliottGuitar – 4:42 Dave Gilmour*Zither [Valiha] – Paddy Bush The Fog Arranged By [Orchestra] – Michael KamenCello – Jonathan Williams Drums – Stuart A3 5:01 ElliottGuitar – Alan MurphyHarp [Celtic] – Alan StivellNarrator [Dialogue] – Dr. BushViolin [Solo Violin] – Nigel KennedyWhistle – Davey Spillane* Reaching Out Arranged By [Strings] – Michael NymanBass – Del PalmerDrums – Charlie A4 3:11 MorganMandolin – Paddy BushStrings – Balavescu String Quartet*Strings [With] – Clare Connors, Justin Pearson Heads We're Dancing Arranged By [Orchestra] – Michael KamenBass – Mick KarnCello – Jonathan Williams A5 5:15 Drums – Stuart ElliottGuitar – Alan MurphyPercussion, Rhythm Guitar – Del PalmerViola – Nigel Kennedy Deeper Understanding B1 Bass – John GiblinDrums – Charlie MorganDrums [Tupan] – Paddy BushVocals [Soloist] – 4:40 Yanka Rupkhina*Vocals [Vocalists] – The Trio Bulgarka Between A Man And A Woman B2 Bass – Del PalmerCello – Jonathan Williams Drums – Stuart ElliottHarp [Celtic], Backing 3:29 Vocals – Alan Stivell Never Be Mine B3 Bagpipes [Uillean] – Davey Spillane*Bass – Eberhard WeberDrums – Stuart ElliottVocals 3:42 [Vocalists] – The Trio Bulgarka Rocket's Tail B4 Bass – John GiblinDrums – Stuart ElliottGuitar – Dave Gilmour*Vocals [Soloist] – Yanka 4:03 Rupkhina*Vocals [Vocalists] – The Trio Bulgarka This Woman's Work B5 3:31 Arranged By [Orchestra] – Michael Kamen Companies, etc.