Mediatized Populisms: Inter-Asian Lineages
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CRITICAL THEORY and AUTHORITARIAN POPULISM Critical Theory and Authoritarian Populism
CDSMS EDITED BY JEREMIAH MORELOCK CRITICAL THEORY AND AUTHORITARIAN POPULISM Critical Theory and Authoritarian Populism edited by Jeremiah Morelock Critical, Digital and Social Media Studies Series Editor: Christian Fuchs The peer-reviewed book series edited by Christian Fuchs publishes books that critically study the role of the internet and digital and social media in society. Titles analyse how power structures, digital capitalism, ideology and social struggles shape and are shaped by digital and social media. They use and develop critical theory discussing the political relevance and implications of studied topics. The series is a theoretical forum for in- ternet and social media research for books using methods and theories that challenge digital positivism; it also seeks to explore digital media ethics grounded in critical social theories and philosophy. Editorial Board Thomas Allmer, Mark Andrejevic, Miriyam Aouragh, Charles Brown, Eran Fisher, Peter Goodwin, Jonathan Hardy, Kylie Jarrett, Anastasia Kavada, Maria Michalis, Stefania Milan, Vincent Mosco, Jack Qiu, Jernej Amon Prodnik, Marisol Sandoval, Se- bastian Sevignani, Pieter Verdegem Published Critical Theory of Communication: New Readings of Lukács, Adorno, Marcuse, Honneth and Habermas in the Age of the Internet Christian Fuchs https://doi.org/10.16997/book1 Knowledge in the Age of Digital Capitalism: An Introduction to Cognitive Materialism Mariano Zukerfeld https://doi.org/10.16997/book3 Politicizing Digital Space: Theory, the Internet, and Renewing Democracy Trevor Garrison Smith https://doi.org/10.16997/book5 Capital, State, Empire: The New American Way of Digital Warfare Scott Timcke https://doi.org/10.16997/book6 The Spectacle 2.0: Reading Debord in the Context of Digital Capitalism Edited by Marco Briziarelli and Emiliana Armano https://doi.org/10.16997/book11 The Big Data Agenda: Data Ethics and Critical Data Studies Annika Richterich https://doi.org/10.16997/book14 Social Capital Online: Alienation and Accumulation Kane X. -
Cr24-Mishra.Pdf
The Cairo Review Interview The Modernity Trap Indian writer Pankaj Mishra probes imperialism’s legacy, liberalism’s failure, and the spreading global disorder lately the rise of the political right has turned some of the coolest heads into the gloomiest of prophets. Indian novelist and essayist Pankaj Mishra takes the long view. his new book, Age of Anger: A History of the Present, traces violent discontent with our modern world from the European Romantics to the Islamic State’s rule of terror. Mishra argues that the persistent fail- ure of modern society to deliver on its promises—freedom, wealth, and equality—has again and again encouraged hateful and militant politics, from messianic revolutionaries in Tsarist Russia to the cultural nationalism of Germany’s nazi era. As Mishra sees it, technology and the pursuit of wealth have shattered traditional societies across the globe, setting adrift mil- lions of people who are “uprooted from tradition but far from modernity.” For Mishra’s withering critiques of imperialism, the Economist called him the “heir to Edward Said.” Mishra’s book From the Ruins of Empire: The Revolt Against the West and the Remaking of Asia declared Asia’s political awakening the twentieth century’s central event, and rebuked the notion that the West offers a benign one-size-fits-all model for modernity. Raised in Jhansi, in Uttar Pradesh, Mishra, 47, started as a travel writer documenting the quiet changes in India’s small towns wrought by economic and technological growth. his first book, Butter Chicken in Ludhiana: Travels in Small Town India, was a hilarious portrait of India’s upwardly mobile classes in the era of globalization. -
'Mediatization': Media Theory's Word of the Decade
’Mediatization’: Media Theory’s Word of the Decade John Corner To cite this version: John Corner. ’Mediatization’: Media Theory’s Word of the Decade. Media Theory, Media Theory, In press, Standard Issue, 2 (2), pp.79 - 90. hal-02047606 HAL Id: hal-02047606 https://hal.archives-ouvertes.fr/hal-02047606 Submitted on 25 Feb 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License Commentary ‘Mediatization’: Media Theory Vol. 2 | No. 2 | 79-90 © The Author(s) 2018 Media Theory’s Word CC-BY-NC-ND http://mediatheoryjournal.org/ of the Decade JOHN CORNER University of Leeds, UK Abstract This short commentary looks at aspects of the debate about the term „mediatization‟, paying particular attention to recent, cross-referring exchanges both in support of the concept and critical of it. In the context of its widespread use, it suggests that continuing questions need to be asked about the conceptual status of the term, the originality of the ideas it suggests and the kinds of empirical project to which it relates. Keywords mediatization, theory, politics, influence, institutional change No term has received more extensive attention in recent media theory than „mediatization‟. -
Right-Wing Populism in Europe: Politics and Discourse
Nohrstedt, Stig A. "Mediatization as an Echo-Chamber for Xenophobic Discourses in the Threat Society: The Muhammad Cartoons in Denmark and Sweden." Right-Wing Populism in Europe: Politics and Discourse. Ed. Ruth Wodak, Majid KhosraviNik and Brigitte Mral. London: Bloomsbury Academic, 2013. 309–320. Bloomsbury Collections. Web. 2 Oct. 2021. <http:// dx.doi.org/10.5040/9781472544940.ch-021>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 2 October 2021, 07:43 UTC. Copyright © Ruth Wodak, Majid KhosraviNik and Brigitte Mral and the contributors 2013. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 21 Mediatization as an Echo-Chamber for Xenophobic Discourses in the Threat Society: The Muhammad Cartoons in Denmark and Sweden Stig A. Nohrstedt Introduction This chapter reflects on the role of mainstream journalism in the proliferation of Islamophobia in late modern society, by analysing two cases where newspapers in Denmark and Sweden published cartoons of the prophet Muhammad. Both are instances of mediated perceptions of Muslims, symbolized by the Prophet, as a threat to freedom of speech, but in rather different ways. However, together they illustrate discursive processes and opinion-building strategies used by right-wing populism in which journalism becomes both amplifier and echo-chamber due to media logic. The first case, where the Danish newspaper Jyllands-Posten printed a series of Muhammad cartoons in 2005, has been intensively discussed both by journalists and media researchers (e.g. Eide et al. 2008, Sundström 2009). The second case, in 2007 where the Swedish newspaper Nerikes-Allehanda published a cartoon portraying Muhammad as a toy dog, has also been studied by media researchers (Camauër 2011, Camauër (ed.) forthcoming). -
Poking the Bear: Feminist Online Activism Disrupting Conservative Power
DSJ, 5(Fall 2019/2020), 28-44 ISSN: 2578-2029 Copyright © 2020 Research Articles Poking the Bear: Feminist Online Activism Disrupting Conservative Power Rusa Jeremic University of Toronto INTRODUCTION his is the time for a critical digital pedagogy that simultaneously recognizes both the potential inherent in social media to challenge power and build movements and the dangers T lurking in a fake news era that spreads hate, division, and distraction. This paper explores how Canadian digital feminist activists challenged conservative power over three federal elections with innovative creativity using critical pedagogical humour that resulted in an impromptu online social movement focused on ousting the Prime Minister. CHALLENGING AUTHORITARIAN POWER WITH A SMILE efore Trump, Canadian Conservative Party member Stephen Harper sat as Prime Minister from 2006-2015. Although Harper might appear a stark contrast to the bombastic Trump, B while in power, he enacted policies that were nothing short of a slow erosion of Canadian democracy. He ruled by stealth through a steady and consistent attack on fundamental Canadian values. Harper refused to speak to the media, enacted policies that violated and eroded women’s rights, and vowed to create a “barbaric cultural practices” (Andrew-Gee, 2015, para 1) snitch line targeting immigrants, amongst other inflammatory acts. His actions signalled a turn toward authoritarianism and a battle of competing ideologies. Parallel to Harper’s time in power, the emergence of Web 2.0 social media tools created the opportunity for all kinds of people to engage in online activism as content producers/educators. A good number of those people were women. -
Exploring Social Responsibility and Ways of Attracting Greater Readership: an Eclectic Approach to Pankaj Mishra's Selected Wo
2012 International Conference on Language, Medias and Culture IPEDR vol.33 (2012) © (2012) IACSIT Press, Singapore Exploring Social Responsibility and Ways of Attracting Greater Readership: An Eclectic Approach to Pankaj Mishra’s Selected Works + Mohsen Masoomi 1 1 Department of English, Sanandaj Branch, Islamic Azad University, Sanandaj, Iran Abstract. This study reads the selected works of the Indian writer, Pankaj Mishra, in the light of an eclectic approach which aims to explore his social responsibility through his works and also to make a survey on his implementation of certain tools for expanding his readers. The central argument the present study seeks to demonstrate is that, by rendering factual evocations of people through real figures and their social voice, Pankaj Mishra tries to reply an inner call of social responsibility toward Indian community. It is through mediums of mass media, literary institutions, English language and translation that Mishra attains a marked level of readership globally. Two major works of Mishra considered for this research are the mixture of memoir, history, and philosophy, An End to Suffering: The Buddha in the World, and the travel book Temptations of the West: How to be Modern in India, Pakistan and Beyond. Keywords: Pankaj Mishra, eclectic approach, social responsibility, attracting greater readership 1. Introduction After India’s Independence in 1947 and fundamental changes occurring in the country's structural foundations, a new capacity was created for a different trend of literary creation. Indian writers inclined towards a different type of literature that could best depict their new status as partly detached from their colonial past. -
A Postmodern Neo-Marxist's Guide to Free Speech: on Jordan Peterson and the ‘Alt-Right’
A Postmodern Neo-Marxist's Guide to Free Speech: On Jordan Peterson and the ‘Alt-Right’ Introduction In recent years, Jordan Peterson, an obscure Canadian academic psychologist, and publisher of self-help books, has been elevated to the level of a poster boy for the insurgent transnational far-right movement styling itself the ‘alt-right’. His refusal to recognise students’ non-binary and transgender identities, his patriarchal and misogynist clichés about women and men, his insistence upon the significance of ‘Western civilisation’ and attacks on Muslims, even his bizarre practice – in the face of rising veganism – of eating only meat, have all struck a chord with the various ‘incels’ and Islamophobes that constitute the movement. As a key ‘culture warrior’, much of Peterson’s influence is exercised through social media. He has 1.4 million Twitter followers at time of writing (far more than most of the world’s most eminent living academics). It is on Twitter that Peterson claims and defends his right to ‘free speech’ – a unifying concern of the new far-right, from the AfD in Germany and Generation Identity in Italy, to the EDL and the Brexit Party in the UK, and the ‘Proud Boys’ in the USA. It was also on Twitter that Peterson called Indian novelist and critic Pankaj Mishra a ‘racist son of a bitch’, in response to a critique of his book 12 Rules for Life. ‘And you call me a fascist?’ Peterson went on, in a fit of frothing ‘white fragility’:1 ‘You sanctimonious prick. If you were in my room at the moment, I'd slap you happily’. -
A New Culture of Recognition and Mediatization
Media and Communication (ISSN: 2183-2439) 2015, Volume 3, Issue 3, Pages 81-90 Doi: 10.17645/mac.v3i3.305 Article Interveillance: A New Culture of Recognition and Mediatization André Jansson Department of Geography, Media and Communication, Karlstad University, 651 88 Karlstad, Sweden; E-Mail: [email protected] Submitted: 30 April 2015 | In Revised Form: 7 July 2015 | Accepted: 23 July 2015 | Published: 20 October 2015 Abstract The everyday uses of networked media technologies, especially social media, have revolutionized the classical model of top-down surveillance. This article sketches the contours of an emerging culture of interveillance where non- hierarchical and non-systematic monitoring practices are part of everyday life. It also introduces a critical perspective on how the industrial logics of dominant social media, through which interveillance practices are normalized, resonate with social forces already at play in individualized societies. The argument is developed in three steps. Firstly, it is ar- gued that the concept of interveillance is needed, and must be distinguished from surveillance, in order to critically as- sess the everyday mutual sharing and disclosure of private information (of many different kinds). Secondly, it is argued that the culture of interveillance responds to the social deficit of recognition that characterizes highly individualized so- cieties. Finally, it is argued that the culture of interveillance constitutes a defining instance and even represents a new stage of the meta-process of mediatization. The dialectical nature of interveillance integrates and reinforces the over- arching ambiguities of mediatization, whereby the opportunities for individuals and groups to achieve growing freedom and autonomy are paralleled by limitations and dependences vis-à-vis media. -
The Ramayana by R.K. Narayan
Table of Contents About the Author Title Page Copyright Page Introduction Dedication Chapter 1 - RAMA’S INITIATION Chapter 2 - THE WEDDING Chapter 3 - TWO PROMISES REVIVED Chapter 4 - ENCOUNTERS IN EXILE Chapter 5 - THE GRAND TORMENTOR Chapter 6 - VALI Chapter 7 - WHEN THE RAINS CEASE Chapter 8 - MEMENTO FROM RAMA Chapter 9 - RAVANA IN COUNCIL Chapter 10 - ACROSS THE OCEAN Chapter 11 - THE SIEGE OF LANKA Chapter 12 - RAMA AND RAVANA IN BATTLE Chapter 13 - INTERLUDE Chapter 14 - THE CORONATION Epilogue Glossary THE RAMAYANA R. K. NARAYAN was born on October 10, 1906, in Madras, South India, and educated there and at Maharaja’s College in Mysore. His first novel, Swami and Friends (1935), and its successor, The Bachelor of Arts (1937), are both set in the fictional territory of Malgudi, of which John Updike wrote, “Few writers since Dickens can match the effect of colorful teeming that Narayan’s fictional city of Malgudi conveys; its population is as sharply chiseled as a temple frieze, and as endless, with always, one feels, more characters round the corner.” Narayan wrote many more novels set in Malgudi, including The English Teacher (1945), The Financial Expert (1952), and The Guide (1958), which won him the Sahitya Akademi (India’s National Academy of Letters) Award, his country’s highest honor. His collections of short fiction include A Horse and Two Goats, Malgudi Days, and Under the Banyan Tree. Graham Greene, Narayan’s friend and literary champion, said, “He has offered me a second home. Without him I could never have known what it is like to be Indian.” Narayan’s fiction earned him comparisons to the work of writers including Anton Chekhov, William Faulkner, O. -
Volume 1: Imaginative Promptings: on 'Translating'
Volume 1: Imaginative Promptings: on ‘translating’ Paul et Virginie Volume 2: Genie and Paul: A Novel Natasha Soobramanien PhD in Creative and Critical Writing University of East Anglia Faculty of Arts and Humanities September 2010 Abstract This thesis comprises a novel, Genie and Paul, and a critical commentary which posits Genie and Paul as a ‘translation’ of J. J. H. Bernadin de Saint-Pierre’s, Paul et Virginie, an eighteenth-century French novel set in colonial Mauritius. Genie and Paul explores its British Mauritian protagonists’ complex sense of cultural identity, with reference to Paul et Virginie, a novel of great personal significance to me. In my critical commentary, I explore the ways in which my novel creatively engages with Paul et Virginie, and make a case for using the term ‘translation’ to define my rewriting of it, with reference to the growing body of postcolonial literary translation theory. I examine the significance of Paul et Virginie to the development of my identity as a writer, and argue that my ‘translation’ is an effective method of negotiating my complex relationship both to Mauritius, and to the European literary canon. I contextualise this discussion by looking at writers who share a similarly equivocal relationship with their cultural background, chiefly V.S. Naipaul and Pankaj Mishra. I consider how these writers’ backgrounds inflect their respective relationships with literary tradition, and examine the strategies they have employed to negotiate this. Whereas Naipaul has been initially reluctant to admit to literary influences, Mishra overtly acknowledges his in The Romantics, his autobiographical first novel. I show how this novel is a ‘translation’ of a key text in Mishra’s personal canon, Flaubert’s A Sentimental Education, and I use this discussion as a model for the analysis of my own ‘translation’ of Paul et Virginie. -
A Way of Activism in Digital Marketing Communication
SOCIAL MEDIA: A WAY OF ACTIVISM IN DigiTAL MARKETING COmmUNICATION IRENE GARCÍA MEDINA Profesora titular y miembro del GRID (Universidad de Vic) (Barcelona,España), Doctora en Marketing (Universidad de Sophia-Antipolis, Francia) y en Relaciones Internacionales (Universidad de Viena Austria). E-mail: [email protected] PEDRO ALVARO PEREIRA CORREIA Miembro del GRID (Universidad de Vic) (Barcelona,España). Doctorando en Comunicación digital interactiva en la universidad de Vic, Barcelona, España. E-mail: [email protected] REVISTA GEMINIS ANO 3 - N. 1 | P. 125 - 133 RESUMO Hoje, as mídias sociais são a nova forma de ativismo em comunicação de marketing digital. As empre- sas não são mais os donos exclusivos da relação dos consumidores com seus produtos / serviços; em vez disso, a sobrevivência das organizações depende da utilização efetiva dos meios de comunicação social. Os consumidores confiam nas outras pessoas para fornecer recomendações sobre produtos e serviços de uma forma muito ativa, e é importante saber como e porque as mídias sociais influenciam as orga- nizações. Este estudo analisa através de uma revisão da literatura a importância do ativismo através da mídia social para comunicação de marketing digital e propõe um modelo de negócio para as estratégias de marketing de sucesso. Palavras-Chave: : ativismo de mídia social; marketing digital; comunicação digital. ABSTRACT Today, social media are the new way of activism in digital marketing communication. Companies are no longer the exclusive owners of the relation of consumers with their products/services; instead, the survival of the organizations depends of the effective utilization of the social media. Consumers trust other people to provide recommendations about products and services in a very active way and it is important to know how and why social media influence organizations. -
Mediatization: a Grand Concept Or Contemporary Approach?
Available online at www.sciencedirect.com ScienceDirect Procedia - Social and Behavioral Sciences 155 ( 2014 ) 362 – 367 The International Conference on Communication and Media 2014 (i-COME’14), 18-20 October 2014, Langkawi, MALAYSIA Mediatization: A Grand Concept or Contemporary Approach? Kho Suet Niea*, Chang Peng Keea, Abdul Latiff Ahmada aUniversiti Kebangsaan Malaysia, Bangi, 43600, Malaysia Abstract Mediatization is a concept to encompass the changes brought by media into every aspect of our lives. It goes beyond the conventional textual analysis, production economic-politics and audiences’ studies. This paper therefore dissects the concept of mediatization and traces the researches done on it. Mediatization was also compared to mediation in terms of versatility in describing the totality of media impact. Mediatization researches need to be conducted in Asia’s vibrant media landscape in its developed and developing countries. The researchers concluded that mediatization needs to be refined by further researches to be a contemporary media studies approach. ©© 2014 2014 The The Authors. Authors. Published Published by by Elsevier Elsevier Ltd. Ltd .This is an open access article under the CC BY-NC-ND license (Peerhttp://creativecommons.org/licenses/by-nc-nd/3.0/-review under responsibility of School of Multimedia). Technology & Communication, Universiti Utara Malaysia. Peer-review under responsibility of School of Multimedia Technology & Communication, Universiti Utara Malaysia. Keywords: Mediatization; media landscape; media studies; research approach 1. Introduction As the world progresses and as the Internet took the world by storms, it is inevitable that the media is increasingly adapted into societal, political and economical institution. The omnipresence of traditional media such as television, radio and newspapers is further extended into many new forms such as television on smartphones, online version of newspapers and streaming radio.