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Hawkwind Live Chronicles Mp3, Flac, Wma
Hawkwind Live Chronicles mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Live Chronicles Country: UK Released: 1986 Style: Space Rock, Hard Rock MP3 version RAR size: 1428 mb FLAC version RAR size: 1822 mb WMA version RAR size: 1216 mb Rating: 4.5 Votes: 478 Other Formats: WMA MP2 MPC DXD AIFF XM MIDI Tracklist A1 Song Of The Swords 3:09 A2 Dragons And Fables 3:10 A3 Narration 0:47 A4 The Sea King 3:49 A5 Angels Of Death 4:37 A6 Shade Gate 3:58 A7 Rocky Paths 2:52 A8 Narration 0:38 A9 The Pulsing Cavern 2:34 A10 Master Of The Universe 3:58 A11 Dreaming City 6:05 B1 Choose Your Masques 4:15 B2 Needle Gun 4:15 B3 Zarozinia 4:15 B4 Lords Of Chaos 1:01 B5 The Dark Lords 1:36 B6 Wizards Of Pan Tang 1:51 B7 Moonglum (Friend Without A Cause) 4:46 B8 Elric The Enchanter 2:31 B9 Conjuration Of Magnu 1:52 B10 Magnu 3:15 B11 Dust Of Time 2:31 B12 Horn Of Fate 5:54 Companies, etc. Distributed By – Profile Records, Inc. Manufactured By – Profile Records, Inc. Notes "Fight Sequence" is missing from the cassette tracklist. Actual song lengths may differ from Other versions Category Artist Title (Format) Label Category Country Year Live Chronicles GWSP 1 Hawkwind GWR Records GWSP 1 UK 1986 (2xLP) Live Chronicles ATOMCD 2007 Hawkwind (2xCD, Album, RE, Atomhenge ATOMCD 2007 UK 2009 RM) Live Chronicles GWSP 1 Hawkwind GWR Records GWSP 1 France 1986 (2xLP) Live Chronicles Roadrunner RR 9670 Hawkwind RR 9670 Netherlands 1986 (2xLP) Records Live Chronicles OTCD-6133 Hawkwind Octave OTCD-6133 Japan 2017 (2xCD, Album) Related Music albums to Live Chronicles by Hawkwind Hawkwind, Sonic Assassins , Dave Brock, Hawklords - The Weird Tapes No 1 & No 2 Chronic Trax - New Classic Soul Vol. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
The Rolling Stones and Performance of Authenticity
University of Kentucky UKnowledge Theses and Dissertations--Art & Visual Studies Art & Visual Studies 2017 FROM BLUES TO THE NY DOLLS: THE ROLLING STONES AND PERFORMANCE OF AUTHENTICITY Mariia Spirina University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/ETD.2017.135 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Spirina, Mariia, "FROM BLUES TO THE NY DOLLS: THE ROLLING STONES AND PERFORMANCE OF AUTHENTICITY" (2017). Theses and Dissertations--Art & Visual Studies. 13. https://uknowledge.uky.edu/art_etds/13 This Master's Thesis is brought to you for free and open access by the Art & Visual Studies at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Art & Visual Studies by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
S Y M P a T H Y F O R T H E D E V
SYMPATHY FOR THE DEVIL WORDS MATT MUELLER J U N K I E . SATANIST. MURDERER. MUSIC PRODUCER JOE MEEK WAS N E V E R G O I N G TO BE THE KIND of boy you’d TAKE HOME TO MEET MOTHER. S O W H Y I S A N E W FIL M T R Y I N G TO RESURRECT HI S R A D D L E D REPUTATION? . MUSIC SPECIAL . MUSIC SPECIAL . ON FEBRUARY 3RD 1967, eight years to the day after Buddy Holly’s time) to get back together for the play’s West End opening night. “I AT FIRST HATED by the music establishment for his unorthodox sound out from other band members, Heinz did what he had to do. I’ve made death, music producer Joe Meek’s body was wheeled on a gurney think pretty much everyone who’s in the film who’s alive I’ve met or and style, Meek came to be grudgingly admired. He wasn’t interested my decisions from my research and I’ve stuck them in the film.” out of his rented London studio at 304 Holloway Road. The corpse spoken to at some point,” he says. in returning the favour. Phil Spector once called to tell him how much of Violet Shenton followed. Meek had beckoned his long-suffering In an industry rife with self-immolating screwballs, Meek’s sorry he loved his music – Meek shouted down the phone that Spector had HEAVILY INTO THE occult, Meek held séances to communicate with landlady (who used to bang on the ceiling with a broom and had no tale still has few competitors in the tragicomic stakes. -
Bourdieu and the Music Field
Bourdieu and the Music Field Professor Michael Grenfell This work as an example of the: Problem of Aesthetics A Reflective and Relational Methodology ‘to construct systems of intelligible relations capable of making sense of sentient data’. Rules of Art: p.xvi A reflexive understanding of the expressive impulse in trans-historical fields and the necessity of human creativity immanent in them. (ibid). A Bourdieusian Methodology for the Sub-Field of Musical Production • The process is always iterative … so this paper presents a ‘work in progress’ … • The presentation represents the state of play in a third cycle through data collection and analysis …so findings are contingent and diagrams used are the current working diagrams! • The process begins with the most prominent agents in the field since these are the ones with the most capital and the best configuration. A Bourdieusian Approach to the Music Field ……..involves……… Structure Structuring and Structured Structures Externalisation of Internality and the Internalisation of Externality => ‘A science of dialectical relations between objective structures…and the subjective dispositions within which these structures are actualised and which tend to reproduce them’. Bourdieu’s Thinking Tools “Habitus and Field designate bundles of relations. A field consists of a set of objective, historical relations between positions anchored in certain forms of power (or capital); habitus consists of a set of historical relations ‘deposited’ within individual bodies in the forms of mental and corporeal -
Eric Clapton
ERIC CLAPTON BIOGRAFIA Eric Patrick Clapton nasceu em 30/03/1945 em Ripley, Inglaterra. Ganhou a sua primeira guitarra aos 13 anos e se interessou pelo Blues americano de artistas como Robert Johnson e Muddy Waters. Apelidado de Slowhand, é considerado um dos melhores guitarristas do mundo. O reconhecimento de Clapton só começou quando entrou no “Yardbirds”, banda inglesa de grande influência que teve o mérito de reunir três dos maiores guitarristas de todos os tempos em sua formação: Eric Clapton, Jeff Beck e Jimmy Page. Apesar do sucesso que o grupo fazia, Clapton não admitia abandonar o Blues e, em sua opinião, o Yardbirds estava seguindo uma direção muito pop. Sai do grupo em 1965, quando John Mayall o convida a juntar-se à sua banda, os “Blues Breakers”. Gravam o álbum “Blues Breakers with Eric Clapton”, mas o relacionamento com Mayall não era dos melhores e Clapton deixa o grupo pouco tempo depois. Em 1966, forma os “Cream” com o baixista Jack Bruce e o baterista Ginger Baker. Com a gravação de 4 álbuns (“Fresh Cream”, “Disraeli Gears”, “Wheels Of Fire” e “Goodbye”) e muitos shows em terras norte americanas, os Cream atingiram enorme sucesso e Eric Clapton já era tido como um dos melhores guitarristas da história. A banda separa-se no fim de 1968 devido ao distanciamento entre os membros. Neste mesmo ano, Clapton a convite de seu amigo George Harisson, toca na faixa “While My Guitar Gently Weeps” do White Album dos Beatles. Forma os “Blind Faith” em 1969 com Steve Winwood, Ginger Baker e Rick Grech, que durou por pouco tempo, lançando apenas um album. -
August 2012 Newsletter
August 2012 Newsletter ------------------------------------ Yesterday & Today Records P.O.Box 54 Miranda NSW 2228 Phone: (02) 95311710 Email:[email protected] www.yesterdayandtoday.com.au ------------------------------------------------ Postage Australia post is essentially the world’s most expensive service. We aim to break even on postage and will use the best method to minimise costs. One good innovation is the introduction of the “POST PLUS” satchels, which replace the old red satchels and include a tracking number. Available in 3 sizes they are 500 grams ($7.50) 3kgs ($11.50) 5kgs ($14.50) P & P. The latter 2 are perfect for larger interstate packages as anything over 500 grams even is going to cost more than $11.50. We can take a cd out of a case to reduce costs. Basically 1 cd still $2. 2cds $3 and rest as they will fit. Again Australia Post have this ludicrous notion that if a package can fit through a certain slot on a card it goes as a letter whereas if it doesn’t it is classified as a “parcel” and can cost up to 5 times as much. One day I will send a letter to the Minister for Trade as their policies are distinctly prejudicial to commerce. Out here they make massive profits but offer a very poor number of services and charge top dollar for what they do provide. Still, the mail mostly always gets there. But until ssuch times as their local monopoly remains, things won’t be much different. ----------------------------------------------- For those long term customers and anyone receiving these newsletters for the first time we have several walk in sales per year, with the next being Saturday August 25th. -
Saiichi Sugiyama Band Epk 2016
SAIICHI SUGIYAMA BAND EPK (July 2016) British blues-rock guitarist Saiichi Sugiyama and his band are touring the UK in September 2016 ahead of their new album release next year. Saiichi Sugiyama Band is a group of musicians hailing from Surrey/London that harks back to the halcyon days of rock and soul, 1965-1974, brought together in 2010 by the guitarist/composer Saiichi [pronounced: “sigh-eee- chee”], who has a career spanning 25 years as a solo artist in the British blues scene. The core of the group is Rietta Austin (lead vocals), Saiichi Sugiyama (guitar/vocals/composer), Ben Reed (bass guitar) and Mune Sugiyama (producer/arranger/drums). When playing live, the group are augmented by touring musicians including Stuart Dixon (rhythm guitar), Katrin Yr (lead vocals) and Wez Johnson (drums). The former members Lizzie Hibbert (lead vocals) and Dave Munch Moore (keys) also record with the group in studio. The group has been spending the past months working on their new studio album in various recording studios, a follow up to the studio live album “the Smokehouse Sessions” from 2014. The new album will include a track entitled “Melting Away”, written by Saiichi and featuring the late bass hero Andy Fraser, ex-Free and composer of the 1970 smash single, “All Right Now.” The initial inspiration for “Melting Away” came to Saiichi while on a trip to his native Japan. To Saiichi the melody was reminiscent of Free guitarist Paul Kossoff, who died in 1976. Creating a demo when he returned home to the UK, Saiichi came up with bass parts that brought Free bassman Andy Fraser to mind. -
By Jason Cohen
There and Back Again Jan 2017 – by Jason Cohen In 1962 Terry Allen left Lubbock to pursue what he couldn’t imagine ever happening in his hometown: a life as an artist. More than fifty years later, the sculptor, painter, playwright, and musician behind Juarez and Lubbock (On Everything) is ready for a return. Terry Allen, photographed in Austin, in November 2016. Photograph by Leann Mueller The guide leading incoming freshmen around Texas Tech University on the first Saturday of 2016’s college- football season didn’t look as though he’d been on campus longer than one academic year himself, but he had his patter down. As the group moved from the library to the student union, he pointed out a work commissioned by the school’s public art program and installed in 2003: a hominid-like bronze figure cast entirely from books. While all the students call it “Bookman,” the sculpture’s formal title is a play on the university’s Red Raiders nickname: Read Reader. And there’s a second pun in Bookman’s anatomical construction. “His spine is made out of actual book spines,” the guide observed, before offering his own interpretation of the work. “He’s running to the library to cram for his test. But he’s probably going to fail, because he’s reading a website.” What the collegiate docent didn’t mention was the sculptor, a not-insignificant omission. Bookman sprung from the mind and hands of Lubbock native and one-semester Texas Tech dropout Terry Allen, who is arguably the first of Lubbock’s legendary post-hippie semi-country singer-songwriters. -
Tolono Library CD List
Tolono Library CD List CD# Title of CD Artist Category 1 MUCH AFRAID JARS OF CLAY CG CHRISTIAN/GOSPEL 2 FRESH HORSES GARTH BROOOKS CO COUNTRY 3 MI REFLEJO CHRISTINA AGUILERA PO POP 4 CONGRATULATIONS I'M SORRY GIN BLOSSOMS RO ROCK 5 PRIMARY COLORS SOUNDTRACK SO SOUNDTRACK 6 CHILDREN'S FAVORITES 3 DISNEY RECORDS CH CHILDREN 7 AUTOMATIC FOR THE PEOPLE R.E.M. AL ALTERNATIVE 8 LIVE AT THE ACROPOLIS YANNI IN INSTRUMENTAL 9 ROOTS AND WINGS JAMES BONAMY CO 10 NOTORIOUS CONFEDERATE RAILROAD CO 11 IV DIAMOND RIO CO 12 ALONE IN HIS PRESENCE CECE WINANS CG 13 BROWN SUGAR D'ANGELO RA RAP 14 WILD ANGELS MARTINA MCBRIDE CO 15 CMT PRESENTS MOST WANTED VOLUME 1 VARIOUS CO 16 LOUIS ARMSTRONG LOUIS ARMSTRONG JB JAZZ/BIG BAND 17 LOUIS ARMSTRONG & HIS HOT 5 & HOT 7 LOUIS ARMSTRONG JB 18 MARTINA MARTINA MCBRIDE CO 19 FREE AT LAST DC TALK CG 20 PLACIDO DOMINGO PLACIDO DOMINGO CL CLASSICAL 21 1979 SMASHING PUMPKINS RO ROCK 22 STEADY ON POINT OF GRACE CG 23 NEON BALLROOM SILVERCHAIR RO 24 LOVE LESSONS TRACY BYRD CO 26 YOU GOTTA LOVE THAT NEAL MCCOY CO 27 SHELTER GARY CHAPMAN CG 28 HAVE YOU FORGOTTEN WORLEY, DARRYL CO 29 A THOUSAND MEMORIES RHETT AKINS CO 30 HUNTER JENNIFER WARNES PO 31 UPFRONT DAVID SANBORN IN 32 TWO ROOMS ELTON JOHN & BERNIE TAUPIN RO 33 SEAL SEAL PO 34 FULL MOON FEVER TOM PETTY RO 35 JARS OF CLAY JARS OF CLAY CG 36 FAIRWEATHER JOHNSON HOOTIE AND THE BLOWFISH RO 37 A DAY IN THE LIFE ERIC BENET PO 38 IN THE MOOD FOR X-MAS MULTIPLE MUSICIANS HO HOLIDAY 39 GRUMPIER OLD MEN SOUNDTRACK SO 40 TO THE FAITHFUL DEPARTED CRANBERRIES PO 41 OLIVER AND COMPANY SOUNDTRACK SO 42 DOWN ON THE UPSIDE SOUND GARDEN RO 43 SONGS FOR THE ARISTOCATS DISNEY RECORDS CH 44 WHATCHA LOOKIN 4 KIRK FRANKLIN & THE FAMILY CG 45 PURE ATTRACTION KATHY TROCCOLI CG 46 Tolono Library CD List 47 BOBBY BOBBY BROWN RO 48 UNFORGETTABLE NATALIE COLE PO 49 HOMEBASE D.J. -
Loft History
KEITH & BETTY MOTT OF CLAYGATE The story of a life time in the sport of Pigeon Racing Introduction I was born in Feltham, near Heathrow Airport in October 1950. I first met my wife, Betty, in late 1969 and this was through my friendship with her brother, Alfie, who raced pigeons and was a keen on ‘The Impalas’, the band I played drums in. Alfie North was a regular visitor to the bands Sunday night gig at the Swam PH in Kingston and with our mutual interest in pigeons and Rock music, we used to talk ‘shop’ during my mid- session break. From time to time he would bring his sister, Betty, to the ‘Swan’ gig and in the end it was mostly her and me talk about her main interest of those days, Speedway racing. I had known this wonderful girl named, Betty North, for a few months in early 1971 and I asked her out for our first date while at the big Gene Vincent gig at the Kingston Coronation Hall, when we were playing on the same bill. I knew she was there that night and I went out in to audience to find her. My life started on that night in 1971 and we got married in May 1972. We had two wonderful kids in Caroline and Mark, and in turn they have given us five brilliant grand children in Sasha, Katie, Ryan, Sophia and Connie. We are now great grandparents, with our Mason being born in August 2018! When we married in 1972 she said that it might only last about two years because of my ‘Rock ‘n Roll’ life style and all that entailed, but here we are 50 years later and still madly in love and still happily married! Then came the pigeons! At that time I thought to myself, well she is from a pigeon racing family, with her late father, Alf North senior, and her brother racing in partnership in the Surbiton FC for many years, so she knew what she was committing to by marring a pigeon fancier. -
Kiff Aarau We Keep You in the Loop
SEP.19 2 Tone EINSCHLAUFEN Betrifft: Unangefochten nach Hause tanzen Impressum Nº 07.19 Die Telefone bleiben stumm, die hastig durch Wipkingen ebenso souverän besteigen wie das DER MUSIKZEITUNG LOOP 22. JAHRGANG den Raum gebrüllten Regieanweisungen sind Nachtboot nach Kairo. Und in lockerer Fuss- verklungen, es ist niemand mehr da. Wilson- bekleidung tanzt man auch unangefochten P.S./LOOP Verlag Pickett-Zeit, Schichtende. Der Kugelschrei- nach Hause, getragen von den Ska-Klängen Hohlstrasse 216, 8004 Zürich ber wird zurück in die Hemdtasche gesteckt, aus den ganz frühen Achtzigerjahren, die uns Tel. 044 240 44 25 der Rechner heruntergefahren, der Schreib- auf den folgenden Seiten begleiten. Eine mu- www.loopzeitung.ch tisch verlassen. Stummen Schrittes durchs sikalische Energiequelle, politisch ummantelt Treppenhaus, zwei Stockwerke, danach vor- und von nachwachsenden Generationen im- bei an der stillgelegten Stempeluhr und raus mer wieder befeuert. Und womöglich erneut Verlag, Layout: Thierry Frochaux in die Sommernacht. «Guido has left the aktuell, wenn Grossbritannien Ende Oktober [email protected] building.» Ein Satz, der jede Nacht kurz in den EU-Austritt umsetzen muss. Denn spä- meinem Kopf aufflackert, gefolgt von einem testens dann wird «You’re Wondering Now» Administration, Inserate: Manfred Müller Blick hoch zum Himmel. von The Specials eine neue Facette erhalten. [email protected] Um diese Uhrzeit ist der Verkehrslärm in un- Ganz zu schweigen von «Ghost Town». serer kleinen grossen Stadt bereits angenehm Noch bleiben also knapp zwei Monate bis Redaktion: Philippe Amrein (amp), gedrosselt, allerdings nicht so stark, dass man zur grossen Abrechnung respektive dem Ab- Benedikt Sartorius (bs), Koni Löpfe sich bloss noch von atmender Stille umgeben schied von Grossbritannien, wie wir es ken- wähnen würde.