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© 2013 Yi-Ling Lin
© 2013 Yi-ling Lin CULTURAL ENGAGEMENT IN MISSIONARY CHINA: AMERICAN MISSIONARY NOVELS 1880-1930 BY YI-LING LIN DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral committee: Professor Waïl S. Hassan, Chair Professor Emeritus Leon Chai, Director of Research Professor Emeritus Michael Palencia-Roth Associate Professor Robert Tierney Associate Professor Gar y G. Xu Associate Professor Rania Huntington, University of Wisconsin at Madison Abstract From a comparative standpoint, the American Protestant missionary enterprise in China was built on a paradox in cross-cultural encounters. In order to convert the Chinese—whose religion they rejected—American missionaries adopted strategies of assimilation (e.g. learning Chinese and associating with the Chinese) to facilitate their work. My dissertation explores how American Protestant missionaries negotiated the rejection-assimilation paradox involved in their missionary work and forged a cultural identification with China in their English novels set in China between the late Qing and 1930. I argue that the missionaries’ novelistic expression of that identification was influenced by many factors: their targeted audience, their motives, their work, and their perceptions of the missionary enterprise, cultural difference, and their own missionary identity. Hence, missionary novels may not necessarily be about conversion, the missionaries’ primary objective but one that suggests their resistance to Chinese culture, or at least its religion. Instead, the missionary novels I study culminate in a non-conversion theme that problematizes the possibility of cultural assimilation and identification over ineradicable racial and cultural differences. -
Christian Women and the Making of a Modern Chinese Family: an Exploration of Nü Duo 女鐸, 1912–1951
Christian Women and the Making of a Modern Chinese Family: an Exploration of Nü duo 女鐸, 1912–1951 Zhou Yun A thesis submitted for the degree of Doctor of Philosophy of The Australian National University February 2019 © Copyright by Zhou Yun 2019 All Rights Reserved Except where otherwise acknowledged, this thesis is my own original work. Acknowledgements I would like to express my deep gratitude to my supervisor Dr. Benjamin Penny for his valuable suggestions and constant patience throughout my five years at The Australian National University (ANU). His invitation to study for a Doctorate at Australian Centre on China in the World (CIW) not only made this project possible but also kindled my academic pursuit of the history of Christianity. Coming from a research background of contemporary Christian movements among diaspora Chinese, I realise that an appreciation of the present cannot be fully achieved without a thorough study of the past. I was very grateful to be given the opportunity to research the Republican era and in particular the development of Christianity among Chinese women. I wish to thank my two co-advisers—Dr. Wei Shuge and Dr. Zhu Yujie—for their time and guidance. Shuge’s advice has been especially helpful in the development of my thesis. Her honest critiques and insightful suggestions demonstrated how to conduct conscientious scholarship. I would also like to extend my thanks to friends and colleagues who helped me with my research in various ways. Special thanks to Dr. Caroline Stevenson for her great proof reading skills and Dr. Paul Farrelly for his time in checking the revised parts of my thesis. -
Chinese Television Between Propaganda and Entertainment
Chinese Television between Propaganda and Entertainment: Socialist Traditions, Marketisation and Popular TV Dramas, 1992-2017 by Yingzi WANG School of Social Sciences and Humanities A Doctoral Thesis Submitted in partial fulfilment of the requirements for the award of Doctor of Philosophy of Loughborough University March 2019 © Yingzi WANG (2019) Abstract The ‘reform and opening’ policy initiated since 1978 has profoundly changed the operation and function of Chinese television. Following the accelerated market reforms from 1992, the production of Chinese TV programmes has become increasingly driven by ratings and oriented towards popular entertainment. Within this context, this project aims to examine how Chinese television has evolved over recent decades in response to wider political, economic and cultural changes in China, with a focus on prime-time television dramas broadcast between 1992 and 2017. It situates the analysis of TV dramas within the spectrum of two poles – propaganda and entertainment, aiming to explore how these TV programmes have continued to serve the propaganda imperatives of the Party-state, while at the same time responding to audience demands regarding entertainment. In order to map the changes and continuities exemplified by Chinese TV dramas, this project has adopted a mixed-method approach. This approach includes a systematic quantitative analysis to delineate long-term trends, and four qualitative case studies to establish a more thorough understanding of the detailed transformation in Chinese television. The thesis demonstrates that while Chinese television has become increasingly driven by commercial values that prioritise audience interests and popular elements, television entertainment in China still needs to align with official ideological lines. -
2016 China Overview – TV
TV © 2016 Beyond Summits 2 Summary: • TV media market has tended to be saturated with almost 99% coverage rate in 10 years. However, Chinese are losing their interests in watching TV. The average age of real TV audience is getting older. The biggest proportion of TV audience is constituted by audience aged over 45 years old. The older TV audience are more likely to be heavy TV users. • In terms of TV programs, Chinese TV content is mainly produced by CCTV and provincial satellite TVs. However, TV production and broadcasting will further separate in the future, and high-quality content will be incline to broadcast through Internet platforms. Eventually, the number of TV audience will decrease. More people will choose to watch videos online instead of on TV. • Since 2014, the advertising on TV has seen a dropping trend. In the first half of 2015, TV ads even showed a negative increase. CCTV and provincial satellite TVs were still two major platforms for business to place ads into. © 2016 Beyond Summits 3 Summary: • In 2015,TV programs were mainly broadcasting about TV series, news and various shows,accounting for 57.1% of all programs. The top five provincial TV channels swept most high-rating programs. • The watching length of TV variety shows had a significant increase in 2015. Hunan Sat-TV variety shows' average rating was the highest in 2015. With the rapid development of variety shows and IP TV dramas, a rising trend of title sponsorship and ads were seen in 2015. • What users watch on TV is quite similar with what they watch online. -
年報 Corporate Profile 公司簡介
ANNUAL REPORT 2015 年報 CORPORATE PROFILE 公司簡介 China Mengniu Dairy Company Limited (Stock Code: 2319) and its subsidiaries (the “Group” or “Mengniu”) manufacture and distribute quality dairy products in China. It is one of the leading dairy product manufacturers in China, with MENGNIU as its core brand. Mengniu’s diversified products includes liquid milk products (such as UHT milk, milk beverages and yogurt), ice cream, milk formula and other products (such as cheese). By the end of December 2015, the Group’s annual production capacity reached 8.68 million tons. In March 2014, Mengniu became a Hang Seng Index constituent, making it the first blue chip Chinese dairy product manufacturer. 中國蒙牛乳業有限公司(股份代號:2319)及其子公 司(統稱「本集團」或「蒙牛」)於中國生產及銷售優 質乳製品。憑藉其主要品牌蒙牛,蒙牛已成為 中國領先的乳製品生產商之一。 蒙牛提供多元化的產品,包括液態奶(如 UHT奶、 乳飲料及酸奶)、冰淇淋、奶粉 及其他產品(如奶酪等)。於二零一五年 十二月底,本集團乳製品的年生產能 力達868萬噸。二零一四年三月,蒙牛 獲納入恒生指數成份股,成為首家中 國乳製品企業藍籌股。 CONTENTS 目錄 Highlights 摘要 2 Plant Map 生產基地位置圖 4 Major Awards and Achievements 主要獎項及殊榮 5 2015 Milestones 二零一五年大事記 6 CEO’s Statement 總裁致辭 10 Management Discussion and Analysis 管理層討論及分析 18 Directors and Senior Management 董事及高級管理層 52 Corporate Governance Report 企業管治報告 60 Report of the Directors 董事會報告 78 Corporate Information 公司資料 95 Independent Auditors’ Report 獨立核數師報告 97 Consolidated Statement of Profit or Loss 綜合損益表 99 Consolidated Statement of Comprehensive Income 綜合全面收益表 101 Consolidated Statement of Financial Position 綜合財務狀況表 102 Consolidated Statement of Changes in Equity 綜合權益變動表 105 Consolidated Statement of Cash Flows 綜合現金流量表 107 Notes to Financial -
Ll Barnett Sometimes at Night When the Rain Is Pelting Down Like a Chorus of Mad Monkeys on Bongos, the Wind Howls in the Coconut Trees Just Like Rabid Rain Dogs
A BUDDING LUNATIC’S SIDEWA JOURNEY THROUGH ASIA YS COLLECTIVE SWAGBILL BARNETT SOMETIMES AT NIGHT WHEN THE RAIN IS PELTING DOWN LIKE A CHORUS OF MAD MONKEYS ON BONGOS, THE WIND HOWLS IN THE COCONUT TREES JUST LIKE RABID RAIN DOGS. INTRODUCTION As I get older the sheer randomness of life continues to keep me on the edge of my seat. In this case it was a good number of seats during a year spent on the road – out and about Asia-style, or more exactly, a virtual ThreeSixtyFive of trials, tribulations and flat out day- to-day weirdness. The journey into the future soon became a karma-laid mantra in the present. Whether to stay calm while trying not to get smacked straight in the face by clueless passengers carrying one of those oversized backpacks down an airline aisle, or to smile as I sustained a massive head injury when the Sumo wrestler in 14D fully reclined on take-off. At times I felt as though I was perpetually suspended upside down in a barrel of monkeys and even on arrival, danger was everywhere. It came under martial law as I hit the streets during a midnight curfew, it left me cursing delayed planes or just trying to recall where I’d parked the damned car at the airport. The thin red line turned ugly in 2014 and the tipping point is only a mildly aromatic memory, buried deep in cerebral lala-land. Readers of this possibly out of control and irreverent collection of tales may need to assume the ‘brace, brace, brace’ position, but trust me, no one is coming out unscathed. -
The Chinese Nationalists' Attempt to Regulate Shanghai, 1927-49 Author(S): Frederic Wakeman, Jr
Licensing Leisure: The Chinese Nationalists' Attempt to Regulate Shanghai, 1927-49 Author(s): Frederic Wakeman, Jr. Source: The Journal of Asian Studies, Vol. 54, No. 1 (Feb., 1995), pp. 19-42 Published by: Association for Asian Studies Stable URL: http://www.jstor.org/stable/2058949 . Accessed: 23/03/2014 13:05 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Association for Asian Studies is collaborating with JSTOR to digitize, preserve and extend access to The Journal of Asian Studies. http://www.jstor.org This content downloaded from 130.132.173.206 on Sun, 23 Mar 2014 13:05:48 PM All use subject to JSTOR Terms and Conditions LicensingLeisure: The ChineseNationalists' Attempt to RegulateShanghai, 1927-49 FREDERIC WAKEMAN, JR. Shanghaihas oftenbeen called the Parisof the Orient.This is onlyhalf true. Shanghaihas all the vicesof Parisand morebut boastsof noneof its cultural influences.The municipalorchestra is uncertainof its future,and the removalof thecity library to its newpremises has only shattered our hopes for better reading facilities.The RoyalAsiatic Society has beendenied all supportfrom the Council forthe maintenanceof its library,which is the onlycenter for research in this metropolis.It is thereforeno wonderthat men and women, old or young,poor or rich,turn their minds to mischiefand lowlypursuits of pleasure,and the laxity ofpolice regulations has aggravatedthe situation. -
Fondation Henri Cartier-Bresson 79 Rue Des Archives 75003 Paris Contents
HENRI CARTIER- BRESSON CHINACHINE 1948-49 1958 15 OCT2019 2 FÉV 2020 FONDATION HENRI CARTIER-BRESSON 79 RUE DES ARCHIVES 75003 PARIS CONTENTS 3 A YEAR AT RUE DES ARCHIVES HENRI CARTIER-BRESSON - CHINA, 1948-1949 I 1958 4 EXHIBITION 5 BOOK PEARLS FROM THE ARCHIVES 6 SIX NEW PEARLS 8 PRESS IMAGES 11 SUPPORTERS OF THE FONDATION HCB 12 PROGRAMME OCTOBER 15 2019 - FEBRUARY 2 2020 PRESS CONTACT 79 rue des Archives – 75003 Paris Oriane Zerbib - Communic’Art +33 1 40 61 50 50 [email protected] henricartierbresson.org 23 rue du renard - 75004 Paris +33 1 71 19 48 04 OPENING HOURS Tuesday to Sunday: 11am to 7pm ADMISSION Full rate 9 € / Concessions 5 € SOCIAL NETWORKS Front cover: © Fondation Henri Cartier-Bresson / Magnum Photos Graphic design : Atalante-Paris FONDATION HCB – PRESS KIT – HENRI CARTIER-BRESSON: CHINA – OCTOBER 2019 / FEBRUARY 2020 2 / 12 A YEAR AT RUE DES ARCHIVES It has already been a year since the Fondation opened its doors at 79 rue des Archives, after fifteen wonderful years spent in Montparnasse. This new location is certainly bearing fruit, with average attendance over the year on track to double. Many visitors, from abroad and from other French regions in particular, are finding their way to the Fondation more easily. The summer opening seems to have welcomed a foreign audience but also many Parisians spending August in the city. The design of the highly adaptable space has accommodated four very different settings, allowing the content of exhibitions to be presented in parallel with Henri Cartier-Bresson’s archives. The Pearls from the Archives programme, initiated with the Fondation’s Collections department, captures visitors’ attention, giving them an insight into the unique personality of Henri Cartier-Bresson. -
Volume 16 (2009), Article 1
Volume 16 (2009), Article 1 http://chinajapan.org/articles/16/1 Liu Jianhui . "Purorgu" (Prologue). In Mato Shanhai: Nihon chishikijin no “kindai” taiken (Demon capital Shanghai: The "modern" experience of Japanese intellectuals), trans. Joshua A. Fogel (Tokyo: Kdansha, 2000), 5-26. Sino-Japanese Studies 16 (2009), article 1. Abstract: In this introduction to his study of the role of Shanghai in the Japanese experience of modernity, Liu Jianhui lays out the contours of where the oddity that is Shanghai between the Treaty of Nanjing (1842) and the end of WWII came from. With spheres carved out of the city by Britain, France, and the United States on one side and the walled Chinese city of Shanghai on the other, there were two competing images that confronted the latecomer Japanese to the city. Copyright Liu Jianhui, 2000 Translation copyright Joshua A. Fogel, 2009 Sino-Japanese Studies http://chinajapan.org/articles/16/1 Demon Capital Shanghai: The “Modern” Experience of Japanese Intellectuals1 Liu Jianhui Translated by Joshua A Fogel Prologue Two “Shanghais” Kidnapping City “That guy was Shanghaied”—most non-Anglophone readers would have no idea at all what this sentence could possibly mean. In fact, this extraordinary English expression denotes someone kidnapped and impressed into service as a low-level sailor. A look in any dictionary under “Shanghai” reveals that, in addition to its meaning a port city in China, it bears the additional slang meaning, when used as a verb, of seamen getting someone drunk, taking him on board ship, abducting him, and coercing him into service as a sailor. -
Canidrome Contract Renewed for Another Year
CHAN PLEDGES TO JACK MA IN TALKS TO BUY BAMBOO, A REDUCE RED TAPE SCMP STAKE STATEMENT Secretary Sonia Chan Alibaba Group founder Jack Ma ON LOCAL intends to revamp the public is in talks to buy a stake in the IDENTITY administration, announcing the publisher of Hong Kong’s South closure of 6 departments China Morning Post P2 INTERVIEW P3 POLICY ADDRESS P9 TUE.24 Nov 2015 T. 22º/ 28º C H. 60/ 95% Blackberry email service powered by CTM MOP 5.00 2445 N.º HKD 7.50 FOUNDER & PUBLISHER Kowie Geldenhuys EDITOR-IN-CHIEF Paulo Coutinho “ THE TIMES THEY ARE A-CHANGIN’ ” WORLD BRIEFS JAPANESE media are reporting an explosion Canidrome contract in a public restroom at Tokyo’s Yasukuni shrine, which honors Japan’s war dead, including those executed as war renewed for another year criminals. No one was injured. More on p12 P5 AUSTRALIA-SYRIA The Australian government remained committed to resettling 12,000 Syrian refugees, but security checks could take more than a year. More on p12 PHOTO@DAVID_CAMERON VIA AP PHOTO@DAVID_CAMERON AFGHANISTAN Threatening letters from the Taliban, once tantamount to a death sentence, are now being forged and sold to Afghans who want to start a new life in Europe. The would-be migrants hope the letters will help them claim asylum, but European officials are catching on. AP PHOTO GREECE Six Iranian migrants have sewn their mouths shut during a protest near the village of Idomeni at the Greek- Macedonia border. They took the action yesterday as several hundred migrants, many from Iran and Morocco, protested for a fourth straight day at the border. -
The Shanghai Rugby Club from the 1860S to the Final Kick of the International Settlement Era
SHANGHAI // City LIVING HISTORY By Simon Drakeford The Shanghai Rugby Club From the 1860s to the final kick of the International Settlement era “The standard of rugby would have been close to first-class rugby in England.” played, each side winning two apiece. In 1914, the world faced the Great Shanghai Rugby Union Football Club game circa 1935 War, and in common with many men across the British Empire, the players of n November 25, 1867, just over Split from association football the Shanghai Rugby Club enthusiastically O 24 years after the founding of the Players of the day were comfortable volunteered to fight for King and Country. International Settlement in Shanghai, a playing both forms of football, and a re- The departure of several ships from the notice appeared in the North China Daily port from 1882 stated that, “If sufficient Bund back to Blighty was accompanied News: “A Meeting of persons anxious to members muster, Rugby Union rules will by marching bands and cheering crowds. join a Foot Ball Game, now in the course of be played, if not, then the Association Over 40 members of the club were on formation will be held at Mr. J.A. Maitland’s game can be played.” In the 1880s, as board, at least seven of whom we know Yuen Long Hong on Monday, 25th instant was the case in England, rugby rules pre- were killed in action. Following the lead of at 3.30pm when the Rule’s drawn up will vailed, while later on association dominat- the Rugby Football Union, during the war be laid before those present.” Shanghai’s ed. -
UC San Diego UC San Diego Electronic Theses and Dissertations
UC San Diego UC San Diego Electronic Theses and Dissertations Title Trans-media strategies of appropriation, narrativization, and visualization : adaptations of literature in a century of Chinese cinema Permalink https://escholarship.org/uc/item/5vd0s09p Author Qin, Liyan Publication Date 2007 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO Trans-media Strategies of Appropriation, Narrativization, and Visualization: Adaptations of Literature in a Century of Chinese Cinema A Dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Literature by Liyan Qin Committee in charge Professor Yingjin Zhang, Chair Professor Michael Davidson Professor Jin-kyung Lee Professor Paul Pickowicz Professor Wai-lim Yip 2007 The Dissertation of Liyan Qin is approved, and it is acceptable in quality and form for publication on microfilm: Chair University of California, San Diego 2007 iii TABLE OF CONTENTS Signature Page………………………………………………………………………. …..iii Table of Contents……………………………………………………………………. …..iv Acknowledgements……………………………………………………………………...vii Vita……………………………………………………………………………………...viii Abstract……………………………………………………………………………...........ix Chapter 1 Introduction: The Concept of “Adaptation” and its Vicissitude in China……………………………………………………………………………………...1 Situating my Position in Current Scholarships………………………………….........3 The Intertwining of Chinese Film and Literature…………………………………...16 “Fidelity,”