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Foster, Morgan with TP.Pdf
Foster To my parents, Dawn and Matt, who filled our home with books, music, fun, and love, and who never gave me any idea I couldn’t do whatever I wanted to do or be whoever I wanted to be. Your love, encouragement, and support have helped guide my way. ! ii! Foster ACKNOWLEDGMENTS I would like to thank Dr. Roberta Maguire for her priceless guidance, teaching, and humor during my graduate studies at UW-Oshkosh. Her intellectual thoroughness has benefitted me immeasurably, both as a student and an educator. I would also like to thank Dr. Don Dingledine and Dr. Norlisha Crawford, whose generosity, humor, and friendship have helped make this project not only feasible, but enjoyable as well. My graduate experience could not have been possible without all of their support, assistance, and encouragement. ! iii! Foster TABLE OF CONTENTS Introduction..........................................................................................................................v History of African American Children’s and Young Adult Literature ......................... vi The Role of Early Libraries and Librarians.....................................................................x The New Breed............................................................................................................ xiv The Black Aesthetic .................................................................................................... xvi Revelation, Not Revolution: the Black Arts Movement’s Early Influence on Virginia Hamilton’s Zeely ............................................................................................................1 -
UC Riverside UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title Sonic Retro-Futures: Musical Nostalgia as Revolution in Post-1960s American Literature, Film and Technoculture Permalink https://escholarship.org/uc/item/65f2825x Author Young, Mark Thomas Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Sonic Retro-Futures: Musical Nostalgia as Revolution in Post-1960s American Literature, Film and Technoculture A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Mark Thomas Young June 2015 Dissertation Committee: Dr. Sherryl Vint, Chairperson Dr. Steven Gould Axelrod Dr. Tom Lutz Copyright by Mark Thomas Young 2015 The Dissertation of Mark Thomas Young is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS As there are many midwives to an “individual” success, I’d like to thank the various mentors, colleagues, organizations, friends, and family members who have supported me through the stages of conception, drafting, revision, and completion of this project. Perhaps the most important influences on my early thinking about this topic came from Paweł Frelik and Larry McCaffery, with whom I shared a rousing desert hike in the foothills of Borrego Springs. After an evening of food, drink, and lively exchange, I had the long-overdue epiphany to channel my training in musical performance more directly into my academic pursuits. The early support, friendship, and collegiality of these two had a tremendously positive effect on the arc of my scholarship; knowing they believed in the project helped me pencil its first sketchy contours—and ultimately see it through to the end. -
Dedication of Light to Amiri Baraka
Dedication of Light to Amiri Baraka You dream of meeting certain people. Amiri Baraka was on my bucket list. When I decided to create a Black Arts Movement Conference at UC Merced, the truth was it was an opportunity to meet my Heroes and Sheroes. Marvin X, the west coast co-founder of the Black Arts Movement asked Amiri to come to UC Merced, and he immediately said yes, as did Ishmael Reed, Eugene Redmond, Jerry Varnardo, Jimmy Garrett, Umar Bin Hassan, Askia Toure, Genny Lim, Emory Douglas, Billy X. Jennings, Adilah Barnes, Tarika Lewis, Avotcja, Charlotte “Mama C” O’Neal, Nathan Hare, Cecil Brown, and a host of other Black Arts Movement and Black Power luminaries. Why did they come to a small city in California’s San Joaquin Valley? This may seem farfetched, but it was about community. A feeling of belonging to something greater, a distant space in time that spoke of revolution, the liberation of a colonized people, and the need to connect. Many of the writers, activists, and artists had not seen each other in over forty years but connected through the pain, the hope, and the belief that they had a mission, the liberation of African Americans from oppression. Askia Toure spoke to students at UC Merced stating, “We let you down. It is up to you to fulfill what we tried to do.” Toure spoke as a freedom fighter, one who in the past went underground to survive. With Toure in this fight were Amiri Baraka, Sonia Sanchez, Larry Neal, and men and women who believed that they were in the midst of a revolution. -
Scarcity's Toll
Fossil-Free Energy • Sharia Law • Translating Poetry May-June 2015 • $4.95 Scarcity’s Toll Sendhil Mullainathan probes poverty GO FURTHER THAN YOU EVER IMAGINED. INCREDIBLE PLACES. ENGAGING EXPERTS. UNFORGETTABLE TRIPS. Travel the world with National Geographic experts. From photography workshops to family trips, active adventures to classic train journeys, small-ship voyages to once-in-a-lifetime expeditions by private jet, our range of trips o ers something for everyone. Antarctica • Galápagos • Alaska • Italy • Japan • Cuba • Tanzania • Costa Rica • and many more! Call toll-free 1-888-966-8687 or visit nationalgeographicexpeditions.com/explore MAY-JUNE 2015 VOLUME 117, NUMBER 5 FEATURES 38 The Science of Scarcity | by Cara Feinberg Behavioral economist Sendhil Mullainathan reinterprets the causes and effects of poverty 44 Vita: Thomas Nuttall | by John Nelson Brief life of a pioneering naturalist: 1786-1859 46 Altering Course | by Jonathan Shaw p. 46 Mara Prentiss on the science of American energy consumption now— and in a newly sustainable era 52 Line by Line | by Spencer Lenfield David Ferry’s poems and “renderings” of literary classics are mutually reinforcing JOHN HARVard’s JournAL 17 Biomedical informatics and the advent of precision medicine, adept algorithmist, when tobacco stocks were tossed, studying sharia, climate-change currents and other Harvard headlines, the “new” in House renewal, a former governor as Commencement speaker, the Undergraduate’s electronic tethers, basketball’s rollercoaster season, hockey highlights, -
Black Studies As an Agent of Social Change on the Structural Level at Selected Colleges and Universities
Portland State University PDXScholar Dissertations and Theses Dissertations and Theses 8-21-1972 Black studies as an agent of social change on the structural level at selected colleges and universities. Vincent Van Davis Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Part of the Higher Education Commons, and the Race and Ethnicity Commons Let us know how access to this document benefits ou.y Recommended Citation Davis, Vincent Van, "Black studies as an agent of social change on the structural level at selected colleges and universities." (1972). Dissertations and Theses. Paper 1598. https://doi.org/10.15760/etd.1594 This Thesis is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. AN ABSTRACT OF THE THESIS OF Vincent Van Davis for the Master of Arts in Socio 1ogy presented August 21, 1972. , Title: Black Studies as an.Agent of Social Change on the Structural Level at Selected Colleges and Univer~ities. APPROVED BY MEMBERS OF THE.THESIS COMMITTEE: Leonard D Cain, Chairman C. vJil son Record _..... In a relatively short.period of time-American higher education has witnessed the development of numerous black studies programs and depart ments. These new academic endeavors have been instrumental in producing structural changes in the institutions of higher education. Recently higher education has attempted to assess the progress of black studies programs and d.epa rtments within their structures. -
Aneta Pawłowska Department of Art History, University of Łódź [email protected]
Art Inquiry. Recherches sur les arts 2014, vol. XVI ISSN 1641-9278 Aneta Pawłowska Department of Art History, University of Łódź [email protected] THE AMBIVALENCE OF AFRICAN-AMERICAN1 CULTURE. THE NEW NEGRO ART IN THE INTERWAR PERIOD Abstract: Reflecting on the issue of marginalization in art, it is difficult not to remember of the controversy which surrounds African-American Art. In the colonial period and during the formation of the American national identity this art was discarded along with the entire African cultural legacy and it has emerged as an important issue only at the dawn of the twentieth century, along with the European fashion for “Black Africa,” complemented by the fascination with jazz in the United States of America. The first time that African-American artists as a group became central to American visual art and literature was during what is now called the Harlem Renaissance of the 1920s and 1930s. Another name for the Harlem Renaissance was the New Negro Movement, adopting the term “New Negro”, coined in 1925 by Alain Leroy Locke. These terms conveyed the belief that African-Americans could now cast off their heritage of servitude and define for themselves what it meant to be an African- American. The Harlem Renaissance saw a veritable explosion of creative activity from the African-Americans in many fields, including art, literature, and philosophy. The leading black artists in the 1920s, 1930s and 1940 were Archibald Motley, Palmer Hayden, Aaron Douglas, Hale Aspacio Woodruff, and James Van Der Zee. Keywords: African-American – “New Negro” – “Harlem Renaissance” – Photography – “African Art” – Murals – 20th century – Painting. -
Transcript by Rev.Com
Speaker 1: Major funding for Backstory is provided by an anonymous donor, the National Endowment for the Humanities, and the Joseph and Robert Cornell Memorial Foundation. Speaker 2: From Virginia Humanities this is Backstory. Brian Balogh: Welcome the Backstory. I'm Brian Balogh. If you're new to the podcast we're all historians and each week, along with my colleagues, Joanne Freeman, Ed Ayers, and Nathan Connolly, we explore a different aspect of American history. Brian Balogh: Today on the show we're bringing you a compilation of past segments in celebration of March as women's history month. With over a hundred women serving in Congress and already a record number of women announcing their 2020 presidential candidacy this year marks the strongest female presence in American political history. But for most of American history, of course, the US government was almost exclusively male. That is until Margaret Chase Smith, a Republican senator from Maine, ran for President in 1964 and made it all the way to the party's convention. A few years back the podcast radio diaries ran this piece about her campaign, the farthest any woman had gotten in major party politics up to that point. Margaret C.S.: There are those who make the contention that no woman should ever dare to aspire to the White House, that this is a man's world and that it should be kept that way. Janann Sherman: My name is Janann Sherman, and I wrote the book No Place for a Woman, A Life of Senator Margaret Chase Smith. -
Black Woman Intellectual Vicki Garvin
Traut 1 Katerina Traut Lehigh University Giving ‘Substance to Freedom and Democracy’: Black Woman Intellectual Vicki Garvin ABSTRACT: This paper explores labor organizer Vicki Garvin's life and ideas as an instantiation of Black feminism and as characterized by features central to contemporary Black feminist thought. Garvin's philosophy and practice of feminism come forth in her research and activism in worker’s rights, African American’s rights, and women’s rights. Garvin came of age in a post-WWII era of politics that was shaped by social movements toward liberation. As a demonstration of how to resist domination and oppression while remaining committed to the practice of democracy, Garvin's lifework deserves attention. INTRODUCTION According to Patricia Hill Collins, one distinguishing feature of Black feminist thought is that there is a dialectical relationship between oppression and activism, and there is a dialogical relationship between Black women's collective experiences of oppression and their group knowledge.1 Because of their unique position within the matrix of domination, defined as the social organization in which intersecting oppressions are developed, maintained, and maneuvered, African American women have a special knowledge about the interlocking nature of race, gender, and class oppression.2 Therefore, they must be a part of any effective effort to critique and overcome oppression. As Collins explains, this insight was known and practiced well before contemporary feminist thinkers such as herself conceptualized Black feminist thought as a particular field of scholarship. The research and activism of labor organizer Vicki Garvin demonstrates an understanding of the specific and important role that African American women (as one of many historically marginalized/oppressed groups) have to play within the Traut 2 institutional contexts that create and perpetuate their oppression. -
RACIAL EQUITY BIBLIOGRAPHY “The Way out Is Back Through”
RACIAL EQUITY BIBLIOGRAPHY “The Way Out is Back Through” Only through knowing our history can we free ourselves from the way our history shaped us. Alexander, Michelle. The New Jim Crow; Mass Incarceration in the Age of Colorblindness. New York: New York Press, 2012. “We have not ended racial caste in America,” says Michelle Alexander, “we have merely redesigned it.” Alexander demonstrates that, by targeting black men through the War on Drugs and decimating communities of color, the U.S. criminal justice system functions as a contemporary system of racial control, even as it formally adheres to the principle of colorblindness. Several study/discussion guides for purchase as well as available for free download available here: http://newjimcrow.com/study-guides. Anderson, Carol. White Rage. New York: Bloomsbury, 2016. Carefully linking historical flashpoints when social progress for African Americans was countered by deliberate and cleverly crafted opposition, Anderson pulls back the veil that has long covered actions made in the name of protecting democracy, fiscal responsibility, or protection against fraud, rendering visible the long lineage of white rage. Anzulda, Gloria. Borderlands/La Frontera: The New Mestiza. Aunt Lute Books, 4th Edition, 2012. Ball, Edward. Slaves in the Family. New York: Ballantine Books, 1999. A descendant of a slave-holding plantation family in South Carolina, Edward Ball writes about the history of his family and the realities of the horrors of slavery. The book is well-researched and based on interviews with descendants of former Ball slaves across the country. Baptist, Edward E. The Half Has Never Been Told: Slavery and the Making of American Capitalism. -
Pdf (Last Accessed February 13, 2015)
Notes Introduction 1. Perry A. Hall, In the Vineyard: Working in African American Studies (Knoxville: University of Tennessee Press, 1999), 17. 2. Naomi Schaefer Riley, “The Most Persuasive Case for Eliminating Black Studies? Just Read the Dissertations,” The Chronicle of Higher Education (April 30, 2012). http://chronicle.com/blogs/brainstorm/the-most-persuasive-case -for-eliminating-black-studies-just-read-the-dissertations/46346 (last accessed December 7, 2014). 3. William R. Jones, “The Legitimacy and Necessity of Black Philosophy: Some Preliminary Considerations,” The Philosophical Forum 9(2–3) (Winter–Spring 1977–1978), 149. 4. Ibid., 149. 5. Joseph Neff and Dan Kane, “UNC Scandal Ranks Among the Worst, Experts Say,” Raleigh News and Observer (Raleigh, NC) (October 25, 2014). http:// www.newsobserver.com/2014/10/25/4263755/unc-scandal-ranks-among -the-worst.html?sp=/99/102/110/112/973/. This is just one of many recent instances of “academic fraud” and sports that include Florida State University, University of Minnesota, University of Georgia and Purdue University. 6. Robert L. Allen, “Politics of the Attack on Black Studies,” in African American Studies Reader, ed. Nathaniel Norment (Durham, NC: Carolina Academic Press, 2007), 594. 7. See Shawn Carrie, Isabelle Nastasia and StudentNation, “CUNY Dismantles Community Center, Students Fight Back,” The Nation (October 25, 2013). http://www.thenation.com/blog/176832/cuny-dismantles-community - center-students-fight-back# (last accessed February 17, 2014). Both Morales and Shakur were former CCNY students who became political exiles. Morales was involved with the Puerto Rican independence movement. He was one of the many students who organized the historic 1969 strike by 250 Black and Puerto Rican students at CCNY that forced CUNY to implement Open Admissions and establish Ethnic Studies departments and programs in all CUNY colleges. -
Izabella Penier Culture-Bearing Women
Izabella Penier Culture-bearing Women: The Black Women Renaissance and Cultural Nationalism This monograph was written during Marie Curie-Sklodowska Fellowship 2016-2018 (European Union’s Horizon 2020 grant agreement No 706741) Izabella Penier Culture-bearing Women The Black Women Renaissance and Cultural Nationalism Managing Editor: Katarzyna Grzegorek Language Editor: Adam Leverton ISBN 978-83-956095-4-1 e-ISBN (PDF) 978-83-956095-5-8 e-ISBN (EPUB) 978-83-956095-6-5 This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License. For details go 4o http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. © 2019 Izabella Penier Published by De Gruyter Poland Ltd, Warsaw/Berlin Part of Walter de Gruyter GmbH, Berlin/Boston The book is published with open access at www.degruyter.com. Managing Editor: Katarzyna Grzegorek Language Editor: Adam Leverton www.degruyter.com Cover illustration: https://unsplash.com/@jeka_fe by Jessica Felicio Contents Preface 1 1 Introduction: The Black Women Renaissance, Matrilineal Romances and the “Volkish Tradition” 16 1.1 African Americans as an “Imagined” Community and the Roots of the “Volkish” Tradition 32 1.2 Two Versions of the National “Family Plot”: Black National Theatre and the Historical /Heritage Writing of the Black Women’s Renaissance 40 1.3 The Black Women’s Renaissance and Black Cultural Nationalism: Can Nationalism and Feminism Merge? -
SOC 585: Racial and Ethnic Politics in the US
Spring 2018 Prof. Andra Gillespie 217E Tarbutton 7-9748 [email protected] Office Hours: Wednesdays 11 a.m. to 1 p.m. (12-2 p.m. the first Wednesdays of the month) or by appointment Emory University Department of Political Science SOC 585/POLS 585 Racial and Ethnic Politics in the US This course is designed to introduce graduate students to some of the canonical readings, both historical and contemporary, in racial and ethnic politics. While African American politics will be a central theme of this course, this course intentionally introduces students to key themes in Latino/a and Asian American politics as well. By the end of the course, students should be conversant in the major themes of racial and ethnic politics in the US. Required Readings The following books have been ordered and are available at the Emory Bookstore: Cathy Cohen. 1999. The Boundaries of Blackness. Michael Dawson. 1994. Behind the Mule. Megan Francis. 2014. Civil Rights and the Making of the Modern American State. Lorrie Frasure-Yokeley. 2015. Racial and Ethnic Politics in American Suburbs. Christian Grose. 2011. Congress in Black and White. Ian Haney-Lopez. 1997, 2007. White By Law. Carol Hardy-Fanta et al. 2016. Contested Transformation: Race, Gender and Political Leadership in 21st Century America. Rawn James. 2013. Root and Branch. Donald Kinder and Lynn Sanders. 1994. Divided by Color. Taeku Lee and Zoltan Hajnal. 2011. Why Americans Don’t Join the Party. Michael Minta. 2011. Oversight. Stella Rouse. 2013. Latinos in the Legislative Process Katherine Tate. 2010. What’s Going On? Katherine Tate.