Academia Musicæ Labacensis 2020

Akademija za glasbo Univerze v Ljubljani University of Ljubljana Academy of Music

MEDNARODNA POLETNA ŠOLA/INTERNATIONAL SUMMER SCHOOL

ACADEMIA MUSICÆ LABACENSIS 2020

Poletna sola 2020.indd 1 17. 07. 2020 08:23:39 Poletna sola 2020.indd 2 17. 07. 2020 08:23:40 KAZALO/TABLE OF CONTENTS

Kazalo ...... 1 Table of Contents ...... 1 Uvodnik ...... 2 Introduction ...... 3 O mednarodni poletni šoli ...... 4 About the International summer school ...... 4 Ambient mednarodne poletne šole ...... 4 The Ambient of the International summer school ...... 4 O Akademiji za glasbo Univerze v Ljubljani ...... 6 About the University of Ljubljana Academy of Music ...... 6 Academia musicæ labacensis 2020 ...... 9 Violončelo & komorna glasba ...... 11 Cello & Chamber music ...... 11 Orgle ...... 13 Organ ...... 13 Kitarski festival ...... 18 Guitar festival ...... 18 ‘Zbirna točka’ za violo & komorno glasbo ...... 24 Viola & Chamber music ‘Meeting point’ ...... 24 Petje ...... 29 Singing ...... 29 Jazz inkubator ...... 32 Jazz Incubator ...... 32

Poletna sola 2020.indd 3 17. 07. 2020 08:23:40 UVODNIK

Spoštovani/-e gostje, dragi/-e ljubitelji/-ce dobre glasbe!

Akademija za glasbo Univerze v Ljubljani šesto leto zapored organizira poletno šolo, a prvič v tako obširni obliki, saj smo do zdaj izvajali le program stare glasbe. Letošnja ACADEMIA MUSICÆ LABACENSIS bo veselje in izziv za vse nas, sodelujoče pri pripravi in izvedbi, z njo bomo znova dokazali, da nas tudi virus ne more ustaviti pri snovanju in izpeljavi dogodkov, ki bogatijo tako strokovno kot ljubiteljsko javnost, saj je ta že lačna novih znanj in koncertov.

Prvi dogodek, seminar za violoncelo in komorno igro, bo vodil naš profesor Gal Faganel, ki deluje tudi v Združenih državah Amerike. Jazz, big band, vokalni in godalni inkubator ter Jazz festival bodo izvedeni pod taktirko mentorjev, ki tudi sicer predavajo na naši akademiji – to so Matej Hotko, Peter Ugrin in Jaka Pucihar, pridružili se jim bosta gostji Jana Šušteršic in Nina Novak. Orgelski seminar in z njim povezana glasbena doživetja bosta izvajala profesorja UL AG Renata Bauer in Andrej Misson, kot gost pa tudi Gašper Jereb. Kitarski festival je v domeni naših predavateljev – Andreja Grafenauerja, Tomaža Rajterica, Katje Porovne Silic in Izidorja Erazma Grafenauerja, iz Zagreba pa v goste prihaja Krešimir Bedek. V »Zbirni tocki« za violo in komorno glasbo se bodo s slušatelji zbrali v Parizu živeči irski violist Garth Knox ter naša preda- vatelja, Nizozemec Emile Samama Cantor ter domačinka Maja Rome. Poletno šolo zaključuje seminar za petje, ki ga bo na povabilo vodstva in pevskega oddelka UL AG izvedla umetnica svetovnega slovesa, v Argentini rojena in v Avstriji živeča Slovenka Bernarda Fink Inzko.

Poletne šole nadobudnega umetnika vedno znova motivirajo pri delu in iskanju osebnega izraza ter ga profesionalno usmerjajo, stroki in občinstvu pa lahko odkrijejo marsikateri ne- brušen diamant.

Drage slušateljice in predavateljice, dragi slušatelji in predavatelji, dobrodošli ter obilo ped- agoškega uspeha in umetniških užitkov vam želim! Poletje bi težko bilo lepše za vse, izvajalce in poslušalce naših koncertov, kajne?

prof. mag. Matjaž Drevenšek, prodekan za umetniško dejavnost UL AG in umetniški vodja Poletne šole ACADEMIA MUSICÆ LABACENSIS 2020

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Poletna sola 2020.indd 4 17. 07. 2020 08:23:40 INTRODUCTION

Dear guest and dear fans of great music!

The University of Ljubljana Academy of Music has been organizing the summer school for six years in a row. While it was so far dedicated only to early music, the scope of this year’s edition has been broadened. ACADEMIA MUSICÆ LABACENSIS 2020 will be a challenge to all of us, organizers and musicians, who will together prove that despite the virus we can still stage such events, which meet the expectations of both the experts and the general public eager for new knowledge and concerts.

The first event, a masterclass for cello and chamber music, will be led by our teacher Gal Faganel, who is also active in the United States. The masterclass for organ and musical experiences related to it will be organized by professors of the Academy of Music Rena- ta Bauer and Andrej Misson as well as guest Gašper Jereb. The Guitar Festival features our teachers Andrej Grafenauer, Tomaž Rajterič, Katja Porovne Silič and Izidor Erazem Grafenauer as well as a guest from Zagreb, Krešimir Bedek. In the “meeting point” for viola and chamber music, students will come together with Irish violist Garth Knox and our two professors, Dutch Emile Samama Cantor and Slovenian Maja Rome. The vocal seminar will take place in the beginning of September. For this purpose, the Academy of Music’s officials and the Singing Department have invited a world-acclaimed artist, Ar- gentinian-born, Austria-based Slovenian singer Bernarda Fink Inzko. 2020 summer school will be concluded with the Jazz, Big Band, Vocal and String Incubators as well as the Jazz Festival, held by teachers of our Academy–Matej Hotko, Peter Ugrin and Jaka Pucihar– and Jana Šušteršič and Nina Novak as guests.

For aspiring young artists, summer school can be a great encouragement and a strong motivation in their quest for personal expression and can help them find their career path, As for the general public, summer school is a great place to discover many a talent in the making.

Dear students and teachers, welcome! I wish you a lot of success and inspiration! The summer could hardly be better for both the musicians and the audience, don’t you agree?

Prof Matjaž Drevenšek, Associate dean for artistic affairs, University of Ljubljana Academy of Music Artistic director, ACADEMIA MUSICÆ LABACENSIS 2020

Poletna sola 2020.indd 5 17. 07. 2020 08:23:40 O MEDNARODNI POLETNI ŠOLI ABOUT THE INTERNATIONAL SUMMER SCHOOL

Akademija za glasbo Univerze v Ljubljani tokrat šestič organizira Poletno šolo pod nazivom Academia Musicae Labacensis. Do sedaj je bil njen poudarek na stari glasbi (zato naziv Musicae Antiquae Labacensis), z letošnjim letom pa pričenjamo nov ciklus poletnih šol s širokim spektrom tečajev različnih programov. Namenjeni so študen- tom domače in tujih glasbenih akademij oz. visokošolskih ustanov ter glasbenikom, ki so študij že zaključili, vsem, ki želijo nadgraditi znanje in pridobiti nove umetiške in strokovne izkušnje od priznanih glasbenih pedagogov in umetnikov. Okolje, v katerem se odvija poletna šola, je idelano za glasbeno izpopolnjevanje v poustvarjanju.

The University of Ljubljana Academy of Music is organizing the sixth international summer school Academia Musicæ Labacensis. Until last year the focus of the programme was on early music and thus, Musicæ Antiquæ Labacensis. Starting with 2020 our summer school will feature a broad spectrum of different courses intended for students from domestic and foreign music institutions as well as the musicians who graduated from such institutions and wish to deepen their knowledge and gain experience from acclaimed music teachers and artists. The environment in which the summer school takes place is ideal for supplementary traning in music performance.

Palača Kazina/Casino Palace © Jana Jocif AMBIENT MEDNARODNE POLETNE ŠOLE THE AMBIENT OF THE INTERNATIONAL SUMMER SCHOOL

Ljubljana navdihuje umetnike z vsega sveta, ki želijo svoj umetniški potencial pred- staviti v najlepšem mestu na svetu. Zelena Ljubljana je kulturno središče Evrope, križišče vseh kulturnih tokov med vzhodom in zahodom, severom in jugom. Prostori, v katerih se odvija poletna šola, se nahajajo v samem zgodovinskem središču Ljubljane, v neoklasi- cističnih Stiškem dvorcu in Palači Kazina.

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Poletna sola 2020.indd 6 17. 07. 2020 08:23:41 Ljubljana navdihuje umetnike z vsega sveta, ki želijo svoj umetniški potencial pred- staviti v najlepšem mestu na svetu. Zelena Ljubljana je kulturno središče Evrope, križišče vseh kulturnih tokov med vzhodom in zahodom, severom in jugom. Prostori, v katerih se odvija poletna šola, se nahajajo v samem zgodovinskem središču Ljubljane, v neoklasi- cističnih Stiškem dvorcu in Palači Kazina. Neposredno poleg njih je vrsta nastanitvenih možnosti, da obiskovalci poletne šole lahko ohranjajo zgodovinski navdih mesta v vsakem trenutku njihovega bivanja v Lju- bljani. Iz študijskih prostorov lahko stopijo neposredno v živahni utrip mestnega jedra in zaužijejo navdih bregov reke Ljubljanice. Stare ulice in brezštevilne gostilnice dobesedno kličejo inspiracijo za nove umetniške presežke. Slovenija je prekrasna dežela morja in gora, hribov in dolin, naravnih lepot in napredne industrije, ki bivajo v sožitju z njenimi prebivalci. Varstvo narave in hkrati vsestranska varnost njenih prebivalcev in obiskovalcev sta dobrini, za kateri živi ves narod.

Stiški dvorec/Stična Mansion

Ljubljana is an inspiration to artists from all over the world who wish to demonstrate their talents in the most beautiful city on earth. The green city of Ljubljana is a cultural centre of Europe, a crossroads of cultural currents between the East and the West, the North and the South. The summer school takes place in the centre of Ljubljana, in the neoclassical Stična Mansion and Casino Palace. A wide range of accommodations available in close vicinity, enabling the participants to experience the historical pulse of the city during their stay in Ljubljana. Just a few steps from the classroom will bring you into the heart of the lively atmosphere of the city centre, next to the inspiring banks of the river Ljubljanica. Old streets and countless bars will be a source of inspiration for your artistic endeavours. Slovenia is a beautiful country with the sea and the mountains, the hills and the val- leys, the natural beauty and modern industry, all coexisting peacefully with its people. The entire nation values the protection of the environment and the safety of its deni- zens and visitors.

Poletna sola 2020.indd 7 17. 07. 2020 08:23:41 O AKADEMIJI ZA GLASBO UNIVERZE V LJUBLJANI ABOUT THE UNIVERSITY OF LJUBLJANA ACADEMY OF MUSIC

Akademija za glasbo Univerze v Ljubljani je bila ustanovljena pred 80 leti in je edina vosokošolska glasbena ustanova v Sloveniji. Združuje preko 160 domačih in tujih profesorjev in preko 400 študentov iz Slovenije in tudi tujine. Vključena je v vse pomembne- jše mednarodne univerzitetne povezave in aktivno sodeluje z glasbenimi akademijami vseh sosednjih držav. Letno pripravi preko 150 koncertnih dogodkov in je eden večjih ustvarjalcev kulturnega dogajanja v Sloveniji. Njeni različni sestavi (vse do simfoničnega orkestra) gostujejo na različnih odrih po Evropi. Gosti priznane tuje profesorje različnih glasbenih programov, ki sooblikujejo tudi njeno poletno šolo. Kljub talentu je potrebno trdo delati, biti predan svoji umetnosti in globoko verjeti v glasbo. Ne glede na pot, ki si jo boste izbrali – izvajalec/-ka, učitelj/-ica ali raziskovalec/-ka – vam bo Akademija za glasbo zagotovila temeljit, natančen univerzitetni študij, ki vam bo služil kot vodilo na tem popotovanju.

The University of Ljubljana Academy of Music was established 80 years ago as the nation’s only institution of higher learning in the filed of music . It connects 160 Slovenian and foreign teachers and over 400 domestic and foreign students. It is affiliated with important international university associations and actively collaborates with music academies in all neighbouring countries. The Academy presents more than 150 concerts annually, making it one of the largest presenters of cultural events in Slovenia. Its various ensembles are frequent guests on important stages across Europe. The Academy regularly collaborates with internationally acclaimed music teachers, some of whom will • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 6 7

Poletna sola 2020.indd 8 17. 07. 2020 08:23:41 participate in the summer school as well. Beyond talent, you need to work hard, be committed to your art, and believe music deeply. Whatever path you choose — performer, teacher, scholar — the Ljubljana Academy of Music will provide you with a thorough and rigorous conservatory-level training that will guide you on that journey.

Majhno je dobro Na Akademiji za glasbo v Ljubljani je razmerje študentov proti profesorjem tri proti ena, zato ima vsak študent veliko individualne pozornosti in pouka. A majhno ne pomeni omejeno. Ena od vodilnih srednjeevropskih visokošolskih glasbenih ustanov z osemdeset letno zgodovino in edinstveno geografsko lego ponuja glasbeni program, ki temelji na celostni sintezi italijanske, nemške, madžarske in slovenske tradicije. Akademija za glasbo UL nudi ogromno priložnosti za nastopanje. Vsako leto organi- ziramo več kot 150 koncertov s študenti in vsako leto naši študentje prejmejo več kot sto nagrad na državnih in mednarodnih tekmovanjih. Zaposljivost diplomantov je visoka in naši študentje vsako leto opravijo avdicije pri mednarodnih orkestrih, kot so Mladinski orkester Gustava Mahlerja, Mediteranski mladinski orkester, Nei suoni dei luoghi, CE- MAN, EUphony … Študij je prilagojen evropskim bolonjskim standardom primerljivosti, poleg tega pa je Akademija tudi članica številnih mednarodnih organizacij in glasbeno-izobraževalnih mrež – npr. AEC, Medinea, CEEC, GMEL in glasbeno-izobraževalne zveze »Belt and Road«.

Small is Good The Ljubljana Academy of Music offers a three-to-one student to faculty ratio. This means you will benefit from significant individual attention and dedicated instruction. But small does not mean limited. As a leading Central European music institution of higher learning with an eighty-year history and unique geographical position, the Academy’s music program is based on a comprehensive synthesis of Italian, Germanic, Hungarian and Slavic music traditions. The academy offers the students many performance opportunities. There are over 150 student performances concerts and events annually. Every year the students are the recipients of over a hundred awards at national and international competitions. Our graduates have a high employment rate and regularly win auditions for international orchestras such as the Gustav Mahler Youth Orchestra, the Mediterranean Youth Orchestra, Nei suoni dei luoghi, CEMAN, Euphony, and others. An integrated part of the European-wide Bologna system of comparable standards, the Academy is also affiliated with a number of international associations and higher music education networks — for example the AEC, Medinea, CEEC, GMEL and the Music Education Alliance Across the “Belt and Road”.

Ključni podatki Facts at a Glance

- Ustanovljena leta 1939 - Founded in 1939 - Razmerje študenti:profesorji 3:1 - 3/1 student to faculty ratio - 435 študentov (20 % mednarodnih - 435 students (20% are študentov) international students) - 87 redno zaposlenih profesorjev - 87 full-time professors - 81 delno zaposlenih profesorjev - 81 part-time professors

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Poletna sola 2020.indd 10 17. 07. 2020 08:23:42 ACADEMIA MUSICÆ LABACENSIS 2020

24.−28. 8. 2020 Violončelo & Komorna igra/Cello & Chamber Music

Mentor/Teacher: Gal Faganel

24.−28. 8. 2020 Orgle/Organ

Mentorja/Teachers: Renata Bauer, Andrej Misson Gost/Guest: Gašper Jereb

24.−29. 8. 2020 Kitarski festival/Guitar Festival

Mentorji/Teachers: Krešimir Bedek, Andrej Grafenauer, Tomaž Rajterič, Katja Porovne Silič, Izidor Erazem Grafenauer

24.−30. 8. 2020 »Zbirna točka« za violo & komorno glasbo/Viola & Chamber Music “Meeting Point”

Mentorji/Teachers: Garth Knox, Emile Samama Cantor, Maja Rome

31. 8.−6. 9. 2020 Petje/Singing

Mentorica/Teacher: Bernarda Fink

Jazz inkubator/Jazz Incubator

Mentorji/Teachers: Matej Hotko, Jana Šušteršič, Peter Ugrin, Jaka Pucihar, Nina Novak

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Poletna sola 2020.indd 11 17. 07. 2020 08:23:42 MEDNARODNA POLETNA ŠOLA 2020/INTERNATIONAL SUMMER SCHOOL 2020 Spletna stran/Web pages: https://www.ag.uni-lj.si/ Kontakt/Contact: [email protected]

Rok za prijavo (če ni omenjeno drugače)/Application deadline (unless stated differently): 27. 7. 2020

Podatki za nakazilo kotizacije/The tuition should be transferred to: Akademija za glasbo, Stari trg 34, 1000 Ljubljana IBAN: SI56 0110 0603 0706 828, UJP LJUBLJANA

Namen/Purpose: Kotizacija za Mednarodno poletno šolo 2020/Tuition fee for 2020 International Summer School SWIFT: BSLJSI2X Banka/Bank address: Banka Slovenije, Slovenska 35, 1000 Ljubljana

V primeru odpovedi s strani udeleženca prijavnine ne vračamo. V primeru odpovedi s strani organizatorja bomo prijavnino vrnili do 30. septembra 2020./In case of cancellation from the participant, the payment will not be returned. In case of cancellation of a course from the organizer, the pre-payment will be returned by 30 September 2020.

Študentom Akademije za glasbo Univerze v Ljubljani zagotavljamo 50 % popusta pri aktivni in pasivni udeležbi. Popusti ne veljajo za Poletno šolo petja./The students of the Academy of Music of the University of Ljubljana get a 50% discount on passive or active participation. The discount does not apply for the summer school of singing.

Aktivna udeležba študentov Akademije za glasbo Univerze v Ljubljani bo ovrednotena s tremi (3) ECTS./The active participation of the students of the Academy of Music of the University of Ljubljana is worth 3 ECTS credit points.

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Poletna sola 2020.indd 12 17. 07. 2020 08:23:42 VIOLONČELO & KOMORNA IGRA CELLO & CHAMBER MUSIC

Mentor/Teacher GAL FAGANEL

• Individualni pouk violončela • Pouk komorne glasbe • Priprava na orkestrske avdicije • Tematska predavanja in delavnice • Sodelovanje s korepetitorjem • Zaključni koncert/ Individual cello lessons • Chamber music lessons • Audition preparation • Workshops and lessons • Collaboration with a collaborating pianist • Final concert

Mojstrski tečaj/Masterclass 24.−28. 8. 2020

Maksimalno število udeležencev/Maximum number of participants • 12 posameznikov ali komornih skupin/Individuals or chamber groups

Starost/Age: 10+ učenci nižje in srednje glasbene šole; študenti; violončelisti, ki se pri- pravljajo na orkestrske avdicije; komorne skupine vseh starosti in izkušenj/students of primary and secondary music school, university students, cellist preparing for orchestral audition; chamber groups Kotizacija/Tuition Aktivna udeležba/Active participation: • violončelo/Cello: 200 €, prijava do/for applications prior to 13. 7. 2020: 170 € • komorna igra/Chamber Music: 200 €, prijava do/for applications prior to 13. 7. 2020: 170 € Pasivna udeležba/Passive participation: 100 €

GAL FAGANEL je mednarodno uveljavljen in nagrajen violoncelist ter iskan pedagog. Po doktoratu pod mentorstvom Eleonore Schoenfeld na Univerzi Južne Kalifornije je do leta 2010 deloval kot violoncelist solist v orkestru Phoenix Symphony. Violoncelo in komorno glasbo je od 2010 pouceval na Univerzi Severnega Kolorada in kot gost v stevilnih ustanovah po svetu. Od leta 2019 poucuje violoncelo na Akademiji za glasbo Univerze v Ljubljani. Poleg pedagoskega dela na univerzi in na mojstrskih tecajih nastopa in snema kot solist in komorni glasbenik z vrhunskimi glasbeniki v najuglednejsih dvoranah ZDA, Azije, Evrope. Je clan Klavirskega tria Colorado. Kritiki hvalijo njegov ‘mocan in lep ton,’ ’izjemno obcutljivo interpretacijo ter ‘briljantno virtuoznost in mladostno moč’. Faganel je snemal za mnogo radijskih his po svetu in za zalozbe Astrum, Potenza Music, Pucihar Music in Naxos. Faganelovi studenti so uspesni na tekmovanjih in orkestrskih avdicijah.

Gal Faganel is a versatile award-winning cello performer, an acclaimed teacher and recording artist. With a doctorate from the University of Southern California under the mentorship of Eleonore Schoenfeld, he was previously the principal cellist of the Phoe- nix Symphony. • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 10 11

Poletna sola 2020.indd 13 17. 07. 2020 08:23:42 Since 2010 he has been teaching at the University of Northern Colorado where he has greatly enjoyed mentoring cellists, coaching chamber music, and collaborating with colleagues in the Colorado Piano Trio. He recently began teaching at the University of Ljubljana Academy of Music. He has recorded for Astrum, Naxos, Potenza Music, Pucihar Music, and many radio sta- tions. His performances and recordings have been praised in the press for “exception- ally sensitive interpretation,” his “powerful and beautiful tone,” and “brilliant virtuosity and youthful vigor.” © Yi-Chen Lee

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Poletna sola 2020.indd 14 17. 07. 2020 08:23:43 ORGLE/ORGAN

Mentorja/Teachers Orgle/Organ Renata Bauer

Orgelska improvizacija/Organ Improvisation Andrej Misson

Gost: Skladatelj in orglavec/Guest: Composer and Organist Gašper Jereb

Mojstrski tečaj/Masterclass 24.−28. 8. 2020

Maksimalno število udeležencev/Maximum number of participants • 8 aktivnih udeležencev: Vsak aktivni udeleženec bo imel 6 ur predavanj, od teh 1 uro improvizacije./Each active participant will have six hours of lessons, one of which will be on improvisation.

Starost/Age: namenjeno učencem, dijakom in študentom orgel/primary school, secondary school, and univeristy level organ students Kotizacija/Tuition • Aktivna udeležba/Active participation: 200 €, prijava do/for applications prior to 13. 7. 2020: 170 € • Pasivna udeležba/Passive participation: 100 €

Letošnja poletna šola za orgle bo v znamenju 150. obletnice rojstva francoskega orgelskega impresionista Louisa Vierneja (1870−1937) in mladega slovenskega orgelskega skladatelja Gašperja Jereba. Viernejev skladateljski opus bo osvetljen na predavanju Orgelska literatura na prelomu 19. in 20. stoletja mentorice Renate Bauer. Vierne je slovel prav tako kot improvizator in njegova metoda harmoniziranja ter obdelave prostih tem bo vključena v ure improvizacije prof. dr. Andreja Missona. Udeleženci so vabljeni k pripravi skladb Vierneja in Jereba ter drugi literaturi po izbiri udeležencev. Eno izmed predavanj bo namenjeno pogovoru s skladateljem Gašperjem Jerebom. Ure poletne šole bodo potekale ob orglah Akademije za glasbo (Kuhn, 1979), v Ve- lesovem (Močnik, 2007), Brezovici pri Ljubljani (Močnik, 2016), Uršulinski cerkvi (Goršič, 1891) in Gallusovi dvorani Cankarjevega doma (Schuke, 1982). Raznoliki instrumenti bodo udeležencem omogočili vsakič nove pristope in izkušnje izvajanja skladb, ter obogatili poznavanje orgel naše dežele.

This year’s organ summer school will honour the 150th birthday of French organ im- pressionist Louis Vierne (1870-1973) as well as young Slovenian organ composer Gašper Jereb. Vierne’s body of works will be presented in the lecture Organ Literature at the Turn of the 20th Century by Renata Bauer. Vierne was also a great improviser. His method of harmonizing and treating free themes will be included in improvisation classes by Prof Dr Andrej Misson. Participants are invited to prepare pieces by Vierne and Jereb as • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 12 13

Poletna sola 2020.indd 15 17. 07. 2020 08:23:44 well as a repertoire of their choice. One of the lectures will be an interview with Gašper Jereb. The organ lessons in the summer school will take place at the Academy of Music (Kuhn’s organ, 1979), in Velesovo (Močnik’s organ, 2007), Brezovica pri Ljubljani (Močnik’s organ, 2016), St Ursula’s Church (Gorišič’s organ, 1891) and the Gallus Hall of Cankarjev Dom (Schuke’s organ, 1982). The participants will discover different pipe organs across Slovenia and the variety of instruments will enable them to try different approaches and gain experience.

Renata Bauer je na Akademiji za glasbo v Lju- bljani študirala klavir pri Tanji Zrimšek in Zdenki Novak ter orgle pri Hubertu Bergantu. Leta 1984 je z odliko diplomirala iz obeh inštrumentov. Klavirsko specializacijo je opravila pri Olgi Jovanović v Beogradu, orgelsko pa pri Hubertu Bergantu leta 1995. Podiplomski študij je skle- nila s samostojnim recita- lom z deli Maxa Regerja na Schukejevih orglah v Gal- lusovi dvorani Cankarjevega doma. Kot izredna profesorica poučuje orgle na Akademiji za glasbo UL. Do danes je v njen- em razredu diplomiralo oz. magistriralo 29 študentov in dve podiplomantki − specialistki. Leta 2001 je bila predsednica žirije na 5. Evropskem tekmovanju mladih orglavcev v Ljubljani, letih 2005 in 2007 članica žirije na državnem tekmovanju mladih glasbenikov v disciplini orgle na Hrvaškem (Varaždin, Zagreb), leta 2007 članica žirije na tekmovanju mladih orglavcev Češke in Slovaške. V letih 2009 in 2018 je bila predsednica žirije tekmovanja slovenskih glasbenikov za orgle. Samostojne recitale je poleg Slovenije imela v Angliji, Norveški, Švici, Nizozemski, Avstriji ter na orgelskih festivalih na Češkem, Hrvaškem, Slovaškem, v Švici in Italiji; sodeluje tudi v komornih skupinah. Je umetniška vodja Poletnega orgelskega cikla Franc Goršič in Poletja v Trnovem ter redno vodi orgelska izpopolnjevanja. Za otroke in mladino prireja koncerte, na katerih vzbuja zani- manje za orgelsko umetnost.

Organist Renata Bauer studied the piano at the Academy of Music in Ljubljana with Tanja Zrimšek and Zdenka Novak and the organ with Hubert Bergant. In 1984, she graduated with honours in both instruments. She completed her specialist degree in piano with Olga Jova- nović in Belgrade and in organ with Hubert Bergant in 1995. She concluded her postgraduate study with a recital, performing works by Max Reger on the Schuke organ in the Gallus Hall of Cankarjev Dom in Ljubljana. She is Associate Professor of organ at the Academy of Music. Twenty-nine graduate and two postgraduate students have so far completed their studies in her class. She was the president of the jury in the Fifth European Competition for Young Organists in Ljubljana in 2001, and a member of the jury in the National Competition for Young Musicians, in the discipline of organ in 2005 and 2007 (Varaždin, Zagreb, respectively), and in the Competition for Young

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Poletna sola 2020.indd 16 17. 07. 2020 08:23:44 Musicians, in the discipline of organ in 2005 and 2007 (Varaždin, Zagreb, respectively), and in the Competition for Young Organists in the Czech Republic and Slovakia in 2007. In the years 2009 and 2018, she was the president of the jury in the Competition of Slovenian Organists. She has given recitals in Slovenia, England, Norway, Switzerland, the Netherlands, Austria and performed at the festivals in the Czech Republic, Croatia, Slovakia, Switzerland and Italy. She collaborates with various chamber groups. She is the artistic director of the Franc Goršič Summer Organ Series and the Summer in Trnovo. She regularly holds organ masterclasses. She organizes concerts for children and adolescents, promoting the art of organ in this way.

Dr. Andrej Misson je na Ak- ademiji za glasbo v Ljubljani leta 1985 pridobil višješolsko diplomo iz dirigi- ranja pri prof. Antonu Nanutu. Leta 1987 pa je diplomiral iz kompozicije v razredu prof. Daneta Škerla. Na isti ustanovi je pod mentorstvom Da- neta Škerla tudi magistriral (1995) in doktoriral (1997). Od leta 1993 je zaposlen na Aka-

demiji za glasbo v Ljubljani, od 1997 © Alojz Hančič kot docent za glasbenoteoretične predmete. Kot redni profesor poučuje kontrapunkt večino svoje delovne energije usmerja v teoretično in pedagoško usmerja v teoretično in pedagoško delo. Misson je raziskovalec in strokovnjak na področju kompozicijske tehnike kontrapunkt. Je doktor znanosti glasbene teorije, poustvarjalec na orglah, klavirju, čembalu, zborovodja in udeleženec simpozija Slovenski glasbeni dnevi. Bil je čembalist v ansamblu Ramovš Consort in zborovodja Primorskega akademskega zbora Vinko Vodopivec (1989−1994). Poleg tega se ukvarja z računalništvom v glasbi (z notacijo) in glasbeno psihologijo. Od leta 2002 je član Sveta za glasbeno izobraževanje na Ministrstvu za šolstvo in šport. Je tudi član odbora za zaščito avtorskih pravic pri SAZASU. Od leta 2000 vodi moški zbor Prvega slovenskega pevskega društva LIRA iz Kamnika. Z Liro je uspešno nastopil na mednarodnih festivalih v Londonu in Pragi. Zanjo tudi piše prired- be in komponira. Svoje prvo glasbeno delo je napisal leta 1975, do danes pa jih je nastalo okrog 70. Piše pretežno komorno, orgelsko in zborovsko glasbo. Njegova najbolj znana dela so Letni časi za mešani zbor; moteti Ave Maria, Pater noster, Magnifi cat, Iubilate deo, Ave maris stella za mešani zbor; Toccata, Aria, Finale za orgle; variacije V nebesih sem doma za orgle; Trio za fl avto, čelo in klavir; Glasba za godala ... Njegovo glasbo med drugim izvajajo Komorni zbor RTVS, Zbor Slovenske fi lharmonije, Ljubljanski madrigalisti, Peter den Ouden, Renata Bauer, Jože Banič, Melita Osojnik, Matej Zupan itd. Sodeloval je na Mladinskem pevskem festivalu v Celju, Festivalu Križanke, na Evropskem mesecu kulture in Naši pesmi v Mariboru.

Poletna sola 2020.indd 17 17. 07. 2020 08:23:44 Dr Andrej Misson obtained his undergraduate degree in conducting in the class of Prof Anton Nanut from the Academy of Music in Ljubljana in 1985. Studying composition with Prof Dane Škerl, he graduated in 1987, received his master’s degree in 1995 and PhD in 1997. Since 1993, he has been working at the Academy of Music in Ljubljana, from 1997 as Assistant Professor for Music Theory courses. He is Full Professor of counterpoint. He devotes much of his energy to theoretical and teaching work. Misson is a researcher and an expert in the fi eld of the compositional technique counterpoint. He holds a PhD in music theory, performs on organ, piano and harpsichord, and conducts choirs. He attends the Slovenian Music Days symposium. He was a harpsichordist in the Ramovš Consort and a choirmaster of the academic choir of the Primorska region Vinko Vodopivec (1989-1994). Moreover, his work includes the computer in music (notation) and music psychology. Since 2002, he has been a member of the Council for Music Education at the Ministry of Ed- ucation, Science and Sport. He is a member of the committee for the protection of authors’ rights at the SAZAS Society. He has been the choirmaster of male choir First Slovenian Singing Society LIRA from Kam- nik since 2000, with which he has performed in international festivals in London and Prague and for which he has written arrangements as well as original works. Since composing his fi rst work in 1975, he has so far written around 70. His oeuvre is mainly dedicated to chamber, organ and choral music. His most notable works include Letni časi (‘Seasons’) for mixed choir; motets Ave Maria, Pater noster, Magnifi cat, Iubilate deo, Ave maris stella for mixed choir; Toccata, Aria, Finale for organ; variations V nebesih sem doma (‘My Home Is in Heaven’) for organ; Trio for fl ute, cello and piano; Music for Strings etc.... Among others, his music has been performed by the RTV Slovenia Chamber Choir, the Choir of the Slovenian Philharmonics, Ljubljana Madrigalists, Peter den Ouden, Renata Bauer, Jože Banič, Melita Osojnik and Matej Zupan. He has collaborated with the Youth Singing Festival in Celje, the Križanke Festival, the Eu- ropean Month of Culture and the Naša Pesem festival in Maribor.

Gašper Jereb je svojo glasbeno pot začel v Glasbeni šoli Kranj z igranjem na harmoniko, orgle in klavir. Kot zasebni učenec je nadaljeval šolanje pri prof. Borisu Vremšaku (teorija) in prof. Klemenu Karlinu (orgle). Leta 2008 je z odliko diplomiral na oddelku za kompozicijo in glasbeno teorijo (mentor prof. Marko Mihevc) na ljubljanski Akademiji za glasbo, kjer nadalju- je študij orgel pod mentorstvom prof. Renate Bauer. Ob študi- ju ga je zamikalo tudi solopetje (prof. Sabira Hajdarević, prof. Janez Hostnik). Kot skladatelj se posveča tako inštrumentalni kot vokalni kompoziciji, tako da ob priložnostih sodeluje z ra- zličnimi zbori (KPZ Mysterium Kranj, APZ France Prešeren Kranj, De profundis, Slovenski komorni zbor, Consortium musicum, Adoramus) kot korepetitor, pevec, zborovodja, s simfoničnimi (Orkester RTV Slovenija, Orkester Slovenske fi lharmonije) in pihalnimi orkestri (Zveza slovenskih godb), komornimi sestavi (Kvartet Allegria, Trio Seraphim) ter solisti (Anja Bukovec, Janez Lotrič).

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Poletna sola 2020.indd 18 17. 07. 2020 08:23:44 Njegova glasbena govorica je zazrta v preteklost, iz katere črpa navdih za svoje delo. Tako lahko v njegovih skladbah zasledimo zanimiva renesančna sozvočja, polifonost baroka, kla- sicistično urejenost, romantično sanjavost pa tudi prvine jazza in modernih prijemov, ki pa os- tanejo v službi lepega in prijetnega za uho.

Gašper Jereb started his music education at the Kranj Music School, playing the accordion, organ and piano. He later took private lessons with teachers Boris Vremšak (music theory) and Klemen Karlin (organ). In 2008 he graduated with honours in the class of Prof Marko Mihevc from the Department of Composition and Music Theory of the Ljubljana Academy of Music. He continues his education at the same institution, studying the organ in the class of Prof Renata Bauer. In addition, he has been interested in singing, taking lessons with Sabira Hajdarević and Janez Hostnik. As a composer, he works both on instrumental and vocal music, collaborating with various choirs (KPZ Mysterium from Kranj, the Academic Choir France Prešeren from Kranj, De profundis, the Slovenian Chamber Choir, Consortium musicum, Adoramus) also as a piano accompanist, singer and choirmaster, with symphony orchestras (the RTV Slovenia Sympho- ny Orchestra, the Slovenian Philharmonic Orchestra), brass bands (the Association of Slove- nian Brass Bands), chamber ensembles (the Allegria Quartet, the Seraphim Trio) and soloists (Anja Bukovec, Janez Lotrič). His musical expression flirts with the past, which has been inspiration for his work. His music includes interesting renaissance harmonies, the polyphony of the baroque, classical orderli- ness, romantic dreaminess and even elements of jazz and contemporary music, which are always in the service of beauty and pleasing to the ear.

©Tamino Petelinšek Goršičeve orgle v uršulinski cerkvi Sv. Trojice v Ljubljani (op. 56, 1891, III/30)/The organ by F. Goršič in the Ursuline Church of the Holy Trinity in Ljubljana (Op. 56, 1891, III/30)

Poletna sola 2020.indd 19 17. 07. 2020 08:23:44 KITARSKI FESTIVAL/GUITAR FESTIVAL

Mentorji/Teachers Krešimir Bedek Andrej Grafenauer Tomaž Rajterič Katja Porovne Silič Izidor Erazem Grafenauer

Mojstrski tečaji/Masterclasses 24.−29. 8. 2020

Kotizacija/Tuition: • Aktivna udeležba/Active participation Učenci, dijaki, zunanji študentje, drugi kandidati in formirane komorne skupine (najmanj 5 individualnih ur pouka z mentorjem)/Students of all levels, chamber groups (at least five individual lessons with a teacher): 200 €, prijava do/for applications prior to 13. 7. 2020: 170 €

• Pasivna udeležba/Passive participation - 100 € za teden/per week - 30 € na dan/per day

Učitelji glasbenih šol, ki se bodo pasivno udeležili festivala, bodo dobili potrdila o udeležbi, ki jih lahko uveljavljajo pri napredovanju v nazive v glasbeni šoli./The Music school teachers who will passively participate in the festival will receive the certificate of participation, which can be used when applying for promotion.

Akademija za glasbo v Ljubljani v okviru Poletne šole Akademia Musicæ Labacensis organizira šestdnevni Kitarski festival, ki bo potekal od 24. do 29. avgusta 2020. V okviru festivala bodo potekali mojstrski tečaji in koncerti. Mojstrski tečaji so namenjeni nadarjenim učencem, dijakom in študentom kitare, drugim kitaristom ter komornim skupinam s kitaro. Udeleženci se bodo lahko seznanili tudi s historičnimi brenkali (lutnje, baročna kitara, romantična kitara). Predvideno je še formiranje kitarskega orkestra udeležencev pod vodstvom prof. Tomaža Rajteriča. Možna je tudi pasivna udeležba za učitelje kitare in vse druge zainteresirane.

As a part of the summer school Akademia Musicæ Labacensis, the Ljubljana Acad- emy of Music is organizing a six-day guitar festival, which will take place from 24 to 29 August 2020. The festival programme includes masterclasses and concerts. Master- classes are intended for students of primary and secondary music schools, university programmes and chamber groups with guitar. In addition, the participants will be able to try various period instruments (the lute, baroque guitar, romantic guitar) and play in a guitar orchestra, led by prof. Tomaž Rajterič. Pasive participation in possible for guitar teachers and the general public.

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Poletna sola 2020.indd 20 17. 07. 2020 08:23:44 Krešimir Bedek je diplomiral v razredu Dar- ka Petrinjaka na Glasbeni akademiji Univerze v Za- grebu. Podiplomski študij je zaključil v razredu Zora- na Dukića na Kraljevem konservatoriju v Haagu na Nizozemskem. Zaposlen je kot docent na Glasbeni akademiji v Za- grebu. Kot solist, orkestrski glasbenik in v različnih komornih zasedbah. Nastopal je na Hrvaškem, Nizozemskem, v Belgiji,

© Redd Philmen © Redd Nemčiji, Španiji, na Portu- galskem, v Izraelu, Estoniji in Rusiji. in Rusiji. Je prejemnik številnih nagrad in priznanj na Hr- vaškem in v tujini. Na 42. tribuni mladih umetnikov Darka Lukića je osvojil glavno nagrado in nagrado Koncertne dvorane Vatroslava Lisinskega, kot asistent na Glasbeni akademiji v Zagrebu je prejel letno nagrado Društva visokošolskih učiteljev in drugih znanstvenikov v Za- grebu za leto 2010. Je dvakratni lavreat prestižnega mednarodnega tekmovanja Printemps de la guitare (Charleroi, Belgija, 2006 in 2008) in zmagovalec mednarodnih kitarskih tekmovanj Guitar and Chamber Music Festival Zwolle in Scharpach gitaar concurs (oboje Nizozemska 2006), Gui- tarmania (Almada, Portugalska, 2007) in Certamen Internacional de Guitarra de Barcelona ‘Miquel Llobet’ (2008).

Krešimir Bedek graduated from the Zagreb Music Academy in the class of Darko Petrinjak and continued his studies in The Netherlands at the Royal Conservatory in The Hague where he gained his master’s degree with Zoran Dukić. He has performed as a soloist, with orchestras and in various chamber music ensembles all over Croatia and in Spain, Portugal, Germany, Netherlands, Belgium, Israel, Estonia and Russia. He has been awarded many prizes in Croatia, among them the main prize in the 42nd Young Artists Podium Darko Lukić and Vatroslav Lisinski Hall Award. He is a double laureate of the prestigious international competition Printemps de la guitarre (Charleroi, Belgium, 2006 and 2008) and the winner of several international guitar competitions: Certamen Internacional de Guitarra de Barcelona’ Miguel Llobet (2008) Guitarmania (Almada, Portugal, 2007), Guitar and Chamber Music Festival Zwolle and Scharpach gitaar concurs (Netherlands 2006). Krešimir Bedek teaches the guitar at the Zagreb Music Academy.

Andrej Grafenauer se je začel učiti kitaro pri profesorju Tomažu Šeguli, na Visoki šoli za glasbo v Gradcu pa je diplomiral v razredu prof. Marge Bäuml-Klasinc. Izpopolnjeval se je še pri nekaterih znanih umetnikih, med njimi pri urugvajskem kitaristu Abelu Carlevaru. Kot solist in v malih komornih zasedbah je nastopil na koncertnih ciklih in festivalih v Sloveniji in tujini z deli različnih stilnih obdobij in usmeritev od renesanse do sodobnih skladb. Vodi poletne šole in je član žirij na mednarodnih tekmovanjih. Od leta 1992 poučuje kitaro na Aka- demiji za glasbo v Ljubljani. Njegovi študentje so prejeli vrsto najvišjih nagrad na državnih in mednarodnih tekmovanjih.

Poletna sola 2020.indd 21 17. 07. 2020 08:23:45 ih skladateljev, druge pa predvsem z baročno in romantično literaturo za kitaro in kitarski duo. Med letoma 2009 in 2017 je bil dekan Akademije za glasbo v Ljubljani. Za svoje umetniško delovan- je v glasbi je leta 2000 prejel Betettovo nagrado Društva glasbenih umetnikov Slovenije ter leta 2018 še zlato plaketo Univerze v Ljubljani.

Andrej Grafenauer started learning the guitar with Tomaž Šegula. He studied at the High School of Music in Graz where he graduated in the class of Prof Marge Bäuml-Klasinc. He had additional training with internationally renowned artists, such as the Uruguayan guitarist Abel Carlevaro. As a guitar soloist and a member of small chamber groups, he has appeared in concert series and festivals in Slovenia. Andrej Grafenauer has performed all around Europe, presenting music from different periods and styles, from the renaissance to contemporary music. He is an internationally acclaimed artist, who has been teaching at the Ljubljana Academy of Music as a professor of guitar since 1992, gives masterclasses and is a member of juries in important international guitar competitions. His highest achieving students are winners of international and national competitions. He has recorded several albums both as a soloist and as a member of a guitar duo, among them two are dedicated to works by Slovenian composers, while others mainly feature music from the baroque and romantic era. From 2009 to 2017 he served as Dean of the Academy of Music of the University of Ljubljana. He is the recipient of the Slovene Music Artists Asso- ciation prize, the Betetto award for best original music achievement and the Gold Plaque of the University of Ljubljana.

Tomaž Rajterič se je rodil v Ljubljani, kjer je z osmimi leti začel glasbeno izobraževanje. Prve kitarske korake je naredil pri desetih letih, pozneje pa je kitaro študiral v Ženevi, Lozani in Salzburgu. Že zelo kmalu je začel nastopati na koncertnih odrih ter sodelovati na tekmovanjih mladih glasbenikov, kjer je praviloma dosegal najvišja mesta. Še pred svojim dvajsetim letom si je priigral nagrade tudi na velikih mednarodnih tekmovanjih (Sablé, Beograd, Rio de Janeiro). Danes s solističnimi recitali in v različnih komornih zasedbah, največkrat v različnih duih s priznanimi inštrumentalisti in pevci, nastopa po Sloveniji in v evropskih državah, po Južni Ameriki, ZDA in Aziji. Vabijo ga na mednarodne kitarske festivale, prav tako pa je gost ra- zličnih orkestrov. Velja za tankočutnega kitarskega interpreta, ki z enako zavzetostjo izvaja dela različnih slogovnih obdobij – od renesanse prek baročnih mojstrov z Bachom, klasicizma in romantike do priljubljenih španskih in latinsko-ameriških skladateljev ter repertoarja sodobnih avtorjev. Plodno sodeluje s slovenskimi skladatelji, saj je krstil več njihovih del, ki jih z veseljem in z uspehom pri občinstvu uvršča na svoje programe. Njegova diskografi ja obsega tri solistične zgoščenke, eno z glasbo Albeniza in Ville-Lobosa, drugo z izbranimi deli iz kitarske literature 20. stoletja, na tretji pa so dela sodobnih slovenskih

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Poletna sola 2020.indd 22 17. 07. 2020 08:23:45 skladateljev. Veliko posnetkov je naredil tudi za arhiv Radia Slovenije. Poleg red- nega nastopanja in snemanj deluje tudi kot pedagog. Je redni profesor na Aka- demiji za glasbo Univerze v Ljubljani.

Tomaž Rajterič was born in Ljubljana, where he started his music education at the age of eight. He made his fi rst steps on the guitar at the age of ten and later studied in Geneva, Laus- anne and Salzburg. Early, he started performing on concert stages and at- tending competitions for young musicians, where he regularly received top awards. Before the age of twenty, he was prize winner of important international competitions (Sablé, Belgrade, Rio de Janeiro). As a soloist or a member of different chamber groups, especially duos with notable instrumentalists and singers, he has performed across Slovenian, around Europe in South America, the USA and Asia. He is invited to international guitar festivals and collaborates with different orchestras. He is considered a sensible performer of guitar music, who approaches works from different style periods–from the renaissance, baroque masters and Bach, classicism and romanticism to popular Spanish and Latin American composers and contemporary music–with equal zeal. He has successfully collaborated with Slovenian composers, premiering a number of their works. He likes to place their music in his concert programmes regularly, for which he gets a favourable reception by the audience. His discography includes three solo records: one with music by Albeniz and Villa-Lobos, another with selected guitar works from the 20th century and the third with contemporary Slovenian music. In addition, he has made many recordings for the archive of the Radio Slovenia. Beside performing and recording, he is Full Professor at the Academy of Music of the University of Ljubljana.

Katja Porovne Silič je kitaro študirala na ljubljanski Akademiji za glasbo pri prof. Andreju Grafenauerju, kjer je junija 1994 diplomirala. Študij je nadaljevala na Univerzi za glasbo in gledališče na Dunaju pri prof. Brigitte Zaczek, kjer je junija 2000 z odliko zaključila študij. Kot najboljša diplomantka kitarskega oddelka je prejela posebno priznanje (Würdigung- spreis), ki ga podeljuje avstrijsko ministrstvo za izobraževanje, znanost in kulturo. Solistično in v komornih zasedbah koncertira doma in v tujini, med drugim tudi v okviru različnih koncertnih ciklov in glasbenih festivalov. V letih 1992, 1993 in 1994 je osvojila najvišja mesta na tekmovanjih mladih glasbenikov Slovenije. Uspešno se je udeležila tudi mednarodnih kitarskih tekmovanj, kjer je leta 1999 prejela več nagrad: Rust, Avstrija (»Nikita Koshkin«) − 3. nagrada, Mottola, Italija, (»Citta di Mottola«) − 4. mesto, Granada, Španija (»Paco Santiago Marín«) − častna nagrada (Mención Honorifi ca execuo), Dunaj, Avstrija (»Forum Gitarre 99«) − 1. mesto in 2. nagrada. S prof. Andrejem Grafenauerjem sta kot kitarski duo izdala dve kompaktni plošči. Prvo leta

Poletna sola 2020.indd 23 17. 07. 2020 08:23:45 2000 z deli F. Sora in J. K. Mertza, drugo pa oktobra 2001 z deli Strajnarja, Staniča, Šavlija, Pierra-Petita in Castelnuova-Tedesca. Septembra 2009 je izšla kompaktna plošča skladatelja Aleša Strajnarja, za katero sta s prof. Andrejem Grafenauerjem posnela Sonato za dve kitari št. 1. Kitaro in kitarsko komorno igro poučuje na Akademiji za glasbo v Ljubljani.

Katja Porovne Silič studied the guitar at the Ljubljana Academy of Music with Prof Andrej Grafenauer, graduating in June 1994. She continued her studies at the University of Music and Performing Arts in Vienna, in the class of Prof Bri- gitte Zaczek, where she graduated with honours in June 2000 and received the so-called ‘Würdi- gungspreis’ from the Austrian Ministry of Educa- tion, Science and Culture as the best graduate of the guitar. She gives concerts at home and abroad, among others in various concert cycles and guitar festivals, both as a soloist or a chamber musician. In the years 1992, 1993 and 1994 she took the highest places in competitions for young Slovenian musicians. She has successfully attended international guitar competitions and, in 1999, received the following prizes: Third Prize in Rust, Austria (‘Nikita Koshkin’), the fourth place in Mottola, Italy (‘Citta di Motto- la’), honourable mention in Granada, Spain (‘Paco Santiago Marín’), the fi rst place and Second Prize in Vienna, Austria (‘Forum Gitarre 99’). In the guitar duo with Andrej Grafenauer, they have published two CDs: fi rst, in 2000 with works by F. Sor and J. K. Mertz; second, in October 2001 with works by Strajnar, Stanič, Šavli, Pierre-Petit and Castelnuovo-Tedesco. In September 2009, the duo appeared on the album by composer Aleš Strajnar, recording his Sonata for Two Guitars No 1. She teaches guitar and chamber music at the Academy of Music in Ljubljana.

Izidor Erazem Grafenauer je bil kot izredni talent sprejet na Akademijo za glasbo v Ljubljani, kjer je leta 2013 diplomiral v razredu prof. Andreja Grafenauerja. Leta 2017 je magistriral iz historičnih brenkal v Benetkah pri prof. Tizianu Bagnatiju, specializacijo iz kitare pa je končal leta 2018 v Zagrebu pri prof. Istvánu Römerju. Na državnih in mednarodnih tekmovanjih je prejel vrsto najvišjih nagrad. Prejel je tudi dve Prešernovi nagradi Akademije za glasbo v Ljubljani. Pogosto nastopa kot solist (kitara, baročna kitara, teorba, baročna lutnja, vihuela) in komorni glasbenik po Sloveniji ter na pomembnih festivalih in v glasbenih centrih v različnih evropskih državah (Hrvaška, Srbija, Madžarska, Italija, Belgija, Francija, Nemčija, Avstrija, Pol- jska, Rusija, Litva …). Večkrat je nastopil kot solist z različnimi orkestri, kot so Slovenska fi lhar- monija, Simfonični orkester SNG Maribor, Musica Viva Moskva, La Voce Strumentale, Komorni orkester Klaipeda, Dubrovniški komorni orkester itd. Kot komorni glasbenik sodeluje s števil- nimi pomembnimi mednarodnimi umetniki inštrumentalisti in pevci.

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Poletna sola 2020.indd 24 17. 07. 2020 08:23:46 © Vesna Zednik V letu 2018 je pri založbi Divya records izšla prva samostojna plošča s skladbami za baročno lutnjo, decembra 2019 pa je pri Baros records izšla njegova plošča z novimi skladbami slovenskih skladateljev za kitaro solo in kitaro v komornih skupinah. Na Akademiji za glasbo v Ljubljani poučuje izbirni predmet lutnjo in historične inštrumente s strunami.

Izidor Erazem Grafenauer was accepted into the Academy of Music in Ljubljana as an exceptional talent. He graduated in 2013 in the class of Prof Andrej Grafenauer. In 2017, he obtained his master’s degree in period plucked string instruments in Venice, where he studied with Prof Tiziano Bagnati. He earned his specialist degree in guitar in 2018, studying in Zagreb with Prof István Römer. In national and international competitions, he has received a number of highest prizes. He is also a recipient of two Prešeren Awards for Stu- dents, given by the Academy of Music in Ljubljana. He regularly performs as a soloist on the guitar, baroque guitar, theorbo, baroque lute and vihuela and as a chamber musician. He has appeared in important festivals and music centres in Slovenian and various European countries (Croatia, Serbia, Hungary, Italy, Belgium, France, Germany, Austria, Poland, Russia, Lithuania etc.). He has been invited to perform as a soloist with the following orchestras: the Slovenian Philharmonic Orchestra, the Maribor SNG Symphony Orchestra, Musica Viva Moskva, La voce strumentale, the Klaipeda chamber orchestra, the Dubrovnik Chamber Orchestra etc. As a chamber musician, he has collaborated with numerous renowned international instrumentalists and singers. His fi rst album was published by the Divya Records in 2018 with music for the baroque lute. In December 2019, his second album was released by the Baros Records, featuring works for the guitar and chamber ensembles with the guitar by Slovenian composers. He teaches the lute and period plucked string instruments at the Ljubljana Academy of Music.

Poletna sola 2020.indd 25 17. 07. 2020 08:23:46 ‘ZBIRNA TOČKA’ ZA VIOLO & KOMORNO GLASBO/ VIOLA & CHAMBER MUSIC ‘MEETING POINT’

Mentorji/Teachers Garth Knox Emile Samama Cantor Maja Rome

Mojstrski tečaj/Masterclass 24.−30. 8. 2020

Udeleženci/Participants • Študenti, dijaki in mladi profesionalni glasbeniki, ki jih navdušuje odkrivanje izva- jalskih možnosti inštrumenta./Students of secondary music school and university programmes and young professional musicians who are eager to research the possibilities of the instrument. • Tečaj komorne igre je namenjen študentom, dijakom in mladim profesionalnim glasbenikom, ki že imajo formirane komorne skupine, in seveda tudi drugim, ki bodo v skupino razvrščeni na Poletni šoli./The chamber music masterclass is intended for students of secondary music school and university programmes and young professional musicians who play in a pre-formed chamber group or want to play in an ad hoc chamber group formed in the summer school. • Vabljeni vsi pasivni udeleženci, ki jih obravnavana področja zanimajo (dijaki, štu- denti, učitelji ...)./Everybody interested in the programme of the course are welcome to join us as passive participants (students of secondary music school and university programmes, teachers etc.). Kotizacija/Tuition • Aktivna udeležba/Active participation: - Viola: 250 €, prijava do/for applications prior to 13. 7. 2020: 220 € - Komorna glasba/Chamber Music:: - duo: 400 €, prijava do/for applications prior to 13. 7. 2020: 360 € - trio: 600 €, prijava do/for applications prior to 13. 7. 2020: 550 € - kvartet in večje zasedbe/quartet or larger ensemble: 750 €, prijava do/for applications prior to 13. 7. 2020: 700 € • Pasivna udeležba/Passive participation: 100 €

Program/Programme • individualni pouk/individual lessons • pouk komorne glasbe/chamber music lessons • tematska predavanja/thematical group lectures • sodobna glasba/contemporary music • priprava orkestrskih partov za violiste/orchestral excerpts • projekt ‘ostani FIT’/’stay FIT’ project • koncerti/concerts

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Poletna sola 2020.indd 26 17. 07. 2020 08:23:46 Dobrodošli na »Zbirni Točki« violistov in komornih glasbenikov. V našo družbo vabljeni vsi violisti in komorni glasbeniki, željni raziskovanja in širjenja obzorij o glasbenem ust- varjanju, ki je hkrati tudi neprecenljiva obogatitev naših življenj! Dobimo se na lokacijah Akademije za glasbo od 24. do 30. avgusta 2020. Program bo zajemal individualne ure s priznanimi pedagogi, tematska predavanja, orkestrsko delavnico, jutranjo FIT vadbo in seveda druženje in deljenje izkušenj. Pri komorni glasbi so vnaprej formirane skupine zaželjene, niso pa pogoj za udeležbo.

Ekipa »Zbirne Točke«

Welcome to the Viola and Chamber Music ‘Meeting Point’. We would like to invite you to join us for the summer school for the violists and chamber musicians who wish to experience an unforgettable week of music making! We’ll meet at the Academy for Music of the University of Ljubljana. The programme includes individual lessons with renowned lecturers, thematic lectures, a workshop on playing orchestral parts and morning workouts. Finally, there will be time for developing new friendships and sharing the experience. The Chamber Music Workshop wel- comes pre-formed groups as well as individuals who want to play chamber music.

‘Meeting Point’ Team

Garth Knox je študiral na Royal College of Music v Londo- nu pri Fredericku Riddlu. Nagrade na tekmovanjih so mu omogočile sodelovanja z vodilnimi izvajal- skimi sestavi v Londonu, z repertoarjem od baroka do sodobne glasbe. Leta 1983 je na povabilo Pierra Bouleza postal član ansambla InterContemporain v Parizu, kar mu je prineslo solistične nastope, sodelovanja s Pierrom Boulezom, komorno muziciranje in sodelovanje na različnih mednarodnih

© D. Vass © D. festivalih. Leta 1990 je postal član Godalnega kvarteta Arditti, s katerim je nastopal v svetovno znanih koncertnih dvoranah in izvedel mnoge krstne izvedbe del skladateljev, kot so Ligety, Kurtag, Berio, Xenakis, Lachenmann, Cage, Feldman in Stockhausen (znameniti »Helicopter Quar- tet«). Od leta 1998 se posveča solistični karieri. Krstno je izvedel dela skladateljev, kot so Henze, Ligety, Schnittke, Ferneyhough, James Dillon, George Benjamin. Redno sodeluje v gledaliških in plesnih projektih, je avtor monopredstave za otroke, posveča pa se tudi improvizaciji. V zadnjem času veliko raziskuje možnosti viole d’amore v sodobni glasbi v povezavi z elek- troniko in brez nje ter ustvarja nov repertoar za ta inštrument. Za violo d’amore je posnel tudi zgoščenko D’Amore (EMI New Series 1925). Trenutno živi v Parizu; kot solist in komorni glasbenik koncertira po vsem svetu. Je prejemnik Deutche Schallplaten Preis za zgoščenko Skladbe za violo/Works for Viola. • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 24 25

Poletna sola 2020.indd 27 17. 07. 2020 08:23:47 Garth Knox studied at the Royal College of Music in London with Fredrick Riddle, where he won several prizes for viola and for chamber music. Thereafter he played with most of the leading groups in London in a mixture of all repertoires, from baroque to contemporary music. In 1983 he was invited by Pierre Boulez to become a member of the Ensemble Intercon- temporain in Paris, where he had the chance to do much solo playing (including concertos directed by Pierre Boulez) and chamber music, touring widely and playing in international festivals. Garth joined the Arditti String Quartet in 1990 , playing in all the major concert halls of the world, working closely with and giving fi rst performances of pieces by most of today’s leading composers including Ligeti, Kurtag, Berio, Xenakis, Lachenmann, Cage, Feldman and Stockhausen (the famous Helicopter Quartet). Since leaving the quartet in 1998, Garth has given premieres by Henze, Ligeti, Schnittke, Fer- neyhough, James Dillon, George Benjamin and many others. He also collaborates regularly in theatre and dance projects and has written and performed shows for children and young audiences. Improvisation is also an important part of his musical activity. Garth has recently begun to explore the possibilities of the viola d’amore in new music, with and without electronics, and is in the process of creating a new repertoire for this instrument. His album D’Amore (EMI New Series 1925) features old and new music for the viola d’amore. He now lives in Paris and gives recitals, concertos and chamber music concerts all over Eu- rope, the USA and Japan. His solo album Works for Viola won the coveted Deutsche Schall- platen Preis in Germany. Emila Cantorja (Nizozemska) je zvok viole na- vdušil že pri štirinajstih. Med letoma 1973 in 1975 je študi- ral pri prof. Sergeu Collotu na Državnem konservatoriju v Parizu. Njegova kultura in slog igranja sta ga zelo zaz- namovala pri razvoju. Kot solo violist je bil član Nizozemskega komornega orkestra iz Amsterdama, Filharmoničnega orkestra iz Københavna, Državnega fi lharmoničnega orkestra iz Toulousa ter Simfoničnega orkestra iz Aarhusa na Dan- skem. Medtem ko je bil član simfonikov iz Düsseldorfa, je leta 1987 soustanovil Godalni kvartet Orpheus. Kvartet je osvojil prve nagrade na mednarodnih tekmovanjih v Rimu, Münchnu in Osaki ter velja za enega vodilnih godalnih kvartetov v Evropi. Z belgijskim pianistom Philippom Terseleerjem je začel cikel koncertov Correspondence, ki predstavljajo povezave med umetnostjo, poezijo in glasbo. Emile Cantor je krstno izvedel mnoge skladbe za violo z različnimi orkestri in je kot član žirij sodeloval na mednarodnih tekmovanjih, kot so tekmovanja Mauricea Vieuxa, Walterja Witta, Maxa Rostala, tekmovanje ARD za violo, tekmovanju godalnih kvartetov v Londonu in tekmovanju za mlade komorne glasbenike Jugend Musiziert. Mednarodni ugled si je prislužil tudi s svojim pedagoškim delom. Od leta 1986 poučuje na glasbenih šolah v Trossingenu in Aachnu, v letih 1992–1999 je bil tudi profesor za violo na Univerzi v Mainzu, od leta 1999 sodeluje z Univerzo Folkwang v Essnu. Od leta 2002 je izredni profesor na Konservatoriju v Barceloni, od leta 2016 poučuje tudi na Akademiji za glasbo Uni- verze v Ljubljani. Poleg tega od leta 1988 deluje kot mentor Nemškega mladinskega državne- ga orkestra (BJO) in redno vodi poletne tečaje v Nemčiji, na Finskem, Švedskem, v Španiji, Belgiji in Švici.

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Poletna sola 2020.indd 28 17. 07. 2020 08:23:47 Emile Cantor (The Netherlands) started to play viola at the young age of 14, fasci- nated by its tonal beauty. From 1973 to 1975 he took private lessons and studied at the National Conservatory of Paris as a student of Professor Serge Collot, whose culture and style of playing has infl uenced him most. Mr Cantor has held solo-viola positions in the Netherland Chamber Orchestra in Amsterdam, the Philharmonic Orchestra of Copenhagen, the Orchestre National du Capitole de Toulouse and the Aarhus Symphony Orchestra in Denmark. While he was a member of the Dusseldorf Symphony Orchestra, Emile co-founded the Orpheus Quartet in 1987. The quartet won fi rst prizes in the international competitions of Rome, Munich and Osaka and is still one of the leading string quartets in Europe. Together with the Belgian pianist Philippe Terseleer, Emile founded Correspon- dances, a cycle of concerts that intend to demonstrate the relationship between art, poetry and music. Mr Cantor has premiered many different works for viola solo with various ensembles and has been a member of international juries in the Concours Maurice Vieux, the Wal- ter Witte Wettbewerb, the Max Rostal competition and the ARD competition for viola, as well as the London String Quartet competition and Jugend Musiziert for chamber music. His work as a teacher has given him international reputation; Mr. Cantor has taught in the Trossingen and Aachen Hochschules since 1986 and was a professor for viola at the University of Mainz (1992−1999) and has been teaching at the Folkwang University of the Arts in Essen since 1999. He is also an associate professor at the Conservatori del Liceo in Barcelona (since 2002) and the University of Ljubljana, the Academy of Music. In addition, Emile Cantor has been a coach in the German national youth orchestra (BJO) since 1988 and teaches regularly at summer courses in Germany, Finland, Spain, Belgium, Switzerland and Sweden.

Maja Rome je solo violistka Orkestra Slovenske fi l- harmonije in Komornega godalnega orkestra Slovenske fi lharmonije. Poučuje tudi na Akademiji za glasbo Univer- ze v Ljubljani, kjer z letnim semestrom 2019/2020 zaseda delovno mesto docentke za violo. Diplomirala je na Akademiji za glasbo v Ljubljani v razredu prof. Mileta Kosija, podiplomsko pa se je izobraževala v Ljubljani in na Visoki šoli za glasbo v Detmoldu v razredu prof. Diemut Poppen. Med študijem se je dodatno izobraževala pri profesorjih, kot so Hariolf Schlichtig, Wol- fram Christ, Mile Kosi ... Je prejemnica študentske Prešernove nagrade in Kristal- nega grba mesta Celje za študijske dosežke. Kot solo violistka Orkestra Slovenske fi lharmonije je sodelovala z dirigenti, kot so sir Neville Marriner, Charles Dutoit, Andres Orozco-Estrada, Marko Letonja, Julian Rachlin ... Kot solistka in članica Komornega godalnega orkestra Slovenske fi lharmonije je nastopala na več mednarodnih festivalih (Festival Ljubljana, Sozvočje svetov, Festival Slowind, Festival Maribor, Ohridski poletni festival, Zagrebški bienale ...) in imela priložnost sodelovati v različnih komornih zasedbah z vrhunskimi glasbeniki, kot so Dmitrij Sitkovetski, Sreten Krstić, Andreas Janke, Diemut Poppen, Primož Novšak in člani Avstralskega komornega orkestra. Posveča se tudi izvajanju slovenske sodobne glasbe. Je članica Ansambla MD7 in večkrat tudi krstno izvaja dela slovenskih skladateljev za violo solo ali komorni ansambel. • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 26 27

Poletna sola 2020.indd 29 17. 07. 2020 08:23:49 Maja Rome is the solo violist of Slovenian Philharmonic Orchestra and Slovenian Philharmonic String Chamber Orchestra. She will occupy a full teaching position at the Academy of Music in Ljubljana in summer semester 2019/2020. She graduated Summa Cum Laude from the Academy of Music in Ljubljana with Mile Kosi and completed her postgraduate studies with Diemut Poppen at Hochschule für Musik in Detmold. During her studies, she attended seminars with Hariolf Schlichtig, Wolfram Christ, Mile Kosi. She is a recipient of the Prešeren Award for Students and the ‘Kristalni grb’ medal of the city of Celje for her artistic achievements during her studies. As a solo violist of the Slovenian Phil- harmonic Orchestra she has worked with many renowned musicians, such as Sir Neville Mar- riner, Charles Dutoit, Andres Orozco Estrada, Marko Letonja, Julian Rachlin etc. As a soloist or a member of the Slovenian Philharmonic String Chamber Orchestra she has performed at many festivals (Festival Ljubljana, Sozvočje svetov, Festival Slowind, Festival Maribor, Ochrid Summer festival, Bienale Zagreb etc.) and has had a chance to play chamber music with musicians such as Dmitry Sitkovetsky, Sreten Krstić, Andreas Janke, Primož Novšak and members of the Australian Chamber Orchestra. In addition, she devotes much of her attention to Slovenian contemporary music. She is a member of Ensemble MD7 and regularly premieres new works for viola solo.

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Poletna sola 2020.indd 30 17. 07. 2020 08:23:49 PETJE/SINGING

Mentorica/Teacher Bernarda Fink

Mojstrski tečaj/Masterclass Zaključni koncert/Final concert 31. 8.−6. 9. 2020 6. 9. 2020

Maksimalno število udeležencev/Maximum number of participants • Aktivna udeležba/Active participation: 8 (šest individualnih lekcij/six individual lessons) • Pasivna udeležba/Passive participation: 8

Kotizacija/Tuition • Aktivna udeležba: 550 €, prijava do/for applications prior to 13. 7. 2020: 500 € • Pasivna udeležba: 250 €

Kandidati/Candidates Zaradi omejenega števila udeležencev bo potekal predizbor. Prosimo, da ob prijavi (do 13. 7. 2020) pošljete videoposnetek na YouTubu (cca. 10 minut) s skladbami iz dveh stilnih obdobij. Komisija bo na podlagi prejetih posnetkov opravila predizbor kandidatov./Due to limited spaces available, active participation will be deter- mined by audition. Upon application (till 13 July 2020), please send a YouTube video (around 10 minutes) with music from two stylistic periods. A jury will select participants based on their performance in the video.

Bernarda Fink je bila rojena slovenskim staršem v Buenos Airesu v Argentini in je prejela pevsko ter glasbeno izobrazbo na Visoki šoli za umetnost gledališča Colón, kjer je tudi redno nastopala. Leta 1985 je na tekmovanju Nuevas Voces Líricas osvojila prvo nagrado in se preselila v Evropo. Njen repertoar je širok in sega od stare glasbe do del sodobnih skladateljev. Kot pevka, ki je poznana po svoji vsestranskosti, redno sodeluje z vodilnimi evropskimi in ameriškimi orkestri, kot so Dunajska in Berlinska filharmonija, Kraljevi orkester Con- certgebouw, Državni kapeli iz Berlina in Dresdna, Simfonični orkester Bavarskega radia, Simfonični orkester iz Bostona, ter dirigenti, kot so Daniel Barenboim, Herbert Blomstedt, Semjon Bičkov, Riccardo Chailly, sir John Eliot Gardiner, Valerij Gergijev, Bernard Haitink, René Jacobs, Mariss Jansons, Riccardo Muti, sir Roger Norrington, Trevor Pinnock, sir Si- mon Rattle in Franz Welser-Möst. Omeniti je treba tudi tesno umetniško sodelovanje z Nikolausom Harnoncourtom, o čemur pričajo številni posnetki. Za svoje nastope prejema odlične pohvale in kritike. V juniju je debitirala v Dunajski državni operi z Debussyjevo Peleas in Melisanda. Redno nastopa na recitalih v dvorani Glasbenega združenja (Musikverein) in Koncertni dvorani na Dunaju, v Berlinski fil- harmoniji, Kraljevem gledališču Monnaie v Bruslju, na edinburškem festivalu, dvoranah Carnegie in Alice Tully v New Yorku. S kvartetom Pavel Haas je v londonski dvorani Wig- more, v Concertgebouw na Nizozemskem, v Haagu in Madridu izvedla Dvořákove in Janačkove pesmi.

Poletna sola 2020.indd 31 17. 07. 2020 08:23:49 Poleg recitalov na Dunaju, v Köl- nu, Madridu in Parizu, je s Camerato iz Salzburga in pod taktirko Mafreda Honecka izvedla Dvořákove Biblijske pesmi v Pragi in Dresdnu, Simfonijo št. 2 Gustava Mahlerja z Bostonskim sim- foničnim orkestrom in Andrisom Nel- sonsom ter Mahlerjevo Simfonijo št. 3 z Jakubom Hruso v Bambergu, Parizu, Muškatu in Ostravi. Na Nizozemskem je z Južnonizozemsko filharmonijo in di- rigentom Hansom Grafom poustvarila Mahlerjevo Pesem o Zemlji. Bernarda Fink redno izvaja mo- jstrske tečaje na dunajskih mojstrskih tečajih, Young Singers Project (YSP) v Salzburgu, na Akademiji festival v Aix- en-Provence, na Festivalu Aldeburgh in Fundaciji Royaumont. Bila je članica žirije mednarodnega pevskega tekmovanja v londonski dvorani Wigmore, Bachovega tekmovanja v Leipzigu, BBC Cardiff Singers of the World, Mednarodnega tekmovanja Das Lied in glasbenega tekmovanja ARD. O umetničinem obsežnem repertoar- ju priča bogata in s številnimi priznanji nagrajena diskografija, ki obsega dela

© Shirley Suarez © Shirley od Monteverdija, Händla in Bacha do Rameauja, Hasseja in Haydna ter Schuberta, Rossinija, Brucknerja in Schumanna. Številni posnetki so nagrajeni z nagradama diapason d’or in grammy. Leta 2006 je prejela avstrijski častni križ za znanost in umetnost, leta 2013, skupaj z bratom baritonistom Marcosom Finkom nagrado Prešernovega sklada Republike Slovenije. Leta 2014 je prejela najvišje avstrijsko pevsko priznanje; v Kongresni dvorani poslopja zvezne avstrijske vlade na Dunaju so ji podelili častni naslov komorna pevka oziroma Kammersängerin.

Bernarda Fink, a daughter of Slovenian parents, was born in Buenos Aires and received her vocal and music education from the Instituto Superior de Arte del Teatro Colón. Bernarda Fink is one of the most sought-after singers in concerts and recitals. She has been praised for her musical versatility and invited by leading orchestras and conductors in Europe and America. She frequently appears with such well-known orchestras as the Vienna and Berlin Philharmonic Orchestras, Royal Concertgebouw Or- chestra, Staatskapelle Berlin and Dresden, Bavarian Radio Symphony Orchestra, Bos- ton Symphony Orchestra under such famous conductors as Daniel Barenboim, Herbert Blomstedt, Semyon Bychkov, Riccardo Chailly, Sir John Eliot Gardiner, Valery Gergiev, Bernard Haitink, René Jacobs, Mariss Jansons, Riccardo Muti, Sir Roger Norrington, Trevor Pinnock, Sir Simon Rattle and Franz Welser-Möst. She formed a close artistic collaboration with Nikolaus Harnoncourt, the results of

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Poletna sola 2020.indd 32 17. 07. 2020 08:23:49 which have been aired on numerous TVs and released on many CD recordings. Her appearances in Argentina and in most important opera houses in Europe earned her widespread critical acclaim. In June 2017, Bernarda Fink made her debut in Debussy´s Pelléas et Mélisande at the Vienna State Opera. She regularly appears in recital at the Wiener Musikverein and Konzerthaus, Berlin Philharmonie, Théâtre Royal de la Monnaie in Brussels, Edinburgh Festival, Carnegie and Alice Tully Hall in New York. Furthermore, Bernarda Fink performed Dvořák and Janacek songs together with the Pavel Haas Quartett at London´s Wigmore Hall, at the Concertgebouw in Amsterdam, in Den Haag and in Madrid. In addition to recitals in Cologne, Vienna, Madrid and Paris, she has recently been featured in Dvořák´s Biblical Songs with Manfred Honeck in Prague and Dresden as well as with the Camerata Salzburg, Mahler´s Symphony No 2 with the Boston Sym- phony Orchestra and Andris Nelsons and Mahler´s Symphony No 3 with Jakub Hrusa in Bamberg, Paris, Muscat and Ostrava as well as in his Lied von der Erde with the South Netherlands Philharmonic and Hans Graf in the Netherlands. Mrs Fink regularly holds master classes at the Wiener Meisterkurse, the Young Singers Project (YSP) in Salzburg, the Academy of the Festival in Aix-en-Provence, at the Alde- burgh Festival and the Fondation Royaumont. She has been on the jury of the Interna- tional Song Competition of London Wigmore Hall, the Bach Wettbewerb Leipzig, BBC Cardiff Singers of the World, DAS LIED International Song Competition as well as the ARD Music Competition. She has made numerous highly acclaimed recordings. Her discography comprises more than 50 releases, ranging from Monteverdi and Rameau to Schubert, Bruckner and Schumann. Many of them have been awarded coveted prizes such as the Diapa- son d’Or or the Grammy. In 2006, Bernarda Fink was awarded the Austrian Honorary Medal for Art and Sci- ence and, in 2013, together with her brother Marcos Fink, the most prestigious cultural award of Slovenia sponsored by the Prešeren-foundation. In 2014 the Austrian Ministry of Arts awarded her with the title Austrian Kammersängerin. © Shirley Suarez © Shirley

Poletna sola 2020.indd 33 17. 07. 2020 08:23:49 JAZZ INKUBATOR/JAZZ INCUBATOR

Jazz inkubator • Big Band inkubator • Vokalni inkubator • Godalni inkubator • Jazz festival/Jazz Incubator • Big Band Incubator • Vocal Incubator • String Incubator • Jazz Festival

Mentorji/Teachers Matej Hotko Jana Šušteršič Peter Ugrin Jaka Pucihar Nina Novak

Mojstrski tečaj/Masterclass Zaradi povečane stopnje tveganja prenosa novega koronavirusa smo Jazz inkubator prestavili na kasnejši termin. O novem terminu vas bomo pravočasno obvestili../ Because of the new corona virus we had to transpose the masterclass. We will inform you about new masterclass dates as soon as possible.

Prijava/Application Prijave bodo potekale prek nove spletne strani Jazz inkubatorja: jazzinkubator.si/ The application can be made via the new webpage of the Jazz Incubator 2020 of the University of Ljubljana Academy of Music: jazzinkubator.si

Maksimalno število udeležencev/Maximum number of participants • do zapolnitve mest/until vacancies are filled

Starost, predznanje/Age, prior knowledge Namenjeno glasbenikom z vsaj srednjim znanjem igranja izbranega inštrumenta ali petja in glasbene teorije, ki želijo razviti primaren čut za glasbo, jazz ter improvizacijo./Students with at least intermediate level of playing or singing and music theory who wish to develop their primary sense of music, jazz and improvisation.

Kotizacija/Tuition • Aktivna udeležba/Active participation: 220 €; prijava do/for applications prior to 31. 8. 2020: 180 € • Pasivna udeležba/Passive participation: 100 € © Jana Jocif • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 32 33

Poletna sola 2020.indd 34 17. 07. 2020 08:23:50 Letos se bo Poletni šoli Akademije za glasbo Univerze v Ljubljani prvič pridružil Jazz inkubator AG UL 2020 v skupnem trajanju šestih dni. Pet dni intenzivnih delavnic, razdeljenih na tri osnovne oddelke, bodo vodili priznani pedagogi Matej Hotko (Big band inkubator), Jana Šušteršič (Vokalni inkubator) in Peter Ugrin (Godalni inkubator), vse te pa bo povezal skupni predmetnik Jake Puciharja (aranžiranje) ter Nine No- vak (promocija). Ustvarjalno-pedagoški procesi se bodo zaključili s festivalskim dnem, med katerim bomo lahko prisluhnili raznovrstnim tako manjšim zasedbam jazzovske in popularne glasbe kot vokalnim, godalnim in orkestrskim sestavom, ki bodo na oder, postavljen na prostem v središču Ljubljane, stopili bodisi kot produkt Jazz inkubatorja bodisi kot občin- stvu že prej dobro znana imena. Celovita glasbena izkušnja je namenjena glasbenikom z vsaj srednjim znanjem igranja izbranega inštrumenta ali petja in glasbene teorije, ki želijo razviti primaren čut za glasbo, jazz ter improvizacijo.

This year, for the first time, six days of the summer school of the Academy of Music of the University of Ljubljana will be dedicated to the Jazz Incubator 2020. Five days of intensive workshops divided into three groups will be led by acclaimed teachers: Matej Hotko (the Big Band Incubator), Jana Šušteršič (the Vocal Incubator) and Peter Ugrin (the String Incubator). The three groups will be connected in the courses of Jaka Pucihar (arranging) and Nina Novak (promotion). The final day will be dedicated to performances of various smaller jazz and pop bands as well as vocal, string and orchestral ensembles. An open-air stage in the centre of Ljubljana will host the participants of the Jazz Incubator as well as other well-known musicians. The Jazz Incubator is intended for musicians with at least intermediate level of playing or singing and music theory, who wish to develop their primary sense for music, jazz and improvisation.

Big Band inkubator/Big Band incubator (Matej Hotko) V okviru Big band inkubatorja bomo sestavili dva jazzovska orkestra. Eden bo namenjen vsem, ki imajo vsaj kakšno predhodno izkušnjo skupinskega izvajanja glasbe, medtem ko bo koncertni big band predelal nekaj najtežjega svetovnega repertoarja orkestrskega jazza. Obe zasedbi bosta nastopili na zaključnem Jazz festivalu AG UL, repertoar pa bo prilagojen samim udeležencem. Poleg obravnave jazzovskih skladb se bomo dotaknili tudi kubanske glasbe. Program je sicer namenjen dijakom in štu- dentom jazzovskih oddelkov ter polprofesionalnim in profesionalnim glasbenikom.

As part of the Big Band Incubator we will form two jazz orchestras. The first orchestra is intended for those with limited experience in ensemble playing, while the concert big band will study some of the most demanding works of orchestral jazz. Both groups will perform at the final Jazz Festival of the Academy of Music of the University of Ljubljana. The repertory will be adapted to the participants’ level of playing. In addition to jazz works, we will look at Cuban music. The program is intended for students of secondary and university jazz programmes as well as semi-professional and professional musicians.

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Poletna sola 2020.indd 35 17. 07. 2020 08:23:50 Matej Hotko je eden najvidnejših kontra- basistov mlajše jazzovske generacije, sicer diplo- mant newyorškega Man- hattan School of Music. Svoje znanje je pridobival pri vodilnih glasbenikih svetovnega kova, kot so Mike Abene, Gary Dial in Chris Rosenberg, deluje pa tako v manjših kot orkestrskih zasedbah doma in v tujini. Od leta 2010 poučuje na Jazz oddelku Akademije za glasbo UL, kjer vodi tudi big band in je prejemnik priznanja za pomembna umetniška dela Univerze v Ljubljani (2009). Je tudi ustanovitelj največ- je zasebne glasbene šole v Sloveniji, Glasbene šole B.A.S.E., in največ pozornosti, poleg big bandom, namenja novim metodam glasbenega izo- braževanja ter razvoju celovitejšega glasbenega izobraževanja pri nas.

Matej Hotko is one of the leading double bassists of the younger jazz generation, a graduate of the Manhattan School of Music, NY. He studied with world-acclaimed artist, such as Mike Abene, Gary Dial, Chris Rosenberg, among others. He plays in both small ensembles and orchestras, performing home and abroad. Since 2010, he has been teaching in the Jazz Department of the Academy of Music and leading the Big Band of the Academy of Music. In 2009, he was awarded the Recognition of Important Works of Art by the University of Ljubljana. He is the founder of the B.A.S.E. Music School, the largest private music school in Slo- venia. In addition to his work with big bands, he dedicates a great deal of his time to developing new music teaching methods and more encompassing music education in Slovenia.

Vokalni inkubator/Vocalni incubator (Jana Šušteršič) Vokalni inkubator je zasnovan celostno in ga bomo zato razdelili na več podprogramov, pri čemer bodo osnova vokalne tehnike, s katerimi se bodo udeleženci naučili pravilne drže ter dihalnih vaj. Vse njih bomo nadgradili s spoznavanjem različnih jazzovskih slogov in se preizkusili v improvizaciji, ker pa so besedila glasbi enakovreden del vokalnega repertoarja, bomo udeležence spodbudili k izražanju lastnih misli in se v sklepnem podprogramu ozrli na druge podporne člene, potrebne za dober ter samozavesten nastop.

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Poletna sola 2020.indd 36 17. 07. 2020 08:23:50 The Vocal Incubator, which covers all aspects of singing, will be divided into several subprogrammes, focusing on vocal technique as the basis, a correct posture and breath- ing exercises. Furthermore, we will learn about different jazz styles and practice improvisation. As the lyrics can be considered equally important part of vocal repertoire as the music, we will encourage the participants to express their own thoughts. Finally, we will look at other factors which contribute to a better and more confi dent performance.

Jana Šušteršič, diplomantka Berklee College of Music v Bostonu je šolanje nadaljevala na španskem kampusu iste univerze, pred tem pa se je že pri rosnih sedemnajstih letih vpisala na študij klavirja na Fakulteto za glasbeno umetnost v Beogradu. Med študijem je sodelovala s skupino Neverne bebe, medtem ko je širšemu slovenskemu občinstvu najbrž najbolj znana po zmagi v oddaji Slovenija ima talent 2014. V karieri je sodelovala z velikani sodobne glasbe, kot so Victor Wooten, Patrice Rushen, Victor Mendoza in drugi, poleg tega, da se posveča samostojni glasbeni karieri kot vokalistka in pianistka, deluje tudi kot profesorica petja v Glasbeni šoli B.A.S.E. ter gostujoča pedagoginja na Berklee College of Music.

Anja Šušteršič graduated from the Berklee College of Music in Bos- ton and continued her education at the Spanish campus of the same university. Before that, she enrolled into the Belgrade Faculty of Music at the tender age of seventeen to study the piano. During this time, she collaborated with the bend Neverne Bebe. She gained her acclaim in Slo- venia after winning in the TV show Slovenia’s Got Talent in 2014. She has performed with such giants of contemporary music as Victor Woo- ten, Patrice Rushen, Victor Mendoza, among others. In addition to performing as a pianist and a singer, she teaches singing at the B.A.S.E. Music School and as a guest lecturer at the Berklee College of Music.

Poletna sola 2020.indd 37 17. 07. 2020 08:23:51 Godalni inkubator/String Incubator (Peter Ugrin) Glasbeniki vseh ravni jazzovskega predznanja bodo lahko v okviru Godalnega inkubatorja nadgradili znanje violine, viole in violončela. Vsi trije inštrumenti na polju jazzovske glasbe veljajo za deficitarne, zato bomo posebno pozornost namenili sestavi manjših jazzovskih zasedb, ki se bodo z izbranim repertoarjem na zaključni dan letošnje delavnice povzpele na festivalski oder. S tem želimo razviti kakovostno jazzovsko izobraževanje in udeležence poučiti o večjih možnostih izvajanja jazza ter improvizacije na omenjenih go- dalih.

Musicians of all levels will be able to develop their playing of violin, viola and cello in the String Incubator. In the field of jazz, all three instruments are considered deficient. For this reason, we will focus on forming smaller jazz ensembles, which will perform with their selected repertoire on the final day of this year’s workshop on the festival stage. In this way, we would aim to develop quality jazz education and teach the participants about the possibilities of playing jazz and improvising on these string instruments.

Peter Ugrin, solist, improvizator in član ra- zličnih jazzovskih zasedb, med katerimi izstopata Artbeaters in Swingatan, sicer pa profesor jazz violine na Akademiji za glasbo ter profesor viole na Konservatoriju za glasbo in balet Ljubljana, je zaključil študij jazzovske violine na New School Jazz v New Yorku ter študij viole na Akademiji za glasbo Univerze v Ljubljani. Ob tem je dirigent Big Banda GveriLLaz, s katerim je leta 2018 osvojil prvo mesto na tekmovanju big bandov IBBC. Tudi s prej omenjeno zasedbo Artbeaters je prejel najvišjo nagrado na 6. Mednarodnem jazz tekmovanju v Bukarešti in na delavnici Jazzinty leta 2013 osvojil nagrade za najboljšo skupino, izvedbo ter lastno kompozicijo. Ob udejstvovanju v jazzu, redno koncertira tudi v različnih komornih sestavih resne glasbe.

Peter Ugrin is a soloist, improviser and member of various jazz groups, most notably Artbeat- ers and Swingtan, a teacher of jazz violin at the Academy of Music in Ljubljana and a teacher of viola at the Conservatory of Music and Ballet Ljubljana. He graduated in jazz violin from the New School of Jazz in New York and in viola from the Academy of Music in Ljubljana. Moreover, he is the conductor of GveriLLaz Big Band, which won First Prize in the IBBC international big band competition. With his band Artbeaters, he won the highest prize in the Sixth International Jazz Competition in Bucharest and awards for best group, best performance and original composition at the Jazzinty workshop in 2013. Besides working in the field of jazz, he regularly gives concerts of classical music as a member of different chamber ensembles.

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Poletna sola 2020.indd 38 17. 07. 2020 08:23:51 Skupni predmetnik/Joint Subject Predmetnik, skupen vsem trem inkubatorjem, posega na področja, s katerimi se v karieri sreča prav vsak glasbenik. Udeležencem bomo na ta način pomagali razviti veščine ustvarjanja in jim predstavili osnovna promocijska orodja, s pomočjo katerih bo njihova glasba dosegla poslušalce.

These subjects related to all three incubators deal with the topics important for every musician. The participants will develop their creativity and self-promotion skills, which will help them reach the audience.

Kako igrati iz Real Booka/How to Play from a Real Book (Jaka Pucihar) Posvetili se bomo teoriji in spoznali vrste akordov, te pa bomo nadgradili z analizo, v okviru katere se bomo vprašali tako o obliki posamezne skladbe kot uporabljenih akor- dih in basovski liniji. Sočasno se bomo preizkusili v igranju melodije in spremljave, kar bomo nadgradili z improvizacijo ter reharmonizacijo.

This subject deals with music theory and types of chords, which we will use for analy- sis of a particular piece of music both in terms of form as well as harmony and bass line. We will work towards playing the melody and the accompaniment simultaneously and take a step further by improvising and reharmonizing.

Aranžiranje za skupino/Arranging for an Ensemble (Jaka Pucihar) V okviru tega predmeta se bomo deloma oprli na žanrsko raznovrstne skladbe (blues, swing, latin, funky, pop, balada), medtem ko bo večji del temeljil na željah samih udeležencev. Na praktičnih primerih se bomo posvetili procesu aranžiranja, vključujoč vse bistvene elemente, od uvoda do melodije, basovskih linij ...

As part of this course, we will look at the music of different genres (blues, swing, Latin, funky, pop, ballad), focusing on the preferences of the participants. Furthermore, we will use practical examples to develop arranging skills, encompassing all key elements, from introduction, melody, bass lines etc.

Jaka Pucihar je pod mentorstvom Alojza Srebotnjaka zaključil študij kompozicije in glasbene teorije na Akademiji za glasbo Univerze v Ljubljani, kjer od leta 1999 poučuje jazz harmonijo, aranžiranje in improvizacijo, ob tem pa je predstojnik Katedre za jazz. Je prejemnik študentske Prešernove nagrade in soavtor priljubljene serije učbenikov Moj prijatelj klavir, ki so izšli tako v slovenskem kot hrvaškem in angleškem jeziku. Poleg skladateljskega in aranžerske- ga dela je pomemben del njegovega glasbenega udejstvovanja tudi poustvarjanje. Sodeluje z najvidnejšimi slovenskimi umetniki, kot so Irena Grafenauer, Vita Mavrič, Mate Bekavac in drugi, pa tudi z večjimi zasedbami, med katere se uvrščate Simfonični orkester ter Big Band RTV Slovenija.

Poletna sola 2020.indd 39 17. 07. 2020 08:23:51 Jaka Pucihar studied composition and music theory with Alojz Srebotnjak, graduating from the Academy of Music of the University of Ljubljana. Since 1999, he has been lecturing jazz harmony, arranging and improvisation at the same institution. He received a Prešeren Award for Students. He is the co-author of the popular piano method books My Friend the Piano, which has been published in the Slovenian, Croatian and English languages. In addition to composing and arranging, he works as a performing artist, collaborating with renowned Slovenian musicians, such as Irena Grafenauer, Vita Mavrič, Mate Bekavac, and larger ensembles, including the RTV Slovenia Symphony Orchestra and Big Band.

Komunikacija/Communication (Nina Novak) Osnovni napotki pri komunikaciji z organizatorji koncertov, mediji in drugimi pod- porniki umetniških profilov, vključujoč državne ter lokalne urade, sponzorje in donatorje, bo vodilo programa Komunikacija. Izpostavili bomo dobre prakse in pasti, ki se jim glasbeniki težko izognejo, del pozornosti pa bo namenjen tudi določitvi ustrezne časovnice posameznih promocijskih korakov.

This course provides the participants with basic information on how to communicate with concert organizers, the media and other supporters of artists, including national and local offices, sponsors and donors. We will shed light on examples of good practice and highlight the perils that are hard to avoid for musicians. Finally, we will look at how to set a proper timeline for particular steps of promotion.

Profil/Profile (Nina Novak) Program vključuje sestavo življenjepisa tako krajšega obsega, s katerim glasbeniki redno dopolnjujejo medijsko sporočilo ob izidu albuma ali singla, kot tistega daljšega, ki ga je treba priložiti denimo vlogi za vpis v razvid samozaposlenih v kulturi. Ta podprogram je zasnovan praktično, zato bodo slušatelji domov odšli z dodelanim življenjepisom.

In this course, we will learn how write a biography–both a short one used as part of media articles upon publishing an album or a single, and a longer one used, for example, when applying for the status of a freelance musician to the ministry. This is a practical course, meaning that each participant will have written his/her bio by the end it.

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Poletna sola 2020.indd 40 17. 07. 2020 08:23:52 Projekt/Project (Nina Novak) Pomemben del glasbene promocije je tudi priprava promocijskega gradiva ob koncertni turneji ali izidu albuma, kar je danes izhodišče za medijsko publiciteto in posledič- no stik z občinstvom. Zato bo tudi program Projekt naravnan praktično, udeležencem pa bodo posredovane osnove glasbenega poslovanja.

Promotion materials for a concert tour or an album are an important aspect of music promotion, which is nowadays the starting point for media publicity and for reaching an audience. This course is practical, giving the participants basic information about music business.

Univerzitetna diplomirana muzikologinja Nina Novak primarno deluje v jazzovski glasbi in si prizadeva za njeno popularizacijo med splošnim poslušalstvom, pozornost pa redno namenja tudi zvočni onesnaženosti. Je urednica in avtorica Jazzopisa, ustanoviteljica splet- nega portala Jazzetna, vodja cikla pogovorov Nova frekvenca v Knjižnici Otona Župančiča v Ljubljani, v preteklosti tudi cikla TradEtno, in strokovna sodelavka Odzvena (SIGIC) ter Pri- musa (JSKD). Kot kritičarka in glasbena publicistka je do zdaj objavila skoraj 600 prispevkov v domači publicistiki, sicer pa je prav tako aktivna kot urednica ter književnica. Doslej je izdala pet samosto- jnih knjižnih izdaj, med katerimi so nekatere prevedene v hr- vaščino in angleščino, ter je avtorica libreta prve tamburaške opere na svetu.

Musicologist Nina Novak pri- marily works in the fields of jazz music, striving for its populariza- tion among the general public, and noise pollution. She is the editor and author of the Jaz- zopis magazine, the founder of web portal Jazzetna, host of talk series New Frequency, and before that TradEtno, in the Oton Župančič Library in Ljubljana, expert adviser of Slovenian Music Information Centre and the Public Fund for Cultural Activities of the Republic of Slovenia. As a music critic and music pub- lisher, she has published almost six hundred articles in the Slovenian media. In addition, she is very active as an editor and a writer. She has published five books, some of which are trans- lated into Croatian and English. She is the author of the libretto for the first tambura opera in the world.

Poletna sola 2020.indd 41 17. 07. 2020 08:23:52 Poletna sola 2020.indd 42 17. 07. 2020 08:24:11 Poletna sola 2020.indd 43 17. 07. 2020 08:24:16 Akademija za glasbo Univerze v Ljubljani University of Ljubljana Academy of Music

Mednarodna poletna šola/International Summer School ACADEMIA MUSICÆ LABACENSIS 2020

Izdala in založila/Published by: Akademija za glasbo Univerze v Ljubljani/ University of Ljubljana Academy of Music Zanjo/Chief Editor: prof. Marko Vatovec, dekan/dean

Stari trg 34 SI-1000 Ljubljana, Slovenija T: 00386 1 242 73 05 F: 00386 1 242 73 20 E: [email protected]

Producentka, oblikovanje in prelom/ Producer, design and page layout: Mateja Kralj Oblikovanje platnice po idejni zasnovi/ Front page design: Odtisi, kreativne poteze Jezikovni pregled/Proofreading: Tanja Zečević Prevod v angleški jezik/Translation in English: Aljoša Vrščaj, Gal Faganel Naklada/Issues: 1000 izvodov Tisk/Print: Kubelj, d. o. o. Ljubljana, marec/March 2020

www.ag.uni-lj.si

Poletna sola 2020.indd 44 17. 07. 2020 08:24:18