Sex&Drugs&Rock&Roll

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Sex&Drugs&Rock&Roll Berlinale 2010 Mat Whitecross Panorama SEX&DRUGS&ROCK&ROLL SEX&DRUGS&ROCK&ROLL SEX&DRUGS&ROCK&ROLL Großbritannien 2009 Darsteller Ian Dury Andy Serkis Länge 115 Min. Baxter Dury Bill Milner Format 35 mm, 1:1.85 Denise Roudette Naomie Harris Farbe Chaz Jankel Tom Hughes Sulphate Strangler Ralph Ineson Stabliste Betty Dury Olivia William Regie Mat Whitecross Norman Watt-Roy Shakraj Soornack Buch Paul Viragh Charlie Charles Clifford Samuel Kamera Chris Ross John Turnbull Jimmy Jagger 2. Kamera Brian Tufano Mick Gallagher Arthur Darvill Schnitt Peter Christellis Davey Payne Joe Kennedy Musik Chaz Jankel Jemima Charlotte Musik-Supervisor Ian Neil Beaumont Production Design Richard Bullock Der junge Ian Wesley Nelson Kostüm Joanna Eatwell Russell Mackenzie Crook Maske Jackie Fowler Bill Dury Ray Winstone Casting Toby Whale Herstellungsltg. Jane Hooks Postproduktion Alistair Hopkins Produzent Damian Jones Andy Serkis Executive Producers Kevin Phelan Peter Hampden Andy Serkis SEX&DRUGS&ROCK&ROLL Paul Viragh „Sex & Drugs & Rock ’n’ Roll!“ Das ist, seitdem der britische Sänger und Mu - Ian Neil siker Ian Dury (1942–2000) einen Hit mit dem gleichnamigen Song lande- Ralph Kamp te, eine stehende Redewendung geworden – nicht nur im Englischen, son- Paul Brett dern weltweit. Nicht allein wegen dieser Platte gilt Ian Dury als einer der Steve „Harry“ Harragan einflussreichsten und originellsten britischen Singer/Songwriter der letzten Tim Smith 30 Jahre. Musikalisch wie ästhetisch war er ein absoluter Trendsetter. Er beeinflusste Bands wie The Clash, The Pretenders und die Sex Pistols; er tourte mit Elvis Costello und mit Lou Reed durch die USA. Sein Debütalbum „New Boots and Panties!!“, das 1977 erschien, war ein Millionenseller; das Cover, das Ian Dury mit seinem kleinen Sohn Baxter vor einer Ladenauslage zeigt, gilt noch heute als eines der brillantesten LP-Cover aller Zeiten. Das Artwork zur Platte stammte von Peter Blake, der schon mit den Beatles und The Who zusammengearbeitet hatte. Ian Dury hatte bei ihm an der Royal Academy Malerei studiert. Was er bei ihm lernte, floss unmittelbar in die Punk- und New-Wave-Ästhetik der späten 70er Jahre ein. Dass Ian Dury zu einem ihrer witzigsten und eigenwilligsten Vertreter wurde, hatte Grün - de in seiner Biografie, die der Spielfilm von Mat Whitecross penibel re - konstruiert. Ian Dury er krank te als Kind lebensgefährlich an Polio. Seither litt er an einer Behin de rung, die ihn dazu zwang, am Stock zu gehen. Auch ver- anlasste sie ihn schon früh dazu, eine Kämpfernatur zu entwickeln. Und Produktion nicht zuletzt ihr verdankte der „Spasticus Autisticus“ (wie sich in einem sei- DJ Films Ltd. ner Songs selbstironisch nannte) seine unvergleichliche Karriere … 12 Cleveland Row, St. James GB-London SW1 A1DB SEX&DRUGS&ROCK&ROLL Tel.: +44 7747 694499 [email protected] Ever since British singer and musician Ian Dury (1942–2000) had a hit with a song entitled “Sex & Drugs & Rock ‘n’ Roll!” these words have become a Weltvertrieb long-standing expression not just in the UK, but all over the world. Yet this Metropolis International Sales song is not the only reason that Ian Dury is regarded as one of the most Canon House, 27 London End influential and original British singer/songwriters of the past thirty years; his GB-Beaconsfield HP9 2HN Tel.: +44 1494 670705 music and his style made him a real trendsetter. He influenced bands like Fax: +44 1494 670740 The Clash, The Pretenders and the Sex Pistols and also toured the USA with [email protected] Elvis Costello and Lou Reed. Appearing in 1977, his debut album, “New 240 Boots and Panties!!”, sold over a million copies and the cover, featuring Ian Filmografie Dury and his young son Baxter outside an Army and Navy emporium is still 2003 JOB STREET revered today as one of the most brilliant LP covers of all time. The album’s Kurzfilm artwork was by Peter Blake, who had worked with the Beatles and The Who CODE 46 (CODE 46) Regie: Michael Winterbottom, and under whose tutelage Ian Dury had studied painting at the Royal 2nd-Unit-Regie Academy. Much of what he learned there flowed directly into the aesthet- 2006 THE ROAD TO GUANTANAMO ics of punk and new wave of the late seventies. The reasons why Ian Dury (THE ROAD TO GUANTANAMO) was to become one of the era’s wittiest and most idiosyncratic proponents Dokumentarfilm, Co-Regie: are to be found in his biography, which is meticulously reconstructed in Michael Winterbottom 2007 NEARLY FAMOUS Mat Whitecross’s feature film. Ian Dury suffered a bout of polio as a child TV-Film that nearly killed him. It was to leave him disabled and dependent on a 2008 MOVING TO MARS walking stick. But his illness also helped him to develop at an early age the SPOOKS: CODE 9 fighting spirit on which this ‘Spasticus Autisticus’, as he ironically dubbed TV-Film himself in one of his songs, was able to found his unique career … RENAISSANCE TV-Film 2009 THE SHOCK DOCTRINE SEX&DRUGS&ROCK&ROLL Co-Regie: Michael « Sex & Drugs & Rock ’n’ Roll! », c’est une expression consacrée, non seule- Winterbottom Mat Whitecross ment en anglais mais dans le monde entier, depuis que le chanteur et musi- 2009 SEX&DRUGS&ROCK&ROLL cien britannique Ian Dury (1942–2000) lança la chanson du même nom Biografie devenue un hit. Ce n’est pas seulement à cause de ce disque que Ian Dury Geboren am 21.9.1977 in Oxford. Ar - est considéré comme l’un des chanteurs-compositeurs britanniques les bei tete als Cutter bei Michael Winter - plus influents et originaux des trente dernières années. C’était quelqu’un bottoms 9 SONGS und als 2nd-Unit- Re gisseur bei dessen CODE 46. In ge - qui donnait le ton autant du point de vue musical qu’esthétique. Il a influ - mein samer Regie entstanden die encé des groupes comme The Clash, The Pretenders et les Sex Pistols ; il a Doku mentarfilme THE ROAD TO fait des tournées aux USA avec Elvis Costello et avec Lou Reed. Son premier GUANTANAMO (Goldener Bär 2006) album, « New Boots and Panties!! », sorti en 1977, se vendit à des millions und THE SHOCK DOCTRINE (Berlinale- d’exemplaires ; la pochette qui montre Ian Dury et son petit garçon Baxter Pano ra ma 2009). Er hat mehrere Videos für Coldplay und einige andere devant l’étalage d’un magasin est encore considérée aujourd’hui comme Bands ge dreht. l’une des meilleurs pochettes de disque de tous les temps. SEX&DRUGS&ROCK&ROLL ist sein La conception artistique du disque était signée Peter Blake, qui avait déjà Spielfilmdebüt. travaillé avec les Beatles et les Who. Ian Dury avait suivi ses cours de peintu- re à la Royal Academy. Ce qu’il apprit de lui fut immédiatement repris par Biography Born in Oxford on 21.9.1977, he edited l’esthétique punk et new wave de la fin des années soixante-dix. Le fait que Michael Winterbottom’s 9 SONGS and Ian Dury en devint l’un de ses représentants les plus drôles et les plus origi- was second unit director on Winter bot - naux trouve son fondement dans sa biographie que le film de fiction de tom’s CODE 46. He and Winter bottom Mat Whitecross reconstitue méticuleusement. Ian Dury, victime de la polio- co-directed THE ROAD TO GUANTANA - myélite dans son enfance, souffrait depuis d’un handicap qui le forçait à se MO (winner of the Golden Bear in 2006) and THE SHOCK DOCTRINE servir d’une canne pour marcher. La maladie lui conféra aussi très tôt un (shown in the Panorama section of the tempérament combatif. Sans oublier que le « Spasticus Autisticus » (comme Berlinale in 2009). He has made several il se nommait lui-même avec ironie dans l’une de ses chansons) lui devait videos for Coldplay and a number of également cette carrière incomparable … other bands. SEX&DRUGS&ROCK&ROLL marks his feature film debut. Biographie Né le 21-9-1977 à Oxford. Travaille avec Michael Winterbottom comme monteur sur 9 SONGS et comme réali- sateur de la 2ème équipe sur CODE 46. Ils réalisent ensemble les films docu- mentaires THE ROAD TO GUANTANAMO (Ours d’Or de la Berlinale 2006) et THE SHOCK DOCTRINE (Panorama de la Berlinale 2009). Il a tourné plusieurs vidéos pour Coldplay et d’autres groupes. SEX&DRUGS&ROCK&ROLL est son premier long métrage de fiction. 241.
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