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Writers and Creative Advisors Selected for Drishyam | Sundance Institute Screenwriters Lab in Udaipur, India April 48
FOR IMMEDIATE RELEASE Media contacts: March 23, 2016 Chalena Cadenas 310.360.1981 [email protected] Mauli Singh [email protected] Writers and Creative Advisors Selected for Drishyam | Sundance Institute Screenwriters Lab in Udaipur, India April 48 Lab Recognizes and Supports Six Emerging Independent Filmmakers from India Los Angeles, CA — Sundance Institute and Drishyam Films today announced the artists and creative advisors selected for the second Drishyam | Sundance Institute Screenwriters Lab in Udaipur, India April 48. The Lab supports emerging filmmakers in India, as part of the Institute’s sustained commitment to international artists, which in the last 25 years has included programs in Brazil, Mexico, Jordan, Turkey, Japan, Cuba, Israel and Central Europe. Now in its second year, the fourday Lab is a creative and strategic partnership between Drishyam Films and Sundance Institute, and gives independent screenwriters the opportunity to work intensively on their feature film scripts in an environment that encourages innovation and creative risktaking. The Lab is centered around oneonone story sessions with creative advisors. Screenwriting fellows engage in an artistically rigorous process that offers lessons in craft, a fresh perspective on their work and a platform to fully realize their material. Leading the Lab in India is Drishyam founder, Manish Mundra. He said, “A beautiful heritage city in my hometown of Rajasthan, Udaipur forms an ideal writers retreat, and is the perfect environment for a diverse group of emerging writers and renowned mentors to have a refreshing and productive exchange. Our goal is that the six selected Indian projects, after undergoing a comprehensive mentoring process, will quickly move from script to screen and make their mark globally. -
Think Film! on Current Practices and Challenges in Film Culture: a Documentation of a Student Symposium 2020
Repositorium für die Medienwissenschaft Adriane Meusch, Bianka-Isabell Scharmann u.a. (Hg.) Think Film! On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium 2020 https://doi.org/10.25969/mediarep/13589 Veröffentlichungsversion / published version Konferenzbeitrag / conference object Empfohlene Zitierung / Suggested Citation: Meusch, Adriane; Scharmann, Bianka-Isabell (Hg.): Think Film! On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium. Frankfurt am Main: Zenodo 2020. DOI: https://doi.org/10.25969/mediarep/13589. Erstmalig hier erschienen / Initial publication here: https://doi.org/10.5281/zenodo.3662799 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung 4.0/ Lizenz zur Verfügung gestellt. Nähere Attribution 4.0/ License. For more information see: Auskünfte zu dieser Lizenz finden Sie hier: http://creativecommons.org/licenses/by/4.0/ http://creativecommons.org/licenses/by/4.0/ THINK THINK FILM! Edited by Adriane MeuschandBianka- Adriane Edited by Isabell Scharmann On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium Think Film! On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium Edited by Adriane Meusch & Bianka- Isabell Scharmann Frankfurt am Main, 2020 Editors Adriane Meusch and Bianka-Isabell Scharmann, in collaboration with Michelle Rafaela Kamolz https://thinkfilmsymposium.wordpress.com Copy Editor Carly Crane Graphic Design Muriel Serf (mmm.do) Bibliographic information of the German Library The German Library catalogues this publication in the German National Bibliography; detailed bibliographic information can be found on the Internet website: http://dnb.d-nb.de. -
Since July Last Year, Film-Maker Rajat Kapoor Has Been Exhorting His Two-Lakh-Plus Followers on Twitter to Crowdfund His Next Project: RK/R Kay
FILM AgonyThe Kapoor Since July last year, film-maker Rajat Kapoor has been exhorting his two-lakh-plus followers on Twitter to crowdfund his next project: RK/R Kay. The budget of the film is `2.5 crore, and he needs 50,000 people to give `500 each. Which begs the question: why is one of India’s finest independent film-makers perennially short of cash? BY EKTA MOHTA omeone needs to gift Rajat Kapoor a book on how wire the money. And, most recently, for another of his scripts, Kadakh, to win friends and influential people. He’s already a the producer “ran away before the shooting started. But, somehow we gifted screenwriter, film-maker, theatre director and managed to finish the shoot anyway.” actor. But, given recent events, no one can deny he Kapoor is now ready with a script called RK/R Kay, which has a needs help as a salesman. “slightly mad” plot. It’s a film-within-a-film in which the fictional lead Kapoor has written and directed six films: Private character becomes a person in real life. He needs `2.5 crore to make it, SDetective, Raghu Romeo, Mixed Doubles, Mithya, Fatso! and Ankhon but given his history, he isn’t knocking on the doors of film producers Dekhi. His signature is to make entertaining films in an artistic way, for the dough. “They (producers) read the script, and they reject it,” which is why film critics are usually pleasant towards him, such as he says, without any trace of heartburn. “They say, ‘It’s very nice, but Shubhra Gupta, who wrote in The Indian Express, “He is one of the not for us.’” What of the producers who have already worked with few Indian directors who understand whimsy.” But, in a classic case of him? “Sunil Doshi produced Mixed Doubles and Bheja Fry, and then self-sabotage, Kapoor has a knack for attracting creatives and repelling he stopped the business. -
Producer Manish Mundra Is Indie Cinema's Unlikely Hero
http://www.business-standard.com/article/specials/producer-manish-mundra-is-indie-cinema-s-unlikely-hero- 115031201069_1.html Producer Manish Mundra is Indie cinema's unlikely hero It takes 140 characters and a rock-solid script to convince petrochemicals businessman Manish Mundra to finance a film. Here's more about the producer of films like Ankhon Dekhi and Umrika Ritika Bhatia March 14, 2015 Last Updated at 00:19 IST The chance interaction between film maker Rajat Kapoor and Manish Mundra on Twitter a couple of years ago has, by now, assumed the status of a legend in independent, or indie, film circles. Kapoor vented at the lack of producers willing to back authentic scripts, and Mundra, a complete stranger and outsider to films at the time, tweeted back saying he would produce his film. “He didn’t believe me at first, but then he sent me the script of Ankhon Dekhi,” Mundra tells me on a late night Skype call. “I come from a big family and I could relate to many experiences fleshed out in the script. So I instantly agreed to finance it.” The Sanjay Mishra-starrer took home the Best Film (Critics’ Choice), Best Story and Best Male Actor (Critics’ Choice) honours at the Filmfare awards last month. Mundra proved a knight in shining armour again a few months later, when Swati Shetty of Samosa Stories reached out to him on Twitter for the financing of her debut production venture, Prashant Nair’s Umrika. The film starring Suraj Sharma (Life of Pi) and Tony Revolori (The Grand Budapest Hotel) recently became the first Indian film to win the audience award at the World Cinema Dramatic Competition at the Sundance Film Festival in the United States. -
The Making of the Man's Man: Stardom and the Cultural Politics of Neoliberalism in Hindutva India
Southern Illinois University Carbondale OpenSIUC Dissertations Theses and Dissertations 6-1-2021 THE MAKING OF THE MAN’S MAN: STARDOM AND THE CULTURAL POLITICS OF NEOLIBERALISM IN HINDUTVA INDIA Soumik Pal Southern Illinois University Carbondale, [email protected] Follow this and additional works at: https://opensiuc.lib.siu.edu/dissertations Recommended Citation Pal, Soumik, "THE MAKING OF THE MAN’S MAN: STARDOM AND THE CULTURAL POLITICS OF NEOLIBERALISM IN HINDUTVA INDIA" (2021). Dissertations. 1916. https://opensiuc.lib.siu.edu/dissertations/1916 This Open Access Dissertation is brought to you for free and open access by the Theses and Dissertations at OpenSIUC. It has been accepted for inclusion in Dissertations by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. THE MAKING OF THE MAN’S MAN: STARDOM AND THE CULTURAL POLITICS OF NEOLIBERALISM IN HINDUTVA INDIA by Soumik Pal B.A., Ramakrishna Mission Residential College, Narendrapur, 2005 M.A., Jadavpur University, 2007 PGDM (Communications), Mudra Institute of Communications, Ahmedabad, 2009 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Doctor of Philosophy Degree College of Mass Communication and Media Arts in the Graduate School Southern Illinois University Carbondale May 2021 DISSERTATION APPROVAL THE MAKING OF THE MAN’S MAN: STARDOM AND THE CULTURAL POLITICS OF NEOLIBERALISM IN HINDUTVA INDIA by Soumik Pal A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the field of Mass Communication and Media Arts Approved by: Dr. Jyotsna Kapur, Chair Dr. Walter Metz Dr. Deborah Tudor Dr. Novotny Lawrence Dr. -
Alumni Team Annual Report Submitted By: Sasna Grace Varughese, Coordinator Alumni Team
Alumni Team Annual Report Submitted by: Sasna Grace Varughese, Coordinator Alumni Team 2015-16 1 | Annual Report 2015 - 16 CONTENTS Team Composition and Event Calendar ......................................................................................................................... 2 Description of New events ................................................................................................................................................... 3 Activities in 2015-16 .............................................................................................................................................................. 5 Utilising Social Media and The Alumni Portal ........................................................................................................... 19 Publications and Yearbook 2016 .................................................................................................................................... 21 Alumni Team 2 | Annual Report 2015 - 16 TEAM COMPOSITION AND EVENT CALENDAR The Senior Alumni team for the year consisted of the following members: Sasna Grace Varughese (Coordinator) Anupreet Kaur Pabla Arya Bhasin Mahip Singh Baid Vibhor Jain Talkien Shah 2014-15 was an eventful year for the Alumni Team. Many new initiatives were undertaken and most of these bore good results. Special efforts were taken to improve Alumni engagement at meets, increase personal connect with the Alumni and improve the quality of information on the Database. Mentioned below are the activities -
A Descriptive Study of the Content Orientation of Selected Contemporary Indian Short Films
Global Media Journal-Indian Edition; Volume 12 Issue1; June 2020. ISSN:2249-5835 A descriptive study of the Content Orientation of Selected Contemporary Indian Short Films Dr Reema Roy Assistant Professor Journalism & Mass Communication Department Asutosh College Kolkata, West Bengal- 700026 (A Govt. aided college, affiliated to University of Calcutta) Email: [email protected] Phone no. 9830518183 Abstract The digital revolution is coming up almost every day with some new surprises in the lives of ordinary people. That wonder is imprinted in daily life, mind, culture, professional field and the trade as well. Every day millions of Indian internet users find their entertainment or necessities on YouTube. One such entertainment content or text on YouTube is short Films. There are still a total of 13 production companies in India. Two notable producers are ‘Barrel Select Large Short Films’ and ‘Pocket Films’. Ideological Approach is being to analyse the content and genre of a total of 10 short films of the two production companies mentioned in the present discussion. This descriptive study will explore the culture, social message, alternative thinking displayed in short films. Keywords: Short films, YouTube, Social message, Social conflicts, Barrel Select Large Short Films, Pocket Films Introduction The digital revolution is coming up almost every day with some new surprises in the lives of ordinary people. That wonder is making an impression in daily life, mind, culture, trade and the professional field as well. According to Omnicore, there were 265 million active YouTube users who found their entertainment or necessities on YouTube in India until February 2020 (https://www.omnicoreagency.com/youtube-statistics, 2020). -
'Kaamyaab' World Premiere at 23Rd Busan Festival
BOLLYWOOD voice entertainment Friday, September 7, 2018 www.WeeklyVoice.com Section B Lata Saddened By Atif Aslam’s Remixed ‘Chalte Chalte’ MUMBAI: For those who re- vere Lata Mangeshkars “Chalte chalte yuhi koi mil gaya tha”, the mellow ‘mujra’ melody composed by the great Ghulam Mohammed for the mythic Meena Kumaris swan song in “Pakeezah”, the new version of the song by Paki- stan singer Atif Aslam for a Bol- lywood ilm titled “Mitron”, is a shocker. It takes the delicate notes of the original tune, wrenches them out of context and leaves us with a spill-over version of the original which no one can identify as the memorabilia from “Pakeezah”, except those responsible for this duplication.And the composition Yami Follows Grandma’s Beauty Tips is credited to Tanishk Bagchi. Lata Mangeshkar, who sang the song in “Pakeezah” to im- MUMBAI: Actress Yami the following beauty tips to instead of a conditioner, tablespoon of sugar and mortality, has luckily not heard Gautam’s beauty secrets look and feel her best self: rinses out any hair product honey as a scrub and wiping Atif’s version. “And I don’t want are home remedies recom- * Make a paste of Castor oil like mousse, hair gel or hair your face clean with an ice to hear it. This trend of remixing mended by her grandmoth- + vitamin E oil + aloe vera for spray. cold towel gives a healthy old songs saddens me. Where is er. great thick and long lashes. * Ghee is the best lip balm skin with tightened pores. the creativity in simply lifting be- Right from using as many * Replacing regular water there is. -
Actress Juhi Chaturvedi (Piku) and Himanshu Announced Madrid As the Cheerfully Shared Pictures and Selfies on Spain Will Get a Better Idea About Bollywood
2 movie masala BOLLYWOOD INSIDER April 2016 April 2016 BOLLYWOOD INSIDER honor 3 IIFA hollers a “Hola!” Bollywood wins big at National Awards 2016 The Bollywood extravaganza, International Indian Film Academy Tanu Weds Manu Returns (IIFA), is heading to Madrid in Spain this June Baahubali Piku Spain,” he said. The new venue aims to reach out to the huge Latin American market for Indian films. Sonakshi said, “The event AND THE WINNERS ARE... is an excellent opportunity for us to take our cinema across the globe. Madrid is a Best Film Nargis Dutt Award for Best Feature thrilling city, and I am looking forward to Baahubali (Telugu) Film on National Integration experiencing another spectacular IIFA in Nanak Shah Fakir another amazing destination.” Best Director Andre Timmins, director, Wizcraft Sanjay Leela Bhansali (Bajirao Mastani) Indira Gandhi Award for Best Debut International, said, “This year our Best Actor Film (Director) excitement for Spain is strongly focused Amitabh Bachchan (Piku) Neeraj Ghaywan (Masaan) on the opportunity to address CSR and Best Screenplay Writer (Original) izcraft International has regale the crowd on the streets. The actors understand where we come from. By June, environmental issues.” IIFA will celebrate Best Actress Juhi Chaturvedi (Piku) and Himanshu announced Madrid as the cheerfully shared pictures and selfies on Spain will get a better idea about Bollywood. IIFA Rocks Fest; IIFA Stomp, an exhibition Kangana Ranaut (Tanu Weds Manu Returns) Sharma (Tanu Weds Manu Returns) Wofficial host of the 17th their social media accounts, soaking in the And Madrid is such a charming city—with of urban trends; and the magnificent IIFA Best Supporting Actor edition of the IIFA gala from June 23 joie de vivre of the city that is tinted in hues an explosion of sounds, colors and textures Awards. -
The Development and Implementation of Tobacco-Free Movie Rules in India
THE DEVELOPMENT AND IMPLEMENTATION OF TOBACCO-FREE MOVIE RULES IN INDIA Amit Yadav, Ph.D. Stanton A. Glantz, Ph.D. Center for Tobacco Control Research and Education School of Medicine University of California, San Francisco San Francisco, CA 94143-1390 December 2020 THE DEVELOPMENT AND IMPLEMENTATION OF TOBACCO-FREE MOVIE RULES IN INDIA Amit Yadav, Ph.D. Stanton A. Glantz, Ph.D. Center for Tobacco Control Research and Education School of Medicine University of California, San Francisco San Francisco, CA 94143-1390 December 2020 This work was supported by National Cancer Institute grant CA-087472, the funding agency played no role in the conduct of the research or preparation of the manuscript. Opinions expressed reflect the views of the authors and do not necessarily represent the sponsoring agency. This report is available on the World Wide Web at https://escholarship.org/uc/item/75j1b2cg. 1 EXECUTIVE SUMMARY • The Indian film industry releases the largest number of movies in the world, 1500-2000 movies in Hindi and other regional languages, which are watched by more than 2 billion Indian moviegoers and millions more worldwide. • The tobacco industry has been using movies to promote their products for over a century. • In India, the Cinematograph Act, 1952, and Cable Television Networks Amendment Act, 1994, nominally provide for regulation of tobacco imagery in film and TV, but the Ministry of Information and Broadcast (MoIB), the nodal ministry, has not considered tobacco imagery. • The Cigarettes and Other Tobacco Products Act, 2003 (COPTA), enforced by the Ministry of Health and Family Welfare (MoHFW), prohibited direct and indirect advertisement of tobacco products. -
Indian Film Festival Of
Indian Film Festival of 14 – 27 August 2015 . Image courtesy of SIC Productions (Films) Pty Ltd and Drishyam Films. DHANAK Film: Presented by HOYTS Melbourne Central and HOYTS Highpoint iffm.com.au FVI_FilmCredits Message from The Premier Daniel Andrews It is a pleasure to welcome you to Victoria for the 2015 Indian Film Festival of Melbourne, the southern hemisphere’s largest annual celebration of Indian cinema. Film is a powerful tool not only for entertaining but also for building understanding. This year’s Festival will explore the theme of equality, providing audiences with the opportunity to explore this important issue through different lenses. Now in its fourth year, the Indian Film Festival of Melbourne attracts thousands of local and international guests each year. The Festival has ignited and grown Victoria’s fascination with Bollywood and has provided an opportunity to deepen our relationship with India through our shared love of film. Celebrating Victoria is proudly home to Australia’s largest Indian community. With more than 110,000 Victorians born in India, the population has doubled in the past five years, providing links between Victoria and India. The Victorian Government is committed to Indian cinema building on these strong cultural and economic connections to create new partnerships and opportunities. and culture The Victorian Government is proud to support events such as the Indian Film Festival of Melbourne, as they turn the world’s spotlight on Victoria and provide an opportunity in Victoria to celebrate our rich multicultural community. I welcome visitors to Melbourne, and invite Victorian audiences to enjoy the diversity and cultural breadth of Indian cinema during the Festival. -
Étude Du Cinéma Hatke En Inde Mélanie Le Forestier
Imaginaires nationaux et dynamiques transnationales : étude du cinéma hatke en Inde Mélanie Le Forestier To cite this version: Mélanie Le Forestier. Imaginaires nationaux et dynamiques transnationales : étude du cinéma hatke en Inde. Sciences de l’information et de la communication. Université Toulouse le Mirail - Toulouse II, 2016. Français. NNT : 2016TOU20073. tel-01587877 HAL Id: tel-01587877 https://tel.archives-ouvertes.fr/tel-01587877 Submitted on 14 Sep 2017 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. THÈSE E n vue de l’obtention du DOCTORAT DE L’UnIVERSITÉ DE TOULOUSE Délivré par : Université Toulouse - Jean-Jaurès Présentée et soutenue par : Mélanie Le Forestier le 15 septembre 2016 Titre : Imaginaires nationaux et dynamiques transnationales : étude du cinéma hatke en Inde École doctorale et discipline ou spécialité : ED ALLPH@ : science de l’information et de la communication Unité de recherche : Laboratoire d’Études et de Recherches appliquées en Sciences Sociales (LERASS) Directeur / trice(s) de Thèse : Pierre Molinier Claire Chatelet Jury : Alain Kiyindou Bruno Ollivier Imaginaires nationaux et dynamiques transnationales: étude du cinéma hatke en Inde Mélanie Le Forestier Remerciements Dans toute action, dans tout choix, le bien, c’est la fin, car c’est en vue de cette fin qu’on accompli toujours le reste.