Alumni Team Annual Report Submitted By: Sasna Grace Varughese, Coordinator Alumni Team
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Writers and Creative Advisors Selected for Drishyam | Sundance Institute Screenwriters Lab in Udaipur, India April 48
FOR IMMEDIATE RELEASE Media contacts: March 23, 2016 Chalena Cadenas 310.360.1981 [email protected] Mauli Singh [email protected] Writers and Creative Advisors Selected for Drishyam | Sundance Institute Screenwriters Lab in Udaipur, India April 48 Lab Recognizes and Supports Six Emerging Independent Filmmakers from India Los Angeles, CA — Sundance Institute and Drishyam Films today announced the artists and creative advisors selected for the second Drishyam | Sundance Institute Screenwriters Lab in Udaipur, India April 48. The Lab supports emerging filmmakers in India, as part of the Institute’s sustained commitment to international artists, which in the last 25 years has included programs in Brazil, Mexico, Jordan, Turkey, Japan, Cuba, Israel and Central Europe. Now in its second year, the fourday Lab is a creative and strategic partnership between Drishyam Films and Sundance Institute, and gives independent screenwriters the opportunity to work intensively on their feature film scripts in an environment that encourages innovation and creative risktaking. The Lab is centered around oneonone story sessions with creative advisors. Screenwriting fellows engage in an artistically rigorous process that offers lessons in craft, a fresh perspective on their work and a platform to fully realize their material. Leading the Lab in India is Drishyam founder, Manish Mundra. He said, “A beautiful heritage city in my hometown of Rajasthan, Udaipur forms an ideal writers retreat, and is the perfect environment for a diverse group of emerging writers and renowned mentors to have a refreshing and productive exchange. Our goal is that the six selected Indian projects, after undergoing a comprehensive mentoring process, will quickly move from script to screen and make their mark globally. -
Think Film! on Current Practices and Challenges in Film Culture: a Documentation of a Student Symposium 2020
Repositorium für die Medienwissenschaft Adriane Meusch, Bianka-Isabell Scharmann u.a. (Hg.) Think Film! On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium 2020 https://doi.org/10.25969/mediarep/13589 Veröffentlichungsversion / published version Konferenzbeitrag / conference object Empfohlene Zitierung / Suggested Citation: Meusch, Adriane; Scharmann, Bianka-Isabell (Hg.): Think Film! On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium. Frankfurt am Main: Zenodo 2020. DOI: https://doi.org/10.25969/mediarep/13589. Erstmalig hier erschienen / Initial publication here: https://doi.org/10.5281/zenodo.3662799 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung 4.0/ Lizenz zur Verfügung gestellt. Nähere Attribution 4.0/ License. For more information see: Auskünfte zu dieser Lizenz finden Sie hier: http://creativecommons.org/licenses/by/4.0/ http://creativecommons.org/licenses/by/4.0/ THINK THINK FILM! Edited by Adriane MeuschandBianka- Adriane Edited by Isabell Scharmann On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium Think Film! On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium Edited by Adriane Meusch & Bianka- Isabell Scharmann Frankfurt am Main, 2020 Editors Adriane Meusch and Bianka-Isabell Scharmann, in collaboration with Michelle Rafaela Kamolz https://thinkfilmsymposium.wordpress.com Copy Editor Carly Crane Graphic Design Muriel Serf (mmm.do) Bibliographic information of the German Library The German Library catalogues this publication in the German National Bibliography; detailed bibliographic information can be found on the Internet website: http://dnb.d-nb.de. -
The Making of the Man's Man: Stardom and the Cultural Politics of Neoliberalism in Hindutva India
Southern Illinois University Carbondale OpenSIUC Dissertations Theses and Dissertations 6-1-2021 THE MAKING OF THE MAN’S MAN: STARDOM AND THE CULTURAL POLITICS OF NEOLIBERALISM IN HINDUTVA INDIA Soumik Pal Southern Illinois University Carbondale, [email protected] Follow this and additional works at: https://opensiuc.lib.siu.edu/dissertations Recommended Citation Pal, Soumik, "THE MAKING OF THE MAN’S MAN: STARDOM AND THE CULTURAL POLITICS OF NEOLIBERALISM IN HINDUTVA INDIA" (2021). Dissertations. 1916. https://opensiuc.lib.siu.edu/dissertations/1916 This Open Access Dissertation is brought to you for free and open access by the Theses and Dissertations at OpenSIUC. It has been accepted for inclusion in Dissertations by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. THE MAKING OF THE MAN’S MAN: STARDOM AND THE CULTURAL POLITICS OF NEOLIBERALISM IN HINDUTVA INDIA by Soumik Pal B.A., Ramakrishna Mission Residential College, Narendrapur, 2005 M.A., Jadavpur University, 2007 PGDM (Communications), Mudra Institute of Communications, Ahmedabad, 2009 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Doctor of Philosophy Degree College of Mass Communication and Media Arts in the Graduate School Southern Illinois University Carbondale May 2021 DISSERTATION APPROVAL THE MAKING OF THE MAN’S MAN: STARDOM AND THE CULTURAL POLITICS OF NEOLIBERALISM IN HINDUTVA INDIA by Soumik Pal A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the field of Mass Communication and Media Arts Approved by: Dr. Jyotsna Kapur, Chair Dr. Walter Metz Dr. Deborah Tudor Dr. Novotny Lawrence Dr. -
A Descriptive Study of the Content Orientation of Selected Contemporary Indian Short Films
Global Media Journal-Indian Edition; Volume 12 Issue1; June 2020. ISSN:2249-5835 A descriptive study of the Content Orientation of Selected Contemporary Indian Short Films Dr Reema Roy Assistant Professor Journalism & Mass Communication Department Asutosh College Kolkata, West Bengal- 700026 (A Govt. aided college, affiliated to University of Calcutta) Email: [email protected] Phone no. 9830518183 Abstract The digital revolution is coming up almost every day with some new surprises in the lives of ordinary people. That wonder is imprinted in daily life, mind, culture, professional field and the trade as well. Every day millions of Indian internet users find their entertainment or necessities on YouTube. One such entertainment content or text on YouTube is short Films. There are still a total of 13 production companies in India. Two notable producers are ‘Barrel Select Large Short Films’ and ‘Pocket Films’. Ideological Approach is being to analyse the content and genre of a total of 10 short films of the two production companies mentioned in the present discussion. This descriptive study will explore the culture, social message, alternative thinking displayed in short films. Keywords: Short films, YouTube, Social message, Social conflicts, Barrel Select Large Short Films, Pocket Films Introduction The digital revolution is coming up almost every day with some new surprises in the lives of ordinary people. That wonder is making an impression in daily life, mind, culture, trade and the professional field as well. According to Omnicore, there were 265 million active YouTube users who found their entertainment or necessities on YouTube in India until February 2020 (https://www.omnicoreagency.com/youtube-statistics, 2020). -
Actress Juhi Chaturvedi (Piku) and Himanshu Announced Madrid As the Cheerfully Shared Pictures and Selfies on Spain Will Get a Better Idea About Bollywood
2 movie masala BOLLYWOOD INSIDER April 2016 April 2016 BOLLYWOOD INSIDER honor 3 IIFA hollers a “Hola!” Bollywood wins big at National Awards 2016 The Bollywood extravaganza, International Indian Film Academy Tanu Weds Manu Returns (IIFA), is heading to Madrid in Spain this June Baahubali Piku Spain,” he said. The new venue aims to reach out to the huge Latin American market for Indian films. Sonakshi said, “The event AND THE WINNERS ARE... is an excellent opportunity for us to take our cinema across the globe. Madrid is a Best Film Nargis Dutt Award for Best Feature thrilling city, and I am looking forward to Baahubali (Telugu) Film on National Integration experiencing another spectacular IIFA in Nanak Shah Fakir another amazing destination.” Best Director Andre Timmins, director, Wizcraft Sanjay Leela Bhansali (Bajirao Mastani) Indira Gandhi Award for Best Debut International, said, “This year our Best Actor Film (Director) excitement for Spain is strongly focused Amitabh Bachchan (Piku) Neeraj Ghaywan (Masaan) on the opportunity to address CSR and Best Screenplay Writer (Original) izcraft International has regale the crowd on the streets. The actors understand where we come from. By June, environmental issues.” IIFA will celebrate Best Actress Juhi Chaturvedi (Piku) and Himanshu announced Madrid as the cheerfully shared pictures and selfies on Spain will get a better idea about Bollywood. IIFA Rocks Fest; IIFA Stomp, an exhibition Kangana Ranaut (Tanu Weds Manu Returns) Sharma (Tanu Weds Manu Returns) Wofficial host of the 17th their social media accounts, soaking in the And Madrid is such a charming city—with of urban trends; and the magnificent IIFA Best Supporting Actor edition of the IIFA gala from June 23 joie de vivre of the city that is tinted in hues an explosion of sounds, colors and textures Awards. -
The Development and Implementation of Tobacco-Free Movie Rules in India
THE DEVELOPMENT AND IMPLEMENTATION OF TOBACCO-FREE MOVIE RULES IN INDIA Amit Yadav, Ph.D. Stanton A. Glantz, Ph.D. Center for Tobacco Control Research and Education School of Medicine University of California, San Francisco San Francisco, CA 94143-1390 December 2020 THE DEVELOPMENT AND IMPLEMENTATION OF TOBACCO-FREE MOVIE RULES IN INDIA Amit Yadav, Ph.D. Stanton A. Glantz, Ph.D. Center for Tobacco Control Research and Education School of Medicine University of California, San Francisco San Francisco, CA 94143-1390 December 2020 This work was supported by National Cancer Institute grant CA-087472, the funding agency played no role in the conduct of the research or preparation of the manuscript. Opinions expressed reflect the views of the authors and do not necessarily represent the sponsoring agency. This report is available on the World Wide Web at https://escholarship.org/uc/item/75j1b2cg. 1 EXECUTIVE SUMMARY • The Indian film industry releases the largest number of movies in the world, 1500-2000 movies in Hindi and other regional languages, which are watched by more than 2 billion Indian moviegoers and millions more worldwide. • The tobacco industry has been using movies to promote their products for over a century. • In India, the Cinematograph Act, 1952, and Cable Television Networks Amendment Act, 1994, nominally provide for regulation of tobacco imagery in film and TV, but the Ministry of Information and Broadcast (MoIB), the nodal ministry, has not considered tobacco imagery. • The Cigarettes and Other Tobacco Products Act, 2003 (COPTA), enforced by the Ministry of Health and Family Welfare (MoHFW), prohibited direct and indirect advertisement of tobacco products. -
Étude Du Cinéma Hatke En Inde Mélanie Le Forestier
Imaginaires nationaux et dynamiques transnationales : étude du cinéma hatke en Inde Mélanie Le Forestier To cite this version: Mélanie Le Forestier. Imaginaires nationaux et dynamiques transnationales : étude du cinéma hatke en Inde. Sciences de l’information et de la communication. Université Toulouse le Mirail - Toulouse II, 2016. Français. NNT : 2016TOU20073. tel-01587877 HAL Id: tel-01587877 https://tel.archives-ouvertes.fr/tel-01587877 Submitted on 14 Sep 2017 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. THÈSE E n vue de l’obtention du DOCTORAT DE L’UnIVERSITÉ DE TOULOUSE Délivré par : Université Toulouse - Jean-Jaurès Présentée et soutenue par : Mélanie Le Forestier le 15 septembre 2016 Titre : Imaginaires nationaux et dynamiques transnationales : étude du cinéma hatke en Inde École doctorale et discipline ou spécialité : ED ALLPH@ : science de l’information et de la communication Unité de recherche : Laboratoire d’Études et de Recherches appliquées en Sciences Sociales (LERASS) Directeur / trice(s) de Thèse : Pierre Molinier Claire Chatelet Jury : Alain Kiyindou Bruno Ollivier Imaginaires nationaux et dynamiques transnationales: étude du cinéma hatke en Inde Mélanie Le Forestier Remerciements Dans toute action, dans tout choix, le bien, c’est la fin, car c’est en vue de cette fin qu’on accompli toujours le reste. -
Hindi Cinema at International Film Festivals | Text Transcript | CIRCLE
Hindi Cinema at International Film Festivals | Text Transcript | CIRCLE This is a text transcript for the recorded webinar “Hindi Cinema at International Film Festivals” presented by the Canada India Research Centre for Learning and Engagement (CIRCLE) at the University of Guelph. The guest speaker was Dr. Aysha Iqbal Viswamohan. The event was recorded on March 25, 2021 and was moderated by Bharat Punjabi. Transcript: Bharat Punjabi A warm welcome to everyone from the University of Guelph. My name is Bharat Punjabi. I'm a faculty at the University of Toronto and it's my great pleasure to anchor - moderate this event today on behalf of CIRCLE. You know our Center on India Canada Research at the University of Guelph. So, before I begin and introduce our speaker for the day, I just wanted to give you all some idea about you know how, why and from where we are doing this event. On behalf of CIRCLE, you know the Canada India Research Centre for Learning Engagement, I wanted to share some information on CIRCLEs profile and research and it's an interdisciplinary nucleus at the University of Guelph in Canada for cutting-edge research on the Indian community and the Indian diaspora, and to showcase, advocate, catalog, and further on equitable respectful and sustained dialogue of knowledge between Canadian and Indian scholars on complex and emerging topics related to sustainability but also social and economic well-being. So, CIRCLE here at the University of Guelph takes a great pleasure in, I know, welcoming all of you to this webinar. Our main speaker for the day and it's my great pleasure to introduce to all of you, Dr. -
Neeraj Ghaywan's 'Masaan'
5/23/2016 Neeraj Ghaywan’s ‘Masaan’ Receives Love and Applause at IFFLA Neeraj Ghaywan’s ‘Masaan’ Receives Love and Applause at IFFLA It was also screened in the Un Certain Regard section at the 2015 Cannes Film Festival and won two prestigious awards. [Photo Credit: Facebook/MasaanTheFilm] Neeraj Ghaywan’s “Masaan”—screened at the Indian Film Festival Los Angeles (IFFLA)—garnered great appreciation and applause. The movie, which colloquially means shamshan, shows us the real Varanasi — a town that is caught amid the spiritual history to live up to and the changing ideas and beliefs of the youth as a result of increased exposure to technology which has taught people to question the rigidity of several ancient practices like caste system and burying sexual desires until one gets married. In the movie, when a local girl Devi Pathak (Richa Chaddha) dares to take a step to experience her sexual freedom, it ends up becoming a tragedy. She is a computer literate who chooses to get a room with her love interest Piyush. The story also weaves in the tale of Devi’s father, portrayed by Sanjay Misra, and Deepak, a lower caste boy studying civil engineering whose family has been in the profession of burning dead bodies in the shamshan (Hindu crematorium) and a chirpy Shalu, a Hindi-Urdu poetry lover belonging to the upper class. http://www.india.com/arts-and-culture/neeraj-ghaywans-masaan-receives-love-and-applause-at-iffla-1136613/ 1/3 5/23/2016 Neeraj Ghaywan’s ‘Masaan’ Receives Love and Applause at IFFLA Masaan Ofcial Trailer | Richa Chadda, Sanjay Mishra, Vicky Kaushal & Shw.. -
Challenge America
March 2017 Under the Freedom of Information Act, agencies are required to proactively disclose frequently requested records. Often the National Endowment for the Arts receives requests for examples of funded proposals, particularly those submitted under Challenge America. In response, the NEA is providing examples of the “Details of the Project Information” also called the “narrative” for five Challenge America projects that received NEA funding. The following narratives have been selected as examples because they represent a diversity of project types and are well written. Although each project was funded by the NEA, please note that nothing should be inferred about the ranking of each application within this listing. ArtReach Inc., (United Promotion Project Type) To support and promote ACCESS Admission, a new initiative that grants $2 entry to participating museums for all individuals who receive and manage government benefits for food or medical needs through the EBT/ACCESS card in Pennsylvania. In its inaugural year, Art-Reach Partnered with 18 museums across the city, and served over 13,000 people from low-income Households in just the first six months; over 600,000 cardholders in and around Philadelphia are eligible to participate in this initiative. Over the next year we will work with our community Partners and museum leadership to collaboratively market the program through targeted public transportation advertising on SEPTA, grassroots outreach, and consistently branded materials across the participating museums. All museum partners will receive training from Art-Reach so That they can engage visitors, receive feedback, and advise Art-Reach on future needs. (FY 16) Espanola Valley Fiber Arts Center (Public Art Project Type) The Española Valley Fiber Arts Center (EVFAC) proposes to engage a young mural artist of Diné & Chicana heritage to lead a mural painting project with the participation of local creative youth. -
Abhishek Thukral +91 9930063960 [email protected]
FOR IMMEDIATE RELEASE Media Contacts: March 16, 2014 Abhishek Thukral +91 9930063960 [email protected] Mukta Kapoor +91 9811603744 [email protected] Sarah Eaton +001 310.360.1981 [email protected] EIGHT FEATURE FILM PROJECTS SELECTED FOR THIRD MUMBAI MANTRA | SUNDANCE INSTITUTE SCREENWRITERS LAB IN INDIA Mumbai, India — Mumbai Mantra, the media and entertainment division of the Mahindra Group, in collaboration with Sundance Institute, has selected eight Indian Screenwriters and their feature film projects for the third annual Mumbai Mantra | Sundance Institute Screenwriters Lab, to be held from March 16-21 at the Club Mahindra Resort in Tungi. This year’s Screenwriting Fellows, selected from submissions from India and the Indian diaspora around the world, are: Navneet Behal (Experiments with Truth); Ashvin Kumar (Noor); Bornila Chatterjee (Nuclear Hearts); Gaurav Madan (Shaktipur Crude); Deepanjali B Sarkar (Svadharma); Dylan Mohan Gray (The Last Day of Winter); Sanjay Talreja (The River Murder); and Neeraj Ghaywan and Varun Grover (Ud Jayega / Fly Away Solo). At the Lab, Screenwriting Fellows will engage in an artistically rigorous process that offers indispensable lessons in craft, a fresh perspective on their work and a platform to fully realize their material. Screenwriting Fellows will have the opportunity to work intensely on their feature film scripts in an environment that encourages innovation and creative risk-taking, with the support of a distinguished group of established Screenwriters and Directors serving as Creative Advisors. Creative Advisors include: Naomi Foner (Running on Empty, The Bee Season), Michael Handelman (The Ex, Night At The Museum), Dante Harper (The Delicate Art of the Rifle), James V Hart (Contact, August Rush, Dracula, Tuck Everlasting), Malia Scotch Marmo (Hook, Madeline), Anjum Rajabali (The Legend of Bhagat Singh, Raajneeti), Elena Soarez (City of Men, House of Sand), Rose Troche (Go Fish, The Safety of Objects) and Sooni Taraporevala (Salaam Bombay!, Mississippi Masala, The Namesake). -
3236F78f2e94c859cb56c7fee009
MACASSAR PRODUCTIONS, PATHÉ ET AND DRISHYAM FILMS PRÉSENTENT PRESENT UN FILM DE A FILM BY NEERAJ GHAYWAN Durée Length : 1H43 SORTIE LE 24 JUIN FRENCH RELEASE JUNE, 24th Photos et dossier de presse téléchargeables sur www.pathefilms.com Material can be downloaded on www.patheinternational.com DISTRIBUTION FRENCH DISTRIBUTION & INTERNATIONAL SALES PATHÉ DISTRIBUTION 2, rue Lamennais – 75008 Paris Tél. : 01 71 72 30 00 www.pathefilms.com www.patheinternational.com À CANNES IN CANNES INTERNATIONAL SALES Boutique Bodyguard Résidences du Grand Hôtel - IBIS Entrance 45, la Croisette Apartement 4 A/E - 4th floor Jardins du Grand Hôtel Tél. : +33 4 93 68 24 31 06400 Cannes [email protected] Tél. : 04 93 99 91 34 RELATIONS PRESSE INTERNATIONAL PRESS LE PUBLIC SYSTÈME CINÉMA Céline PETIT, Clément REBILLAT, Celia MAHISTRE & Anne-Sophie TRINTIGNAC 40, rue Anatole France – 92594 Levallois-Perret Cedex Tél. : 01 41 34 23 50 [email protected] À CANNES IN CANNES RELATIONS PRESSE FRANCE & INTERNATIONAL LE PUBLIC SYSTÈME CINÉMA Céline PETIT, Clément RÉBILLAT, Celia MAHISTRE & Anne-Sophie TRINTIGNAC 29, rue Bivouac Napoléon – 06400 Cannes Tél. : +33 7 86 23 90 85 [email protected] [email protected] [email protected] [email protected] Bénarès, la cité sainte au bord du Gange, punit cruellement ceux qui jouent Benares, the holy city on the banks of the Ganges, reserves a cruel punishment avec les traditions morales. Deepak, un jeune homme issu des quartiers for those who play with moral traditions. Deepak, a young man from a poor pauvres, tombe éperdument amoureux d’une jeune fille qui n’est pas de la neighborhood, falls hopelessly in love with a young girl from a different caste.