Annual Report 2016

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Annual Report 2016 ANNUAL REPORT 2016 SCREEN PRODUCERS IRELAND 77 Merrion Square South Dublin 2, D02 DH22 Tel: (01) 662 1114 www.screenproducersireland.com Charity no: CHY14539 SPI_2016_Annual_Report_Final_Cover.indd 1 22/06/2017 16:43 SPI_inside_cover.indd 1 22/06/2017 20:25 Inside front cover Inside back cover CONTENTS Report from the Chair & the CEO 3 Industry Funding overview 7 SPI Progress Report 25 Policy Papers 29 SPI Strategic Plan 2017-2020 45 Screen Producers Ireland Overview 49 SPI Board 2016 51 SPI Committees 2016 59 SPI Executive & Corporate Structure 63 SPI Financials 65 SCREEN PRODUCERS IRELAND | 2016 ANNUAL REPORT PAGE 1 PAGE 2 SCREEN PRODUCERS IRELAND | 2016 ANNUAL REPORT REPORT FROM THE CHAIR & THE CEO THE VOICE OF INDEPENDENT FILM TELEVISION ANIMATION SCREEN PRODUCERS IRELAND | 2016 ANNUAL REPORT PAGE 3 THE CHAIR JOHN HENNESSY impact of opt-out advertising on the Irish broadcasting landscape. This was followed in late 2016 by the launch of the Creative Ireland programme. The Creative Ireland programme is a hugely important opportunity which places the creative industries at the heart of policy and government. SPI welcomes this initiative, particularly as there is a specific objective to create an industry-wide, long term plan for Ireland as a global hub for the production of Film, TV Drama, and Animation. The creative industries are one of Irelands great strengths. Irish made productions are enjoyed by audiences around the world. They enhance our reputation, provide high value employment and attract tourism to Ireland. The sector is facing many challenges because of increased complexity of the competitive environment. Technology My focus as Chair in 2016 was on the Audio Visual (AV) Sector advancements, changes in audience behaviours, lack of adequate and Organisation strategy, collaboration and connecting with the funding of Public Broadcasting and our national screen agency broader sector and continued development and communication and unfair or antiquated regulation. Irish Government support and of SPI Policy. the European Commission’s Digital Single Market Strategy are important for the screen based creative industries to thrive and The longer term sustainability and development of the AV sector develop. remains a major challenge. Effective communication of SPI policies remains a priority as it is the path to growth and securing additional As Chairman, I am confident that our creative industries will funding for quality content. Government understanding of the continue to make the people of Ireland and global audiences proud sector and its importance to the culture of Ireland together with in leading the world in the fields of innovation, creativity and art if their ongoing support is a prerequisite to the implementation of given the right supports. policies to support the sector. In 2016 SPI continued to build upon and communicate our key policy papers to government and all In 2017 my focus will be collaboration between all stakeholders to stakeholders. Work to communicate these policies included policy develop a holistic creative industries strategy in conjunction with meetings held with Ministers in key Departments, many senior the Creative Ireland Programme. Government officials and with all relevant sector stakeholders. An important challenge for SPI is to build a vibrant AV sector with I would like to thank the board of SPI, SPI board sub-committees, a strong voice and influence. all SPI members and the very committed SPI staff for their contribution and commitment to the organisation during 2016. In The policy work also informed other communication strategies addition, I would like to thank outgoing CEO, Barbara Galavan well and papers. In advance of the 2016 General Election SPI initiated in her new endeavours and for her enormous contribution to SPI a ‘message to candidates’ campaign, highlighting the necessary over her six-year term as CEO. I wish the incoming SPI CEO, Elaine infrastructure required to support the audio-visual sector. In Geraghty every success in her new role. August 2016 SPI also issued pre-budget 2017 submission to Government. A response to the ‘Culture 2025’ Report entitled ‘The John Hennessy indigenous producers perspective’ was also submitted to the Joint Chairman Oireachtas Committee on Regional Development Rural Affairs, Arts and the Gaeltacht. SPI also attended the Oireachtas to discuss the Culture 2025 framework. In November SPI was invited to discuss Public Service Broadcasting with the Oireachtas Joint Committee on Communications, Climate Action and Environment along with RTÉ and TG4. The active lobbying in 2016 lead by outgoing CEO, Barbara Galavan, raised the profile of Screen Producers Ireland and continued to establish the organisation as a respected thought leader for the Audio Visual sector. Promoting the cultural and economic value of the Independent production sector at Government level was at the forefront of the lobbying. The research and analysis made an impact as Government listened to and acted upon some of the policy issues. In 2016 the Government committed to an economic analysis study of the audio-visual sector of Ireland as well as a report on the PAGE 4 SCREEN PRODUCERS IRELAND | 2016 ANNUAL REPORT CEO BARBARA GALAVAN of local talent by providing funding for the development and production of Irish films. The funding constraints of Ireland’s Public Service Broadcasters and the National Screen Agency are impediments to growth and are impacting on their ability to fulfil their remit. In 2016 SPI increased awareness of the issues facing the audio visual sector, through its policy campaign initiative and pro-active lobbying. As part of the Culture 2025 consultation I addressed the Oireachtas and advised that the Culture 2025 process provides for the perfect opportunity to foster an all industry approach to developing a strategy for the sector. In late 2016 the Creative Ireland programme was launched. We were pleased to see that this collaborative initiative ‘will facilitate an industry-wide plan to 2016 was another year of steady trading results for the Irish film ensure strategic coherence around the objective of making Ireland and television production sector. a leader in this sector’. The Creative Ireland programme provides the opportunity for an overarching strategy to be developed 2016 was the first full year of operation of the amended Section 481 for Ireland’s Creative Industries allowing it to address the Film Tax Incentive Scheme. Total Irish Expenditure in the year was impediments to growth while recognising the opportunities €265M, the highest ever achieved. in a changing technological landscape. TV Drama remains the outstanding contributor to production The first collective agreement between Irish Equity/SIPTU and SPI activity with an average S481 Irish Expenditure of €127M per annum was signed in March 2016. The agreement covers actors employed over the last three years. on indigenous TV drama productions. Work continues on a similar Film activity for the three years 2014 to 2016 averaged €39M per agreement to cover indigenous TV docu-drama which it is hoped annum, illustrating a slight increase over the preceding 3 year period. will be concluded during 2017. SPI and SIPTU remain committed to building on the relationship to provide the industry with Animation activity in the same period had an average S481 Irish competitive professional collective agreements. Expenditure of €30.6M per annum, which is consistent with the previous 3 year period. In September the European Commission published its package of proposals to modernise copyright rules across the EU. This In 2016 SPI continued to participate on the Section 481 Industry included a Directive on copyright in the Digital Single Market and a Policy Group. This group seeks to ensure engagement with key proposed regulation on online transmissions and retransmissions stakeholders and provides feedback to Government on the of television and radio programmes. The Commission’s proposal in operation of the Section 481 scheme. Delays in the processing the Broadcast Regulation to extend the Country of Origin principle of S481 applications and payments, was the principle concern to broadcasters’ ancillary online services, despite the opposition of the Group in 2016. of the majority of consulted stakeholders and no legal or economic evidence of its benefits, will undermine the principle of territoriality RTÉ spend on independent production during 2016 increased upon which the financing of audiovisual works rests. The potential slightly by €1M to €39M. impact that this proposed regulation will have on the independent production sector is extremely concerning. SPI remains committed TG4 have invested over €20M annually in original Irish to The European Coordination of Independent Producers (CEPI) to programming from the independent production sector since 2013. communicate our concerns to the Commission. Indications are that this level of investment continued in 2016. SPI hosted 9 SPI members’ events in 2016 fulfilling our aim to bring The Broadcasting Authority of Ireland awarded €10.2M over two about greater stakeholder collaboration at the RTÉ and TV3 events rounds in 2016 representing a decrease in the 2015 figure. The Irish which were attended by all senior commissioning personnel. Film Board capital grant increased slightly to €11.7M. Finally, I would like to say that it has been a privilege for me to have Of central importance to the independent production sector is the led SPI as CEO over the past six years.
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