Municipal Corporations for Ayodhya-Faizabad, Mathura-Vrindavan
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Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films. -
Current Affairs Mcqs – 26 June 2018 “Get Unlimited Mock Tests for One Year at Rs
Current Affairs MCQs – 26 June 2018 “Get Unlimited Mock Tests For One Year at Rs. 599 Only” For Daily Updates Follow Our Telegram Channel and Group: https://t.me/govjobadda https://t.me/bank_ssc_preparation Q1. The 15th India-Australia Joint Ministerial Commission (JMC) was held on 25th June 2018, in A. New Delhi B. Mumbai C. Sydney D. Canberra Answer: D Explanation: The 15th India-Australia Joint Ministerial Commission (JMC) was held on 25th June 2018, in Canberra, Australia. The meeting was jointly chaired by Minister of Commerce & Industry and Civil Aviation, Suresh Prabhu and Australian Minister for Trade, Tourism and Investment Steven Ciobo. The JMC took place after a gap of 4 years in a very warm and cordial atmosphere. The Ministers discussed at length on ways to increase two-way investment flows between the two countries. In this regard, both sides agreed to have greater collaboration between Austrade, the Australian Trade and Investment Commission and Invest-India, which is the National Investment Promotion and Facilitation Agency of India. The talks culminated in the signing of a MoU between Austrade and Invest-India in order to facilitate bilateral investment flows. Q2. International Day against Drug Abuse and Illicit Trafficking is observed on A. 23 June B. 24 June C. 25 June D. 26 June Answer: D Explanation: The General Assembly decided to observe 26 June as the International Day against Drug Abuse and Illicit Trafficking as an expression of its determination to strengthen action and cooperation to achieve the goal of an international society free of drug abuse. The theme for 2018 is: "Listen First - Listening to children and youth is the first step to help them grow healthy and safe. -
TIARA Research Final-Online
TIARAResearch Insight Based Research Across Celebrities Indian Institute of Human Brands 2020 About IIHBThe Indian Institute of Human Brands (IIHB) has been set up by Dr. Sandeep Goyal, India’s best known expert in the domain of celebrity studies. Dr. Goyal is a PhD from FMS-Delhi and has been researching celebrities as human brands since 2003. IIHB has many well known academicians and researchers on its advisory board ADVISORY Board D. Nandkishore Prof. ML Singla Former Global Executive Board Former Dean Member - Nestlé S.A., Switzerland FMS Delhi Dr. Sandeep Goyal Chief Mentor Dr. Goyal is former President of Rediffusion, ex-Group CEO B. Narayanaswamy Prof. Siddhartha Singh of Zee Telefilms and was Founder Former Managing Director Associate Professor of Marketing Chairman of Dentsu India IPSOS and Former Senior Associate Dean, ISB 0 1 WHY THIS STUDY? Till 20 years ago, use of a celebrity in advertising was pretty rare, and quite much the exception Until Kaun Banega Crorepati (KBC) happened almost 20 years ago, top Bollywood stars would keep their distance from television and advertising In the first decade of this century though use of famous faces both in advertising as well as in content creation increased considerably In the last 10 years, the use of celebrities in communication has increased exponentially Today almost 500 brands, , big and small, national and regional, use celebrities to endorse their offerings 0 2 WHAT THIS STUDY PROVIDES? Despite the exponential proliferation of celebrity usage in advertising and content, WHY there is no organised body of knowledge on these superstars that can help: BEST FIT APPROPRIATE OR BEST FIT SELECTION COMPETITIVE CHOOSE BETTER BETWEEN BEST FITS PERCEPTION CHOOSE BASIS BRAND ATTRIBUTES TRENDY LOOK AT EMERGING CHOICES FOR THE FUTURE 0 3 COVERAGE WHAT 23 CITIES METRO MINI METRO LARGE CITIES Delhi Ahmedabad Nagpur (incl. -
BJP Announces Names of 149 Candidates for up Assembly Polls
DAILY EXCELSIOR, JAMMU TUESDAY, JANUARY 17, 2017 (PAGE 13) LPEF delegation meets CM BJP announces names of 149 Excelsior Correspondent installment, revise minimum daily wage rate, remuneration JAMMU, Jan 16: A delega- of village guards besides candidates for UP Assembly polls tion of All J&K Low Paid Govt enhancement of Medical NEW DELHI, Jan 16: Minister and UP heavyweight Employees Federation (LPEF) allowance of the employees Rajnath Singh's son Pankaj Former Uttar Pradesh BJP met the Chief Minister and pensioners. They also Singh whose name did not fig- Mehbooba Mufti and pressed raised the issue of regularisa- chief Laxmikant Vajpayee, ure in the list. for early implementation of 7th tion of temporary workers and grandson of former Chief BJP has withheld announce- Pay Commission report. remove pay anomalies of the Minister Kalyan Singh and the ment of its candidates for some The delegation led by party's national secretary Dr Anshu Kataria, Chairman, Aryans Group and other digni- clerical cadre. seats, including Sahibabad and Federation president Abdul Shrikant Sharma are among the taries while addressing media persons in Srinagar. Trade unionists Om Noida-- two seats from where Majid Khan discussed the Parkash, Mohd Shaban Bhat 149 candidates whose names the Pankaj Singh's name has been SC, ST, OBC employees taking out protest rally in Jammu on issues of employees and pen- and Sandeep Sharma also BJP announced today for the doing the rounds. Monday. —Excelsior/Rakesh Aryans double scholarship sioners with the Chief Minister accompanied. State assembly polls. Seven-phase polls for the and stressed the need to imple- The CM listened patiently Most of the seats will go to 403 seats are taking place in UP ment 7th Pay Commission and assured for early consider- Police foils SC/ST employees’ the polls in the first two phases on February 11, 15, 19, 23, 27, for J&K students report, release pending DA ation. -
The Winning Woman of Hindi Cinema
ADVANCE RESEARCH JOURNAL OF SOCIAL SCIENCE A CASE STUDY Volume 5 | Issue 2 | December, 2014 | 211-218 e ISSN–2231–6418 DOI: 10.15740/HAS/ARJSS/5.2/211-218 Visit us : www.researchjournal.co.in The winning woman of hindi cinema Kiran Chauhan* and Anjali Capila Department of Communication and Extension, Lady Irwin College, Delhi University, DELHI (INDIA) (Email: [email protected]) ARTICLE INFO : ABSTRACT Received : 27.05.2014 The depiction of women as winners has been analyzed in four sets of a total of eleven films. The Accepted : 17.11.2014 first two sets Arth (1982) and Andhi (1975) and Sahib Bibi aur Ghulam (1962), Sahib Bibi aur Gangster (2011), Sahib Bibi aur Gangster returns (2013), explore the woman in search for power within marriage. Arth shows Pooja finding herself empowered outside marriage and KEY WORDS : without any need for a husband or a lover. Whereas in Aandhi, Aarti wins political power and Winning Woman, Hindi Cinema returns to a loving marital home. In Sahib Bibi aur Ghulam choti bahu after a temporary victory of getting her husband back meets her death. In both films Sahib Bibi aur Gangster and returns, the Bibi eliminates the other woman and gangster, deactivates the husband and wins the election to gain power. she remains married and a Rani Sahiba. In the set of four Devdas makes and remakes (1927–2009) Paro is bold, shy, glamorous and ultimately liberated (Dev, 2009). Chanda moves from the looked down upon, prostitute, dancing girl to a multilingual sex worker who is empowering herself through education and treating her occupation as a stepping stone to HOW TO CITE THIS ARTICLE : empowerment. -
THE BUCHAREST UNIVERSITY of ECONOMIC STUDIES The
THE BUCHAREST UNIVERSITY OF ECONOMIC STUDIES The Faculty of International Business and Economics The Department of Modern Languages and Business Communication of ASE Iuliu Hațieganu University of Medicine and Pharmacy Cluj- Napoca 7th International Conference: Synergies in Communication Bucharest, Romania, 22 - 23 November 2018 BEHIND THE SCREENS: A STUDY OF THE FILMS OF THREE INDIAN WOMEN DIRECTORS Minouti NAIK1 Abstract Indian films, even after 76 years of independence and 105 years of Indian Cinema, are a predominantly male domain. The percentage of women film makers, in the industry, is a mere 9.1%. Despite this, the films directed by women have compelled audiences to take notice, because of the wide spectrum of issues they have touched upon. Three women directors, whose movies have left an indelible mark on the audiences, include Tanuja Chandra, Meghna Gulzar and Gauri Shinde. This paper analyses the work of these three women directors, for the uniqueness of their themes and the characters they have sketched, and attempts to find out, what has led to their films being etched deeply, into the consciousness of their audience. This will be analysed against the backdrop of the realities of the society from which these films emerge, and as a reflection of the gender dynamics existing in Indian society. Keywords: Indian cinema, women, themes, characters, uniqueness 1. Introduction Men have sight, women insight. - Victor Hugo Victor Hugo‟s observation, penned down in his memoirs, might be an apt point to begin with, when one reflects upon films made by Indian women filmmakers. Despite films forming a very important facet of the Indian society and the fact that India completed 105 years of cinema, this year, the number of women making films in India is very small. -
Kajol Ready for a Comeback
BOLLYWOOD KajolKajol RReeaaddyy ffoorr aa ccoommeebbaacckk fter a long break for marriage and motherhood, actress immense talent, she surprised everyone with her acting in the film, for Kajol is all set to re-enter Bollywood with a new film, which she became the first woman to win the ‘Filmfare Best Villain Kunal Kohli’s ‘Fanaa’, co-starring Aamir Khan, which is Award’, in 1997. scheduled for a May release. But this time its only fun But the same year, the trilingual ‘Sapnay’, with Arvind Swamy and that she is acting for. She does not want to become a Prabhu Deva, failed. However, that was all forgotten in 1998. First full-timeAA actress with a tight schedule. there was the runaway hit ‘Pyaar Kiya To Darna Kya’ with Salman Khan. Born to star actress Tanuja and Shomu Mukherjee, acting was in Then came Tanuja Chandra’s ‘Dushman’, her first attempt at a double Kajol’s blood as her great grandmother Ratanbai, her grandmother role which wowed audiences and critics alike, and the country had a Shobhana Samarth, her mother and aunt Nutan were all renowned new uncrowned number one actress. actresses of their time. Then came ‘Pyar To Hona Hi Tha’ with Ajay Devgan , which opened Kajol schooled at St. Joseph’s Convent in Panchgani, Maharashtra. a new chapter in her career. But probably even she was not prepared Later, she enrolled in Sophia College, Mumbai, but gave up studies for what was coming with Karan Johar’s ‘Kuch Kuch Hota Hai’ with to join the movies at the age of 16. -
“Everyone Has Been Silenced”; Police
EVERYONE HAS BEEN SILENCED Police Excesses Against Anti-CAA Protesters In Uttar Pradesh, And The Post-violence Reprisal Citizens Against Hate Citizens against Hate (CAH) is a Delhi-based collective of individuals and groups committed to a democratic, secular and caring India. It is an open collective, with members drawn from a wide range of backgrounds who are concerned about the growing hold of exclusionary tendencies in society, and the weakening of rule of law and justice institutions. CAH was formed in 2017, in response to the rising trend of hate mobilisation and crimes, specifically the surge in cases of lynching and vigilante violence, to document violations, provide victim support and engage with institutions for improved justice and policy reforms. From 2018, CAH has also been working with those affected by NRC process in Assam, documenting exclusions, building local networks, and providing practical help to victims in making claims to rights. Throughout, we have also worked on other forms of violations – hate speech, sexual violence and state violence, among others in Uttar Pradesh, Haryana, Rajasthan, Bihar and beyond. Our approach to addressing the justice challenge facing particularly vulnerable communities is through research, outreach and advocacy; and to provide practical help to survivors in their struggles, also nurturing them to become agents of change. This citizens’ report on police excesses against anti-CAA protesters in Uttar Pradesh is the joint effort of a team of CAH made up of human rights experts, defenders and lawyers. Members of the research, writing and advocacy team included (in alphabetical order) Abhimanyu Suresh, Adeela Firdous, Aiman Khan, Anshu Kapoor, Devika Prasad, Fawaz Shaheen, Ghazala Jamil, Mohammad Ghufran, Guneet Ahuja, Mangla Verma, Misbah Reshi, Nidhi Suresh, Parijata Banerjee, Rehan Khan, Sajjad Hassan, Salim Ansari, Sharib Ali, Sneha Chandna, Talha Rahman and Vipul Kumar. -
Bollywood Fashion Stylist Moet Brar Conducts Workshop at INIFD by : INVC Team Published on : 15 Oct, 2015 09:35 PM IST
Bollywood Fashion Stylist Moet Brar Conducts Workshop at INIFD By : INVC Team Published On : 15 Oct, 2015 09:35 PM IST INVC NEWS Chandigarh, Top Celebrity Fashion Stylist of International fame & Fashion Show Choreographer Moet Brar, the man behind Ranbir Kapoor’s stunning looks in Bollywood Blockbuster ‘Roy’, ‘Besharam' and now in Imtiaz Ali’s much awaited ‘Tamasha’ with Deepika Padukone, was at INIFD Chandigarh to conduct a special Workshop with the budding designers of Inter National Institute of Fashion Design to make them understand the art of Fashion Design, share his experiences and also gave his creative inputs. Moet Brar was at INIFD to brush up the talent of INIFD students and to teach them finer intricacies of the glamorous world of Fashion and Design. INIFD Chandigarh has organized this exclusive design workshop with Moet Brar to enable the students to seek his seasoned guidance and benefit from his expertise. This specialized workshop, students were taken through the different stages of the fashion design process and the fashion trend updates globally. He shared his immense experience from Bollywood & Hollywood and his knowledge on the various fabrics, material trends, yarns, colours, fashion forecast on embellishments, accessories, etc. Moet Brar has stylized an endless list of gorgeous style divas starting from the famous American singer Katy Perry, the stunning Deepika Padukone, dazzling Priyanka Chopra, the lovely Kalki Koechlin, the elegant Sonam Kapoor & more. Moet as a designer has also presented his designs at the India runway week Spring Summer 2015, Assam Couture Week 2015 and also is all set to showcase his Autumn Winter designs at South Africa Fashion Week, under his own label Moet Brar. -
Adaptation of Shakespeare in Recent Bollywood Movies Dr
Adaptation of Shakespeare in Recent Bollywood Movies Dr. Charu C Mishra Assoc. Prof. (English) KG Arts & Science College Raigarh, Chhatisgarh India Abstract Thanks to our drama professor who initiated us to the sheer joy of reading the high flown language and acting in Shakespeare‟s plays that eventually left us spellbound for life. Watching Shakespeare‟s plays in theatre for the yester year English educated Indians has been a hobby. This infatuation with the greatest dramatist has led some Film directors to experiment on the themes of comedies and tragedies. In recent years, director Vishal Bhardwaj holds the credit of adapting themes of his great tragedies to contemporary situation and work wonder through his experimentation. Maqbool is a 2003 Indian crime drama, an adaptation of the play Macbeth. The film had its North American premiere at the 2003 Toronto International Film Festival and was screened in the Marché du Film section of the 2004 Cannes Film Festival. Bhardwaj then moved on to adapt Othello in his 2006 film Omkara which won him commercial as well as critical success and Francis Ford Coppola's attention. Haider is the third installment of Bhardwaj's Shakespearean trilogy. The film is a modern-day adaptation of William Shakespeare's tragedy Hamlet, set amidst the insurgency-hit Kashmir during conflicts of 1995 and civilian disappearances. The film was screened at the 19th Busan International Film Festival and released worldwide on 2 October 2014 to wide critical acclaim, and garnered attention from the media due to its controversial subject matter. The present paper intends to study how the movies inspired by Shakespeare still appeal 21st century audience to concur his universality in changing times. -
Universiteit Antwerpen Faculteit Politieke En Sociale Wetenschappen Academiejaar 2013-2014
Universiteit Antwerpen Faculteit Politieke en Sociale Wetenschappen Academiejaar 2013-2014 MASTERPROEF FROM WHITE DEVIL TO WHITE EMANCIPATOR Representation of white Western women in Indian cinema Lisa van der Waal Master in de Filmstudies en de Visuele Cultuur Promotor: Prof. Dr. Paolo Favero Medebeoordelaar: Prof. Dr. Kevin Smets Abstract Times are changing in India's film industry. While Bollywood remains the biggest film industry in the world, a new Indian cinema genre is rising nowadays, a cinema that tries to find its position between Bollywood, Western and parallel cinema. One of the striking things of this new Indian film genre, that I call New Indian Cinema, pays attention to the way white Western women are treated in India's contemporary society. New Indian Cinema depicts white Western women as survivors of this tough society they are living in. This representation differs from the way India's popular cinema, Bollywood cinema, has depicted the white Western women until now. From the 1950s onwards, they have been represented as immoral ‘devils’; the opposite of moral Indian women. Although Jane Dark has noticed a development in the representation of white women in Bollywood cinema, it seems that it is New Indian Cinema that contributes to the emancipation of this particular kind of film character in Indian cinema. This thesis is focused on the development of the white Western female character during the last decades. Based on the concepts of whiteness and the male gaze, three New Indian Cinema films have been analysed in order to discover how this new Indian film genre depicts Western women and if this representation contributes to the development of this character. -
Lucknow Zone CSC List.Xlsx
Lucknow Zone CSC List Sl. Grampanchayat District Block Name Village/CSC name Pincode Location VLE Name Contact No No. Village Name 1 Sultanpur Sultanpur4 JAISINGHPUR(R) 228125 ISHAQPUR DINESH ISHAQPUR 730906408 2 Sultanpur Baldirai Bhawanighar 227815 Bhawanighar Sarvesh Kumar Yadav 896097886 3 Hardoi HARDOI1 Madhoganj 241301 Madhoganj Bilgram Road Devendra Singh Jujuvamau 912559307 4 Balrampur Balrampur BALRAMPUR(U) 271201 DEVI DAYAL TIRAHA HIMANSHU MISHRA TERHI BAZAR 912594555 5 Sitapur Sitapur Hargaon 261121 Hargaon ashok kumar singh Mumtazpur 919283496 6 Ambedkar Nagar Bhiti Naghara 224141 Naghara Gunjan Pandey Balal Paikauli 979214477 7 Gonda Nawabganj Nawabganj gird 271303 Nawabganj gird Mahmood ahmad 983850691 8 Shravasti Shravasti Jamunaha 271803 MaharooMurtiha Nafees Ahmad MaharooMurtiha 991941625 9 Badaun Budaun2 Kisrua 243601 Village KISRUA Shailendra Singh 5835005612 10 Badaun Gunnor Babrala 243751 Babrala Ajit Singh Yadav Babrala 5836237097 11 Bareilly Bareilly2 Bareilly Npp(U) 243201 TALPURA BAHERI JASVEER GIR Talpura 7037003700 12 Bareilly Bareilly3 Kyara(R) 243001 Kareilly BRIJESH KUMAR Kareilly 7037081113 13 Bareilly Bareilly5 Bareilly Nn 243003 CHIPI TOLA MAHFUZ AHMAD Chipi tola 7037260356 14 Bareilly Bareilly1 Bareilly Nn(U) 243006 DURGA NAGAR VINAY KUMAR GUPTA Nawada jogiyan 7037769541 15 Badaun Budaun1 shahavajpur 243638 shahavajpur Jay Kishan shahavajpur 7037970292 16 Faizabad Faizabad5 Askaranpur 224204 Askaranpur Kanchan ASKARANPUR 7052115061 17 Faizabad Faizabad2 Mosodha(R) 224201 Madhavpur Deepchand Gupta Madhavpur