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Tripoli Medina Mediterranea Tripoli: a Mediterranean Medina mediterranea medina PDF Copia Autore Copia PDF tripoli: a mediterranean medina tripoli ludovico micara EBOOK /APP: ITALIA ESTERO s t n e v e nuovi ossimori writings | projects | events collana editoriale diretta da Carmen Andriani Università degli Studi “G. d’Annunzio” Chieti-Pescara Dipartimento di Architettura www.dda.unich.it Nella stessa collana: writings 1 A partire da Giancarlo De Carlo a cura di Federico Bilò, 2007 projects 1 Advanced Design a cura di Elianora Baldassarri | Cynthia Ghelli, 2011 events 1 The Mediterranean Medina a cura di Ludovico Micara | Attilio Petruccioli | Ettore Vadini, 2009 2 Pescara Trieste 567 linear coast a cura di Giangiacomo D’Ardia | Susanna Ferrini, 2010 3 Transforming the landscape a cura di Lorenzo Pignatti | Giustino Vallese, 2011 4 Archeologie in mutazione – the case of Jordan a cura di Carmen Andriani | Ludovico Micara, 2013 5 Sport Design System – il progetto dell’attrezzatura sportiva a cura di Elianora Baldassarri, 2013 s mediterranea t edina n e l u d v o v i c o e m i c a r a PDF Copia Autore ITALIA ESTERO EBOOK /APP: PDF Copia Autore Coordinamento editoriale Annalisa De Camillis Progetto grafico Englaro Salvati Traduzioni di Paul David Blackmore Ringraziamenti Un libro come questo è il risultato di un lungo lavoro collettivo che ha coinvolto a vario titolo colleghi, collaboratori, amici, studenti nelle missioni di studio, nella rilevazione ed elaborazione dei dati, nella loro presentazione in seminari e convegni, nel lavoro progettuale su temi particolarmente sensibili della realtà urbana della Medina di Tripoli. Mi riesce dunque impossibile ringraziare tutti come avrei voluto. Mi limito solo a ricordare la collaborazione e integrazione, fondamentale in questo tipo di ricerca, di diverse competenze e saperi. Accanto alle discipline del progetto di architettura rappresentate dal Dipartimento IDEA Infrastrutture Design Engineering Architettura dell’Università “G. d’Annunzio” di Chieti-Pescara, diretto da G. D’Ardia e in seguito da C. Andriani, le discipline storiche dell’architettura con A. Marino e S. Ciranna del Dipartimento di Architettura e Urbanistica dell’Università dell’Aquila, le discipline del consolidamento e del restauro architettonico con M. D’Anselmo del Dipartimento di Scienze, Storia dell’Architettura e Restauro dell’Università “G. d’Annunzio”, le discipline archeologiche con O. Menozzi del Dipartimento di Scienze dell’Antichità dell’Università “G. d’Annunzio” e B. Pinna Caboni della Sovrintendenza ai Beni Culturali del Comune di Roma. Ringrazio inoltre il personale del Dipartimento delle Antichità Libiche e dell’Ente per la Sistemazione e Amministrazione della Medina che ci ha aiutato e sostenuto in questo difficile lavoro. Un ringraziamento particolare al supporto tecnico, organizzativo ed economico del Ministero degli Affari Esteri attraverso la Direzione Generale per i Paesi del Mediterraneo e del Medio Oriente e la Direzione Generale per la Promozione Culturale. La presente pubblicazione è stata possibile grazie al cofinanziamento da parte del MIUR, Ministero dell’Istruzione dell’Università e della Ricerca, nell’ambito dei Programmi di ricerca di rilevante interesse nazionale per l’anno 2008, della ricerca Patrimonio archeologico e nuovi paesaggi mediterranei; coordinatore scientifico prof. L. Micara. © Proprietà letteraria riservata Gangemi Editore spa Piazza San Pantaleo 4, Roma www.gangemieditore.it Nessuna parte di questa pubblicazione può essere memorizzata, fotocopiata o comunque riprodotta senza le dovute autorizzazioni. Le nostre edizioni sono disponibili in Italia e all’estero anche in versione ebook. Our publications, both as books and ebooks, are available in Italy and abroad. PDF Copia Autore ISBN 978-88-492-2781-9 In copertina: planimetria della Medina di Tripoli (2001) events 6 TRIPOLI MEDINA MEDITERRANEA TRIPOLI: A MEDITERRANEAN MEDINA a cura di ludovico micara prefazione di carmen andriani PDF Copia Autore indice | index 6 PREFAZIONE | PREFACE carmen andriani 8 IMMAGINE DI UNA CITTÀ | IMAGES OF A CITY ludovico micara 10 MAPPE STORICHE | HISTORICAL MAPS 12 SPOLIA | SPOLIA beatrice pinna caboni 14 PANORAMICHE | OVERVIEWS 16 STRADE | STREETS 18 MOSCHEE | MOSQUES 20 SUQ E FUNDUQ | SUQ AND FUNDUQ 22 CASE | HOUSES 24 DECORAZIONI PARIETALI | WALL DECORATIONS 26 PLASTICO 1/2 | MODEL 1/2 30 VUOTI | EMPTY SPACES 32 PROGETTI 1/2/3/4 | DESIGNS 1/2/3/4 42 INTRODUZIONE | INTRODUCTION ludovico micara 44 TRIPOLI MEDINA MEDITERRANEA | TRIPOLI: A MEDITERRANEAN MEDINA ludovico micara PDF Copia Autore LETTURE CRITICHE | CRITICAL READINGS ludovico micara OLTRE LA NOSTALGIA 46 BEYOND NOSTALGIA TRIPOLI OTTOMANA. LA LABORIOSA FORMAZIONE DI UNA COMPLESSA IDENTITÀ 50 THE OTTOMAN TRIPOLI. THE LABORIOUS DEVELOPMENT OF A COMPLEX IDENTITY TRIPOLI 1911-1940. CITTÀ STORICA E ARCHITETTURA MODERNA MEDITERRANEA 82 TRIPOLI 1911-1940. HISTORIC CITY AND MODERN MEDITERRANEAN ARCHITECTURE TRIPOLI E IL SUO FRONTE A MARE. DISEGNO E COSTRUZIONE DI UNA ICONA MEDITERRANEA 94 THE WATERFRONT OF TRIPOLI. DESIGN AND CONSTRUCTION OF A MEDITERRANEAN ICON IL MODELLO DELLA MEDINA DI TRIPOLI. UN CONTRIBUTO ORIGINALE ALLA CONOSCENZA DELLA CITTÀ MEDITERRANEA 104 THE MODEL OF THE MEDINA OF TRIPOLI: A UNIQUE CONTRIBUTION TO THE UNDERSTANDING OF THE MEDITERRANEAN CITIES NUOVI SCENARI GEOGRAFICI DELLA TRASFORMAZIONE 120 NEW GEOGRAPHIC SCENARIOS OF THE TRANSFORMATION PROGETTARE PER TRIPOLI MADINAT AL-QADIMA 130 DESIGNING FOR TRIPOLI’S MADINAT AL-QADIMA fernando cipriani | ludovico micara MEDINA MEDITERRANEA: CRISI O RISORSA? 140 THE MEDITERRANEAN MEDINA: CRISIS OR RESOURCE? veronica salomone BIBLIOGRAFIA | REFERENCES 142 PDF Copia Autore PREFACE carmen andriani The study of the Mediterranean has structured scientific and design research at the University of Pescara for more than twenty years. On the one hand it signifies a natural extension of the School’s investigations of the Adriatic basin; on the other hand it speaks of a necessary exploration of the Middle East, a field in which Ludovico Micara, the author of this publication, is nationally and internationally recognised as a leading expert. It is thus no accident that this is the third volume of the Collana nuovi ossimori dedicated to the Mediterranean1, and the countless themes it inspires. The concept of the Mediterranean is a vast, multifaceted and kaleidoscopic one. It is difficult to contain under a univocal definition; it is traversed by important and unresolved themes of multiculturalism, by a process of confused modernisation, by an uncertain relationship with its own legacies, considered an impediment rather than an opportunity. Recent conflicts in the Middle East have further aggravated this fragmentation, triggering a chain reaction, a contagious effect of local claims and demands. There is no doubt that the area is witnessing an irreversible and necessary process of ‘emancipation’ from a situation that was no longer sustainable and at the risk of collapsing. Yet we are still lacking the critical distance necessary to draw conclusions. Using the words of Badiou, we can only hazard that ‘mieux vaut un désastre qu’un désêtre’ and that in a historical perspective these battles and the position resulting from direct involvement will signify a means of affirming a desire for emancipation. This is the framework to be assumed when looking at Libya and Tripoli in particular, as it is presented in the pages of this book. The author boasts a profound familiarity with this context, having spent time in Libya over the decades as a scholar and architect, but also as a curious and sensitive traveller. Understanding, above all of places such as these, translates into direct experience and serves as a tool of interpretation. The Mediterranean viewed from the south, through the eyes of a Westerner, is about knowing how to step out of the attire of the voracious and substantially extraneous tourist. Becoming familiar with a context signifies knowing how to blend in and develop a temporary sense of belonging. Such a traveller places no limits on time. The reiteration of an itinerary, retracing one’s steps and returning time and again to the same places helps achieve a better understanding of the complex reasons behind its modifications and its spatial and temporal layers. It sheds light on the gap between past and future, between a legitimate aspiration toward modernity and an attachment to history. The book speaks about the Mediterranean city, about the composite urban structure of Tripoli. It recounts the conditions of fragility common to so many other cities of the Mediterranean. It speaks of strategies of survival implemented to deal with these conditions. It speaks of contaminations, so evident in the urban history of this Libyan city: contaminations between conflicting languages, styles and social groups. More than many other cities, Tripoli was a hub of trade, of mixtures and the ‘unusual openness of homes with balconies and windows’ reveals to the extent of the transgressions to the Arabic-Islamist code, even considering the reciprocal ‘agreement’ of cooperation between the urban morphology and the typology of settlement the author describes. The book also confronts the world of design. The transformation of the city to a metropolitan and global dimension creates a significant break with the slow sedimentation of the urban fabrics of the past. Yet at the same time it also opens up toward the scale of the landscape and geography. The vast void of the desert behind it, and the sea in front of it, are once again the elements to be confronted.
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