DOCSLIB.ORG

Roman Cult Images Philip Kiernan Index More Information Www

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Roman Cult Images Philip Kiernan Index More Information Www Cambridge University Press 978-1-108-48734-4 — Roman Cult Images Philip Kiernan Index More Information INDEX Aalen, 229 Anglii, 41 Abydos Aniconic idols, 4, 17, 36, 42, 90–94, 174 Temple of Seth, 243 Greek, 37 Acculturation, 88 Aniconic theory Acroliths, 10, 32, 149, 260–61 of Iron Age religion, 37–39, 42, 47, 87, 89 Activation of cult images. See Animation Aniconism Adam of Bremen, 42 empty-space, 25 Adonis, 262 in early Rome, 26–28 Adversus Nationes, of Arnobius, 10 material, 25 aedes, 146 Animation of cult images, 17, 24, 188 aediculum, 122, 124, 131, 149, 164 Animism, 26, 45 Aesculapius, 34, 91, 147, 206, 210 Annona, 183, 202 Aesthetics of cult images, 17, 86, 293n.61 Anthropology and comparative religion, 14–19 Africa, 14–15, 18, 45 Antlers, 262–63 ágalma, 6, 9 Antony, Marc, 147 Agency of idols, 4, 15–18, 34, 196, 204, 223 Aphrodite of Paphos, 91 Agri Decumates, 21, 225–26, 229, 231, 247–49 Aplu, 28 abandonment of, 150, 224 Aprutino, sacellum of Dea Feronia, 307n.16 cult image destruction in, 247–50 Apollo, 92, 104, 109, 147, 170, 189, 197, 238, 250, Alamanni, 226 267, 278 Alba Fucens Citharoedus, 113, 135, 250, Fig 6.5, 6.6 Temple of Hercules, 149 Grannus, 86, 168, 192 Alci, 300n.4. See also Castor and Pollux Apollo of Sosius, 105 Alésia, Mt. Aussois (Côtes d’Or), 301n.28 Apollo of Veii, 29 Alexander, Martirius, and Sisinius, martyrs, 235 Apuleius, 129, 211, 215, 218 Alexandria, Egypt, 242, 268 Arbon (Arbonna), 240 All the gods and goddesses, dedications to, 187 Arcelin, Patrice, 58 Alpes, 183 Argentomagus (Saint-Marcel, Indre), 110–12,Fig3.15 idol, 202–3, 206, 275 Arminius, 45 Alps, mountains, 203, 235 Armorica. See Brittany Altar of Pergamon, 118 Armrings, 78 Alzey, Church of St. George, 255 in sculpture, 57, 108, 110 Amasis, 292n.40 Arnobius, of Sicca, 10–13, 16–17 Ambatiensis (Amboise, Indre-et-Loire), 235 Art Amberloup, 315n.20 Etruscan, 28 Ambracia, 9, 34 Greek, 28, 30, 58–59 Ambracians, 7, 9 Hellenistic, 149 Anaglypha Traiana, 305n.109 Iron Age, 36–39, 69, 80, 100, 136, 144 Anatomical votives, 95 Roman provincial, 86, 94, 127, 133 Ancestor cult Art and Agency, book, 15 and Romano-Celtic temples, 151, 155 Artemis of Ephesos, 294n.12 in Africa and Polynesia, 19 Artemis. See Diana Iron Age, 54, 59, 63, 82–83 Arval Brethren, 91, 201 andriás, 6 Arverni, 130 Angers, 236 Asclepius. See Aesculapius 347 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-48734-4 — Roman Cult Images Philip Kiernan Index More Information 348 INDEX Asia, province, 30, 33 Beneficarii, 186 Assos, Temple of Athena, 307n.14 Berecynthia, 235 Astronomy, 140, 142 Bierbach, 184 Athena, 29, 204 Biller, Frank, 124 Athens, 32, 244 Biographies Crossroads Shrine, Agora, 91 of idols, 19–20 Atilla the Hun, 239 of saints. See Hagiographies Attributes, in Iron Age art, 80 of things, 19–20 Augsburg, victory altar, 230 Binchester, 304n.91 Augustine of Hippo, 10, 13, 26, 277 Bitburg, 226 Aukamper Moor. See Braak Bliesbruck-Reinheim (Moselle/Saarland) 318n.148 Aulus Gellius, 258 Bobbio, 240 Aurelian, 225 Bodies Australia, 14 idols as having human, 201–7 autel souterrain, 155 Bonn, 123 Autun, 235 Temple of Matronae Aufaniae, 124, Fig 3.21 Temple of Janus, 157, 190 and 3.22 Avenches Temple of the Matronae Aufaniae, 209 capitolium, 260, Fig 6.9 Border stones, 296n.71 En Chaplix, 155 Boschung, Dietrich, 10, 307n12 bóthros, 258 Bad Bubendorf, 175 Bouray-sur-Juine, 63–64, 67, 102, Fig 2.15 Bad Kreuznach, 317n.120 Bourbonne-les-Bains (Haute-Marne), 95, 98 Bad Wimpfen, 248 Bozouls, 61, Fig 2.12 Bag of coins, in sculpture, 92, 108, 131–32 Braak, 70, 80, 82, Fig 2.18, 2.19 Baldachin, 149 Breasts, mutilation of, 244 Ballachulish (Scotland), 299n.138 Bregenz (Brigantium), 240 Ballereau, Leon, 263 Brennus, 44 Balteus, 133 brétas, 6 Bancroft, 155 Britain, 38, 69, 81, 122, 137, 230, 253 Baptism, of cult images, 243–44 mutilation of sculpture, 253 Barbarians Brittany, 59, 91 and aniconic worship, 37 Bull, 109 as destroyers of cult images, 224–32, 258, 276 idol in Trier Altbachtal, 164, Fig 4.9 Greek and Roman views of. See Ethnographers: Mithraic, 138, 140 Greek and Roman three-horned, 107, 164 Bard of Paule, 59, Fig 2.12 Burgundy, 94–95 Bark of trees, 119 Burial mound. See Tumulus Barzan (Moulin de Fâ) 311n.102 Burial of cult images, 83, 253, 257, See also Rituals Base of closure for a cult image, 56, 61, 181–88, 268 Buste-socles, 59–63, 79, 91, 110, Fig 2.12 for an idol, 148–95, 202, 207, 213, 274 Butterstadt, 117, Fig 3.18 for tauroctonies, 177–81 of a Jupiter column. See Viergötterstein Caduceus, 92, 109, 131–32 of a statue, in an artwork, 278 Caesar, Julius, 21, 40–42, 44–46, 78, 132, 136 Batavian Revolt, 44 Caesarea (Cappodocia), 312n.22 Batavians, 42, 216n79 Caesarea Maritima, 317n.101 Bathing of idols, 203–5, 213, 218, 278 Caldinius Celsus, Q., 124, 128, 209, Fig 3.22 Baths, 101, 152, 177, 233 Calès-Mézin (Lot-et-Garonne), 268 Bauchhenß, Gerhard, 119 Calonna, 236 Baudry, Ferdinand, 263 camillus, 209 Bavilliers (Territoire de Belfort), 175, 275 Camillus, M. Furius, 33 Baynes, Norman H., 10 Capital Beck, Roger, 142, 177 of a Jupiter column, 117, 176, 228 Beer, as an offering to Mercury, 316n.76 of a pillar monument, 115 Behm-Blancke, Günter, 299n.126 statues on a Jupiter column, 115, 117–19, 228 Belief, in divinity of idols, 9–14 Capitoline Triad, 27 Benedict, saint, 239, 241, 260 Capitolium, 147 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-48734-4 — Roman Cult Images Philip Kiernan Index More Information INDEX 349 Capua, 7, 9, 34 Composite armor, 51, 55–58, 63, 79, 110 Carmona, 122 Comte, August, 45 Carnyx, 67 Concordia Carrawburgh, 258 idol of, Rome, 147 Carthage, 318n.134 Consecrated images, 8, 17, 145, 269 Cassandra, 147 Consecration Cassiodorus, 233 of cult images, 16–17, 83, 188, 193 Castellana, Civita, Celle Sanctuary, 294n.17 Conservativism, in Roman religion, 25, 32 Castor and Pollux, 107, 113 Constantius Chlorus, 226 Cato the Elder, 30, 84 Constitution, imperial (AD 415), 233 Cauldron, 73, 100, 197, 225, See also Gundestrup Coralli, tribe, 304n.82 Cauldron Cori, Temple of the Dioscurii, 149 Cautes and Cautopates, 140, 179, 247–48 Corinth, 34, 243 Cave, Mithraic, 177 Cornucopia, 108, 122 Celsus, 269 Corpus Signorum Imperium Romanum, 85 Celtic renaissance, 144 Couches, 207, 214 Celts, 21–22 in Mithraea, 138, 181 language, 21 Council of Arles, second, 309n.59 Celto-Ligurians, 297n.94 Council of Nantes, 316n.57 Cenn Cruiach, 42 Council of Tours, 309n.59 Ceres, 30, 147 Coventina’s Well, 258 Cernunnos, 69, 100, 107–12, 189, 197, 244, Crain (Yonne), 156–58, 184, 192, Fig 4.4 278 Creolization, 88 Chaining of idols, 8, 193, 278 Crêt-Châtelard (Loire), 99, Fig 3.7 Chainmail armor, 57–58 Crevans (Haute-Saône), 155 Chamalières (Puy-de-Dôme), 95, 98 Crosses, carved into pagan images, 243 Chares the Lindian, 305n.116 Cross-legged posture, 51, 64, 67, 108–12, 223 Charlemagne, 233 Croxford, Ben, 253, 259 Châteaubleau (Seine-Maritime), 130 Cult image, as a term, 4 Châtillon-sur-Colmont (Mayenne), 301n.28 Cult statue, as a term, 4 Christians Curtains, 191 as destroyers of cult images, 232–55 in Mithraea, 181, 310n.85 on pagan belief in idols. See Belief, in divinity around Nerthus, 41 of idols Cussy-la-Colonne (Côte d’Or), 175 re-using pagan cult images, 255–57 worship and art, 194–95 Dalkingen, 229 Chrocus, 226 damnatio memoriae, 222, 255 Chryselephantine statues, 146, 274 Damona, 98 Cicero, 5, 14, 147, 200, 277 Danube River, 137 Circumambulation, 151, 158, 165, 173, 189–90, 275 darshan, 18, 148, 220, 278–79 Cisterns, 258 decem pagi, 314n.10 Clarus, saint, 315n.44 Déchelette, Joseph, 38, 42, 45 Clement of Alexandria, 10 Delphi, 27, 188 Coins Demons, 237, 240–43, 253, 262 as offerings, 95, 151, 158, 175, 202, 234, 250 Dendara, 243 as offerings to an idol, 61, 75, 78–79, 211–12 Dendrochronology, 75, 78, 97, 99 debasement of, 225 Deneuvre (Meurthe-et-Moselle), 133, 174, 184, hoards of, 224, 237 Fig 3.27, Fig 4.22 in wells, 226 Derks, Ton, 124, 127 collegia, 106, 181 Destruction Cologne, 120, 123, 231, 262, Fig 3.19 of cult images by Christians. See Christians Church of St. Ursula, 255 of Iron Age statues, intentional, 83 Widdersdorf, 258 Diana, 92–93, 147, 238, 245 Colossal statues, 17, 32, 130, 132, 149, 158, 192, 199, from Thun-Allmendingen, 267 274, 278 of Segesta, 5, 201 in Pliny, 130 on Aventine Hill, 28 Columbanus and Gallus, 239–41, 243, 248 Diana of Oberdorla, 70, 74 Commonicus, 237 Dieburg Mithraeum, 249 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-48734-4 — Roman Cult Images Philip Kiernan Index More Information 350 INDEX Dieu d’Euffigneix. See Euffigneix Essarois (Côte-d’Or), 95 Diodorus Siculus, 40, 44 Estienne, Sylvie, 5, 8, 17, 193 Dioscuri. See Castor and Pollux Esus, 107 dis deabusque omnibus, 187 Ethnographers Divine images, as a term, 4 Greek and Roman, 37, 43 Divinity of idols. See Belief modern, 4, 14 Dodonna Etruscans, 28 Temple of Zeus, 91 Eucharius, bishop, 257 Dog Euergetism, 152 as an attribute, 122, 128 Euffigneix, 62–63, Fig 2.14 Mithraic, 138 Evander, 36 remains of, 263–64 evocatio, 8, 33–35, 193 Domburg (Holland), 123 Execution of idols, 267 Domitian, 44 Externalist strategy, for granting agency, 16 Donohue, Alice, 6 Eyes Donon (Grandfontaine/Michelbrunn, mutilation of, 243, 267 Bas-Rhin), 184 of Holzidole, 78 Doors of temples, 28, 148, 157, 165, 170, 188, ritual opening of, 24 190–91, 213, 275 Dorsuale, 164 Fabius Maximus, 34 Druids, 38, 230 Faces Durkheim, Émile, 15, 17 fragments
Load more

Recommended publications
  • The Imperial Cult and the Individual
    THE IMPERIAL CULT AND THE INDIVIDUAL: THE NEGOTIATION OF AUGUSTUS' PRIVATE WORSHIP DURING HIS LIFETIME AT ROME _______________________________________ A Dissertation presented to the Faculty of the Department of Ancient Mediterranean Studies at the University of Missouri-Columbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy _____________________________________________________ by CLAIRE McGRAW Dr. Dennis Trout, Dissertation Supervisor MAY 2019 The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled THE IMPERIAL CULT AND THE INDIVIDUAL: THE NEGOTIATION OF AUGUSTUS' PRIVATE WORSHIP DURING HIS LIFETIME AT ROME presented by Claire McGraw, a candidate for the degree of doctor of philosophy, and hereby certify that, in their opinion, it is worthy of acceptance. _______________________________________________ Professor Dennis Trout _______________________________________________ Professor Anatole Mori _______________________________________________ Professor Raymond Marks _______________________________________________ Professor Marcello Mogetta _______________________________________________ Professor Sean Gurd DEDICATION There are many people who deserve to be mentioned here, and I hope I have not forgotten anyone. I must begin with my family, Tom, Michael, Lisa, and Mom. Their love and support throughout this entire process have meant so much to me. I dedicate this project to my Mom especially; I must acknowledge that nearly every good thing I know and good decision I’ve made is because of her. She has (literally and figuratively) pushed me to achieve this dream. Mom has been my rock, my wall to lean upon, every single day. I love you, Mom. Tom, Michael, and Lisa have been the best siblings and sister-in-law. Tom thinks what I do is cool, and that means the world to a little sister.
    [Show full text]
  • PDF Hosted at the Radboud Repository of the Radboud University Nijmegen
    PDF hosted at the Radboud Repository of the Radboud University Nijmegen The following full text is a publisher's version. For additional information about this publication click this link. http://hdl.handle.net/2066/85949 Please be advised that this information was generated on 2021-10-07 and may be subject to change. KLIO 92 2010 1 65––82 Lien Foubert (Nijmegen) The Palatine dwelling of the mater familias:houses as symbolic space in the Julio-Claudian period Part of Augustus’ architectural programme was to establish „lieux de me´moire“ that were specifically associated with him and his family.1 The ideological function of his female relativesinthisprocesshasremainedunderexposed.2 In a recent study on the Forum Augustum, Geiger argued for the inclusion of statues of women among those of the summi viri of Rome’s past.3 In his view, figures such as Caesar’s daughter Julia or Aeneas’ wife Lavinia would have harmonized with the male ancestors of the Julii, thus providing them with a fundamental role in the historical past of the City. The archaeological evi- dence, however, is meagre and literary references to statues of women on the Forum Augustum are non-existing.4 A comparable architectural lieu de me´moire was Augustus’ mausoleum on the Campus Martius.5 The ideological presence of women in this monument is more straight-forward. InmuchthesamewayastheForumAugustum,themausoleumofferedAugustus’fel- low-citizens a canon of excellence: only those who were considered worthy received a statue on the Forum or burial in the mausoleum.6 The explicit admission or refusal of Julio-Claudian women in Augustus’ tomb shows that they too were considered exempla.
    [Show full text]
  • Martial and the City of Rome*
    Martial and the City of Rome* LUKE ROMAN ABSTRACT This essay examines the representation of the city of Rome in Martial’s Epigrams, and specifi cally, his references to urban topography. The city is an insistent and vivid presence in Martial’s Epigrams to a degree unparalleled in Roman poetry. He fashions a Rome that is more relentlessly sordid, irregular and jagged in texture, and overtly dissonant in its juxtapositions than the literary cities of his poetic predecessors. This new urban emphasis is not only a game of literary one-upmanship. Martial’s urban poetics takes shape in the context of renewed attention to the city and monumental building under the Flavians. ‘… et ad cubile est Roma’ (‘… and at my bedside is — Rome’, Martial, Epigrams 12.57.27) The prime setting for Martial’s Epigrams is Rome, and the life of the city is his main subject. Traditionally, Martial has been mined as a source for aspects of daily urban life: the presumption is that his realist orientation and focus on low-life scenarios bring us closer to the sordid everyday realities of urban existence omitted in other authors. Current scholarship, however, is increasingly impatient of the use of poets as transparent windows onto quotidian reality,1 and tends to stress their literary motives for constructing realist scenes in a certain form. While it would be reductive to insist that Roman literature does not provide insight, in a complex way, into Roman life, more recent work rightly observes that realist writers, who offer up images of Roman social life — Martial, Pliny the Younger, Juvenal — are also likely to be creating a reality that sets up central aspects of their self-representation.2 Accepting their picture of Rome as a descriptive impression of their surroundings is tantamount to perpetuating a rhetorical emphasis that is inevitably contestable and interested.
    [Show full text]
  • Calendar of Roman Events
    Introduction Steve Worboys and I began this calendar in 1980 or 1981 when we discovered that the exact dates of many events survive from Roman antiquity, the most famous being the ides of March murder of Caesar. Flipping through a few books on Roman history revealed a handful of dates, and we believed that to fill every day of the year would certainly be impossible. From 1981 until 1989 I kept the calendar, adding dates as I ran across them. In 1989 I typed the list into the computer and we began again to plunder books and journals for dates, this time recording sources. Since then I have worked and reworked the Calendar, revising old entries and adding many, many more. The Roman Calendar The calendar was reformed twice, once by Caesar in 46 BC and later by Augustus in 8 BC. Each of these reforms is described in A. K. Michels’ book The Calendar of the Roman Republic. In an ordinary pre-Julian year, the number of days in each month was as follows: 29 January 31 May 29 September 28 February 29 June 31 October 31 March 31 Quintilis (July) 29 November 29 April 29 Sextilis (August) 29 December. The Romans did not number the days of the months consecutively. They reckoned backwards from three fixed points: The kalends, the nones, and the ides. The kalends is the first day of the month. For months with 31 days the nones fall on the 7th and the ides the 15th. For other months the nones fall on the 5th and the ides on the 13th.
    [Show full text]
  • Cambridge University Press 978-1-107-10357-3 — the Architecture of the Roman Triumph Maggie L
    Cambridge University Press 978-1-107-10357-3 — The Architecture of the Roman Triumph Maggie L. Popkin Index More Information INDEX Aachen, Germany, 138 Apollo Caelispex, statue of, 193 Abu Simbel, Egypt, 184–6 Aqua Claudia, 159 Acilius Glabrio, M., 192 Ara Maxima Herculis, 193 Acropolis, Athenian, 184 Ara Pacis, 95 Actian Arch of Augustus, 103–4 Arch of Claudius, 95–6 aedes Aemiliana (Herculis), 69, 101, 193 Arch of Constantine, 141–2, 159, 184, 216 Aemilius Lepidus, M., 52–8, 77, 126, 187, 189–90, Arch of Germanicus, 99 214 Arch of Marcus Aurelius, 141–2, 216 Aemilius Paullus, L., 21, 86, 98–9, 193, 223 Arch of Septimius Severus, 5, 23, 30–1, 33–4, 142, funeral of, 199 144–51, 161–2, 173–9, 181, 184, 216 triumph of, 21, 28–30, 86–7, 199, 202, 212 Arch of the Argentarii, 180–1 Aemilius Paullus, M., 58, 62–3, 77 Arch of Tiberius, 33–4, 101, 105–6, 175–6, 209 Aemilius Regillus, L., 52–8, 76–7, 187 Arch of Titus in the Circus Maximus (in Circo), Aemilius Scaurus, M., 126 110–11, 115, 174 Aeneid (Virgil), 81 Arch of Titus on the Sacra Via, 6, 30, 36, 62, 103, Affordable Care Act, 138 105–6, 141–2, 147, 150, 197 Africa. See also North Africa Arch of Trajan Roman conquest of, 80 at Benevento, 19, 147, 149, 197 Septimius Severus and, 137, 163, 179–80 on Capitoline Hill, 107–8 Agora, Athenian, 184 arches. See also specific arches Alban Mount, 1, 19, 30–1, 93–4 quadrigas and, 93–4, 101, 103, 129 Alcock, Susan, 75–6, 90–1, 119, 177 as triumphal monument, 61–2, 204 Alexander Severus, 132–3, 163–4, 167 visual novelty of, 61–2 Alexander the Great voussoir, 62 Granikos monument of, 77, 143–4 Arches of Augustus, 150 processions of, and of his successors, 183 Actian Arch, 103–4 Alexandria Naulochan Arch, 103–4 Grand Procession of Ptolemy Philadelphus in, Parthian Arch, 33–4, 93–4, 103–4, 174, 179 183 Arches of Stertinius.
    [Show full text]
  • A Week in the Life of Ephesus by David A
    Taken from A Week in the Life of Ephesus by David A. deSilva. Copyright © 2020 by David A. deSilva. Published by InterVarsity Press, Downers Grove, IL. www.ivpress.com. 1 New Year’s Day 1 Kaisaros, 9 Kalends October The Divine Artemis Sends Birthday Wishes Publius Aurelius Serapion, priest of Artemis, strode with pride past the crowd that had gathered outside the great Artemision for the sacred procession. A hundred or so had prescribed roles in the procession; a thousand more devotees had made the kilometer-and-a-half trek from the city’s northern gate simply to participate. He saw many faces in the crowd that were unfamiliar to him from his five decades of moving through the streets and fora of Ephesus, no doubt a good number of them tourists who had made their way here to see the temple that was lauded as one of the seven greatest architectural wonders of the world. Serapion recalled once seeing a visitor from Athens standing before the temple, weeping. He inquired of him what had affected him so. “How can I now go back to Athens and take pride in our Par- thenon? It would take four such houses of our goddess Athena to fill just this one of Artemis!” Great indeed is Ephesian Artemis, Serapion mused with satisfaction. WeekinLifeof_Ephesus 15 March 27, 2020 9:49 AM 16 A Week in the Life of Ephesus Flanked by two acolytes bearing torches and clothed fully in white as he was, Serapion could feel his movements attract the attention of the crowd and savored the moment.
    [Show full text]
  • Volume 14 Winter 2012 the Etruscans in Leiden and Amsterdam: “Eminent Women, Powerful Men” Double Exhibition on Ancient Italian Culture Perspective
    Volume 14 Winter 2012 The Etruscans In Leiden and Amsterdam: “Eminent Women, Powerful Men” Double Exhibition on Ancient Italian culture perspective. The exhibition in Leiden tombs still adorn the romantic land- focuses on Etruscan women, the exhibi- scapes of Umbria and Tuscany. tion in Amsterdam on Etruscan men. Etruscan art, from magnificent gold On display will be more than 600 jewels to colorful tomb paintings, con- pieces from the museums’ own collec- tinues to fire the imagination of lovers tions and from many foreign museums. of Italy and art. “Etruscans: Eminent The ruins of imposing Etruscan Women, Powerful Men,” provides a October 14 - March 18, 2012 detailed introduction to Etruscan civi- The National Museum of lization in a visually delightful exhibi- Antiquities in Leiden and the Allard tion. Pierson Museum in Amsterdam pres- The Etruscans flourished hundreds ents the fascinating world of the of years before the Romans came to Etruscans to the public in a unique dou- power in Italy. Their civilization ble exhibition. The two museums tell reached its height between 750 and 500 the tale of Etruscan wealth, religion, BC, Etruscan society was highly devel- power and splendor, each from its own Left & Right: Brolio bronzes. Center: Replica of the Latona at Leiden. oped; women continued on page 15 Scientists declare the XXVIII Convegno di tions with Corsica and featured specific studies of Etruscan material found in the Fibula Praenestina and its engraved with the earliest archaic Latin Studi Etruschi ed Italici inscription. The matter of its authentic- Corsica and Populonia excavations at Aleria. Rich in minerals inscription to be genuine ity has been a question for a long time.
    [Show full text]
  • An Exploration of Early Romanization: a Comparative and Semiotic Approach
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2016 An Exploration of Early Romanization: A Comparative and Semiotic Approach Mikel Wein Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/705 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] AN EXPLORATION OF EARLY ROMANIZATION: A COMPARATIVE AND SEMIOTIC APPROACH by MIKEL C. WEIN A master’s thesis submitted to the Graduate Faculty in Liberal Studies in partial fulfillment of the requirements for the degree of Master of Arts, the City University of New York 2016 ©2016 MIKEL C. WEIN All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Liberal Studies satisfying the thesis requirement for the degree of Master of Arts. __________________________________________ ____________________ __________________________________________ Date Thesis Adviser __________________________________________ _____________________ __________________________________________ Date Executive Officer THE CITY UNIVERSITY OF NEW YORK iii Abstract AN EXPLORATION OF EARLY ROMANIZATION: A COMPARATIVE AND SEMIOTIC APPROACH by Mikel Wein Adviser: Professor Alexander Bauer Romanization became a popular academic topic after its initial proposal in 1915 by Francis Haverfield. Even today, it is maintained as a popular theory to explain how Rome came to dominate everything from the Italian peninsula to Roman Britain. Traditionally, Romanization has been framed using a theoretical framework of dominance through cultural diffusion.
    [Show full text]
  • Front Matter
    Cambridge University Press 978-0-521-87782-4 - Hellenistic and Roman Ideal Sculpture: The Allure of the Classical Rachel Meredith Kousser Frontmatter More information hellenistic and roman ideal sculpture In this book, Rachel Kousser draws on contemporary reception theory to present a new approach to Hellenistic and Roman ideal sculpture. She analyzes the Romans’ preference for retrospective, classicizing statuary based on Greek models as opposed to the innovative creations prized by modern scholars. Using a case study of a particular sculptural type, a forceful yet erotic image of Venus, Kousser argues that the Romans self-consciously employed such sculptures to represent their ties to the past in a rapidly evolving world. Kousser presents Hellenistic and Roman ideal sculpture as an example of a highly effective artistic tradition that was, by modern standards, extraordinarily conservative. At the same time, the Romans’ flexible and opportunistic use of past forms also had important implications for the future; it constituted the origins of classicism in Western art. Rachel Meredith Kousser is assistant professor of ancient art at Brooklyn College and member of the doctoral faculty at the Graduate Center of the City Uni- versity of New York. She has received fellowships from the Mellon Foundation, the German Archaeological Institute in Berlin, the Romish-Germanisches¨ Zen- tralmuseum Mainz, the PSC-CUNY Research Foundation, and the American Numismatic Society. She has contributed several articles to the American Journal of Archaeology.
    [Show full text]
  • The Triple-Dot Pattern and the Swastika in Ancient Art
    The Triple-dot Pattern and the Swastika in Ancient Art A letter to Julianna Lees with regard to her study on the “triple-dot” pattern, called the “Cintamani.” (http://www.flickr.com/groups/1530622@N23/pool/) by Mel Copeland I think the triple-dot motif coexists with the cross, swastika, labyrinth and various sun symbols and combinations where they are placed within a circular or square border. Such patterns seem to date from the formative, Neolithic days of man’s perception of, and identity with, gods and heaven(s), i.e., there are seven heavens in Jewish tradition. In this sense, then, I think Fig. 1 and 2 Bowls from Baghouz, Syria, Samarra culture, it is worthwhile to associate the symbols as ~5500 B.C. a continuity of thought. Religious thought, for instance, has always been conservative, holding onto the precepts of the past. The Catholic Church has held onto the use of the Latin language in its liturgy, though the people of their parishes had no knowledge of the language. From another perspective archeologists have found flower pollen associated with Neanderthal burials, suggesting they threw flowers on the grave; we still do it today, probably with the same meaning. The swastika has been found around the world and some of its earliest versions include branches, where the design grew from a symbol of trees to a geometric form, of simple bars with buds on them, as seen in the ceremonial bowls from tell Baghouz, Syria (Samarra culture 5500- 4800 B.C.). The theme of the swastika can be seen as the Tree of Life, from which all creation emerged, from whose base came ever-flowing waters that have been compared to the amniotic fluid flowing from early “Venus” statues, such as the Venus of Lespugue, Aurignacian Period, carved on ivory (40,000 - 25,000 B.C.).
    [Show full text]
  • 120 RES 57/58 SPRING/AUTUMN 2010 Figure 1. Restored Jupiter Column, Early Third Century AD Ladenburg. Lobdengau-Museum
    120 RES 57/58 SPRING/AUTUMN 2010 Figure 1. Restored Jupiter column, early third century A.D. Ladenburg. Lobdengau-Museum (with original crowning group of Jupiter and a giant). R. Wiegels, Lopodunum II: Inschriften und Kultdenkmäler aus dem römischen Ladenburg am Neckar (Stuttgart: Konrad Theiss Verlag, 2000), fig. 10a. A sacred landscape The creation, maintenance, and destruction of religious monuments in Roman Germany RACHEL KOUSSER In the second to early third centuries A.D., with the tended to focus on its creation, examining issues such as establishment of the first civilian administration and a the chronology, patronage, and artistic style of individual new, more defensible border on the Roman Empire’s monuments. My analysis is more broad-ranging, northwest frontier, the landscape of Roman Germany encompassing not simply the origins but also the was transformed (Rüger 2000; Sommer 1999). Cities, mutilation, renewal, and eventual destruction of sacred towns, and legionary camps were set up, a network of objects—in essence, their full “life cycle”3—as well as roads was cut, and new land cleared for farming. Nor their relation to one another and to the landscape as a was the religious dimension of the landscape neglected. whole. I draw on visual, epigraphic, and archaeological Rather, it was enhanced through the construction of new evidence to reconstruct, insofar as possible, the historical sacred monuments such as temples, shrines, and altars contexts in which such monuments were destroyed. In (Kuhnen 1996; Künzl 1982). This monumentalization
    [Show full text]
  • German Limes Road REMARKABLE RELICS of EARTHWORKS and OTHER MONUMENTS, RECONSTRUCTIONS and MUSEUMS
    German Limes Road REMARKABLE RELICS OF EARTHWORKS AND OTHER MONUMENTS, RECONSTRUCTIONS AND MUSEUMS. THE GERMAN LIMES ROAD RUNS ALONG THE UPPER GERMAN-RAETIAN LIMES FROM BAD HÖNNINGEN /RHEINBROHL ON THE RHINE TO REGENSBURG ON THE DANUBE AS A TOURIST ROUTE. German Limes Road Dear Reader With this brochure we would like to invite you on a journey in the footsteps of the Romans along the Upper German-Raetian Limes recognized by UNESCO as a World Heritage site. This journey has been made German Limes Road possible for you by the association “Verein Deutsche German Limes Cycleway Limes-Straße e.V.”, which has laid out not only the German Limes Trail German Limes Road but also the German Limes Cycle- way for you. In addition to this, we would also like to The Upper German-Raetian Limes, the former border of the Roman introduce you to the Limes Trail. Empire between the Rhine and the Danube, recognised today by UNESCO as a World Heritage site, can be explored not only by car, but also by bike The association in which 93 municipalities, administra- or on foot along fully signposted routes. tive districts and tourism communities have come together, aims at generating an awareness in public of The German Limes Road, the German Limes Cycleway and the German the Limes as an archaeological monument of world his- Limes Trail offer ideal conditions for an encounter with witnesses of an torical significance. With its activities based on sharing ancient past as well as for recreational activities in beautiful natural land - knowledge and marketing, it wants to raise interest for scapes.
    [Show full text]