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The Imperial Cult and the Individual
THE IMPERIAL CULT AND THE INDIVIDUAL: THE NEGOTIATION OF AUGUSTUS' PRIVATE WORSHIP DURING HIS LIFETIME AT ROME _______________________________________ A Dissertation presented to the Faculty of the Department of Ancient Mediterranean Studies at the University of Missouri-Columbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy _____________________________________________________ by CLAIRE McGRAW Dr. Dennis Trout, Dissertation Supervisor MAY 2019 The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled THE IMPERIAL CULT AND THE INDIVIDUAL: THE NEGOTIATION OF AUGUSTUS' PRIVATE WORSHIP DURING HIS LIFETIME AT ROME presented by Claire McGraw, a candidate for the degree of doctor of philosophy, and hereby certify that, in their opinion, it is worthy of acceptance. _______________________________________________ Professor Dennis Trout _______________________________________________ Professor Anatole Mori _______________________________________________ Professor Raymond Marks _______________________________________________ Professor Marcello Mogetta _______________________________________________ Professor Sean Gurd DEDICATION There are many people who deserve to be mentioned here, and I hope I have not forgotten anyone. I must begin with my family, Tom, Michael, Lisa, and Mom. Their love and support throughout this entire process have meant so much to me. I dedicate this project to my Mom especially; I must acknowledge that nearly every good thing I know and good decision I’ve made is because of her. She has (literally and figuratively) pushed me to achieve this dream. Mom has been my rock, my wall to lean upon, every single day. I love you, Mom. Tom, Michael, and Lisa have been the best siblings and sister-in-law. Tom thinks what I do is cool, and that means the world to a little sister. -
PDF Hosted at the Radboud Repository of the Radboud University Nijmegen
PDF hosted at the Radboud Repository of the Radboud University Nijmegen The following full text is a publisher's version. For additional information about this publication click this link. http://hdl.handle.net/2066/85949 Please be advised that this information was generated on 2021-10-07 and may be subject to change. KLIO 92 2010 1 65––82 Lien Foubert (Nijmegen) The Palatine dwelling of the mater familias:houses as symbolic space in the Julio-Claudian period Part of Augustus’ architectural programme was to establish „lieux de me´moire“ that were specifically associated with him and his family.1 The ideological function of his female relativesinthisprocesshasremainedunderexposed.2 In a recent study on the Forum Augustum, Geiger argued for the inclusion of statues of women among those of the summi viri of Rome’s past.3 In his view, figures such as Caesar’s daughter Julia or Aeneas’ wife Lavinia would have harmonized with the male ancestors of the Julii, thus providing them with a fundamental role in the historical past of the City. The archaeological evi- dence, however, is meagre and literary references to statues of women on the Forum Augustum are non-existing.4 A comparable architectural lieu de me´moire was Augustus’ mausoleum on the Campus Martius.5 The ideological presence of women in this monument is more straight-forward. InmuchthesamewayastheForumAugustum,themausoleumofferedAugustus’fel- low-citizens a canon of excellence: only those who were considered worthy received a statue on the Forum or burial in the mausoleum.6 The explicit admission or refusal of Julio-Claudian women in Augustus’ tomb shows that they too were considered exempla. -
Martial and the City of Rome*
Martial and the City of Rome* LUKE ROMAN ABSTRACT This essay examines the representation of the city of Rome in Martial’s Epigrams, and specifi cally, his references to urban topography. The city is an insistent and vivid presence in Martial’s Epigrams to a degree unparalleled in Roman poetry. He fashions a Rome that is more relentlessly sordid, irregular and jagged in texture, and overtly dissonant in its juxtapositions than the literary cities of his poetic predecessors. This new urban emphasis is not only a game of literary one-upmanship. Martial’s urban poetics takes shape in the context of renewed attention to the city and monumental building under the Flavians. ‘… et ad cubile est Roma’ (‘… and at my bedside is — Rome’, Martial, Epigrams 12.57.27) The prime setting for Martial’s Epigrams is Rome, and the life of the city is his main subject. Traditionally, Martial has been mined as a source for aspects of daily urban life: the presumption is that his realist orientation and focus on low-life scenarios bring us closer to the sordid everyday realities of urban existence omitted in other authors. Current scholarship, however, is increasingly impatient of the use of poets as transparent windows onto quotidian reality,1 and tends to stress their literary motives for constructing realist scenes in a certain form. While it would be reductive to insist that Roman literature does not provide insight, in a complex way, into Roman life, more recent work rightly observes that realist writers, who offer up images of Roman social life — Martial, Pliny the Younger, Juvenal — are also likely to be creating a reality that sets up central aspects of their self-representation.2 Accepting their picture of Rome as a descriptive impression of their surroundings is tantamount to perpetuating a rhetorical emphasis that is inevitably contestable and interested. -
Calendar of Roman Events
Introduction Steve Worboys and I began this calendar in 1980 or 1981 when we discovered that the exact dates of many events survive from Roman antiquity, the most famous being the ides of March murder of Caesar. Flipping through a few books on Roman history revealed a handful of dates, and we believed that to fill every day of the year would certainly be impossible. From 1981 until 1989 I kept the calendar, adding dates as I ran across them. In 1989 I typed the list into the computer and we began again to plunder books and journals for dates, this time recording sources. Since then I have worked and reworked the Calendar, revising old entries and adding many, many more. The Roman Calendar The calendar was reformed twice, once by Caesar in 46 BC and later by Augustus in 8 BC. Each of these reforms is described in A. K. Michels’ book The Calendar of the Roman Republic. In an ordinary pre-Julian year, the number of days in each month was as follows: 29 January 31 May 29 September 28 February 29 June 31 October 31 March 31 Quintilis (July) 29 November 29 April 29 Sextilis (August) 29 December. The Romans did not number the days of the months consecutively. They reckoned backwards from three fixed points: The kalends, the nones, and the ides. The kalends is the first day of the month. For months with 31 days the nones fall on the 7th and the ides the 15th. For other months the nones fall on the 5th and the ides on the 13th. -
Cambridge University Press 978-1-107-10357-3 — the Architecture of the Roman Triumph Maggie L
Cambridge University Press 978-1-107-10357-3 — The Architecture of the Roman Triumph Maggie L. Popkin Index More Information INDEX Aachen, Germany, 138 Apollo Caelispex, statue of, 193 Abu Simbel, Egypt, 184–6 Aqua Claudia, 159 Acilius Glabrio, M., 192 Ara Maxima Herculis, 193 Acropolis, Athenian, 184 Ara Pacis, 95 Actian Arch of Augustus, 103–4 Arch of Claudius, 95–6 aedes Aemiliana (Herculis), 69, 101, 193 Arch of Constantine, 141–2, 159, 184, 216 Aemilius Lepidus, M., 52–8, 77, 126, 187, 189–90, Arch of Germanicus, 99 214 Arch of Marcus Aurelius, 141–2, 216 Aemilius Paullus, L., 21, 86, 98–9, 193, 223 Arch of Septimius Severus, 5, 23, 30–1, 33–4, 142, funeral of, 199 144–51, 161–2, 173–9, 181, 184, 216 triumph of, 21, 28–30, 86–7, 199, 202, 212 Arch of the Argentarii, 180–1 Aemilius Paullus, M., 58, 62–3, 77 Arch of Tiberius, 33–4, 101, 105–6, 175–6, 209 Aemilius Regillus, L., 52–8, 76–7, 187 Arch of Titus in the Circus Maximus (in Circo), Aemilius Scaurus, M., 126 110–11, 115, 174 Aeneid (Virgil), 81 Arch of Titus on the Sacra Via, 6, 30, 36, 62, 103, Affordable Care Act, 138 105–6, 141–2, 147, 150, 197 Africa. See also North Africa Arch of Trajan Roman conquest of, 80 at Benevento, 19, 147, 149, 197 Septimius Severus and, 137, 163, 179–80 on Capitoline Hill, 107–8 Agora, Athenian, 184 arches. See also specific arches Alban Mount, 1, 19, 30–1, 93–4 quadrigas and, 93–4, 101, 103, 129 Alcock, Susan, 75–6, 90–1, 119, 177 as triumphal monument, 61–2, 204 Alexander Severus, 132–3, 163–4, 167 visual novelty of, 61–2 Alexander the Great voussoir, 62 Granikos monument of, 77, 143–4 Arches of Augustus, 150 processions of, and of his successors, 183 Actian Arch, 103–4 Alexandria Naulochan Arch, 103–4 Grand Procession of Ptolemy Philadelphus in, Parthian Arch, 33–4, 93–4, 103–4, 174, 179 183 Arches of Stertinius. -
A Week in the Life of Ephesus by David A
Taken from A Week in the Life of Ephesus by David A. deSilva. Copyright © 2020 by David A. deSilva. Published by InterVarsity Press, Downers Grove, IL. www.ivpress.com. 1 New Year’s Day 1 Kaisaros, 9 Kalends October The Divine Artemis Sends Birthday Wishes Publius Aurelius Serapion, priest of Artemis, strode with pride past the crowd that had gathered outside the great Artemision for the sacred procession. A hundred or so had prescribed roles in the procession; a thousand more devotees had made the kilometer-and-a-half trek from the city’s northern gate simply to participate. He saw many faces in the crowd that were unfamiliar to him from his five decades of moving through the streets and fora of Ephesus, no doubt a good number of them tourists who had made their way here to see the temple that was lauded as one of the seven greatest architectural wonders of the world. Serapion recalled once seeing a visitor from Athens standing before the temple, weeping. He inquired of him what had affected him so. “How can I now go back to Athens and take pride in our Par- thenon? It would take four such houses of our goddess Athena to fill just this one of Artemis!” Great indeed is Ephesian Artemis, Serapion mused with satisfaction. WeekinLifeof_Ephesus 15 March 27, 2020 9:49 AM 16 A Week in the Life of Ephesus Flanked by two acolytes bearing torches and clothed fully in white as he was, Serapion could feel his movements attract the attention of the crowd and savored the moment. -
Volume 14 Winter 2012 the Etruscans in Leiden and Amsterdam: “Eminent Women, Powerful Men” Double Exhibition on Ancient Italian Culture Perspective
Volume 14 Winter 2012 The Etruscans In Leiden and Amsterdam: “Eminent Women, Powerful Men” Double Exhibition on Ancient Italian culture perspective. The exhibition in Leiden tombs still adorn the romantic land- focuses on Etruscan women, the exhibi- scapes of Umbria and Tuscany. tion in Amsterdam on Etruscan men. Etruscan art, from magnificent gold On display will be more than 600 jewels to colorful tomb paintings, con- pieces from the museums’ own collec- tinues to fire the imagination of lovers tions and from many foreign museums. of Italy and art. “Etruscans: Eminent The ruins of imposing Etruscan Women, Powerful Men,” provides a October 14 - March 18, 2012 detailed introduction to Etruscan civi- The National Museum of lization in a visually delightful exhibi- Antiquities in Leiden and the Allard tion. Pierson Museum in Amsterdam pres- The Etruscans flourished hundreds ents the fascinating world of the of years before the Romans came to Etruscans to the public in a unique dou- power in Italy. Their civilization ble exhibition. The two museums tell reached its height between 750 and 500 the tale of Etruscan wealth, religion, BC, Etruscan society was highly devel- power and splendor, each from its own Left & Right: Brolio bronzes. Center: Replica of the Latona at Leiden. oped; women continued on page 15 Scientists declare the XXVIII Convegno di tions with Corsica and featured specific studies of Etruscan material found in the Fibula Praenestina and its engraved with the earliest archaic Latin Studi Etruschi ed Italici inscription. The matter of its authentic- Corsica and Populonia excavations at Aleria. Rich in minerals inscription to be genuine ity has been a question for a long time. -
An Exploration of Early Romanization: a Comparative and Semiotic Approach
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2016 An Exploration of Early Romanization: A Comparative and Semiotic Approach Mikel Wein Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/705 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] AN EXPLORATION OF EARLY ROMANIZATION: A COMPARATIVE AND SEMIOTIC APPROACH by MIKEL C. WEIN A master’s thesis submitted to the Graduate Faculty in Liberal Studies in partial fulfillment of the requirements for the degree of Master of Arts, the City University of New York 2016 ©2016 MIKEL C. WEIN All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Liberal Studies satisfying the thesis requirement for the degree of Master of Arts. __________________________________________ ____________________ __________________________________________ Date Thesis Adviser __________________________________________ _____________________ __________________________________________ Date Executive Officer THE CITY UNIVERSITY OF NEW YORK iii Abstract AN EXPLORATION OF EARLY ROMANIZATION: A COMPARATIVE AND SEMIOTIC APPROACH by Mikel Wein Adviser: Professor Alexander Bauer Romanization became a popular academic topic after its initial proposal in 1915 by Francis Haverfield. Even today, it is maintained as a popular theory to explain how Rome came to dominate everything from the Italian peninsula to Roman Britain. Traditionally, Romanization has been framed using a theoretical framework of dominance through cultural diffusion. -
Front Matter
Cambridge University Press 978-0-521-87782-4 - Hellenistic and Roman Ideal Sculpture: The Allure of the Classical Rachel Meredith Kousser Frontmatter More information hellenistic and roman ideal sculpture In this book, Rachel Kousser draws on contemporary reception theory to present a new approach to Hellenistic and Roman ideal sculpture. She analyzes the Romans’ preference for retrospective, classicizing statuary based on Greek models as opposed to the innovative creations prized by modern scholars. Using a case study of a particular sculptural type, a forceful yet erotic image of Venus, Kousser argues that the Romans self-consciously employed such sculptures to represent their ties to the past in a rapidly evolving world. Kousser presents Hellenistic and Roman ideal sculpture as an example of a highly effective artistic tradition that was, by modern standards, extraordinarily conservative. At the same time, the Romans’ flexible and opportunistic use of past forms also had important implications for the future; it constituted the origins of classicism in Western art. Rachel Meredith Kousser is assistant professor of ancient art at Brooklyn College and member of the doctoral faculty at the Graduate Center of the City Uni- versity of New York. She has received fellowships from the Mellon Foundation, the German Archaeological Institute in Berlin, the Romish-Germanisches¨ Zen- tralmuseum Mainz, the PSC-CUNY Research Foundation, and the American Numismatic Society. She has contributed several articles to the American Journal of Archaeology. -
The Triple-Dot Pattern and the Swastika in Ancient Art
The Triple-dot Pattern and the Swastika in Ancient Art A letter to Julianna Lees with regard to her study on the “triple-dot” pattern, called the “Cintamani.” (http://www.flickr.com/groups/1530622@N23/pool/) by Mel Copeland I think the triple-dot motif coexists with the cross, swastika, labyrinth and various sun symbols and combinations where they are placed within a circular or square border. Such patterns seem to date from the formative, Neolithic days of man’s perception of, and identity with, gods and heaven(s), i.e., there are seven heavens in Jewish tradition. In this sense, then, I think Fig. 1 and 2 Bowls from Baghouz, Syria, Samarra culture, it is worthwhile to associate the symbols as ~5500 B.C. a continuity of thought. Religious thought, for instance, has always been conservative, holding onto the precepts of the past. The Catholic Church has held onto the use of the Latin language in its liturgy, though the people of their parishes had no knowledge of the language. From another perspective archeologists have found flower pollen associated with Neanderthal burials, suggesting they threw flowers on the grave; we still do it today, probably with the same meaning. The swastika has been found around the world and some of its earliest versions include branches, where the design grew from a symbol of trees to a geometric form, of simple bars with buds on them, as seen in the ceremonial bowls from tell Baghouz, Syria (Samarra culture 5500- 4800 B.C.). The theme of the swastika can be seen as the Tree of Life, from which all creation emerged, from whose base came ever-flowing waters that have been compared to the amniotic fluid flowing from early “Venus” statues, such as the Venus of Lespugue, Aurignacian Period, carved on ivory (40,000 - 25,000 B.C.). -
120 RES 57/58 SPRING/AUTUMN 2010 Figure 1. Restored Jupiter Column, Early Third Century AD Ladenburg. Lobdengau-Museum
120 RES 57/58 SPRING/AUTUMN 2010 Figure 1. Restored Jupiter column, early third century A.D. Ladenburg. Lobdengau-Museum (with original crowning group of Jupiter and a giant). R. Wiegels, Lopodunum II: Inschriften und Kultdenkmäler aus dem römischen Ladenburg am Neckar (Stuttgart: Konrad Theiss Verlag, 2000), fig. 10a. A sacred landscape The creation, maintenance, and destruction of religious monuments in Roman Germany RACHEL KOUSSER In the second to early third centuries A.D., with the tended to focus on its creation, examining issues such as establishment of the first civilian administration and a the chronology, patronage, and artistic style of individual new, more defensible border on the Roman Empire’s monuments. My analysis is more broad-ranging, northwest frontier, the landscape of Roman Germany encompassing not simply the origins but also the was transformed (Rüger 2000; Sommer 1999). Cities, mutilation, renewal, and eventual destruction of sacred towns, and legionary camps were set up, a network of objects—in essence, their full “life cycle”3—as well as roads was cut, and new land cleared for farming. Nor their relation to one another and to the landscape as a was the religious dimension of the landscape neglected. whole. I draw on visual, epigraphic, and archaeological Rather, it was enhanced through the construction of new evidence to reconstruct, insofar as possible, the historical sacred monuments such as temples, shrines, and altars contexts in which such monuments were destroyed. In (Kuhnen 1996; Künzl 1982). This monumentalization -
German Limes Road REMARKABLE RELICS of EARTHWORKS and OTHER MONUMENTS, RECONSTRUCTIONS and MUSEUMS
German Limes Road REMARKABLE RELICS OF EARTHWORKS AND OTHER MONUMENTS, RECONSTRUCTIONS AND MUSEUMS. THE GERMAN LIMES ROAD RUNS ALONG THE UPPER GERMAN-RAETIAN LIMES FROM BAD HÖNNINGEN /RHEINBROHL ON THE RHINE TO REGENSBURG ON THE DANUBE AS A TOURIST ROUTE. German Limes Road Dear Reader With this brochure we would like to invite you on a journey in the footsteps of the Romans along the Upper German-Raetian Limes recognized by UNESCO as a World Heritage site. This journey has been made German Limes Road possible for you by the association “Verein Deutsche German Limes Cycleway Limes-Straße e.V.”, which has laid out not only the German Limes Trail German Limes Road but also the German Limes Cycle- way for you. In addition to this, we would also like to The Upper German-Raetian Limes, the former border of the Roman introduce you to the Limes Trail. Empire between the Rhine and the Danube, recognised today by UNESCO as a World Heritage site, can be explored not only by car, but also by bike The association in which 93 municipalities, administra- or on foot along fully signposted routes. tive districts and tourism communities have come together, aims at generating an awareness in public of The German Limes Road, the German Limes Cycleway and the German the Limes as an archaeological monument of world his- Limes Trail offer ideal conditions for an encounter with witnesses of an torical significance. With its activities based on sharing ancient past as well as for recreational activities in beautiful natural land - knowledge and marketing, it wants to raise interest for scapes.