KLINGON HISTORICAL TIMELINE ======By Richard E
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2020 Annual Report
2020 ANNUAL REPORT Providing a level of excellence that makes the Rosamond Gifford Zoo a national leader in animal care, conservation and visitor experience. 1 A JOINT MESSAGE FROM THE EXECUTIVE DIRECTOR AND THE CHAIR OF THE BOARD TABLE OF CONTENTS Facebook followers increased from 61.3K at the start The year 2020 was undoubtedly the most challenging in our history. However, we can celebrate of 2020 to 65.8K on many successes which proved that perseverance, teamwork and, most importantly, a supportive December 31, 2020, adding community can see us through anything. Navigating a Pandemic 4 followers. Over the past year, our amazing Friends of the Zoo community truly went above and beyond for 4,500 Maintaining Partnerships your zoo. You let us know how much you missed visiting while we were closed, you came back 9 Surpassed as soon as you could, and you contributed to several campaigns to help the zoo recover from the 10 Engaging our Community pandemic. 25,000 Capital Improvements followers on Instagram, When we substituted a fundraising campaign - $50K for 50 Years – for a Friends of the Zoo 50th 12 a huge milestone. anniversary celebration, you pitched in to help us raise more than $20,000 over our $50,000 goal. When we offered a two-month extension on memberships to cover the COVID closure, most 13 2020 Accomplishments of you donated it back to the zoo. When we asked our volunteers to help the zoo acquire more flamingos to expand our flock, you donated to the Fund for Flamingo Flamboyance. Or, you gave 14 Development and Fundraising to our Annual Appeal on behalf of a baby patas monkey named Iniko -- “born during troubled Nearly 9,140 times.” 15 New Leadership children and adults actively participated in conservation education learning programs When, at the end of an already difficult year, we lost our two youngest elephants to another 16 Future Focus deadly virus, you mourned with us, sent messages of encouragement and donated to the Ajay and Batu Memorial Fund to help the new Animal Health Center test for and treat EEHV. -
The Original Series, Star Trek: the Next Generation, and Star Trek: Discovery
Gender and Racial Identity in Star Trek: The Original Series, Star Trek: The Next Generation, and Star Trek: Discovery Hannah van Geffen S1530801 MA thesis - Literary Studies: English Literature and Culture Dr. E.J. van Leeuwen Dr. M.S. Newton 6 July, 2018 van Geffen, ii Table of Contents Introduction............................................................................................................................. 1 1. Notions of Gender and Racial Identity in Post-War American Society............................. 5 1.1. Gender and Racial Identity in the Era of Star Trek: The Original Series........... 6 1.2. Gender and Racial Identity in the Era of Star Trek: The Next Generation......... 10 1.3. Gender and Racial Identity in the Era of Star Trek: Discovery........................... 17 2. Star Trek: The Original Series........................................................................................... 22 2.1. The Inferior and Objectified Position of Women in Star Trek............................ 23 2.1.1. Subordinate Portrayal of Voluptuous Vina........................................... 23 2.1.2. Less Dependent, Still Sexualized Portrayal of Yeoman Janice Rand.. 25 2.1.3. Interracial Star Trek: Captain Kirk and Nyota Uhura.......................... 26 2.2. The Racial Struggle for Equality in Star Trek..................................................... 28 2.2.1. Collaborating With Mr. Spock: Accepting the Other........................... 28 3. Star Trek: The Next Generation........................................................................................ -
Any Gods out There? Perceptions of Religion from Star Wars and Star Trek
Journal of Religion & Film Volume 7 Issue 2 October 2003 Article 3 October 2003 Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek John S. Schultes Vanderbilt University, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Schultes, John S. (2003) "Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek," Journal of Religion & Film: Vol. 7 : Iss. 2 , Article 3. Available at: https://digitalcommons.unomaha.edu/jrf/vol7/iss2/3 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek Abstract Hollywood films and eligionr have an ongoing rocky relationship, especially in the realm of science fiction. A brief comparison study of the two giants of mainstream sci-fi, Star Wars and Star Trek reveals the differing attitudes toward religion expressed in the genre. Star Trek presents an evolving perspective, from critical secular humanism to begrudging personalized faith, while Star Wars presents an ambiguous mythological foundation for mystical experience that is in more ways universal. This article is available in Journal of Religion & Film: https://digitalcommons.unomaha.edu/jrf/vol7/iss2/3 Schultes: Any Gods Out There? Science Fiction has come of age in the 21st century. From its humble beginnings, "Sci- Fi" has been used to express the desires and dreams of those generations who looked up at the stars and imagined life on other planets and space travel, those who actually saw the beginning of the space age, and those who still dare to imagine a universe with wonders beyond what we have today. -
Sydney Program Guide
Firefox http://prtten04.networkten.com.au:7778/pls/DWHPROD/Program_Repor... SYDNEY PROGRAM GUIDE Sunday 10th January 2021 06:00 am Home Shopping (Rpt) Home Shopping 06:30 am Home Shopping (Rpt) Home Shopping 07:00 am Home Shopping (Rpt) Home Shopping 07:30 am Key Of David PG The Key of David, a religious program, covers important issues of today with a unique perspective. 08:00 am Bondi Rescue Kathmandu Coast To CC PG Bondi Rescue Kathmandu Coast To Coast Coast (Rpt) Coarse Language The team from Bondi Rescue head to New Zealand to take on the legendary Kathmandu Coast to Coast Race - an epic 3 day adventure race from one side of the country to the other. 09:00 am Rocky Mountain Railroad (Rpt) PG Tunnel To Hell Mild Coarse Two elite crews battle brutal weather and deadly terrain in order keep Language two critical railroads rolling to deliver crucial freight and passengers through the Rocky Mountains and to the remote Arctic. 10:00 am Rocky Mountain Railroad (Rpt) PG Deadly Washout Mild Coarse Two elite crews battle brutal weather and deadly terrain in order keep Language two critical railroads rolling to deliver crucial freight and passengers through the Rocky Mountains and to the remote Arctic. 11:00 am Mega Mechanics (Rpt) G What happens when mega-machines go down? It's up to the mega- mechanics to fix them! With huge structures, extreme locations & millions of dollars on the line if they don't repair the machines on time. 12:00 pm One Strange Rock (Rpt) CC PG Storm Mature Themes Ever wonder how our planet got here? Earth is a very lucky planet. -
Chief Financial Officer's Report
STARFLEET Communiqué Issue Number 148, Aug./Sep. 2008 A newsletter publication by STARFLEET, The International Star Trek Fan Association, Inc. Table of Contents STARFLEET Communiqué Just When I Thought I Was Out... They Pulled Me Back in!!! by COMM Jonathan Lane 3 Number 148 STARFLEET Communiqué Submission Guidelines 4 Publisher: Jonathan Lane Report from the Commander, STARFLEET by FADM Sal Lizard 5 Editor-in-Chief: Prasith Kim-Aun, DMD The STARFLEET Volunteer by VADM Garrick Halverson 6 Content Editor: Robert Kitson USS Bonaventure Celebrates Twenty Years as a STARFLEET Chapter by CAPT Charles Rizzo 7 Layout: Prasith Kim-Aun, DMD Creator of Brewster Rockit Made Honorary Member... by CAPT Charles Rizzo 7 Front & Back Cover: Peter Christian Proof Readers: Will Devine, Susan Fox, USS Sol Celebrates Her 25th Anniversary by ADM Carol Thompson 8 Alex Rosenzweig, Janice Willcocks Operations Report by ADM Michael Urvand 9 Communications Report by Jonathan Lane 10 Published by: Introduction from the Content Editor, STARFLEET Communiqué by MAJ Robert Kitson 11 STARFLEET, Report from the Commandant, STARFLEET Academy by ADM Peg Pellerin 12 The International Star Trek Fan Association, Inc. 928 South Court Street Ask Prigal: A Monthly Q&A Session from the Enlisted Point of View by PVT Prigal 14 Circleville, OH 43113 The Dream in Action! by VADM Garrick Halverson 15 USS Commonwealth Activities by CAPT James Cecil 15 Send submissions via e-mail to Report from the Chief of Shakedown Operations by RADM Warren Price 16 [email protected] Classifieds: Wanted - Artists for Starship/Station Schematics 17 or any written papers to the address above. -
The Human Adventure Is Just Beginning Visions of the Human Future in Star Trek: the Next Generation
AMERICAN UNIVERSITY HONORS CAPSTONE The Human Adventure is Just Beginning Visions of the Human Future in Star Trek: The Next Generation Christopher M. DiPrima Advisor: Patrick Thaddeus Jackson General University Honors, Spring 2010 Table of Contents Basic Information ........................................................................................................................2 Series.......................................................................................................................................2 Films .......................................................................................................................................2 Introduction ................................................................................................................................3 How to Interpret Star Trek ........................................................................................................ 10 What is Star Trek? ................................................................................................................. 10 The Electro-Treknetic Spectrum ............................................................................................ 11 Utopia Planitia ....................................................................................................................... 12 Future History ....................................................................................................................... 20 Political Theory .................................................................................................................... -
Extrahumanidade Em Star Trek: Reflexões De Antropologia Especulativa
UNIVERSIDADE FEDERAL DO PARANÁ Extrahumanidade em Star Trek: Reflexões de Antropologia Especulativa Willian Perpétuo Busch Extrahumanidade em Star Trek: Reflexões de Antropologia Especulativa Willian Perpétuo Busch1 Orientador: Prof. Dr. Miguel Carid Naveira CURITIBA 2015 1 Mestrando (2014-) em Antropologia Social pela Universidade Federal do Paraná. Graduado em Filosofia (2010-2013)pela Universidade Federal do Paraná. ESPECULAÇÕES SOBRE FICÇÃO . SINGH, UM FANTASMA DO PASSADO. GUERRA EXTRAHUMANA . AUGMENTS LEITORES DE ZARATUSTRA . EQUIVOCAÇÕES REFERÊNCIAS A diferenciação é a criatura. Ela é distinta. Diferenciação é sua natureza, por isso ela também diferencia. Por isso o ser humano diferencia, pois, sua natureza é diferenciação. ~Carl Gustav Jung, Liber Novus. 1. ESPECULAÇÕES SOBRE FICÇÃO Estabelecer a ficção científica (Science Fiction) como objeto de estudo da Antropologia Especulativa demanda uma reflexão das duas palavras: ficção e ciência. Desse modo, a dúvida que se elabora é a seguinte: o que compõe a ficção científica? Ficção advém do verbo latino fingo, que em sua acepção mais básica está associado com forma, molde e estilo. No grego, isso aparece como τεῖχος, o trabalho com a terra que produz muros e fortifica a cidade (BEEKES, 2010, p. 1459). Em Heródoto, τεῖχος é a ação tomada pelos administradores jônicos ao fortificar suas cidades e resistir ao poder armado persa comandado por Ciro II (HERODOTUS, 1975). A origem da ficção, como τεῖχος, instaura uma separação entre os gregos e os não-gregos através da construção de muros. A ameaça do outro, na figura do persa, institui um “Eu” – o grego. A ficção estabelece a proteção diante do outro, na medida que o separa de mim. -
Klingon Empire
Original texts and manuscript concept copyright © 2007 by Richard E. Mandel STAR TREK, its on-screen derivatives, and all associated materials are the property of Paramount Pictures Corporation. Multiple references in this document are given under the terms of fair use with regard to international copyright and trademark law. This is a scholarly reference work intended to explain the background and historical aspects of STAR TREK and its spacecraft technology and is not sponsored, approved, or authorized by Paramount Pictures and its affiliated licensees. All visual materials included herein is protected by either implied or statutory copyright and are reproduced either with the permission of the copyright holder or under the terms of fair use as defined under current international copyright law. All visual materials used in this work without clearance were obtained from public sources through public means and were believed to be in the public domain or available for inclusion via the fair use doctrine at the time of printing. Cover illustration by Harry Doddema This work is dedicated to Geoffery Mandel, who started it for all of us. Memory Alpha and SFHQ/Mastercom cataloging data: UFP/SFD DTA HR:217622-A SUPPLEMENT A: THE KLINGON EMPIRE TABLE OF CONTENTS THE KLINGON EMPIRE: A BRIEF HISTORY KLINGON HULL NOMENCLATURE TIMELINE (2150s TO PRESENT) STARSHIPS B-1 JUL’KAR CLASS BATTLESHIP B-10 KAR’HARMER CLASS BATTLESHIP C-8/C-9 K’HERR CLASS DREADNOUGHT D-4 DAMA CLASS BATTLECRUISER K-5 DUPAT CLASS CRUISER D-5 HAK’HYL CLASS “WAR” CRUISER The ambush of the U.S.S. -
Sibling Communication In" Star Trek: the Next Generation": Conflicts
DOCUMENT RESUME ED 364 932 CS 508 412 AUTHOR Fuss-Reineck, Marilyn TITLE Sibling Communication in "Star Trek: The Next Generation": Conflicts between Brothers. PUB DATE Nov 93 NOTE 23p.; Paper presented at the Annual Meeting of the Speech Communication Association (79th, Miami, FL, November 18-21, 1993). PUB TYPE Speeches/Conference Papers (150) Viewpoints (Opinion/Position Papers, Essays, etc.) (120) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS Class Activities; Conflict; *Conflict Resolution; Cultural Influences; Higher Education; *Intercultural Communication; *Interpersonal Communication; *Sibling Relationship; Siblings IDENTIFIERS *Communication Behavior; Family Communication; *Star Trek (The Next Generation) ABSTRACT "Star Trek: The Next Generation" depicts sibling relationships between Data and Lore (android), Worf and Kurn (Klingon) and Jean-Luc and Robert (human) that illustrate conflictual communication and suggest teaching applications. The most disturbing empirical communication research on conflict between brothers reports that male sibling pairs are consistently more violent than female sibling pairs. The relationship between Data and Lore is introduced in "Datalore," further developed in "Brothers," and concluded in "Descent II." Despite the almost identical "genetic" similarities between the brothers and the fact that they share the same parent and home, their values are dissimilar. Worf and Kurn's relationship is introduced in "Sins of the Father" and continued in "Redemption I and II." Even though the Klingon culture is violent, arguments between brother are not settled by physical attack because the hierarchy contributes to smooth functioning. In the episode "Family," captain Jean-Luc is able to reveal his frailties to his brother Robert, who is placed in his once familiar role of giving advice and protecting his younger brother. -
Critical Point of View: a Wikipedia Reader
w ikipedia pedai p edia p Wiki CRITICAL POINT OF VIEW A Wikipedia Reader 2 CRITICAL POINT OF VIEW A Wikipedia Reader CRITICAL POINT OF VIEW 3 Critical Point of View: A Wikipedia Reader Editors: Geert Lovink and Nathaniel Tkacz Editorial Assistance: Ivy Roberts, Morgan Currie Copy-Editing: Cielo Lutino CRITICAL Design: Katja van Stiphout Cover Image: Ayumi Higuchi POINT OF VIEW Printer: Ten Klei Groep, Amsterdam Publisher: Institute of Network Cultures, Amsterdam 2011 A Wikipedia ISBN: 978-90-78146-13-1 Reader EDITED BY Contact GEERT LOVINK AND Institute of Network Cultures NATHANIEL TKACZ phone: +3120 5951866 INC READER #7 fax: +3120 5951840 email: [email protected] web: http://www.networkcultures.org Order a copy of this book by sending an email to: [email protected] A pdf of this publication can be downloaded freely at: http://www.networkcultures.org/publications Join the Critical Point of View mailing list at: http://www.listcultures.org Supported by: The School for Communication and Design at the Amsterdam University of Applied Sciences (Hogeschool van Amsterdam DMCI), the Centre for Internet and Society (CIS) in Bangalore and the Kusuma Trust. Thanks to Johanna Niesyto (University of Siegen), Nishant Shah and Sunil Abraham (CIS Bangalore) Sabine Niederer and Margreet Riphagen (INC Amsterdam) for their valuable input and editorial support. Thanks to Foundation Democracy and Media, Mondriaan Foundation and the Public Library Amsterdam (Openbare Bibliotheek Amsterdam) for supporting the CPOV events in Bangalore, Amsterdam and Leipzig. (http://networkcultures.org/wpmu/cpov/) Special thanks to all the authors for their contributions and to Cielo Lutino, Morgan Currie and Ivy Roberts for their careful copy-editing. -
Klingon D-10 Riskadh Class
Entered Service: 2269 TSTCSOLD&A S All Bradby art R. Torgersen theof Dimensions Length: 302 meters Beam: 183 meters Draft: 40 meters Overview: The Riskadh-class Klingon Assault Cruiser, known to the Federation as the D-10, was first deployed in 2269, not long after the Klingon Empire initiated a brief alliance of technology exchange with the Romulan Star Empire by trading away dozens of D-7 cruisers to the Romulans in exchange for cloaking devices. The Klingons needed a new vessel that would improve on the earlier D-7 by having more powerful weapons and a tougher hull as well as retaining the ability to carry troops into battle. The D-10 was the result and was on its way to supplant the D-7 as the Klingon Empire’s premiere warship. Unfortunately for the Klingons, neither the D-7 nor the new D-10 had the power requirements to accommodate the Romulan cloaking device. Then the Klingon scientist K’tinga discovered that the Romulans were deliberately providing faulty cloaking devices to the Klingons. After K’tinga executed the Romulan ambassador for this treachery (and thus ending the brief Klingon-Romulan alliance), he managed to redesign the D-7 into the new K’tinga class, which was able to properly equip a cloaking device in 2272. No such refit for the D-10 was forthcoming, however. With the K’tinga class now online, the D-10 was deemed too expensive to refit to enable the use of a cloaking device. As a result, production of the Riskadh-class cruiser was retooled to build the K’tinga-class cruiser instead. -
Star Trek: Inquisition #2 Full Script / 22 Pages First Draft: November 14, 2011
CHRISTOPHER PRIEST Star Trek: Inquisition #2 Full Script / 22 Pages First Draft: November 14, 2011 Synopsis: On a training exercise as part of his evaluation for promotion to full Commander, Worf abandons his mission to capture an enigmatic Romulan terrorist leader. Meanwhile, Worf’s former Enterprise crewmates question the fairness of Starfleet’s testing procedure, and openly worry Starfleet is deliberately trying to fail Worf through an unfair and unwinnable set of contrived circumstances. Continuity: Non-canonical. This story takes place somewhere between Star Trek: Nemesis and the Star Trek: Titan series from Pocket Books. Reference: Worf’s parents, Star Trek: Nemesis uniforms, Sovereign Class Enterprise-E, Intrepid-Class (starship Voyager) design specs and bridge layout, Luna-Class U.S.S. Titan. Cover Suggestion Picard and Martok back-to-back, Bat’leths in hand, as deadly Targs close in. STAR TREK and all related characters Copyright © ® CBS Paramount. All Rights Reserved. _____________________________________________ Legend: SPLASH = splash page, usually a full page shot / INSET = a panel within a larger image (often a splash page). Insets are usually small-ish panels / BIG PANEL = payoff shot, money shot. Make a big deal out of these shots (I wouldn’t usually put more than one on a given page), and budget the page so this is the biggest shot on the page / EST = Establishing Shot / EXT = Exterior / INT = Interior / FULL FIGURE = complete figure, head to toe / MED = Medium, usually waist up / MCU or MED C/U = Medium Close-Up, usually