DOCSLIB.ORG

Pulse: October 1981

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Pulse: October 1981 OCTOBER 1981 COLLEGE OF BOCA RATON . VOLUME 10, NO. 1 .DOLPHIN COMES TO CBR Dr. Donald Ross, President of people and his involvement in second team All American Foot­ College of Boca Raton announ­ South Florida makes him the ball Conference honors from ced the appointment of Tim ideal candidate for the position. United Press International. In Foley, former Miami Dolphin I'm delighted to have him work­ Ma>: 1978 the Fellowship of player, as Assistant to the Pres­ ing with me to build one of the Christian Athletes named him ident. Foley will begin his new finest private colleges in Flor­ Pro-Athlete of the year. assignment on September 17th. ida." He is a singer, composer and He will assist the President in Thomas David Foley was guitarist· and has combined areas of financial development born in Evanston, Illinois and these talents with his profes­ and student life. raised in Wilmette, Illinois. He sional football career to work Dr. Ross said, "The phenom­ graduated from Purdue Univer­ with young people in influenc­ enal growth of the College and sity in 1970 with a B.A. in In­ ing their lives in Christian fel­ the Potomac School creates the dustrial Economics, receiving lowship. Tim Foley is Vice Pres­ need for me to be in 'two places the G .A. Ross award for out­ ident of the Miami-based at the same time'. I've been standing senior graduate. His Racquetball International Cor­ searching for someone who has scholastic excellence earned poration with facilities at Saba! a similar philosophy to mine him Academic All American at Chase and Coral Gables called and an understanding of the Purdue for two years. Sportrooms. With teammate needs of young people. That's Tim Foley is best known for Wayne Moore, he organized a important at a small private his accomplishments as a pro­ day camp at Boystown in 1978. College Begins Self-Study school. Tim Foley has a commit­ fessional athlete for the Miami Tim Foley and his wite, ment to working with young Dolphins. In 1977 he earned Connie, live in Miami Lakes a Self-Study report, in which we will ourselves measure our ~ Meet proJeC a WI mvo ve e en­ · report will require the coop­ tire campus and have a signif­ eration and participation of the the icant impact on all of our lives. entire college community - That project is the Self-Study, faculty, administration, trus­ a two.year, extensive assess­ tees, students and staff. It will President ment of the achievements, require an ongoing, organ­ challenges and plans of the Col­ ized, tw~year assessment of By SUE PEGLER lege of Boca Raton. every aspect of campus Jife. In order for our ne'Y students A Self-Study is the process by Already, nine pricipal com­ and even some of our returning · which colleges receive accredi­ mittees, each focuaing on a students to be better acquainted tation. The College of Boca Ra­ significant part of the college, with the president of the col­ ton has long been accredited have been formed and are lege, Dr. Donald Ross, I {since 1967), but it is currently meeting weekly to begin work thought it might be helpful if working towards a re-affirma­ on the Self-Study report. All PULSE interviewed him. When tion of accreditation, a periodic full time and many part time I asked to meet with him, he review of the college which all faculty, as well as a number was very enthusiastic and forth­ accredited institutions undergo. of students, are serving on coming with answers to my In the spring of 1983, a visiting these committees. Coordinating questions. team of evaluators from the the work of the nine C9D1Dlit­ Among the many questions I Southern Association of Col­ tees is the Steering Com­ asked Dr. Ross was one about leges and Schools, the accred­ mittee, composed of myself, unique qualities in the fresh­ iting institution, will visit the Mr. Gerald Craville, Vice Pres­ man class. He responded, campus to identify the ident of the college, and Mr. "They se_em to be very ·active strengths, weaknesses, prob­ Kenneth. Howie, dean of Stu­ and energetic. They have a cer­ lems and solutions of our col­ dents. tain spirit which is apparent lege. While all students may not throughout the entire college." Before that visit, the college yet be working directly on a I asked Dr. Ross, if he had itself will prepare a book­ one change he could make to­ length study of the institution, (Continued on page 2) morrow, what would it be? His answer was an extremely sin­ cere one. He said that he would try to have a closer rapport be­ DR. DONALD ROSS tween student, faculty, and staff. Spirit was another Glamour Search change; he'd like to see more of it this year. ly, socially and spiritually. He College of Boca ~aton stu­ concluded our interview by say­ dents are invited to part'icipate As some of our students may in GLAMOUR magazine's 1982 know, Dr. Ross was encouraged ing that his job was here on the campus and that he doesn't in­ Top Ten College Women Com­ to run for Congress, and, after a petition. Young women from great deal of thought, decided tend on leaving until his job is completed. colleges and universities not to. He said that he and his throughout the country will family had been with the college Dr. Ross is looking forward to compete in GLAMOUR's search for 10 years and that he had cer­ a very productive year and for ten outstanding students. A tain commitments and goals hopes the students don't con,. panel of GLAMOUR editors will here at the college which he in-. fuse the importance of study, select the winners on the basis tends to meet. Among them beach and partying. Although of their solid records of achieve­ were to make the College of he believes all three are all im­ ment in academic studieg and/ Boca Raton the "best" junior portant for student develop­ or in extracurricular activities college in the country. He plans ment, he doesn't think that stu­ on campus or in the community. to achieve his goal by improving dents should neglect study for the amount and quality of per­ Anyone who is interested in the other two. entering the search should con­ sonal attention and by concen­ Dr. Ross, president of our col­ trating on preparing students tact Wanda Bolton, GLAMOUR lege, is here for students, and Magazine, Conde Nast Build­ for life as a whole. He wants looks forward to getting to know ing, 350 Madison AveJ1ue, New CBR to be fulfilling educational- the present freshman class. ."York, N.Y:, 10017. Page2 October 1981 .......... .\ EarlJ Mistakes .. ' . 'AGAINST GUNS .. B7 SUE PEGLER · . : B)' MARK MARRIOTT · Tbe.sum:mer of 'in in Eng­ Remember the anticipation you felt the week before college Okay gun lovers, prepare for another one 'of ·your ch~hed land started on an ugly note; the started? For most of ua it was goiag to be sun, fun and. ~ of .. myths to~ destroyed. · nationts integrated townships 'parties. You probably couldn't wait tQ get away from ·lu;De, the · · Gun lovers come up With some prdty ab~ reasons protect­ and cities erupted in vicious ~ta. and the haasles that go with them. For me, (IIOjDg to col- ' ·mg their so-called right; I've heard that · ~ are neces~. for race riots which stunned the lege something dif{ereat. I had attended prep-ec:hool in Con- Wa.e h~ting. Well, &ince a considerable portion of accidental ho~ continent with itS appalling sav­ . ~t for the previoue four years, 80 going to Florida- was like. · are of hunting related nature, that argum~nt holds very little, if agery and bloodshed. The sea­ J:OIDing home. · · • "' 1 any, ~ater. People say they need guns fdr protection. Well,nowl son was to end, however, tri­ I really didn't even want to go to college, but because my'tam- . There's an argument! So that we may answer it, let us consider the umphantly and gloriously .as ily made me, here I was. It was my pre-planned hatrecUpr \be col- point of handguns. After all, that is what this argument is based on. Prince Charles and Lady lege that ruined my freshman year. · Oh sure, handguns are great for protection. But hey, why stop at Diana's wedding became his­ When I got here, I really didn't want to get involv~ with stu­ · ~ tiny little pistols? After all, these dimunitive firearms are only. tory and inst.illed pride and hap­ •4 dent fundions. Alii thought about was getting my woik done' and good for shooting popes, presidents, civil rights leaders, or rQCk piness in the millions of British ~tpectators around the world. going home on the weekends (I was happy, so I thought-.I had my musicians. Why don't we legalize the sale of maclline~8?. Per~ What happened on July 3rd, sc:bool and private life, tool ~y we could kill more innocent people with machin~ guns than Come November, my boyfriend left for the service and sudden­ · with a little pistol. Yes sir, if any burglar tried to enter my dwelling. the day rioting began,·was des­ tined to occur, for it had been ly going home wasn't any fun. I would just spray the room with bullets. That would certainly dis­ bubbling under the English But how could I stay here on the weekends? I didn't know any­ courage any unwanted intruders.
Load more

Recommended publications
  • Midnight Special Songlist
    west coast music Midnight Special Please find attached the Midnight Special song list for your review. SPECIAL DANCES for Weddings: Please note that we will need your special dance requests, (I.E. First Dance, Father/Daughter Dance, Mother/Son Dance etc) FOUR WEEKS in advance prior to your event so that we can confirm that the band will be able to perform the song(s) and that we are able to locate sheet music. In some cases where sheet music is not available or an arrangement for the full band is need- ed, this gives us the time needed to properly prepare the music and learn the material. Clients are not obligated to send in a list of general song requests. Many of our clients ask that the band just react to whatever their guests are responding to on the dance floor. Our clients that do provide us with song requests do so in varying degrees. Most clients give us a handful of songs they want played and avoided. Recently, we’ve noticed in increase in cli- ents customizing what the band plays and doesn’t play with very specific detail. If you de- sire the highest degree of control (allowing the band to only play within the margin of songs requested), we ask for a minimum of 100 requests. We want you to keep in mind that the band is quite good at reading the room and choosing songs that best connect with your guests. The more specific/selective you are, know that there is greater chance of losing certain song medleys, mashups, or newly released material the band has.
    [Show full text]
  • Endless Summer Song List
    ENDLESS SUMMER BAND MASTER SONG LIST 30's-40's continued… continued… B FLAT BLUES BEGIN THE BEGUINE GET READY SIXTEEN CANDLES BUGLE BOY GIVE ME SOME LOVING SOUL & INSPIRATION CAB DRIVER GREAT BALLS O FIRE SOUL MEDLEY CHATANOOGA CHO CHO GREEN RIVER SOULMAN DANNY BOY HAND JIVE STAND BY ME FLY ME TO THE MOON HANG ON SLOOPY STOP IN THE NAME OF LOVE GIRL FROM IPANEMA HANKY PANKY SUMMER TIME BLUES HELLO DOLLY HARD DAYS NIGHT SURFIN USA HIT THE ROAD JACK HEAR U KNOCKIN SWEET SOUL MUSIC IN THE MOOD HOLD ON IM COMING TEDDY BEAR MACK THE KNIFE HOUNDOG TEQUILA MISTY I FALL TO PIECES THE LETTER MONA LISA I FEEL GOOD THE STROLL MOONLIGHT SERENADE I FOUGHT THE LAW THE WANDERER MR SANDMAN I GET AROUND THE WAY YOU LOOK TONIGHT ON BROADWAY I HEARD IT THROUGH THE GRAPEVINE THINK SATIN DOLL I SAW HER STANDING THERE TICKET TO RIDE SAVE THE LAST DANCE FOR ME ITS MY PARTY TRAVELING BAND SENTIMENTAL JOURNEY ITS ALL RIGHT TUTTI FRUTTI SHADOW OF YOUR SMILE JAILHOUSE ROCK TWIST STRING OF PEARLS JENNY TAKE A RIDE UNCHAINED MELODY TAKE THE A - TRAIN JIM DANDY VIVA LAS VEGAS THAT SUNDAY THAT SUMMER JOHNNY B GOOD WAKE UP LIL SUSIE THAT’S LIFE KANSAS CITY WHAT A WONDERFUL WORLD UNFORGETTABLE KNOCK ON WOOD WHEN A MAN LOVES A WOMAN WHY HAVENT I LA BAMBA WHOLE LOTTA SHAKING GOIN' ON 50's-60's LAND OF 1000 DANCES WILD THING All SHOOK UP LETS TWIST AGAIN WOOLY BULLY ARE YOU LONESOME TONIGHT LION SLEEPS TONIGHT AT THE HOP LOCOMOTION BABY LOVE LOUIE LOUIE BARBARA ANN LOVIN FEELIN BLACK IS BLACK LUCILLE BORN TO BE WILD MIDNIGHT HOUR BOYFRIENDS BACK MONY MONY BROWN EYED GIRL
    [Show full text]
  • Chic & Nile Rodgers – Ett Rockband För
    Lördagspremium: Chic & Nile Rodgers – ett rockband för discorörelsen Att kalla discomusiken för en fluga är att göra det alldeles för lätt för sig. Precis som med alla genrer som har så tydliga attribut och förtecken – hårdrock, punk, new romantic – är det lätt att göra narr av och underskatta discons inverkan på musikhistorien och populärkulturen i stort. Faktum är att alla vet hur discomusik låter och vad som kännetecknar den korta period den regerade på listorna. Och med tiden har dess simpla budskap om att dansa och ha roligt gång på gång omfamnats av det hårda, moderna samhället, lika mycket som dess musikaliska attribut gång på gång återanvänts i alla typer av dansmusik. Om man skrattar åt disco idag gör man det mer på grund av de hårresande utstyrslarna och de fåniga, om än stilbildande dansrörelserna än de de facto grymt svängiga låtarna och extremt detaljerade – och minst lika stilbildande produktionerna. Tiden har på många sätt gett discon rätt, åtminstone ur ett musikaliskt perspektiv. ”Tiden har på många sätt gett discon rätt” Precis som så många andra hårt arbetande svarta musiker i New York var Nile Rodgers, född 1952, uppvuxen med R&B, soul och jazz. Hans första betalda gig var dock någonting helt annat – som musiker i The Sesame Street Band, som gjorde musiken till barnprogrammet med samma namn. Efter att ha backat bland andra Screamin Jay Hawkins på legendariska Apollo Theatre träffade han 1970 basisten Bernard Edwards – som han för all framtid skulle komma att kalla ”min partner” – och tillsammans kompade de ett stort antal mer eller mindre kända artister innan de bildade sitt eget Big Apple Band, som hade några mindre lokala hits i början av 70-talet.
    [Show full text]
  • N(111,9 It/ Nfleih'e98
    Ile is one of those rare human beings to excel in more II than one direction. He is a great musician, an inspired writer and a brilliant producer. I've had the pleasure of work- 90Prr'" ing with him on a number of occasions over the years, and Il 1 Yli he has always been a true gentleman, a good friend and 25d a il V2td most definitely a winner in all he turns his hand to. -STEVE WINWOOD One of the quirky, ironic moves of the '7os -and the least expected on my part-was the overwhelming influence of the look of glam -rock and its development on Afro -American bands of the time. From Labelle to the Jackson 5, Funkadelic to Earth, Wind & Fire, the idea of creating a different identity to that of the "normal" visual vocabulary of rock seemed almost second nature to these artists. As the variety of cos- N(111,9 Nfleih'e98 tume widened through the '7os, the band who seemed to it/ catch the idea of "visual language" in the most urbane man- ner was, undoubtedly, Chic. c-: tkiTheQbaNe Buying into the image of "buppiedom" 100%, they struck me as no less than the natural inheritors of the Modern Jazz BY KEITH CAULFIELD Quartet. Suits, champagne and shimmer, living large. With a Nile is monstrous backbeat. Live, they were phenomenal. Rodgers an artist's best friend. Through writing, Sugarhill Gang's "Rapper's Delight," which in turn bor- producing, an occasional guest performance and, late- rowed from the Chic hit "Good Times." Indeed, it's a sam- As I got to know Nile, this struck me as more than a little ly, sampling, nearly everything associated with ple of a sample.
    [Show full text]
  • Print Complete Desire Full Song List
    R & B /POP /FUNK /BEACH /SOUL /OLDIES /MOTOWN /TOP-40 /RAP /DANCE MUSIC ‘50s/ ‘60s MUSIC ARETHA FRANKLIN: ISLEY BROTHERS: SAM COOK: RESPECT SHOUT TWISTIN THE NIGHT AWAY NATURAL WOMAN JAMES BROWN: YOU SEND ME ARTHUR CONLEY: I FEEL GOOD SMOKEY ROBINSON & THE MIRACLES: SWEET SOUL MUSIC I'T'S A MAN'S MAN'S WORLD OOH BABY BABY DIANA ROSS & THE SUPREMES: PLEASE,PLEASE,PLEASE TAMS: BABY LOVE LLOYD PRICE: BE YOUNG BE FOOLISH BE HAPPY STOP! IN THE NAME OF LOVE STAGGER LEE WHAT KIND OF FOOL YOU CAN’T HURRY LOVE MARY WELLS: TEMPTATIONS: YOU KEEP ME HANGIN ON MY GUY AIN’T TOO PROUD TO BEG DION: MARTHA & THE VANDELLAS: I WISH IT WOULD RAIN RUN AROUND SUE DANCING IN THE STREET MY GIRL DRIFTERS & BEN E. KING: HEATWAVE THE WAY YOU DO THE THINGS YOU DO DANCE WITH ME MARVIN GAYE: THE DOMINOES: I’VE GOT SAND IN MY SHOES AIN’T NOTHING LIKE THE REAL THING SIXTY MINUTE MAN RUBY RUBY HOW SWEET IT IS TO BE LOVED BY YOU TINA TURNER: SATURDAY NIGHT AT THE MOVIES I HEARD IT THROUGH THE GRAPEVINE PROUD MARY STAND BY ME OTIS REDDING: WILSON PICKET: THERE GOES MY BABY DOCK OF THE BAY 634-5789 UNDER THE BOARDWALK THAT’S HOW STRONG MY LOVE IS DON’T LET THE GREEN GRASS FOOL YOU UP ON TH ROOF PLATTERS: IN THE MIDNIGHT HOUR EDDIE FLOYD: WITH THIS RING MUSTANG SALLY KNOCK ON WOOD RAY CHARLES ETTA JAMES: GEORGIA ON MY MIND AT LAST SAM AND DAVE: FOUR TOPS: HOLD ON I'M COMING BABY I NEED YOUR LOVING SOUL MAN CAN'T HELP MYSELF REACH OUT I'LL BE THER R & B /POP /FUNK /BEACH /SOUL /OLDIES /MOTOWN /TOP-40 /RAP /DANCE MUSIC ‘70s MUSIC AL GREEN: I WANT YOU BACK ROD STEWART: LOVE AND HAPPINESS JAMES BROWN: DA YA THINK I’M SEXY? ANITA WARD: GET UP ROLLS ROYCE: RING MY BELL THE PAYBACK CAR WASH BILL WITHERS: JIMMY BUFFETT: SISTER SLEDGE: AIN’T NO SUNSHINE MARGARITAVILLE WE ARE FAMILY BRICK: K.C.
    [Show full text]
  • Nile Rodgers in New York City, 1991
    Nile Rodgers in New York City, 1991 68 MUSICAL EXCELLENCE Nile Rodgers HE CREATES A DISTINCTIVE SOUND ON THE RECORDS HE WRITES, PRODUCES, ARRANGES, AND PLAYS ON. BY ROB BOWMAN Nile Rodgers’ influence on popular music over the past forty years is nearly unfathomable. As a guitarist, songwriter, producer, arranger, and funkster extraordinaire, Rodgers has left his imprint on a stun- ningly wide array of genres including disco, R&B, rock, mainstream pop, hip-hop, and EDM. Looking over the breadth of his career, a case could easily be made that no single individual has had a greater impact on the sound of pop, from the late 1970s to the present day. ¶ Alongside his partner, bass player wunderkind Bernard Edwards, Rodgers wrote and produced hit after hit for Chic, Sister Sledge, and Diana Ross, tearing up both the dance floor and the radio. After Chic broke up and Rodgers and Edwards went their separate ways, Rodgers broke free of the disco moniker and reinvented himself, producing, arranging, and playing guitar on David Bowie’s come- back album, Let’s Dance (1983), and Madonna’s breakout album, 69 Like a Virgin (1984). Along the way he took INXS and Chic in their prime then Duran Duran to new heights with “Original Sin” with Rodgers and and “The Reflex,” respectively, and produced albums by Bernard Edwards Mick Jagger, Jeff Beck, the B-52s, and David Lee Roth. center stage, 1979 He played key guitar parts on Steve Winwood’s “High- er Love” and Michael Jackson’s HIStory. More recent- ly he cowrote and played guitar on Daft Punk’s “Get Lucky,” winning two Grammy Awards in the process.
    [Show full text]
  • Words You Should Know How to Spell by Jane Mallison.Pdf
    WO defammasiont priveledgei Spell it rigHt—everY tiMe! arrouse hexagonnalOver saicred r 12,000 Ceilling. Beleive. Scissers. Do you have trouble of the most DS HOW DS HOW spelling everyday words? Is your spell check on overdrive? MiSo S Well, this easy-to-use dictionary is just what you need! acheevei trajectarypelled machinry Organized with speed and convenience in mind, it gives WordS! you instant access to the correct spellings of more than 12,500 words. YOUextrac t grimey readallyi Also provided are quick tips and memory tricks, such as: SHOUlD KNOW • Help yourself get the spelling of their right by thinking of the phrase “their heirlooms.” • Most words ending in a “seed” sound are spelled “-cede” or “-ceed,” but one word ends in “-sede.” You could say the rule for spelling this word supersedes the other rules. Words t No matter what you’re working on, you can be confident You Should Know that your good writing won’t be marred by bad spelling. O S Words You Should Know How to Spell takes away the guesswork and helps you make a good impression! PELL hoW to spell David Hatcher, MA has taught communication skills for three universities and more than twenty government and private-industry clients. He has An A to Z Guide to Perfect SPellinG written and cowritten several books on writing, vocabulary, proofreading, editing, and related subjects. He lives in Winston-Salem, NC. Jane Mallison, MA teaches at Trinity School in New York City. The author bou tique swaveu g narl fabulus or coauthor of several books, she worked for many years with the writing section of the SAT test and continues to work with the AP English examination.
    [Show full text]
  • Swedish Pop Mafia: How a Culturally Conservative Effort in the 1940S Backfired to Create the Greatest Engine of Pop Music in the World
    Swedish Pop Mafia: How a culturally conservative effort in the 1940s backfired to create the greatest engine of pop music in the world BY WHET MOSER • March 24, 2014 • At some point over the last 15 years—sometime, say, between the 1999 release of “I Want It That Way” by the Backstreet Boys and last year’s “Roar” by Katy Perry—it became an inescapable fact that if you want to understand American pop music, you pretty much have to understand Sweden. Songwriters and producers from Stockholm have buttressed the careers of Lady Gaga, Madonna, Usher, Avril Lavigne, Britney Spears, The Backstreet Boys, Pitbull, Taylor Swift, One Direction, Maroon 5, Kelly Clarkson, and any number of other artists you’ve probably listened to while dancing, shopping, making out, or waiting on hold over the past decade. (And it’s not just American pop music that has Scandinavian fingerprints all over it: When Azerbaijan won the Eurovision contest in a 2011 upset, they did it with a song written for them by two Swedes.) If Americans are aware of this phenomenon, it is probably because they’ve heard about the legendary Swedish producer and songwriter Max Martin. There are any number of ways to express Martin’s ubiquity, but here’s one: From 2010 to 2011, the pop idol Katy Perry spent an unprecedented 69 consecutive weeks in the Billboard top 10, surpassing the previous record-holder, the 1990s Swedish group Ace of Base, by four months. But the milestone was far more of a testament to Martin’s staying power than Perry’s: Not only did he help produce and write all but one of Perry’s record- breaking string of hits, but he began his career as a producer for Ace of Base.
    [Show full text]
  • C Annual Fall Sale
    40 C R O C K O N by EthKe Ann Vare Petty is "pure rock"? My dear records. Look' at AC/DC. Now is, an opinion. As writer Spider ALBUM REVIEWS misinformed child, he is merely that is music. Heavy metal is Robinson says, “A critic is your basic, boring pop—the superior, and platinum is the someone who tells you whether Theartist......... Debbie Harry stuff that rises up the song proof of a good group. or not something is ‘art.’ A The album..................KooKoo charts to the Top Ten (the ten —Unsigned. reviewer tells you if he likes it.” I The label.................Chrysalis worst songs in America, in other Dear Anonymous Teenaged am a record reviewer, happily words). What I know is rock Male Reader:I take it you sharing my own (reasonably in­ The cover art of Blondie's real you call "posturing, prehistoric, weren’t pleased with my review formed) tastes with you. Feel lead singer's solo debut is so macho, mindless gunk." Well, of Van Halen. Well, I stand by spellbinding (it was created by More Rock On that "gunk” sells a hell of a lot of my opinion—and that's what it the set designer of the film Page 41 "Alien") that one expects a similar eerie beauty from the music. Tough luck. Harry has gotten together with the Chic organization (pro­ genitors of "Le Freak." pro­ ducers of Sister Sledge) to record an album of soft-soaped, ANNUAL disco/funk/rap that is not so bad in and of itself—it just seems like an ethnic rip-off coming from this lily-white warbler.
    [Show full text]
  • 1971 MA (California State University, F
    Ellipsis in Japanese Discourse By Shigeko Okamoto. A.B. (Kyoto Prefectural university) 1971 M.A. (California State university, Fresno) 1976 C.Phil. (university of California) 1979 DISSERTATION Submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in Linguistics in the GRADUATE DIVISION OF THE UNIVERSITY OF CALIFORNIA, BERKELEY Approve* Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Ellipsis in Japanese Discourse Copyright © 1985 by Shigeko Okamoto Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. To My Mother Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Acknowledgments I am greatly indebted to Professor Charles Fillmore, chairman of my doc­ toral committee, for his patient guidance and kind support. He has given me freely of his time at different stages of this dissertation and provided me with profound and insightful comments and suggestions which always made me enjoy thinking and rethinking the subject matter. It has been a privilege to have had him as my graduate adviser. My special thanks also go to Professor Wallace Chafe for his useful sugges­ tions which led to improvements of my dissertation as well as for his general guidance in my graduate work which brought a wider perspective to my under­ standing of linguistics. I would also like to express my sincere gratitude to Professor Haruo Aoki for his constant support without which this dissertation would not have been possible. He has always generously given me his precious time and has provided valuable comments and suggestions. I appreciate his wisdom, kindness, and patience.
    [Show full text]
  • CSU Now Mandates Reporting Policy
    INSIDE | photo | P. 2 | opinion | P. 6 | sports | P. 8 International linguistics Color-blindness is just Kansas City and San student finds ways to another form of racism Francisco both win in de-stress on campus Alex Smith deal FREE CALIFORNIA STATE UNIVERSITY, NORTHRIDGE THURSDAY, FEBRUARY 28, 2013 | VOL. 54, ISS. 82 | WWW.DAILYSUNDIAL.COM CSU now THIRD-PARTY MONEY mandates Candidates sign pledge to prevent any outsider influence from receiving contribu- reporting LUCY GUANUNA tions, which for city coun- DAILY SUNDIAL cil candidates is capped at $700 per contribution, but policy prevents independent expenses where supporters, specifically Employees must relay special interest groups, find a loophole in that maximum child abuse to officials A Los Angeles City Council contribution. candidate for the 13th District L.A. Council candidates who signed the People’s Pledge have not signed the pledge have col- early February, a vow to HANSOOK OH lectively raised more than $140,000 deny independent third party SENIOR STAFF in independent expenditures. contributions in local cam- “You can’t stop people from paigns, and has urged other spending money on your behalf; it’s candidates to do the same. an expression of free speech rights,” The People’s Pledge said Martin Saiz, political science pro- started during the 2012 fessor and department chair at CSUN. CSUN will implement a new CSU pol- Massachusetts Senate race “It’s basically done for symbolic rea- icy called the “Mandatory Reporting of Child between Democrat Elizabeth sons, to create an image of being inde- Abuse and Neglect,” which requires all CSU Warren and Republican Scott pendent.
    [Show full text]
  • Kookoo | 40 Years | 1981 - 2021 Artwork by Hr Giger Photographs by Chris Stein
    KOOKOO | 40 YEARS | 1981 - 2021 ARTWORK BY HR GIGER PHOTOGRAPHS BY CHRIS STEIN July 4 - October 31, 2021 Museum HR Giger is delighted to invite you to the exhibition KOOKOO | 40 YEARS In 1981, shortly after winning the Academy Award for Visual Effects for his work on “Alien” (1979), HR Giger collaborated with Debbie Harry to produce artwork for the cover of her debut solo album “KooKoo” (Chrysalis, 1981). Debbie Harry and guitarist Chris Stein spent a few weeks at HR Giger’s home and studio in Zürich in 1981 to create videos for two of the album’s singles, “Backfired,” released July 1981 and “Now I Know You Know,” released later the same year. During the course of their stay, Chris Stein documented the process through hundreds of photographs capturing the creative process behind the scenes and Debbie Harry and HR Giger in candid moments. Many of these photographs have never been presented before in public. Museum HR Giger proudly presents the original artworks by HR Giger for the album cover as well as an extensive collection of Chris Stein’s original photographs and will also be showing a recently restored 1982 behind-the- scenes documentary film “A new Face of Debbie Harry” filmed by Fredi M. Murer. The exhibition will be open to the public July 4 - October 31, 2021. Debbie Harry, HR Giger, 1981 Photo by Chris Stein. Museum HR Giger Freuen Sie zur Ausstellung einzuladen KOOKOO | 40 JAHRE Im Jahr 1981, kurz nachdem HR Giger den Academy Award für Visuelle Effekte (“Oscar”) für seine Arbeiten am Film “Alien” (1979) erhalten hatte, schlug Debbie Harry dem Schweizer Künstler eine Zusammenarbeit betreffend das Cover ihres ersten Soloalbums “KooKoo” (Chrysalis, 1981) vor.
    [Show full text]