Chic Le Freak Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Chic Le Freak mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Le Freak Country: Germany Released: 1978 Style: Disco MP3 version RAR size: 1286 mb FLAC version RAR size: 1633 mb WMA version RAR size: 1995 mb Rating: 4.1 Votes: 388 Other Formats: MP2 AUD MIDI ASF ADX AC3 XM Tracklist A Le Freak B Savoir Faire Companies, etc. Published By – Warner Bros. Music Ltd. Phonographic Copyright (p) – Atlantic Produced For – Chic Organization Ltd. Mastered At – CBS Studios, London Pressed By – CBS Pressing Plant, Aston Clinton Credits Executive-Producer – Marc Kreiner, Tom Cossie Mastered By – Allen* Producer, Written-By – Bernard Edwards & Nile Rodgers Notes Produced by Bernard Edwards & Nile Rodgers for The Chic Organization, Ltd. Executive Producers: Marc Kreiner & Tom Cossie for MK Productions. Barcode and Other Identifiers Matrix / Runout (Runout, A-side, etched): K-11209. A-1 ALLEN Matrix / Runout (Runout, B-side, etched): K-11209. B-1 ALLEN Other versions Category Artist Title (Format) Label Category Country Year 3519 Chic Le Freak b/w Savoir Faire (7", Single) Atlantic 3519 US 1978 11209 Chic Le Freak (7", Single) Atlantic 11209 Belgium 1978 11 209 Chic Le Freak (7", Single) Atlantic 11 209 France 1978 DSKO 131 Chic Le Freak (12", TP) Atlantic DSKO 131 US 1978 3519 Chic Le Freak / Savoir Faire (7", Single) Atlantic 3519 US 1978 Related Music albums to Le Freak by Chic Chic - Everybody Dance / Dance, Dance, Dance (Yowsah, Yowsah, Yowsah) Chic - Jack Le Freak Chic - Le Freak / Savoir Faire Chic - Hangin' Chic - C'est Chic Chic - Rebels Are We / Open Up Chic - Les Plus Grands Succes De Chic = Chic's Greatest Hits Chic - Dance, Dance, Dance: The Best Of Chic Chic - Chic Chic - Good Times Chic - Stage Fright Wackside Feat. Chic - Le Freak (Unreleased Mixes).

Copy Link

Recommended publications

Midnight Special Songlist
west coast music Midnight Special Please find attached the Midnight Special song list for your review. SPECIAL DANCES for Weddings: Please note that we will need your special dance requests, (I.E. First Dance, Father/Daughter Dance, Mother/Son Dance etc) FOUR WEEKS in advance prior to your event so that we can confirm that the band will be able to perform the song(s) and that we are able to locate sheet music. In some cases where sheet music is not available or an arrangement for the full band is need- ed, this gives us the time needed to properly prepare the music and learn the material. Clients are not obligated to send in a list of general song requests. Many of our clients ask that the band just react to whatever their guests are responding to on the dance floor. Our clients that do provide us with song requests do so in varying degrees. Most clients give us a handful of songs they want played and avoided. Recently, we’ve noticed in increase in cli- ents customizing what the band plays and doesn’t play with very specific detail. If you de- sire the highest degree of control (allowing the band to only play within the margin of songs requested), we ask for a minimum of 100 requests. We want you to keep in mind that the band is quite good at reading the room and choosing songs that best connect with your guests. The more specific/selective you are, know that there is greater chance of losing certain song medleys, mashups, or newly released material the band has.
[Show full text]
Endless Summer Song List
ENDLESS SUMMER BAND MASTER SONG LIST 30's-40's continued… continued… B FLAT BLUES BEGIN THE BEGUINE GET READY SIXTEEN CANDLES BUGLE BOY GIVE ME SOME LOVING SOUL & INSPIRATION CAB DRIVER GREAT BALLS O FIRE SOUL MEDLEY CHATANOOGA CHO CHO GREEN RIVER SOULMAN DANNY BOY HAND JIVE STAND BY ME FLY ME TO THE MOON HANG ON SLOOPY STOP IN THE NAME OF LOVE GIRL FROM IPANEMA HANKY PANKY SUMMER TIME BLUES HELLO DOLLY HARD DAYS NIGHT SURFIN USA HIT THE ROAD JACK HEAR U KNOCKIN SWEET SOUL MUSIC IN THE MOOD HOLD ON IM COMING TEDDY BEAR MACK THE KNIFE HOUNDOG TEQUILA MISTY I FALL TO PIECES THE LETTER MONA LISA I FEEL GOOD THE STROLL MOONLIGHT SERENADE I FOUGHT THE LAW THE WANDERER MR SANDMAN I GET AROUND THE WAY YOU LOOK TONIGHT ON BROADWAY I HEARD IT THROUGH THE GRAPEVINE THINK SATIN DOLL I SAW HER STANDING THERE TICKET TO RIDE SAVE THE LAST DANCE FOR ME ITS MY PARTY TRAVELING BAND SENTIMENTAL JOURNEY ITS ALL RIGHT TUTTI FRUTTI SHADOW OF YOUR SMILE JAILHOUSE ROCK TWIST STRING OF PEARLS JENNY TAKE A RIDE UNCHAINED MELODY TAKE THE A - TRAIN JIM DANDY VIVA LAS VEGAS THAT SUNDAY THAT SUMMER JOHNNY B GOOD WAKE UP LIL SUSIE THAT’S LIFE KANSAS CITY WHAT A WONDERFUL WORLD UNFORGETTABLE KNOCK ON WOOD WHEN A MAN LOVES A WOMAN WHY HAVENT I LA BAMBA WHOLE LOTTA SHAKING GOIN' ON 50's-60's LAND OF 1000 DANCES WILD THING All SHOOK UP LETS TWIST AGAIN WOOLY BULLY ARE YOU LONESOME TONIGHT LION SLEEPS TONIGHT AT THE HOP LOCOMOTION BABY LOVE LOUIE LOUIE BARBARA ANN LOVIN FEELIN BLACK IS BLACK LUCILLE BORN TO BE WILD MIDNIGHT HOUR BOYFRIENDS BACK MONY MONY BROWN EYED GIRL
[Show full text]
Chic & Nile Rodgers – Ett Rockband För
Lördagspremium: Chic & Nile Rodgers – ett rockband för discorörelsen Att kalla discomusiken för en fluga är att göra det alldeles för lätt för sig. Precis som med alla genrer som har så tydliga attribut och förtecken – hårdrock, punk, new romantic – är det lätt att göra narr av och underskatta discons inverkan på musikhistorien och populärkulturen i stort. Faktum är att alla vet hur discomusik låter och vad som kännetecknar den korta period den regerade på listorna. Och med tiden har dess simpla budskap om att dansa och ha roligt gång på gång omfamnats av det hårda, moderna samhället, lika mycket som dess musikaliska attribut gång på gång återanvänts i alla typer av dansmusik. Om man skrattar åt disco idag gör man det mer på grund av de hårresande utstyrslarna och de fåniga, om än stilbildande dansrörelserna än de de facto grymt svängiga låtarna och extremt detaljerade – och minst lika stilbildande produktionerna. Tiden har på många sätt gett discon rätt, åtminstone ur ett musikaliskt perspektiv. ”Tiden har på många sätt gett discon rätt” Precis som så många andra hårt arbetande svarta musiker i New York var Nile Rodgers, född 1952, uppvuxen med R&B, soul och jazz. Hans första betalda gig var dock någonting helt annat – som musiker i The Sesame Street Band, som gjorde musiken till barnprogrammet med samma namn. Efter att ha backat bland andra Screamin Jay Hawkins på legendariska Apollo Theatre träffade han 1970 basisten Bernard Edwards – som han för all framtid skulle komma att kalla ”min partner” – och tillsammans kompade de ett stort antal mer eller mindre kända artister innan de bildade sitt eget Big Apple Band, som hade några mindre lokala hits i början av 70-talet.
[Show full text]
N(111,9 It/ Nfleih'e98
Ile is one of those rare human beings to excel in more II than one direction. He is a great musician, an inspired writer and a brilliant producer. I've had the pleasure of work- 90Prr'" ing with him on a number of occasions over the years, and Il 1 Yli he has always been a true gentleman, a good friend and 25d a il V2td most definitely a winner in all he turns his hand to. -STEVE WINWOOD One of the quirky, ironic moves of the '7os -and the least expected on my part-was the overwhelming influence of the look of glam -rock and its development on Afro -American bands of the time. From Labelle to the Jackson 5, Funkadelic to Earth, Wind & Fire, the idea of creating a different identity to that of the "normal" visual vocabulary of rock seemed almost second nature to these artists. As the variety of cos- N(111,9 Nfleih'e98 tume widened through the '7os, the band who seemed to it/ catch the idea of "visual language" in the most urbane man- ner was, undoubtedly, Chic. c-: tkiTheQbaNe Buying into the image of "buppiedom" 100%, they struck me as no less than the natural inheritors of the Modern Jazz BY KEITH CAULFIELD Quartet. Suits, champagne and shimmer, living large. With a Nile is monstrous backbeat. Live, they were phenomenal. Rodgers an artist's best friend. Through writing, Sugarhill Gang's "Rapper's Delight," which in turn bor- producing, an occasional guest performance and, late- rowed from the Chic hit "Good Times." Indeed, it's a sam- As I got to know Nile, this struck me as more than a little ly, sampling, nearly everything associated with ple of a sample.
[Show full text]
Print Complete Desire Full Song List
R & B /POP /FUNK /BEACH /SOUL /OLDIES /MOTOWN /TOP-40 /RAP /DANCE MUSIC ‘50s/ ‘60s MUSIC ARETHA FRANKLIN: ISLEY BROTHERS: SAM COOK: RESPECT SHOUT TWISTIN THE NIGHT AWAY NATURAL WOMAN JAMES BROWN: YOU SEND ME ARTHUR CONLEY: I FEEL GOOD SMOKEY ROBINSON & THE MIRACLES: SWEET SOUL MUSIC I'T'S A MAN'S MAN'S WORLD OOH BABY BABY DIANA ROSS & THE SUPREMES: PLEASE,PLEASE,PLEASE TAMS: BABY LOVE LLOYD PRICE: BE YOUNG BE FOOLISH BE HAPPY STOP! IN THE NAME OF LOVE STAGGER LEE WHAT KIND OF FOOL YOU CAN’T HURRY LOVE MARY WELLS: TEMPTATIONS: YOU KEEP ME HANGIN ON MY GUY AIN’T TOO PROUD TO BEG DION: MARTHA & THE VANDELLAS: I WISH IT WOULD RAIN RUN AROUND SUE DANCING IN THE STREET MY GIRL DRIFTERS & BEN E. KING: HEATWAVE THE WAY YOU DO THE THINGS YOU DO DANCE WITH ME MARVIN GAYE: THE DOMINOES: I’VE GOT SAND IN MY SHOES AIN’T NOTHING LIKE THE REAL THING SIXTY MINUTE MAN RUBY RUBY HOW SWEET IT IS TO BE LOVED BY YOU TINA TURNER: SATURDAY NIGHT AT THE MOVIES I HEARD IT THROUGH THE GRAPEVINE PROUD MARY STAND BY ME OTIS REDDING: WILSON PICKET: THERE GOES MY BABY DOCK OF THE BAY 634-5789 UNDER THE BOARDWALK THAT’S HOW STRONG MY LOVE IS DON’T LET THE GREEN GRASS FOOL YOU UP ON TH ROOF PLATTERS: IN THE MIDNIGHT HOUR EDDIE FLOYD: WITH THIS RING MUSTANG SALLY KNOCK ON WOOD RAY CHARLES ETTA JAMES: GEORGIA ON MY MIND AT LAST SAM AND DAVE: FOUR TOPS: HOLD ON I'M COMING BABY I NEED YOUR LOVING SOUL MAN CAN'T HELP MYSELF REACH OUT I'LL BE THER R & B /POP /FUNK /BEACH /SOUL /OLDIES /MOTOWN /TOP-40 /RAP /DANCE MUSIC ‘70s MUSIC AL GREEN: I WANT YOU BACK ROD STEWART: LOVE AND HAPPINESS JAMES BROWN: DA YA THINK I’M SEXY? ANITA WARD: GET UP ROLLS ROYCE: RING MY BELL THE PAYBACK CAR WASH BILL WITHERS: JIMMY BUFFETT: SISTER SLEDGE: AIN’T NO SUNSHINE MARGARITAVILLE WE ARE FAMILY BRICK: K.C.
[Show full text]
Nile Rodgers in New York City, 1991
Nile Rodgers in New York City, 1991 68 MUSICAL EXCELLENCE Nile Rodgers HE CREATES A DISTINCTIVE SOUND ON THE RECORDS HE WRITES, PRODUCES, ARRANGES, AND PLAYS ON. BY ROB BOWMAN Nile Rodgers’ influence on popular music over the past forty years is nearly unfathomable. As a guitarist, songwriter, producer, arranger, and funkster extraordinaire, Rodgers has left his imprint on a stun- ningly wide array of genres including disco, R&B, rock, mainstream pop, hip-hop, and EDM. Looking over the breadth of his career, a case could easily be made that no single individual has had a greater impact on the sound of pop, from the late 1970s to the present day. ¶ Alongside his partner, bass player wunderkind Bernard Edwards, Rodgers wrote and produced hit after hit for Chic, Sister Sledge, and Diana Ross, tearing up both the dance floor and the radio. After Chic broke up and Rodgers and Edwards went their separate ways, Rodgers broke free of the disco moniker and reinvented himself, producing, arranging, and playing guitar on David Bowie’s come- back album, Let’s Dance (1983), and Madonna’s breakout album, 69 Like a Virgin (1984). Along the way he took INXS and Chic in their prime then Duran Duran to new heights with “Original Sin” with Rodgers and and “The Reflex,” respectively, and produced albums by Bernard Edwards Mick Jagger, Jeff Beck, the B-52s, and David Lee Roth. center stage, 1979 He played key guitar parts on Steve Winwood’s “High- er Love” and Michael Jackson’s HIStory. More recent- ly he cowrote and played guitar on Daft Punk’s “Get Lucky,” winning two Grammy Awards in the process.
[Show full text]
C Annual Fall Sale
40 C R O C K O N by EthKe Ann Vare Petty is "pure rock"? My dear records. Look' at AC/DC. Now is, an opinion. As writer Spider ALBUM REVIEWS misinformed child, he is merely that is music. Heavy metal is Robinson says, “A critic is your basic, boring pop—the superior, and platinum is the someone who tells you whether Theartist......... Debbie Harry stuff that rises up the song proof of a good group. or not something is ‘art.’ A The album..................KooKoo charts to the Top Ten (the ten —Unsigned. reviewer tells you if he likes it.” I The label.................Chrysalis worst songs in America, in other Dear Anonymous Teenaged am a record reviewer, happily words). What I know is rock Male Reader:I take it you sharing my own (reasonably in The cover art of Blondie's real you call "posturing, prehistoric, weren’t pleased with my review formed) tastes with you. Feel lead singer's solo debut is so macho, mindless gunk." Well, of Van Halen. Well, I stand by spellbinding (it was created by More Rock On that "gunk” sells a hell of a lot of my opinion—and that's what it the set designer of the film Page 41 "Alien") that one expects a similar eerie beauty from the music. Tough luck. Harry has gotten together with the Chic organization (pro genitors of "Le Freak." pro ducers of Sister Sledge) to record an album of soft-soaped, ANNUAL disco/funk/rap that is not so bad in and of itself—it just seems like an ethnic rip-off coming from this lily-white warbler.
[Show full text]
NILE RODGERS: Biography
NILE RODGERS: biography There is nothing you can say about Nile Rodgers that hasn't already been heard by billions of people, via millions of radio airwaves, in thousands of cities, in hundreds of countries. The career of Nile Rodgers is one of the most enduring and prolific in music. Nile's signature is scrawled across an amazing array of music - from Madonna to Diana Ross, from David Bowie to Eric Clapton. Nile first picked up a guitar while still in school and there was no stopping the evident talent that quickly emerged. At the age of 19, Nile not only worked for Sesame Street, but was performing nightly as part of the house band for the world renowned Apollo Theatre in Harlem, playing with luminaries such as Aretha Franklin, Parliament Funkadelic, Ben E. King, and The Cadillacs. Pretty amazing for a skinny kid with glasses from New York City, but he wanted more. Nile Rodgers wanted a band of his own. Once the decision was made, Nile searched for a partner in crime. He soon found him in local boy Bernard Edwards, whose perfectly meticulous bass seamlessly complemented Nile's precise guitar. The two were confident enough of their synergy to introduce the world to CHIC in 1977. "Dance, Dance, Dance", the first single off CHIC's eponymous début, hit the Top 10 and they never looked back. 1978 yielded their second hit, "Everybody Dance", while a third single, "Le Freak", hit No. 1 and became Warner Brothers' biggest selling single of all time. The dynamic duo of Edwards and Rodgers finished off the year by releasing their second album, C'est Chic, which went directly into the Top 5.
[Show full text]
Southbank Centre Announces Nile Rodgers As Curator of Meltdown 2019 
Date: Monday 11 February 2019, 8.30am Contact: Phoebe Gardiner, [email protected] / 020 7921 0967 Alexandra Shaw [email protected] / 020 7921 0676 Southbank Centre announces Nile Rodgers as curator of Meltdown 2019 Nile Rodgers © Britt Loyd Southbank Centre today reveals that the curator of Meltdown festival 2019 will be three-time Grammy Award-winning American composer, producer, arranger, guitarist, Rock and Roll Hall of Fame inductee, Chairman of the Songwriters Hall of Fame and Abbey Road Studios’ first ever Chief Creative Advisor, Nile Rodgers. From 3 - 11 August, Rodgers will take over Southbank Centre with his unique creative vision. Over nine days and across the world-class stages of the Royal Festival Hall, newly reopened brutalist masterpieces the Queen Elizabeth Hall and Purcell Room, and the remainder of Southbank Centre’s 17-acre cultural quarter on the banks of the River Thames, Rodgers will present a hand-picked line-up of show-stopping music, art and free events, in what will undoubtedly be the funkiest festival of the year. Among music legends, Nile Rodgers is truly exceptional. From co-founding slick disco pioneers CHIC with his late creative partner Bernard Edwards, to his own global success as a songwriter and producer, Rodgers has contributed to records that have cumulatively sold more than 500 million albums and 75 million singles worldwide, and has left an indelible signature on the music of today. More than a collaborator, Rodgers has been instrumental in the careers of some of the biggest artists in the history of popular music.
[Show full text]
Moments Notice Band Song Selection
song selection 303-994-0954 www.momentsnoticecompany.com song selection 2 2000s KATY PERRY MEDLEY NOTORIOUS B.I.G. ONE REPUBLIC California Gurls feat. P DIDDY Counting Stars LIZZO Last Friday Night Mo Money More Problems Juice | Good As Hell Hot N Cold | Firework | Roar DUA LIPA Dark Horse NELLI Don’t Stop Now BILLIE EILISH Hot in Here Bad Guy CARLY RAE JEPSEN ARIANNA GRANDE Call Me Maybe GNARLS BARKLEY Problem JASON DERULO Crazy Want To Want Me ALICIA KEYS BRUNO MARS Girl On Fire CEE LO GREEN Locked Out of Heaven WALK THE MOON Empire State of Mind Forget You Just The Way You Are Shut Up and Dance With Me 24Karat Magic | Humpin’ Around JUSTIN TIMBERLAKE NELLI Finesse Jack Swing Medley DNCE Can’t Stop The Feeling Hot in Here Motown Philly | Poisen Cake By The Ocean JUSTIN TIMBERLAKE MICHAEL BUBLE BRUNO MARS & MARK CAMILA CABELLA MEDLEY Everything RONSON Havana Suit & Tie | Sexy Back JASON MRAZ Uptown Funk IGGY AZALEA Take Back Night I’m Yours PHARRELL WILLIAMS Fancy | Black Widow OUTKAST UNCLE KRACKER & Happy ED SHEERAN Hey Ya DOBY GRAY TAIO CRUZ Thinking Out Loud HIP HOP MEDLEY Drift Away Dynamite The Shape Of You Talk Dirty | No Diggity AMY WINEHOUSE Thrift Shop DAFT PUNK Valerie Get Lucky 303-994-0954 | www.momentsnoticecompany.com song selection 3 BLACK EYED PEAS 90’s Alternative BONNIE RAITT B-52’S Tonight’s Gonna Be A Good Something To Talk About Love Shack Night & Top 40 I Can’t Make You Love Me ROMANTICS DRAKE MONTELL JORDAN ERIC CLAPTON What I like About You This Is How We Do It Hold On We’re Going Home Change the World RED HOT CHILLY PEPPERS LMFOA TRACY CHAPMAN SHERYL CROW Higher Ground Give Me One Reason Party Rock Anthem All I Want To Do TALKING HEADS LADY GAGA OLETA ADAMS Burning Down The House Get Here Just Dance 80’s Rock & SUGAR HILL GANG T-PAIN FAITH HILL 80’s Alternative Rapper’s Delight Breathe Apple Bottom Jeans MICHAEL JACKSON NORA JONES MARC ANTONY Billie Jean | Shake Your Body Classic Rock I Need to Know Don’t Know Why Don’t Stop ‘Til You Get Enough JOURNEY Come Away With Me CELINE DION CYNDI LAUPER Don’t Stop Believing TRAVIS MCCOY feat.
[Show full text]
“Le Freak”—Chic (1978) Added to the National Registry: 2017 Essay by Cary O’Dell
“Le Freak”—Chic (1978) Added to the National Registry: 2017 Essay by Cary O’Dell “Le Freak” 45 sleeve Original 45 label Nile Rodgers Inevitably, there seems to be a collective groan whenever that word is spoken. That word, of course, is “disco.” It is, without question the only musical genre to illicit such a response. No one smirks and recedes from “country” or “classical” or “folk.” It is also the only musical genre to ever have had its own made-to-order funeral: the public lambasting that was the famous—turned infamous—“Disco Sucks” Demolition Night held on July 12, 1979 at Comiskey Park in Chicago, Illinois. Yet, despite all the baggage attached to it, and despite the endless jokes, and the very bad fashion connected with it, the music of disco, itself, has actually aged remarkably well. And, in fact, it has never completely departed. Today, disco beats still rain down from the radio airwaves and steam upwards from the streets and meet on a million dance floors in between. It’s just that, today, instead of daring to utter the word “disco,” we hide these same grooves under euphemisms like “dance” music or “club” music. Founded, more or less, in 1976, the band known as Chic has survived, with some hiatuses, up to the present day. They have also existed in various incarnations with a wide assortment of musicians and singers coming and going over the years. At the time the group recorded their major hit “Le Freak,” however, the group consisted (in the studio, at least) of five members: Nile Rodgers, Bernard Edwards, Tony Thompson, Norman Jean Wright and Alfa Anderson.
[Show full text]
Northstar Repertoire
NORTHSTAR REPERTOIRE LOUNGE/REMIX A Beautiful Mine - Rjd2 Spanish Grease - Verve Remixed (Willie Latch - Disclosure ft Sam Smith Bobo) Future Sex Love Sound - Justin Timberlake Summertime UFO - Verve Remixed (Sarah VauGhn) Is You Is - Verve Remixed Dinah WashinGton The MatinG Game - Bitter Sweet Let's Never Stop FallinG In Love - Pink Whatever Lola Wants - Gotan Project Martini Wait Till You See Him - Verve Remixed De Porcelain - Moby Phazz (Ella Fitzgerald) Return To Paradise - Mark De Clive- Lowe We No Speak Americano - Yolanda Be Cool Remix (Shirley Horn) & DCUP Santa Maria - Gotan Project Where Do I BeGin - Shirley Bassey, Away Team Mix JAZZ / STANDARDS A Sunday Kind Of Love - Etta James Do I Love You - Ella Fitzgerald 1925 Charleston - Paul Dandy Don't Know Why - Norah Jones Ain't Misbehavin' - Fats Waller Elmer’s Tune - “Glen Miller” Ain't That A Kick In The Head - Dean Martin Everybody Loves The Sunshine - Roy Ayers All Of Me - Billie Holiday EverythinG - Michael Buble American Patrol - “Glen Miller” Fly Me To The Moon - Frank Sinatra BeGin The BeGuine - Ella FitzGerald Fly Me To The Moon - Dinah WashinGton Besame Mucho - Glenn Miller Medley - Glenn Miller Beyond The Sea - Bobby Darin Human Nature (Gtr) - Michael Jackson Blue Bossa I Wish You Love - Frank Sinatra/Jack Foster Blue Moon - Elvis I Can't Give You AnythinG But Love - Dean Blue Moon - Frank Sinatra Martin Blue Train - John Coltrane In The Mood - Glen Miller BrinG It On Home To Me - Roy HarGrove It Don't Mean A ThinG - Jazz Standard ChatanooGa Choo Choo - “Glenn Miller” Jump Jive an’ Wail - Brian Setzer Cheek To Cheek - Ella FitzGerald/Louis Just In Time - Frank Sinatra ArmstronG Kalamazoo - “Glen Miller” Daddy’s Little Girl - Michael Buble/Michael L.O.V.E.
[Show full text]