Where Did Our Love Go?

Total Page:16

File Type:pdf, Size:1020Kb

Where Did Our Love Go? Where Did Our Love Go? e've all seen the cartoons and Everything feels right. Some people feel a . heard jokes about marriage sense of finally 'being home' or of being W ruining a perfectly good relation- 'complete'. Isn't marriage supposed to make ship. And you might even know a situation these feelings and chemistry last forever? where that seemed to happen -- maybe it What we now know through research is that even feels like that in your own relationship. not only do people experience this intense Why does something that starts out feeling love on an emotional level - there are so good seem to go downhill once you take actually physiological processes that occur. that step of commitment When human be~ fall in love, a peptide, One reason is that relationships go through PEA (phenoethalymine) is produced in the predictable stages, although the intensity body. PEA increases energy, feelings of well may vary from person to person and couple being, positive outlook, and diminishes pain. to couple. You may notice that even relation- It increases sexual desire. PEA is what helps ships with friends, a boss, a job, or an you stay up until4am and go to work the next adopted child all progress in a similar way. morning as if you've had a full nigbt's sleep. We commonly talk about the "honeymoon You can get so caught up in being with the period" being over after we settle in to a new other person, that you miss a meal and don't job or relationship and start having more really notice. If you usually tend to be frustrations. But in marriage or in a deeply anxious, PEA may help you feel calm. If yeu I . committed love relationship, these basic are usually depressed, you might have more stages take on new intensity. There is much energy and see things more positively. You more at stake when we make a public believe that it is this other person that brings commitment to love and be loved -- and to the best out in toti--at last you've found the spend our lives together doing so. one! And to some extent, that may be true, So why does the love seem to go away? but some of it is increased PEA! One of the culprits is that couples get stuck The beliefs of this stage are: i"Everything's in one of the early stages and are no longer right with the world. n "Love WIll conquer all: II moving through them. They begin to feel "You're the onefor mer II trapped in frustration and disappointment. It is a wonderful time of hope, ~,love Take a look at the basic stages. and some illusion. You are 'under the influ- Stage I: Romantic Love: ence!' So, enjoy!! I The Romantic Love stage often feels so good that you want it to last forever. In fact, Stage II: Disillusionment I The P~wer you expect it to last foreverL In a new job Struggle. I like to call this stage, " re or with a new love, everything seems perfect Invitation to Growth." at first. When you see things that you don't One of the biggest illusions in 0lllj culture is like, you might deny or at least minimize that Romantic Love will last forever. if you them. You tend to go above and beyond just find the right partner. We hear that love what is required or expected. You feel is supposed to continue happening ~natorally' energized. alive, and filled with new dreams. and if you have to 'work' on it, it must not be In our culture, this stage is usually the reason real love. These illusions are one of the . I you decide to get married in the first place. reasons our divorce rate remains around 50%! Your heart is filled with love and you know When people get stuck in this stage, 1jhey that this person loves you. You both find believe they just made a mistake in choosing creative ways to show your love. When their partner. He or she isn't the right one. you're apart, you are thinking of one another. One reason for the let-down feeling is that we same noose msconnecrea nom one some of wnat IS gomg m your reliltioriShip -F OJ members. Produced by the Association of another. and offer practical skills to help change it. Imago Relationship Therapy. PEA production begins to decline. And GOOD NEWS! You are not meant to live 3) Focus on your OWN behavior. Look at because we see the other person as the source in distress! That is NOT what marriage. is. some of the things you do that are not helpfu of omogE.",tJ· i hI"'@;. w~li>em::wlw:u meant to be! This stoge-earr bl!'1licdiJor to t&.thcrelationship. What are you putting inte we don't feel as good-- not realizing that deeper connection and inJimoq, and a that space between you and your partner? part of it is simply biological! People wbo go fuJJiJJing reloJionship - if you learn and Does it cultivate the relationship or pollute il from relationship to relationship are caught use some of the tools to transform iJ into the Then begin taking one step at a time to up in trying to feel those PEA produced path to real love. change those things that don't cultivate it. feelings! AffaiIs are often attempts to This conflict and distress hold the keys to recreate those feelings and the danger of mutual growth, healing, and fulfilling your 4) If you find that the new skills are not being caught only adds to the intensity of the potential as individuals and as a couple! It is helping or think you might need some help, 'high' because PEA production increases. the point wbere you choose together to make go to a counselor who focuses on teaching --IhtlHltllisH·ir?21n!l4di-;ststl331g~et'JYOgjl~llDImij·gh~tssrtaatttt,., 1/l1?i'----..tiffee~~linm·tt.Js"g>.-IItt-ioisS'ththe8-jip9I9ImU,·lHI"rll'l!e!tereR:'-1}/t·a"H""",'aIoollre-tlup~;.----ssldlls. A cettified Imago Relationshij'i anxious or disappointed. Things that you decide to become conscious and intentional, Therapist is trained to do just that. You can once liked about your partner have become and begin a wbole new chapter in co-creating find one close to you by checking in two sources of frustration and hurt feelings. You the relationship you both dreamed of. places: The Association for Imago Relation find fault with each other and blame each ship Therapy at 1-800-884-6246 or visit other for how you feel. You may ask, "What their Website: http://www.airtoniine.com has happened to himfherfus?" And that Conflict and distress Another place to check is the Institnte for unspeakable fear begins to creep in that ':I ~ Imago Relationship Therapy at 1-800-729· maybe you've made a mistake, are growth 1121, Website: http://WWWlmagotherapy.cor It is common in this stage to go through a process of grieving very similar to someone trying to happen! Stage IV: Transformation who has 10S' a loved one. What have you . In this stage you commit to becoming mon lost? Some of your illusions begin to die. intentional in your relationship instead of You are both burdened by urunet expectations reacting to one another. You practice the of yourself and the other. It sometimes feels Stage m & IV: Knowledge, Awareness and . skills you are learning about communication like love is dying. One or both of you might Transformation: stretching into new behaviors, creating keep trying to pretend that the disappoint- This is the stage in which you not only emotional safety, etc. You become partners ment, frustration, and hurt are not really recognize that there are some areas that can in the healing and growth of the relationship. there, or that you shouldn't be npset. You use improvement in your relationship, bot You hold in your mind and heart the vision 0 may try to explain things away. This is make a conscious commitment to do the the relationship you want and you work eacb called denial. work of transforming your relationship into day to make it a reality. Denial gives way to bargaining -- "If you one that is fulfilling for both of you. would just ... , then I wilL ... ' Anger and While one or both of yon may continne to Stage V: Real Love resentmeot may increase. Sometimes it feels feel anxious, confused. afraid. and may resist This is the stage of deep respect and as if yon are walking on eggshelJs. Certain making some of the changes, you do have-the appreciation of one another as separate and topics are avoided LiuIe things turn into power to strengthen and change your unique individuals. It is a stage of joy, great big things. Prostration and hurt builds relationship. This is the stage wbere you take passion, intimacy, happiness and having fun on both sides. charge as partners of the direction of your together. It is the stage of living out the Often there is conflict about issues like happiness as a couple. And you do that best vision of true partnership, unconditional love control, neatness, doing one's part, closeness by taking charge of your own behavior. You and safety, and of coming to see your partner or space, feeling unimportant or alone, etc .. start being the change you want to see. as your best friend. It is the stage of moving Wmning and being right becomes more In this stage you gain new information and toward the spiritnal potential of committed important than working together.
Recommended publications
  • Rolling Stone Magazine's Top 500 Songs
    Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35.
    [Show full text]
  • View Playbill
    MARCH 1–4, 2018 45TH ANNIVERSARY SEASON 2017/2018 Great Artists. Great Audiences. Hancher Performances. WORK LIGHT PRODUCTIONS PRESENTS BOOK BY BERRY GORDY MUSIC AND LYRICS FROM THE LEGENDARY MOTOWN CATALOG BASED UPON THE BOOK TO BE LOVED: MUSIC BY ARRANGEMENT WITH THE MUSIC, THE MAGIC, THE MEMORIES SONY/ATV MUSIC PUBLISHING OF MOTOWN BY BERRY GORDY MOTOWN® IS USED UNDER LICENSE FROM UMG RECORDINGS, INC. STARRING KENNETH MOSLEY TRENYCE JUSTIN REYNOLDS MATT MANUEL NICK ABBOTT TRACY BYRD KAI CALHOUN ARIELLE CROSBY ALEX HAIRSTON DEVIN HOLLOWAY QUIANA HOLMES KAYLA JENERSON MATTHEW KEATON EJ KING BRETT MICHAEL LOCKLEY JASMINE MASLANOVA-BROWN ROB MCCAFFREY TREY MCCOY ALIA MUNSCH ERICK PATRICK ERIC PETERS CHASE PHILLIPS ISAAC SAUNDERS JR. ERAN SCOGGINS AYLA STACKHOUSE NATE SUMMERS CARTREZE TUCKER DRE’ WOODS NAZARRIA WORKMAN SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN PROJECTION DESIGN DAVID KORINS EMILIO SOSA NATASHA KATZ PETER HYLENSKI DANIEL BRODIE HAIR AND WIG DESIGN COMPANY STAGE SUPERVISION GENERAL MANAGEMENT EXECUTIVE PRODUCER CHARLES G. LAPOINTE SARAH DIANE WORK LIGHT PRODUCTIONS NANSCI NEIMAN-LEGETTE CASTING PRODUCTION MANAGEMENT TOUR BOOKING AGENCY TOUR MARKETING AND PRESS WOJCIK | SEAY CASTING PORT CITY TECHNICAL THE BOOKING GROUP ALLIED TOURING RHYS WILLIAMS MOLLIE MANN ORCHESTRATIONS MUSIC DIRECTOR/CONDUCTOR DANCE MUSIC ARRANGEMENTS ADDITIONAL ARRANGEMENTS ETHAN POPP & BRYAN CROOK MATTHEW CROFT ZANE MARK BRYAN CROOK SCRIPT CONSULTANTS CREATIVE CONSULTANT DAVID GOLDSMITH & DICK SCANLAN CHRISTIE BURTON MUSIC SUPERVISION AND ARRANGEMENTS BY ETHAN POPP CHOREOGRAPHY RE-CREATED BY BRIAN HARLAN BROOKS ORIGINAL CHOREOGRAPHY BY PATRICIA WILCOX & WARREN ADAMS STAGED BY SCHELE WILLIAMS DIRECTED BY CHARLES RANDOLPH-WRIGHT ORIGNALLY PRODUCED BY KEVIN MCCOLLUM DOUG MORRIS AND BERRY GORDY The Temptations in MOTOWN THE MUSICAL.
    [Show full text]
  • Legends of Motown: Celebrating the Supremes Opening June 25
    Legends Of Motown: Celebrating The Supremes Opening June 25 New Exhibit Features Rare Artifacts from the Premier Motown Records Act Founding Supremes Member Ms. Mary Wilson to Appear at the GRAMMY Museum June 24 For Intimate Interview and Q&A LOS ANGELES (June 5, 2015) — The GRAMMY Museum will explore the enduring legacy and influence of Motown Records' premier recording artists with the unveiling of Legends Of Motown: Celebrating The Supremes on June 25, 2015. The exhibit will offer visitors a unique look at the life and career of one of the most successful American singing groups of the '60s, the Supremes, through rare artifacts from the private collection of founding member Ms. Mary Wilson. On display on the Museum's third floor through spring 2016, the exhibit will feature rare photographs from the personal collection of Mary Wilson; concert posters; tour books, fan memorabilia; and an assortment of performance gowns, including: "Primette Pristine" gowns worn in 1961, one of the earliest sets purchased by the Supremes when they were still known as the Primettes "White De Mink" outfit worn on ABC's "The Hollywood Palace" in 1966 "Turquoise Freeze" dresses worn during a 1967 appearance on "The Ed Sullivan Show" "Red Hot" gown worn by Mary Wilson on "The Ed Sullivan Show" in 1970 for the debut of the new Supremes lineup featuring Cindy Birdsong and Jean Terrell "We've been eager to feature an exhibit celebrating Motown since we honored Berry Gordy and Smokey Robinson at our inaugural benefit gala in 2013," said Bob Santelli, Executive Director of the GRAMMY Museum.
    [Show full text]
  • Track Listing:
    Track Listing: - DISC ONE - POP / DANCE 1 Arrow - "Hot Hot Hot" 2 Communards - "Dont Leave Me This Way" 3 Patrick Hernandez - "Born To Be Alive" 4 The Jacksons - "Blame It On The Boogie" 5 Kool & The Gang - "Celebration" 6 Madonna - "Like A Virgin" 7 New Order - "Blue Monday" 8 Billy Ocean - "Love Really Hurts Without You" 9 Shamen - "Ebeneezer Goode" 10 Soft Cell - "Tainted Love/Where Did Our Love Go" 11 UB40 - "Red Red Wine" 12 Yazz & The Plastic Population - "The Only Way Is Up" DISC TWO - PARTY 1 Bad Manners - "Can Can" 2 Jeff Beck - "Hi Ho Silver Lining" 3 Black Lace - "Megamix 12"" 4 Brendon - "Gimme Some 12"" 5 Contours - "Do You Love Me" 6 Damian - "Timewarp 12"" 7 Charlie Daniels Band - "Devil Went Down To Georgia" 8 Dexy's Midnight Runners - "Come On Eileen" 9 Dooleys - "Wanted" 10 Four Seasons - "December '63 (Oh What A Night) (Ben Liebrand Remix)" 11 Gap Band - "Oops Upside Your Head" 12 Kaoma - "Lambada" 13 Little Eva - "Locomotion" 14 Los Lobos - "La Bamba" 15 Lulu & The Luvvers - "Shout" 16 Nolans - "I'm In The Mood For Dancing" 17 Piranhas - "Tom Hark" 18 Pogues & The Dubliners - "Irish Rover" 19 Vic Reeves And The Wonder Stuff - "Dizzy" 20 Toy Dolls - "Nellie The Elephant" 21 Traditional - "Stripper" DISC THREE - ALTERNATIVE 1 Carter U.S.M. - "Sheriff Fatman" 2 Clash - "Should I Stay Or Should I Go" 3 Cult - "She Sells Sanctuary" 4 Cure - "Love Cats" 5 Deacon Blue - "Real Gone Kid" 6 Emf - "Unbelievable" 7 Happy Mondays - "Step On" 8 Billy Idol - "White Wedding" 9 Inxs - "Need You Tonight" 10 Jam - "A Town Called Malice" 11 James - "Sit Down" 12 Lenny Kravitz - "Are You Gonna Go My Way?" 13 Martha & The Muffins - "Echo Beach" 14 Nirvana - "Smells Like Teen Spirit" 15 R.E.M.
    [Show full text]
  • The Social and Cultural Changes That Affected the Music of Motown Records from 1959-1972
    Columbus State University CSU ePress Theses and Dissertations Student Publications 2015 The Social and Cultural Changes that Affected the Music of Motown Records From 1959-1972 Lindsey Baker Follow this and additional works at: https://csuepress.columbusstate.edu/theses_dissertations Part of the Music Commons Recommended Citation Baker, Lindsey, "The Social and Cultural Changes that Affected the Music of Motown Records From 1959-1972" (2015). Theses and Dissertations. 195. https://csuepress.columbusstate.edu/theses_dissertations/195 This Thesis is brought to you for free and open access by the Student Publications at CSU ePress. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of CSU ePress. The Social and Cultural Changes that Affected the Music of Motown Records From 1959-1972 by Lindsey Baker A Thesis Submitted in Partial Fulfillment of Requirements of the CSU Honors Program for Honors in the degree of Bachelor of Music in Performance Schwob School of Music Columbus State University Thesis Advisor Date Dr. Kevin Whalen Honors Committee Member ^ VM-AQ^A-- l(?Yy\JcuLuJ< Date 2,jbl\5 —x'Dr. Susan Tomkiewicz Dean of the Honors College ((3?7?fy/L-Asy/C/7^ ' Date Dr. Cindy Ticknor Motown Records produced many of the greatest musicians from the 1960s and 1970s. During this time, songs like "Dancing in the Street" and "What's Going On?" targeted social issues in America and created a voice for African-American people through their messages. Events like the Mississippi Freedom Summer and Bloody Thursday inspired the artists at Motown to create these songs. Influenced by the cultural and social circumstances of the Civil Rights Movement, the musical output of Motown Records between 1959 and 1972 evolved from a sole focus on entertainment in popular culture to a focus on motivating social change through music.
    [Show full text]
  • Miami1345326739.Pdf (147.67
    ABSTRACT “ISOTOPE” by Alice Ladrick By referencing elements of the domestic and positioning the female body within that space, this thesis attempts to create non‐traditional, partially autobiographical narratives that delve into gendered representations of selfhood as well as women’s relationships with the world around them (including relationships to men, other women, etc.). The epistolary form of Dear Alice emphasizes the role of address in narration and the representation of the self through written text. This form draws attention to the relationship between author and speaker, speaker and reader, and author and reader, as well as to the artifice of intimacy that direct address can create. Meanwhile, Isotope and The love of my life is emotionally inept use pop culture references, punning, and inventive line breaks to address similar questions of intimacy and representations of female desire and sexuality. ISOTOPE A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of English by Alice E. Ladrick Miami University Oxford, Ohio 2012 Advisor: Cathy Wagner Reader: cris cheek Reader: Keith Tuma Table of Contents ISOTOPE 1 REPEATEDLY BENT OVER AT THE OFFICE 3 MY MOONING COULD BE IT, YOU GUYS. 4 THESE POEMS AREN’T MINE, I CONFESS THAT I STOLE 5 SMELLS OF THE DARK ROOM STAINED BY MY HANDS 6 AFTER FEELING VERY PROUD OF MAKING UP 7 THERE ARE PEOPLE WHO WANT ME AND I KNOW IT. 8 I’VE BEEN SPLIT BEFORE BY WHERE 9 LET ME START OVER, SYLVIA, 10 I SAY A LOT OF THINGS
    [Show full text]
  • Interview with MARY WILSON Was Conducted by the Library of Congress on April 2, 2018
    This interview with MARY WILSON was conducted by the Library of Congress on April 2, 2018 Mary Wilson Photo credit: Alan Mercer Library of Congress: Can you tell me about the first time “Where Did Our Love Go?” was presented to you as a song to be recorded? Mary Wilson: We had already released five, or six, or seven singles and they had been received locally very well in Detroit, and the surrounding area, but we had never had a big, national chart hit and Berry Gordy was like, “We’ve got to get the girls a hit record.” That’s when he put us with his top writing team Holland, Dozier and Holland. HDH came up with “When the Lovelight Starts Shining Through His Eyes” and we thought we were on our way with a hit record. Motown then released “Run Run Run”—it never made the charts at all--but “Lovelight” made the charts and we thought, “We’re on the right track.” We kept on trying. One day HDH said they had just come up with some smashes; that’s what they used to say when they felt they had a hit! We were brought several songs to listen to as I recall. When we heard “Where Did Our Love Go?” none of us was really excited about it. I remembered saying to Eddie Holland that if we didn’t get a hit record our parents were going to make us go to college. He said, “Trust me, Mary, this song is going to be a hit.” The reason that we did not care for “Where Did Our Love Go” was that we wanted a song more like the other girl groups, with more R&B driven rhythm, like the Marvellettes and the Vandellas; after all we were the first girl group to sign with Motown.
    [Show full text]
  • 3 Doors Down Away from the Sun 3 Doors
    3 Doors Down Away From The Sun 3 Doors Down Be Like That 3 Doors Down Behind Those Eyes 3 Doors Down Duck And Run 3 Doors Down Here By Me 3 Doors Down Here Without You 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Kryptonite 3 Doors Down Landing In London 3 Doors Down Let Me Be Myself 3 Doors Down Let Me Go 3 Doors Down Live For Today 3 Doors Down Loser 3 Doors Down Road I'm On, The 3 Doors Down Train 3 Doors Down When I'm Gone 4 Non Blondes What's Up 5 Seconds of Summer Youngblood 5th Dimension, The Aquarius (Let The Sun) 5th Dimension, The Never My Love 5th Dimension, The One Less Bell To Answer 5th Dimension, The Stoned Soul Picnic 5th Dimension, The Up, Up and Away 5th Dimension, The You Don't Have To Be A Star 10,000 Maniacs Because The Night 10,000 Maniacs Candy Everybody Wants 10,000 Maniacs Like The Weather 10,000 Maniacs More Than This 10,000 Maniacs These Are The Days 10,000 Maniacs Trouble Me 10CC I'm Not In Love 38 Special Caught Up In You 38 Special Hold On Loosely 38 Special Second Chance 98 Degrees Give Me Just One More Night 98 Degrees Hardest Thing, The 98 Degrees I Do (Cherish You) 98 Degrees My Everything 98 Degrees & Stevie Wonder True To Your Heart 98 Degress Because Of You 112 Cupid 112 Dance With Me 311 Amber 311 Beyond The Gray Sky 311 Creatures (For A While) 311 I'll Be Here Awhile 311 Love Song 311 You Wouldn't Believe A-Ha Sun Always Shines On TV, The A-Ha Take On Me A-Ha Take On Me (Acoustic) Aaliyah Are You That Somebody Aaliyah Come Over Aaliyah I Care 4 You Aaliyah I Don't Wanna Aaliyah Miss You
    [Show full text]
  • 4/4 1...2...1234 Intro: (8 Beats)
    WHERE DID OUR LOVE GO-Holland/Dozier/Holland 4/4 1...2...1234 Intro: (8 beats) Baby, baby, baby, don't leave me, ooh, please don't leave me all by my-self I have got this yearnin', burnin', yearnin' feeling in-side me Ooh, deep in-side me, and it hurts so bad You came into my heart now (baby, baby) so tender-ly, With a burnin' love (baby, baby) that stings like a bee (baby, baby) But now that I sur-render (baby, baby) so helpless-ly You now want to leave (baby, baby) ooh, you want to leave me (baby, baby) Ooh, baby, baby, where did our love go? Ooh, don't you want me (baby, baby) don't you want me no more? (Baby, baby) ooh, ooh, BABY LOVE-Holland/Dozier/Holland Baby love, my baby love, I need you, oh how I need you But all you do is treat me bad, break my heart and leave me sad Tell me, what did I do wrong to make you stay a-way so long 'Cause baby love, my baby love, been missin' you, miss kissin' you Instead of breakin' up, let's do some kissin' and makin' up Don't throw our love away, in my arms, why don't you stay? Need to hold you once a-gain, my love, feel your warm em-brace, my love Don't throw our love away, please don't do me this way Not happy like I used to be, loneli-ness has got the best of me Baby love, my baby love, I need you, oh, how I need you Don't throw our love away, after I've been true to you, So deep in love with you, baby, baby, baby, baby, baby love! WHERE DID OUR LOVE GO-Holland/Dozier/Holland 4/4 1...2...1234 Intro: G7 (8 beats) C G Dm G F Baby, baby, baby, don't leave me, ooh, please don't leave me all by
    [Show full text]
  • History of Motown (Middle School)
    History of Motown (Middle School) Rationale This 50-minute lesson is intended to familiarize students with the unique history of Detroit’s Motown Records by highlighting the origins of Motown and its founders. Additionally, this lesson challenges students to take an entrepreneurial role in the formation of their own record label by guiding students to think about some fundamental business aspects of running a record label. Inspiration "We had the best jazz band in the planet, and yet we were literally starving. That's when I discovered that there was music, and there was the music business. If I were to survive, I would have to learn the difference between the two." Quincy Jones – Music Producer and Artist Mastery Objectives • Students will explore the history of Motown Records and reflect upon obstacles that it might have faced as a business. • Students will participate in creating an introductory business model for a hypothetical record label of their own. • Students will evaluate and recognize some of the issues in regards to forming a business. Standards Addressed National Standards for Music Education • Grade 5-8, Music Standard 9 o Students describe distinguishing characteristics of representative music genres and styles from a variety of cultures o Students classify by genre and style (and, if applicable, by historical period, composer, and title) a varied body of exemplary (that is, high-quality and characteristic) musical works and explain the characteristics that cause each work to be considered exemplary National Standards for History • ERA 10: CONTEMPORARY UNITED STATES (1968 TO THE PRESENT) o Understands economic, social, and cultural developments in contemporary United States Materials • Whiteboard or a place to write items for everyone to see.
    [Show full text]
  • The Women of Motown (Middle)
    The Women of Motown (Middle) Rationale This 50-minute lesson will guide students through a series of social reflecting exercises that examines the issues and roles of the Women of Motown. This lesson is intended to provoke critical thought about the world around them as well by highlighting the many issues of women in music. Inspiration “Until Motown, there were three big careers for a black girl: babies, factories, or day work. Period.” Mary Wells, first female signed to Motown Mastery Objectives • Students will have a greater awareness of issues surrounding women in music and society. • Students will construct their own critiques of these issues based on their own experiences. • Students will objectively compare the Woman of Motown and modern women of various music genres (types of music). Standards Addressed National Standards for Music Education • Grade 5-8, Standard 9 o Students describe distinguishing characteristics of representative music genres and styles from a variety of cultures o Students compare, in several cultures of the world, functions music serves, roles of musicians (e.g., lead guitarist in a rock band, composer of jingles for commercials, singer in Peking opera), and conditions under which music is typically performed National Standards for History • Era 9 Postwar United States (1945 to early 1970s) o Standard 4: The struggle for racial and gender equality and the extension of civil liberties • Era 10 Contemporary United States (1968 to the present) o Economic, social and cultural developments in contemporary United
    [Show full text]
  • The Mississippi Mass Choir
    R & B BARGAIN CORNER Bobby “Blue” Bland “Blues You Can Use” CD MCD7444 Get Your Money Where You Spend Your Time/Spending My Life With You/Our First Feelin's/ 24 Hours A Day/I've Got A Problem/Let's Part As Friends/For The Last Time/There's No Easy Way To Say Goodbye James Brown "Golden Hits" CD M6104 Hot Pants/I Got the Feelin'/It's a Man's Man's Man's World/Cold Sweat/I Can't Stand It/Papa's Got A Brand New Bag/Feel Good/Get on the Good Foot/Get Up Offa That Thing/Give It Up or Turn it a Loose Willie Clayton “Gifted” CD MCD7529 Beautiful/Boom,Boom, Boom/Can I Change My Mind/When I Think About Cheating/A LittleBit More/My Lover My Friend/Running Out of Lies/She’s Holding Back/Missing You/Sweet Lady/ Dreams/My Miss America/Trust (featuring Shirley Brown) Dramatics "If You come Back To Me" CD VL3414 Maddy/If You Come Back To Me/Seduction/Scarborough Faire/Lady In Red/For Reality's Sake/Hello Love/ We Haven't Got There Yet/Maddy(revisited) Eddie Floyd "Eddie Loves You So" CD STAX3079 'Til My Back Ain't Got No Bone/Since You Been Gone/Close To You/I Don't Want To Be With Nobody But You/You Don't Know What You Mean To Me/I Will Always Have Faith In You/Head To Toe/Never Get Enough of Your Love/You're So Fine/Consider Me Z. Z.
    [Show full text]