Essence of Valmiki Ramayana

Total Page:16

File Type:pdf, Size:1020Kb

Essence of Valmiki Ramayana ESSENCE OF VALMIKI SUNDARA RAMAYANA Translated and interpreted byV.D.N.Rao, former General Manager, India Trade Promotion Organization, Ministry of Commerce, Govt. of India, Pragati Maidan, New Delhi, now at Chennai Other Scripts by the same Author: 1 Essence of Puranas:-Maha Bhagavata, Vishnu Purana, Matsya Purana, Varaha Purana, Kurma Purana, Vamana Purana, Narada Purana, Padma Purana; Shiva Purana, Linga Purana, Skanda Purana, Markandeya Purana, Devi Bhagavata;Brahma Purana, Brahma Vaivarta Purana, Agni Purana, Bhavishya Purana, Nilamata Purana; Shri Kamakshi Vilasa Dwadasha Divya Sahasranaama: a) Devi Chaturvidha Sahasra naama: Lakshmi, Lalitha, Saraswati, Gayatri; b) Chaturvidha Shiva Sahasra naama-Linga-Shiva-Brahma Puranas and Maha Bhagavata; c) Trividha Vishnu and Yugala Radha-Krishna Sahasra naama-Padma-Skanda- Maha Bharata and Narada Purana. Stotra Kavacha- A Shield of Prayers -Purana Saaraamsha; Select Stories from Puranas Essence of Dharma Sindhu - Dharma Bindu - Shiva Sahasra Lingarchana-Essence of Paraashara Smriti- Essence of Pradhana Tirtha Mahima Essence of Upanishads : Brihadaranyaka , Katha, Tittiriya, Isha, Svetashwara of Yajur Veda- Chhandogya and Kena of Saama Veda-Atreya and Kausheetaki of Rig Veda-Mundaka, Mandukya and Prashna of Atharva Veda ; Also ‘Upanishad Saaraamsa’ -Essence of Maha Narayanopanishad; Essence of Maitri Upanishad Essence of Virat Parva of Maha Bharata- Essence of Bharat Yatra Smriti Essence of Brahma Sutras Essence of Sankhya Parijnaana- Essence of Knowledge of Numbers for students Essence of Narada Charitra; Essence Neeti Chandrika-Essence of Hindu Festivals and Austerities Essence of Manu Smriti- Quintessence of Manu Smriti- Essence of Paramartha Saara; Essence of Pratyaksha Bhaskra; Essence of Pratyaksha Chandra Essence of Vidya-Vigjnaana-Vaak Devi; Essence of Bhagya -Bhogya-Yogyata Lakshmi Essence of Soundarya Lahari- Essence of Popular Stotras- Essence of Pancha Maha Bhutas Essence of Taittireeya Aranyaka- Quintessence of Soundarya Lahari- Essence of Gayatri Essence of Ganesha Mahima - Essence of Shiva Raatri Mahima Essence of Chaturupanishads- Essence of Ashtaadasha Upanishads - Essence of Bhagavad Gita Essence of Valmiki Baala Ramayana- Essence of Valmiki Ayodhya Ramayana- * Essence of Aranya Ramayana-*Essence of Valmiki Kishkindha Ramayana Note: All the above Scriptures already released on www. Kamakoti. Org/news as also on Google by the respective references. The one with * is under process/ 2 PREFACE Manojavam Maaruta tulya vegam jitendriyam buddhimataam varishtham, aataatmajam Vaanara yudha mukhyam Sri Rama dutam sharanam prapadye/ Atulita baladhaamam hemashailaabhideham, danujavana krishaanum jnaani naama agraganyam/ Sakala guna nidhaanam vaanaraanaamadheesham Raghupatipriya bhaktam Vaatajaatam namaami/ Om ham Hanumate namah/ Buddhi balam yasho dhairyam nirbhayatvam arogataa, ajaadyam vaakpatutvam cha Hanutsmaranaaadbhavet/Yatra yatra Raghunadha keertanam, tatra tatrakritamastakaanjalim/ Baashpavaari paripurna lochanam Maarutim namata raakshsaantakam/ Undoubtedly Hanuman, is the key to Sundara Khanda Valmiki Ramayana.Totally dedicated to the ‘Rama Karya’ of ‘Sitanveshana’, He assumed gigantic body frame, crossed the ‘Maha Sagara’ of a distance of hundred yojanas as being literally air borne, gets welcomed on way by Mainaka Mountain- the very few that Indra spared with flying caliber with the assistance of Vayu Deva ; encounters Daksha Kumari Maha Sarpi Surasa about to devour him, quicky assuming a miniature finger ring form , ready for her devouring as she too realising the auspicious Rama Karya of Sitaanveshana blesses on exit from her body; kills Rakshasi Simhika the ‘Lankapuri Dwaara Palika’ by enhancing his height manifold; and enjoying the aerial view of Lankapuri, finally entered Ravanasura’ kingdom, each time by appropriately maximising or miniaturising his body with daring self-confidence. Veera Vayu Putra- born of Vayu- Anjana by mere body ‘sparsha’- then entered Ravana’s ‘anthapura’- viz. the Pushpaka Vimana seized from Kubera Dikpalaka who was Ravana’s first cousin; saw for himself the amazing scene of countless wives of gandharva-naaga-yaksha-daitya-rakshasa kanyas of rare beauty and grace, including the Prime Queen Mandodari Pativrata, being immersed with wine-dance-and music in Ravana’s company in his large bed. Yet Devi Sita was not visible there. Further continuing his extensive and intensive ‘Sitaanveshana’, finally located her amid detesteable looking- raw flesh eating- cruel Rakashasis, as she wore dusted, crumpled ‘eka vastra’ crying away incessantly and desperately in ‘Pramadaavana’ under ‘Ashoka Maha Vriksha. Ravana entered with his wives, endeared Devi Sita first, but on hearing her ‘parusha vakyaas’, got furious and granted a two month reprieve before her sliced body would reach the royal kitchen. There after, Anjaneya having convinced Devi Sita by crooning Shri Rama’s heritage, bravery and glory gradually, handed over Rama’s finger ring, convinced that Shri Rama Lakshmana Sugrivas were eveready to arrive with Vanara Veeras and relieve her grief. Then he initiated a spree of killings of Rakshasa Veeras as instructed by Ravana, pretended that he was bound by Indrajjits’s brahmastra, faced Ravana in his Sabha who was infuriated by his warnings, but on Vibhishana’s advice, allowed his tail to be put to flames, when he burnt off Lankapuri to destruction, returned to Kishkindha , handed over Devi Sita’s choodamani explaining Devi Sita’s status and got initiated action to attack Ravana and followers. Recalling Kanchimuth’s HH Vijayendra Saraswati’s kind instruction to me last year to translate Valmiki Ramayana in its Essence form, the ‘Baala- Ayodhya- Aranya-Kishkindha- and now the Sundara Khandas’ have since been attempted so far. Our entire family is beholden to the glorious lineage of the Excellencies, especially Maha Swami, and now the present ‘Baala Vaaru’ who has been driving me to action for attempting translations of Ashtaadasha Puranas, Ashtaadasha Upanishads, Dharma Sindhu, Brahma Sutras, Paraashara Smriti, Manu Smriti,Soundarya Lahari, Bhagavad Gita, Sahasra Naamas, Sahasra Lingarchana Vidhana and various scripts on Ganesha-Gayatri-Lakshmi-Vaakdevi- Bhaskara- Chandra-Pancha Maha Bhutas- Parmaardha Saara of Kashmiri Shaivism and so on for over decade and half.Our earnest prostrations to Him seeking His continued blessings. VDN Rao and family 3 CONTENTS Preface- 4 Retrospective: Bala Khanda-Ayodhya Khanda-Aranya Khanda-Kishkindha Khanda 9 Sarga One: Veera Hanuman leaps off the Ocean towards Ravana’s Lanka, gets welcomed 18 on way by Mainaka, encounters Surasa and subdues, kills Simhika, and enjoys the aerial view of Lanka [Vishleshanas 1) on Anjaneya’s self confidence to cross the Maha Sagara, his decisiveness as expressed by himself vide Sarga 67 of Kishkindha Ramayana 2) Vishleshana on Sagara Chakravarti: as sourced from Maha Bhagavata Purana] Sarga Two:Description of Lankapuri’s beauty, thoughts about the size in which he shoud 27 enter the interiors of the city and on the descripiton Chandrodaya. [[Vishleshanas on a) Bilwa Swarga of Maga Nagas b) Kubera Sargas Three and Four:As Hanuman sought to enter, Rakshasi Nishachari is 31 encountered, he subdues her seriously; she recalls Brahma’s warning that once a Vanara gives a hit to her, then Lanka gets its doom and lets him in! Then Hanuman enters Ravana’s ‘antahpura’ comprising many palaces but gets disappointed. Sarga Five: Hanuman then enters the ‘antahpura’ or the interior palaces of 34 Ramanasura systematically but gets disappointed with no sign and indication of Devi Sita Sarga Six: Hanuman then extended the scope of search for Devi Sita in Ravana’s own 35 palace, besides at the houses of his follower Rakshasaas Sargas Seven and Eight: Description of Ravana Bhavana viz. Pushpaka Vimana- 37 Hanuman witnesses the inside out of the Pushpaka Vimana - indeed it was surfiet with Sundara Kanyas [Vishleshana on Maha Lakshmi Swarupas] Sarga Nine: In the process of ‘Devi Sitaanveshana’ in the Pushpaka Vimana in Ravana’s 39 residence, Hanuman witnessed countless ‘strees’of youthful charm being playful inside; why had Ravana forcefully abducted Sita, despite his reputation of never forcing a woman but willingly married! [Vishleshanas a) on Maharshi Vasishtha and Kama Dhenu Shabala- b) Panchendriyas] Sarga Ten: In the process of searching for Devi Sita, Hanuman was confused 43 by seeing Devi Mandodari to Devi Sita! [ Vishleshana on Devi Mandodari] Sarga Eleven: Hanuman on seeing Mandori, took time self assure about Devi Sita, 45 continued the search even while self introspecting of his own honesty in the atmosphere of food-dance and lust; yet dismissed such thoughts Sarga Twelve: Hanuman in his remote thoughts wondered and was even concerned of Devi 46 Sita’s very existence but quickly recovered from such apprehensions resumed ‘Sitanveshana’yet again with confidence and belief! [Vishleshana on Continued Endeavor towards success vide Bhagavad Gita Sarga Thirteen: Despite his sincere efforts of finding Devi Sita, the indications were 48 slimmed and might even return disappoimnted.Yet, Sampati assured and visited ‘Ashoka Vaatika’ 4 [Vishleshana on Sampaati’s assurance to Vaanara Sena vide Kishkindha Ramayana Sarga 63] Sarga Fourteen: While admiring Ashoka Vaatika’s prakriti soundarya, Hanuman mused 52 as to how Devi Sita would be happy as she was stated to be an admirer of Prakriti Soundarya Sarga Fifteen: Hanuman yet in his miniature form finally visioned Devi Sita near a 53 ‘Chaitya Praasaada
Recommended publications
  • The Mahabharata
    ^«/4 •m ^1 m^m^ The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924071123131 ) THE MAHABHARATA OF KlUSHNA-DWAIPAYANA VTASA TRANSLATED INTO ENGLISH PROSE. Published and distributed, chiefly gratis, BY PROTSP CHANDRA EOY. BHISHMA PARVA. CALCUTTA i BHiRATA PRESS. No, 1, Raja Gooroo Dass' Stbeet, Beadon Square, 1887. ( The righi of trmsMm is resem^. NOTICE. Having completed the Udyoga Parva I enter the Bhishma. The preparations being completed, the battle must begin. But how dan- gerous is the prospect ahead ? How many of those that were counted on the eve of the terrible conflict lived to see the overthrow of the great Knru captain ? To a KsJtatriya warrior, however, the fiercest in- cidents of battle, instead of being appalling, served only as tests of bravery that opened Heaven's gates to him. It was this belief that supported the most insignificant of combatants fighting on foot when they rushed against Bhishma, presenting their breasts to the celestial weapons shot by him, like insects rushing on a blazing fire. I am not a Kshatriya. The prespect of battle, therefore, cannot be unappalling or welcome to me. On the other hand, I frankly own that it is appall- ing. If I receive support, that support may encourage me. I am no Garuda that I would spurn the strength of number* when battling against difficulties. I am no Arjuna conscious of superhuman energy and aided by Kecava himself so that I may eHcounter any odds.
    [Show full text]
  • Cow Care in Hindu Animal Ethics Kenneth R
    THE PALGRAVE MACMILLAN ANIMAL ETHICS SERIES Cow Care in Hindu Animal Ethics Kenneth R. Valpey The Palgrave Macmillan Animal Ethics Series Series Editors Andrew Linzey Oxford Centre for Animal Ethics Oxford, UK Priscilla N. Cohn Pennsylvania State University Villanova, PA, USA Associate Editor Clair Linzey Oxford Centre for Animal Ethics Oxford, UK In recent years, there has been a growing interest in the ethics of our treatment of animals. Philosophers have led the way, and now a range of other scholars have followed from historians to social scientists. From being a marginal issue, animals have become an emerging issue in ethics and in multidisciplinary inquiry. Tis series will explore the challenges that Animal Ethics poses, both conceptually and practically, to traditional understandings of human-animal relations. Specifcally, the Series will: • provide a range of key introductory and advanced texts that map out ethical positions on animals • publish pioneering work written by new, as well as accomplished, scholars; • produce texts from a variety of disciplines that are multidisciplinary in character or have multidisciplinary relevance. More information about this series at http://www.palgrave.com/gp/series/14421 Kenneth R. Valpey Cow Care in Hindu Animal Ethics Kenneth R. Valpey Oxford Centre for Hindu Studies Oxford, UK Te Palgrave Macmillan Animal Ethics Series ISBN 978-3-030-28407-7 ISBN 978-3-030-28408-4 (eBook) https://doi.org/10.1007/978-3-030-28408-4 © Te Editor(s) (if applicable) and Te Author(s) 2020. Tis book is an open access publication. Open Access Tis book is licensed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.
    [Show full text]
  • Hinduism: a Unit for Junior High and Middle School Social Studies Classes
    DOCUMENT RESUME ED 322 075 SO 030 122 AUTHOR Galloway, Louis J. TITLE Hinduism: A Unit for Junior High and Middle School Social Studies Classes. SPONS AGENCY Center for International Education (ED), Washington, DC.; United States Educational Fouldation in India. PUB DATE 89 NOTE 12p. PUB TYPE Guides - Classroom Use - Guides (For Teachers) (052) EDRS PRICE mFol/rcol Plus Postage. DESCRIPTORS Area Studies; *Asian History; Class Activities; Curriculum Design; Epics; Foreign Countries; Foreign Culture; Global Approach; *History Instruction; Instructional Materials; Junior High Schools; *Non Western Civilization; Social Studies; Visual Aids IDENTIFIERS *Hinduism; *India ABSTRACT As an introduction and explanation of the historical development, major concepts, beliefs, practices, and traditions of Hinduism, this teaching unit provides a course outline for class discussion and activities for reading the classic epic, "The Ramayana." The unit requires 10 class sE,sions and utilizes slides, historical readings, class discussions, and filmstrips. Worksheets accompany the reading of this epic which serves as an introduction to Hinduism and some of its major concepts including: (1) karma; (2) dharma; and (3) reincarnation. (NL) ************************************************************t********** * Reproductions supplied by EDRS are the best that can Le made * * from the original document. * *********************************************************************** rso Hinduism: A Unit For Junior High and Middle School Social Studies Classes t prepared by Louis J. Galloway CYZ Ladue Junior High School C=1 9701 Conway. Road St. Louis, Mo. 63124 as member of Summer Fulbright Seminar To India, 1988 sponsored by The United States Department of Education and The United States Educational Foundation in India U.S. DEPARTMENT OF EDUCATION Office of Educational Research and Improvement EDUCATIONAL RESOURCES INFORMATION CENTER (ERIC) his document has been reproduced as received from the person or organization originating it.
    [Show full text]
  • 93. Sudarsana Vaibhavam
    . ïI>. Sri sudarshana vaibhavam sadagopan.org sadagopan.org sadagopan.org sadagopan.org Annotated Commentary in English By: Oppiliappan Koil SrI VaradAchAri SaThakopan 1&&& Sri Anil T (Hyderabad) . ïI>. SWAMY DESIKAN’S SHODASAYUDHAA STHOTHRAM sadagopan.org sadagopan.org sadagopan.org sadagopan.org ANNOTATED COMMENTARY IN ENGLISH BY: OPPILIAPPAN KOIL SRI VARADACHARI SATHAGOPAN 2 CONTENTS Sri Shodhasayudha StOthram Introduction 5 SlOkam 1 8 SlOkam 2 9 SlOkam 3 10 SlOkam 4 11 SlOkam 5 12 SlOkam 6 13 SlOkam 7 14 sadagopan.org sadagopan.org SlOkam 8 15 sadagopan.org sadagopan.org SlOkam 9 16 SlOkam 10 17 SlOkam 11 18 SlOkam 12 19 SlOkam 13 20 SlOkam 14 21 SlOkam 15 23 SlOkam 16 24 3 SlOkam 17 25 SlOkam 18 26 SlOkam 19 (Phala Sruti) 27 Nigamanam 28 Sri Sudarshana Kavacham 29 - 35 Sri Sudarshana Vaibhavam 36 - 42 ( By Muralidhar Rangaswamy ) Sri Sudarshana Homam 43 - 46 Sri Sudarshana Sathakam Introduction 47 - 49 sadagopan.org sadagopan.org sadagopan.org sadagopan.org Thiruvaymozhi 7.4 50 - 56 SlOkam 1 58 SlOkam 2 60 SlOkam 3 61 SlOkam 4 63 SlOkam 5 65 SlOkam 6 66 SlOkam 7 68 4 . ïI>. ïImteingmaNt mhadeizkay nm> . ;aefzayuxStaeÇt!. SWAMY DESIKAN’S SHODASAYUDHA STHOTHRAM Introduction sadagopan.org sadagopan.org Shodasa Ayutha means sixteen weapons of Sri Sudarsanaazhwar. This sadagopan.org sadagopan.org Sthothram is in praise of the glory of Sri Sudarsanaazhwar who is wielding sixteen weapons all of which are having a part of the power of the Chak- rAudham bestowed upon them. This Sthothram consists of 19 slOkams. The first slOkam is an introduction and refers to the 16 weapons adorned by Sri Sudarsana BhagavAn.
    [Show full text]
  • The Ramayana (Rama’S Journey), by Valmiki, Sanskrit, 4Th Century B.C
    The Ramayana (Rama’s Journey), by Valmiki, Sanskrit, 4th century B.C. In 7 books, the first, Bala Kanda describes the birth of Rama, his childhood and marriage to Sita. The Ayodhya Kanda describes the preparations for Rama's coronation and his exile into the forest. The third part, Aranya Kanda, describes the forest life of Rama and the kidnapping of Sita by the demon king Ravana. The fourth book, Kishkinda Kanda, describes the meeting of Hanuman with Rama, the destruction of the vanara king Vali and the coronation of his younger brother Sugriva to the throne of the kingdom of Kishkindha. The fifth book is Sundara Kanda, which narrates the heroism of Hanuman, his flight to Lanka and meeting with Sita. The sixth book, Yuddha Kanda, describes the battle between Rama's and Ravana's armies. The last book, Uttara Kanda, describes the birth of Lava and Kusha to Sita, their coronation to the throne of Ayodhya, and Rama's final departure from the world. Book 1: The Epic relates to the ancient traditions of two powerful races, the Kosalas and the Videhas, who lived in Northern India between the twelfth and tenth centuries before Christ. The names Kosala and Videha in the singular number indicate the kingdoms,--Oudh and North Behar,--and in the plural number they mean the ancient races which inhabited those two countries. According to the Epic, Dasa-ratha king of the Kosalas had four sons, the eldest of whom was Rama the hero of the poem. And Janak king of the Videhas had a daughter named Sita, who was miraculously born of a field furrow, and who is the heroine of the Epic.
    [Show full text]
  • South-Indian Images of Gods and Goddesses
    ASIA II MB- • ! 00/ CORNELL UNIVERSITY* LIBRARY Date Due >Sf{JviVre > -&h—2 RftPP )9 -Af v^r- tjy J A j£ **'lr *7 i !! in ^_ fc-£r Pg&diJBii'* Cornell University Library NB 1001.K92 South-indian images of gods and goddesse 3 1924 022 943 447 AGENTS FOR THE SALE OF MADRAS GOVERNMENT PUBLICATIONS. IN INDIA. A. G. Barraud & Co. (Late A. J. Combridge & Co.)> Madras. R. Cambrav & Co., Calcutta. E. M. Gopalakrishna Kone, Pudumantapam, Madura. Higginbothams (Ltd.), Mount Road, Madras. V. Kalyanarama Iyer & Co., Esplanade, Madras. G. C. Loganatham Brothers, Madras. S. Murthv & Co., Madras. G. A. Natesan & Co., Madras. The Superintendent, Nazair Kanun Hind Press, Allahabad. P. R. Rama Iyer & Co., Madras. D. B. Taraporevala Sons & Co., Bombay. Thacker & Co. (Ltd.), Bombay. Thacker, Spink & Co., Calcutta. S. Vas & Co., Madras. S.P.C.K. Press, Madras. IN THE UNITED KINGDOM. B. H. Blackwell, 50 and 51, Broad Street, Oxford. Constable & Co., 10, Orange Street, Leicester Square, London, W.C. Deighton, Bell & Co. (Ltd.), Cambridge. \ T. Fisher Unwin (Ltd.), j, Adelphi Terrace, London, W.C. Grindlay & Co., 54, Parliament Street, London, S.W. Kegan Paul, Trench, Trubner & Co. (Ltd.), 68—74, iCarter Lane, London, E.C. and 25, Museum Street, London, W.C. Henry S. King & Co., 65, Cornhill, London, E.C. X P. S. King & Son, 2 and 4, Great Smith Street, Westminster, London, S.W.- Luzac & Co., 46, Great Russell Street, London, W.C. B. Quaritch, 11, Grafton Street, New Bond Street, London, W. W. Thacker & Co.^f*Cre<d Lane, London, E.O? *' Oliver and Boyd, Tweeddale Court, Edinburgh.
    [Show full text]
  • OM NAMO BHAGAVATE PANDURANGAYA BALAJI VANI Volume 5, Issue 4 April 2011
    OM NAMO BHAGAVATE PANDURANGAYA BALAJI VANI Volume 5, Issue 4 April 2011 HARI OM March 1st, Swamiji returned from India where he visited holy places and sister branch in Bangalore. And a fruitful trip to Maha Sarovar (West Kolkata) water to celebrate Mahashivatri here in our temple Sunnyvale. Shiva Abhishekham was performed every 3 hrs with milk, yogurt, sugar, juice and other Dravyas. The temple echoed with devotional chanting of Shiva Panchakshari Mantram, Om Namah Shivayah. During day long Pravachan Swamiji narrated 2 special stories. The first one was about Ganga, and why we pour water on top of Shiva Linga and the second one about Bhasmasura. King Sagar performed powerful Ashwamedha Yagna (Horse sacrifice) to prove his supremacy. Lord Indra, leader of the Demi Gods, fearful of the results of the yagna, stole the horse. He left the horse at the ashram of Kapila who was in deep meditation. King Sagar's 60,000 sons (born to Queen Sumati) and one son Asamanja (born to queen Keshini) were sent to search the horse. When they found the horse at Shri N. Swamiji performing Aarthi KapilaDeva's Ashram, they concluded he had stolen it and prepared to attack him. The noise disturbed the meditating Rishi/Sage VISAYA VINIVARTANTE NIRAHARASYA DEHINAH| KapilaDeva and he opened his eyes and cursed the sons of king sagara for their disrespect to such a great personality. Fire emanced RASAVARJAM RASO PY ASYA from their own bodies and they were burned to ashes instantly. Later PARAM DRSTVA NIVARTATE || king Sagar sent his Grandson Anshuman to retreive the horse.
    [Show full text]
  • HINDU GODS and GODDESSES 1. BRAHMA the First Deity of The
    HINDU GODS AND GODDESSES 1. BRAHMA The first deity of the Hindu trinity, Lord Brahma is considered to be the god of Creation, including the cosmos and all of its beings. Brahma also symbolizes the mind and intellect since he is the source of all knowledge necessary for the universe. Typically you’ll find Brahma depicted with four faces, which symbolize the completeness of his knowledge, as well as four hands that each represent an aspect of the human personality (mind, intellect, ego and consciousness). 2. VISHNU The second deity of the Hindu trinity, Vishnu is the Preserver (of life). He is believed to sustain life through his adherence to principle, order, righteousness and truth. He also encourages his devotees to show kindness and compassion to all creatures. Vishnu is typically depicted with four arms to represent his omnipotence and omnipresence. It is also common to see Vishnu seated upon a coiled snake, symbolizing the ability to remain at peace in the face of fear or worry. 3. SHIVA The final deity of the Hindu trinity is Shiva, also known as the Destroyer. He is said to protect his followers from greed, lust and anger, as well as the illusion and ignorance that stand in the way of divine enlightenment. However, he is also considered to be responsible for death, destroying in order to bring rebirth and new life. Shiva is often depicted with a serpent around his neck, which represents Kundalini, or life energy. 4. GANESHA One of the most prevalent and best-known deities is Ganesha, easily recognized by his elephant head.
    [Show full text]
  • Agastya Nadi Samhita
    CHAPTER NO. 1 Sri. Agastya Naadi Samhita A mind - boggling Miracle In today’s world of science, if just from the impression of your thumb somebody accurately tells you, your name, the names of your mother, father, husband/wife, your birth-date, month, age etc. what would you call such prediction? Would you regard it as an amazing divination or as black magic? No, it is neither black magic nor a hand trick. Such prediction, which defies all logic and boggles one’s mind, forms the subject-matter of the Agastya Naadi. Those predictions were visualised at different places by various ancient Sages, with their divine insight and factually noted by their chosen disciples, thousands of years ago, to be handed down from generation to generation. This great work makes us realize the limitations of human sciences. That great compilation predicting the future of all human beings born or yet to be born, eclipses the achievements of all other sciences put together! Naadi is a collective name given to palm-leaf manuscripts dictated by ancient sages predicting the characteristics, family history, as well as the careers of innumerable individuals. The sages (rishis), who dictated those Naadis, were gifted with such a remarkable foresight – that they accurately foretold the entire future of all mankind. Many scholars in different parts of India have in their safekeepings several granthas (volumes) of those ancient palm-leaf manuscripts dictated by the great visualizing souls, alias sages such as Bhrugu, Vasistha, Agastya, Shukra, and other venerable saints. I had the good-fortune to consult Sri. Agastya Naadi predictions.
    [Show full text]
  • Srimad-Bhagavatam – Canto Ten” by His Divine Grace A.C
    “Srimad-Bhagavatam – Canto Ten” by His Divine Grace A.C. Bhaktivedanta Swami Prabhupada. Summary: Srimad-Bhagavatam is compared to the ripened fruit of Vedic knowledge. Also known as the Bhagavata Purana, this multi-volume work elaborates on the pastimes of Lord Krishna and His devotees, and includes detailed descriptions of, among other phenomena, the process of creation and annihilation of the universe. His Divine Grace A.C. Bhaktivedanta Swami Prabhupada considered the translation of the Bhagavatam his life’s work. COPYRIGHT NOTICE: This is an evaluation copy of the printed version of this book, and is NOT FOR RESALE. This evaluation copy is intended for personal non- commercial use only, under the “fair use” guidelines established by international copyright laws. You may use this electronic file to evaluate the printed version of this book, for your own private use, or for short excerpts used in academic works, research, student papers, presentations, and the like. You can distribute this evaluation copy to others over the Internet, so long as you keep this copyright information intact. You may not reproduce more than ten percent (10%) of this book in any media without the express written permission from the copyright holders. Reference any excerpts in the following way: “Excerpted from “Srimad-Bhagavatam” by A.C. Bhaktivedanta Swami Prabhupada, courtesy of the Bhaktivedanta Book Trust International, www.Krishna.com.” This book and electronic file is Copyright 1977-2003 Bhaktivedanta Book Trust International, 3764 Watseka Avenue, Los Angeles, CA 90034, USA. All rights reserved. For any questions, comments, correspondence, or to evaluate dozens of other books in this collection, visit the website of the publishers, www.Krishna.com.
    [Show full text]
  • Masterpieces Transcript
    Masterpieces Audio Descriptions The Buddha triumphing over Mara, 900-1000 The Hindu deity Shiva, approx. 1300-1500 Cup with calligraphic inscriptions, 1440-1460 The Hindu deity Vishnu, 940-965 Crowned and bejeweled buddha image and throne, approx. 1860-1880 The Buddhist deity Simhavaktra, a dakini, 1736-1795 Ritual vessel in the shape of a rhinoceros, approx. 1100-1050 Buddha dated 338 The Bodhisattva Avalokiteshvara (Guanyin), 1100-1200 Lidded jar with design of a lotus pond, 1368-1644 Ewer with lotus-shaped lid, 1050-1150 Moon jar, 1650-1750 Standing Brahma (Bonten) and standing Indra (Taishakuten), 730-750 The Buddha triumphing over Mara, 900-1000 NARRATOR: The Buddha triumphing over Mara, created about 900 to 1000. Our audio begins with an overview, followed by an audio description. NARRATOR: This 10th Century stone sculpture features an image of the Buddha rendered in exquisite detail. The array of heart-shaped leaves and branches at the top of the object represent the Bodhi Tree, under which the Buddha-to-be sits in meditation on the threshold of enlightenment. The sculptor imbued this Buddha-image with both humanity—using details like the softly rounded belly—and spirituality. There are many signs pointing to the Buddha-to-be’s special qualities. Curator Forrest McGill. FORREST MCGILL: He has a lump on the top of his head and that symbolizes his extra insight. And then on the palms of his hands and the soles of his feet, he has special symbols and both are marks of a special kind of a being who’s more advanced, more powerful, than a regular human being.
    [Show full text]
  • Yonas and Yavanas in Indian Literature Yonas and Yavanas in Indian Literature
    YONAS AND YAVANAS IN INDIAN LITERATURE YONAS AND YAVANAS IN INDIAN LITERATURE KLAUS KARTTUNEN Studia Orientalia 116 YONAS AND YAVANAS IN INDIAN LITERATURE KLAUS KARTTUNEN Helsinki 2015 Yonas and Yavanas in Indian Literature Klaus Karttunen Studia Orientalia, vol. 116 Copyright © 2015 by the Finnish Oriental Society Editor Lotta Aunio Co-Editor Sari Nieminen Advisory Editorial Board Axel Fleisch (African Studies) Jaakko Hämeen-Anttila (Arabic and Islamic Studies) Tapani Harviainen (Semitic Studies) Arvi Hurskainen (African Studies) Juha Janhunen (Altaic and East Asian Studies) Hannu Juusola (Middle Eastern and Semitic Studies) Klaus Karttunen (South Asian Studies) Kaj Öhrnberg (Arabic and Islamic Studies) Heikki Palva (Arabic Linguistics) Asko Parpola (South Asian Studies) Simo Parpola (Assyriology) Rein Raud (Japanese Studies) Saana Svärd (Assyriology) Jaana Toivari-Viitala (Egyptology) Typesetting Lotta Aunio ISSN 0039-3282 ISBN 978-951-9380-88-9 Juvenes Print – Suomen Yliopistopaino Oy Tampere 2015 CONTENTS PREFACE .......................................................................................................... XV PART I: REFERENCES IN TEXTS A. EPIC AND CLASSICAL SANSKRIT ..................................................................... 3 1. Epics ....................................................................................................................3 Mahābhārata .........................................................................................................3 Rāmāyaṇa ............................................................................................................25
    [Show full text]