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Production of Summerlin Library & Performing Arts Center Production of A Musical based on the stories of P.L. Travers and the Walt Disney Film Original Music and Lyrics by Richard M. Sherman and Robert B. Sherman Book by Julian Fellowes New Songs and Additional Music and Lyrics by George Stiles and Anthony Drewe Co-Created by Cameron Mackintosh Directed by Musical Direction by DOUGLAS BAKER SHAUNA OBLAD Choreographer Production Manager ASHLEY OBLAD LEIGH CUNNINGHAM Stage Manager Lighting Design BRANDI BLACKMAN ERIKA COURTNEY Sound Design Costume Design STEEL WALLIS DOUGLAS BAKER, BOB LOV Flying by Foy MARY POPPINS is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. 421 West 54th Street, New York, NY 10019 Phone: (212) 541-4684 Fax: (212) 397-4684 www.MTIShows.com Musical Tracks for this performance of Disney and Cameron Mackintosh’s Mary Poppins are provided by and made possible thanks to special arrangements with MT Pit. 420 South 425 West Bountiful, UT 84010. The videotaping or other video or audio recording of this production is strictly prohibited. Cast List Creative & (In order of appearance) Production Team Bert* ~ KEVIN BLEUER / ARIEL JOHNSON George Banks* ~ JAMES CLAFLIN / JOSH MEUER Executive Producer ~ KARL LARSEN O.D Winifred Banks* ~ ELAINE FITZPATRICK / MARY BETH ZENTNER Director ~ DOUGLAS BAKER Jane Banks* ~ ISABELLA BAKER / ADDIE WAGNER Assistant Director ~ LESLIE FOTHERINGHAM Michael Banks* ~ WILL HALEY / BLAKE HELLER Musical Director ~ SHAUNA OBLAD Katie Nanna ~ AMANDA CAMPOS Assistant Musical Director ~ MELISSA FABBI Policeman ~ EARL NEWELL Choreographer ~ ASHLEY OBLAD Miss Lark ~ THAISA MONTEIRO Technical Director ~ STAN JUDD Admiral Boom ~ GREG ROBINSON Production Manager ~ LEIGH CUNNINGHAM Mrs. Brill ~ PAT LUSK Stage Manager ~ BRANDI BLACKMAN Robertson Ay ~ JONATHAN TUALA Backstage Manager ~ LEIGH CUNNINGHAM Mary Poppins* ~ LYNSEY FULLAM / KAYLA HAMBLEN Assistant Stage Manager ~ JESEE JONES Park Keeper ~ JOSHUA MELTZER Sound Design ~ STEEL WALLIS, NOAH GODDARD Queen Victoria ~ CARON WHIPPLE Lighting Design ~ ERIKA COURTNEY Costume Design ~ BOB LOVE, DOUGLAS BAKER Bank Chairman ~ SHAWN MILLER Hair & Make-up Design ~ ALDA TOMASIC Miss Smythe ~ CARON WHIPPLE Original Scenic Design ~ STEVE HUNTSMAN Von Hussler ~ SCOT BROWN HUNTSMAN ENTERTAINMENT Northbrook ~ ELIJAH O’CONNELL Scenic Construction ~ STAN JUDD, LEIGH CUNNINGHAM Bird Woman ~ LACHELLE CHAMBERLAIN GREEN VALLEY THEATRE Mrs. Corry ~ CHERITY HARCHIS Poppins “Magic” ~ JASON WILSON, FLYING BY FOY Annie ~ ELIZABETH MCKENNA Scenic Painting ~ TOM UMHOLZ Fannie ~ TAMI ALICIA Props Master ~ MARLENE LANE Master Electrician ~ ADAM PIOTROWSKI Miss Andrew ~ LACHELLE CHAMBERLAIN SR/Fly Rail ~ ANDY WILLIAMS ~ Ensemble ~ SL ~ JANNA WILKINSON SCOT BROWN, AMANDA CAMPOS, REESE CARTER Rover ~ JESEE JONES LACHELLE CHAMBERLAIN, CHERITY HARCHIS, ELLIANA KARRIS Spotlight Operators ~ JUDY COLONERO, ANTHONY WARD PAT LUSK, ELIZABETH MCKENNA, JOSHUA MELTZER, SHAWN MILLER Crew ~ ELIZABETH ALFIERI, DAYNE GRADNEY THAISA MONTEIRO, EARL NEWELL, ELIJAH O’CONNELL, ASHLEY RAPUANO MICHAEL HOUGHTALING EMMA ROBINSON, GREG ROBINSON, AMY SMITH, TAMI THOMPSON MARLENE LANE, THOMAS MALLETT SYDNEY TELLO, JONATHAN TUALA, CARON WHIPPLE TONY RINO, JOHN ROSSO Bert Kevin Bleuer – 4/1, 4/2, 4/4, 4/7, 4/9, 4/11 Eve, 4/14, 4/16, 4/18 Eve, 4/22, 4/24, 4/25 Mat Dressers ~ KONIE BALDWIN, LORI BRAYBROOKE Ariel Johnson – 3/31, 4/3, 4/8, 4/10, 4/11 Mat, 4/15, 4/17, 4/18 Mat, 4/21, 4/23, 4/25 Eve FRANCENE THOMPSON, MARY BETH George James Clafl in – 4/1, 4/3, 4/4, 4/7, 4/11 Eve, 4/14, 4/15, 4/17, 4/18 Mat, 4/22, 4/24, 4/25 Eve ZENTNER, ELAINE FITZPATRICK Banks Josh Meuer – 3/31, 4/2, 4/8, 4/9, 4/10, 4/11 Mat, 4/16, 4/18 Eve, 4/21, 4/23, 4/25 Mat Hair & Make-up Assistants ~ LYN MELICHAR, ERIKA HERNANDEZ Winifred Elaine Fitzpatrick – 4/1, 4/3, 4/8, 4/9, 4/11 Eve, 4/15, 4/17, 4/18 Mat, 4/22, 4/23, 4/25 Mat Costume Assistant ~ SHAUNA ROBINSON Banks Mary Beth Zentner – 3/31, 4/2, 4/4, 4/7, 4/10, 4/11 Mat, 4/14, 4/16, 4/18 Eve, 4/21, 4/24, 4/25 Eve Scenic Dressers ~ RYAN THORNTON, MARLENE LANE Jane Isabella Baker – 3/31, 4/2, 4/4, 4/7, 4/8, 4/11 Mat, 4/14, 4/15, 4/18 Mat, 4/21, 4/24, 4/25 Eve Banks Addie Wagner – 4/1, 4/3, 4/9, 4/10, 4/11 Eve, 4/16, 4/17, 4/18 Eve, 4/22, 4/23, 4/25 Mat Advertising & Publicity ~ MARCI RIEDY Michael Will Haley – 3/31, 4/2, 4/4, 4/7, 4/8, 4/11 Mat, 4/14, 4/15, 4/18 Mat, 4/21, 4/24, 4/25 Eve Program ~ JOANN SPINELLI, MARCI RIEDY Banks Blake Heller – 4/1, 4/3, 4/9, 4/10, 4/11 Eve, 4/16, 4/17, 4/18 Eve, 4/22, 4/23, 4/25 Mat Box Offi ce ~ SHERYL LUND, GARY & HILLARY PRINCE Mary Lynsey Fullam – 3/31, 4/2, 4/4, 4/8, 4/10, 4/11 Mat, 4/14, 4/16, 4/18 Eve, 4/21, 4/23, 4/25 Eve House Manager ~ DEBBIE EARL Poppins Kayla Hamblen – 4/1, 4/3, 4/7, 4/9, 4/11 Eve, 4/15, 4/17, 4/18 Mat, 4/22, 4/24, 4/25 Mat A Note from the Director Mary Poppins is certainly a delightful, fun and joyous musical. And here-in lies its dilemma, because Mary comes to a home, like most homes, that is struggling with the day-to-day effort to balance all life requires of any of those who live there. Life requires some but maybe not all of work, self worth, fulfi llment, and parenting, growing up, decision-making, romance, etc. and not necessarily in that or any particular order. Mary Poppins is timeless because each of these struggles are timeless to every generation of the human race. Though timeless they may be, there is no manual to make sure we do any of them correctly (nor would it do much good, most of us would only rewrite it). This musical/play is truly about the family and how each learns that listening and heeding to each others needs is a key to the ever onward march through this life we all experience. “Mary” represents the spirit of inspiration toward these interacting moments. She and Bert help this brilliant and loving family to function more prosperously. By watching this play, I hope you are not only entertained but that “Mary” may spread some light to each of you, after all we will all be on our own following the performance. Good Luck! Director, Douglas H. Baker Musical Special Numbers Thanks Summerlin Library ~ JENNEFER BLAYLOCK and KATY BRIDGES Rehearsal Pianist ~ JONATHAN TUALA Act One Photography ~ ANDREA AVRUSKIN Chim Chim Cher-ee Costumes ~ STAR COSTUME Cherry Tree Lane Part 1 Scenic Drop Printing ~ OUTDOOR SOLUTIONS The Perfect Nanny Scenic Drop Formatting ~ STAN JUDD Cherry Tree Lane Part 2 Park Artwork ~ ANNE CUNNINGHAM Practically Perfect Production Assistance ~ MATT WAGNER, JENNA CLARKE Chim Chim Cher-ee (Park Reprise) Costume Assistance ~ KAY BAKER, JOY GLAZIER, TARA DELP THAISA MONTEIRO, DENNIS WRIGHT Jolly Holiday Advertising ~ LAMAR BILLBOARD ADVERTISING Cherry Tree Lane (Reprise) / Being Mrs Banks / Jolly Holiday (Reprise) ShowTix ~ STEPHANIE VILLALUZ AND JEFF TIDWELL A Spoonful of Sugar Signature Productions would Precision and Order also like to thank all of our A Man Has Dreams program advertisers. We sincerely appreciate your Feed the Birds support of our productions. Supercalifragilisticexpialidocious Contributors Supercalifragilisticexpialidocious (Encore) Chim Chim Cher-ee (Ups & Downs Reprise) Wallace M. Eastman Chim Chim Cher-ee (Rooftop Duet) This project is funded in part by a grant from the Nevada Arts Council, a division of the Department of Cultural Affairs, and the National Endowment for the Arts, a federal agency. Act Two Entr’acte: Run Away Cherry Tree Lane (Reprise) Brimstone and Treacle Part 1 Let’s Go Fly a Kite Executive Board Good for Nothing Karl M. Larsen, O.D. Board of Being Mrs Banks (Reprise) President & Executive Producer Brimstone and Treacle Part 2 Lance Earl – Vice President Directors Practically Perfect (Reprise) Shauna Oblad – Secretary/Treasurer Chim Chim Cher-ee (Rooftop Reprise) Stan Judd – Technical Director Step in Time Board Members Step in Time (Encore) Leslie Fotheringham Teresa Isgriggs Debora Boyd A Man Has Dreams / A Spoonful of Sugar DeAnna Anderson Gary Prince Marci Riedy Anything Can Happen Victor J. Austin Ryan Thornton Dennis Wright A Spoonful of Sugar (Farewell Reprise) / A Shooting Star Debbie Earl Mary Beth Zentner AMANDA CAMPOS (Katie Nana/Ensemble) Amanda Campos is excited to be a part of her fi rst Signature Meet the Production with such an amazing cast! She has recently received her BA from UNLV in Theater Arts and has been Cast singing since before she could walk. Her recent credits include Lila in the NCT One Acts and Gertrude in James Seistrand’s production of Seussical the Musical. She thanks the creative team for taking a chance on a newcomer and allowing her the opportunity to have this much fun! REESE CARTER (Ensemble) Reese is thrilled to be making her Signature Productions debut TAMI ALICIA (Fannie/Ensemble) as an ensemble member in Mary Poppins. She discovered a Tami’s credits include: Southern Nevada Musical Arts Society love for theatre at a young age with her fi rst role as The Little Chorus (Alto); Andrea Bocelli Chorus at MGM Grand Garden Red Hen in Mrs. Glover’s kindergarten play. From then until her Arena (Alto); Disney Entertainment: Animazement, The Musical latest role as Captain Hook (Peter Pan), Reese has enjoyed (Pocahontas); Jedi Training Academy (Jedi Knight); Disney’s singing, dancing, and acting on stage. She looks forward to Magical Moments Christmas Tour; Tokyo Disneyland (Jasmine studying the arts and performing for many years to come.
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    Valparaiso University ValpoScholar Undergraduate Honors Papers Fall 2019 Saving Pocahontas: a Conversation on Gender, Culture, and Power in the Storied Saving Moment Claire Ehr Follow this and additional works at: https://scholar.valpo.edu/undergrad_capstones Part of the American Studies Commons, Dramatic Literature, Criticism and Theory Commons, English Language and Literature Commons, Feminist, Gender, and Sexuality Studies Commons, and the Race, Ethnicity and Post-Colonial Studies Commons This Departmental Honors Paper/Project is brought to you for free and open access by ValpoScholar. It has been accepted for inclusion in Undergraduate Honors Papers by an authorized administrator of ValpoScholar. For more information, please contact a ValpoScholar staff member at [email protected]. Saving Pocahontas: A Conversation on Gender, Culture, and Power in the Storied Saving Moment. by Claire Ehr Honors Work in English Final Draft Advised by Professor Burow-Flak College of Arts and Sciences Valparaiso University 2019 Ehr 1 Table of Contents Chapter 1: Pocahontas, Storied …………….…………………………………………….…….… 3 1.1 Introduction and Methods……………………………………………………………….….… 3 1.2 Some Considerations …………………………………………………………………..….…. 4 1.3 Historical Background and the Question of Veridicality ………………………………….... 6 1.4 Smith to the Stage …………………………………………………………………………… 9 1.5 Play Interactions ……………………………………………………………….………...…. 11 Chapter 2: Pocahontas: Feminist? ………………………………………….…………..………. 16 2.1 What is a Feminist Character? ……………………………………………………………... 16 2.2 Pocahontas
  • Mary Poppins Jr. Full Synopsis from Mtishows.Com

    Mary Poppins Jr. Full Synopsis from Mtishows.Com

    Mary Poppins Jr. Full Synopsis From mtishows.com Bert, a man of many trades, introduces the audience to the unhappy Banks family: father George, mother Winifred, and children Jane and Michael (Prologue). The family; the housekeeper, Mrs. Brill; and the houseboy, Robertson Ay, are shocked when Katie Nanna quits and storms out in frustration. George muses about what he expects from the household - the nanny, in particular ("Cherry Tree Lane - Part 1"). Though Jane and Michael insist upon their own requirements for their caregiver ("The Perfect Nanny"), George dismisses their requests ("Cherry Tree Lane - Part 2"). As if summoned, Mary Poppins appears, offering her services as a nanny. She fits the children's requirements exactly ("Practically Perfect / Practically Perfect - Playoff" ). She then takes the children to the park, where they meet Bert, who describes how wonderful everyday life can be when spending time with Mary ("Jolly Holiday"). At first, the children are not convinced, but when Mary Poppins brings to life a park statue named Neleus, Jane and Michael are in awe of her. The children return home and gush to their father about the nanny, but George is preoccupied ("Winds Do Change"). A few weeks later, the household is preparing for Winifred's party, and Jane and Michael make a mess of the house. Despite Mary's magic ("A Spoonful of Sugar"), the party is ruined when no one attends ("Spoonful - Playoff"). Later, Mary takes the children on a visit to George's workplace, the bank ("Precision and Order - Part 1"). While Clerks are bustling about and clients are trying to convince George to grant them loans, the children burst into the bank ("Precision and Order - Part 2").