Afsaap2016 Conference Proceedings
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D290 Roy Macleod Collection
University of Wollongong Archives (WUA) D Collections D290 Roy MacLeod Collection Creator: Professor Roy MacLeod Historical Note: Roy MacLeod is Professor Emeritus of History, and an Honorary Associate in the History and Philosophy of Science and the Centre for International Security Studies at the University of Sydney. He was educated in History, the Biochemical Sciences, and the History of Science at Harvard University, in sociology at the London School of Economics, and in History and the History of Science at Cambridge, where he received his PhD in 1967. In recognition of his work, he has since been awarded a Doctorate of Letters from Cambridge (2001), and an honorary doctorate from the University of Bologna (2005), and has received prizes and honours from several institutions in Germany, Sweden, Belgium, and Britain. In 1971, he co-founded the quarterly journal Social Studies of Science, and was its co-editor until 1991. Between 2000 and 2008, he served as Editor in Chief of Minerva, and currently serves on the editorial boards of several other journals. He is the author or editor of twenty-five books and some 150 articles in the social history of science, medicine and technology, military history, Australian, American and European history, university history, research policy, and policy for higher education. The Nuclear Archives at Wollongong reflects the nature and content of research and graduate course work begun and led by Professor MacLeod for over three decades. The archives date from 1945, and hold much material relating to the Australian Atomic Energy Commission (AAEC), and its successor, the Australian National Nuclear Science and Technology Organisation (ANSTO), as well as the history of uranium mining, weapons testing, environmental reportage, and nuclear diplomacy, both in Australia and around the world. -
Prizing African Literature: Awards and Cultural Value
Prizing African Literature: Awards and Cultural Value Doseline Wanjiru Kiguru Dissertation presented for the degree of Doctor of Philosophy in the Faculty of Arts and Social Sciences, Stellenbosch University Supervisors: Dr. Daniel Roux and Dr. Mathilda Slabbert Department of English Studies Stellenbosch University March 2016 i Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this thesis electronically, I declare that the entirety of the work contained herein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. March 2016 Signature…………….………….. Copyright © 2016 Stellenbosch University All rights reserved ii Stellenbosch University https://scholar.sun.ac.za Dedication To Dr. Mutuma Ruteere iii Stellenbosch University https://scholar.sun.ac.za Abstract This study investigates the centrality of international literary awards in African literary production with an emphasis on the Caine Prize for African Writing (CP) and the Commonwealth Short Story Prize (CWSSP). It acknowledges that the production of cultural value in any kind of setting is not always just a social process, but it is also always politicised and leaning towards the prevailing social power. The prize-winning short stories are highly influenced or dependent on the material conditions of the stories’ production and consumption. The content is shaped by the prize, its requirements, rules, and regulations as well as the politics associated with the specific prize. As James English (2005) asserts, “[t]here is no evading the social and political freight of a global award at a time when global markets determine more and more the fate of local symbolic economies” (298). -
Caine Prize Annual Report 2015.Indd
THE CAINE PRIZE FOR AFRICAN WRITING Always something new from Africa Annual report 2015 2015 Shortlisted writers in Oxford, UK (from left): Masande Ntshanga, F.T. Kola, Elnathan John, Namwali Serpell and Segun Afolabi. The Caine Prize is supported by Sigrid Rausing and Eric Abraham Other partners include: The British Council, The Wyfold Charitable Trust, the Royal Over-Seas League, Commonwealth Writers (an initiative of the Commonwealth Foundation), The Morel Trust, Adam and Victoria Freudenheim, John and Judy Niepold, Arindam Bhattacharjee and other generous donors. Report on the 2015 Caine Prize and related activities 2015 Prize “Africa’s most important literary award.” International Herald Tribune This year’s Prize was won by Namwali Serpell from Zambia, for her story ‘The Sack’ published in Africa39 (Bloomsbury, London, 2014). Namwali Serpell’s first published story, ‘Muzungu’, was shortlisted for the 2010 Caine Prize for African Writing. In 2014, she was selected as one of the most promising African writers for the Africa39 Anthology, a project of the Hay Festival. Since winning the Caine Prize in July, Chatto & Windus in the UK and Hogarth in the US have bought world rights to her debut novel The Old Drift. For the first time in the history of the Caine Prize, the winner shared her prize money with the other shortlisted writers. Namwali Serpell next to the bust Chair of judges, Zoë Wicomb praised ‘The Sack’ as ‘an extraordinary story of the late Sir Michael Caine. about the aftermath of revolution with its liberatory promises shattered. It makes demands on the reader and challenges conventions of the genre. -
Changing Kenya's Literary Landscape
CHANGING KENYA’S LITERARY LANDSCAPE CHANGING KENYA’S LITERARY LANDSCAPE Part 2: Past, Present & Future A research paper by Alex Nderitu (www.AlexanderNderitu.com) 09/07/2014 Nairobi, Kenya 1 CHANGING KENYA’S LITERARY LANDSCAPE Contents: 1. Introduction ................................................................................................................... 4 2. Writers in Politics ........................................................................................................ 6 3. A Brief Look at Swahili Literature ....................................................................... 70 - A Taste of Culture - Origins of Kiswahili Lit - Modern Times - The Case for Kiswahili as Africa’s Lingua Franca - Africa the Beautiful 4. JEREMIAH’S WATERS: Why Are So Many Writers Drunkards? ................ 89 5. On Writing ................................................................................................................... 97 - The Greats - The Plot Thickens - Crime & Punishment - Kenyan Scribes 6. Scribbling Rivalry: Writing Families ............................................................... 122 7. Crazy Like a Fox: Humour Writing ................................................................... 128 8. HIGHER LEARNING: Do Universities Kill by Degrees? .............................. 154 - The River Between - Killing Creativity/Entreprenuership - The Importance of Education - Knife to a Gunfight - The Storytelling Gift - The Colour Purple - The Importance of Editors - The Kids are Alright - Kidneys for the King -
Beyond the Cancelled Character of Kuseremane in Yvonne Adhiambo
Stephen Derwent Partington Making us make some sense of Stephen Derwent Partington has genocide: Beyond the cancelled published a critically acclaimed Ken- yan poetry collection, SMS & Face to character of Kuseremane in Face (Phoenix, 2003). He completed postgraduate studies at the Universi- Yvonne Adhiambo Owuor’s ties of York and Oxford, United King- “Weight of Whispers” dom. He is the Head of Curriculum at Lukenya Academy, Ukambani, Kenya. E-mail: [email protected] Making us make some sense of genocide This essay attempts a politically and ethically responsible, identity-focused reading of one of the central texts from the new generation of post-didactic Kenyan writers: Yvonne Owuor’s extended short story, “Weight of Whispers”, which deals with the post-genocide experience of a particular refugee who is the story’s narrator. The interdisciplinary essay examines the way in which this first-person narrator is constructed alongside the extra-textual, postcolonial construction of Rwanda’s “Tutsi” and “Hutu” as racialised groups, making explicit the parallels between these two “fictionalised” processes and ultimately concluding that Owuor’s ostensibly depressing story can be read optimistically as a consequence of its democratic indeterminacy, in this way empowering the reader to contribute to post-genocide dialogue. Key words: Kenyan short stories, genocide, Rwanda, Yvonne Owuor (short story writer). The Caine Prize-winning “Weight of Whispers”, an extended short story by Kenya’s Yvonne Adhiambo Owuor, has received neither local -
Eugenio Giorgianni Phd Thesis
Joyful Resonances: Spirituality and Civic Engagement in the Music of the Congolese Diaspora Eugenio Giorgianni Royal Holloway, University of London A dissertation submitted for the degree of Doctor of Philosophy in Music 2019 1 Declaration of Authorship I, Eugenio Giorgianni, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 20 September 2019 2 Table of Contents Chapter one. Introduction Seke Bien 1.1. Presentation 1.2. Joyful resonances 1.2.1. Kongo musical rites and the empowering other 1.2.2. Slave revolts: the political shift of joy 1.2.3. Dancing cosmopolitanism 1.2.4. The city of joy 1.2.5. Indépendance Cha Cha 1.2.6. Political animation and the joy of the worlds 1.2.7. Les Combattants and the silent nexus 1.3. The research protagonists – places, people, ideas 1.4. Methodology – filming in fieldwork 1.4.1. Music video clips in diasporic circulation 1.4.2. Music video collaborations 1.4.3. Ethnographic music video clip and the politics of invention 1.4.4. Beyond Ethnofiction: music video clip as radical collaboration 1.5. Thesis overview Chapter two. Mulele. Ethnographic encounters through the lens 2.1. A voyage to mikili and conscious music: Mulele’s life experiences 2.2. The way forward. The agency of silence in Congolese diaspora 2.3. Back to Africa. Fluid positioning to avoid ghettoization 2.4. The encounter and the idea of a music video 2.5. More fiyah! Enthusiastic collaborative video making 2.5.1. -
Production Notes FORMOSA MG PRODUCTIONS SUKA! PRESENT VIVA RIVA!
Production Notes http://www.musicboxfilms.com/ FORMOSA MG PRODUCTIONS SUKA! PRESENT VIVA RIVA! Written, directed and produced by Djo Tunda Wa Munga Patsha Bay Mukuna Manie Malone Hoji Fortuna Alex Herbo Marlene Longange Diplome Amekindra Angelique Mbumba Nzita Tumba Jordan N’Tunga Directed By DJO TUNDA WA MUNGA Screenplay DJO TUNDA WA MUNGA Producers BORIS VAN GILS MICHAEL GOLDBERG DJO TUNDA WA MUNGA Co-producer STEVEN MARKOVITZ Cinematography ANTOINE ROCH afc 2 Viva Riva! – Producon Notes Sound MARIANNE ROUSSY Production Designer PHILIPPE VAN HERWIJNEN Music LOUIS VYNCKE & CONGOPUNQ Editor YVES LANGLOIS 3 Viva Riva! – Producon Notes SYNOPSIS Congolese director Djo Tunda Wa Munga's feature film Viva Riva! was shot on location in Kinshasa in the Democratic Republic of the Congo, in both French and Lingala. The film is a visceral thriller about a charming small-time thug, Riva, who returns to his energy-starved hometown of Kinshasa after stealing a truckload of fuel from an Angolan crime lord named Cesar. His bounty is worth a fortune in the city which has run out of petrol. Not only is the sharply dressed Cesar hot on his trail, but Riva also runs into trouble with the tough mob boss Azor (think Marsellus Wallace in “Pulp Fiction”), husband of the beautiful Nora, a woman he meets in a nightclub. Explosively violent, gritty and realistic, the film delves into the world of young smugglers working the Angola-Kinshasa trade – young men who care little about what happens tomorrow. It’s a tale of rival gangsters and corrupt officials, recounted against the sprawling background of Kinshasa. -
Averting a Nonproliferation Disaster
Decision Time on the Indian Nuclear Deal: Help Avert a Nonproliferation Disaster August 15, 2008 Federal Minister Frank-Walter Steinmeier Federal Foreign Office Auswartiges Amt 11013 Berlin Germany Dear Minister Dr. Frank-Walter Steinmeier: Your government and other members of the Nuclear Suppliers Group (NSG) are being asked to consider the Bush administration’s proposal to exempt India from longstanding NSG guidelines that require comprehensive IAEA safeguards as a condition of supply. As many of us wrote in a January 2008 letter (“Fix the Proposal for Nuclear Cooperation with India” http://legacy.armscontrol.org/pressroom/2008/NSGappeal.asp, India's commitments under the current terms of the proposed arrangement do not justify making far-reaching exceptions to international nonproliferation rules and norms. Contrary to the claims of its advocates, the deal fails to bring India further into conformity with the nonproliferation behavior expected of the member states of the nuclear Non-Proliferation Treaty (NPT). Unlike 178 other countries, India has not signed the Comprehensive Test Ban Treaty (CTBT). It continues to produce fissile material and expand its nuclear arsenal. As one of only three states never to have signed the NPT, it has not made a legally-binding commitment to achieve nuclear disarmament, and it refuses to allow comprehensive, full-scope International Atomic Energy Agency (IAEA) safeguards. Yet the arrangement would give India rights and privileges of civil nuclear trade that have been reserved only for members in good standing under the NPT. It creates a dangerous distinction between "good" proliferators and "bad" proliferators and sends out misleading signals to the international community with regard to NPT norms. -
The Australian Nuclear Disarmament Movement LH Proceedings
Jonathan Strauss, “The Australian Nuclear Disarmament Movement in the 1980s”, Proceedings of the 14th Biennial Labour History Conference, eds, Phillip Deery and Julie Kimber (Melbourne: Australian Society for the Study of Labour History, 2015), 39-50. ISBN: 978-0-9803883-3-6. The Australian Nuclear Disarmament Movement in the 1980s Jonathan Strauss* In the 1980s, a large, diverse and vibrant nuclear disarmament movement arose in Australia. This paper uses findings from archival research and interviews conducted by the author over several years to show that strategy in the movement was contended and the movement’s debates and internal development had a substantial impact on its rise and decline. The views of movement activists about how to campaign for its demands, such as an end to uranium mining and, especially, for the closure of nuclear war-fighting bases in the country, differed greatly. The appearance of the Nuclear Disarmament Party highlighted divergent views that had arisen in the movement about how to relate to the Australian Labor Party. A potential for alternative political and social leadership underlay the insurgent movement’s arguments. For the last four or so decades, the numbers of people that social movements in Australia have been able to mobilise in protest actions has tended to grow, although the movements have become less sustained and have not provided the same context for political radicalisation. In anti- war campaigns, this can be found in the journey from the Vietnam Moratoriums to the February 2003 marches against the second Gulf War. In between, in the 1980s, the Australian nuclear disarmament movement has been part of this. -
US-India Ageement (PDF)
AUSTRALIA SHOULD BLOCK US-INDIA NUCLEAR DEAL Joint Statement from Australian civil society groups to the Australian Government Before the end of the year the Australian Government will have the opportunity to oppose the US- India nuclear deal at both the IAEA Board of Governors meeting and block the deal at the 45-nation Nuclear Suppliers Group. We urge the Government to oppose the deal for the following reasons: 1. Supporting the US-India deal is inconsistent with the Rudd Labor Government's principled policy of prohibiting uranium exports to India and other countries which have not signed the Nuclear Non- Proliferation Treaty (NPT). 2. Nuclear trade with India undermines the fundamental principle of the global non-proliferation regime – the principle that NPT signatories can engage in international nuclear trade for their civil nuclear programs while countries which remain outside the NPT are excluded from civil nuclear trade. The precedent set by nuclear trade with India would increase the risk of other countries pulling out of the NPT, building nuclear weapons, and doing so with the expectation that civil nuclear trade would continue given the Indian precedent. 3. The US-India deal would allow nuclear trade with India with no requirement for India to dismantle its nuclear arsenal or to join the NPT. This would legitimise India's nuclear weapons program and make it less likely that it will disarm. The US-India deal contains no commitment from India to curb its weapons program, no commitment to refrain from testing nuclear weapons, and no commitment to sign and ratify the Comprehensive Test Ban Treaty. -
The Protection and Promotion of Musical Diversity
THE PROTECTION AND PROMOTION OF MUSICAL DIVERSITY A study carried out for UNESCO ∗ by the International Music Council Richard Letts, Principal Investigator June 2006 ∗ This study is made available to the public with the prior agreement of UNESCO. CONTENTS Preface 6 Introduction 8 The countries from which information was received 13 Executive summary 15 ADDRESSING THE TERMS OF REFERENCE 28 1. Musical diversity and human rights 29 1.1 International human and cultural rights conventions 29 1.2 From the consultants’ reports 33 1.3 Freemuse: a watchful ear 42 2. Musical diversity and sustainable development 44 2.1 Music in development, development of music 44 2.1.1 The developed and developing worlds 45 2.1.2 Cultural development vs. industry assistance 46 2.1.3 Musical diversity and development 47 2.2 Music in development 47 2.2.1 Music as a source of funds for non-music 48 development projects 2.2.2 Music as a tool of advocacy for development 48 2.2.3 Music as a lure to involve people in development 48 programs 2.2.4 Music as an element in non-music development 49 2.3 Development of a music industry 51 2.3.1 Some research studies and theoretical papers 51 2.3.2 Development projects 55 2.3.2.1 The forms of development 55 2.3.2.2 Targets for support 58 2.4 The use of music to alleviate poverty or the conditions 66 contributing to poverty 3. Musical diversity and peace 72 4. The standards regulating musical diversity 79 4.1 Possible forms of regulation impacting on musical diversity 80 4.2 Examples of the current application of regulations to 82 affect musical diversity 4.2.1 Broadcast 83 2 4.2.2 New media and e-commerce 91 4.2.3 Education 93 4.2.4 Subsidies 98 4.2.5 Copyright 102 5. -
Papers on Parliament Lectures in the Senate Occasional Lecture Series, and Other Papers
Papers on Parliament Lectures in the Senate Occasional Lecture Series, and other papers Number 68 December 2017 Published and printed by the Department of the Senate Parliament House, Canberra ISSN 1031–976X (online ISSN 2206–3579) Published by the Department of the Senate, 2017 ISSN 1031–976X (online ISSN 2206–3579) Papers on Parliament is edited and managed by the Procedure and Research Section, Department of the Senate. Edited by Ruth Barney All editorial inquiries should be made to: Assistant Director Procedure and Research Section Department of the Senate PO Box 6100 Parliament House CANBERRA ACT 2600 Telephone: (02) 6277 3078 Email: [email protected] To order copies of Papers on Parliament On publication, new issues of Papers on Parliament are sent free of charge to subscribers on our mailing list. If you wish to be included on that mailing list, please contact the Procedure and Research Section of the Department of the Senate at: Telephone: (02) 6277 3074 Email: [email protected] Printed copies of previous issues of Papers on Parliament may be provided on request if they are available. Past issues are available online at: www.aph.gov.au/pops Contents Small Parties, Big Changes: The Evolution of Minor Parties Elected to the Australian Senate 1 Zareh Ghazarian Government–Citizen Engagement in the Digital Age 23 David Fricker Indigenous Constitutional Recognition: The 1967 Referendum and Today 39 Russell Taylor The Defeated 1967 Nexus Referendum 69 Denis Strangman Parliament and National Security: Challenges and Opportunities 99 Anthony Bergin Between Law and Convention: Ministerial Advisers in the Australian System of Responsible Government 115 Yee-Fui Ng Trust, Parties and Leaders: Findings from the 1987–2016 Australian Election Study 131 Sarah Cameron and Ian McAllister iii Contributors Zareh Ghazarian is a lecturer in politics and international relations in the School of Social Sciences at Monash University.