There Will Be Blood at Hamer Hall This August Miff and Mso Team Up

Total Page:16

File Type:pdf, Size:1020Kb

There Will Be Blood at Hamer Hall This August Miff and Mso Team Up THERE WILL BE BLOOD AT HAMER HALL THIS AUGUST MIFF AND MSO TEAM UP MELBOURNE, 10 May 2017 – This August, the Melbourne Symphony Orchestra will perform the live score for Paul Thomas Anderson Academy Award®-winning epic, There Will Be Blood (2007) at Hamer Hall for a special one-night only screen and sound performance as part of the Melbourne International Film Festival. In this Australian premiere, the remarkable score composed by Radiohead's Jonny Greenwood, will be performed by the MSO, while the dramatic film plays on the big screen above. UK-based, 31 year-old conductor Hugh Brunt will be making his way to Melbourne for this special one-off performance. Known for his work with the London Contemporary Orchestra, Brunt has collaborated with Greenwood on films in the past, and conducted the string and choir arrangements on Radiohead's most recent release, A Moon Shaped Pool. Hugh said he was thrilled to be performing in Melbourne for the first time. “Bringing this incredible production to Melbourne is a real honour and I’m very much looking forward to working with the wonderful Melbourne Symphony Orchestra, an orchestra I greatly respect. It’s a spectacular film, accompanied by such a powerful score, and I’m excited for us to present this unique live experience to audiences at the Melbourne International Film Festival”, said Mr. Brunt. This is the first time the film, starring Daniel Day-Lewis has been presented in this format outside of the UK, cementing this concert as one of the must-see events on the Melbourne calendar this winter. This special event is proudly presented by the Melbourne Symphony Orchestra and the Melbourne International Film Festival. The 2017 Melbourne International Film Festival runs 3 – 20 August. THERE WILL BE BLOOD plays Saturday 5 August, 7.00pm. Arts Centre Melbourne, Hamer Hall. Tickets now on sale via mso.com.au MEDIA ENQUIRIES: Ali Webb | MSO Publicity | 0408 294 501 | [email protected] Asha Holmes | MIFF Publicity | 0403 274 299 | [email protected] .
Recommended publications
  • LCO Jonny Greenwood Feb FINAL HB
    For immediate release Jonny Greenwood and the London Contemporary Orchestra Soloists in concert Sunday 23 February 2014 Wapping Hydraulic Power Station, E1W PerFormance at 7:30pm Tickets: £28 (incl. booking fee) www.lcorchestra.co.uk Guitarist and acclaimed composer Jonny Greenwood is once again joining forces with the London Contemporary Orchestra (LCO) to present a special one-off performance featuring music from his catalogue of film scores as well as a showcase of new material by Greenwood, at the Wapping Hydraulic Power Station in East London, Sunday 23 February 2014. Greenwood will appear alongside the LCO Soloists playing guitar, electronics and the Ondes Martenot. In addition to music by Greenwood, which includes cues from his scores for the Oscar and BAFTA-nominated films There Will Be Blood and The Master, and Japanese film Norwegian Wood based on the book by Haruki Murakami, the concert features works by J.S. Bach, Henry Purcell and contemporary British composer Edmund Finnis. This performance will mark a continued creative relationship between the London Contemporary Orchestra and Jonny Greenwood. The LCO has been performing Greenwood’s orchestral works since 2008 and this concert, curated by Greenwood and the LCO’s Artistic Directors Hugh Brunt and Robert Ames, will be the second major collaboration between the composer and orchestra since the LCO performed and recorded the score for the lauded 2012 film The Master, directed by Paul Thomas Anderson and starring Philip Seymour Hoffman and Joaquin Phoenix. Since 2003 Greenwood has become well known for his work as a film composer, and has scored five major films, including Bodysong, There Will Be Blood, We Need To Talk About Kevin, Norwegian Wood and The Master.
    [Show full text]
  • London Contemporary Orchestra: Other Worlds Wednesday 31 October 2018 8Pm, Hall
    London Contemporary Orchestra: Other Worlds Wednesday 31 October 2018 8pm, Hall Giacinto Scelsi Uaxuctum: The Legend of the Maya City, destroyed by the Maya people themselves for religious reasons UK premiere interval 20 minutes John Luther Adams Become Ocean London Contemporary Orchestra and Choir Robert Ames conductor Universal Assembly Unit art direction Artrendex artificial intelligence London Contemporary Orchestra and Universal Assembly Unit are grateful to Arts Council England for their support for the visual elements of this concert Part of Barbican Presents 2018–19 Programme produced by Harriet Smith; printed by Trade Winds Colour Printers Ltd; advertising by Cabbell (tel 020 3603 7930) Please turn off watch alarms, phones, pagers etc during the performance. Taking photographs, capturing images or using recording devices during a performance is strictly prohibited. Please remember that to use our induction loop you should switch your hearing aid to T setting on entering the hall. If your hearing aid is not correctly set to T it may cause high-pitched feedback which can spoil the enjoyment of your fellow audience members. We appreciate that it’s not always possible to prevent coughing during a performance. But, for the sake of other audience members and the artists, if you feel the need to cough or sneeze, please stifle it with a handkerchief. The City of London If anything limits your enjoyment please let us know Corporation is the founder and during your visit. Additional feedback can be given principal funder of online, as well as via feedback forms or the pods the Barbican Centre located around the foyers.
    [Show full text]
  • Tourism's Final Frontier
    Perspectıve THE BREWIN DOLPHIN MAGAZINE SPRING 2018 China’s century How China will shape the next 100 years A richer later life Why people are choosing to reject retirement Grand designs The restoration of Wentworth Woodhouse Tourism’s THE BREWIN DOLPHIN MAGAZINE final frontier Is space tourism just around the corner? SPRING 2018 COMPETITION BRAIN FOOD Complete our latest crossword to win an amazing National Geographic Newtonian telescope to help you see the solar system. It’s the perfect mirror telescope for beginners and amateur astronomers, and comes with a tripod and numerous lenses. Simply solve the crossword and rearrange the letters in the yellow squares to find a space-related word. Email the mystery word to us and we’ll pick the winner at random. Across Down 1. Extraordinary natural wonder 2. Deep, inarticulate sound in 1 2 3 4 56 situated on the border between response to pain or despair (5) 7 8 Brazil and Argentina (6,5) 3. Bow and arrow sport (7) 9. Small Italian dumplings (7) 4. Football soap opera, which 9 10 10. In Cajun cooking, a spicy appeared on BBC between chicken soup thickened with 1965 and 1967 (6) okra or rice (5) 5. Simple, non-flowering plants 11 12 11. In weight, one-sixteenth of a of a large group, which pound (5) includes seaweeds (5) 12. Mountain scaled by Hillary and 6. Scot who replaced Mark 13 14 15 16 Tenzing in 1953 (7) Hughes as Stoke City 13. Allison Janney has won many manager (7) 17 awards for her performance 7.
    [Show full text]
  • London Contemporary Orchestra Textures Spitfire Audio User Manual Congratulations
    LONDON CONTEMPORARY ORCHESTRA TEXTURES SPITFIRE AUDIO USER MANUAL CONGRATULATIONS Thank you for purchasing Spitfire Audio - London Contemporary Orchestra Textures. Our second collaborative venture with the internationally-acclaimed London Contemporary Orchestra took us to an awe-inspiring aircraft hangar for a re- cording process like no other. Together we have created a completely unique, never-before-sampled sound palette — a sophisticated collection of constantly evolving organic textures, formed by layering unexpected combinations of instru- ments (from tuned wine glasses, to felt piano to voices). In applying the signature workshopping, performance styles and innovative techniques that have made the LCO so sought after, we have produced textures made up of indefinable, fas- cinating sounds. To capture these textures, we needed a space with unparalleled acoustics, which led us to the most un- conventional recording space in Spitfire’s eleven year sampling history — a cavernous aircraft hangar in Suffolk, England, with a remarkable 10 second reverb tail — adding incredible resonance to each note. Enhanced with our unique Evo Grid technology and mixed by renowned mix engineer, Joe Rubel, we give you access to a cutting edge, inspiring collection of instantly playable, spellbinding textures which will add incredible depth and colour to your composition. Quick Specs Table Of Contents CONGRATULATIONS 2 • 3468 samples WELCOME 3 • 28.52 GB Uncompressed WAV DOWNLOADING & INSTALLING 5 • 14.29 GB Disk space required THE SPITFIRE APP PREFERENCES
    [Show full text]
  • LCO Job Description
    LONDON CONTEMPORARY ORCHESTRA RECORDING PROJECTS MANAGER (SALARIED) – JOB DESCRIPTION SUMMARY JOB TITLE: Recording Projects Manager TERMS: Part-time - four hours per day, five days per week CONTRACT: Salaried, beginning May/June 2019, with a 3-month review LINE MANAGER: Hugh Brunt – co-Artistic Director & co-Principal Conductor REMUNERATION: £18,200 (£36,400 pro rata) INTRODUCTION London Contemporary Orchestra (LCO) is pleased to recruit for the specially-created role of Recording Projects Manager – working with co-Artistic Director & co-Principal Conductor Hugh Brunt to support the delivery and expansion of the LCO’s studio output, encompassing Hollywood and independent feature films, TV series, production/library music, video games, sample libraries, and albums with leading bands and solo artists. BACKGROUND LCO is a leading global ensemble focused on performing, commissioning and developing new music and cross-arts collaborations. Alongside working with well-known artists, the LCO is driven to develop a diverse next generation of players, conductors and composers by creating opportunities for them to work at the highest professional level. Formed in 2008 by co-Artistic Directors Robert Ames and Hugh Brunt, the LCO has collaborated with a distinguished array of composers, artists and brands, from Actress to Radiohead, Boiler Room to Vivienne Westwood. It is a past winner of the Ensemble category at the Royal Philharmonic Society Music Awards. In addition to its busy concert schedule – most recently including sold-out performances at the BBC Proms, Southbank Centre and Barbican, and collaborations with Steve Reich, Mica Levi and Terry Riley – the LCO has established a strong reputation for its innovative and dynamic approach to film scoring, regularly appearing at Abbey Road Studios and AIR Studios.
    [Show full text]
  • THE ART of the SCORE ALEC BALDWIN, Artistic Advisor
    FOR IMMEDIATE RELEASE August 1, 2018 Contact: Deirdre Roddin (212) 875-5700; [email protected] THE ART OF THE SCORE ALEC BALDWIN, Artistic Advisor SCORES PERFORMED LIVE TO COMPLETE FILMS THERE WILL BE BLOOD Conducted by HUGH BRUNT September 12–13, 2018 2001: A SPACE ODYSSEY in Its 50th Anniversary Conducted by ANDRÉ DE RIDDER September 14–15, 2018 The New York Philharmonic will present the sixth season of The Art of the Score, September 12–15, 2018, featuring complete screenings of two films with their acclaimed scores — both incorporating classical music — performed live to the films: There Will Be Blood, with Jonny Greenwood’s score conducted by Hugh Brunt in his Philharmonic debut, and 2001: A Space Odyssey, with André de Ridder conducting works by Richard Strauss, Ligeti, Johann Strauss II, and Khachaturian. There Will Be Blood director / writer Paul Thomas Anderson said of 2001: A Space Odyssey, celebrating its 50th anniversary this year: “It’s so hard to do anything that doesn’t owe some kind of debt to what Stanley Kubrick did with music in movies.” Actor and Philharmonic Board Member Alec Baldwin returns as Artistic Advisor of The Art of the Score, which explores some of the most distinctive uses of music in film. “The Art of the Score demonstrates how scoring illuminates film,” said Alec Baldwin, the series’ Artistic Advisor. “Just take the opening sequence of 2001, ‘The Dawn of Man,’ which never ceases to amaze and unsettle me — apes on the verge of the Homo sapiens era experience God or ‘Genius’ or some such inspiration.
    [Show full text]
  • Birmingham Cover
    Birmingham Cover January 2017.qxp_Birmingham Cover 16/12/2016 12:09 Page 1 Your FREE essential entertainment guide for the Midlands ISSUE 373 JANUARY 2017 BIRMINGHAM WHAT’S ON WHAT’S BIRMINGHAM 2017 JANUARY KARA TOINTON Birmingham STARS IN GASLIGHT AT THE NEW ALEX ’ WhatFILM I COMEDY I THEATRE I GIGS I VISUAL ARTS I EVENTSs I FOOD Onbirminghamwhatson.co.uk PART OF MIDLANDS WHAT’S ON MAGAZINE GROUP PUBLICATIONS GROUP MAGAZINE ON WHAT’S MIDLANDS OF PART TWITTER @WHATSONBRUM BIRMINGHAMWHATSON.CO.UK @WHATSONBRUM TWITTER The Old Rep (FP- January 17).qxp_Layout 1 16/12/2016 11:43 Page 1 Contents January Birmingham.qxp_Layout 1 16/12/2016 10:16 Page 2 January 2017 Contents The Red Shoes - Matthew Bourne’s sumptuous new adaptation heads to the Hippodrome page 34 Kaiser Chiefs Reginald D Hunter Autosport show the list talk about bringing their Stay back on the road with a brand the world’s greatest four-wheel Your 16-page Together tour to the Midlands new show for 2017 indoor extravaganza at the NEC week-by-week listings guide Interview page 14 Interview page 22 page 49 page 51 inside: 4. First Word 11. Food 13. Music 24. Comedy 28. Theatre 41. Film 44. Visual Arts 47. Events @whatsonbrum fb.com/whatsonbirmingham @whatsonbirmingham Birmingham What’s On Magazine Birmingham What’s On Magazine Birmingham What’s On Magazine Managing Director: Davina Evans [email protected] 01743 281708 ’ Sales & Marketing: Lei Woodhouse [email protected] 01743 281703 Chris Horton [email protected] 01743 281704 Whats On Matt Rothwell [email protected]
    [Show full text]
  • Concert Program
    5 AUGUST 2017 CONCERT PROGRAM ARTISTS Paramount Vantage and Melbourne Symphony Orchestra Miramax present Hugh Brunt conductor There Will Be Blood (2007) Riley Skevington violin Running time: 3 hours including Daniel Day-Lewis 20-minute interval Paul Dano Kevin J. O’Connor Ciarán Hinds Hugh Brunt Dillon Freasier Hugh Brunt is co-Artistic Director Music by Jonny Greenwood and co-Principal Conductor of the London Contemporary Cinematography Roert Elswit Orchestra, winners of the Ensemble Screenplay by Paul Thomas Anderson category at the Royal Philharmonic Society Music Awards 2015. Based on the novel Oil! by Upton Sinclair He conducted the string and choir arrangements on Radiohead’s new Produced by JoAnne Sellar, Paul album A Moon Shaped Pool. A Thomas Anderson and Daniel Lupi collaborator of composer and guitarist Directed by Paul Thomas Anderson Jonny Greenwood, he conducted his scores for Paul Thomas Anderson’s The Master and Lynne Ramsay’s You LIVE PERFORMANCE CREDITS Were Never Really Here. With the LCO Soloists he has premiered seven short Film Licensing Paul Mackenzie works by Greenwood and conducted on behalf of Roadshow the first live screening of the Academy Film Preparation Tony Laughton Award-winning There Will Be Blood. Music Licensing and Preparation Other collaborative work includes Tim Brooke and Bruce MacRae Beck, Imogen Heap, Belle & Sebastian, Actress, Boiler Room and Foals. Music performed by arrangement with Faber Music Ltd., London and Riley Skevington Warner Chappell Music Australia Riley is a violinist from WA, where he studied under Professor Paul Wright, Dorothy Ford and Luci McArthur. He has performed in a number of national music festivals and in 2016 he joined the Australian Chamber Orchestra as an Emerging Artist, touring NSW and WA.
    [Show full text]
  • Phantom Thread Tyrone, Riveting Attention Here As She Has Just Done, to Oscar-Nominated Effect, in Phantom Thread.” with Live Score
    Adam E. Max, Chairman of the Board Katy Clark, President William I. Campbell, Vice Chairman of the Board Joseph V. Melillo, Executive Producer BAM and Wordless Music present Paul Thomas Anderson’s “… searing emotional intensity is supplied by Lesley Manville as Mary Phantom Thread Tyrone, riveting attention here as she has just done, to Oscar-nominated effect, in Phantom Thread.” with Live Score —THE TELEGRAPH (UK) Feb 24, 2018 at 8pm; Feb 25 at 3:30pm | BAM Howard Gilman Opera House “[Jeremy Irons gives] a masterly performance, from incandescent Original music by Jonny Greenwood anger to final forlorn despair … ” London Contemporary Orchestra —THE SUNDAY TIMES (UK) Robert Ames, conductor Galya Bisengalieva, concertmaster/solo violin Katherine Tinker, piano MAY 8—27 Jonathan Green, sound engineer Wordless Music Orchestra LONG DAY’S JOURNEY Photo: Lesley Manville and Jeremy Irons, by Hugo Glendinning INTO NIGHT BY EUGENE O’NEILL BRISTOL OLD VIC Major Sponsor of Music Programming at BAM: TICKETS START AT $35 / 718.636.4100 Season Sponsor: Major support for Long Day’s Journey Into Night provided Support for the Signature Artist Series provided by: BAM.org by the Richenthal Foundation. Leadership support for BAM Cinema programs provided by The Thompson Family Foundation. Wordless Music Orchestra Who’s Who VIOLIN VIOLA CLARINET outdoor audience of 7,000 at Prospect Park in array of musicians, artists, creative figures, platforms, Tom Chiu Jarvis Benson Patricia Billings Brooklyn; with the legendary Kranky ambient duo Stars and venues such as Radiohead, Frank Ocean, Jed Daniel Constant Caleb Burhans Eileen Mack of the Lid; and with John Cale as part of the BAM Next Kurzel, Jonny Greenwood, Steve Reich, Justice, Terry Monica Davis Isabel Hagen Wave Festival.
    [Show full text]
  • Press Release a New Chapter Begins for Spitalfields
    PRESS RELEASE 08.09.17 2017 FESTIVAL IMAGES CAN BE DOWNLOADED HERE @spitsmusic A NEW CHAPTER BEGINS FOR SPITALFIELDS MUSIC AS ARTISTIC CURATOR ANDRÉ DE RIDDER ANNOUNCES HIS VISIONARY PROGRAMME FOR FESTIVAL 2017 André de Ridder, one of the most influential and daring conductors working across genre boundaries in music today, guest curates Spitalfields Music Festival this December. Now in its 41st year, the east London festival enters an exciting new chapter, with a reinvigorated vision for 2017 that reflects its location at the heart of one of London’s most vibrant areas. With André at the helm, this year’s festival is packed with extraordinary international artists and visionary collaborations, celebrating classical music in its widest sense. Drawing on the festival’s core founding values, Spitalfields Music Festival 2017 will bring together artists, audiences and communities to experience outstanding early music interpretations alongside ground-breaking contemporary work in intimate and inspiring locations. Tickets go on sale to the general public on Monday 18 September at 10am. For booking and more information visit www.spitalfieldsmusic.org.uk/ HIGHLIGHTS INCLUDE: Exceptional artists from a range of musical styles including Bengali folk, rap, classical, soul and jazz reinterpret Schumann’s Dichterliebe inside 16 historic Huguenot Houses of Spitalfields. Alongside authentic performances of Monteverdi’s Eighth Book of Madrigals, a stellar line-up of ensembles and soloists perform modern premieres and re-interpretations inspired by the Renaissance master and composed by Josephine Stephenson, featured composer Anna Thorvaldsdottir and Qasim Naqvi. An exhibition of new art work by Turner Prize nominee Mark Titchner explores the links between post-punk band Fugazi and classical masters Schumann and Monteverdi.
    [Show full text]
  • LCO Job Description
    LONDON CONTEMPORARY ORCHESTRA JOB DESCRIPTION RECORDING PROJECTS MANAGER (Maternity Leave Cover) – SALARIED SUMMARY JOB TITLE: Recording Projects Manager (Maternity Leave Cover) TERMS: Part-time – four hours per day, five days per week CONTRACT: Salaried, beginning Monday 19 July 2021, initially a Fixed-term contract until April 2022, witH a possibility oF the creation oF a new part-time role at tHe end of this contract. Training/Handover to commence early-mid July For approx. 8- 10 hours a week, subject to arrangement. LINE MANAGER: HugH Brunt – co-Artistic Director & co-Principal Conductor REMUNERATION: £18,200 (£36,400 pro rata) INTRODUCTION London Contemporary Orchestra (LCO) is pleased to recruit For the role oF Recording Projects Manager (Maternity Leave Cover), working with co-Artistic Director & co-Principal Conductor HugH Brunt. THe role will support us in the delivery and expansion of LCO’s studio output, encompassing Hollywood and independent Feature Films, TV series, production/library music, video games, sample libraries, and albums witH leading bands and solo artists. BACKGROUND LCO is a leading global ensemble focused on perForming, commissioning and developing new music and cross-arts collaborations. Alongside working witH well-known artists, we are driven to develop a diverse next generation of players, conductors and composers by creating opportunities For them to work at the highest professional level and ampliFying the invaluable contribution tHey make to tHe sector. Diversity and Inclusion is truly important to us and we try and make sure that we weave this into all of our work. We are not perFect on this by any means, but we are endeavouring to create more inclusiveness for all.
    [Show full text]
  • London Contemporary Orchestra
    1 BIOGRAPHY _________________________________________________________________________ Uèle Lamore - a 26 year old franco-american - is a conductor, composer and arranger. She is specialized in the mixing of orchestral and acoustic textures with modular, electronic and synthetic elements. Non-affiliated to classical music, she likes to dive into the fields of composition and arranging through many musical styles: electro, new wave, rock, techno, minimal, neo-soul and many more that are left to explore leaving an infinite range of possibilities. She hence developed a unique and recognizable sound signature that is cherished by many artists and promoters (Le Printemps de Bourges, Festival de Carthage, Theatre du Chatelet, FGO Barbara Center) as well as movie directors. Uèle Lamore studied guitar at Musicians Institute, and after her graduation completed her studies with a degree in composition and conducting that she received from Berklee College of Music in 2016. She then followed an apprenticeship amongst Jules Buckley’s Metropole Orkest and Heritage Orchestra. She has collaborated with many artists, from Etienne Daho to Agar Agar or Grand Blanc, Emel Mathlouthi to Hugo Lx or Mad Rey... The projects range from specific commissions to full arrangement of albums or EP’s as well as special orchestral projects for festivals. Uèle Lamore also works on original compositions for different medias, ranging from movies to documentaries (she nurishes a passion for nature and animal documentaries), ballets or even video game scoring (she is a true gamer at heart). Uèle Lamore is the founder of Orchestre Orage, the first orchestra specialized in collaborations and special creations with non-classicaly affiliated artists.
    [Show full text]