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Bibliography Y UvA-DARE (Digital Academic Repository) Writing and the 'Subject' Greve, C. Publication date 2004 Link to publication Citation for published version (APA): Greve, C. (2004). Writing and the 'Subject'. Pegasus. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:30 Sep 2021 BIBLIOGRAPHY Y Afanas'ev,, A.N. 1957. Narodnye russkie ska^ki, vol. 1. Moskva. Al'fonsov,, B.A. 1982. '"Ctoby slovo smelo poslo za zivopis'ju" (V. Chlebnikov i zivopis^'.. Literatura i %vopii (Eds. Bazanov, V.G. et al.). Leningrad, 205-226. Amishai-Maisels,, Ziva 1995. Paul Gauguin e 1'avanguardia russa. Firenze. Bakhtin,, M.M. 1986. The Problem of Speech Genres'. Speech Genres and Other Late Es- says.says. Austin, 60-102. Bal,, Mieke 1991. Reading Rembrandt. Beyond the Word-Image Opposition. Cambridge etc. Bal,, Mieke and Norman Bryson 1991. 'Semiotics and Art History'. Art Bulletin, 73, 2, 174-208. Barthes,, Roland 1975. The Pleasure of the Text (Trans. Richard Miller). New York. Barthes,, Roland 1977. The Death of the Author'. Image Music Text (Ed. and trans. Stephenn Heath). London, 142-148. Barthes,, Roland 1994. Roland Barthes by Roland Barthes (Trans. Richard Howard). Berke- leyy and Los Angeles. Beeren,, Wim et al. (eds.) 1992. The Great Utopia. The Russian Avant-garde 1915-1932. Am- sterdam. Benjamin,, Walter 1992a. 'On Some Motifs in Baudelaire'. Illuminations (Ed. Hannah Arendt,, trans. Harry Zohn). London, 152-196. Benjamin,, Walter 1992k The Work of Art in the Age of Mechanical Reproduction'. IlluminationsIlluminations (Ed. Hannah Arendt, trans. Harry Zohn). London, 211-244. Benjamin,, Walter 2000. 'One-Way Street'. One-Way Street (Trans. Edmund Jephcott and Kingsleyy Shorter). London and New York, 45-104. Birjukov,, Sergej 1994. Zevgma: russkaja poè^ija otmaneri^ma do postmoderni^ma. Moskva. Bobrinskaja,, Ekaterina 1996. 'Vizual'nyj obraz teksta v russkom kubofuturizme'. Èksperimental'najapoé%/a.Èksperimental'najapoé%/a. I^brannye stat'i (Ed. Dmitri) Bulatov). Keningsberg- Mal'bork,, 32-53. Bobrinskaja,, Ekaterina 1998a. Teorija "momental'nogo tvorcestva" A. Krucenych'. VtorojVtoroj terent'evskjj sbornik (Ed; Sergej Kudrjavcev). Moskva, 13-42. Bobrinskaja,, Ekaterina 1998b. 'Zest v poéuke rannego russkogo avangarda'. Charmsi^dat predstavljaetpredstavljaet Avangardnoepovedenie (Ed. Valerij Sazin). Sankt-Peterburg, 47-62. Bobrinskaja,, Ekaterina 2000. Futurism. Moskva. Bobrov,, Sergej 1913. 'O novo) illjustracii'. Vertogradi nod lo^ami. Moskva, 153-156. Bohn,, Willard 1986. The Aesthetics of Visual Poetry 1914-1928. Cambridge etc. Bohn,, Willard 1996. 'From Hieroglyphics to Hypergraphics'. Experimental- Visual- Concrete.Concrete. Avant-Garde Poetry since the 1960s (Ed. David K. Jackson). Amsterdam and Adanta,, 173-186. Bois,, Yve-Alain 1990. Painting as Model. Cambridge, Massachusetts and London. Bois,, Yve-Alain 1992. The Semiology of Cubism'. Picasso andBraque. A Symposium (Ed. Lynnn Zelevansky). New York, 169-208. Bol'sakov,, Konstanrin 1913. LeFutur. Moskva. Bonitoo Oüva, Achille 1980. The Italian Trans-avant-garde (Trans. Gwen Jones et al.). Mi- 319 9 WRITINGG AND THE 'SUBJECT' lano. Borges,, Jorge Luis 1965. The Library of Babel'. Fictions (Ed. and trans. Andiony Kerri- gan).. London, 72-80. Bourriaud,, Nicolas 2002. Postproduction (Ed. Caroline Schneider, trans. Jeanine Herman). Neww York. Bowlt,, John E. 1974. 'Neo-primitivism and Russian Painting'. The Burlington Magazine, CXVLL 852,132-140. Bowlt,, John E. 1985. 'H2S04: Dada in Russia'. Dada I Dimensions (Ed. Stephen C. Fos- ter).. Ann Arbor, 221-248. Bowlt,, John E. 1988. 'Varvara Stepanova, A Frenzied Artist'. Varvara Stepanova: A Con- structiviststructivist Life (Ed. John Bowlt). London, 8-9. Bowk,, John E. and Matthew Dratt (Ed.) 2000. Ama^pnki avangarda. New York. Bowk,, John E. et al. 1974. From Surface to Space. Russia 1916-24. Köln. Brett,, Guy 2000. The Century of Kinesthesia'. Force Fields. Phases of the Kinetic (Eds. Su- zannee Cotter et al.). Barcelona and London, 9-68. Brik,, Osip 1964. 'Zvukovye povtory'. Two Essays on Poetic Language by Osip Maksimovic Brik.Brik. Ann Arbor, 3-45. Brooks,, Crispin 2000. The Futurism of Vasiiisk Gnedov. Birmingham. Bryson,, Norman 1983. Vision and Painting. The Logic of the Ga%e. Hampshire and London. Buchloh,, Benjamin H. D. 1987. 'From Faktura to Factography'. October The First Decade, 1976-19861976-1986 (Eds. Annette Michelson et al.). Cambridge, Massachusetts and London, 77-113. Burljuk,, David 1976. 'Cubism (Surface—Plane)' [1912]. Russian Art of the Avant-G arde (Ed.. and trans. John E. Bowlt). New York, 69-77. Burljuk,, David et al. 2000a. 'Poscecina obscestvennomu vkusu' [1912]. Russkij futurism. Teorija.Teorija. Praktika. Kritika. Vospominanija (Eds. V.N. Terechina and A. P. Zimenkov). Moskva,, 41. Burljuk,, David et al. 2000b. 'Sadok sudej IF [1913]. Russkij futurism. Teorija. Praktika. Kritika.Kritika. Vospominanija (Eds. V.N. Terechina and A. P. Zimenkov). Moskva, 41-41. Burljuk,, David et al. 2000c. 'Manifest letucej federacii futuristov' [1918]. Russkij futurism. Teorija.Teorija. Kritika. Vospominanija (Eds. V. N. Terechina and A. P. Zimenkov). Moskva, 62-63. Burljuk,, David and Nikolaj Burljuk 2000. 'Poériceskie nacala' [1914]. Russkij futurism. Teorija.Teorija. Praktika. Kritika. Vospominanija (Eds. V.N. Terechina and A.P. Zimenkov). Moskva,, 56-58. Burljuk,, Nikolaj 2000. 'K poéticeskomu kontrapunktu' [1914]. Russkij futurism. Teorija. Praktika.Praktika. Kritika. Vospominanija (Eds. V.N. Terechina and A.P. Zimenkov). Moskva, 58. Bury,, Stephen 1995. Artists' Books: the book as a work of art, 1963-1995. Aldershot. Burger,, Peter 1999. The Theory of the Avant-Garde (Trans. Michael Shaw). Minneapolis. Capra,, Fritjof 1975. The Too of Physics. Boulder, Colorado. Carlson,, Marvin 1996. Performance. A Critical Introduction. London and New York. Carruthers,, Mary J. 1990. The Book of Memory. A Study of Memory in Medieval Culture. Cambridge. Chamot,, Mary 1973. 'Russian Avant-Garde Graphics'. Apollo, 97,142, 494-501. 1979. Goncarova.Goncarova. London. Chardziev,, D. and V. Trenin 1970. Poeticeskaja kul'tura Majakovskogo. Moskva. 320 0 BIBLIOGRAPHY Y Chlebnikov,, Velimir 1940. Nei^dannyeproi^vedenija. (Eds. N. Chardziev and T. Gric). Moskva. Chlebnikov,, Velimir 1968a. Sobranie soBmnij (Ed. N. Stepanov), vol I. Moskva 1928- 1933.. Reprinted as first part of vol. 1. München. Chlebnikov,, Velimir 1968b. Sobranie soanenij (Ed. N. Stepanov), vol. II. Leningrad 1928- 1933.. Reprinted as second part of vol. I. München. Chlebnikov,, Velimir 1968c. Sobranie soanenij (Ed. N. Stepanov), vol. III. Leningrad 1928-1933.. Reprinted as first part of vol. II. München. Chlebnikov,, Velimir 1968d. Sobranie socinenij (Ed. N. Stepanov), vol. IV. Leningrad 1928-1933.. Reprinted as second part of vol. II. München. Chlebnikov,, Velimir 1972. Sobranie socinenij (Ed. N. Stepanov), vol. V. Moskva 1928- 1933.. Reprinted as vol. 3. München. Chlebnikov,, Velimir 1987. Collected Works of Velimir Khlebnikov. Letters and Theoretical Writings,Writings, vol. 1 (Ed. Charlotte Douglas, trans. Paul Schmidt). Cambridge, Massachu- settss and London. Chlebnikov,, Velimir 1989. Collected Works of Velimir Khlebnikov. Prose, Plays, andSupersa- gas,gas, vol. 2 (Ed. Ronald Vroon, trans. Paul Schmidt). Cambridge, Massachusetts and London.. 1989. Chlebnikov,, Velimir 1997. Collected Works of Velimir Khlebnikov. Selected'Poems, vol. 3 (Ed. Ronaldd Vroon, trans. Paul Schmidt). Cambridge, Massachusets and London. Chlebnikov,, Velimir and Aleksej Krucenych 1912a. Igra v adu (1st ed.). Moskva. Chlebnikov,, Velimir and Aleksej Krucenych 1912b. Mirskonca. Moskva. Chlebnikov,, Velimir and Aleksej Krucenych 1914. Te tile. Moskva. Chlebnikov,, Velimir and Aleksej Krucenych 1914. Igra v adu (2nd ed.). Moskva. Chlebnikov,, Velimir and Aleksej Krucenych 1986. Ho'llenspielvon Viktor Chlebnikov und AleksejAleksej Krucenych (Trans. Ludwig Harig). Berlin. Chlebnikov,, Velimir and Aleksej Krucenych 1993. Mirskonca. Moskva (facsimile). Chlebnikov,, Velimir and Aleksej Krucenych 2000a. 'Bukva kak takovaja' [1913]. Russkij futurism.futurism. Teorija. Kritika. Vospominanija (Eds. V. N. Terechina and A. P. Zimenkov). Moskva,, 49. Chlebnikov,, Velimir and Aleksej Krucenych 2000b. 'Slovo kak takovoe' [1913]. Russkij futurism.futurism. Teorija. Kritika. Vospominanija (Eds. V. N. Terechina and A. P. Zimenkov). Moskva,, 46-49. Chromov,, V 1998. Russkaja lubocnaja kniga XVLI-XIX vekov. Moskva. Cicerin,, A. N. 1988. 'Kan-Fun' [1926]. Zabytij avangard: Rossi/apervaja tret''XX stoletija (Eds.. Konstantin Kuzminskij et al.). Wien, 191-216. Cjavlovskaja,, T.G. 1960. 'Vljublennyj Bes' [1914]. Puskin, lssledovanija i materialy, vol. 3. Moskva,, 101-130.
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