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												  The Inextricable Link Between Literature and Music in 19ThCOMPOSERS AS STORYTELLERS: THE INEXTRICABLE LINK BETWEEN LITERATURE AND MUSIC IN 19TH CENTURY RUSSIA A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment Of the Requirements for the Degree Master of Music Ashley Shank December 2010 COMPOSERS AS STORYTELLERS: THE INEXTRICABLE LINK BETWEEN LITERATURE AND MUSIC IN 19TH CENTURY RUSSIA Ashley Shank Thesis Approved: Accepted: _______________________________ _______________________________ Advisor Interim Dean of the College Dr. Brooks Toliver Dr. Dudley Turner _______________________________ _______________________________ Faculty Reader Dean of the Graduate School Mr. George Pope Dr. George R. Newkome _______________________________ _______________________________ School Director Date Dr. William Guegold ii TABLE OF CONTENTS Page CHAPTER I. OVERVIEW OF THE DEVELOPMENT OF SECULAR ART MUSIC IN RUSSIA……..………………………………………………..……………….1 Introduction……………………..…………………………………………………1 The Introduction of Secular High Art………………………………………..……3 Nicholas I and the Rise of the Noble Dilettantes…………………..………….....10 The Rise of the Russian School and Musical Professionalism……..……………19 Nationalism…………………………..………………………………………..…23 Arts Policies and Censorship………………………..…………………………...25 II. MUSIC AND LITERATURE AS A CULTURAL DUET………………..…32 Cross-Pollination……………………………………………………………...…32 The Russian Soul in Literature and Music………………..……………………...38 Music in Poetry: Sound and Form…………………………..……………...……44 III. STORIES IN MUSIC…………………………………………………… ….51 iii Opera……………………………………………………………………………..57
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												  Symphony Hall, Boston Huntington and Massachusetts AvenuesSYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Branch Exchange Telephones, Ticket and Administration Offices, Back Bay 1492 m INC. PIERRE MONTEUX, Conductor FORTY-SECOND SEASON, 1922-1923 WITH HISTORICAL AND DESCRIPTIVE * NOTES BY PHILIP HALE COPYRIGHT, 1922, BY BOSTON 8YMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc. FREDERICK P. CABOT President GALEN L. STONE Vice-President ERNEST B. DANE Treasurer ALFRED L. AIKEN ARTHUR LYMAN FREDERICK P. CABOT HENRY B. SAWYER ERNEST B. DANE GALEN L. STONE M. A. DE WOLFE HOWE BENTLEY W. WARREN JOHN ELLERTON LODGE E. SOHIER WELCH W. H. BRENNAN, Manager G. E. JUDD, Assistant Manager 205 "CHE INSTRUMENT OF THE IMMORTALS QOMETIMES people who want a Steinway think it economi- cal to buy a cheaper piano in the beginning and wait for a Steinway. Usually this is because they do not realize with what ease Franz Liszt at his Steinway and convenience a Steinway can be bought. This is evidenced by the great number of people who come to exchange some other piano in partial payment for a Steinway, and say: "If I had only known about your terms I would have had a Steinway long ago!" You may purchase a new Steinway piano with a cash deposit of 10%, and the bal- ance will be extended over a period of two years. Prices: $875 and up. Convenient terms. Used pianos taken in exchange. 5' HI N VV A' Y & S'l ) NS STEil N VV K Y S IALL ; 109 EAST 14th STREET NEW YORK Subway Express Stations at the Door REPRESENTED BY THE FOREMOST DEALERS EVERYWHERE 206 lostosa Symplhoinr Foity-second Season, 1922-1923 PIERRE MONTEUX, Conductor \k Violins.
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												  In the Lands of the Romanovs: an Annotated Bibliography of First-Hand English-Language Accounts of the Russian EmpireANTHONY CROSS In the Lands of the Romanovs An Annotated Bibliography of First-hand English-language Accounts of The Russian Empire (1613-1917) OpenBook Publishers To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/268 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. In the Lands of the Romanovs An Annotated Bibliography of First-hand English-language Accounts of the Russian Empire (1613-1917) Anthony Cross http://www.openbookpublishers.com © 2014 Anthony Cross The text of this book is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt it and to make commercial use of it providing that attribution is made to the author (but not in any way that suggests that he endorses you or your use of the work). Attribution should include the following information: Cross, Anthony, In the Land of the Romanovs: An Annotated Bibliography of First-hand English-language Accounts of the Russian Empire (1613-1917), Cambridge, UK: Open Book Publishers, 2014. http://dx.doi.org/10.11647/ OBP.0042 Please see the list of illustrations for attribution relating to individual images. Every effort has been made to identify and contact copyright holders and any omissions or errors will be corrected if notification is made to the publisher. As for the rights of the images from Wikimedia Commons, please refer to the Wikimedia website (for each image, the link to the relevant page can be found in the list of illustrations).
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												  May, 1952 TABLE of CONTENTS111 AJ( 1 ~ toa TlE PIANO STYI2 OF AAURICE RAVEL THESIS Presented to the Graduate Council of the North Texas State College in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS by Jack Lundy Roberts, B. I, Fort Worth, Texas May, 1952 TABLE OF CONTENTS LIST OFLLUSTRTIONS. Chapter I. THE DEVELOPMENT OF PIANO STYLE ... II. RAVEL'S MUSICAL STYLE .. # . , 7 Melody Harmony Rhythm III INFLUENCES ON RAVEL'S EIANO WORKS . 67 APPENDIX . .* . *. * .83 BTBLIO'RAWp . * *.. * . *85 iii LIST OF ILLUSTRATIONS Figure Page 1. Jeux d'Eau, mm. 1-3 . .0 15 2. Le Paon (Histoires Naturelles), mm. la-3 .r . -* - -* . 16 3. Le Paon (Histoires Naturelles), 3 a. « . a. 17 4. Ondine (Gaspard de a Nuit), m. 1 . .... 18 5. Ondine (Gaspard de la Nuit), m. 90 . 19 6. Sonatine, first movement, nm. 1-3 . 21 7. Sonatine, second movement, 22: 8. Sonatine, third movement, m m . 3 7 -3 8 . ,- . 23 9. Sainte, umi. 23-25 . * * . .. 25 10. Concerto in G, second movement, 25 11. _Asi~e (Shehdrazade ), mm. 6-7 ... 26 12. Menuet (Le Tombeau de Coupe rin), 27 13. Asie (Sh6hlrazade), mm. 18-22 . .. 28 14. Alborada del Gracioso (Miroirs), mm. 43%. * . 8 28 15. Concerto for the Left Hand, mii 2T-b3 . *. 7-. * * * .* . ., . 29 16. Nahandove (Chansons Madecasses), 1.Snat ,-5 . * . .o .t * * * . 30 17. Sonat ine, first movement, mm. 1-3 . 31 iv Figure Page 18. Laideronnette, Imperatrice des l~~e),i.......... Pagodtes (jMa TV . 31 19. Saint, mm. 4-6 « . , . ,. 32 20. Ondine (caspard de la Nuit), in. 67 .. .4 33 21.
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											The Spectator and Dialogues of Power in Early Soviet Theater ByDirected Culture: The Spectator and Dialogues of Power in Early Soviet Theater By Howard Douglas Allen A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Sociology in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Victoria E. Bonnell, Chair Professor Ann Swidler Professor Yuri Slezkine Fall 2013 Abstract Directed Culture: The Spectator and Dialogues of Power in Early Soviet Theater by Howard Douglas Allen Doctor of Philosophy in Sociology University of California, Berkeley Professor Victoria E. Bonnell, Chair The theater played an essential role in the making of the Soviet system. Its sociological interest not only lies in how it reflected contemporary society and politics: the theater was an integral part of society and politics. As a preeminent institution in the social and cultural life of Moscow, the theater was central to transforming public consciousness from the time of 1905 Revolution. The analysis of a selected set of theatrical premieres from the Bolshevik Revolution in 1917 to the end of Cultural Revolution in 1932 examines the values, beliefs, and attitudes that defined Soviet culture and the revolutionary ethos. The stage contributed to creating, reproducing, and transforming the institutions of Soviet power by bearing on contemporary experience. The power of the dramatic theater issued from artistic conventions, the emotional impact of theatrical productions, and the extensive intertextuality between theatrical performances, the press, propaganda, politics, and social life. Reception studies of the theatrical premieres address the complex issue of the spectator’s experience of meaning—and his role in the construction of meaning.
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												  AAKASH PATEL ContentsHistory AAKASH PATEL Contents Preface. 1 1. Dawn of Civilization. 2 Mesopotamia . 2 Ancient Egypt . 3 Indus River Valley . 5 2. Ancient Europe . 6 Persian Wars . 6 Greek City-States. 8 Rome: From Romulus to Constantine . 9 3. Asian Dynasties. 23 Ancient India. 23 Chinese Dynasties . 24 Early Korea . 27 4. The Sundering of Europe . 29 The Fall of Rome. 29 Building a Holy Roman Empire . 31 Islamic Caliphates . 33 5. Medieval Times . 35 England: A New Monarchy . 35 France: The Capetians. 42 Germany: Holy Roman Empire. 44 Scandinavia: Kalmar Union. 45 Crusades . 46 Khans & Conquerors . 50 6. African Empires . 53 West Africa . 53 South Africa. 54 7. Renaissance & Reformation. 56 Italian Renaissance . 56 Tudor England . 58 Reformation. 61 Habsburg Empires . 63 French Wars of Religion. 65 Age of Discovery. 66 8. Early Modern Asia . 70 Tsars of Russia . 70 Japan: Rise of the Shogun. 72 Dynastic Korea . 73 Mughals of India. 73 Ottomans of Turkey. 74 9. European Monarchy . 76 Thirty Years' War . 76 Stuart England and the Protectorate . 78 France: Louis, Louis, and Louis . 81 10. Colonies of the New World . 84 Pilgrims and Plymouth . 84 Thirteen American Colonies . 85 Golden Age of Piracy . 88 11. Expansionism in Europe. 89 Ascension of the Romanovs. 89 Rise of Prussia . 91 Seven Years' War . 92 Enlightenment . 93 Hanoverian Succession. 94 12. American Independence . 96 Colonies in the 18th Century . ..
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												  {Download PDF} Bakunin: Statism and Anarchy KindleBAKUNIN: STATISM AND ANARCHY PDF, EPUB, EBOOK Mikhail Bakunin,Marshall S. Shatz | 300 pages | 01 Jun 2007 | CAMBRIDGE UNIVERSITY PRESS | 9780521369732 | English | Cambridge, United Kingdom Bakunin: Statism and Anarchy PDF Book This was the first time i read anything by Bakunin which is slightly embarrassing considering his place in history. The Marxists sense this! Preview — Statism and Anarchy by Mikhail Bakunin. But this is not all. Download as PDF Printable version. A beautiful liberation, indeed! A fine idea, that the rule of labour involves the subjugation of land labour! The first of these traits is the conviction, held by all the people, that the land rightfully belongs to them. History they don't teach you in school! They then arrive unavoidably at the conclusion that because thought, theory, and science, at least in our times, are in the possession of very few, these few ought to be the leaders of social life, not only the initiators, but also the leaders of all popular movements. This is the reason brigandage is an important historical phenomenon in Russia; the first rebels, the first revolutionists in Russia, Pugachev and Stenka Razin, were brigands For this it must exercise massive military power. In this sense the propaganda of the International, energetically and widely diffused during the last two years, has been of great value. Jun 29, Jurnalis Palsu rated it liked it. Available to everyone will be a general scientific education, especially the learning of the scientific method, the habit of correct thinking, the ability to generalize from facts and make more or less correct deductions.
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												  Winter SLAVIC CATALOGWINTER SLAVIC CATALOG ] BERNETT RARE BOOKS ON THE ARTS Item Item 15 PENKA AND VISUAL CULTURE [ SOVIET CULTURE 3 SAMIZDAT AND COUNTERCULTURE 14 POETRY 22 SOVIET REGIONAL PRINTING 27 POLISH 31 Bernett Penka Rare Books LLC 144 Lincoln Street Boston, MA 02111 Tel.: +1 (617) 350-7778 [email protected] SOVIET CULTURE 1. Anglo-russkii razgovornik dlia rabotnikov gostinits “Inturist” [English-Russian phrase book for “Inturist” hotel workers]. Moscow: Vneshtorgizdat, 1955. Small oblong octavo (11.8 × 16.5 cm). Original cloth-backed printed boards; 77, [3] pp. Light wear; small owner inscription to ffep; still about very good. $250 A scarce phrase book intended to facilitate conversation between Western tourists and Soviet hospitality workers of Inturist, the oldest Soviet tourist enterprise, founded in 1929. Even during the height of Stalinism, visits to the Soviet Union were encouraged and aided by marketing plans tailored specifically to various “enemy” countries. Once arrived, curious tourists found lodging, rest, and entertainment in over twenty hotels run by Inturist. However, the authorities took great pains to avoid excessive exposure to Soviet realities and con- versations with tour guides and other personnel were largely restrict- ed to the set of phrases and expressions contained in the present work. The hosts’ linguistic abilities were also quite low, as their em- ployers preferred to hire uneducated people rather than intellectuals. As a result, the level of service was famously poor, as evidenced by science-fiction writer Robert A. Heinlein: “With no Russian at all you’ll be as helpless as a bed patient” (see Heinlein, “Inside InTourist,” 1960).
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												  Boston Symphony Orchestra Concert Programs, Season 49,1929-1930SANDERS THEATRE . CAMBRIDGE HARVARD UNIVERSITY Thursday Evening, January 16, at 8.00 ^\WHilJ/iw a? % turn J; "V / BOSTON SYAPHONY ORCHESTRA INC. FORTY-NINTH SEASON 1929-1930 PRSGRHftttE mm^ 4 g J£ =V:^ The PLAZA, New York Fred Sterry John D. Owen President Manager , m^%M^\^\gjA The Savoy-Plaza T/^Copley-Plaza Henry A. Rost New y^ Arthur L. Race Boston President Managing Director Jlotels of ^Distinction Unrivalled as to location. Distin- hed throughout the World for their Appointments and service. =y* SANDERS THEATRE . CAMBRIDGE HARVARD UNIVERSITY FORTY-NINTH SEASON 1929-1930 INC. Dr. SERGE KOUSSEVITZKY, Conductor SEASON 1929-1930 THURSDAY EVENING, JANUARY 16, at 8.00 o'clock WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1930, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc. FREDERICK P. CABOT President BENTLEY W. WARREN Vice-President ERNEST B. DANE Treasurer FREDERICK P. CABOT FREDERICK E. LOWELL ERNEST B. DANE ARTHUR LYMAN N. PENROSE HALLOWELL EDWARD M. PICKMAN M. A. DE WOLFE HOWE HENRY B. SAWYER JOHN ELLERTON LODGE BENTLEY W. WARREN W. H. BRENNAN, Manager G. E. JUDD, Assistant Manager There is a STEINWAY priee and model for your home No matter where you live — on a country estate or in a city apartment —there is a Steinway exactly suited to your needs. This great piano is avail- able in five grand sizes, and one upright model, together with many special styles in period designs. But A nrif Slfinuny Uptight *% f% ^^ fij there is only one grade of Steinway. pitnnt tan hi- bought for Mw w *w 1 upw- • Every Steinway, (.it\\»s pbu of every size, com- 91475 "l"tan importation IO% inliinrr in mands that depth and brilliance of down I no \rart tone which is recognized as the pecu- \n> Steinway piano may be pur- liar property - of the Steinway, the chased with .1 < ; 1 1 1 deposit of I' 1 '' .
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												  Wortmusik, Schrifttanz, Textbilder. Intermediale Sprachkonzeptionen in Der Russischen Poesie Des 20Wortmusik, Schrifttanz, Textbilder. Intermediale Sprachkonzeptionen in der russischen Poesie des 20. Jahrhunderts Inaugural-Dissertation zur Erlangung des Grades eines Doktor der Philosophie in der Fakultät für Philologie der RUHR-UNIVERSITÄT BOCHUM vorgelegt von Henrike Schmidt Danksagung Diese Arbeit ist entstanden im Rahmen des Graduiertenkollegs „Kulturelles Bewußtsein und sozialer Wandel in der russischen und sowjetischen Gesellschaft des 20. Jahrhunderts“ des Lotman-Institutes für russische und sowjetische Kultur an der Ruhr-Universität Bochum. Mein Dank gilt der Deutschen Forschungsgemeinschaft, die das Kolleg und somit auch diese Arbeit finanziell gefördert hat, sowie allen an dem Graduiertenkolleg beteiligten Hochschullehrern und StipendiatInnen, insbesondere Herrn Prof. Dr. Karl Eimermacher und Herrn Prof. Dr. Uhlenbruch. Sergej Birjukov verdanke ich wesentliche Anregungen, Isabelle Guntermann und Ursula Justus sei gedankt für die allumfassende Unterstützung, Petra Keufgens, Christiane Palm und Anja Schwietert für die Korrekturen, Henry Vossieck und Achim Hahn für die technische Unterstützung. Meine Eltern haben durch ihr liebevolles Interesse zum Gelingen der Arbeit beigetragen so wie Thomas Berben, der die ‚systemtheoretische’ Beratung übernommen hat. 2 Der wahre Reiz des Wortspiels ist das Erstaunen über den Zufall, der durch die Welt zieht, spielend mit Klängen und Weltteilen, die daraus vorleuchtende Geistesfreiheit, welche imstande ist, den Blick von der Sache zu wenden gegen ihr Zeichen hin. Jean Paul 3 Inhaltsverzeichnis
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											Nota Bene-- <C:\Nbwin\USERS\DEFAULTAATSEEL 2020 Presentation Abstracts FRIDAY, FEBRUARY 7, 2020 1-1 Stream 1A: Tolstoy as Reader (I): Tolstoy Reading Literature, Myth and Religion Brian Kim, University of Pennsylvania Recommending Reading: Great Books According to Tolstoy In 1890, in response to Sir John Lubbock’s recently published list of one hundred books deemed “best worth reading,” Leo Tolstoy was approached by the publisher M. M. Lederle, who was interested in printing Tolstoy’s own recommendations in this regard. Tolstoy’s sin- gle and abortive attempt at compiling such a list in response contained fewer than 50 titles, organized according to the period of one’s life when they ought to be read and the degree of impression each had made on him personally. Ranging from religious texts and classical epics to contemporary philosophy and Russian literature, Tolstoy’s unpublished list is unsurprisingly characterized by an extraordinary breadth and a focus on writings conducive to the development of moral and spiritual education that was his main preoccupation in the latter period of his life. Though it did not become part of his public recommendations for reading (as, e.g., the aphorisms he later gathered in Krug chteniia), Tolstoy’s list was reflec- tive of a contemporaneous response to the rapid growth of literacy in late nineteenth-century Russia that was concerned with directing the reading consumption of a newly literate public toward texts of greater value than the light fiction so commonly found among booksellers’ wares. This paper examines Tolstoy’s recommendations in light of his experiences as a reader, educator, and public figure, and places his list in dialogue with conversations about literacy education in Russia at the end of the nineteenth century.
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												  The Network AtlasGéza Perneczky NETWORK ATLAS Works and Publications by the People of the First Network Volume 1: A - N A Historical Atlas for the Post-Fluxus Movements as Mail Art, Visual Poetry, Copy Art, Stamp Art & Other Relative Trends with Addresses, Projects, Publications & Exhibition Events (Unedited manuscript) * Up to date: July 2004. © Geza Perneczky Soft Geometry, Cologne 2 3 It's very important for me to say that I consider my occupation as an artist as very small and insignificant but at the same time as one of great dignity. I mean the refusal to accept compromisses with power, no matter of what kind it is, and the rejection of the use of art and the artistic work as its instrument... Es muy importante para mí expresar que el ejercicio de mi profesión artística lo veo como una actividad muy modesta, pero con mucha dignidad a la vez. Me refiero a la actitud de rechazo de todo compromiso con el poder, cualquiera que sea, y de la utilización de la actividad creadore como instrumento de él... Es ist für mich sehr wichtig zu sagen, daß ich meine künstlerische Tätigkeit als sehr bescheiden betrachte, gleichzeitig aber als eine von großer Würde. Ich meine damit das Zurückweisen von Kompromissen mit der Macht, egal welcher Art sie ist, und das Zurückweisen der Benutzung der Kunst und der künstlerischen Tätigkeit als ihr Instrument... (Guillermo Deisler: Some events... ) 4 1 a Collective de Arte Postale» Faculdade de Filosofia. Arapongas Brasil 1978 → °1 a Collective de Arte Postale. Doc. List of 29 parts. 1978 «A 1. Waste Paper Comp.