DOCSLIB.ORG

Nov-Dec 2019

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Nov-Dec 2019 THE EMILY DICKINSON INTERNATIONAL SOCIETY Volume 31, Number 2 November/December 2019 “The Only News I know / Is Bulletins all Day / From Immortality.” Of one Corolla is the West In This Issue Officers Features Reviews President: Barbara Mossberg Vice-President: Elizabeth Petrino 4 ‘To another Sea’: Dickinson, Environment, and 27 New Publications Secretary: Adeline Chevrier-Bosseau the West: 2019 International Conference Renée Bergland, Book Review Editor Treasurer: James C. Fraser 16 Emily’s Light: An Interview between Artist Robert William Logan Board Members McCormick and Erica Funke, of WVIA Dickinson’s Nerves, Frost’s Woods Reviewed by Michael L. Manson Renée Bergland Páraic Finnerty Elizabeth Petrino 34 The Emily Dickinson Centennial Exhibition at Yale George Boziwick James C. Fraser Eliza Richards By Krans Bloeimaand 28 Dickinson, Apple TV Series Antoine Cazé James Guthrie Brooke Steinhauser Media Review by Annelise Brinck-Johnsen Adeline Chevrier-Bosseau Li-hsin Hsu (Honorary Member) 35 Elegy for Anne-Marie Paul Crumbley Daniel Manheim Marta Werner By Cynthia Hallen 30 Dickinson Tracks from Perth Stephanie Farrar Barbara Mossberg Jane Wald (Honorary Member) Music Review by Diana Wagner Series Legal Advisor: Louis N. Levine Chapter Development Chair: Renée Bergland Members’ News Nominations Chair: Páraic Finnerty Dickinson and the Arts Chair: Barbara Dana 20 Teaching Dickinson Membership Chair: Antoine Cazé Emily Dickinson Journal Editor: James Guthrie “’Tis Centuries – and yet’: Teaching Dickinson and 31 In Memoriam: Jed Deppman, 1967-2019 the Presence of the Past By Gary Lee Stonum Editor, EDIS Bulletin: Daniel Manheim By Elizabeth Sagaser Series Editor, Marianne Noble 33 “Stratford on Avon – accept us all!” 2020 Annual Meeting Sustaining Members 24 Poet to Poet A Wild Night and a New Road 33 CFP: Special Issue of Emily Dickinson Journal Antoine Cazé Robert Eberwein Wendy Martin By Faith Shearin on International Scholarship in Translation Richard Brantley Judith Farr Barbara Mossberg Series Editor, Jonnie Guerra Diane K. Busker David H. Forsyth Marianne Noble Scott Donaldson Diana K. Fraser Vivian R. Pollak Jane D. Eberwein James C. Fraser Martha Nell Smith Jonnie G. Guerra Front Cover: The title of the international conference, “‘To another Sea’: Dickinson, Environment, and the West,” brings to mind the many poems referring to the West, including the line from Fr1261. Contributing Members Back Cover: A selection of artist Robert McCormick’s watercolors appears on pages 18-19 of the issue. The image on the Carolyn L. Cooley Eleanor Heginbotham Daniel Manheim LeeAnn Gorthey Suzanne Juhasz Dean S. Skelley back cover is in acrylics. It’s title is This Consciousness, from Fr817. Niels Kjaer Robin Tarasov Special thanks are due to LeeAnn Gorthey for her always excellent photographs, as marked. Thanks, too, to Barbara EDIS gratefully acknowledges the generous financial contributions of these members. Mossberg, for providing images from the Saturday morning visit to the sea (on the front cover) as well as the cover photograph of herself adorned with hummingbirds. EDIS is grateful to Barbara for her work in organizing the remarkable EDIS Bulletin (ISSN 1055-3932) is published twice yearly, May/June and November/December, by The Emily Dickinson International Society, Inc. Standard Mail non-prof- conference. it postage is paid at Lexington, KY 40511. Membership in the Society is open to all persons with an interest in Emily Dickinson and her work. For further information, contact Martha Nell Smith, President, EDIS, Department of English, 2119 Tawes Hall, University of Maryland, College Park, MD, 20742, or [email protected]. Annual dues are $60.00 for regular members, $30.00 for students, $200.00 for sustaining members, $113.00 for institutional members, $100.00 for contributing members (all of whom receive the Bulletin and the Emily Dickinson Journal), or $20.00 for associate members (Bulletin only). Membership inquiries should be directed to James C. Fraser, Dickinson poems are reprinted by permission of the publishers and the Trustees of Amherst College from the following volumes: The Poems of Emily Dickinson, Thomas H. 159 Prospect St., Apt 7, Acton, MA, 01720-3654, USA. Membership applications and changes of address should be sent to The Emily Dickinson International Society, Johnson, ed., Cambridge, Mass.: The Belknap Press of Harvard University Press, Copyright © 1951, 1955, 1979, 1983 by the President and Fellows of Harvard College; The c/o Johns Hopkins University Press, P.O. Box 19966, Baltimore, MD 21211-0966, USA. Direct changes of address to [email protected], 800-548-1784 (U.S. Poems of Emily Dickinson: Variorum Edition, Ralph W. Franklin, ed., Cambridge, Mass.: The Belknap Press of Harvard University Press, Copyright © 1998 by the President and Canada), or 410-516-6987; fax to 410-516-3866. Address submissions for the Bulletin to Daniel Manheim, Centre College, 600 West Walnut St., Danville, KY 40422, and Fellows of Harvard College; The Poems of Emily Dickinson: Reading Edition, Ralph W. Franklin, ed., Cambridge, Mass.: The Belknap Press of Harvard University Press, USA or [email protected]. Submission deadlines are March 1 (Spring issue) and September 1 (Fall issue). All articles become the property of the Bulletin. Back Copyright © 1998, 1999 by the President and Fellows of Harvard College; The Complete Poems of Emily Dickinson, Thomas H. Johnson, ed., Copyright © 1929, 1935 by Mar- issues are available for $5.00 each from the editor. Copyright © 2019 by The Emily Dickinson International Society, Inc. The Bulletin is indexed in EBSCO, Humanities tha Dickinson Bianchi, Copyright © renewed 1957, 1963 by Mary L. Hampson: Little Brown and Co., Boston. Dickinson letters are reprinted by permission of the publishers International Complete, and the MLA Bibliography. from The Letters of Emily Dickinson, Thomas H. Johnson, ed., Cambridge, Mass.: The Belknap Press of Harvard University Press, Copyright © 1958, 1986 by the President and Fellows of Harvard College; 1914, 1924, 1932, 1942 by Martha Dickinson Bianchi; 1952 by Alfred Leete Hampson; 1960 by Mary L. Hampson. www.emilydickinsoninternationalsociety.org 2 | EDIS Bulletin November/December 2019 | 3 To Another Sea To Another Sea “To another Sea”: Dickinson, Environment, and the West Asilomar Keynotes: Decades of Reflection Asilomar 2019 ecent keynote speakers at Dickinson Society meetings and conferences have often drilled deep into a wide range of topics – Edenic land- Rscapes; Dickinson and the Amherst College meterologist; the dance of Dickinson’s innovative language; Dickinson in the anthropocene. cean, mountains, forests, brooks – berg’s own initial comments, entitiled “This rected by Ted Gorodetszy, accompanied by OEmily Dickinson never visited the Tremendous Scene – This Whole Experi- Rhapsodist Daniel Neer and second pianist The Asilomar Conference offered, in presentations by writers long familiar as founding figures in modern Dickinson studies, three forty-year west, any more than she visited the sea, but ment of Green,” came the following morn- Eve Kodiak (see page 10). For the evening retrospectives on the experience of studying and writing on the poet through times when her work, and that of women authors generally, were EDIS members who gathered last August ing, when she presented reflections on Dick- keynote address, participants had the rare scarcely welcome in university curricula. In addition to EDIS President Barbara Mossberg herself, author of When a Writer is a Daughter at the Asilomar Conference Center in Pa- inson and the wild that prepared for the next opportunity of hearing Wendy Martin, the (1982), these presenters included Sandra Gilbert, who wrote, with Susan Gubar, The Madwoman in the Attic (1979); Wendy Martin, whose cific Grove, west of Monterey, California, days’ papers. Beginning with “A little mad- founding editor of Women’s Studies, reflect- An American Triptych: Ann Bradstreet, Emily Dickinson, Adrienne Rich (1984) helped establish a model way to view women poets writing found that the poet knew the place as if the ness / in the Spring” (Fr1356), and conjoin- ing on her “Fifty Years of Looking at Emily against the grain; and poet/scholar Alicia Ostriker, whose writings about poetry go back to the late 1970s, and who has, in numerous poems checks were given. The tree-surrounded ing it with “Nobody knows this little rose” Dickinson as a Woman.” throughout her career, engaged Dickinson’ voice and sensibility. cabins of Asilomar, designed to harmonize (Fr11), she explored the topic of Dickinson with Julia Morgan’s original design of the and the unfamiliar, the foreign, weaving her It would not be right to discuss Emily Dick- While full-text transcriptions of the addresses await future publication, the following accounts, two by Bulletin staff and one by the author central buildings, were within earshot of the own experiences as an internationally trav- inson at a seaside conference center without herself, may provide some sense of the breadth and power of these addresses. The article begins with Wendy Martin’s abridgement of her talk, surf, and a few intrepid Dickinsonians even elled Dickinson ambassador/scholar into her at least once donning appropriate garb, start- because it speaks to the academic context in which modern Dickinson studies began. braved the waves to kayak among the sea observations about how Dickinson can con- ing early, and visiting the sea – accompa- otters, as swift as eels and as charismatic
Load more

Recommended publications
  • CURRICULUM VITAE Brian A. Bremen 208 W 21St Street Stop B5000 Department of English the University of Texas at Austin Austin, Texas 78712-1164 PERSONAL
    CURRICULUM VITAE Brian A. Bremen 208 W 21st Street Stop B5000 Department of English The University of Texas at Austin Austin, Texas 78712-1164 PERSONAL: Born: November 29, 1952 Telephone: Office–(512) 471-7842 Address: 2215 Post Road #2110 Home–(512) 476-6530 Austin, Texas 78704 e-mail: [email protected] EDUCATION: Princeton University, 1984-89, Ph. D. 1989 Dissertation: “The Radiant Gist: The Poetics and Prose of William Carlos Williams,” Directors: A. Walton Litz and Sandra Gilbert The Bread Loaf School of English, Middlebury College, 1981-84, (summer study) Princeton University, 1970-75, AB (Economics) TEACHING EXPERIENCE: Associate Professor, Department of English, University of Texas at Austin, 1995-present Assistant Professor, Department of English, University of Texas at Austin, 1990-95 Lecturer, Department of English, Princeton University, 1988-90 Assistant Instructor, Department of English, Princeton University, 1986-88 Instructor of English, The Peddie School, Hightstown, NJ, 1975-84 OTHER PROFESSIONAL EXPERIENCE: Panelist, NEH-Mellon Fellowships III: American History, Literature, and Studies, 2016 Contributing Editor, William Carlos Williams Review, 2002-present (Managing Editor, 1992-2002) Editorial Board, College Literature, 2008-present Editorial Board, The College Board Review, 2005-present Reader of book manuscripts, Oxford University Press, 1995-present Reader of book manuscripts, Longman Publishers, 2001-present Reader of journal articles for “The New Black and The New Negro: Generational Tensions between Blackness
    [Show full text]
  • Visitor's Guide
    AREA VISITOR GUIDE 2009-2010 AMHERST AND HADLEY ANNIVERSARY EDITION AMHERST AREA CHAMBER OF COMMERCE 28 AMITY STREET • AMHERST, MA 01002 413-253-0700 www.amherstarea.com Rich in history, natural beauty, cultural attractions, and fine shopping and dining, the Amherst area is perfect for a day...a weekend getaway...a six-month sabbatical...or the rest of your life! Take in an exhibit at one of our world-renowned museums. Hike an extensive trail network through beautiful meadows and mountains. And finish your day with a gourmet meal featuring cuisine from almost any corner of the world. Spend the night at a charming Victorian Inn, a comfortable bed-and-breakfast, or a gleaming new hotel with all the amenities—the choice is yours, and all within a 10-minute drive of our vibrant downtown, with its elegant boutiques, bookstores, cafes and specialty shops. We hope that you enjoy your stay in the Amherst area. Please tell your host that the Chamber sent you! Into our Rich History....................... 3 Amherst 250th Anniversary, Hadley 350th Anniversary Into a Living Past.......................... 5 Museums, historic sites, literary heritage A Vibrant Present.......................... 8 Art museums, galleries, art events Stepping Out for Fun...................... 10 Live performance, seasonal entertainment, family attractions, health and fitness, fun on the farm Educational Resources .................... 16 Area colleges and resources Calendar of Events........................ 17 Maps ................................... 18 Town of Amherst, regional highways, interstate highways Downtown Amherst ...................... 20 Directions ............................... 22 Driving directions, transportation Get Closer to Nature ...................... 23 State- and town-sponsored parks, Table of Contents Table outdoor recreation Shopping................................... 26 Restaurants ............................. 29 Accommodations........................
    [Show full text]
  • Getting Cold Outside
    GETTING C-C-COLD OUTSIDE? EXPLORE WESTERN MASSACHUSETTS’ GREAT INDOORS! With the holidays come and gone, real Yankee-style winter typically gets a grip on this part of New England. And for the hardy outdoor types, we’ve got plenty of chill-weather sports and activities to offer. But for those who prefer snuggling in to bundling up, there’s still lots to see and do, in places where you won’t need mittens and boots. If knowledge and fun warm your hearts (and minds!) rejoice in the fact that our region is truly rich in excellent museums, and best of all, they’re not the stuffy keep-quiet-don’t-touch type. Virtually all feature hands-on experiences for all ages, and participation is encouraged. One of the coolest “exploratoriums” we offer isn’t even in Western Massachusetts, though it’s just minutes over the Connecticut state line. That’s the fabulous New England Air Museum, located in Windsor Locks. Their collection contains over 100 aircraft ranging from early flying machines to supersonic jets. Located in the heart of downtown Springfield, Massachusetts, the Springfield Museums offers access to four world-class museums and (in warmer weather, of course) the Dr. Seuss National Memorial Sculpture Garden, all under a single admission. At the Springfield Science Museum the dinosaur exhibit spans two galleries and includes real dinosaur tracks and fossils, a life-sized Tyrannosaurus rex model, a replica of a stegosaurus skeleton, a surround-sound Jurassic Theater experience, and more. The Lyman and Merrie Wood Museum of Springfield History is known for its local history research facilities, its comprehensive program of changing exhibitions, its diverse educational offerings, and its wide ranging collections illuminating the history of the Connecticut River Valley.The Indian Motocycle Collection is the largest collection of Indian cycles and memorabilia in the world and the Firearms Collection includes more than 1600 firearms, with the largest collection of Smith & Wesson guns in the world.
    [Show full text]
  • State of the Art of Influences and Anxieties
    06 demoor (jk/d) 22/4/02 8:43 am Page 181 State of the Art Of Influences and Anxieties Sandra Gilbert’s Feminist Commitment Marysa Demoor CLARE HALL, CAMBRIDGE Katrien Heene UNIVERSITY OF GHENT ABSTRACT This is an interview with Professor Sandra Gilbert (University of North California at Davis), undoubtedly one of feminism’s most prominent theorists. The interview was conducted in Ghent in the spring of 2000. Sandra Gilbert’s name is most often used in conjunction with that of Professor Susan Gubar as the author of The Madwoman in the Attic and the trilogy No Man’s Land. In the course of the interview Professor Gilbert talks about the hurdles she had to cross as a young woman academic, the choices she had to make as a mother, her successful collaboration with Susan Gubar and her current, quite controversial viewpoints concerning women’s studies versus gender studies and essentialism. KEY WORDS feminism N literary criticism N literary history N literary theory Sandra Gilbert is one of the stars in feminist literary history. She and Susan Gubar established themselves as formidable forces when they co- wrote The Madwoman in the Attic, published in 1979. Then followed the successful trilogy No Man’s Land (1988, 1990, 1994) and the Norton Anthol- ogy of Literature by Women. Every self-respecting literary theorist is supposed to know their oeuvre before he or she can pronounce them- selves on the recent history of literary criticism. The Madwoman was very special in its time. It was a book written by two people yet achieving a homogeneity which one would assume impossible to reach and it was truly innovative in its ‘woman-centred’ approach of Anglo-American literature.
    [Show full text]
  • Amherst College, Emily Dickinson, Person, Poetry, and Place
    Narrative Section of a Successful Proposal The attached document contains the narrative and selected portions of a previously funded grant application. It is not intended to serve as a model, but to give you a sense of how a successful proposal may be crafted. Every successful proposal is different, and each applicant is urged to prepare a proposal that reflects its unique project and aspirations. Prospective applicants should consult the program guidelines at www.neh.gov/grants/education/landmarks-american-history-and- culture-workshops-school-teachers for instructions. Applicants are also strongly encouraged to consult with the NEH Division of Education Programs staff well before a grant deadline. The attachment only contains the grant narrative and selected portions, not the entire funded application. In addition, certain portions may have been redacted to protect the privacy interests of an individual and/or to protect confidential commercial and financial information and/or to protect copyrighted materials. Project Title: Emily Dickinson: Person, Poetry, and Place Institution: Amherst College Project Director: Cynthia Dickinson Grant Program: Landmarks of American History and Culture Workshops 1100 Pennsylvania Ave., N.W., Rm. 302, Washington, D.C. 20506 P 202.606.8500 F 202.606.8394 E [email protected] www.neh.gov 2014 “Emily Dickinson: Person, Poetry, and Place” 2 The Emily Dickinson Museum proposes to offer a 2014 Landmarks of American History and Culture Workshop for School Teachers, “Emily Dickinson: Person, Poetry and Place.” Unpublished in her lifetime, Emily Dickinson’s poetry is considered among the finest in the English language. Her intriguing biography and the complexity of her poems have fostered personal and intellectual obsessions among readers that are far more pronounced for Dickinson than for any other American poet.
    [Show full text]
  • Stony Brook University
    SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... A Remembrance of the Belle: Emily Dickinson on Stage A Thesis Presented by Caitlin Lee to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts in Dramaturgy Stony Brook University May 2010 Stony Brook University The Graduate School Caitlin Lee We, the thesis committee for the above candidate for the Master of Fine Arts degree, hereby recommend acceptance of this thesis. Steve Marsh – Thesis Advisor Lecturer and Literary Manager, Department of Theatre Arts Maxine Kern – Second Reader Lecturer, Department of Theatre Arts This thesis is accepted by the Graduate School. Lawrence Martin Dean of the Graduate School ii Abstract of the Thesis A Remembrance of the Belle: Emily Dickinson on Stage by Caitlin Lee Master of Fine Arts in Dramaturgy Stony Brook University 2010 In September 2009, I served as the Production Dramaturg for the New York premiere production of Emily: An Amethyst Remembrance. During my research process, I learned that the true persona Emily Dickinson does fit into one particular stereotype. In this thesis I provide, I examine three different theatrical interpretations of the character of Emily Dickinson: Allison’s House by Susan Glaspell, The Belle of Amherst by William Luce, and Emily: An Amethyst Remembrance by Chris Cragin. Though each of these texts are quite different in structure, they each depict woman who is strong and loving; she is not afraid of the world, but rather it is her choice to exclude herself from it.
    [Show full text]
  • Plath Profiles )3 !.).4%2$)3#)0,).!29 */52.!, &/2 39,6)! 0,!4( 345$)%3 )4)305",)3(%$!..5!,,9/.4(%).4%2.%4!4 (440777)5.%$5^.7!$-).0,!4(
    Plath Profles 6/,5-%s!545-. Plath Profles EDITOR-IN-CHIEF William K. Buckley MANAGING EDITOR Cathleen Allyn Conway PEER REVIEW Cathleen Allyn Conway Jessica R. McCort Jeanne Obbard Sarah Nichols Nick Smart EDITING AND DESIGN Cathleen Allyn Conway SOCIAL MEDIA Amanda Golden PLATH PROFILES )3 !.).4%2$)3#)0,).!29 */52.!, &/2 39,6)! 0,!4( 345$)%3 )4)305",)3(%$!..5!,,9/.4(%).4%2.%4!4 (440777)5.%$5^.7!$-).0,!4( PLATH PROFILES\)33. ¥ !54(/232%4!).4(%#/092)'(44/4(%)2).4%,,%#45!,#/.4%.4 &).$53/.&!#%"//+&!#%"//+#/-0,!4(02/&),%3 o PLATH PROFILES sVOLUME 9s 2016 Contents 6/,5-%s!545-. POETRY 03 In the Slivered Hospital Jennifer MacBain-Stephens 04 Self-Portrait as Hydrangea Shevaun Brannigan 05 Te Beeswax Candle Janna Erickson 06 Sumption: Sivvy’s Food Crystal Hope Hurdle 08 Blue Water Natalie Crick 09 Night Natalie Crick ARTICLES 18 Esther’s Uncanny Doubles: Te “big, smudgy-eyed Chinese woman” and the “bleached-blonde Negress” in Te Bell Jar Hiromi Yoshida 23 “Paula’s snowsuit was smeared wet and black with oil”: Sylvia Plath on Children’s Capacity for Love and War’s Infuence of Hate Julie Ooms 31 Mud Plus Struck Equals Muck: Filth andViolence in the Works of Sylvia Plath Julia McCord Chavez, Robert C. Hauhart 34 Shrunken Heads: Reading Plath Reading Eliot Sara Fetherolf 40 ‘Unintelligible syllables’: Noise in the poetry of Sylvia Plath Christine Walde 345$%.47/2+ 68 “Every Woman’s a Whore”: Misogyny and Hypocrisy in Sylvia Plath’s Oeuvre Mercy D. Sherman 68 A World Without Men: Matriarchal Landscapes in Sylvia Plath’s “Stings,” “Wintering,” “Purdah,” and “Letter in November” Constance Chan 68 Identity in Te Bell Jar and Te Perks of Being aWallfower: A Comparison Taylor McGonigle 68 Te signifcance of metaphor in ‘Daddy’ Elise Stanford 68 Exploring identity in Te Bell Jar and Te Catcher in the Rye Jess Ardley ART 55 Poems, Suitcases Kristina Zimbakova PLATH PROFILES sVOLUME 9s 2016 3 Editors’ note Tese fne and very original essays refect the ongoing interest in the work of Sylvia Plath around the world.
    [Show full text]
  • Personnel, Planning & Policy Committee Meeting
    NOTICE OF MEETING Inhabitants of the Town of Amherst: You are hereby notified that there will be a meeting of: Public Body: The Jones Library, Inc. Personnel, Planning and Policy Committee Date: Thursday, August 12, 2021 Time: 4-5pm Location: Zoom Webinar ADVISORY TO THE PUBLIC: This special Jones Library Personnel, Planning and Policy Committee meeting will occur virtually via ZOOM and will be streamed live here: You are invited to a Zoom webinar. When: Aug 12, 2021 04:00 PM Eastern Time (US and Canada) Topic: The Jones Library, Inc. Personnel, Planning, and Policy Committee Please click the link below to join the webinar: https://amherstma.zoom.us/j/81703664637 Or One tap mobile : US: +13017158592,,81703664637# or +13126266799,,81703664637# Or Telephone: Dial(for higher quality, dial a number based on your current location): US: +1 301 715 8592 or +1 312 626 6799 or +1 646 876 9923 or +1 669 900 6833 or +1 253 215 8782 or +1 346 248 7799 or +1 408 638 0968 Webinar ID: 817 0366 4637 International numbers available: https://amherstma.zoom.us/u/kc8f97qdL Meeting Agenda I. Call to Order II. Minutes * III. Proposed Deaccessions * IV. Jones Library Plan for Phased Resumption of Services to the Public o Masks Required o Open Hours Schedule * o 50% Meeting Room Occupancies (Woodbury 62; Amherst 12; Goodwin 25) V. Director Annual Evaluation Forms * VI. Adjournment ** Please note that the list of topics in this notice was comprehensive at the time of posting, however the public body may consider and take action on unforeseen matters not specifically named in this notice.
    [Show full text]
  • Emily Dickinson's Windows Different Amherst
    EMILY DICKINSON' s WINDOWS Xiao Situ Emily Dickinson’s Windows Emily Dickinson (1830–1886) lived in a house abundantly furnished with windows. Approximately seventy-five adorned the exterior of the Homestead, the Dickinson family’s Federal-style residence in Amherst, Massachusetts (fig. 1). There were nineteen on the south façade, eleven on the north, twenty-two on the east, and twenty-three on the west. These included French windows, conservatory windows, and cupola windows. There were even two internal windows that looked out from one room into another.1 Windows permeated Dickinson’s deeply interior life. What did these windows mean to her? How might they have shaped her poetry? What can be recovered of her world by our engagement with her windows today? Dickinson’s interactions with windows were numerous and richly associative throughout her lifetime, suffused with playful imagination, ritualistic significance, and strong emotional attachment. She loved her windows, and she loved writing about them. In a letter to her friend Mary Bowles in the winter of 1859, the poet wrote, “I cannot walk to the distant friends on nights piercing as these, so I put both hands on the window-pane, and try to think how birds fly, and imitate, and fail.”2 To her friend Elizabeth Holland in 1884, Dickinson reported, “I have made a permanent Rainbow by filling a Window with Hyacinths.”3 And in a The Dickinson letter to her cousin Louise Norcross, the poet described how a fly hopping Homestead, Amherst, Massachusetts (detail, from pane to pane on her window created cheerful musical notes on see fig.
    [Show full text]
  • Five College Yearbook 2012-2013
    YEARBOOK Report on 2012–2013 AMHERST | HAMPSHIRE | MOUNT HOLYOKE | SMITH | UMASS AMHERST FIVE COLLEGE CONSORTIUM TIMELINE 1910 1914 Committee on University Extension of the Connecticut Valley Colleges is established 1922 1920 to offer extension courses in Committee on University the Pioneer Valley. 1948 Extension sponsors the First joint faculty appointment, country’s first courses taught in economics, created. over radio. 1959 Literary magazine Massachu- 1958 setts Review founded with 1951 The New College Plan: consortium support. 1950 Four College Library coopera- A Proposal for a Major tion begins with the creation 1957 Departure in Higher Education First joint department, of the Hampshire Inter-Library First coordinator of Four College recommends the establishment astronomy, is established. Loan Center (HILC), a shared, affairs, Sidney R. Packard, of a fifth, experimental college There are now two joint circulating serials collection. begins term. in the Pioneer Valley. departments. 1965 1966 Latin American Studies, first First Five College Fellow joint area studies program, named. founded. 1961 1960 Four Colleges, Incorporated Four Colleges, Incorporated is Four College Bus system becomes Five Colleges, created. The campuses assist launched college. 1960 Incorporated after Hampshire with planning and fund-raising WFCR (Four College joins. for a new college. 1979 College Radio) Neill Endowment of $1 million begins broadcasting. is established by private donor to support visiting scholars. Consortium provides 1973 1978–79 subsidies to Pioneer Valley 1970 Student cross registration Five College Dance Transit Authority (PVTA) for free 1970 without additional fee or Department is established; transportation for students and Hampshire College admits inter-campus reimbursement operated previously as Five campus employees on its first students.
    [Show full text]
  • Towards a Psycho-Feminist Literary Criticism Norman David Marín
    Káñina, Rev. Artes y Letras, Univ. Costa Rica. XXX (2): 59-70, 2006 / ISSN: 0378-0473 RADICAL FEMALE AUTHORSHIP: TOWARDS A PSYCHO-FEMINIST LITERARY CRITICISM Norman David Marín Calderón* ABSTRACT In this article, and from the reflections of Sandra Gilbert and Susan Gubar, I will start the study of traditional concepts of authorship, women’s writing, and the textual/sexual meaning of authorship. Likewise, I will analyze the conceptualization of desire in the formation of gender identity, subject formation, and female representation according to the theory of psychoanalyst Jacques Lacan and the rereading of his theories by feminist psychoanalysis. Next, the issue of epistolary writing will be examined as a confessional and subversive kind of female writing, mainly from the perspective of Linda Kauffman. Finally, I will examine the subversive elements of sisterhood and female sexuality according to the radical ideas of bell hooks and Adrienne Rich. Key words: Authorship, gender identity, epistolary writing, sorority, female sexuality. RESUMEN En este artículo, y desde las reflexiones que hacen Sandra Gilbert and Susan Gubar, empezaré el estudio de los conceptos tradicionales de autoría, escritura femenina y el significado textual/sexual de dicha autoría. Igualmente, analizaré la conceptualización de deseo en la formación de la identidad sexual, la constitución subjetiva y la representación femenina de acuerdo a la teoría del psicoanalista Jacques Lacan y las relecturas que hace de este el psicoanálisis feminista. Luego, será examinado el problema de la escritura epistolar como una forma confesional, pero subversiva de escritura femenina, principalmente desde la perspectiva teórica de Linda Kauffman. Finalmente, examinaré los elementos subversivos sobre sororidad y sexualidad femenina de acuerdo a las ideas radicales de bell hooks y Adrienne Rich.
    [Show full text]
  • The Problem of Trans-Lation: Reading French Feminisms Bina Freiwald
    Document generated on 09/23/2021 4:41 p.m. TTR Traduction, terminologie, re?daction The Problem of Trans-lation: Reading French Feminisms Bina Freiwald Traduire la théorie Volume 4, Number 2, 2e semestre 1991 URI: https://id.erudit.org/iderudit/037093ar DOI: https://doi.org/10.7202/037093ar See table of contents Publisher(s) Association canadienne de traductologie ISSN 0835-8443 (print) 1708-2188 (digital) Explore this journal Cite this article Freiwald, B. (1991). The Problem of Trans-lation: Reading French Feminisms. TTR, 4(2), 55–68. https://doi.org/10.7202/037093ar Tous droits réservés © TTR: traduction, terminologie, rédaction — Les auteurs, This document is protected by copyright law. Use of the services of Érudit 1991 (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ The Problem of Trans-lation: Reading French Feminisms Bina Freiwald I would like to introduce my topic — the reception in North America of French feminist theory in translation — by citing an exchange between three American feminist scholars, an exchange occasioned by a 1981 Yale French Studies special issue entitled "Feminist Readings: French Texts/American Contexts." The participants in this forum were
    [Show full text]